[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-casprini-collection-2014":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":381},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":376,"matched_pages":377,"match_count":378,"two_pages":379,"show_text":380},1640,"Collection 2014","casprini-collection-2014","\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fd8\u002F8ac2bd30ea8131badb3e240d8010b3.pdf","Casprini",1133,"casprini","4.5 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.2.png","2  —  3\ncasprini\n— indice\nIndice \nCasprini\n30 sedute\n6 sgabelli\n7 tavoli\n5 designer\n14 materiali\n15 colori\ncollier \n—\np. 6\nyu.yu\n—\np. 66\npelota\n—\np. 20\natatlas\n—\np. 144\nex\n—\np. 156\nazhar\n—\np. 52\nsabrina\n—\np. 34\npenelope\n—\np. 80\ntrip\n—\np. 96\ntiffany\n—\np. 108\ncafe\n—\np. 168\ncaprice\n—\np. 130\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.3.png","4  —  5\ncasprini\n— introduzione\nDa oltre 50 anni Casprini è un marchio \ndi rilievo internazionale nel settore \ndell’arredamento, sinonimo di competenza, \nprofessionalità e qualità. L’Azienda fa capo \nalla famiglia Casprini, che in due generazioni \nha percorso un costante cammino di \nmodernizzazione, affrontando con successo \nl’evoluzione del mercato e le necessarie \ninnovazioni produttive, portandola ad essere \nun gruppo in costante crescita in Italia e \nall’estero. Nata come azienda artigiana per \nil trattamento galvanico delle superfici \nmetalliche, settore nel quale costituisce oggi \nuna referenza assoluta per standard qualitativi \ne rispetto ambientale grazie ai più moderni \nsistemi di filtraggio per l’acqua e per l’aria, \nsi è presto affermata anche nel settore dei \ncomponenti per l’arredamento, grazie alla \ncalibrata unione degli elementi di creatività, \ninnovazione e capacità produttiva che sono \nnecessari per rispondere all’evoluzione \ndell’abitare contemporaneo.\nNel corso degli anni si è venuta \nsempre più mettendo a fuoco \nl’aspirazione dell’azienda ad \nessere protagonista del panorama \ndell’abitare contemporaneo, \nlavorando su progetti ricchi di \ncontenuti e significati, capaci \ndi distinguersi per le loro \ncaratteristiche di intelligenza e \ninnovazione, al di là delle mode \ne dei contenuti effimeri indotti \ndalla bulimia del consumismo. \nLa costante attenzione alla qualità \ndel progetto, alle innovazioni \ntecnologiche e allo stesso tempo \nal valore dei linguaggi e delle \ncomponenti espressive sono il \nriferimento che ha sempre guidato le \nscelte della Casprini, portandola ad \nintrodurre prodotti dalla forte carica \ninnovativa. \nIn Toscana, si sa, le cose si \nfanno bene per tradizione \nmillenaria e Casprini a questa \ntradizione tiene molto. Fin \ndalla sua nascita la qualità è \nstata uno dei tratti distintivi \ndell’azienda, capace di coniugare \nla necessità di competere su \nmercati sempre più selettivi con \nl’attenzione maniacale a tutte \nle fasi di ideazione, sviluppo, \nindustrializzazione, produzione \ne assistenza dei prodotti. A cui \nsi aggiunge l’aspetto forse più \nimportante, la dimensione etica del \nfare azienda, che trova oggi sempre \npiù espressione anche nell’attenzione \nalle problematiche ambientali e di \nsostenibilità globale. \nE proprio in riferimento a \nquesta dimensione etica, in un \nmondo in cui, per fregiarsi della \ndicitura made in Italy è spesso \nsufficiente che un oggetto venga \n“completato”  \ne imballato in Italia, è principio \nirrinunciabile della Casprini \nl’integrale realizzazione in \nItalia di tutti i suoi prodotti, ivi \ncompresi i singoli componenti, \nrealizzati sia internamente \nalla struttura produttiva di \nCavriglia che presso partner \nspecializzati distribuiti sul \nterritorio che intervengono \ncon la loro professionalità e \ncompetenza all’interno della \nfiliera produttiva. È grazie a \nquesta impostazione che tutti i \nprodotti Casprini possono fregiarsi \ndella garanzia di eccellenza offerta \ndalla denominazione 100%  \nmade in Italy. \nStoria, identità, contenuti, \nqualità, ricerca, innovazione, \ncreatività: il cerchio si chiude \ngrazie alla collaborazione \ndella Casprini con designer \ndotati di cultura, curiosità \ne spirito critico che le \npermettono di esprimere \nuno stile personale, \nfrutto di competenze e \nprofessionalità differenti, \nda cui scaturiscono alla fine \nrisultati unici e originali.\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.4.png","casprini\n6 — 7\nCollier\n—\nOrlandini Design\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.5.png","8  —  9\ncasprini\n— collier\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.6.png","10  —  11\ncasprini\n— collier\n( collier ) :\nLa scocca molto\navvolgente crea\nuna sorta di effetto\ncolletto che corre\nperimetralmente\nlungo i braccioli\ne lo schienale\nabbracciando chi è\nseduto.