[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-bla-station-evolution-no1-2020":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":161},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":156,"matched_pages":157,"match_count":158,"two_pages":159,"show_text":160},8072,"Evolution No.1 2020","bla-station-evolution-no1-2020","\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F81\u002Fb3f6d43229f386763348e53284446a.pdf","Bla Station",1996,"bla-station","247.4 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153],{"image":7,"text":15,"number":16},"EVOLUTION\nPARK+ \nCOMBO \nBOBBY \nBOB\nBOB JOB \nBOB HOME\nSTILL LIFE \nMISS ÅHUS  \nRÖHSSKA BAR  \nPINZO\nNo.1\n2O2O\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.2.png","Welcome Bobby, Park+, Still Life \nand many others\nOur furniture families are thriving and growing with new members. Bob now has a little brother in \nBobby, a slender companion that can be used as a freestanding easy chair or attached together to \nform infinitely long sofas. Bobby was born out of a request from Los Angeles, where an architectural \nfirm loved Bob, but the comfy, extremely adaptable sofa wouldn’t really fit their current assignment. \nAlong with Stefan Borselius and Thomas Bernstrand, we wondered how the seat depth could be \nshortened: not by taking away half of the back rest, certainly – so we concluded it was time for a \nnew family member. Bobby has shrunk 24 cm in depth and is suddenly an independent, soft and \ncomfortable, ample seating unit which, thanks to powerful magnets, can join together to form sofas \nperfect for narrow or restricted areas. \nSince we love interlocking furniture systems, we could hardly say no to an idea from the Italian \ndesign trio CMP, and have jointly developed Park+. We reverse the trend of bringing indoor \nfurniture out in the open – why not invite park benches inside and with them an easy-going, informal \natmosphere that helps everybody relax and socialise? These 1, 2 and 3-seaters can be arranged in \nlong rows, but also in whatever configurations you like thanks to the small interlinking table. The seat \nribs are upholstered to provide a soft, cushioned experience for indoor use. But of course outdoors \ncolours abound: bright yellow, lush green and terracotta red – and watch this space for more!\nSeating is also in demand for bars, bistros and coffee places, and here we welcome two stunning \nnew products. Australian-born Marcel Sigel has devised Still Life, a seemingly ordinary wooden \nchair with perfect seating comfort, but where the curly bent backrest of the chair provides a unique \nyet familiar look. \nCombo 1, 2 and 3 by Stefan Borselius and Thomas Bernstrand are a result of getting tired of \ncumbersome bar furniture where you always trip over the legs. Combo takes the form of three cast \naluminium pieces that provide a table, seating and footrest, either individually or joined together. \nSuddenly, here are new interior architecture elements that offer striking graphic silhouettes ideal for \nindoor as well as outdoor use.\nThe Åhus family has also been enhanced with a new member. Miss Åhus is a slender and elegant \nchair combining wood and lacquered metal. While the family was born from our collaboration \nwith the design collective Outofstock, the new addition has been designed by two of the founders: \nGustavo Maggio and Sebastian Alberdi. \nWe are also proud to present some clever updates to current products. The sturdy, all-wood Pinzo \nchair by David Ericsson is joined by three low coffee tables and a reversible seat cushion. And \nfinally, we have the acclaimed Röhsska chair by artist and designer Fredrik Paulsen, which is now \nstarting a family of its own with the addition of a barstool. No wonder Fredrik has been awarded \nthe titles of Designer of the Year by Swedish design magazine Rum, and Inspiratory Designer of the \nYear by Elle Decoration. He is also the creator of the Design Bar at the Stockholm Furniture Fair this \nyear; so don’t miss it when you visit the fair! \nJohan & Mimi \u002F February 2020\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.3.png","RÖHSSKA • 2O19 - 2O2O\nMISS ÅHUS • 2O2O\nCOMBO • 2O2O\nPINZO TABLE • 2O2O\nPARK+ • 2O2O\nBOB HOME • 2O17 – 2O19\nSTILL LIFE • 2O2O\nBOBBY • 2O2O\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.4.png","CMP\nThe Italian design trio CMP have left Milano for Como in \norder to get some perspective and creative distance from the \nchaotic design capital of the world. They are now situated in \nthe shadow of the Alps and with Giuseppe Terragni’s famous \nCasa del Fascio – a landmark of European modern architec-\nture – almost next door. Michele Cazzaniga, Simone Mandelli \nand Antonio Pagliarulo were all in the same class at il Politec-\nnico in Milan during their studies, which ranged from food \ndesign to graphic art through fashion and industrial design. \nAfter working for a range of companies in the Italian design \nindustry, they have been amply recognised with a number of \nprizes, including the ADI Design Index, the German Design \nAward and the Red Dot award. They are keen to use dialogue \nas a key design development concept in every assignment.\nMilan might be the design capital, but the outdoor element \nis quite neglected. How can public spaces be improved?