[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-bandb-italia-views-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":285},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":280,"matched_pages":281,"match_count":282,"two_pages":283,"show_text":284},15355,"Views 2022","bandb-italia-views-2022","\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F02\u002F0b6dc5953cdc2bf8328df699c4a935-28548a956f.pdf","B&B Italia",296,"b-b-italia","18.7 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277],{"image":7,"text":15,"number":16},"PERIODICAL MAGAZINE CONTAINING MISCELLANEOUS PIECES SUCH AS ARTICLES, STORIES, POEMS, PHOTOS AND ILLUSTRATIONS. \nISSUE #01 - 06 \u002F 2022\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.2.png","In this first issue, the quintessence of products and places \nis presented through the contemporary interpretation of \nB&B Italia, and the precise gaze of two photographers such \nas Tommaso Sartori and Santi Caleca. \nWe photographed in Paris, Munich, Milan and Barcelona. \nWe photographed in unexpected places, factories, unique \nvillas, apartments steeped in history, architectural icons: \nsets where the products express themselves in their essence. \nPhotography gives way to a story made up of objects, places \nand light because what I want to reveal is the true nature of \nproducts, by letting them speak, and express their musicality. \nThe dialogue established between the object, the photographer, \nthe space and us is proof that B&B Italia communicates with \nthe power of contemporaneity and beauty. It does not require \nfrills or to be pigeonholed into a precise style and even historic \nproducts can become novelties. \nViews is the perfect medium for expressing the vision of \nB&B Italia through its products, designers and styles. \nViews will tell stories, worlds and impressions.\n \n \n \n \n \nPiero Lissoni\nIn 2022 B&B Italia \nsteps up to the mic \nagain with a magazine, \n \n— Views. \nISSUE  #01\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.3.png","VIEWS  |  ISSUE 01\n04  COMME DANS UN RÊVE\n \nNoonu sofa, Antonio Citterio\n \nBull table, Naoto Fukasawa\n \nJens chair, Antonio Citterio\n \nSerie Up armchair, Gaetano Pesce\n \nCamaleonda sofa, Mario Bellini\n \nGli Scacchi complements, Mario Bellini\n \nB&B Atoll bed, Antonio Citterio\n26  LE BAMBOLE 50TH ANNIVERSARY\n \nLe Bambole, Mario Bellini\n46  INTERVIEW - DOLLED UP AND HITTING FIFTY\n \nA short conversation with Mario Bellini\n48 \nFUTURE PAST \n \nAllure O' table, Monica Armani\n \nFlair O' chair, Monica Armani \n \nB&B Atoll sofa, Antonio Citterio \n \nNoonu sofa, Antonio Citterio \n \nDiesis small table, Antonio Citterio and Paolo Nava \n66 \nNAOTO FUKASAWA \n \nHarbor Laidback armchair, Naoto Fukasawa \n \nAwa small table, Naoto Fukasawa\n70 \nINTERVIEW - FUKASAWA LAYS BACK\n \nA short conversation with Naoto Fukasawa\n72 \nELEGANCE AND INNOVATION\n \nHarbor Laidback armchair, Naoto Fukasawa \n \nAwa small table, Naoto Fukasawa \n \nSir Vito small table, Studio Kairos\n82  BAUHAUS\n \nMetropolitan armchair, Jeffrey Bernett \n \nTufty-Time sofa, Patricia Urquiola \n \nFormiche small table, Piero Lissoni \n \nParallel Structure table, Michael Anastassiades\n \nMini Papilio chair, Naoto Fukasawa \n \nTobi-Ishi table, Edward Barber and Jay Osgerby\n \nMart armchair, Antonio Citterio\n \nCharles sofa, Antonio Citterio \n \nDiesis small table, Antonio Citterio and Paolo Nava \n100  IN THE SPOTLIGHT\n \nCordoba armchair, Foster+Partners, Industrial Design Studio\n \nPochette armchair, Piero Lissoni\n \nPlanck small table, Piero Lissoni\n \nMjna chair, Piero Lissoni\n \nBlitz table, Mario Bellini\n \nCutter chair, Mario Bellini\n \nPapilio Shell chair, Naoto Fukasawa\n \nTobi-Ishi small table, Edward Barber