[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-baxter-italy-moodbook-2021":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":253},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":248,"matched_pages":249,"match_count":250,"two_pages":251,"show_text":252},16094,"Moodbook 2021","baxter-italy-moodbook-2021","\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F55\u002Fb4458283a0fa4143af1a59a1f2ab84-286ac83fc0.pdf","Baxter Italy",757,"baxter-italy","30.4 MB",[14,17,21,25,29,32,35,39,43,47,51,54,57,60,64,68,71,75,79,83,87,90,93,96,100,104,108,112,116,119,122,126,129,133,137,141,145,149,153,157,161,164,168,172,175,179,182,185,188,192,196,199,203,207,211,214,217,220,224,228,232,235,238,242,246],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.2.png","QUADERNO\nDI RICERCA\nMOODBOOK\n2021\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.3.png","1. Piaf, 2. Calix, 3. Himani-B, 4. Marilyn, 5. Tunnel,\n6. Lazybones Lounge, 7. Liquid, 8. Calix\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.4.png","1. \n2. \n",4,{"image":30,"text":15,"number":31},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.5.png",5,{"image":33,"text":15,"number":34},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.6.png",6,{"image":36,"text":37,"number":38},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.7.png","3. 4.\n",7,{"image":40,"text":41,"number":42},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.8.png","5. 6. 7. 8.\n",8,{"image":44,"text":45,"number":46},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.9.png","1. Tunnel, 2. Ronchamp, 3. Tunnel, 4. Marilyn\n",9,{"image":48,"text":49,"number":50},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.10.png","1. 2.\n",10,{"image":52,"text":15,"number":53},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.11.png",11,{"image":55,"text":37,"number":56},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.12.png",12,{"image":58,"text":15,"number":59},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.13.png",13,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.14.png","1. Liquid, 2. Etienne Bérgère, 3. Blade, 4. Parsec, 5. Peris,\n6. Stone, 7. Scarlet, 8. Zefir, 9. Parsec\n",14,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.15.png","1. 2. 3.\n4. 5.\n",15,{"image":69,"text":15,"number":70},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.16.png",16,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.17.png","6. 7.\n",17,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.18.png","1. Resina Ronchamp - Ronchamp Resin, 2. Himani - B, 3. Tuscany Impruneta, 4. Veranda Giza, 5. Nabuck Camel,\n6. Kashmir Myrtille, 7. Liquid Myrtille.\n",18,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.19.png","8. 9.\n",19,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.20.png","1. Milano, 2. Piombino, 3. Nanda, 4. Jove, 5. Liquid,\n6. Himani-A, 7. Azzal, 8. Anais, 9. Liquid, 10. Milano\n",20,{"image":88,"text":49,"number":89},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.21.png",21,{"image":91,"text":15,"number":92},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.22.png",22,{"image":94,"text":15,"number":95},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.23.png",23,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.24.png","3. 4. 5.\n6.\n",24,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.25.png","7. 8.\n1. Verbavolant Slim, 2. Colette Office, 3. Rafiki,\n4. Hubble Palomar, 5. Milano, 6. Loren, 7. Liquid\n7. 8.\n9. 10.\n1. Verbavolant Slim, 2. Colette Office, 3. Rafiki,\n4. Hubble Palomar, 5. Milano, 6. Loren, 7. Liquid\n",25,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.26.png","9. 10.\n1. Verbavolant Slim, 2. Colette Office, 3. Rafiki,\n4. Hubble Palomar, 5. Milano, 6. Loren, 7. Liquid\n7. 8.\n9. 10.\n1. Verbavolant Slim, 2. Colette Office, 3. Rafiki,\n4. Hubble Palomar, 5. Milano, 6. Loren, 7. Liquid\n",26,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.27.png","1. Therna, 2. Bourgeois, 3. Marlene, 4. Lazybones, 5. Liquid\n",27,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.28.png","1. 2.\n3. 4.\n",28,{"image":117,"text":15,"number":118},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.29.png",29,{"image":120,"text":15,"number":121},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.30.png",30,{"image":123,"text":124,"number":125},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.31.png","5.