\n“The park bench brings people together. You can sit by \nyourself or chat with others. Just look at the movies by Woody \nAllen and you see the superpower of the outdoor bench. We \ncan also learn about the use of public space in Latin countries \nwhere the piazza is a natural point of reference in cities both \nsmall and large.” CMP\nPark it indoors\nSome furniture wants to get out in the sun. Ironically, Park+ \ndoes the very opposite by bringing the outdoors indoors. Chat \nwith friends, read a magazine, work on your laptop… all with \nthe same easy-going freedom as on a park bench. Italian \ndesign trio CMP have devised a totally flexible seating system \nthat instils a feeling of Scandinavian outdoor relaxation in pub-\nlic spaces craving communal informality. Park+  is available \nwith soft textile or leather cushions, and in a range of muted \ncolours. The little interlinking table lets allows 2-seaters, 3-seat-\ners and individual chairs to connect and arrange themselves \nin whatever configuration you desire. The neatly spaced seat \nand backrest slats reduce the need for cleaning.\nCMP Design | 2O20 \n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.5.png","",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.6.png","CMP Design | 2O20 \n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.7.png","CMP Design | 2O20 \n“Park+ will bring an informal community feeling with garden \ninspiration. Interior architects have maximum freedom to furnish \nwhatever space they desire, be it an airport, a railway station, \na lobby or a waiting area.”  CMP design\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.8.png","COMBO 1, 2, 3 | 2020\nBorselius & Bernstrand | 2O2O \n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.9.png","COMBO\nThe Combo family by Stefan Borselius and Thomas Bernstrand \noffers a new take on bar and lounge layouts. The usual protruding \nfurniture legs that trip you up in every direction are replaced by \nprecise graphic little pieces of furniture: a table, a seat, or both \ncombined. Combo 1, 2 and 3 challenge the standard bar and \nlounge typology with new interior architectural elements. Use \nthem indoors or outdoors – the Combo family is all-aluminium and \nperfectly weatherproof. The seat, with optional leather cushion, is \ngenerously sized, while the sturdy footrest is large and welcoming.\nAllow Combo to expand \nthe bar\nBorselius & Bernstrand | 2O2O \n“We wanted a functional and very neat item of furniture with a \nsculptural and graphic form, comfortable and as slim as possible.” \nThomas Bernstrand\n“A silhouette of a table, a barstool, and a footrest. Combo is 100% \nfunction with an iconic and expressive form and the smallest possible \nfootprint.” Stefan Borseli\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.10.png","  \nBOB   BOB  \nBOBBY\n  \n \nHOME  \n Seat Height  \n40cm \n40cm  \n46cm\n Seat Width  \n26cm  40cm  \n39cm\n Seat Depth  \n59cm  68cm  \n45cm  \n Backrest Height  \n72cm   72cm  \n76cm\n Backrest Width  \n26cm   26cm  \n39cm\n Backrest Depth  \n29cm   29cm  \n17cm\n Total Depth  \n87cm   96cm  \n62cm\n Raised Seat Height  46cm  \nThe Bob family is growing\nJohan Lindau, CEO and design manager of Blå Station, \nchallenged two of Sweden’s most renowned designers, to \ndevelop a modular sofa that allow for maximum flexibility with a \nminimum of components and at a reasonable price. \nStefan Borselius and Thomas Bernstrand worked successfully \ntogether on the design brief and 2017 Bob was introduced \nto the market.\nThe collaboration joined two different temperaments and \nworking methods. ”You can easily get stuck on details when \nyou work alone’, say Thomas Bernstrand and Stefan Borselius \nin unison. ‘We work faster together when we can switch roles, \ntaking turns at leaning back to take in the big picture, \nor immersing ourselves in the details.” \nBob is fast growing into a multifaceted family, a proof that \nrounded forms definitely trump sharp edged design. The \noriginal Bob by Stefan Borselius and Thomas Borselius offers an \nundulating and extremely flexible sofa system, which can both \nadapt to and shape any space thanks to the cleverly designed \nelements. The lush and comfy seating solution snakes around \npillars and flows along walls, as well as forming freestanding \nseating islands.  With just 7 differently sized elements, Bob can \nprovide seats facing in every direction. If needed, a slightly \nraised plinth can be added for public spaces. The additions \nmade in Bob Job caters for a cosy laid-back working spirit. \nJust add horizontal side tables for cups and magazines, vertical \nspaces for plants and flowers, integrated electric outlets for \ncharging appliances, towering lamps, jack-in tables. Add sound \nabsorbing screen partitions in various heights and sizes to allow \nfor privacy and secluded spaces, and don’t forget that little \nknob to hang up bags, coats, and umbrellas. The additional \nBob Light makes sure you have sufficiant light for reading or \nworking. And you can as well bring Bob home. A little bit \ndeeper and so much softer with its distinctive armrests and cosy \ncushions. Bob thrives both in public spaces, in the office, in the \ncity square and definitely in the home and when Bob ventures \noutdoors, Bob Betong offers the same rounded forms but now \ncast in concrete to enhance public spaces with inviting, yet at \nthe same time, protected seating areas for the common good. \nBOB | 2017\nBOB JOB | 2017 - 2019\nBOB HOME | 2017 - 2019\nBOBBY | 2020\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.11.png","BOB family \nBorselius & Bernstrand | 2O17 – 2O2O\nBOB JOB\nBOB HOME\nBOB HOME\nBOB\nBOB\nBOBBY\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.12.png","Borselius & Bernstrand | 2O2O \n“Reduced depth, slender form, and with an inclined \nsurface leaving space for the feet at the front, Bobby is a \nsolitary piece that easily can be assembled into a sofa.” \nStefan Borselius\nBOBBY | 2020\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.13.png","BOBBY\nBorselius & Bernstrand | 2O2O \nThe Bob family is growing, with a new younger brother. Stefan \nBorselius and Thomas Bernstrand claim that Bobby might seem \na bit strict, but he is actually quite a boisterous, rangy fellow. \nBobby can easily assemble himself into a slender sofa, but will \nimmediately disengage and gather around tables or be happy \nstanding all by himself. Where Bob is lush, comfy, abundant and \nsnakes around every obstacle in every possible way, Bobby has \na reduced footprint, making him perfect for areas where space \nis restricted. Bobby can snap together to form a sofa thanks to \nstrong magnets; once released he will offer ample seating with a \nneat graphic impression. The depth is a mere 63 cm compared \nto Bob’s 87 cm. The small table, stackable up to four units, allows \nfor spaced seating arrangements.