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.7.png","( collier ) :\nBuongiorno!\n( collier ) :\nGood morning!\n12  —  13\ncasprini\n— collier\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.8.png","14  —  15\ncasprini\n— collier\nThe shell has a enfolding shape and is \ncharacterized by a kind of collar effect \nthat runs along the perimeter arms and \nback embracing those who are seated.\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.9.png","16  —  17\ncasprini\nThe folded edge, besides conferring a \nparticular character to the product, \nmakes the tactile contact of the arms \nand back  with the surfaces more soft \nand cozy.\nIl bordo rivoltato, oltre a conferire \nun particolare carattere al \nprodotto, rende più morbide e \nricche a livello tattile le superfici\ndi contatto con braccia e schiena\n— collier\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.10.png","18  —  19\ncasprini\nDesign: Orlandini Design\nPoltroncina in poliuretano\nintegrale morbido con telaio\nmetallico, gambe a slitta in filo\nd’acciaio, a quattro razze in\npressofusione d’alluminio o in\nlegno massiccio.\nDisponibile nella versione\nmonocromatica o bicolore.\nArmchair with shell  in soft integral \npolyurethane with metal frame. Sled \nbase in steel wire or  single base with 4 \nlegs in die-cast aluminum or 4-legs base \nin solid wood. Shell available in mono- \nor bicolour.\nBianco 9010\u002F\nTabacco 1019 \nWhite 9010\u002F\nTobacco 1019\nAlluminio Spazzolato\nLaccato Bianco 9010 \nBrushed Aluminium \nLacquered White 9010\nBianco 9010 \nWhite 9010\nGrigio 7035\u002F\nAntracite 7016 \nGrey 7035\u002F\nAnthracite 7016\nFaggio naturale\nFaggio sbiancato\nFaggio tinto grigio \nNatural beech\nWhitened beech\nGrey painted beech\nAntracite 7016 \nAnthracite 7016\nBianco 9010\u002F\nRosso 3002 \nWhite  9010\u002FRed 3020\nLaccato bianco 9010\nnero 9004\nCromato \nLacquered White 9010 \nBlack 9004\nChrome\ncolours\nseduta\u002Fseat\nabout\n…\n60\n80\ncollier wire\ncollier wood\ncollier spider\nstruttura\u002Fstructure\n( collier ) :\n,\n,\n.\n63\n63\n60\n60\n45\n45\n45\n70\n70\n70\n80\n80\n63\n— collier\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.11.png","casprini\n20 — 21\nPelota\n—\nMarcello Ziliani\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.12.png","22  —  23\ncasprini\n— pelota\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.13.png","24  —  25\ncasprini\n— pelota\n( pelota ) :\nLinee che si\nincrociano a formare\nl’immagine di un\ngomitolo (in spagnolo\npelota) disegnano la\ntexture della seduta in\nalluminio pressofuso\ndi questa poltroncina. \n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.14.png","( pelota ) :\nRete!\n( pelota ) :\nGoal!\n26  —  27\ncasprini\n— pelota\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.15.png","28  —  29\ncasprini\n— pelota\nLines crossing into each other forming \nan image of a woolen ball (“Pelota” \nin spanish) design the die-casted \naluminium seat of this armchair.\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.16.png","30  —  31\ncasprini\nCozy and comfortable, but with essential perfectly functional \narmrests, Pelota with or without armrests is available in \ndifferent versions from a single base with 4 legs, a  conic tube \nbase to the stackable variant in curved tubular steel as well as \nthe stool variant, adjustable in height.  \nIt is perfect also for outdoor use and it can be  equipped with a \ncushion that covers completely the inner part of the seating shell.\nAccogliente e confortevole, con braccioli essenziali ma\nperfettamente funzionali, Pelota si declina in varianti\ntipologiche che vanno dalla versione con base a quattro\nrazze a quella con gambe in tubo conificato a quella\nimpilabile in tubo curvato, oltre alla versione sgabello\nregolabile in altezza e a quella senza braccioli.\nPerfetta anche per l’outdoor, è accessoriabile con un\ncuscino che ne riveste integralmente la parte interna.\n— pelota\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.17.png","32  —  33\ncasprini\n— pelota\n58\n58\n58\n58\n80\n80\n80\n80\n48\n58\n72\u002F98\npelota chair stackable\npelota armchair spider\npelota chair spider\npelota armchair stackable\npelota chair 4 legs\npelota armchair wood\npelota chair wood\npelota armchair 4 legs\npelota stool gas\n( pelota ) :\n,\n,\n,\n,\n,\n,\n,\n,\n55\n63\n52\n63\n58\n58\n58\n58\n80\n80\n80\n80\n48\n63\n48\n63\n45\n45\n45\n56\u002F82\n64\n64\n45\n45\n45\n45\n45\n64\n64\nSedia con scocca in alluminio \npressofuso verniciata a polveri, \ndisponibile con o senza braccioli. \nQuattro le versioni di base: girevole \nin alluminio, a quattro gambe in tubo \nd’acciaio conificato, impilabile in \ntubo curvato o in legno massiccio.