\n",31,{"image":127,"text":15,"number":128},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.32.png",32,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.33.png","2\n3\nIl corridoio risuona dei tuoi passi. Le luci \nsono soffuse, distingui appena lo spazio: \npotrebbe essere una casa qualunque, ma non \nlo è, senti un legame tra te e queste pareti, \ntra le superfici e le mani che le iniziano a \nsfiorare. Togli le scarpe e sprofondi su un \ndivano, non te lo aspettavi così avvolgente. \nImmerso dentro a questo abbraccio, scorgi \nsul tavolino di fronte a te un plico di fogli. \nÈ un catalogo d’arredamento, forse un \ncopione. Il titolo al centro della copertina: \nBaxter Milano Worldwide 2020. Incuriosito, \ninizi a leggere le prime righe.\nYour footsteps reverberate in the hallway. \nTe lights are soft, and you barely make \nout the space in front of you: it could be \nan ordinary house, but it is not. You feel a \nconnection between you and these walls, \nbetween these surfaces and the hands that \nnow begin to brush them. You take off your \nshoes and sink into a sofa; you did not expect \nit to be so snug. Immersed in this embrace, \nyou see a stack of papers on the coffee table \nin front of you. It is a furniture catalogue, \nmaybe a script. Te title on the cover says, \nBaxter Milano Worldwide 2020. Feeling \nintrigued, you now start to read.\n",33,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.34.png","4\n5\nLa colonna sonora delle emozioni. I colori, dentro \ni miei set, non si compiono mai da soli. Vivono \npienamente solo quando sono uno accanto all’altro, \nsposati per vocazione ai loro materiali. Primo fra \ntutti, la pelle: è lei la pellicola su cui imprimo da \nsempre le mie idee, la certezza inamovibile che mi \nha spinto a cercare tra altri materiali speciali e \ncosì poco comuni: vetro fuso, metacrilato, resina. \nHo immaginato la prima di queste unioni \ncompiersi nella tenue concretezza del verde \nmilitare, del mimetico e del camomilla. Penso \nanche alla freschezza di un blu mirtillo accostarsi \nai marroni chiari, mi ricorda l’incontro tra \noceano e deserto, una ripresa dall’alto, la linea \nnetta e sinuosa del loro punto d’unione. Ma se \nvoglio l’intimità, allora cerco il rosa nudo, il suo \nrichiamo alla sensualità di una pelle liscia come \nuna lastra di onice, ci metto anche le sfumature del \nrame e completo la seduzione con un verde laguna. \nHo pensato a questi colori perché vorrei che le \nemozioni passate si legassero a quelle nuove e \nsconosciute. Vorrei che ogni colore che è risuonato \nun tempo nei miei occhi, possa conoscere il nuovo, \nincontrarlo, ascoltarlo.\nNote di regia. Colore e materiale.\nThis is the soundtrack of emotions. Within my sets, \ncolours are never accomplished by themselves. They \nonly live fully when they are next to each other, \nmarried by vocation to their materials. First of all, \nleather: it is the film I have always impressed my \nideas on, the irremovable certainty that led me to \nlook for other special and uncommon materials: \ncast glass, methacrylate, resin.\nI imagined the first of these unions taking place in \nthe delicate substantiality of army green, camouflage \nand chamomile. I also think of the freshness of \nblueberry blue approaching light browns, for it \nreminds me of the meeting between the ocean and \nthe desert as it is shot from above, taking in the clear \nand sinuous line of the point where they unite. But if \nI want intimacy, then I look for nude pink, for \nit calls to the sensuality of a skin as smooth as a \nsheet of onyx; I also think of shades of copper, \nand complete the seduction with lagoon green. \nI thought of these colours because I would like \npast emotions to connect to new and unknown \nones. I wish every colour that once resounded \nin my eyes could come to know new ones, \nto meet them, and listen to them.\nDirector’s notes: Colour and material.\n",34,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.35.png","6\n7\nNote di regia. Forme e linee.