\nFlexible seating with Bobby\n“Bobby is more slender and wider – he was born a \nloner, but these super magnets will help him stay in \nline when required.” \nThomas Bernstrand\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.14.png","Borselius & Bernstrand | 2O17  \nBob, the first member of \nthe family\nJohan Lindau, CEO and design manager of Blå Station, \nchallenged two of Sweden’s most renowned designers, to \ndevelop a modular sofa that allow for maximum flexibility with \na minimum of components and at a reasonable price. \nStefan Borselius and Thomas Bernstrand worked successfully \ntogether on the design brief and 2017 Bob was introduced \nto the market.\nThe collaboration joined two different temperaments and \nworking methods. ”You can easily get stuck on details when \nyou work alone’, say Thomas Bernstrand and Stefan Borselius \nin unison. ‘We work faster together when we can switch roles, \ntaking turns at leaning back to take in the big picture, \nor immersing ourselves in the details.” \nBob is fast growing into a multifaceted family, a proof that \nrounded forms definitely trump sharp edged design. The \noriginal Bob by Stefan Borselius and Thomas Borselius offers \nan undulating and extremely flexible sofa system, which can \nboth adapt to and shape any space thanks to the cleverly \ndesigned elements. The lush and comfy seating solution snakes \naround pillars and flows along walls, as well as forming free-\nstanding seating islands.  With just 7 differently sized elements, \nBob can provide seats facing in every direction. If needed, a \nslightly raised plinth can be added for public spaces.       \nJACK | 2017\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.15.png","BOB\nBorselius & Bernstrand | 2O17 \nJust Jack or Cut it in\nJack table will multiply any wall outlet. Just connect Jack, and \nyou will have USB- as well as standard electric connections on \nthe cone-formed base of the table.  Jack can connect to Bob, \nwhich offer elements with electric outlets, or can be used as a \nfreestanding table. Jack also comes without power outlets, \nJackless.\nYou can also use Cut, the add-on steel table that can be \nattached between the modular elements of Bob. Cut is made \nin aluminium and steel and makes Bob even more versatile. \nDesign Stefan Borselius and Thomas Bernstrand.\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.16.png","JACKLESS | 2019\nBorselius & Bernstrand | 2O17 – 2O19 \nBOB JOB\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.17.png","BOB JOB, BOB LIGHT | 2019    \nBOB JOB\nBorselius & Bernstrand | 2O17 – 2O19 \nBOB JOB makes job easy\nBob Job caters for a cosy laid-back working spirit. Why not \nbring out the laptop or engage in animated brainstorming? \nBob Job makes the Bob sofa system by Blå Station even more \nflexible with a series of well-crafted add-ons. The horizontal \nside tables in solid wood displays three open shelves, and an \nadditional vertical volume is the perfect container for plants \nand flowers. Both offer integrated electrical outlets for charging \nphones and computers. Sit down with your laptop, or have a \ncoffee browsing magazines and books exposed in the shelves. \nFurthermore, there are elegantly shaped add-on tables in \ndifferent sizes to be used for work and leisure. \nThomas Bernstrand and Stefan Borselius has also added \nsound absorbing screen partitions in different heights and \nsizes to allow for privacy and secluded spaces for \nconversations, a perfect solution both in public spaces and \nopen offices. The sound absorbing partitions can be ordered \ndouble or single width, and in three diverse heights. Place the \npartitions at the outer edge, or in between sections. All tables \nand knobs can readily be affixed on one or both side of a \npartition. Bob Light makes sure you have sufficiant light for read-\ning or working, comes in three different vesions. The Bob sofa \nsystem also offers add-on steel tables, which can be affixed \nbetween the modular elements, as well as the freestanding Jack \ntable, which can double as a hub connected to the electric \noutlets of Bob. There is an add-on plint that offers a raised \nversion of Bob for public spaces. \n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.18.png","Borselius & Bernstrand | 2O17 – 2O19 \nBUCKET | 2019\nBOB HOME | 2019\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.19.png","BOB HOME\nBorselius & Bernstrand | 2O17 – 2O19 \nBob back home\nAnd why not bring Bob home? Bob thrives both in public \nspaces, in the office, in the city square and now also definitely \nin the home. Bob thrives everywhere and is now after high \ndemand also available for the home. Bob Home retains the \nsame design traits as the original Bob: the same backrests, but \nwith deeper and softer seating and cosy cushions for a homely \ncomfort. And if the original armrests are deemed too wide, \nthere is a special version, which is elegantly slender and \nfollows the shape of the sofa. Bob Home can be configured to \nform straight or angled sofas as well as armchairs. With its rich \ncolour palette, Bob Home is at ease in any home, café, hotel, \nand lounge.