\nlo sgabello è regolabile in altezza \nmediante pompa a gas.\nCuscino in opzione con rivestimento \nin ecopelle\nBlack pearl\nLaccato \nLacquered\nFaggio naturale\nFaggio sbiancato\nFaggio tinto grigio \nNatural beech\nWhitened beech\nGrey painted beech \nBeige Yazd\nBianco 9010\nWhite 9010\nLaccato\u002FCromato\nLaccato da esterno\nAcciaio inossidabile\nLacquered\u002FChrome\nLacquered for outdoor\nStainless Steel\nMarrone Ruggine\nBrown Rusty\nGrigio 9007\nGrey 9007\nLaccato\nLacquered\n  black 320\n  cappuccino 327 \n  white 321\ncolours\ncuscino\u002Fcushion\nseduta\u002Fseat\nstruttura\u002Fstructure\nabout…\nChair with shell in die-cast aluminum \npowder coated, available with or \nwithout armrests. There are four basic \nversions: aluminum swivel, 4 legs\nconified tubular steel, stackable \ncurved tube or solid wood. The stool is \nadjustable in height by means of a gas \npiston. Option: cushion in eco-leather.\nDesign: Marcello Ziliani\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.18.png","casprini\n34 — 35\nSabrina\n—\nMarcello Ziliani\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.19.png","36  —  37\ncasprini\n— sabrina\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.20.png","38  —  39\ncasprini\n( sabrina ) :\nFonde ascendenze al\ncontempo nobili e \npopolari, annoverando \ntra i riferimenti \nl’immagine “povera” \ndella classica sedia \nda osteria assieme \nall’eleganza e alla\nraffinatezza \ndell’inimitabile\nsuperleggera di Ponti.\n— sabrina\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.21.png","( sabrina ) :\nChoose!\n( sabrina ) :\nScegli!\n40  —  41\ncasprini\n— sabrina\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.22.png","42  —  43\ncasprini\nMoulded in six colors of thermoplastic \nrecyclable material with gas technology \nof the second generation, Sabrina \nsurprises for its lightness, formal and \nreal, corresponding, however, to a great \nstrength and stability.\nStampata in sei colori in materiale \ntermoplastico riciclabile con la tecnologia del \ngas-moulding di seconda generazione, Sabrina \nsorprende per la sua leggerezza, sia formale \nche reale, cui corrispondono però grande \nsolidità e stabilità.\n— sabrina\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.23.png","44  —  45\ncasprini\n— sabrina\nSabrina fuses noble-,  popular- \nand historical influences \ninspired by the ‘poor image’ \nof the classic tavern chair as \nwell as by the stylistic and \nrefined details of the inimitable \n‘Superleggera’ by Gio Ponti.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.24.png","46  —  47\ncasprini\n— sabrina\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.25.png","48  —  49\ncasprini\nSabrina can be completed with a \ncomfortable cushion upholstered in \nfabric or eco-leather or with a seat \ncover in natural leather. Both solutions \nare applicable and removable \nthrough a simple system of automatic \nfastening.\nSabrina è completabile con un\nconfortevole cuscino imbottito\nrivestito in tessuto o ecopelle\no con un rivestimento in cuoio\nnaturale della seduta.\nEntrambe le soluzioni sono\napplicabili e rimovibili attraverso\nun semplicissimo sistema di\nfissaggio automatico.\n— sabrina\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.26.png","50  —  51\ncasprini\n— sabrina\nDesign: Marcello Ziliani\nSedia monoblocco in polipropilene\nstampata in gas moulding di\nseconda generazione.\nImpilabile, è disponibile in sei\nvarianti di colore e accessoriabile\ncon cuscino in tessuto o ecopelle\no con rivestimento della seduta in\ncuoio.\nTabacco 1019 \nTobacco 1019\nAntracite 7016 \nAnthracite 7016\nArancio 2004 \nOrange 2004\nBianco 9010 \nWhite 9010\nRosso 3002 \nRed 3002\nVerde Acido \nAcid Green\ncolours\nabout\n…\nMonobloc chair moulded in \nthermoplastic polypropylene, with the \ntechnology of gas moulding of the second \ngeneration. Stackable and available \nin six different colors and accessorized \nwith cushion in fabric or eco-leather or \nleather seat cover.\n( sabrina ) :\nsabrina\n.\n48\n51\n85\n46\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.27.png","casprini\n52 — 53\nAzhar\n—\nMarcello Ziliani\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.28.png","54  —  55\ncasprini\n— azhar\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.29.png","56  —  57\ncasprini\n( azhar ) :\nUna corona \ntraforata, quasi una \ngorgiera, disegna il \nperimetro di questa \nseduta dalle forme \nfluide, plastiche a \ncui il dinamismo \ndella base inclinata \nconferisce una\npersonalità unica.