[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-carpanese-home-italia-rising-2024":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":257},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":252,"matched_pages":253,"match_count":254,"two_pages":255,"show_text":256},16448,"Rising 2024","carpanese-home-italia-rising-2024","\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fea\u002F255276952ffb027997181e28ea6879-28707d6e3d.pdf","Carpanese Home Italia",326,"carpanese-home-italia","17.8 MB",[14,17,20,23,27,31,35,39,43,47,51,55,59,63,67,71,75,79,83,87,91,95,99,103,107,111,115,119,123,127,131,135,139,143,147,151,155,159,163,167,171,175,179,183,187,191,195,199,203,207,211,215,219,223,227,231,235,239,243,247,250],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.2.png",2,{"image":21,"text":15,"number":22},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.3.png",3,{"image":24,"text":25,"number":26},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.4.png","Azienda  \n \n \nP. 05\n\u002FCompany \nVisioni del contemporaneo \nP. 09, 11\n\u002FVisions of the contemporary\nby Porzia Bergamasco\n \nUn giorno in Carpanese Home \n \n\u002FA day in Carpanese Home\nThe Rising Light \n \nP. 17\nA.M. \n \n \nP. 31\nNoon. After it  \n \nP. 45\nGolden Hour  \n \nP. 61\nDesign Signature \n \nP. 80\nProgramma Tailor — Made  \n \nP. 86\n\u002FTailor — Made Program \nPanoramica Prodotti  \n \nP. 90\n\u002FProducts Overview\nSpecifiche Tecniche  \n \nP. 93 \n\u002FTechnical Specifications \nContents\n2 \u002F3\nRising —\n",4,{"image":28,"text":29,"number":30},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.5.png"," \n(it) \u002F Nata dall’esperienza della famiglia Bellani nel mondo \ndella lavorazione del legno, Carpanese Home è un’azienda di \ndesign in cui l’alto artigianato italiano e la migliore tradizione \nebanistica si fondono con la cultura del progetto  \nper collezioni d’arredo gentili e senza tempo.\n \nL’approccio artigianale — incline alla cura del \nparticolare, all’esasperazione del ben confezionato su misura, \nprerogativa di mani esperte proprietarie di antichi mestieri \n— rappresenta il valore aggiunto di un brand che ha saputo \ninnestare i codici del design contemporaneo all’interno di una \nstoria familiare. E traghettarli ad una platea internazionale.\n \nCarpanese Home si distingue oggi per l’alta qualità stilista \ne progettuale delle proprie collezioni in cui nuove geometrie \ndanno vita ad una personalissima cifra estetica. Linee pulite,  \na tratti scultoree, intarsi e giustapposizioni di materiali, \nriferimenti al mondo classico e ad architetture agli antipodi \nritornano negli arredi e complementi della Casa Carpanese.\n \nUn luogo dalle atmosfere calde e disinvolte, dove gli \narredi assecondano i gesti, ri\u002Fconfigurandosi nello spazio e nel \ntempo per un nuovo concetto di Contemporary Home Living.\n \n(en) \u002F Drawing on the Bellani family’s experience  \nin the world of woodworking, Carpanese Home is a design \ncompany in which superior Italian craftsmanship and the  \nfinest cabinet-making tradition merge with design culture  \nfor gentle and timeless furniture collections.\n \nAn artisanal approach — with a focus on attention \nto detail and the highest-quality custom design, the preserve \nof expert hands skilled in ancient trades — represents the added \nvalue of a brand that has successfully introduced contemporary \ndesign codes within a family history. And conveyed them to an \ninternational audience.\n \nToday, Carpanese Home stands out for the high stylistic \nand design quality of its collections in which new geometries \nproduce a very personal aesthetic. Clean, sometimes sculptural \ndesigns, inlays and juxtapositions of materials, and references \nto the classical world and to different extremes of architecture \ndistinguish Casa Carpanese furnishings and accessories.\n \nA place with a warm, casual atmosphere, where the \nfurnishings support gestures, re\u002Fconfiguring themselves in space \nand time for a new concept of Contemporary Home Living.\n�\nMarco e Mirco Bellani con un collaboratore \n\u002FMarco and Mirco Bellani with a collaborator, \nshowroom Carpanese Home, Sanguinetto — VR \u002FItalia\nMaking-of sedia \u002Fchair Panda, showroom \nCarpanese Home, Sanguinetto — VR \u002FItalia\nCompany\n4 \u002F5\nRising —\n",5,{"image":32,"text":33,"number":34},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.6.png","�\nSpazio di lavoro \u002Fworking space, shoowroom \nCarpanese Home, Sanguinetto — VR \u002FItalia\n6 \u002F7\nRising —\nCompany\n",6,{"image":36,"text":37,"number":38},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.7.png"," \n(it) \u002F Il confronto fra naturale e artificiale, che impegna \nogni epoca in relazione alla propria dose di progresso, coinvolge \nil design in articolazioni e domande sempre nuove. Per sua \nvocazione il design è radicato nel mondo e, nel confronto,  \nsi alimenta soppesando quanto il naturale informi, e dia forma, \nall’artificiale e viceversa. La risposta di ritorno è la misura delle \nabilità delle macchine, la simulazione di scenari e processi,  \nle applicazioni e le estetiche che ne derivano. \n \nInnervare la cultura imprenditoriale e artigianale in \nuna diversa cultura di progetto, dove l’esperimento e il ricercato \nprova ad arrivare al nuovo e all’autentico, in casa Carpanese, \nsegue la necessità di scelte a lungo termine e attinge a quella \npropria fondativa attenzione rivolta al legno. Alla sua valenza \nculturale, economica, ambientale e, quindi, sociale. \n \nValorizzare l’innovazione, in generale e nello specifico, \nsignifica anche preservare e trasmettere le competenze delle \nmaestranze artigiane che se, impiegate in nuove strade \nprogettuali, possono evolversi e creare un patrimonio \ncollettivo, non solo aziendale, per il futuro. Da qui, l’atemporale \nforza espressiva delle recenti collezioni Carpanese Home.  \nTese alla creazione di un’atmosfera di calma sospesa, di volumi \navvolgenti, di contaminazione fra il fuori e il dentro e di \namalgama fra gli ambienti. Luoghi, immaginari e fisici,  \ndove è possibile mimetizzarsi con le proprie visioni, e crescere. \n \nFrutto di connubi radicati nell’oggi, la trasformazione \ndella materia in un oggetto utile e attraente, come nella \nlunga storia del design, è più che mai una somma di valori. \nRiconoscibili, condivisibili e tangibili. \n \nNel corso presente del brand veronese si fa salvo il \ntocco umano che sa come fondere l’esperienza dell’ebanista \ncon la sensibilità del designer e adotta il tempo lento, in \naccordo alla ricerca della qualità e al cambiamento ponderato. \nChe si rintraccia nei materiali nobili e preziosi, intonati \nalla sostenibilità dei processi di lavorazione. E si evolve \nnelle condivisioni di intenti con partner e filiera, nella \nproduzione a chilometro zero e nell’economia delle risorse. \nEmerge in un fascino che travalica le mode e intercetta gusti \nintergenerazionali. E resta. Con il pregio di un incastro, lo studio \ndi un dettaglio strutturale, la generosità materica, la comodità  \na misura. La poesia del quotidiano. \nIl lusso, secondo Carpanese Home, indica una strada \nnell’essenziale e si fa sobrio e sofisticato. Portatore di scelte  \ne di pensiero. Sembra ricordarci che, al pari della natura,  \nle “cose”, ci circondano e costruiscono il nostro mondo.  \nQuello in cui decidiamo di rispecchiarci, riflettendo su ciò  \nche potrebbe rendere migliori le nostre vite.\n \n— Porzia Bergamasco\n�\nSpazio di lavoro \u002Fworking space, shoowroom \nCarpanese Home, Sanguinetto — VR \u002FItalia\nVisioni del \ncontemporaneo\n8 \u002F9\nRising —\n",7,{"image":40,"text":41,"number":42},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.8.png","scrivania \u002Fdesk Linea D\ndesign Matteo Zorzenoni\nsedia \u002Fchair Manta P\ndesign Matteo Zorzenoni\n \n(en) \u002F The interplay between the natural and the artificial, \nwhich engages each era relative to its own degree of progress, \ninvolves design in ever new forms and demands. Design is \ninherently rooted in the world and, as part of this relationship,  \nis enriched by considering the extent to which the natural \ninforms - and shapes - the artificial and vice versa. The response \nis the measurement of machine skills, the simulation of scenarios \nand processes, applications and the resulting aesthetics. \n \nEmbedding the entrepreneurial and artisan culture in a \ndifferent design culture, where the experimental and the refined \nseek to achieve the new and the authentic. Carpanese responds \nto the need for long-term choices and draws on its own founding \nfocus on wood. On its cultural, economic, environmental and, \ntherefore, social value. \n \nValuing innovation, both in general and specifically,  \nalso means preserving and passing on the skills of artisans who, \nif employed in new approaches to design, can evolve and create  \na collective and not only corporate heritage for the future. \nHence, the timeless expressive power of the recent Carpanese \nHome collections. Aiming to create an atmosphere of suspended \ncalm, enveloping volumes, fusion between the outside and  \nthe inside, and amalgamation between different environments. \nPlaces, both imaginary and physical, where you can blend in \nwith your visions, and grow. \n \nThe result of connections rooted in today’s world,  \nthe transformation of material into a useful and attractive object,  \nas seen throughout the long history of design, is more than  \never a sum of values. Recognisable, shareable and tangible. \n \nIn the current direction of the Veronese brand, \nthe human touch takes centre stage, capable of blending \ncabinetmakers’ experience with designers’ sensitivity, adopting \na slow pace consistent with the pursuit of quality and thoughtful \nchange. This can be found in the high-quality, precious materials, \nin line with sustainable manufacturing processes. And it \nevolves in shared intentions with partners and supply chains, \nin zero-kilometre production and in the economy of resources. \nIt emerges in an appeal that transcends fashions and taps into \nintergenerational tastes. And it stays. With the quality of a joint, \nthe meticulous design of a structural detail, material generosity, \nand made-to-measure comfort. The poetry of the everyday. \n \nLuxury, for Carpanese Home, indicates a path to the \nessential, becoming understated and sophisticated. Bearing \nchoices and thought. It seems to remind us that, like nature, \n“things” surround us and build our world. That world in which \nwe decide to mirror ourselves, reflecting on what could make \nour lives better. \n \n— Porzia Bergamasco\nVisions of the \ncontemporary\n10 \u002F11\nRising —\n",8,{"image":44,"text":45,"number":46},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.9.png","Arredi Carpanese Home rivestiti con tessuti  \nCloth Ermenegildo Zegna \u002FCarpanese Home furniture  \nupholstered with fabrics Cloth Ermenegildo Zegna\n",9,{"image":48,"text":49,"number":50},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.10.png","Arredi Carpanese Home rivestiti con tessuti  \nKieffer by Rubelli \u002FCarpanese Home furniture  \nupholstered with fabrics Kieffer by Rubelli\n",10,{"image":52,"text":53,"number":54},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.11.png","The Rising Light\n \n(it) \u002F Movimenti lenti, passi incerti come \nla luce che precede l’alba e che suggerisce \nappena il profilo degli arredi. È l’aroma \ndel caffè caldo a indicare il percorso, attraverso \ncorridoi puntinati da consolle, morbidi divani \ndove rubare gli ultimi minuti di riposo, \nspiando la prima luce del giorno.  \n \nNel silenzio dell’alba.\n \n(en) \u002F Slow movements, uncertain steps \nlike the light before dawn, barely evoking \nthe outline of the furniture. The aroma of hot \ncoffee leads the way through corridors dotted \nwith console tables, soft sofas where you can \nsnatch a last few minutes of rest, spying the \nfirst light of day. \n \nIn the silence of dawn.