[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-bocci-pamphlet-2020":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":257},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":252,"matched_pages":253,"match_count":254,"two_pages":255,"show_text":256},10324,"Pamphlet 2020","bocci-pamphlet-2020","\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F87\u002F7f7ab73ad176d3b3765f9b2899dc44-25fdcc147c.pdf","Bocci",1883,"bocci","4.7 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249],{"image":7,"text":15,"number":16},"2020\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.3.png","Bocci was founded in 2005 in a red barn surrounded by hay \nfields on the periphery of Vancouver. The company launched \nwith one piece and has since grown an eclectic portfolio of \nwork focused mostly on the medium of light as it interacts \nwith various artifacts produced through invented fabrication \nmethods. All Bocci pieces are developed, engineered, and \nfabricated in-house through an infrastructure that provides \nfull control over concept, technique, quality, and scale.\nBocci is based in Vancouver and Berlin, operating as a co-\noperative community that strives for a healthy, flexible, and \nstable network united by the goal of creating and delivering \nextraordinary objects. \nCreative Director Omer Arbel explores the intrinsic \nmechanical, physical, and chemical qualities of materials \nas fundamental departure points for making work. His \ninterdisciplinary practice spans architecture, industrial \ndesign, materials research, sculpture, invention, and high \ncraft manufacturing. Arbel’s work has been exhibited at the \nVictoria and Albert Museum, Spazio Rossana Orlandi, Monte \nClark Gallery, Mallett, and the Barbican, among others.\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.4.png","4\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.5.png","5\nStem\nThe stem system allows for floor, ceiling or \ncolumnar installation. Columnar installation \navailable as a a spring-loaded floor to ceiling \napplication. Floor version can be plugged into a \nwall outlet for maximum flexibility. All versions \ninclude integral dimming system. Available in black \nor brass finish with a variety of pendant options. \nA variety of Bocci pendants can be used with the \nsystem.\nShown with the 28 series pendants. 28 series are available in \n90 different colour ways making every fixture unique in form and \ncomposition.\n2019\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.6.png","6\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.7.png","7\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.8.png","8\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.9.png","9\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.10.png","10\nTable Light\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.11.png","11\nA variety of Bocci pendants can be used with the \ntable light hardware, which includes an integral \ndimming system housed within a sleek brass \ncylinder. The black fabric cord is semi-rigid and may \nbe sculpted to add form. The brass stand has a \nsmall hole on the underside, allowing it to be hung \non a wall if desired. \n2019\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.12.png","12\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.13.png","13\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.14.png","14\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.15.png","15\n74 is a new LED spotlighting system designed as an \nalternative to conventional track lighting. The spotlights are \nhoused inside articulated mirrored spheres that are affixed \nwith a magnet, allowing maximum control over the emitted \ncone of light. Low voltage electricity passes through delicate \ncoaxial cables freely composed in three- dimensional space, \nwith the adjustable spheres located at certain intersections.\n2019\n74\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.16.png","16\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.17.png","17\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.18.png","18\n73V is an expansion of the technique used \nto create Bocci’s popular 73 series. The new \npendant features a novel oblong shape and \ngradient colour range. 73V results from blowing \nmolten glass into a folded, heat-resistant \nceramic fabric. The resulting shape has a formal \nand textural expression intuitively associated \nwith fabric, which becomes permanent as it \ncools. A light source is positioned at the top \nof each pendant, accentuating the volumetric \nperception of the piece as well as the gradation \nof colour.\n2019\n73V\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.19.png","19\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.20.png","20\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.21.png","21\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.22.png","22\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.23.png","23\n38V\n38V is a variant of the original 38 series where \na large glass sphere is blown with a multitude of \nhaphazard interior cavities, which intersect and \ncollide in unpredictable ways. 38V is smaller, \nlighter and suspended with coaxial cables. The \ninterior cavities can be filled with plants or left \nempty.\n2019\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.24.png","24\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.25.png","25\n57 white opaline is a variation of Bocci’s 57 series, \nre- imagined in a custom-made opaline hue. Small clear \nglass bubbles are applied to the exterior of a larger \nopaline glass shape. The amorphous form is then \nsubmerged in molten white glass, concealing the true \nshape from view until the piece is illuminated. When \nlit, an interior landscape of shapes is revealed and the \ninfinitely variable polythermic matrix of each pendant \ncan be understood. A flexible suspension system brings \nmovement and flow on an architectural scale, allowing \nfor transformative design outcomes.\n2019\n57\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.26.png","26\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.27.png","27\nA steel armature system in a soft-touch matte \nblack finish allows pre-composed branches to \nbe easily connected to a series of hubs during \ninstallation. A variety of Bocci pendants can be \nused with the armature.\nArmature\nShown with the 28 series pendants. 28 series are available in \n90 different colour ways making every fixture unique in form and \ncomposition.\n2019\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.28.png","28\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.29.png","29\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.30.png","30\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.31.png","31\n87 forms as a matrix of hot glass is stretched and folded \nback onto itself numerous times as it cools. In each \niteration, air is trapped between the folds and stretched \nalong the grain of the loop, creating numerous micro \nfilaments which give the piece a pearlescent optical \nquality. A light source is introduced at one end of the loop \ncasting light through the micro filaments and registering a \ngentle gradient.