\nBUBBLE | 2019\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.20.png","Marcel Sigel | 2O2O\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.21.png","Marcel Sigel | 2O2O\nMarcel Sigel\nWhen Australian Marcel Sigel was named Best Young \nDesigner by Wallpaper in 2004, he was just starting out \nwith the multidisciplinary Zuii design studio in Melbourne. \nNowadays Marcel is based in London, but frequently works in \nSydney too. Working with clients around the world, he is often \nintrigued by everyday objects and how they can be improved. \nThere is certain lightness to his designs, which are inspired by \nslender, almost woven textile strips, but he might also go for \nsolid, strongly coloured, playful furniture.\nYou must have a dream project?\n“Of course, I’d love to work with design in space. Imagine \nno gravity! That gives you a totally different set of parameters, \nand I love design briefs confined by reality.”\nWhy are you in love with Scandinavian design?\n“It has a feeling to it that’s hardly a conscious thing, it’s not \noverly commercial and I can relate to the simplicity and \nhonesty in form. I want to work along the same path: nothing \nunnecessary and thorough attention to detail.”\nSTILL LIFE\nCreating a chair all in wood might seem an easy design task. \nFind the right angle for the back. Allow for a seat with a firm \nroundness. And then a functional yet aesthetically pleasing \nconstruction. But that’s not enough to render a chair unique yet \ntimeless. Marcel Sigel masters all of the above, and fully meets \nthe challenge with an iconic twist to the backrest. \nAlthough the ash veneered birch wood is extremely bent at the \nends, the wood seems to flow effortlessly like a strip of cloth. \nOr rather a piece of cloth frozen in time. And suddenly there is \nexpressive character, a distinguishing uniqueness that renders \nStill Life familiar yet innovatively singular. Perfect for public \nspaces like coffee shops, bistros… and certainly at home.\nStill Life\n“It’s all about exploiting technology to its limits and pushing the \nmaterials to extremes. The final product doesn’t scream for \nattention; it’s a simple, ordinary-looking chair, familiar yet unique \n–  and of course super-comfy!”  Marcel Sigel\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.22.png","Alberdi + Maggio | 2O2O\nMISS ÅHUS | 2020\n“Miss Åhus is more feminine in terms of the lines \nand geometry, a little softer, with very fluid and \ngentle lines that nevertheless convey a strong \ncharacter.” Alberdi Maggio\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.23.png"," Alberdi + Maggio | 2O2O\nMISS ÅHUS\nThe Åhus family has a new member in Miss Åhus, a slender \nand elegant chair to go along with the Åhus sofa and easy \nchair. Sebastian Alberdi and Gustavo Maggio have sketched \na thin and precise drawing that smartly frames the user. \nThe soft curved lines with slightly inclined back legs offers an \nemotionally charged aesthetic, with a female touch in contrast \nto the other, male, members of the Åhus family. The height of the \ntubular armrest is envisaged as more of a psychological than \nphysical boundary, while the backrest adds balance to the \ncomfortable seating. The back can also be upholstered, or left \nplain treated with a special glaze that gives an artisanal wood \nstructure with pigment-filled recesses and a clean surface.\nMeet Miss Åhus\nGustavo Maggio, Sebastian Alberdi\nFormerly co-founders of Outofstock, Gustavo Maggio and \nSebastian Alberdi now run independent design studios, one \nin Singapore and one in Barcelona. Spanish-Argentinian \nSebastian moved to Barcelona in 2002 from his hometown \nof Buenos Aires, and works as a professor in product design \nat IED Barcelona, together with his studio work where he mixes \nproduct design with artistic and ephemeral projects. Gustavo \nMaggio also has his roots in Argentina, but with an Italian \nfamily background. After working in Barcelona, he co-founded \nForest & Whale with his partner Wendy Chua, and is now \nsharing his time as both designer and lecturer between \nSingapore, Europe and Buenos Aires.\nMiss Åhus sports a distinctive female aesthetic that begs the \nquestion: is there a lack of women in the design industry?\n“Female designers have certainly long been neglected. \nIn Barcelona we have the famous pavilion by Mies van der \nRohe, but it took a lot of time before his collaborator Lilly Reich \nwas acknowledged for her contribution and her long and \nvaried design career.” Sebastian Alberdi\nWhat is your latest design quest?\n“With Elsa Yranzo, I’ve curated the In The Bauhaus Kitchen \nexperience; a multidisciplinary work including a lot of creatives \nlike chefs, architects, craftsmen and so on. \nWe’ve collaborated with Nicholas Fox Weber of the Josef & \nAnni Albers Foundation, and I hope our documentary about the \nproject brings back the spirit of Bauhaus.” Sebastian Alberdi\nWhich book do you have on your bedside table?\n“I just finished reading Atomic Habits by James Clear. It’s a \nfantastic tool for anyone to re-wire their thoughts and build \nbetter working practices.” Gustavo Maggio\nWhat do you listen to while working, and what design \nchallenge are you pining for?\n“I’ve been listening to Smash Mouth’s hits to pump up the \nenergy in the office. A dream project would be to design the \ninterior of a self-driving vehicle by using my furniture and interior \ndesign experience as well as my passion for anything on \nwheels.” Gustavo Maggio\nÅHUS | 2016\nÅHUS | 2016 | Outofstock Design\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.24.png","Fredrik Paulsen | 2O19 - 2O2O\n“Comfortable, but not too comfortable! I want my love for construction \nto include everyone. You should understand the construction, how the \nchair is put together: no surprise moment, no magic, it’s almost an \nanti-design, a truly engineered product.”  