\n16 \u002F17\nRising —   \n",11,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.12.png","� \npanca con rulli \u002Fbedside bench with bolsters Belts XL\ndesign Matteo Zorzenoni\nRising —   \n18 \u002F19\nThe Rising Light\n",12,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.13.png","� \npanca con rulli \u002Fbedside bench with bolsters Belts XL\ndesign Matteo Zorzenoni\n20 \u002F21\nThe Rising Light\nRising —   \n",13,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.14.png","�\ncomò \u002Fcabinet Trio DS\ndesign Matteo Zorzenoni\npouf Rocha\ndesign Giorgio Bonaguro\nRising —   \n22 \u002F23\nThe Rising Light\n",14,{"image":68,"text":69,"number":70},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.15.png","panca \u002Fbedside bench Belts\nletto \u002Fbed Lips XL\ndesign Matteo Zorzenoni\n24 \u002F25\nThe Rising Light\nRising —   \n",15,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.16.png","�\ncomodino \u002Fbedside table Trio N\ndesign Matteo Zorzenoni\nmarmo \u002Fmarble Verde Antigua\nRising —   \n26 \u002F27\nThe Rising Light\n",16,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.17.png","�\nvanity desk Delorean \ndesign Matteo Zorzenoni\npouf Rocha\ndesign Giorgio Bonaguro\n28 \u002F29\nThe Rising Light\nRising —   \n",17,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.18.png","A.M.\n \n(it) \u002F Il mattino, quello del fine settimana, \ndei giorni di vacanza, quando la sveglia non \nsuona ed è la luce naturale a dettare i ritmi. \nUn letto scomposto da lasciare, un cabinet \nin cui rovistare, un coffe table da colmare \ndi libri. Quelli saccheggiati dalla libreria e da \nriordinare prima di sera.\n \nSenza fretta.\n \n(en) \u002F Mornings, both on weekends and \nvacations, when your alarm clock does not \nring and natural light dictates your rhythm. \nAn unmade bed to leave, a cabinet to \nrummage through, a coffee table to cover \nwith books. Those raided from the library, \nwhich have to be rearranged by the evening. \n \nNo hurry.\n30 \u002F31\nRising —   \n",18,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.19.png","� \npoltrona \u002Farmchair Bubble P\ndesign Matteo Zorzenoni\ntavolino \u002Fcoffee table Milestone\ndesign Giorgio Bonaguro\n32 \u002F33\nA.M.\nRising —   \n",19,{"image":88,"text":89,"number":90},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.20.png","consolle \u002Fconsole table Delorean light\ndesign Matteo Zorzenoni\n�\nmarmo \u002Fmarble Saint-Laurent\n34 \u002F35\nRising —   \nA.M.\n",20,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.21.png","libreria \u002F bookcase wall Erice L\ndesign Giorgio Bonaguro\n36 \u002F37\nRising —   \nA.M.\n",21,{"image":96,"text":97,"number":98},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.22.png","� \nlibreria \u002F bookcase wall Erice L\ndesign Giorgio Bonaguro\nA.M.\nRising —   \n38 \u002F39\n",22,{"image":100,"text":101,"number":102},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.23.png","consolle \u002F console table Erice C\ndesign Giorgio Bonaguro\n40 \u002F41\nRising —   \nA.M.\n",23,{"image":104,"text":105,"number":106},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.24.png","tavola da pranzo \u002Fdining table Linea T\ndesign Matteo Zorzenoni\n42 \u002F43\nRising —   \nA.M.\n",24,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.25.png","Rising —   \n44 \u002F45\nNoon. After it\n \n(it) \u002F La luce dolce del pomeriggio \nillumina ed invade gli ambienti lasciando \nemergere particolari inattesi. Ecco che forme \ngeometriche di un divano si addolciscono, \ngli intarsi di materiali si mostrano sotto una \nnuova luce, i dettagli emergono. È il momento \ndell’inconsueto, delle ombre che si allungano, \ndei riflessi dorati. \n \nLa Golden Hour è vicina.\n \n(en) \u002F Soft afternoon light illuminates and \ninvades rooms, revealing unexpected details. \nThe geometric shapes of a sofa soften and \nmaterial inlays reveal themselves in a \nnew light, exposing details. It’s the time \nof the unusual, of lengthening shadows, \nof golden reflections. \n \nThe Golden Hour is near.\n44 \u002F45\nRising —   \n",25,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.26.png","tavolino \u002Flow table Milestone\ndesign Giorgio Bonaguro\ncomposizione \u002Fcomposition Bubble\ndesign Matteo Zorzenoni\ntavolino \u002Flow table Pebble M\ndesign Giorgio Bonaguro\n46 \u002F47\nNoon. After it\nRising —   \n",26,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.27.png","�\nsedia \u002Fchair Panda\ndesign Matteo Zorzenoni\nRising —   \nNoon. After it\n48 \u002F49\n",27,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.28.png","credenza \u002Fsideboard Erice D\ndesign Giorgio Bonaguro\n50 \u002F51\nRising —   \nNoon. After it\n",28,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.29.png","sedia \u002Fchair Birkin\ndesign Matteo Zorzenoni\nRising —   \nNoon. After it\n52 \u002F53\n",29,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.30.png","tavolini bassi \u002Flow tables Erice R, Erice XL\ndesign Giorgio Bonaguro\n�\ntavolino \u002Flow table Erice XL dettaglio \u002Fdetail\ndesign Giorgio Bonaguro\n54 \u002F55\nRising —   \nNoon. After it\n",30,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.31.png","�\npoltrona \u002Farmchair Betty\ndesign Giorgio Bonaguro\npoltrona \u002Farmchair Betty \ndettaglio base in legno \u002Fdetail of wooden base\ndesign Giorgio Bonaguro\n56 \u002F57\nNoon. After it\nRising —   \n",31,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.32.png","�\ntavolino \u002Flow table Erice S\ndesign Giorgio Bonaguro\n58 \u002F59\nRising —   \nNoon. After it\n",32,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.33.png","Rising —   \n60 \u002F61\nGolden Hour\n \n(it) \u002F Gli ambienti ritornano intimi, \novattati, la percezione si affievolisce e la luce \nnaturale fa spazio a luci soffuse e candele. \nÈ il momento per aggregare le sedute, \nradunare i pouf attorno al tavolo per le cena. \nSembra una scultura, che peccato coprirlo. \nIl dolce lo si prende informalmente comodi, \nbasta riconfigurare la disposizione dei \ntavolini accanto al divano. \n \nUn brindisi, si è fatto sera.