\n— azhar\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.30.png","58  —  59\ncasprini\n— azhar\nAn open – worked crown, almost \nlike a gorget, designs the perimeter \nof this plastic fluid shaped seat. The \ndynamism of the inclining frame \ngives it an unique personality.\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.31.png","( azhar ) :\nLook!\n( azhar ) :\nGuarda!\n60  —  61\ncasprini\n— azhar\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.32.png","62  —  63\ncasprini\nLa versione a slitta è impilabile  —  The sled version is stackable\n— azhar\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.33.png","64  —  65\ncasprini\nDesign: Marcello Ziliani\nPoltroncina con scocca stampata\na iniezione ad alto spessore in\npoliammide lucido coprente o in\npolicarbonato trasparente.\nBase in fusione di alluminio\nverniciato o in tondo d’acciaio\ncromato, anche in versione\nimpilabile.\nDisponibili cuscini in tessuto per\nsedile o sedile e schienale.\nNero 9004 \nBlack 9004\nNero 9004 \nBlack 9004\nLaccato Bianco 9010\u002F\nNero 9004\nCromato \nLacquered White 9010\u002F\nBlack 9004\nChrome\nLaccato Bianco 9010\u002F\nNero 9004\nCromato \nLacquered White 9010\u002F\nBlack 9004\nChrome\nBianco 9010\nWhite 9010\nBianco 9010\nWhite 9010\nTrasparente \nTransparent\nTrasparente Fumè\nTrasparent Fumè\nRosso 3002 \nRed 3002\ncolours\nabout\n( azhar ) :\n…\nArmchair with shell made of high \nthickness injection moulded polyamide \nfull shiny colour or in transparent \npolycarbonate. Base in cast aluminum \npainted or chrome-plated round steel,  \navailable a stackable variant. Option: \nfabric cushions for the seat and\u002For back.\n— azhar\n59\n82\nazhar\nazhar 2012\nazhar wire\n,\n,\n.\n59\n59\n59\n59\n82\n82\n62\n45\n45\n45\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.34.png","casprini\n66 — 67\nYu Yu\n—\nAndrea Panzieri\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.35.png","68  —  69\ncasprini\n— yu yu\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.36.png","70  —  71\ncasprini\n— yu yu\n( yuyu ) :\n“Brutalismo soft”,\nin cui sorprende\nil contrasto \ntra la rigidità \ndelle forme \nscolpite dalla \nlamiera piegata \ne un comfort \ninaspettato.\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.37.png","( yu yu ) :\nJump!\n( yu yu ) :\nSalta!\n72  —  73\ncasprini\n— yu yu\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.38.png","74  —  75\ncasprini\n— yu yu\nStarting from the concept of sitting \nin its essence of pure form and using \na sheet of paper, by means of simple \nfolds and overlaps is born YU.YU, \nrealized in bent sheet metal with \nprojection welding.\nPartendo dal concetto di seduta\nnella sua essenzialità di pura\nforma e utilizzando un foglio di\ncarta, attraverso delle semplici\npieghe e sovrapposizioni è nata\nYU.YU, realizzata in lamiera\npiegata con saldature a proiezione.\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.39.png","76  —  77\ncasprini\n— yu yu\n“Soft brutalism” a surprising \ncontrast between the rigidity of the \nsculpted forms  in bent sheet metal \nand the unexpected comfort.\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.40.png","78  —  79\ncasprini\n51\n95\nDesign: Andrea Panzieri\nCollezione di sedute composta\nda sedia e sgabello realizzati\ninteramente in lamiera di acciaio\nverniciata a polveri termoindurenti,\ndisponibile anche con trattamento\naggiunto di cataforesi-laccato,\nidoneo per uso esterno.\nA richiesta cuscino supplementare\nper la seduta.\nArancio 2004 \nOrange 2004\nAntracite 7016\nAnthracite 7016\nBianco 9010 \nWhite 9010\nBianco 9002\nWhite 9002\nTabacco 1019 \nTobacco 1019\nVerde 6019\nGreen 6019\nyu yu\nyu yu stool\ncolours\nabout\n( yuyu ) :\n,\n…\n.\n56\n56\n80\n45\nSeating collection formed by chair and \nstool entirely made in sheet steel painted \nwith thermosetting powder coating, \nalso available with cataphoresis \nlacquered treatment, suitable for \noutdoor use.\nOption: additional cushion for the seat.\n— yu yu\n46\n75\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.41.png","casprini\n80 — 81\nPenelope\n—\nMarcello Ziliani\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.42.png","82  —  83\ncasprini\n— penelope\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.43.png","84  —  85\ncasprini\n( penelope ) :\nUna sedia che è \npura struttura, \nesaltata dalla \nseduta in filo \nintrecciato la \ncui casualità del \ndisegno contrasta \ne allo stesso tempo \nsottolinea le linee \ngeometriche del \ntelaio.