Fredrik Paulsen\nA truly unique chair\nFredrik Paulsen didn’t expect one of his art pieces to be turned \ninto an industrial product but with the reopening of Röhsska, \nSweden’s foremost design museum 2019, it seemed the perfect \noccasion. Invited to stage an exhibition with the title Unmaking \nDemocratic Design, Fredrik was more than willing to collaborate \nwith Blå Station’s design manager Johan Lindau. \nThe chair appears to be as basic as possible, heavy on the \nraw material. But the first impression is deceptive; there is a \ngreat attention to classical geometry with the slightly inclined \nbackrest and not too flat seating. Or as Fredrik exclaims: \n”Comfortable, but not too comfortable! I want my love for \nconstruction to include everyone. You should understand the \nconstruction, how the chair is put together: no surprise moment, \nno magic, it’s almost an anti-design, an engineered product.” \nFredrik Paulsen definitely prefers to work in wood that enables \nhim to experiment. This time he used beech, these days a \nneglected but nonetheless perfect wood material for furniture, \ntechnically dense and very hard. The exclusivity lies not in the \nmaterial itself though but in the work invested in each prod-\nuct. The sustainability issues are of course close at heart for a \nSwedish designer. The Röhsska chairs are uniquely handcrafted \nobjects whilst at the same time industrially produced.  \nRöhsska at the bar\nSo simple and at the same time so unique. Röhsska is 100% \nwood in different shades that makes every individual chair one-\nof-a-kind. Fredrik Paulsen’s folky chair has already embarked on \na career all of its own. Röhsska is now forming a family with \na new barstool for the Design Bar at Stockholm Furniture Fair \n2020. \nWith geometrically exact construction in beech and seating \nand backrest in pine plywood Fredrik has striven for a unique \nglaze that ranges from almost clean wood to pigment saturated \nrecesses: head-on and uncompromising.\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.25.png","Fredrik Paulsen\nWhen working with wood, it certainly helps to be a carpenter, \nbut Fredrik Paulsen is not content merely to master the material; \nhe loves to experiment and challenge the very conceptions of \ndesign. You could almost call his work anti-design, that Italian \nradical design which questions the very ethos of a Modernist \nrestrained functional simplicity with unique, colourful and \ndecorative pieces. It’s no surprise that he’s inspired by masters \nlike Ettore Sottsass, Gaetano Pesce and Gae Aulenti. But \nwhile Fredrik is both an artist and a designer at heart, he \nwants to express a thorough logic in how his pieces are put \ntogether. “I work fast and intuitively, and I do try to trust my gut \nfeeling”, says Fredrik. “I’m genuinely interested in the practical \nfunction of a design, but I am just as intrigued by design as a \ncommunication device and a cultural interface.” With a broad \neducational background ranging from Beckman’s College of \nDesign through an internship at IKEA to his MA at the Royal \nCollege of Art in London, Fredrik is truly interdisciplinary, \nand wants design to reflect our contemporary world, with no \nboundaries to other cultural expressions like art, fashion and \nmusic. Apart from object designs, he has worked with \nexhibitions, with Robyn, Aplace and lately with bars in Tokyo \nand in Hamburg. This year he has created the design bar \nat the Stockholm Furniture Fair, and has also been named \nDesigner of the Year by the Swedish magazine Rum, and \nInspiratory Designer of the Year by Elle Decoration. He will \nalso soon inaugurate a public art piece in Uppsala.\nAre you a designer or an artist? \n“I work a lot in a gallery context, which is why many people \ncall me an artist. But I have a degree as a designer, and I’m \nreally a furniture guy. I’m hooked on material that doesn’t have \na high status, and many of my pieces are unique, but all part \nof a process which is continuously developed. \nAnd regardless of whether the final product is a chair, a party \nor an exhibition, I’m totally into it. It’s what I love, and it’s \nwhat I do, because it allows me to have fun. I think it’s time to \nbroaden our view on how you can work as a designer!”\nWhat are you reading and listening to? \n“I just finished First, Catch: Study of a Spring Meal by Thom \nEagle, and I’m about to start Elis Monteverde Burrau’s latest \nnovel. I have a long playlist on shuffle with disco, yacht rock \nand boisterous punk.”\nRÖHSSKA\nFredrik Paulsen | 2O19 - 2O2O \n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.26.png","David Ericsson\nDavid doesn’t go for simple slogans like “less is more” – \ninstead he claims design has to be obvious. That might imply \na certain love for an Italian master like Enzo Mari, but also for \nbespoke furniture from all around the world. After graduating \nfrom the prestigious Carl Malmsten Furniture School almost \n10 years ago, David has produced quite a list of designs, \nmany of them aspiring or already fully grown furniture classics. \n“Wood is my favourite material, not only because I hail from \nthe forests of Småland in southern Sweden, but also because \nI feel it can be used a lot more; particularly pine, which has \nhad a bad reputation since the terrible 1980s yellowish, \nhard-lacquered polyurethane versions.” As for creating a little \npunk of a chair, which has won prizes both at home in \nSweden and in France, David explains that when he was \nyoung he enjoyed working in a record shop in Värnamo. \n“You get hooked. First it was The Clash and all the others in \nthe punk movement, then it was Vegan punk or whatever.” \nBy extending his education through studying aesthetics and \nphilosophy in Umeå, as a teacher he has contributed to a \nmore humanistic design approach at the Carl Malmsten \nFurniture School. “You have to let the design process run its \ncourse. Look at Pinzo – the chair might look simple, but the \nattachment of the back and the precise angle requires quite \nan advanced solution.”