\n \n(en) \u002F Rooms become intimate and muffled; \nperception fades and natural light makes way \nfor soft lighting and candles. This is the time \nto bring together the seating, grouping the \npoufs around the dinner table. It looks like \na sculpture; what a shame to cover it up. \nDessert is enjoyed informally and comfortably \njust by reconfiguring the table arrangement \nnext to the sofa. \n \nA toast. Evening has come.\n60 \u002F61\nRising —   \n",33,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.34.png","�\ndivano \u002Fsofa Cusco\ndesign Giorgio Bonaguro\nRising —   \n62 \u002F63\nGolden Hour\n",34,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.35.png","tessuto \u002Ffabric Kieffer by Rubelli\n�\ndivano \u002Fsofa Cusco\ndesign Giorgio Bonaguro\nRising —   \n64 \u002F65\nGolden Hour\n",35,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.36.png","tavolo da pranzo \u002Fdining table Ladybug L\nsedie \u002Fchairs Panda\ndesign Matteo Zorzenoni\n66 \u002F67\nGolden Hour\nRising —   \n",36,{"image":156,"text":157,"number":158},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.37.png","tavolo da pranzo \u002Fdining table Ladybug L\ndesign Matteo Zorzenoni\nRising —   \n68 \u002F69\nGolden Hour\n",37,{"image":160,"text":161,"number":162},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.38.png","poltrona \u002Farmchair Bridge\ndesign Matteo Zorzenoni\n70 \u002F71\nGolden Hour\nRising —   \n",38,{"image":164,"text":165,"number":166},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.39.png","�\npoltrona \u002Farmchair Bridge\ndesign Matteo Zorzenoni\nritagli di cuoio \u002Fleather's cut out\nRising —   \n72 \u002F73\nGolden Hour\n",39,{"image":168,"text":169,"number":170},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.40.png","�\ndivano \u002Fsofa Bubble\ndesign Matteo Zorzenoni\ntavolini \u002Flow tables Erice R, Pebble M\ndesign Giorgio Bonaguro\n74 \u002F75\nGolden Hour\nRising —   \n",40,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.41.png","letto \u002Fbed Yves\ntavolino \u002Flow table Milestone\ndesign Giorgio Bonaguro\nRising —   \n76 \u002F77\nGolden Hour\n",41,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.42.png","Rising —   \n78 \u002F79\nGolden Hour\n",42,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.43.png","80 \u002F81\nRising —\nDesign Signature\n",43,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.44.png","Art Direction\n \n(it) \u002F “Lavorare con materiali autentici, che preservano \ne raccontano una storia di artigianalità, non rappresenta  \nsemplicemente uno standard di bellezza ma una vera e propria \nconvinzione progettuale con cui lo studio affronta ogni tipo di \nprogetto, di arredo, di interior design o installativo.”\n \n — Studio Federico Peri\n \n \nLa collaborazione tra lo Studio Federico Peri e Carpanese \nHome inizia nel 2020, anno in cui la proprietà invita lo studio \ncon sede a Milano ad analizzare, ripensare e immaginare un \nnuovo futuro per l’azienda nata dalla ricca tradizione ebanistica \ndella famiglia Bellani.\n \n \nInizia un percorso di profondo cambiamento che \ninveste non solo le collezioni con un deciso e radicale cambio \ndi direzione, ma la struttura e i luoghi stessi dell’azienda, dalla \nsede allo showroom di Sanguinetto (VR), dalla progettazione \ndegli stand per varie edizioni del Salone del Mobile di Milano \nall’ideazione dell’installazione “In between the Dunes” \npresentata al Fuorisalone di Milano 2024. \n \nUn momento apicale che segna il debutto ufficiale della \nnuova Carpanese Home sotto la direzione artistica di Studio \nFederico Peri.\n \n(en) \u002F “Working with authentic materials that preserve \nand express a story of craftsmanship is not simply a standard of \nbeauty but a real conviction regarding design. This is the starting \npoint for the studio in any project, be it furniture, interior design \nor an installation.\"\n \n— Studio Federico Peri\n \nStudio Federico Peri began to collaborate with \nCarpanese Home in 2020 when the owners invited the Milan-\nbased studio to analyse, rethink and imagine a new future \nfor the company and the rich cabinet-making tradition of the \nBellani family.\n \nA process of profound change was launched, not only a \ndecisive and radical change of direction for the collections but \nalso of the company’s structure and sites, from its headquarters \nto the showroom in Sanguinetto (VR), from the design of \nthe stands at various editions of Milan’s Salone del Mobile to \ndevising the installation “In between the Dunes” presented at \nFuorisalone Milano 2024. \n \nIt marked the official debut of the new Carpanese Home \nunder the artistic direction of Studio Federico Peri.\nStudio \nFederico Peri\n82 \u002F83\nRising —   \n",44,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.45.png","Designers\nMatteo \nZorzenoni\nGiorgio \nBonaguro\n \n(it) \u002F Lo stile che lo contraddistingue e che lo ha reso  \nuno dei più promettenti designer italiani è il continuo studio  \ndei materiali e la capacità di svelare le loro inaspettate \npotenzialità, come creare vetri in cemento, strutture in vetro, \ntavoli in metallo liquido...\n \nI suoi progetti sono stati esposti in alcune delle più \nimportanti mostre mondiali tra cui: Maxxi di Roma, Triennale  \ndi Milano, London Design Festival, Centre Pompidou  \ne la Biennale di Architettura di Venezia.\n \nZorzenoni è stato docente presso l'Università di \nArchitettura di Venezia IUAV e conduce workshop e corsi per \nIED a Madrid, il Domaine de Boisbuchet (Vitra Design Museum), \nFabirca, Mexico Design Week e Kozice.\n \nDopo una lunga esperienza come consulente per  \nFabrica e responsabile della filiale italiana dello Studio Hayon, \nsegue attualmente la direzione artistica di Dall'Agnese,  \nComprex e altre società. \n \nParallelamente prosegue la sua ricerca nel mondo \ndell'artigianato di alta qualità e la creazione di nuovi progetti \nper clienti come Cappellini, Mercedes Benz, Replay, Alcantara, \nBenetton, Bosa, Miniforms, Somethingood, Agusta Westland, \nMM Lampadari, Scapin Collezioni, Torremato, Nason Moretti, \nNovamobili, Bolzan Letti e altri.