[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-cappellini-news-2021":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":92},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":87,"matched_pages":88,"match_count":89,"two_pages":90,"show_text":91},25159,"News 2021","cappellini-news-2021","\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fb4\u002F7e9ab9258172ae14fef988949cf419-28feab228c.pdf","Cappellini",325,"cappellini","2.5 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.2.png","“\nDEUX MILLE \nVINGT ET \nUN EST \nL’ANNÈE DE \nCAPPELLINI\n”\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.3.png","SAN SIRO\nJASPER MORRISON\nContinua il lungo e proficuo sodalizio fra \nCappellini e Jasper Morrison con lo sviluppo \ndi una nuova poltroncina dal segno preciso \ne dalle proporzioni perfette, del tutto in linea \ncon lo stile puro e minimalista del designer \ninglese. Omaggio al noto quartiere di Milano, \nSan Siro si contraddistingue per gli spessori \nestremamente sottili, che non compromettono \nin alcun modo la morbidezza e il comfort della \nseduta. La poltroncina è disponibile su piedini \no su ruote e, grazie al suo design pulito ed \nessenziale, è facilmente adattabile a ogni \ncontesto.\nThe prolific and long-lasting collaboration \nbetween Cappellini and Jasper Morrison \ncontinues with the launch of a new armchair \ncharacterized by perfect proportions and \na very clean design, totally in accordance \nwith the pure and minimalist style of the \nEnglish designer. An homage to the famous \nMilanese district, San Siro is thin, yet extremely \nsoft and comfortable. This armchair is \navailable on feet or casters and it easily \nadapts to any context thanks to its clean \nand essential design.\n3\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.4.png","5\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.5.png","TATE 2021\nJASPER MORRISON\nA più di vent’anni dal lancio del progetto \noriginario, la famiglia di sedie e sgabelli Tate di \nJasper Morrison si rinnova completamente nel \nlook e nelle finiture per dare un tocco di novità \ne freschezza a un prodotto ormai diventato \nuno dei principali best seller del catalogo \nCappellini. \nTre diversi modelli di seduta, tre diverse \ntipologie di base e una vastissima gamma \ndi colori e finiture disponibili rendono Tate un \noggetto estremamente versatile, capace di \nadattarsi ai più svariati contesti, sia domestici \nche dell’ospitalità.\nMore than twenty years after the launch of \nthe original project, the Tate family of chairs \nand stools by Jasper Morrison has been \ncompletely renewed in its look and finishes \nto give a touch of freshness and innovation \nto one of the bestselling products of the \nCappellini catalogue. \nThree different seat models, three different \nbase options and a wide range of colors and \nfinishes make the Tate an extremely versatile \nobject, capable of adapting to the most \nvarious contexts, be it a residential space or \na hospitality project.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.6.png","9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.7.png","VENDÔME 2021\nGIULIO CAPPELLINI\nLa serie di tavoli Vendôme, progettata da \nGiulio Cappellini nel 2015, si amplia con \nl’aggiunta di due nuovi modelli: un tavolo \nrettangolare di grandi dimensioni e un \ntavolino basso in versione quadrata. \nLa struttura interna, in metallo verniciato \nnero, è rivestita in due nuovi preziosi marmi, \nbianco Carrara e grigio Roma, che donano \nal prodotto un’eleganza senza tempo. Il \npiano d’appoggio, estremamente sottile, si \neleva su quattro gambe di maggior spessore, \ncreando un ossimoro visivo tra l’essenzialità \ndella forma e la solidità del materiale.\nThe Vendôme table series, designed by \nGiulio Cappellini in 2015, expands with \nthe addition of two new models: a large \nrectangular table and a square service \ntable. \nThe internal structure, made of black \nmatt painted metal, is covered with two \nnew precious marbles, white Carrara and \ngrey Roma, giving the product a timeless \nelegance. The tabletop, extremely thin, \nrests on four thicker legs, creating a visual \noxymoron between the sleekness of the \nshapes and the solidity of the material.