[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-cassina-ron-glad-deadline-2016":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":105},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":100,"matched_pages":101,"match_count":102,"two_pages":103,"show_text":104},8050,"Ron Glad Deadline 2016","cassina-ron-glad-deadline-2016","\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fac\u002F0f710d48fb4abe5b919b2f790ba2cc.pdf","Cassina",1134,"cassina","3.6 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97],{"image":7,"text":15,"number":16},"Ron Gilad\nDeadline\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.2.png","Ron Gilad\nDeadline\nwww.cassina.com\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.3.png","Index\nBlue Deadline \nAbaco\nCesare & Adele \nSunset in Black\nReflections  \nabout Spatialism \nEternal Sun\n200 Lines \nof Realism \nMemories of \na Lost Oval\nDaydream\n60 Crossing \nPaths \n2 Crossing Paths \nShredded \nA3 \nWho’s Afraid  \nof Red?\nIntro\n8\n22\n10\n24\n12\n28\n14\n30\n16\n32\n18\n36\n7\n20\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.4.png","4\n5\nRon Gilad\nENG\nITA\nGli oggetti ibridi di Ron \nGilad uniscono l’ingegno \nmateriale con il gioco \nestetico; si siedono sulla \nmorbida, deliziosa linea \ndi confine tra l’astratto \ne il funzionale.\nGilad è affascinato dal \nfilosofeggiare sugli oggetti \ncomuni con cui viviamo.\nIl suo lavoro, che varia  \nda sculture a modelli per \nla produzione, non ha \n“scadenza” e le sue opere \nsi trovano in collezioni \npubbliche e private  \nin tutto il mondo.\nGilad pone domande \nincessanti in forma 3D \ne formula risposte che \ncreano un terreno \nfertile per i dubbi.\nRon Gilad’s hybrid objects \ncombine material wit with \naesthetic play; they sit \non the fat, delicious line \nbetween the abstract  \nand the functional.\nGilad is fascinated  \nwith philosophizing about \nthe common objects  \nwe live with. His work, \nwhich vary from \nsculptures to production \npieces, have no “expiration \ndate” and reside in \nboth public and private \ncollections worldwide. \nGilad asks unceasing \nquestions in 3D form  \nand fabricates answers \nthat create an arena  \nfor fertile doubt.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.5.png","7\nENG\nITA\nCos’è uno specchio? Ci sono risposte \ntecniche. Ci sono risposte fantastiche. Ci sono \nrisposte poetiche. Ron Gilad ha costruito con \nquesta serie di specchi una nuova splendida \ngenerazione di risposte a una domanda che \ns’intaglia da sempre nelle curiosità infantili,  \nnei desideri degli adulti, nel bisogno di \namplificare lo spazio degli architetti.\nLa sua è una risposta illusonistica, e insieme \nanalitica: apre, smonta, risistema gli elementi \nbasilari dell’oggetto specchio.\nOgnuno degli elementi di questa serie, infatti, \nè inscritto in una cornice di frassino, bianco  \no nero, e ognuno si estende in superfici \ne forme differenti: oblunghe, rettangolari, \nquadrate. Ma tutti mettono in scena un trucco \nche a un tempo solo definisce e tradisce  \nla funzione dello specchio.\nOgni quadro di questa idiosincratica \ncollezione di immagini possibili, chiamato \ncon nomi fantasiosi e misteriosi, è difatti \ncomposto di due lamine, una laccata e una \nspecchiante: attraverso tagli, mascherine, \naperture, griglie e sfumature, sovrapposizioni \ne oblò accennati, si producono nella superficie \nferitoie impercettibili — finestre minuscole \naffacciate sul mistero profondo di dover \nriflettere il mondo.