and Jay Osgerby\n \nTobi-Ishi table, Edward Barber and Jay Osgerby\nCONTENT\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.4.png","VIEWS  |  ISSUE 01\n4\n5\nA celebration, and then the joy of living in this hôtel particulier \nevery day, named Hôtel du président Chauvelin in 1738. \nGermain Louis Chauvelin was the Keeper of the Seals of Louis XV, \nan extremely learned man, a library housing three thousand \nbooks, an art collection that boasted a painting by Raphael and \nJean-Antoine Watteau’s most beautiful prints. A realm of grace, \nmusic and delicacy. \nAnd everything has remained as it was, the warmth of the wooden \nfloors, the discrete style of the small cabinet, the freshness of \nthe flowery upholstery in Madame’s bedroom and the blue \nstriped one in that of Monsieur. \nA secret is hidden between the two bedrooms, a wall on which, \nsince the early twentieth century, every generation has marked \nthe birth dates of their children, then followed their growth, \none centimetre at a time. Lalo, Charles, Anne, Pierre, Jacques, \nJeanne-Francoise, and Christine were all born here. Here, \na diary-home was born. \nCOMME DANS \nUN RÊVE\nFootsteps echo in the rooms of this splendid building \nat 72 Rue de l’Université in Paris. In the stillness of a \nsunny day, every space, silent for many years, recalls \nwhen the doors were opened in 1720 and for the very \nfirst time the carriages entered the courtyard and the \ncandles in the drawing room were lit. \nPHOTOGRAPHY TOMMASO SARTORI\nSTYLING FRANCESCA SANTAMBROGIO \nLOCATION PARIS, FRANCE\nNOONU SOFA, ANTONIO CITTERIO \n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.5.png","VIEWS  |  ISSUE 01\n6\n7\nNOONU SOFA, ANTONIO CITTERIO \nCOMME DANS UN RÊVE\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.6.png","VIEWS  |  ISSUE 01\n8\n9\nBULL TABLE, NAOTO FUKASAWA\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.7.png","VIEWS  |  ISSUE 01\n10\n11\nJENS CHAIR, ANTONIO CITTERIO\nBULL TABLE, NAOTO FUKASAWA\nCOMME DANS UN RÊVE\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.8.png","VIEWS  |  ISSUE 01\n12\nSERIE UP ARMCHAIR, GAETANO PESCE\n13\nCOMME DANS UN RÊVE\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.9.png","VIEWS  |  ISSUE 01\n14\n15\nCOMME DANS UN RÊVE\nVIEWS  |  ISSUE 01\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.10.png","VIEWS  |  ISSUE 01\n16\n17\nCAMALEONDA SOFA, MARIO BELLINI - GLI SCACCHI COMPLEMENTS, MARIO BELLINI - MONACHELLA FLOOR LAMP, AZUCENA COLLECTION\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.11.png","VIEWS  |  ISSUE 01\n18\n19\nCAMALEONDA SOFA, MARIO BELLINI - GLI SCACCHI COMPLEMENTS, MARIO BELLINI - CATILINA ARMCHAIR, AZUCENA COLLECTION\nCOMME DANS UN RÊVE\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.12.png","VIEWS  |  ISSUE 01\n20\n21\nCAMALEONDA SOFA, MARIO BELLINI - GLI SCACCHI COMPLEMENTS, MARIO BELLINI\nCOMME DANS UN RÊVE\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.13.png","VIEWS  |  ISSUE 01\n22\n23\nB&B ATOLL BED, ANTONIO CITTERIO - CATILINA ARMCHAIR, AZUCENA COLLECTION - MONACHELLA FLOOR LAMP, AZUCENA COLLECTION\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.14.png","VIEWS  |  ISSUE 01\n24\n25\nB&B ATOLL BED, ANTONIO CITTERIO - MONACHELLA FLOOR LAMP, AZUCENA COLLECTION\nCOMME DANS UN RÊVE\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.15.png","VIEWS  |  ISSUE 01\n26\n27\nB&B Italia presents Le Bambole by Mario Bellini, in a radically \nrenewed version. Fifty years after their initial creation, these icons \nof Italian style are evolving thanks to new design choices that \nmake them even more comfortable and increasingly sustainable. \nA constant presence in the B&B Italia catalogue for 50 years, \nLe Bambole evolves and becomes even more contemporary. \nThe revamped version recaptures a look and feel more akin to the \noriginal, favouring generous, curvy, increasingly feminine shapes.