\n84 — 5\n— penelope\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.44.png","86  —  87\ncasprini\n— penelope\nA chair that is pure structure, enhanced \nby a seating in interlaced threads which \ncasuality of the design contrasts and, at \nthe same time, emphasizes the geometric \nlines of the frame.\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.45.png","88  —  89\ncasprini\n— penelope\n( penelope ) :\nTalk!\n( penelope ) :\nParla!\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.46.png","90  —  91\ncasprini\n— penelope\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.47.png","92  —  93\ncasprini\nThe Penelope collection is available \nin the version Strip, irregulary \ninterlaced, and in the version Weave, \na classic interlaced rattan type, both \navailable in three variants:  chair, \nstool and lounge.\nLa collezione penelope è declinata\nnelle versioni Strip, a intreccio di\nfili irregolari, e weave, a intreccio\nclassico tipo rattan, ciascuna\nnelle tre tipologie sedia, sgabello\ne poltrona lounge.\n— penelope\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.48.png","94  —  95\ncasprini\n72 \n68\n50\n76\u002F86\nDesign: Marcello Ziliani\nCollezione di sedute impilabili\ncomposta da sedia, sgabello e\npoltrona lounge.\nSeduta in filo sintetico Xiloplast\nintrecciato a mano nelle versioni\nstrip, con fili a disegno casuale, e\nweave, interamente rivestita con\nintreccio tipo rattan.\nStruttura in acciaio cromato o\nverniciato, disponibile anche con\ntrattamento aggiunto di cataforesi-\nlaccato, idoneo per uso esterno.\nCollection of stackable chairs formed \nby chair, stool and lounge chair. \nSeating in synthetic Xiloplast wire, \nhand-interlaced in the versions Strip, \nirregularly interlaced,  and Weave, a \nclassic interlaced rattan type. Frame in \nchromed or painted steel,  also available \nwith lacquered cataphoresis treatment, \nsuitable for outdoor use.\nLaccato per interno Bianco 9010\u002FNero 9004\nLaccato per esterno Bianco 9010\u002FNero 9004\nCromato\nLacquered for indoor White 9010\u002FBlack 9004\nLacquered for outdoor White 9010\u002FBlack 9004\nChrome\nStrip Nero \nStrip Black\nWeave Nero \nWeave Black\nStrip Beige \nWeave Beige \nStrip Bianco \nStrip White\nWeave Bianco \nWeave White\npenelope\npenelope lounge\ncolours\nseduta\u002Fseat\nstruttura\u002Fstructure\nabout\npenelope stool\n( penelope ) :\n,\n…\n.\n52\n54\n80\n47\n72\n— penelope\n46\n40\n65\u002F75\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.49.png","casprini\n96 — 97\nTrip\n—\nMarcello Ziliani\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.50.png","98  —  99\ncasprini\n— trip\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.51.png","100  —  101\ncasprini\n— trip\n( trip ) :\nIl riferimento alla\nclassica poltrona\ntripolina è evidente,\nanche nel nome.\nTrip però non è una\npoltrona ma una\nsedia, estremamente\nconfortevole,\nimpilabile, elegante.\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.52.png","102  —  103\ncasprini\n— trip\nThe reference to the classic armchair \nTripolina is evident, even in the name. \nTrip, however, is not an armchair but a \nchair, extremely comfortable, stackable, \nand elegant.\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.53.png","104  —  105\ncasprini\n— trip\n( trip ) :\nDiscover!\n( trip ) :\nScopri!\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.54.png","106  —  107\ncasprini\nDesign: Marcello Ziliani\nSedia impilabile con scocca in\npoliuretano flessibile e struttura\nin tondo d’acciaio cromato o\nverniciato.\nSeduta monocromatica nei colori\nbianco e antracite o bicolore bianco\u002F\ngrigio, bianco\u002Ftortora e grigio\u002F\nantracite.\nGrigio 7035\u002F\nBianco 9010 \nGrey 7035\u002F\nWhite 9010\nBianco 9010 \nWhite 9010\nTabacco 1019\u002F\nBianco 9010 \nTobacco 1019\u002F\nWhite 9010\nAntracite 7016\u002F\nGrigio 7035\nAnthracite 7016\u002F\nGrey 7035\nAntracite 7016\nAnthracite 7016\nLaccato Bianco 9010\u002F\nNero 9004\nCromato \nLacquered White 9010\u002F\nBlack 9004\nChrome\ncolours\nseduta\u002Fseat\nstruttura\u002Fstructure\nabout\n…\nStacking chair with shell in flexible \npolyurethane and frame in chromed \nor lacquered steel. Seat in monocolors: \nwhite or anthracite and bicolours: \nwhite\u002Fgray, white\u002Ftobacco and gray\u002F\nanthracite.\ntrip\n( trip ) :\n.\n53\n56\n83\n— trip\n44\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.55.png","casprini\n108 — 109\nTiffany\n—\nMarcello Ziliani\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.56.png","110  —  111\ncasprini\n— tiffany\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.57.png","112  —  113\n— tiffany\ncasprini\n( tiffany ) :\nLa prima seduta \nmonoblocco  \nal mondo realizzata \nin policarbonato \ntrasparente \ncon la tecnica\ndel gas moulding\ndi seconda \ngenerazione.