\nHow is your design influenced by your studies of aesthetics \nand philosophy at university? \n“I want objects to have meaning; the user should understand \nwhy my objects look and work in a certain way. \nAs a designer you’re part of something bigger. It’s not just a \nproduct, it’s about contributing to the fabric of society.”\nWhat are you reading right now? \n“I’m intrigued by Stefano Mancuso’s book The Revolutionary \nGenius of Plants: A New Understanding of Plant Intelligence \nand Behaviour, I’m alternating that with a classic: Mio, My \nSon, by Astrid Lindgren.”\nWhat are your music preferences apart from punk? \n“Right now I’m listening to a lot of Beck; I’m playing his double \nalbum Stereopathetic Soulmanure.”\nPINZO\nDavid Ericsson | 2O19 -2O2O\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.27.png","David Ericsson | 2O19 - 2O2O \nPinzo is the result of what happened in 2019 when Blå Station \nchallenged acclaimed designer and accomplished carpenter \nDavid Ericsson to interpret the company’s very spirit? David’s first \ndecision is to go exclusively for pine, the golden green treasure \nof the Swedish forests, as the sole material. Johan Lindau, CEO \nand design manager of Blå Station is excited: why not process \nSwedish pine instead of just exporting it? \nA pine chair project had been on his mind for years. David’s \ntake on Blå Station was a raw-hewn, sturdy little punk of a \nchair. Stubby and with a springy inclination, Pinzo offers an \nalmost brutal simplicity of construction, with a little handle in the \nlower part of the seat. Pinzo is more than an object; it’s a \nstubborn little fellow with an inviting character. This sturdy little \npunk of a chair is also a loving homage to Enzo Mari and \nAfrican seating sculpted directly from giant tree trunks. \nThe Pinzo family now welcomes three low coffee tables in \ndifferent sizes and forms, together with an additional reversible \nseat cushion in leather and suede upholstered with natural felt. \nThe chair will is available in lacquer or hard-wax in a range of \nnatural wood colours as well as strong almost vibrant colours. \nPunky wood aesthetics with Pinzo family\n“There’s a clear African inspiration, like how massive \nsturdy chairs were sculpted out of giant tree trunks. \nI’ve given Pinzo a Swedish touch: square and angular, \nopen at the front and more fleshy at the back where the \nseat and backrest join.”\n“It’s idiotic to send wood half way around the world for \nprocessing, then back again. Why not deal with our \ngolden green pine treasure right here?” \nDavid Ericsson\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.28.png","ARC| H90xW45 | 2019\n”Make your own Arc pattern by  \ncombining the panels vertically,  \nhorizontally, let the arcs point in \ndifferent directions, make it uniquely \nyours by an infinity of possibilities.” \nCutu Mazuelos & Eva Prego\n Stone Designs | 2016 - 2O19\nGinkgo | H42xW50 | 2016\nGaia | H65xW65 | 2017\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.29.png","GINKGO \nGAIA\nARC \nStone Desings | 2O16 - 2O19 \nStone Designs\nCutu Mazueolos and Eva Prego started their design studio \nStone Designs more than 20 years ago, and today have \nclients all around the world. Offices are to be found in \nShanghai, Tokyo and Moscow, as well as their home town \nof Madrid. Their designs have earned them great popularity \namong Swedish manufacturers thanks to a Nordic feeling \nwhich surpasses even local designers. Maybe it’s because \nof an aversion to an ever-more artificial world? \n‘We feel a strong affinity with both Nordic and Japanese \nculture and aesthetics. We talk the same language’, says Eva \nPrego. ‘Furthermore, colour is a universal language, which \npeople understand and can interpret on their own, almost like \nabstract art.’ Cutu Mazueolos has a past as a professional \nsnowboarder and is a keen practitioner of extreme sports. \n‘I really find myself at ease with nature; everything else is \nplastic. Worst of all is social media. Where is the taste of life \nin all these plastic products which surround us?’ Stone Design \nworks for many internationally well-known and high-profile \nclients, as well as providing interior design for ski resorts both \nin Spain and Japan. Both Eva and Cutu emphasise that they \nwant to improve people’s lives by creating a new relationship \nwith both object and surroundings. \nWhat are you reading right now?\n”On the Road by Jack Kerouac, I know, I should have read \nit long time ago, but it’s never too late!”\nHow can design save the world?\n”My kids are going to be the ones responsible for saving the \nworld, and through design I can teach them how to take care \nof the environment, our common resources, and explain how \nwe are just one more piece on this beautiful planet.”\nBest music right now?\n”Mandolin Orange!”\nCapture the sound waves...\nStone Designs new sound absorber Arc evokes mesmerizing architectural motifs with its subtle graphic form language. \nConfigure Arc vertically, horizontally, and let the arrow-like form create patterns reminiscent of Moorish and Gothic facades, \nor an even older origin. ”We started with an arrow, but while combining the pieces in different positions, we realized that we \nhad an arc like in the Coliseum in Rome.” says Cutu Mazuelos and Eva Prego in unison. The 100% hot-moulded polyester \nform felt modules can be combined in many possible combinations that result in three-dimensional figures, which will stand out \nboth as decoration and acoustic control in one and the same product. The reliefs in the surface will rebound the sound, while \nthe elements as a whole acts as sound absorbers. Arc can easily be mounted on walls thanks to magnetic fittings. \nCutu Mazueolos and Eva Prego stress that their designs are finalised by the users’ creativity. Along with Stone Designs former \nsound absorbers Gaia and Gingko, Arc can be combined in a plethora of different ways with the help of Blå Station’s Wall \nPlanner; just enter the wall measurements and select combinations of colours. Furthermore, Acoustic Facts makes it possible to \ncalculate the exact acoustic properties and the number of acoustic absorbers required for any room.