\nAs Mario Bellini states: \"I am delighted to revisit this family \nagain, because it confirms to me that it is anything but old; on \nthe contrary, it is enjoying a thriving and promising second life, \na rebirth done in a big way, with enthusiasm, with breadth, with \ndecorations and with the original flourishes. We have recovered \nits charm, sumptuous form and softness\".\nThe new range sees confirmations and new elements, for a \ncollection that restarts from the basic elements: the Bambola \narmchair, the Bibambola two-seater sofa, the Bamboletto double bed. \nIn addition, the three-seater sofa has been updated to meet today's \nneeds, with a deeper seat that has earned it the name Granbambola.\n50th Anniversary\nLe Bambole\nPHOTOGRAPHY TOMMASO SARTORI\nSTYLING FRANCESCA SANTAMBROGIO \nLOCATION MUNICH, GERMANY\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.16.png","VIEWS  |  ISSUE 01\n28\n29\nBAMBOLA ARMCHAIR, MARIO BELLINI\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.17.png","VIEWS  |  ISSUE 01\n30\n31\nThe renewal of this collection brings with it Sila, a new sablé fabric \navailable in eight colours. Its pleasingly irregular, three-dimensional \nnature masks the orthogonal effect of warp and weft, amplifying \nthe effect of softness through a studied irregularity that seems \nreminiscent of natural, spontaneous surfaces. \nThis sensation begins with sight and is completed by touch. \nIn fact, as Mario Bellini says: \" The variation of this fabric, when \nin contact with your hands, your arms, your body, empathises \nwith your skin and is extremely pleasant \". \nLe Bambole can also be upholstered in high-quality Kasia leather, \nan extremely soft and naturally marked full-grain leather. Here, \ntoo, touch and sight are equally satisfied, giving each Bambola an \neven more elegant and refined appearance.\nThroughout their history, Le Bambole have seen slight adaptations \nin shape, proving that they are always able to keep up with the times.\nIn addition to appearance, comfort is a key element of the design. \nOnce again, softness is guaranteed by a series of clever construction \nmeasures despite the minimum amount of polyurethane used. \nWhere the original construction was based on a metal structure \nembedded in polyurethane, now the materials used are of the \nlatest generation. Recycled polyethylene gives structure; elements \nin polyurethane foam and thermoplastic elastomers are added \nto shape the geometry and define comfort and breathability, all \nsheathed by an undercover derived from recycled PET. \nThese design choices mean that every item in the new Le Bambole \ncollection is completely disassembled and therefore easily recyclable. \nfifty years of Le Bambole\n1972\u002F2022\nLE BAMBOLE 50TH ANNIVERSARY\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.18.png","VIEWS  |  ISSUE 01\n32\n33\nBAMBOLA ARMCHAIR, MARIO BELLINI\nLE BAMBOLE 50TH ANNIVERSARY\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.19.png","VIEWS  |  ISSUE 01\n34\n35\nBAMBOLA ARMCHAIR, MARIO BELLINI - GRANBAMBOLA SOFA, MARIO BELLINI - BULL BENCH, NAOTO FUKASAWA\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.20.png","VIEWS  |  ISSUE 01\n36\n37\nGRANBAMBOLA SOFA, MARIO BELLINI\nLE BAMBOLE 50TH ANNIVERSARY\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.21.png","VIEWS  |  ISSUE 01\n38\n39\nHermann Rosa would say that building one’s own house is the \nmost important experience a man can have. Or in fact, it is what \nmakes him a man. \nThis was how, by marking out the perimeter, digging the ground, \nbuilding the walls, pouring the living material of the cement \nand combining the walls and stairs in a single shape, Rosa had \nconquered his “own” space, with humility and enthusiasm. \nFrom dawn to dusk, daylight, a close ally, passes through two \nimmense glass walls and joins the study to the garden. \nHermann Rosa had been searching for a peaceful space. He was \nlooking for the house that lives and breathes within you and me.