\n— tiffany\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.58.png","114  —  115\n— tiffany\ncasprini\nThe first monobloc chair in the world \nrealised in transparent polycarbonate \nmoulded with gas technology of the \nsecond generation.\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.59.png","116  —  117\n— tiffany\ncasprini\nThe fluid forms of this project are the result of the \nfusion of expressive and technological elements \nthus obtaining a refined and elegant model with \nan extreme comfortable seat and  a surprising \nsolidity. The absolute absence of rigid ribs gives  \nclean forms, enhanced by the mirror treatment of \nthe surfaces, unique in the field of plastic seatings, \na feature that appears in all its value in the \ntransparent version.\nLe forme fluide di questo progetto sono il risultato della \nfusione di elementi espressivi e tecnologici, che ha \npermesso di ottenere un prodotto raffinato ed elegante, \ndalla seduta estremamente confortevole e dalla solidità \ncomplessiva sorprendente; l’assenza assoluta di nervature \ndi irrigidimento comporta una pulizia di forme, esaltata \ndal trattamento a specchio delle superfici, unica nel \npanorama delle sedute in plastica, caratteristica che \nappare in tutta la sua valenza nella versione trasparente.\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.60.png","118  —  119\n— tiffany\ncasprini\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.61.png","( tiffany ) :\nImmagina!\n( tiffany ) :\nImagine!\n120  —  121\n— tiffany\ncasprini\n— tiffany\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.62.png","122  —  123\n— tiffany\ncasprini\ndisponibile aggancio laterale in acciaio cromato  —  available side ganging device in chromed steel.\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.63.png","124  —  125\n— tiffany\ncasprini\n— tiffany\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.64.png","126  —  127\n— tiffany\ncasprini\nLo sgabello impilabile \ncompleta la famiglia Tiffany \nesaltandone le caratteristiche \ndi fluidità e morbidezza di \nforme. La seduta, realizzata \nin gas-moulding di seconda \ngenerazione, si fonde senza \nsoluzione di continuità con la \nbase in tubolare d’acciaio.\nThe stackable stool completes \nthe family Tiffany enhancing \nthe fluidity and smoothness of \nforms. The seat, moulded with gas \ntechnology of the second\ngeneration, fuses seamlessly with \nthe tubular steel frame.\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.65.png","128  —  129\n— tiffany\ncasprini\n60\n82\n47\n75\n47\n46\n89\n71\n75\n78\nDesign: Marcello Ziliani\nCollezione di sedute impilabili\ncomposta da sedia, poltroncina\nsgabello, poltrona lounge. Sedia e\npoltroncina impilabili in poliamide\nlucido o policarbonato trasparente.\nSgabello in due altezze in poliamide\nlucido o policarbonato trasparente\ncon struttura in tubolare di acciaio\ncromata. Poltrona lounge in\npoliuretano “freeform” morbido e\nstruttura in tondo d’acciaio \ncromato.\nBianco 9010 \nWhite 9010\nGrigio 7035 \nGrey 7035\nTrasparente Fumè\nTransparent Fumè\nNero 9004 \nBlack 9004\nNero 9004 \nBlack 9004\nTrasparente \nTransparent\nRosso 3002 \nRed 3002\nRosso 3002 \nRed 3002\nLaccate Bianco 9010\u002F Nero 9004\nCromato \nLacquered White 9010\u002F Black 9004\nChrome\ntiffany chair\ntiffany armchair\ncolours\nabout\ntiffany stool 89\ntiffany stool 75\ntiffany lounge\n( tiffany ) :\n,\n…\n,\n.\n54\n52\n82\n46\n59\nCollection of stackable seatings \nformed by chair, armchair, stool \nand lounge chair. Chair\u002Farmchair \nin shiny polyamide or transparent \npolycarbonate.\nStool in two heights in shiny polyamide \nor transparent polycarbonate with \ntubular chromed steel frame. Lounge \nchair in polyurethane “Freeform” soft\nand frame in chromed steel.\n44\n44\n68\n63\n44\n77\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.66.png","casprini\n130 — 131\nCaprice\n—\nMarcello Ziliani\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.67.png","132  —  133\ncasprini\n— caprice\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.68.png","134  —  135\n— tiffany\ncasprini\n( caprice ) :\nCaprice nasce \ndall’immagine di un\nnastro che, \ndipanandosi\nliberamente nello \nspazio, crea una \nsorta di “merletto \ntridimensionale” in \ncui i vuoti prevalgono \nnettamente sui pieni. \n— caprice\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.69.png","136  —  137\ncasprini\n— caprice\nCaprice was born from the image \nof a ribbon which, unraveling freely \nin space, creates a kind of “three-\ndimensional lace” in which the empy \nspaces clearly prevail over the full.