\n2017\n87\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.32.png","32\n84 begins with a white glass bubble captured inside \na fine copper mesh, which is then plunged into hot \nclear glass. Air is blown into the matrix to gently \npush the white glass through the mesh, creating \na delicate pillowed form that is suspended inside \nthe thick outer layer of clear glass. Sometimes the \ncopper mesh basket folds and crinkles, adding \nspecificity to each piece. Undulations in the exterior \nshape are a natural consequence of the fabrication \nprocess and different in each iteration of the \nprocedure, optically accentuating the gentle white \npillowing below. A light source is introduced into the \npiece, casting a warm, coppery hue. \n2017\n84\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.33.png","33\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.34.png","34\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.35.png","35\n76 results from introducing a vacuum into a strata \ncomposed of hot white and clear glass with copper \nmesh between; the vacuum causes the white layer \nto pull away through the embedded mesh, leaving \nnumerous tendrils of white glass suspended within \nan interstitial space as it goes. \n2017\n76\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.36.png","36\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.37.png","37\n73 results from blowing liquid glass into a \nfolded and highly heat-resistant ceramic \nfabric vessel. The resulting shape has the \nform and texture intuitively associated \nwith fabric, but with the optics and tactility \nof glass. A light source is positioned to fill \nthe resulting volume with diffused light, \nencouraging a volumetric reading. \n2015\n73\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.38.png","38\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.39.png","39\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.40.png","40\n57 results from a fabrication process whereby air voids of \ndifferent sizes and configurations are composed within a \nlarger mass of dark grey glass. These air pockets are invisible \nwhen the piece is unlit, and come alive to reveal an interior \nuniverse when 57 is illuminated. By virtue of the method of \nmaking, each 57 is completely unique. A flexible suspension \nsystem enables pendants to be nestled in close-knit groups \nor loosely composed in a wider field, allowing each piece to \nbe perceived individually. \n2013\n57\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.41.png","41\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.42.png","42\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.43.png","43\n44\nEach 44 results from a free pour of molten aluminum into a \nlarge canister filled with rock-like modules of resin-impregnated \nsand, a waste product of conventional sand casting. Low voltage \nelectricity is transmitted through the castings, allowing a light \nsource to be suspended between them without using cables. \n2016 \n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.44.png","44\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.45.png","45\n38 pushes the fabrication technique originally \ndeveloped for 28, which involves the creation \nof controlled implosions, to its technical and \nmaterial limits. A large glass sphere is blown with \na multitude of haphazard interior cavities, which \nintersect and collide with each other. Several of \nthese satellite cavities are deep enough to hold \nearth and succulent or cacti plantings, while \nothers house lighting elements.\n2013\n38\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.46.png","46\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.47.png","47\n28\n28 results from a blown glass fabrication process which \nalternates both the temperature (selectively hot and cold) \nand the direction of air flow (intermittently in and out). The \ntechnique yields a slightly distorted sphere with an interior \nlandscape of satellite shapes resulting from a series of \ncontrolled implosions, including an opaque milk glass \ndiffuser that houses the lamp. \n2009\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.48.png","48\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.49.png","49\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.50.png","50\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.51.png","51\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.52.png","52\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.53.png","53\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.54.png","54\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.55.png","55\n21\n21 results from a fabrication process in which thin \nporcelain sheets are draped over an inverted diffuser \nmade of sandblasted borosilicate glass with a light \nsource. The thin porcelain skin is allowed to dress the \nborosilicate core in whatever form occurs naturally in \neach iteration of the procedure.  \n2007\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.56.png","56\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.57.png","57\n16 is formed by sequentially pouring three separate \npuddles of molten glass of varying opacity and colour \nover a horizontal plane. Each layer responds to the \nindeterminate shape of the previous pour to create a \nlayered whole. Two of these pieces are then attached \nto house an internal light source.\nAvailable as a suspension with soft-touch matte black \narmature or as a tree in bead blasted steel, which can \nbe installed indoor or outdoor.\n2015\n16\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.58.png","58\n14\n14 results from pouring glass into a hemispherical mold. \nAs the glass cools, a meniscus shape forms on the open \nface of the piece. Two of these pieces are joined to form \nan articulated sphere, with the two meniscus voids in the \nmiddle yielding a certain optical quality. A cylindrical void \npasses through both hemispheres and houses a light \nsource.\n2005\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.59.png","59\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fa4\u002F1abee7839e5e14cc1f144ce56af6a9-25fdcc89e8.60.png","social\n@bocci\nBocci Design and Manufacturing Inc.\n+1 604 639 5195\n495 Railway St.\nVancouver BC. Canada\nV6A 1A7\nBocci 79 Showroom and Archive\n+49 151 2406 0004\nKantstrasse 79\n10627 Berlin\nGermany\nsales@bocci.ca\ninfo@bocci.ca\nNORTH AMERICA ..................................northamerica@bocci.ca\nEUROPE ............................................................ europe@bocci.ca\nASIA ........................................................................asia@bocci.ca\nMIDDLE EAST ...........................................middleeast@bocci.ca\nRUSSIA ...............................................................russia@bocci.ca\nAUSTRALIA .................................................... australia@bocci.ca\nLATIN AMERICA...................................... 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