\nHe had built it with his own hands, as if it were a huge sculpture \nyou could walk into and sense that revitalising experience you \nfeel when you contemplate nature and create. At number 89 \nOsterwaldstrasse in Munich, Hermann Rosa, born in Pirna in \n1911, had built his studio armed only with his craft. \nIn 1960, the extraordinary German sculptor, son of a stonemason, \nhad bought a small piece of land not far from the green heart of \nthe city, and in the eight years that followed, he had designed and \nbuilt his studio there, a reflection of himself. \nEverything within this magnificent building, declared a national \nmonument in 1988, speaks of a radical, ascetic artist who adored \nCézanne, Giacometti and Le Corbusier.\nAtelier Rosa\nBIBAMBOLA SOFA, MARIO BELLINI - TOBI-ISHI SMALL TABLE, EDWARD BARBER AND JAY OSGERBY\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.22.png","VIEWS  |  ISSUE 01\n40\n41\nBIBAMBOLA SOFA, MARIO BELLINI - MONACHELLA FLOOR LAMP, AZUCENA COLLECTION\nLE BAMBOLE 50TH ANNIVERSARY\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.23.png","VIEWS  |  ISSUE 01\n42\n43\nBAMBOLETTO BED, MARIO BELLINI\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.24.png","VIEWS  |  ISSUE 01\n44\n45\nBAMBOLETTO BED, MARIO BELLINI\nLE BAMBOLE 50TH ANNIVERSARY\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.25.png","VIEWS  |  ISSUE 01\n46\n47\nI\nNTERVIEW\nA SHORT CONVERSATION WITH MARIO BELLINI\nAlthough Mario Bellini’s “Le Bambole” collection might be hitting \n50 this year, its impact and relevance on the world of furniture \ndesign is as strong as ever. Just look at a recent Corriere Della Sera \nphoto shoot featuring the sprightly octogenarian Italian maestro \nhimself lying, legs in the air, on an armchair from the new \ncollection that revives those cult 1972 designs. \n“As often happens, the name came to me at once,” says Bellini recalling \nthe moment he baptised the project “Le Bambole” (Italian for \n“Dolls”) whose form, structure and personality was inspired \nby those lovable rag dolls all children know. Those soft yet \nreassuringly sturdy little figures, sitting, or thrown on the floor, \nself-supported by stuffing made of who knows what, gave \nLe Bambole their identity. \nTheir random arrangement in a space signifying the freedom \nof expression that was the spirit of those times. Bellini’s own \nnotes on the designs spoke of Le Bambole in abstract, almost \ntransgressive terms: “You can sit on the Bambola, she is jolly and \ngiving, supple and eager to comfort you, she hugs you, as that is what \nshe is made of.” B&B Italia’s innovative use of polyurethane foam \nwith a hidden metal skeleton deep within rendered Bellini’s \nimagined doll into an armchair that was casually playful and \nstylishly comfy in equal measure. \nMARIO BELLINI IS AN ARCHITECT AND DESIGNER INTERNATIONALLY \nRENOWNED. HE RECEIVED THE GOLDEN COMPASS AWARD EIGHT TIMES \nAND 25 OF HIS WORKS ARE IN THE PERMANENT DESIGN COLLECTION \nOF THE NEW YORK MOMA, WHICH DEDICATED TO HIM A PERSONAL \nRETROSPECTIVE IN 1987. HIS ACTIVITIES RANGE FROM ARCHITECTURE \nAND URBAN PLANNING TO PRODUCT AND FURNITURE DESIGN.