\nGianluigi Ricuperati\nWhat is a mirror? There \nare technical answers. \nThere are fantastical \nanswers. There are poetic \nanswers. With this series \nof mirrors, Ron Gilad has \ncreated a splendid new \ngeneration of answers \nto a question that has \nalways been engraved in \nchildhood curiosity, in the \ndesires of adults and \nin the need by architects \nto enlarge space.\nHis is an illusionist answer, \nan analytical set of replies: \nhe opens, dissembles and \nreworks the basics \nof the mirror.\nEach of the elements \nin this series is, in fact, \ninscribed in a frame \nof black or white ash, \nand each one extends \ninto different surfaces \nand shapes: oblong, \nrectangular, square. \nBut they all feature a trick \nthat defines and betrays \nthe mirror function, at one \nand the same time.\nEach picture in this \nidiosyncratic collection of \npossible images with their \ningenious, mysterious \nnames, is actually \nmade up of two films, \none lacquered and \none reflective: cutting, \ntemplates, openings, \ngrilles and shading, \nlayering and implied cut-\nouts create imperceptible \nslits on the surface, tiny \nwindows looking into the \ndeep mystery of having \nto reflect the world.\nGianluigi Ricuperati\nIntro\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.6.png","8\n9\nWho’s Afraid of Red?\n2016 \nVetro, Argento, Vernice,\nFrassino naturale\n50x70 cm\nWho’s Afraid of Red?\n2016 \nGlass, Silver, Varnish, \nNatural Ashwood\n50x70 cm \u002F 19.7”x27.5”\nUn doppio sguardo,  \nsu sfondo rosso, che crea \nuno spazio di attenzione  \ne preoccupazione.\nA double view on a red \nbackground. A space for \nattention and a little room \nfor some warning.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.7.png","10\n11\nShredded A3 \n2016 \nVetro, Argento, Vernice,\nFrassino naturale\n50x70 cm\nShredded A3 \n2016 \nGlass, Silver, Varnish, \nNatural Ashwood\n50x70 cm \u002F 19.7”x27.5”\nUn intreccio, un retablo,\nil reticolo delle possibili\nidentità genera un’illusione\nmatematica di linee\ne realtà.\nA woven maze forms\na reticulation of possible\nidentities. An mathematical\nillusion made of lines\nand reality.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.8.png","12\n13\n2 Crossing Paths \n2016 \nVetro, Argento, Vernice,\nFrassino naturale\n50x70 cm\n2 Crossing Paths \n2016 \nGlass, Silver, Varnish, \nNatural Ashwood\n50x70 cm \u002F 19.7”x27.5”\nCome un quadro di \nRauschenberg, \ni fogli e i residui del mondo \ndiventano specchi e ritaglio, \nangoli e quadrangoli.\nRauschenberg’s work seen in \nsheets and residual remains, \nthat  turn into mirrors \nand clipings, angles and \nquadrangles.\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.9.png","14\n15\n60 Crossing Paths \n2016 \nVetro, Argento, Vernice,\nFrassino naturale\n50x70 cm\n60 Crossing Paths \n2016 \nGlass, Silver, Varnish, \nNatural Ashwood\n50x70 cm \u002F 19.7”x27.5”\nThe illusion’s slight  \nof hand leaves geometry  \nat a loss. On a stage  \nwe see the triumph  \nof algebra’s portrayal.\nOgni forma geometrica, \nl’illusione di un’illusione  \nnei punti dello spazio,  \nsi propone allo spettatore  \ndi questo specchio-teatro:  \nun teatro di elementi puntuali, \nil trionfo dell’algebra \ndella raffigurazione.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.10.png","16\n17\nDaydream\n2016 \nVetro, Argento, Vernice,\nFrassino naturale\n50x70 cm\nDaydream\n2016 \nGlass, Silver, Varnish, \nNatural Ashwood\n50x70 cm \u002F 19.7”x27.5”\nUn trapezio s’incaglia nel \nframmento di cielo azzurro, \nuna camera acustica per \ngli occhi, forse dal letto \nfantastico di un bambino \nche sogna. \nA trapezoid stuck \nin a fragment of blue sky. \nA listening instrument for \nones eyes, taken perhaps \nfrom the dream of a child.