\n \n(en) \u002F One of the most promising designers in Italy,  \nMatteo Zorzenoni has a unique style based on the continuous \nstudy of the materials and unlocking their unexpected  \npotential, such as glasses made of concrete, glass structures, \nliquid metal tables...\n \nHis projects have been showcased in some of the most \nimportant exhibitions worldwide including: Maxxi in Rome, \nTriennale di Milano, London Design Festival, Centre Pompidou \nand the Biennale of Architecture in Venice. \n \nZorzenoni has been a teacher at the University  \nof Architecture of Venice IUAV and leads workshops  \nand courses for IED design school in Madrid, the Domaine  \nde Boisbuchet (Vitra Design Museum), Fabrica, Mexico  \nDesign Week and Kozice.\n \nAfter a long experience as a consultant for Fabrica  \nand heading the Italian branch of the Hayon Studio, he currently \nresponsible for the artistic direction of Dall'Agnese, Comprex \nand others company.\n \nIn parallel, he continues his research into the world  \nof high-quality craftsmanship and the creation of new projects \nfor clients such as Cappellini, Mercedes Benz, Replay, Alcantara, \nBenetton, Bosa, Miniforms, Somethingood, Agusta Westland, \nMM Lampadari, Scapin Collezioni, Torremato, Nason Moretti, \nNovamobili, Bolzan Letti and others.\n \n(it) \u002F Dopo aver studiato Ingegneria Meccanica a Modena, \nha conseguito un master in Industrial e Interior Design alla \nScuola Politecnica di Design SPD di Milano. Ha lavorato in \ndiversi studi di design e architettura, come quello di Lorenzo \nPalmeri, Francesco Faccin, il maestro Michele De Lucchi e il \ncritico e designer Marco Romanelli.\n \nCollabora con diverse aziende italiane e straniere come \nDriade, Giorgetti, Tacchini, Serax, Ichendorf, America Moveis \ntra le altre, e sviluppa edizioni limitate presentate in fiere \ninternazionali come Design Miami, Salone del Mobile, London \nDesign Festival, Design Days Dubai, Maison et Objet, Wanted \nDesign New York.\n \nLavora tra Europa e Brasile nel campo del product \ndesign, interior design e art direction, cercando di coniugare \nla ricerca di nuovi materiali e la contaminazione tra arti diverse, \ncon uno stile caratterizzato da linee semplici ed eleganti.\n \n(en) \u002F Giorgio Bonaguro studied mechanical engineering \nin Modena and then graduated at Scuola Politecnica di \nDesign SPD in Milan, in a double Master in Industrial and \nInterior Design. He has worked in several design studios \nin Milan, first at Lorenzo Palmeri's, then with Francesco Faccin, \nat Michele De Lucchi's Studio and then with the designer \nand critic Marco Romanelli.\n \nHe collaborates with several companies to realize new \nproducts, and develops limited editions for design galleries. \nSome of his pieces are usually presented at international fairs \nsuch as Salone del Mobile Milano, Design Miami, London \nDesign Festival, Maison et Objet Paris, Wanted Design NY, \nDesign Days Dubay.\n \nHe works between Europe and Brazil in the fields of \nproduct design, interior design and art direction, trying to \ncombine the search for new materials and the contamination \nbetween different arts, with a style characterized by simple and \nelegant lines.\n84 \u002F85\nRising —\n",45,{"image":192,"text":193,"number":194},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.46.png","Tailor—Made \nProgram\n�\nSazio di lavoro \u002FWorking space, shoowroom \nCarpanese Home, Sanguinetto — VR \u002FItalia\n \n(it) \u002F La profonda tradizione manifatturiera di Carpanese \nHome si traduce inoltre nel programma personalizzato \n“Tailor Made” grazie al quale il cliente può scegliere finiture e \ntessuti tra un’ampia gamma di proposte. Possono inoltre venir \nrichieste modifiche in ogni piccolo dettaglio per creare il proprio \nunico ed esclusivo arredo. Con un unico limite, l’immaginazione.\n \n(en) \u002F The deep-rooted manufacturing tradition of \nCarpanese Home is to the fore in the personalized “Tailor Made\" \nprogram, which allows the customer to choose finishes and \nfabrics from a wide range of options. Changes can be requested \nto every little detail so you can create your own unique and \nexclusive furniture. The only limit is your imagination.\n86 \u002F87\nRising —\n",46,{"image":196,"text":197,"number":198},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.47.png","88 \u002F89\nRising —\nProducts Overview\n",47,{"image":200,"text":201,"number":202},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.48.png","Bubble P regular\nBubble P light P. 33\nBubble Pouf regular P. 46\nBubble Pouf light\nBubble C regular P. 47, 75\nBubble C light\nBubble 2 posti \u002Fseater regular\nBubble 2 posti \u002Fseater light\nBubble 3 posti \u002Fseater regular\nBubble 3 posti \u002Fseater light\nBubble composizione \u002Fcomposition regular P. 47, 75\nBubble composizione \u002Fcomposition light \nAltre composizioni disponibili \u002FOther available compositions\nCusco P. 62,64\nAltre composizioni disponibili \u002FOther available compositions\nBubble SX regular\nBubble SX light\nBubble Slim regular P. 46, 75\nBubble Slim light\nBubble DX regular\nBubble DX light\nBetty \u002FBetty Pouf P. 57\nPanda P. 49, 66, 79\nErice C P. 41\nTop legno o marmo \u002FWooden or marble top\nErice D P. 50\nTop legno o marmo \u002FWooden or marble top\nBelts P. 24\nBelts XL P. 18, 21\nCon o senza rulli \u002FWith or without bolsters\nBridge P. 70\nBirkin P. 52\nRocha P. 23, 29\nVariante disponibile \u002FAvailable variant\nManta P P. 10\nManta D\nVariante girevole \u002FSwivel variant\nDelorean Light P. 35\nDelorean P. 29\nTop laccato o marmo \u002FLacquered or marble top\nPebble S\nPebble M P. 47, 75\nPebble L\nTop laccato o marmo \u002FLacquered or marble top\nMilestone P. 33, 46, 76\nElemento laccato o marmo, struttura laccata o legno\n\u002FLacquered or marble element, lacquered or wooden structure\nLinea T P. 43\nTop laccato, legno o marmo \n\u002FLacquered, wooden or marble top \nLadybug L\u002FM P. 66, 69, 79\nTop laccato, legno o marmo, gambe laccate o legno\n\u002FLacquered, wooden or marble top, lacquered or wooden legs \nTrio D L \nTrio D S P. 22\nTrio N P. 26\nTop laccato o marmo \u002FLacquered or marble top\nLips L\nLips XL P. 24, 26\nShine