\nBellini's own carefree pose in April 2022 is obviously a tongue-\nin-cheek reference to photographer Oliviero Toscani’s ravishing, \noriginal shoot of Le Bambole featuring American model and \nAndy Warhol muse, Donna Jordan. Speaking of the revamped \nand radically renewed version of Le Bambole, Bellini is gushing; \n“I feel the pleasure of revisiting this family again” he says wistfully, \n“because it confirms to me that it has anything but aged, on the contrary, \nit is enjoying a thriving and promising second life.” \nWhile maintaining their unmissable shape and embracing \ncomfort, in the new Le Bambole evolutions in material and \nengineering technology ensure that the collection can be \ndisassembled and is therefore easily recyclable.\nLooking at those images of Donna Jordan on Le Bambole, \ntopless, in only jeans and black cowboy boots kicking in the \nair, it is almost impossible to believe they are half a century \nold. Famously those pictures were immediately censored when \nrevealed at the Salone del Mobile in 1972. But both they, and \nBellini’s collection they embellished, soon became recognized \nas part of the style zeitgeist. To celebrate their 50th birthday, \nLe Bambole are refreshed with some noticeable improvements, \nabove all, they are as desirable as ever.\nDolled Up and Hitting Fifty\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.26.png","VIEWS  |  ISSUE 01\n48\n49\nFuture \nPast\nPHOTOGRAPHY TOMMASO SARTORI\nSTYLING FRANCESCA SANTAMBROGIO \nLOCATION B&B ITALIA HEADQUARTER\nUsing suggestive spaces created inside B&B Italia’s Novedrate \nheadquarters we revisit a past vision of the future. Out of the \nshadows emerge objects and collections that recall a modern utopia. \nOur home was built between 1971 and 1973 to the experimental \ndesigns of Renzo Piano and Richard Rogers, two young architects \nwho would become masters of a high-tech, futuristic style.\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.27.png","VIEWS  |  ISSUE 01\n50\n51\nALLURE O' TABLE, MONICA ARMANI - FLAIR O' CHAIR, MONICA ARMANI\nFUTURE PAST\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.28.png","VIEWS  |  ISSUE 01\n52\n53\nALLURE O' TABLE, MONICA ARMANI - FLAIR O' CHAIR, MONICA ARMANI\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.29.png","VIEWS  |  ISSUE 01\n54\n55\nALLURE O' TABLE, MONICA ARMANI - FLAIR O' CHAIR, MONICA ARMANI\nFUTURE PAST\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.30.png","VIEWS  |  ISSUE 01\n56\n57\nFUTURE PAST\nB&B ATOLL SOFT SOFA, ANTONIO CITTERIO\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.31.png","VIEWS  |  ISSUE 01\n58\n59\nB&B ATOLL SOFT SOFA, ANTONIO CITTERIO\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.32.png","VIEWS  |  ISSUE 01\n60\n61\nB&B ATOLL SOFT SOFA, ANTONIO CITTERIO\nFUTURE PAST\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.33.png","VIEWS  |  ISSUE 01\n62\n63\nNOONU SOFA, ANTONIO CITTERIO - DIESIS SMALL TABLE, ANTONIO CITTERIO AND PAOLO NAVA\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.34.png","VIEWS  |  ISSUE 01\n64\n65\nNOONU SOFA, ANTONIO CITTERIO \nFUTURE PAST\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.35.png","VIEWS  |  ISSUE 01\n66\n67\nAWA SMALL TABLE, NAOTO FUKASAWA - HARBOR LAIDBACK ARMCHAIR, NAOTO FUKASAWA\nPHOTOGRAPHY SANTI CALECA\nSTYLING FRANCESCA SANTAMBROGIO \nLOCATION B&B ITALIA HEADQUARTER\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.36.png","VIEWS  |  ISSUE 01\n68\n69\nAWA SMALL TABLE, NAOTO FUKASAWA - HARBOR LAIDBACK ARMCHAIR, NAOTO FUKASAWA\nAWA SMALL TABLE, NAOTO FUKASAWA\nNAOTO FUKASAWA\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.37.png","VIEWS  |  ISSUE 01\n70\n71\nI\nNTERVIEW\nA SHORT CONVERSATION WITH NAOTO FUKASAWA\nFukasawa has worked with some of the most celebrated brands \nfrom his native Japan and the world, and in 2017 of course, \nhe created the Harbor armchair for B&B Italia. As diverse as \nFukasawa’s portfolio is, his approach centres on the relationship \nbetween design and behaviour, perhaps