\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.30.png","WILMER\nStefan Borselius | 2O12 - 2O19\nWilmer S adds a table\nWilmer adds an integrated table that makes the asymmetric \neasy chair even more multi-functional. Use the left side with its \nraised armrest for deep thoughts and relaxation; use the right \nside for reading, chatting or work, with the table for a laptop, \nbook or magazine. Stefan Borselius has given Wilmer soft \nlines together with multi-purpose functionality for modern life. \nWilmer is made with padding on a moulded polyurethane form \nupholstered in leather or fabric. The steel frame can be either \nchrome-plated or in lacquered steel.\nWilmer CT | 2012                               \nWilmer TS |  2019                                 \n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.31.png","Stefan Borselius | 2O11 - 2O2O \nDUNDRA\nStefan Borselius\nStefan Borselius is one of Sweden’s most prominent\ncontemporary designers. He has trained as a carpenter\nat the Steneby School, as a designer at the Carl Malmsten\nSchool, and holds a master’s degree from Konstfack, the\nUniversity of Arts, Crafts and Design in Stockholm.\nWith a keen interest in historic designs, he creates furniture,\nlights and textiles inspired by new lifestyles and new working\nenvironments. All of his work is marked by an attention\nto proportions and details, and he methodically and\nwhole-heartedly pushes the boundaries of what can\nbe produced, without leaving anything to chance.\n‘I presented my journeyman piece exactly 100 years after\nmy grandfather’s father did the same, but although I felt at\nease with carpentry, I wanted to learn how to create and\ndraw my own forms.’\nThe Oppo chair for Blå Station, 2009, fuses technical and\nemotional functionality in a soft, cushy friendly form.\nStefan has received numerous awards including the Red Dot:\nBest of the Best Award, 2004. He is represented in the\ndesign collection at the National Museum, Stockholm. Many\nSwedish design companies in lighting, textile, and acoustic\nproducts are among his clients, and most of all Blå Station,\nfor whom he has created modern design icons such as\nPeekaboo, Wilmer, Oppo, as well as Sting, designed\nwith Fredrik Mattson. He is hard at work developing the \nBob family and other products for Bla Station together with \nThomas Bernstrand.\nWhere and how do you work? \n’I really enjoy working in my studio by the sea, which I share \nwith my wife, an employee, and the office dog Sickan. I like \ndrawing on paper or building models in clay, but most of my \ntime is dedicated to make the ideas become real.’\nWhat music do you tune in while working?\n”I’m set for audiobooks now, you can work and read at the \nsame time!\nDundra-4 | 2011 - 2020                                   \nDundra | 2011                                   \n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.32.png"," Thomas Bernstrand | 2O14\nKAFFE\nThomas Bernstrand\nThomas Bernstrand can boast of being both a renowned\nSwedish designer and a singular rebel on the Swedish design \nscene. When Thomas presented the two lamps Do Swing and \nSugar Ray at his exam exhibition at Konstfack, the School of \nArts, Crafts and Design in Stockholm, they were immediately \npicked up by Droog Design which featured them in their \nmuch-praised show during the Milano fair in 2001. A lamp \nwhich allowed you to fly over the bar counter, and another in \nsilicon to punch until it lit up. ‘I need to justify what I create’, \nsays Thomas earnestly. ‘Why make a new product? Can I do \nit differently? In a more environmentally sound way? Allow for \nmore efficient logistics? Make it easier to move? It can almost \nbe anything as long as the product offers something new, \notherwise it doesn’t count.’\nThe same desire to challenge prevailing norms with witty\nand meticulously conceived design is mirrored in Thomas’ art\nproject. The Beach, which won the 2008 Siena Landscape\nAward, consists of sun deck furniture and parasols in a all \nthe year around open installation in the centre of Stockholm. \nThomas has during the last year, together with Albin Karlsson, \ncreated a bunch of giant fantasy flowers cast in aluminium for \nthe outdoor mileu at Sollentuna hospital in Stockholm. Thomas’ \neducation spans industrial design and art, he studied in \nStockholm at both Konstfack – the University of Arts, Crafts and \nDesign – and Konsthögskolan – the University of Fine Arts – as \nwell as at Denmark’s Designskole. His work can be found in \nmuseums as well as among manufacturer’s collections. Thomas \nhas been awarded many design prizes, among them the Ger-\nman Design Award, and the prestigious Bruno Mathsson prize \nin Sweden. He is busy developing the Bob sofa system and \nother products for Blå Station together with Stefan Borselius.\nDo you have any smart advice for boosting your creativity?\n”I’m taking really long walks, just like Steve Jobs and Albert \nEinstein did.”\nWhat are you reading right now? \n”I’ve read Klubben by culture reporter Matilda Gustavsson, the \ninvestigation about sexual abuse at the Swedish Academy. It’s \na good book, but it’s an outrage that no one raised the alarm \nway back in time.”