\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.70.png","( caprice ) :\nPensa!\n( caprice ) :\nThink!\n138  —  139\ncasprini\n— caprice\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.71.png","140  —  141\ncasprini\nStampata in poliammide a \niniezione, la particolarità e \nl’unicità di questa scocca\n“traforata” hanno richiesto \nuna sofisticata ricerca \npreliminare alla realizzazione \ndello stampo, sia in termini di \nstudio della distribuzione\ndegli sforzi che di analisi dei \nflussi di iniezione.\nInjection moulded in polyamide, \nthe peculiarity and the uniqueness \nof this “perforated” shell, required \na sophisticated preliminary \nresearch for the tool realisation, in \nterms of the study for the stength \ndistribution as well as for the \ninjection flow analysis.\n— caprice\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.72.png","142  —  143\ncasprini\n57\n57\n57\n80\n80\n91\u002F116\nDesign: Marcello Ziliani\nSedia con scocca in poliammide\nlucido ad alto spessore e basi in\nacciaio cromato o verniciato\nQuattro le versioni di base:\nimpilabile a quattro gambe in\ntubolare d’acciaio, anche nella\nversione inox da esterno, a slitta,\ncon o senza braccioli, in tondo\nd’acciaio curvato, girevole con base\na colonna e a quattro razze.\nLo sgabello è regolabile in altezza\nmediante pompa a gas.\nLaccato\u002FCromato \nLacquered\u002FChrome\nLaccato\u002FCromato \nLacquered\u002FChrome\nNero 9004 \nBlack 9004\nRosso 3002 \nRed 3002\nBianco 9010 \nWhite 9010\nLaccato per interno \nLaccato per esterno\nAcciaio inossidabile\nCromato \nLacquered for indoor\nLacquered for outdoor\nStainless Steel\nChrome\nCromato \nChrome\nLaccato per interno \nLaccato per esterno\nCromato\nLacquered for indoor\nLacquered for outdoor\nChrome\nLaccato per interno \nLaccato per esterno\nCromato\nLacquered for indoor\nLacquered for outdoor\nChrome\ncaprice tube\ncaprice armchair wire\ncaprice spider\ncaprice wire\ncaprice swivel\ncaprice stool gas\ncolours\nseduta\u002Fseat\nstruttura\u002Fstructure\nabout\n( caprice ) :\n,\n,\n,\n…\n54\n58\n54\n57\n57\n52\n80\n80\n80\n56\n54\n55\nChair with shell in shiny, high-thickness \npolyamide and frame in chromed or \npainted steel. There are four basic \nversions: stackable 4-legs tubular steel \nor stainless steel for outdoor use. \nSled base with or without arms in \nround curved steel, swivel desk or \ncolumn version.\nThe stool, adjustable in height with \na gas piston. \n— caprice\n45\n45\n45\n45\n45\n45\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.73.png","casprini\n144 — 145\nAtatlas\n—\nMarcello Ziliani\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.74.png","146  —  147\n— tiffany\ncasprini\n— atatlas\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.75.png","148  —  149\n— tiffany\ncasprini\n— atatlas\n( atatlas ) :\nLa base inclinata è \nl’elemento attraverso \nil quale Atatlas rilegge \ne reinterpreta il tema\ndei tavoli a piede centrale,\nintroducendo un carattere \ndi asimmetria e \ndi movimento che \nne scardina la \ntradizionale fissità.\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.76.png","150  —  151\n— tiffany\ncasprini\n— atatlas\n( atatlas) :\nTry!\n( atatlas) :\nProva!\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.77.png","152  —  153\n— tiffany\ncasprini\n— atatlas\nThe inclined base is the element \nthrough which Atatlas rereads \nand reinterprets the theme of the \ncentral legged table introducing \nan asymmetric moveable \ncharacteristic breaking up the \ntraditional fixedness. \n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.78.png","154  —  155\n— tiffany\ncasprini\n— atatlas\nØ140\nDesign: Marcello Ziliani\nTavolo con struttura in vetroresina \nverniciata in bianco lucido o nero \nlucido. Piano ovale o rotondo\nin cristallo di diverse finiture. \nDining table with fibreglass frame, \nlacquered in shiny white or black. Oval \nor round glass top in various finishes. \nNero 9004 \nBlack 9004\nBianco 9010 \nWhite 9010\nVetro Naturale\nVetro Extrachiaro Acidato Bianco\nVetro Acidato Antracite\nNatural glass\nExtralight Acid White glass\nAnthracite Acid glass\natatlas table\ncolours\nabout\n( atatlas ) :\n…\n,\n.\n75\n120\n200\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.79.png","casprini\n156 — 157\nEx\n—\nJorge Pensi\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.80.png","158  —  159\ncasprini\n— ex\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.81.png","160  —  161\ncasprini\n— ex\n( ex ) :\nLinee tese ed eleganti\ncostruiscono la\nstruttura della\nbase in alluminio\npressofuso di questo\ntavolo essenziale e\ncontemporaneo.