\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.11.png","18\n19\nMemories of a Lost Oval\n2016 \nVetro, Argento, Vernice,\nFrassino tinto nero\n50x70 cm\nMemories of a Lost Oval\n2016 \nGlass, Silver, Varnish, \nStained-black Ashwood\n50x70 cm \u002F 19.7”x27.5”\nDue forme oblunghe, \ncome scudi, come \nconfetti bidimensionali, \nrestituiscono l’idea di un sé \nalternativo, un’ellissi nera \nda cui mandare messaggi \nalla propria dimensione \npossibile.\nAnd so it is that two oblong \nshapes, at first like shields \nthen two dimensional treats, \ntell the tale of another \nperson. A black ellipsis from \nwhich to send messages  \nto one’s possible self.\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.12.png","20\n21\n200 Lines of Realism \n2016 \nVetro, Argento, Vernice,\nFrassino naturale\n100x100 cm\n200 Lines of Realism \n2016 \nGlass, Silver, Varnish, \nNatural Ashwood\n100x100 cm \u002F 39.4”x39.4”\nUn’altra doppia identità, \ncome una firma scritta \nin due inchiostri differenti, \nnel quadrato a strisce \norizzontali specchiato \nsullo sfondo arancio.\nSee the double agent writing \nher signature in two different \nkinds of ink, in a striped \nsquare on an orange setting.\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.13.png","22\n23\nEternal Sun\n2016 \nVetro, Argento, Vernice,\nFrassino naturale\n100x100 cm\nEternal Sun\n2016 \nGlass, Silver, Varnish, \nNatural Ashwood\n100x100 cm \u002F 39.4”x39.4”\nIl cerchio rappresenta \nlo stato della sostanza \nprimordiale, impalpabile \ne trasparente, uniforme \ne indifferenziata.\nThe circle represents a state \nof primordial substance, \nimperceptible and \ntransparent, uniform and \nundifferentiated.\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.14.png","24\n25\nReflections  \nabout Spatialism \n2016 \nVetro, Argento, Vernice,\nFrassino naturale\n100x100 cm\nReflections  \nabout Spatialism \n2016 \nGlass, Silver, Varnish, \nNatural Ashwood\n100x100 cm \u002F 39.4”x39.4”\nCome in un gesto \nfontaniano, la superficie \nspecchiante diventa una \nferita metafisica, che crea \nun microcosmo cupo.\nWe see the hand \nof Fontana, mirroring \na metaphysical wound \nfor a somber microcosm.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.15.png","26\n27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.16.png","28\n29\nSunset in Black\n2016 \nVetro, Argento, Vernice,\nFrassino tinto nero\n40x170 cm\nSunset in Black\n2016 \nGlass, Silver, Varnish, \nStained-black Ashwood\n40x170 cm \u002F 15.7”x66.9”\nIncorniciato nello sfondo \nquasi decadente \ndi una maschera nera \ne oblunga, il trucco\ndi questo specchio si \nrivela nello spazio minimo \ngenerato da un’altra figura \ngeometrica, uguale \ne traslata, di colore arancio.\nThe trick of this mirror \nrevealed in another \ngeometry, identical yet \nprojected onto an orange \nsurface. Framed by a \ndecadent black mask.\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.17.png","30\n31\nCesare & Adele \n2016 \nVetro, Argento, Vernice,\nFrassino naturale\n40x170 cm\nCesare & Adele \n2016 \nGlass, Silver, Varnish, \nNatural Ashwood\n40x170 cm \u002F 15.7”x66.9”\nAlto e lungo, lo specchio \nsi compone di una sottile \nlinea rossa, il confine che \nciascuno può o non può \nattraversare, o forse una \nbenda sottile per slittamenti \nprogressivi della personalità.