L \nShine XL P. 70\nErice L P. 36, 39 \nTop legno o marmo \n\u002FWooden or marble top\nLinea D P. 11 \nTop legno o laccato \n\u002FWooden or lacquered top\nYves P. 76\nErice S P. 59\nErice R P. 55, 75\nErice XL P. 55\nTop legno o marmo \u002FWooden or marble top\nModuli e divani Bubble disponibili con o senza curvi in legno\n\u002FBubble modules and sofas available with or without curves and wooden base\nRising —   \n90 \u002F91\nProducts Overview\n",48,{"image":204,"text":205,"number":206},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.49.png","Bubble P regular\nBubble Pouf light\nBubble Pouf regular\nBubble P light\nBubble SX regular\nBubble DX regular\nBubble SX light\nBubble DX light\nBubble Slim regular\nBubble C regular\nBubble Slim light\nBubble C light\nDivani e poltrone \u002FSofas and armchairs\nBubble by Matteo Zorzenoni\nTechnical Specifications\n \n(it) \u002F Divani, poltrone e moduli imbottiti con o senza curvi e base \nin legno. Struttura  in multistrato certificato EPA, abete, faesite. \nImbottito con poliuretano a cellule aperte e falde di Dacron, \nmolleggio cinghie elastiche. Curvati in strati di derullato di faggio \nimpiallacciati in frassino. Piedini in legno verniciato nero. \nRivestimento di pelle o tessuto. \n \n(en) \u002F Sofas, armchairs and modules with or without curves and \nwooden base. Structure in EPA certified plywood, fir, hardboard. \nPadded with open-cell polyurethane and Dacron layers, \nsprung with elastic straps. Curved in layers of ash-veneered \nbeech wood. Feet in black painted wood. Leather or fabric covering.\n106\n96\n96\n96\n140\n140\n96\n85\n85\n106\n85\n85\n74\n74\n74\n74\n74\n74\n74\n74\n74\n74\n43\n43\n98\n98\n98\n98\n140\n140\n98\n98\n98\n98\n77\n77\nRising —   \n92 \u002F93\n",49,{"image":208,"text":209,"number":210},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.50.png","Bubble 3 posti \u002Fseater regular\nBubble S regular\nBubble M regular\nBubble 2 posti \u002Fseater regular\nBubble L regular\nBubble XL regular\nBubble L light\nBubble XL light\nBubble XXL regular\nBubble 3 posti \u002Fseater light\nBubble S light\nBubble M light\nBubble 2 posti \u002Fseater light\n191\n276\n281\n370\n370\n281\n276\n191\n407\n411\n411\n485\n407\n98\n98\n98\n98\n74\n74\n74\n74\n74\n74\n85\n145\n145\n85\n74\n74\n74\n74\n74\n74\n74\n175\n230\n230\n247\n175\nRising —   \n94 \u002F95\nTechnical Specifications\n",50,{"image":212,"text":213,"number":214},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.51.png","Bubble XXL light\nBubble XXXL regular\nBubble XXXL light\nCusco 2 posti \u002Fseater\nCusco 4 posti \u002Fseater\nCusco XL\nCusco 3 posti \u002Fseater\nCusco L\nCusco by Giorgio Bonaguro\n \n(it) \u002F Divani in multistrato certificato EPA, abete, faesite. \nImbottitura in poliuretano a cellule aperte e falde di Dacron, molleggio \ncinghie elastiche. Rivestimento di pelle o tessuto. \n \n(en) \u002F Sofas in EPA certified plywood, fir, hardboard. Padding in \nopen-cell polyurethane and Dacron layers, sprung with elastic straps. \nLeather or fabric covering.\n485\n450\n450\n74\n74\n74\n247\n275\n275\n253\n330\n350\n350\n350\n108\n108\n176\n108\n108\n69\n69\n69\n69\n69\nRising —   \n96 \u002F97\nTechnical Specifications\n",51,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.52.png","Betty\nBridge\nBetty Pouf\nBetty by Giorgio Bonaguro\nBridge by Matteo Zorzenoni\nBelts\nBelts XL\nBelts XL con rulli \u002Fwith bolsters\nBelts by Matteo Zorzenoni\nCusco XXL\n \n(it) \u002F Panca imbottita in legno frassino massiccio, cinghie in pelle. \nFondo in listellare impiallacciato frassino, fondino in compensato \ndi pioppo, seduta in poliuretano espanso con rivestimento di pelle \no tessuto. Cuscini rullo opzionali.\n \n(en) \u002F Padded bench in solid ash wood, leather straps. \nBase in ash-veneered blockboard and in poplar plywood, \nseat in expanded polyurethane with leather or fabric covering. \nOptional bolsters.\n \n(it) \u002F Poltrona e pouf in multistrato certificato EPA, abete, faesite. \nImbottiti con poliuretano a cellule aperte e falde di Dacron, \nmolleggio cinghie elastiche. Curvati in strati di compensato \ndi pioppo e pannelli di fibre di legno impiallacciati in frassino. \nRivestimento di pelle o tessuto.\n \n(it) \u002F Poltrona con cinghie in pelle. Struttura in faggio massiccio, \nfondino in multistrati di pioppo, braccioli e fondo seduta rivestiti in \ncuoio. Imbottita con gommapiuma sagomata e piume d'oca bianca. \nRivestimento di pelle o tessuto. \n \n(en) \u002F Armchair and pouf in EPA-certified plywood, fir, hardboard. \nPadded with open-cell polyurethane and Dacron layers, sprung with \nelastic straps. Curved in layers of poplar plywood and ash-veneered \nwood fiber panels. Leather or fabric covering.\n \n(en) \u002F Armchair with leather straps. Structure in solid beech, seat in \npoplar plywood, armrests and seat bottom covered in leather. Padded \nwith shaped foam and white goose feathers. Leather or fabric covering.\n482\n150\n180\n180\n50\n70\n70\n44\n44\n44\n56\n244\n69\n106\n61\n74\n85\n58\n64\n74\n66\n40\nRising —   \n98 \u002F99\nTechnical Specifications\n",52,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.53.png","Rocha A\nBirkin\nPanda\nManta P\nManta D\nRocha B\nSedie \u002FChairs\nBirkin by Matteo Zorzenoni\nRocha by Giorgio Bonaguro\n \n(it) \u002F Sedia in frassino massiccio, fondino in multistrati di betulla, \nschienale in tondino di acciaio, seduta e schienale imbottiti con \ngomma. Rivestimento di pelle o tessuto.\n \n(it) \u002F Pouf in multistrato certificato EPA, abete, faesite e airflex. \nImbottito con poliuretano a cellule aperte e falde di Dacron, molleggio \ncinghie elastiche. Rivestimento di pelle o tessuto.\n \n(en) \u002F Chair in solid ash, seat in birch plywood, backrest \nin steel rod, seat and backrest padded with rubber. Leather\nor fabric covering.\n \n(en) \u002F Pouf in EPA certified plywood, fir, hardboard and airflex. \nUpholstered with open-cell polyurethane and Dacron layers, sprung \nwith elastic straps. Leather or fabric covering.