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.8.png","13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.9.png","HIROI\nJANSKÝ & DUNDĚRA\nNata dalla collaborazione tra due dei più \npromettenti designer emergenti dell’Europa \ndell’Est, la poltroncina Hiroi presenta una \nstruttura in massello di frassino tinto nero \nabbinata a sedile e schienale dalla forma \nestremamente arcuata, entrambi rivestiti \ninteramente in cuoio in cinque diverse \ncolorazioni. Leggera, equilibrata e dotata di \nun ottimo comfort, Hiroi si contraddistingue \nper il suo design elegante e senza tempo, che \nla rende perfetta per ogni contesto. L’utilizzo \ndi due materiali semplici, ma estremamente \nraffinati, quali il legno e il cuoio conferisce a \nquesto prodotto un’assoluta purezza visiva \nche cela, in realtà, un’eccezionale perizia \nproduttiva.\nBorn of the collaboration between two of \nthe most promising young designers from \nEastern Europe, the Hiroi armchair features \na structure made of black-stained massive \nash, while the seat and the backrest, both \nwith a very curved shape, are entirely \nupholstered with leather in five different color \nshades. Light, well-balanced and extremely \ncomfortable, Hiroi is characterized by a very \nelegant and timeless design, which makes \nit perfect for any context. The use of two \nsimple yet refined materials such as wood \nand leather gives this product an absolute \nvisual pureness, actually concealing an \nexcellent production expertise.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.10.png","17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.11.png","LITOS 2021\nSEBASTIAN HERKNER\nIl sistema di imbottiti Litos, progettato dal \ngiovane designer tedesco Sebastian Herkner, \naccoglie nuovi elementi di seduta che \nampliano le possibilità di configurazione in \ncomposizioni più o meno voluminose, adatte \nad arredare ogni tipo di ambiente. \nLe linee irregolari e tondeggianti delle sedute \nsono un chiaro riferimento al profilo sinuoso \ndel litorale salentino, da cui la famiglia stessa \nprende il nome. Il rivestimento è sfoderabile \nin una selezione di tessuti e pelli del catalogo \nCappellini. Una serie di cuscini in fibra e piuma, \nliberamente \nposizionabili, \ncontribuisce \na \ngarantire il massimo grado di comfort. \nThe Litos sofa system, designed by the \nyoung German designer Sebastian Herkner, \nis enlarged with the introduction of new \nseating elements, widening the possibility of \nconfigurations in voluminous compositions \nthat fit any kind of context. \nThe irregular and rounded shapes of the \nseats are a clear reference to the rocky \nSalento coastline, hence the name of the \ncollection itself. The sofas are equipped with \nremoveable covers in a selection of fabrics \nand leathers from the Cappellini collection. \nA series of free cushions, made of fiber and \nfeather, can be placed at will for maximum \ncomfort.\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.12.png","MARFA\nCAPPELLINI DESIGN TEAM\nSemplice, ma estremamente raffinata, la \npoltroncina Marfa è caratterizzata da linee \ndecise e tondeggianti che ricordano i rilievi \ndel Texas, di cui Marfa è una località ben \nnota ai cultori dell’arte e del design di tutto il \nmondo. La scocca, in poliuretano schiumato \nrivestito nei tessuti e pelli di collezione, può \nessere abbinata a diverse tipologie di base, \nche danno alla poltroncina un look sempre \ndiverso, capace di adattarsi agli ambienti \npiù disparati, dalle zone lavoro degli spazi \ndomestici a una grande varietà di contesti di \noffice e hospitality.\nSimple, yet extremely refined, the Marfa \narmchair is characterized by clear and pure \nlines, resembling the mountain peaks of \nTexas, where Marfa is a well-known location \nappreciated by art and design lovers \nfrom all over the world. The shell, made of \npolyurethane foam covered in a selection of \nfabrics and leathers from the collection, can \nbe combined with different base typologies, \ngiving the chair a look that fits every setting, \nfrom domestic workstations to a wide range \nof office and hospitality contexts.