\nLong and tall. One red  \nline, one’s choice of  \na borderline. Or a slight \nwave that plays back  \nshifting progressions \nof our personalities.\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.18.png","32\n33\nBlue Deadline \n2016 \nVetro, Argento, Vernice,\nFrassino naturale\n40x170 cm\nBlue Deadline \n2016 \nGlass, Silver, Varnish, \nNatural Ashwood\n40x170 cm \u002F 15.7”x66.9”\nLo specchio s’infittisce \ndi linee verticali, in una \nperfetta rappresentazione \ndella molteplice possibilità \nottica, fino a rappresentare \nuna realtà infinitamente \ndivaricata.\nThis is the mirror \ncondensing its stripes, \nexemplifying optical \npossibilities. So as to \nrepresent a reality divided \nto an extreme.\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.19.png","34\n35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.20.png","36\n37\nCornice disponibile \nin frassino naturale tinto nero\nFrame available in\nstained-black ashwood\nAbaco\nWho’s Afraid of Red?*\n50x70 cm\n19.7”x27.5”\nFRAME\n60 Crossing Paths*\n50x70 cm\n19.7”x27.5”\nFRAME\nMemories of a Lost Oval*\n50x70 cm\n19.7”x27.5”\nFRAME\nShredded A3*\n50x70 cm\n19.7”x27.5”\nFRAME\n2 Crossing Paths*\n50x70 cm\n19.7”x27.5”\nFRAME\nDaydream*\n50x70 cm\n19.7”x27.5”\nFRAME\n083 01\n083 04\n083 02\n083 05\n083 03\n083 06\n200 Lines of Realism*\n100x100 cm\n39.4”x39.4”\nFRAME\nCesare & Adele*\n40x170 cm\n15.7”x66.9”\nFRAME\nEternal Sun*\n100x100 cm\n39.4”x39.4”\nFRAME\nSunset in Black*\n40x170 cm\n15.7”x66.9”\nFRAME\nReflections about Spatialism*\n100x100 cm\n39.4”x39.4”\nFRAME\nBlue Deadline*\n40x170 cm\n15.7”x66.9”\nFRAME\n083 21\n083 31\n083 22\n083 32\n083 23\n083 33\nCornice disponibile \nin frassino naturale.\nFrame available \nin natural ashwood\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.21.png","38\n39\nWho’s Afraid of Red?\n50x70 cm\n19.7”x27.5”\n083 01\n083 04\n083 21\n083 31\n083 02\n083 05\n083 23\n083 32\n083 03\n083 06\n083 22\n083 33\n200 Lines of Realism\n100x100 cm\n39.4”x39.4”\nCesare & Adele\n40x170 cm\n15.7”x66.9”\n60 Crossing Paths\n50x70 cm\n19.7”x27.5”\nMemories of a Lost Oval\n50x70 cm\n19.7”x27.5”\nEternal Sun\n100x100 cm\n39.4”x39.4”\nSunset in Black\n40x170 cm\n15.7”x66.9”\nShredded A3\n50x70 cm\n19.7”x27.5”\n2 Crossing Paths\n50x70 cm\n19.7”x27.5”\nReflections about Spatialism\n100x100 cm\n39.4”x39.4”\nBlue Deadline\n40x170 cm\n15.7”x66.9”\nDaydream\n50x70 cm\n19.7”x27.5”\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fd5\u002F15745ae4f8f9b0c5ccaa8439a0c339.22.png","Cassina S.p.A. \n1, Via Busnelli \nI – 20821 Meda (MB) \nTel.  + 39 0362372.1 \nFax + 39 0362342246 \nwww.cassina.com\ninfo@cassina.it\nConcept\n—\nRon Gilad\nArt Direction e \nGraphic Design\n—\nStudio FM Milano\nPhoto\n—\nStefano De Monte\nTesti\n—\nGianluigi Ricuperati\nColor Selections \n—\nPan Group \nPrinted in Italy by \n—\nO.G.M. IV.2016\nCopyright © Cassina \nS.p.A. 2016\nAll rights reserved\nFloors\n—\nCeramic slabs\nThanks to\n—\nLamimam \n",22,[],0,false,true,{"success":104,"data":106,"meta":326,"count":327,"next":328,"previous":329,"results":367,"brand_chips":428},[107,120,130,140,150,160,170,180,190,202,215,228,238,251,264,274,284,294,304,316],{"id":108,"title":109,"slug":110,"image":111,"source":112,"brand_name":113,"brand":114,"brand_slug":115,"file_size":116,"pages":117,"pages_count":118,"matched_pages":119,"match_count":102,"two_pages":103,"show_text":104},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 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