\nManta by Matteo Zorzenoni\nPanda by Matteo Zorzenoni\n \n(it) \u002F Poltrona in multistrato certificato EPA, abete, faesite. \nGambe e braccioli in legno frassino massiccio. Collegata alla seduta \nda tre lame di metallo rivestite in cuoio. Imbottita con poliuretano \na cellule aperte e falde di Dacron. Rivestimento di pelle o tessuto.\n \nDisponibile in versione girevole con base laccata nera, raggiera \nin alluminio lucidato e verniciato, colonna in metallo cromato lucido, \nruote gommate, con alzata a gas.\n \n(it) \u002F Sedia con struttura in legno frassino massiccio. Seduta \nimbottita con gomma accoppiata con vellutino, cinghie elastiche. \nBraccioli imbottiti con gomma. Rivestimento di pelle o tessuto.\n \n(en) \u002F Armchair in EPA certified plywood, fir, hardboard. \nLegs and armrests in solid ash wood. Connected to the seat \nby three metal blades covered in leather. Padded with open \ncell-polyurethane and Dacron layers. Leather or fabric covering. \n \nAvailable in swivel version with black lacquered base, \npolished and painted aluminum spokes, polished chrome metal \ncolumn, rubberized wheels, with gas lift. \n \n(en) \u002F Chair made of solid ash wood. Upholstered seat with rubber \ncoupled with velveteen, elastic straps. Armrests padded with rubber. \nLeather or fabric covering.\n38\n38\n57\n71\n66\n38\n38\n66\n71\n66\n42\n42\n89\n82\n82\u002F90\n61\n69\n53\nRising —   \n100 \u002F101\nTechnical Specifications\n",53,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.54.png","Erice C\nTrio D L\nTrio D S\nTrio N\nErice D\nCredenze e consolle \u002FSideboards and console tables\nErice C by Giorgio Bonaguro\nTrio by Matteo Zorzenoni\nErice D by Giorgio Bonaguro\n \n(it) \u002F Comò e comodino con parte massicce, gambe e maniglie \nin legno frassino. Sottocoperta, contenitori cassetti e top in pannelli \ndi fibre di legno. Sponde e schienale cassetto in listellare \nimpiallacciato tanganika. Fondo cassetti in multistrati di pioppo, \ntappezzati in econabuk. Guide estrazione totale regolabili. \nStruttura laccata opaca, disponibile con piano laccato opaco \no piano in marmo con spessore da 20 mm.\n \n(it) \u002F Consolle in pannelli di fibre di legno impiallacciati in frassino. \nDisponibile con piano in legno o piano in marmo con spessore da 20 mm.\n \n(en) \u002F Chests of drawers and bedside table with body, legs \nand handles made of ash wood. Undertop, drawers and surface \nin wood fiber panels. Drawer sides and back in Tanganika-veneered \nblockboard. Drawer bottom  in poplar plywood, upholstered \nin econabuk. Completely adjustable guides. Matt lacquered \nstructure, available with matt lacquered top or marble top with\na thickness of 20 mm.\n \n(en) \u002F Console table in ash-veneered wooden fiber panels. \nAvailable with wooden top or marble top with a thickness of 20 mm.\n \n(it) \u002F Credenza in pannelli di fibre di legno impiallacciati in frassino. \nCompartimento interno segreto dietro la gamba centrale. Disponibile \ncon piano in legno o piano in marmo con spessore da 20 mm.\n \n(en) \u002F Sideboard in ash-veneered wood fiber panels. Concealed \ncompartment behind the central leg. Available with wooden or marble \ntop with a thickness of 20 mm.\n190\n210\n60\n120\n30\n50\n50\n55\n75\n80\n52\n80\n160\n55\n80\nRising —   \n102 \u002F103\nTechnical Specifications\n",54,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.55.png","Delorean\nDelorean light\nLadybug M\nLadybug L\nLadybug M top marmo \u002Fmarble top\nLadybug L top marmo \u002Fmarble top\nLinea T\nLinea T top marmo \u002Fmarble top\nDelorean by Matteo Zorzenoni\nLadybug by Matteo Zorzenoni\nLinea T by Matteo Zorzenoni\nTavoli \u002FDining tables\n \n(it) \u002F Tavolo da pranzo con base in legno frassino o laccata, \ncombinata con piano in legno frassino, laccato opaco o in marmo \ncon spessore 20 mm. Sottopiano di supporto per piano marmo \nlaccato opaco in tinta colore marmo. Lame a \"T\" in ferro, \npiastre in metallo verniciato.\n \n(it) \u002F Consolle o vanity desk con specchio. Struttura in legno \nfrassino, struttura specchiera in pannelli di fibre di legno. \nSottocoperta in pannelli di fibre di legno impiallacciati tanganika. \nSponde e schienale cassetto in listellare impiallacciato tanganika. \nFondo cassetto in multistrati di pioppo tappezzato in econabuk. \nCassetto apertura manuale con chiusura soft e guide estrazione \ntotale regolabili. Disponibile con piano laccato tinta unita opaco \no piano in marmo con spessore da 20 mm. \n \n(en) \u002F Dining table with ash wood or lacquered base, combined \nwith ash wood, matt lacquered or marble top with a thickness \nof 20 mm. Undertop support for matt lacquered marble top \nin the same color. Iron \"T\" blades, painted metal plates.\n \n(en) \u002F Console table or vanity desk with mirror. Structure in ash \nwood, mirror backed with wood fiber panels. Tanganyika-veneered \nwood fiber panels are used under the table top. The sides and back \nof the drawer are in Tanganika-veneered blockboard. Drawer bottom \nin poplar plywood upholstered in econabuk. Manual opening drawer \nwith soft closing and entirely adjustable extraction guides. \nAvailable with a matt solid-color lacquered top or 20 mm thick \nmarble top.\n \n(it) \u002F Tavola da pranzo in legno frassino massiccio e pannelli di \nfibre di legno impiallacciati in frassino. Disponibile con piano in \nlegno frassino o laccato opaco o in marmo con spessore da 20 mm. \nSottopiano di supporto per piano marmo laccato opaco in tinta colore \nmarmo. Piastre in metallo verniciato.\n \n(en) \u002F Dining table in solid ash wood and ash-veneered wood fiber \npanels. Available with top in ash wood or matt lacquer or in marble \nwith a thickness of 20 mm. Undertop support or matt lacquered \nmarble top in the same color. Painted metal plates.\n143\n245\n245\n115\n115\n143\n240\n280\n280\n240\n60\n60\n120\n120\n120\n120\n132\n75\n75\n75\n75\n75\n75\n75\n75\nRising —   \n104 \u002F105\nTechnical Specifications\n",55,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.56.png","Erice S\nErice XL\nErice R\nErice by Giorgio Bonaguro\nPebble M\nPebble L\nPebble M top marmo \u002Fmarble top\nPebble L top marmo \u002Fmarble top\nPebble S\nPebble S top marmo \u002Fmarble top\nPebble by Giorgio Bonaguro\nTavolini \u002FLow tables\n \n(it) \u002F Tavolini bassi in pannelli di fibre di legno impiallacciati \nin frassino. Disponibile con piano in legno o in marmo con \nspessore 20 mm.