\n21\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.13.png","ARYA 2021\nGIULIO CAPPELLINI & ANTONIO FACCO \nVolumi morbidi e tondeggianti, ispirati alle \nantiche \nporcellane \ndi \norigine \nasiatica, \ncontraddistinguono \nquesta \nfamiglia \ndi \nlampade dal design essenziale ed elegante, \nin grado di portare negli spazi contemporanei \ntutto \nil \nfascino \ndell’antico \nOriente. \nLa \ncollezione, che include modelli da tavolo e \na sospensione, si arricchisce di una nuova \nversione da terra, proposta in due diverse \naltezze. Disponibili in quattro suggestive \ncolorazioni in finitura opaca, i diffusori di queste \nlampade sono realizzati in vetro soffiato a \nbocca secondo l’antica tradizione di Murano, \ne assumono un’immagine completamente \ndifferente se la lampada è spenta oppure in \nfunzione.\nSoft and curved lines, inspired by the antique \nporcelain typical of the Asian culture, \ncharacterize this family of lamps with a very \nelegant and essential design, capable of \nbrining all the charm of the ancient Orient to \nevery contemporary space. This collection, \nwhich already included table and hanging \nmodels, is enriched with a new floor version, \noffered in two different heights. The diffusers \nof these lamps, available in four attractive \nhues with a matte finish, are made of mouth-\nblown glass according to Murano’s ancient \ntradition, assuming a completely different \nimage when the lamps are turned on or off.\n23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.14.png","CORD LAMP\nWERNER AISSLINGER\nCord è una famiglia di lampade a sospensione, \ndisponibili in due dimensioni, composte da \ndue calotte in vetro rigato soffiato a bocca \ncollegate da un anello di giunzione in metallo \nverniciato nero opaco. Il vetro inferiore è \nsempre trasparente, mentre quello superiore \nè colorato in pasta ed è proposto nelle tre \nvarianti ametista, verde smeraldo e blu avio: \nl’alternanza di colore e trasparenza rende \nquesta lampada un oggetto unico, capace \ndi mixare contemporaneità e tradizione e di \nrestituire all’utente un effetto di luce caldo e \navvolgente.\nCord is a family of hanging lamps, available \nin two dimensions, consisting of two spherical \ncaps made of striped mouth-blown glass \nconnected by a metal link, matt varnished \nin black color. The lower glass is always \ntransparent, while the upper one is colored \nin three precious hues, amethyst, emerald \ngreen and avio blue: the alternation of \ncolor and transparency makes this lamp a \nunique object, capable of mixing tradition \nand contemporaneity and giving the user a \nwarm and embracing light effect.\n25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.15.png","GONG 2021\nGIULIO CAPPELLINI\nDue sottili lastre di metallo connesse da \nuno stelo centrale in tubo di ferro: la forza \ndella semplicità si traduce in emozione in \nquesto iconico tavolino dalle linee precise e \nsottilissime, che rendono Gong un prodotto \nestremamente funzionale e perfetto per \narredare ogni tipo di ambiente. Una nuova \ndimensione, ridotta in altezza ma con un piano \nd’appoggio più ampio, viene proposta in due \ndelle attuali versioni presenti in collezione: \nGong, con finitura verniciata opaca nei colori \nbianco, fango o antracite, e Gong Lux, nella \nsola finitura verniciata lucida in blu metallico.\nTwo thin metal plates connected by a thin \nbar in the same material: the strength of \nsimplicity turns into emotion in this iconic \nservice table characterized by precise \nand wafer-thin lines, which make Gong \nan extremely functional product, perfect \nfor furnishing any kind of setting. A new \ndimension, reduced in height, but with \na wider tabletop, is offered in two of the \nexisting versions of the collection: Gong, \nwith matte varnished finish in white, mud or \nanthracite color, and Gong Lux, with polish \nvarnished finish only in blue metallic color.