\nDesidero parlare attraverso le linee, comunicare nel \nlinguaggio delle forme. Sono loro a interpretare la storia \nche ho in mente. La spontaneità del gesto, una mano che \ntraccia un solco morbido, senza fermarsi. Seguo le linee \narrotondarsi e unirsi alla rasserenante quiete dei colori, \nincurvarsi per accogliere, allargarsi per abbracciare. Gli \nangoli si smussano come sotto l’operato del tempo o delle \nripetute azioni quotidiane: ci ritrovo confidenza e voglia di \nfare, toccare, vivere. Scelgo profili fluidi, anelli, semicerchi, \ne con loro evito gli spigoli, lascio che l’arredo accompagni \nle azioni della persona rendendole allo stesso tempo più \nnaturali ed eleganti. E ancora: il passaggio dalla linea alla \nforma, quell’agitazione reciproca che rende definitiva l’idea. \nIl risultato è una concretezza armoniosa, raggiunta piega \ndopo piega, curva dopo curva: è il lavoro di mani esperte e \nispirate che intrappolano la materia e le danno vita. Chi si \nmuoverà tra queste geometrie dolci, ne sono sicuro, si sentirà \nprotetto.\nI want to speak through lines, to communicate in the \nlanguage of shapes. They interpret the story I have in \nmind. A spontaneous gesture, a hand that traces a soft \ngroove without stopping. I follow the lines as they round \noff and join the soothing stillness of colours, as they bend to \nwelcome and expand to embrace. Corners blur, as if under \nthe work of time or repeated daily actions: I find confidence \nin them, and a desire to do, touch, and live. I choose fluid \nprofiles, rings, semicircles; I use them to avoid edges as I \nlet furniture accompany people’s actions, making them \nmore natural and elegant at the same time. And again: the \npassage from line to shape, the mutual stirring that makes \nthe idea final. The result is a harmonic substantiality which \nis reached fold after fold, curve after curve: it is the work \nof expert and inspired hands that trap matter and give life \nto it. Those who move among these sweet geometries, I am \nsure, will feel protected.\nDirector’s notes: Shapes and lines.\nInterrompi la tua lettura. Sotto le piante dei piedi \nsenti il filato spesso di un tappeto annodato a mano, \ncammini lentamente e con la mano sfiori la pelle di \nuna poltrona girevole che per un attimo segue il tuo \nmovimento. Nella stanza attigua un grande tavolo \ndomina la scena, lo ammiri sotto la luce di una \nlampada che sembra sospesa nell’aria. Ritorni sui \nfogli che hai ancora con te, continui a leggere.\nYou stop reading. Under the soles of your feet you feel \nthe thick yarn of a hand-knotted carpet; you walk \nslowly, and with your hand you brush the leather \nof a swivel chair that follows your movement for \na moment. A large table dominates the scene in the \nadjacent room; you admire it under the light of a lamp \nthat looks like it is floating in the air. You go back to \nthe papers you still have with you, and go on reading.\n",35,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.36.png","8\n9\nIn the sleeping area, a corner mirror forces you \nto take a new perspective on yourself. Your \neyes go from your reflected image to the bed: \nthe headboard modules have the shape of many \npolished stones, as if someone removed them \nfrom the shore of a stream. As soon as you lie \non the mattress, you realize how soft they are, \nyou feel the tension of the leather and look for \nthe seams with your fingers. Te lamp on the \nbedside table gives you just enough light to get \nback to the lines you left behind.\nEven time seems to me to be an infinite winding \nline: it seems to run straight, then it bends gently \nas it reverses, makes another big loop, and turns \nback forward. The same happens with ideas: you do \nnot go back, but look behind, taking something you \nwill bring back into contemporary time. I think of \nshapes or furniture pieces that, after decades, are \nconverted into artistic installations. Beyond trends, so \nempty and transitory, all I have in mind lives again \nin an eternal present; it finds its space within an \narchitecture that has no end and no beginning, but \nonly its own balance.\nDirector’s notes: Time, space, balance.