\n \n(it) \u002F Tavoli bassi in pannelli di fibre di legno. Base laccata opaca, \ndisponibile con piano laccato opaco o in marmo con spessore \nda 20 mm.\n \n(en) \u002F Low tables in ash-veneered wood fiber panels. Available with \nwooden or marble top with a thickness of 20 mm.\n \n(en) \u002F Low tables in wood fiber panels. Matt lacquered base, \navailable with matt lacquered or marble top with a thickness \nof 20 mm.\n55\n55\n83\n83\n140\n140\n180\n120\n65\n56\n56\n80\n80\n70\n70\n90\n120\n65\n48\n48\n40\n40\n32\n32\n27\n35\n43\nRising —   \n106 \u002F107\nTechnical Specifications\n",56,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.57.png","Linea D\nMilestone\nLips S\nLips by Matteo Zorzenoni\nLetti \u002FBeds\nErice L\nErice L by Giorgio Bonaguro\nLibreria \u002FBookcase\nScrivania \u002FDesk\nLinea D by Matteo Zorzenoni\nMilestone by Giorgio Bonaguro\n \n(it) \u002F Scrivania in legno frassino massiccio e pannelli di fibre di legno \nimpiallacciati in frassino. Disponibile con piano in legno frassino \no laccato opaco. Piastre in metallo verniciato. Due cassetti con sistema \npush-pull e fondo tappezzato in econabuk. Passacavi attraverso \nla gamba laterale optional. \n \n(it) \u002F Tavolino in legno frassino massiccio e pannelli di fibre di legno. \nGamba e piano in legno frassino o laccati, disponibile con blocco base \nlaccato opaco o in marmo. \n \n(en) \u002F Desk in solid ash wood and ash-veneered wood fiber panels. \nAvailable with ash wood or matt lacquered top. Painted metal plates. \nTwo drawers with push-pull system and eco-nubuck upholstered \nbottom. Optional cable routing through side leg.\n \n(en) \u002F Low table in solid ash wood and wood fiber panels. \nLeg and top in ash wood or lacquered, available with matt lacquered \nor marble base block.\n \n(it) \u002F Letto con parti massicce in legno frassino e struttura in \nmultistrato certificato EPA, abete, faesite. Imbottito con poliuretano \na cellule aperte e falde di Dacron, molleggio cinghie elastiche. \nRivestimento di pelle o tessuto. \n \n(it) \u002F Parete libreria in pannelli di fibre di legno impiallacciati in \nfrassino. Ripiani disponibili in legno o in marmo con spessore 20 mm \ne sottopiano in legno frassino.\n \n(en) \u002F Bed with solid parts in ash wood and frame in EPA \ncertified plywood, fir, hardboard. Upholstered with open-cell \npolyurethane and Dacron layers, sprung with elastic straps. \nLeather or fabric covering.\n \n(en) \u002F Bookcase in ash-veneered wood fiber panels. Shelves \navailable in wood or marble with a thickness of 20 mm and undertops \nin ash wood.\n230\n40\n210\n44\n44\n55\n230\n216\n103\n205\n100\n75\nRising —   \n108 \u002F109\nTechnical Specifications\n",57,{"image":240,"text":241,"number":242},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.58.png","Yves\nShine\nShine L\nShine by Matteo Zorzenoni\nAccessories\nYves by Giorgio Bonaguro\nLips XL\n \n(it) \u002F Specchio, struttura in legno frassino e compensato di pioppo.\n \n(en) \u002F Mirror, frame in ash wood and poplar plywood.\n \n(it) \u002F Letto con parti massicce in legno frassino e struttura in \nmultistrato certificato EPA, abete, faesite. Imbottito con poliuretano \na cellule aperte e falde di Dacron. Molleggio cinghie elastiche. \nRivestimento di pelle o tessuto. \n \n(en) \u002F Bed with solid parts in ash wood and frame in EPA certified \nplywood, fir, hardboard. Upholstered with open-cell polyurethane and \nDacron layers. Sprung with elastic belts. Leather or fabric covering.\nformal refinement.\n310\n216\n103\n240\n245\n85\n98\n98\n14\n86\n170\nRising —   \n110 \u002F111\nTechnical Specifications\n",58,{"image":244,"text":245,"number":246},"\u002Fmedia\u002Fimages\u002F06\u002Fffc444df0876d216605344cf112ed5-28707ecda1.59.png","© Tutti i diritti riservati.  \nNessuna parte di questa pubblicatione può essere riprodotta  \nin qualsiasi forma o con qualsiasi mezzo - grafico,  \nelettronico, o meccanico, incluse fotocopie,  \nregistrazione, microfilm, o salvataggio su sistemi  \nremoti senza il consenso scritto di Carpanese Home. \n \n© All rights reserved.  \nNo part of this publication may be reproduced,  \ndistributed, or transmitted in any form or by  \nany means, including photocopying, recording,  \nor other electronic or mechanical methods, without  \nthe prior written permission of Carpanese Home.\nCARPANESE HOME\nvia Dossi, 75 \n37058 Sanguinetto — VR \u002FItaly \n+ 39 0442 365037 \ninfo@carpanesehome.com \ncarpanesehome.com\nDirezione Artistica \u002FArtistic Direction\nStudio Federico Peri\nGraphic Design\nDesignwork\nFotografie \u002FPhotographs\nSilvia Rivoltella per tutte le fotografie  \ntranne quelle indicate di seguito  \n\u002FSilvia Rivoltella for all the photographs  \nexcept as indicated below.\n \nAlexander Possingham P. 16 \nJustin Schüler (detail) P. 30 \nKasia Sikorska P. 42 \nElena Joland P. 44 \nJonas Vandermeiren P. 60 \nJosep Curto P. 73 \nStudio Pointer P. 84 \nLivia Scheide Xavier P. 85 \nTutti i diritti riservati \u002FAll rights reserved P. 27, 34\nConsulenza creativa, comunicazione  \n\u002FCreative consultancy, comunication\nAtemporaryStudio \nTesti \u002FTexts\n“Company” P. 5  \n“The Rising Light” P. 17 \n“A.M.” P. 31  \n“Noon, After It” P. 45  \n“Golden Hour” P. 61 \n“Art direction”  P. 83 \n“Tailor-Made Program” P. 87  \nby AtemporaryStudio \n \n“Visioni del contemporaneao”  \n\u002F”Visions of the contemporary”  \nP. 9, 11 by Porzia Bergamasco \nStyling\nVasi in vetro di Murano \u002FMurano glass vases \nby Federico Peri for Purho P. 47, 50, 51, 75 \nFotografia \u002FPhotograph P. 50, 51 by Emilio Tremolada \nFotografia \u002FPhotograph P. 22 by Maris Croatto \nVaso in ceramica \u002FVase in ceramic P. 29 by Studio Terrae\nStampato in Italia da \u002FPrinted in Italy by\nAsolana 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