\n27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.16.png","GLASS NEWSON VASE 2021\nMARC NEWSON\nNato come riedizione di un classico senza \ntempo, progettato in ceramica da Marc \nNewson negli anni Novanta, il Glass Newson \nVase viene completato da un coperchio \na tre fori nello stesso materiale e nelle stesse \ncolorazioni del corpo principale. Le forme \nplastiche e sinuose del vaso, che ricordano \nla chaise longue Orgone del designer \naustraliano, vengono enfatizzate dal riflesso \ndel vetro colorato, soffiato a bocca secondo \nl’antica tradizione di Murano: ogni difformità \nnel colore o nello spessore, così come \nl’eventuale presenza di piccole bolle d’aria, \nsono quindi da considerarsi un pregio, frutto \ndella lavorazione artigianale del vetro.\nBorn as a new edition of a timeless classic, \ndesigned by Marc Newson in the ‘90s \nusing ceramic, the Glass Newson Vase is \nenriched with the introduction of a lid with \nthree holes in the same material and the \nsame nuances as the main body. The plastic \nand sinuous shapes of the vase, resembling \nthe Orgone chaise longue by the designer \nhimself, are enhanced by the colored \nglass, mouth-blown according to Murano’s \nantique tradition: any irregularities in color or \nthickness, or any tiny air bubbles, should be \nconsidered a valuable addition, the fruit of \nthe ancient art of master glassmakers.\n29\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.17.png","TRACE\nFRANCESCO FORCELLINI\nTrace è una famiglia di vasi, disponibili in \ndiverse dimensioni, realizzati in ceramica \nbianca con finitura esterna opaca e interna \nsmaltata lucida. \nLa superficie di questi oggetti presenta una \ncaratteristica texture quadrettata dall’aspetto \nirregolare, frutto dell’eccezionale connubio \ntra manifattura artigianale e tecnologia di \nstampa tridimensionale. La trama dei vasi, \nimpressa per sempre nella ceramica, cattura \ne inganna lo sguardo, rivelando tutta la forza \nespressiva della materia. \nTrace è un oggetto contemporaneo, in cui \nl’armonia dell’estetica digitale si fonde con \nil fascino della lavorazione artigianale della \nporcellana, rendendo ogni pezzo unico e \ninimitabile.\nTrace is a collection of vases, available in \ndifferent dimensions, made of white ceramic \nwith matte finish on the outside and polish \nenameled coating on the inside. \nThe surface of these objects features an \nirregular checkered texture, the outcome of a \nperfect combination of artisan manufacture \nand three-dimensional printing technology. \nThe pattern of the vases, forever engraved \non the ceramic, captures and confuses the \nviewer, showing all the expressive strength of \nthe material. \nTrace is an extremely contemporary object, \nin which the harmony of digital aesthetics \nperfectly blends with the charm of the \nartisan pottery manufacture, making each \npiece one-of-a-kind.\n31\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.18.png","CONCEPT \u002F CONCEPT\nGiulio Cappellini\nCOORDINAMENTO PROGETTO \u002F PROJECT COORDINATOR\nAndrea Castelli\nCOPERTINA \u002F COVER\nElena Salmistraro\nGRAFICA \u002F GRAPHIC DESIGN\nAlice Sola\nTESTI \u002F TEXTS\nViviana Cavallaro\nDIREZIONE ARTISTICA FOTO \u002F PHOTOS ART DIRECTION\nAndrea Castelli\nFOTO \u002F PHOTOS\nStefano De Monte\nILLUSTRAZIONI \u002F ILLUSTRATIONS\nElena Salmistraro\nSTAMPA \u002F PRINT\nFaenza Group S.p.A.\nAprile 2021 \u002F April 2021\ncopyright @ Cap Design S.p.A.\nall rights reserved\ncap design s.p.a. - 20821 Meda (MB - Italy) - via Busnelli, 5 - tel. +39\u002F0362 372 486 - www.cappellini.it - e-mail cappellini@cappellini.it\ncapitale sociale €. 4.000.000,00 i.v. - R.E.A. MB - 1867421 p.iva IT04311900965 - direzione e coordinamento di Haworth Italy Holding S.r.l.\nCREDITS\n",18,{"image":86,"text":15,"number":87},"\u002Fmedia\u002Fimages\u002F6e\u002Fbdae17154a6dbd746af0121b21fd4b-28fecdecea.19.png",19,[],0,false,true,{"success":91,"data":93,"meta":312,"count":313,"next":314,"previous":315,"results":352,"brand_chips":413},[94,107,120,133,143,156,169,179,189,199,209,221,231,241,250,260,273,283,293,303],{"id":95,"title":96,"slug":97,"image":98,"source":99,"brand_name":100,"brand":101,"brand_slug":102,"file_size":103,"pages":104,"pages_count":105,"matched_pages":106,"match_count":89,"two_pages":90,"show_text":91},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 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