\nAnche il tempo mi appare un’infinita linea sinuosa: \nsembra scorrere rettilineo, poi curva dolcemente e \ninverte, fa un’altra grande ansa e si ributta in avanti. \nCosì succede con le idee: non è un tornare indietro, \nma un guardare alle proprie spalle, prendere qualcosa \nper riportarlo nel contemporaneo. Penso a forme o \ncomplementi che dopo decenni vengono riconvertiti \nin installazioni artistiche. Al di là delle mode, così \nvuote e transitorie, tutto quello che ho in mente rivive \nin un eterno presente, ritrova il suo spazio dentro \nun’architettura che non ha una fine né un inizio, ma \nsolo un suo equilibrio.\nNote di regia. Tempo, spazio, equilibrio.\nNella zona notte uno specchio angolare ti \ncostringe a una nuova prospettiva su te stesso. \nGli occhi passano dalla tua immagine riflessa \nal letto: i moduli della testata hanno la forma \ndi tante pietre levigate, come se qualcuno \nle avesse tolte dal greto di un torrente. Non \nappena ti sdrai sul materasso ti accorgi della \nloro morbidezza, percepisci la tensione della \npelle e con le dita cerchi le cuciture. La lampada \ndel comodino offre luce quanto basta per farti \ntornare sulle righe che avevi abbandonato.\n",36,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.37.png","10\n11\n",37,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.38.png","12\nOn that very bed, then, you fell asleep and \nhad a dream: you found a script in which \nBaxter disclosed the secrets of its new \ncollection. And you discovered that you were \nthe ideal actor to live in that movie.\nAn ending. \nIf you have read this far, it is because this story \nmade you feel comfortable. It does not matter \nwhether you really experienced it or you just \nimagined it: dreams are always born in the \nsoft space that runs between real life and its \nrepresentation.  \nJust like in the movies, you thought.\nOr in the art of furnishing.\nE così, su quel letto ti sei addormentato e \nhai fatto un sogno: trovavi un copione in cui \nBaxter ti svelava i segreti della sua nuova \ncollezione. E scoprivi di essere tu l’attore più \nadatto per vivere quel film.\nUn fnale.\nSe sei arrivato a leggere fin qui è perché dentro \nquesta storia ti sei sentito comodo. Non importa \nche tu l’abbia vissuta davvero o solo immaginata: \ni sogni nascono sempre nel soffice spazio che corre \ntra la vita reale e la sua rappresentazione.  \nProprio come nel cinema, hai pensato.\nO nell’arte di arredare.\nThanks To\nStory @antonio_oleari\nWatercolor painting @paolombombonato\n",38,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.39.png","1. Verbavolant Slim, 2. Colette Office, 3. Rafiki,\n4. Hubble Palomar, 5. Milano, 6. Loren, 7. Liquid\n9. 10.\n1. Verbavolant Slim, 2. Colette Office, 3. Rafiki,\n4. Hubble Palomar, 5. Milano, 6. Loren, 7. Liquid\n9. 10.\n1. Verbavolant Slim, 2. Colette Office, 3. Rafiki,\n4. Hubble Palomar, 5. Milano, 6. Loren, 7. Liquid\n",39,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.40.png","1.\n2.\n",40,{"image":162,"text":15,"number":163},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.41.png",41,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.42.png","1. Cemento Forgiato - Forged Concrete, 2. Himani - A, 3. Kashmir Camomille, 4. Heritage Militare, 5. Veranda Soho,\n6. Kashmir Mimétique, 7. Liquid Mimétique, 8. Veranda Hanoi\n",42,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.43.png","3. 4. 5. 6. 7.\n",43,{"image":173,"text":15,"number":174},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.44.png",44,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.45.png","1. Himani-C, 2. Leon, 3. Greta, 4. Verre Particulier,\n5. Brigitte, 6. Googie, 7. Tumbler, 8. Brigitte\n",45,{"image":180,"text":49,"number":181},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.46.png",46,{"image":183,"text":37,"number":184},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.47.png",47,{"image":186,"text":15,"number":187},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.48.png",48,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.49.png","5.\n6.\n",49,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.50.png","7.\n",50,{"image":197,"text":15,"number":198},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.51.png",51,{"image":200,"text":201,"number":202},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.52.png","8.\n",52,{"image":204,"text":205,"number":206},"\u002Fmedia\u002Fimages\u002F0f\u002F7db3a6cd7d65f3efc1848a61f3cd30-286ac8b4a5.53.png","1.Say Yes, 2. 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