\nKaffe Bench | 2014                                  \nKaffe | 2014\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.33.png","Jack goes Jackless\nJack will multiply any wall outlet. Just connect Jack, and you \nwill have USB or standard electric connections on the cone-\nformed base of the table. Jack can connect to BOB, which offer \nelements with electric outlets, or can be used as a freestanding \ntable. It’s made in lacquered laser cut aluminium and steel.\n \n Jack is now also available as a sculptural version without an \nelectrical outlet we call it \nJackless, where the shape is emphasized and to make it even \nmore useful it now comes in two heights, 50cm and 60cm and \nwith two different diameters 52cm and 74cm. Easy to place.\nJackless | 2019\nJack | 2018\nJACK\nBorselius & Bernstrand | 2O18 – 2O19 \n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.34.png","Dundra\nDundra\nStraw\nSting\nDent\nBimbo\nKaffe\nBoo\nB25\nB26\nSparta\nBeplus\nLucky Lounge\nB2\nB4\nSuperstraw\nSuperkink\nPoppe 46\nPoppe 40\nHonken\nInnovation C\nPocket\nWilmer\nOppo\nPuppa\nPucca\npm\nÅhus\nMorris jr\nMini-Oppo\nHonken S\nHonken XL\nLucky\nDent Wood\nDent Lounge\nGap\nDundra HB\nDunder\nRöhsska\nÅhus 3-seater\nDundra\nHövding\nCOLLECTION\nDent Dressed\nOppo Betong\nCombo \nMiss Åhus\nStill Life\nDundra-4\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.35.png","Ally\nPolstergeist\nCode 27\nQvarto\nUnit\nBob\nKoja\nBob\nL1\nLevel\nHonken\nKaffe\nMono\nMika\nCouronne\nPing-Pong\nSize\nBit\nBauta\nGap\nblastation.se\nBob Job\nBob Home\nBubble\nBucket\nCOLLECTION\nGinkgo\nGaia\nVisp\nArc\nPark+\nBobby\nJack\nJackless\nPinzo table\nCombo \nBob Betong\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F45\u002Fc5b5cb942811fe719daac510713ee0.36.png","BLÅ STATION AB \nBox 100. 296 22 Åhus. Sweden\nTel: +46 (O)44 24 9O 7O\ninfo@blastation.se\nShowroom:\nSandvaktaregatan 17. Åhus\nSödermalmsallén 36. Stockholm\nwww.blastation.com\nAUSTRALIA\nP4 | Products for people\nTel +61 3 9429 3388\nhello@p4.design\nAUSTRIA\nDesign4Architects\nTel +43 6649116177\nfranz.steiner@design4architects.com\nFRANCE\nPPCM\nTel +33 (0)381 403 600\nppcm@ppcmsarl.fr\nGERMANY 0-6\nJS.agentur I forum.3\nTel +49 171 171 2 171\ninfo@js-agentur.de\nGERMANY 7-9\nOne11, Rainer Schäfer\nTel +49 (0)177 6429268\nrs@one11.co\nHOLLAND\nBOL Interieur Agenturen BV\nTel +31 653 26 33 15\nzoltan@mooiwerken.nl\nJAPAN\nBevel Corporation\nTel +81 3 53 41 42 43\nlt@bevel.co.jp\nNORWAY\nCanvas\nTel +47 994 24 050\ninfo@canvas.no\nPOLAND\nMarro Sp.zo.o.\nTel. +48 (0) 22 832 35 35 \nkatarzyna.wodzynska@marro.com.pl\nRUSSIA\nAversia Oy\nTel +358 40 737 0871\nelena.airas@phnet.fi\nSPAIN\nDauco Designs, S.L. \nTel +34 607 940 866\njegras@daucodesigns.com\nUNITED KINGDOM + IRELAND\nInform Furniture Ltd\nTel +44 (0) 20 7228 3335\ninfo@informfurniture.co.uk\nUSA + CANADA\nScandinavian Spaces \nTel +1 (855) 811 9676\ninfo@scandinavianspaces.com\nFINLAND\nSologrey OY\nTel +358 500611722 \nmiia@sologrey.fi\nITALY\nStudio Semidizucca\nTel +39 3358403111\nblastation@semidizucca.com\ngiovanni.aita@blastaion.it\nArt Work: Formera. Copy: Leo Gullbring\u002FCallimero\nA safer and more inviting city with Bob Betong\nThe free-flowing sofa Bob for indoor use has now been adapted to all kind of seasons in a close collaboration between \nBlå Station and Starka, which has 80 years of experience in the manufacture of concrete for special applications. \nThe heavy-duty version of Stefan Borselius and Thomas Bernstrand’s meticulously designed modular sofa system can furnish public \nspace all around the city with generous seatings for everyone. Have a break, eat your lunch, read a book, wait for a friend. \nBob Betong offers comfortable meeting places in parks, town squares and along sidewalks. The seating elements can be built in \nstraight lines, placed at an angle or in zigzag-patterns which will allow for a major upgrade of the public sphere. Bob Betong’s \nrounded soft forms will break up monotonous and anonymous surroundings, at the same time acting as a sturdy physical barrier \nprotecting citizens on foot from invasive and stressful traffic. Bob Betong can be used to enrich new public spaces or give older \nones a new life, while at the same time securing the city from all kind of threats. Bob Betong is at ease around entrances to \ncompanies as well as public institutions where the city as a place for growing together is enhanced. Bob Betong contributes to a \nreborn public space where citizens will have the opportunity to conquer the city anew and create places for debate, meetings, \nand of course life itself. \nBob Betong is cast in seating sections, which weigh in at 250 kilogram. Up to 9 Bob Betong sections can be attached together, \nand they can also be fixed into the ground or to concrete slabs. Bob Betong offers a solution that will furnish public space with \naccommodating seatings, which also acts as safety barriers with impact resistance. The concrete is impregnated to give a resistant \nand maintenance free surface. Optional anti-graffiti coating is available. The same goes for Oppo Betong also seen in this picture.\n",36,[],0,false,true,{"success":160,"data":162,"meta":381,"count":382,"next":383,"previous":384,"results":422,"brand_chips":483},[163,176,186,196,206,215,225,235,245,257,270,283,293,306,319,329,339,349,359,371],{"id":164,"title":165,"slug":166,"image":167,"source":168,"brand_name":169,"brand":170,"brand_slug":171,"file_size":172,"pages":173,"pages_count":174,"matched_pages":175,"match_count":158,"two_pages":159,"show_text":160},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":177,"title":178,"slug":179,"image":180,"source":181,"brand_name":169,"brand":170,"brand_slug":171,"file_size":182,"pages":183,"pages_count":184,"matched_pages":185,"match_count":158,"two_pages":159,"show_text":160},26606,"Architectural 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