more so now than ever. \n“The whole world is under the pandemic,” he said as he introduced \nthe Harbor Laidback chair to us last year; “So, everyone wants \nto know how to spend valuable time at home.” \nHis design optimises the beautifully simple Harbor, allowing for \na deeper, more personalised experience for the chair's user. \nWith a levering handle and adapted engineering, Harbor Laidback \ndoes exactly what its name suggests. \nYou don’t just sit here, but lean back into the chair, thus creating \na bond with the design that also expresses a sense of belonging. \n“This is my own chair” says Fukasawa soothingly; “I wanted to \ncreate a feeling of ‘Ah!’ This is the place I shall return to”. \nBORN IN 1956, JAPANESE INDUSTRIAL DESIGNER NAOTO FUKASAWA \nHAS BEEN DESCRIBED AS ONE OF THE MOST IMPORTANT PEOPLE WORKING \nIN THE FIELD TODAY. WITH A HYPER-VARIED CAREER, HIS WORK SPANS \nFROM THE DESIGN OF PRECISION EQUIPMENT AND ELECTRONIC GOODS, \nTO RESTRAINED CURVES IN HIS FURNITURE PIECES, AS WELL AS A DEEPLY \nCONSIDERED APPROACH TO ARCHITECTURE. \nAs important as form and function for the designer, are beauty \nand craft, and Fukasawa’s Harbor Laidback again demonstrates \nthis perfectly. Indeed, as he explains that his “philosophy of creation \nstarts with outlining beauty” the lengths that Fukasawa goes to in \nthis pursuit can be seen in the stitching of this chair’s surface skin. \nLike a supple yet sturdy dotted line, the stitching leads the eyes \nand hands around the chair's form, “like in the fitting of a tailor-\nmade suit”, says the designer. As pleasing as the results are, this a \nfar from simple feature to execute he continues: “This [the stitching] \nwas so hard to do that we needed to develop a new sewing machine \njust to do it.”\nSpeaking to this Japanese master of design, it is immediately clear \nhow pleased he is with the Harbor Laidback, but he is equally \nkeen to share his creation. “I wish this armchair will have a long life” \nends Fukasawa almost as if talking about a beloved friend or pet; \n“and that it will become iconic also for each future owner.” \nFukasawa Lays Back\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.38.png","VIEWS  |  ISSUE 01\n72\n73\nHARBOR LAIDBACK ARMCHAIR AND OTTOMAN, NAOTO FUKASAWA - AWA SMALL TABLE, NAOTO FUKASAWA\nPHOTOGRAPHY SANTI CALECA\nSTYLING FRANCESCA SANTAMBROGIO \nLOCATION MILAN, ITALY\nBuilt between 1932 and 1935, on an opulent street in \nthe centre of Milan to the designs of one of the city’s \nmost celebrated architects, the Villa Necchi Campiglio \nhas recently come to symbolise a certain Milanese \nstyle and elegance. Despite its adoration by design \nlovers and its frequent cinematic appearances, the \nhouse’s story is far from straightforward.\nELEGANCE \nAND INNOVATION\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.39.png","VIEWS  |  ISSUE 01\n74\n75\nHARBOR LAIDBACK ARMCHAIR, NAOTO FUKASAWA\nELEGANCE AND INNOVATION\nTechnologically advanced, with all the latest domestic conveniences, the villa also represents a heavy, old-world grandeur in a modern, \n20th Century guise. Ever since it was laid out in the 1890s, building over the orchards and gardens that once surrounded Milan’s historic \ncore, Via Mozart has been a prime address. It is where the city’s most affluent and most taste-conscious inhabitants have long called home. \n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.40.png","VIEWS  |  ISSUE 01\n76\n77\nHere on a sizable plot of land, eclectic (and slightly eccentric) architect Piero Portaluppi was commissioned to build a residence \nby an unlikely trio of clients. Sisters Nedda and Gigina Necchi, and the latter’s husband Angelo Campiglio were part of Lombardy’s \nhigh bourgeois industrialist class, having made their fortune from the family’s sewing machine factory in Pavia.