\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.82.png","162  —  163\ncasprini\n— ex\nClean and elegant lines \ndesign the frame in die casted \naluminum of this essential and \ncontemporary table.\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.83.png","164  —  165\ncasprini\n— ex\n( ex ) :\nBreathe!\n( ex ) :\nRespira!\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.84.png","166  —  167\ncasprini\n— ex\nDesign: Jorge Pensi\nTavolo pranzo con struttura in \nalluminio pressofusso spazzolato o \nsatinato. Piano in cristallo naturale \no acidato T12.\nDining table with frame in diecasted \naluminium, brushed or satin lacquered.\nTop in clear or acid glass T12.\nAlluminio Spazzolato \nBrushed Aluminium\nLaccato Bianco 9010 - Nero 9004  \nAllumino satinato \nLacquered White 9010 - Black 9004 \nSatin Aluminium\nVetro Naturale\nVetro Extrachiaro Acidato Bianco\nVetro Acidato Antracite\nNatural glass\nExtralight Acid White glass\nAnthracite Acid glass\nex table\ncolours\nabout\n( ex ) :\n…\n,\n.\n75\n75\n95\u002F105\n190\u002F220\nØ140\n140x140\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.85.png","casprini\n168 — 169\nCafe\n—\nBruno Rainaldi\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.86.png","170  —  171\ncasprini\n— cafe\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.87.png","172  —  173\ncasprini\n( cafe ) :\nUna base che\nricorda l’elica di un\nvecchio aeroplano\nper questo tavolino\nbistrò, un prodotto\nsenza tempo ed\nestremamente versatile,\nutilizzabile anche\nall’esterno.\n— cafe\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.88.png","( cafe ) :\nStart again!\n( cafe ) :\nRicomincia!\n174  —  175\ncasprini\n— cafe\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.89.png","176  —  177\ncasprini\nDesign: Bruno Rainaldi\nTavolino bistrot in lamiera\nd’acciaio, utilizzabile per interni\no esterni, declinato nelle due\naltezze per sedia e sgabello.\nBistro table entirely in sheet-steel, \nsuitable for indoor- and outdoor use. \nAvailable in bar\u002Fcounter- and chair \nheight.\nBianco 9010 \nWhite 9010\nAntracite 7016 \nAnthracite 7016\nTabacco 1019 \nTobacco 1019\nNero 9004 \nNero 9004\ncolours\nabout\n( cafe ) :\n…\nØ70\n.\n75\u002F105\n— cafe\nA base that reminds the propeller \nof an old airplane for this bistro \ntable, a timeless and extremely \nversatile model, suitable for \noutdoor\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F98\u002F0d04065b4afe4dbe7a07e168954fe3.90.png","178  —  179\ncasprini\n— crediti\nCasprini is an important trade \nmark in the furnishings sector \nfor over 50 years synonym for \nprofessionalism, innovation and \nquality. \nThe company belongs to the \nCasprini family and has come \na long way in two generations \nof continuous modernisation, \nsuccessful handling market \nevolution and the necessary \nproduct innovations leading to \na steady growing in Italy and \nabroad.\nStarting out as a crafts company \nfor galvanic treatment of metal \nsurfaces, an industrial sector \nin which Casprini stands for \nextreme high quality standards \nand environmental observance \nthanks to the latest modern \nwater- and air filtering systems, \nsoon Casprini imposed itself \nalso in the field of furnishing \ncomponents due to a measured \ncombination of creativity, \ninnovation and production \ncapacity; necessary elements in \norder to meet the evolution of \ncontemporary living.\nDuring the course of years \nmarket paying a maniacal \nattention to ideas, development, \nindustrialisation, production and \nproduct assistance. Moreover, \nthe ethical dimension of doing \nbusiness is presently the most \nimportant aspect of Casprini \nexpressed through careful \nattention to environmental \nproblems and global \nsupportability.\nWith reference to this ethical \ndimension, in a world, where \noften it’s sufficient to adorn the \ntitle ‘Made in Italy’ on any object \nbeing completed and packed \nin Italy, for Casprini the entire \nrealisation of all its products in \nItaly is an inalienable principle. \nEvery single component of \nthe product is being produced, \nassembled and packed at the \nproduction site of Cavriglia in \ncollaboration with specialised \nItalian partners interfering with \nprofessionalism and know-how \nwithin the productive process. \nThanks to this formulation all \nthe products of Casprini can \nadorn itself with the excellent \nguarantee of 100% made in Italy.\nCasprini aims at becoming \nthe leading protagonist for \ncontemporary living, developing \ninteresting- and significant 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