\nHARBOR LAIDBACK ARMCHAIR, NAOTO FUKASAWA - SIR VITO SMALL TABLE, STUDIO KAIROS\nELEGANCE AND INNOVATION\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.41.png","VIEWS  |  ISSUE 01\n78\n79\nHARBOR LAIDBACK ARMCHAIR, NAOTO FUKASAWA - SIR VITO SMALL TABLE, STUDIO KAIROS\nFor their new Milan abode, Portaluppi designed a building that exuded elegance in every room and space, but thanks to the use of much \ntechnical innovation, was also an exercise in domestic comfort. Electric lifts and service systems known as ‘dumb waiters’ were installed, \nas well as sophisticated telephone lines and intercoms. \n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.42.png","VIEWS  |  ISSUE 01\n80\n81\nBy the front door to the house also lies Milan’s first private swimming pool; it was also heated, adding additional luxury to the residence. \nServing as an evocative setting for Luca Guadagnino’s 2009 “I Am Love” and more recently Ridley Scott’s “House of Gucci” (2021), \nVilla Necchi Campiglio has now become symbolic of a very Milanese, and surprisingly modern refinement. \nHARBOR LAIDBACK ARMCHAIR, NAOTO FUKASAWA\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.43.png","VIEWS  |  ISSUE 01\n82\n83\nMETROPOLITAN ARMCHAIR, JEFFREY BERNETT\nThis was the beginning of a very productive personal and professional \npartnership that would result in the now-famous Barcelona Pavilion. \nBecoming the artistic director of the German contribution at the \nexposition of 1929, Reich engaged Mies, who designed a superbly \nelegant structure with its iconic floating roof and spectacular use of the \nluxurious materials. But Reich’s creative contribution to the pavilion \nshould not be overlooked. It is impossible to ignore the flair she had for \ntransparency and clean lines in her designs for shop windows and \nexhibition displays when walking through this legendary space. \nThe pavilion, which is nearly always associated with just one man, \nbecame a bridge to a dazzling 20th Century career for Mies. With a \npremature death in 1947 depriving Lilly Reich of a well-deserved \nlegacy; at the Barcelona Pavilion, like so often, we should remember \nthat there was a great woman behind a great man.\nThe pavilion, which was built as part of the German representation \nat the 1929 International Exposition in Barcelona stands today on its \noriginal site, just off the Plaça d'Espanya. It is a graceful monument \nto both its architect Mies van der Rohe and of the international \nmodernist movement he became a symbol of. There is, however, \nmuch that can be revisited here, not least the crucial involvement \nof a woman who was a true pioneer of modern design. \nTrained as an industrial embroiderer, Lilly Reich quickly emerged \nas a leading figure in the experimental art and design world of \nthe Weimar Republic. By 1920 she became the first woman in a \nleadership role at the influential Deutscher Werkbund, an association \nof German artists, architects and designers that lay the modernist \nfoundations for the Bauhaus School. In 1924, Reich started to work \nat the Frankfurt trade fair office where she managed an exhibition \ndesign studio and where she met Ludvig Mies van der Rohe. \nPHOTOGRAPHY TOMMASO SARTORI\nSTYLING FRANCESCA SANTAMBROGIO \nLOCATION BARCELONA, SPAIN\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.44.png","VIEWS  |  ISSUE 01\n84\n85\nTUFTY-TIME SOFA, PATRICIA URQUIOLA - FORMICHE SMALL TABLES, PIERO LISSONI - PARALLEL STRUCTURE TABLE, MICHAEL ANASTASSIADES\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.45.png","VIEWS  |  ISSUE 01\n86\n87\nBAUHAUS\nTUFTY-TIME SOFA, PATRICIA URQUIOLA - MONACHELLA FLOOR LAMP, AZUCENA COLLECTION\nTUFTY-TIME SOFA, PATRICIA URQUIOLA - FORMICHE SMALL TABLES, PIERO LISSONI\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.46.png","VIEWS  |  ISSUE 01\n88\n89\nPARALLEL STRUCTURE TABLE, MICHAEL ANASTASSIADES\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.47.png","VIEWS  |  ISSUE 01\n90\n91\nTOBI-ISHI TABLE, EDWARD BARBER AND JAY OSGERBY\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.48.png","VIEWS  |  ISSUE 01\n92\n93\nMINI PAPILIO CHAIR, NAOTO FUKASAWA - TOBI-ISHI TABLE, EDWARD BARBER AND JAY OSGERBY\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.49.png","VIEWS  |  ISSUE 01\n94\n95\nMART ARMCHAIR, ANTONIO CITTERIO\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.50.png","VIEWS  |  ISSUE 01\n96\n97\nCHARLES SOFA, ANTONIO CITTERIO - DIESIS SMALL TABLE, ANTONIO CITTERIO AND PAOLO NAVA\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.51.png","VIEWS  |  ISSUE 01\n98\n99\nCHARLES SOFA, ANTONIO CITTERIO - DIESIS SMALL TABLE, ANTONIO CITTERIO AND PAOLO NAVA\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.52.png","VIEWS  |  ISSUE 01\n100\n101\nPHOTOGRAPHY TOMMASO SARTORI\nSTYLING FRANCESCA SANTAMBROGIO \nLOCATION B&B ITALIA HEADQUARTER\nIn the \nspotlight\n2022: NEW PROJECTS ARRIVE ON STAGE.\nReferences and assonances. Architecture, volumes and materials.\nA monumental marble table, a soft and welcoming armchair, \na sophisticated and versatile chair, low tables with a bright heart...\nUnder the spotlight today to be the upcoming stars tomorrow.\nVIEWS  |  ISSUE 01\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.53.png","VIEWS  |  ISSUE 01\n102\n103\nCORDOBA ARMCHAIR, FOSTER+PARTNERS, INDUSTRIAL DESIGN STUDIO\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.54.png","VIEWS  |  ISSUE 01\n104\n105\nPOCHETTE ARMCHAIR, PIERO LISSONI\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.55.png","VIEWS  |  ISSUE 01\n106\n107\n106\n107\nIN THE SPOTLIGHT\nPOCHETTE ARMCHAIR, PIERO LISSONI\nVIEWS  |  ISSUE 01\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.56.png","VIEWS  |  ISSUE 01\n108\n109\nPLANCK SMALL TABLE, PIERO LISSONI\nIN THE SPOTLIGHT\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.57.png","VIEWS  |  ISSUE 01\n110\n111\nPLANCK SMALL TABLE, PIERO LISSONI\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.58.png","VIEWS  |  ISSUE 01\n112\n113\nIN THE SPOTLIGHT\nMJNA CHAIR, PIERO LISSONI\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.59.png","VIEWS  |  ISSUE 01\n114\n115\nBLITZ TABLE, MARIO BELLINI - CUTTER CHAIR, MARIO BELLINI\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.60.png","116\n117\nBLITZ TABLE, MARIO BELLINI - CUTTER CHAIR, MARIO BELLINI\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.61.png","VIEWS  |  ISSUE 01\n118\n119\nIN THE SPOTLIGHT\nPAPILIO SHELL CHAIR, NAOTO FUKASAWA\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.62.png","VIEWS  |  ISSUE 01\n120\n121\nTOBI-ISHI SMALL TABLE, EDWARD BARBER AND JAY OSGERBY\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.63.png","VIEWS  |  ISSUE 01\n122\n123\nTOBI-ISHI TABLE, EDWARD BARBER AND JAY OSGERBY\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.64.png","VIEWS  |  ISSUE 01\n124\n125\n124\n125\nIN THE SPOTLIGHT\nVIEWS  |  ISSUE 01\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.65.png","VIEWS  |  ISSUE 01\n126\n127\nTOBI-ISHI TABLE, EDWARD BARBER AND JAY OSGERBY\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fc6\u002Ffb3052b8b54b5cfb25c1db0892b5eb-28548b7fc7.66.png","Descriptions and pictures of products included in this \ncatalogue have an indicative value only and are not \nbinding for products use. B&B Italia reserves the right \nto modify their products without prior notification. \nFor further technical information of the products, \nplease contact the authorised dealer closest to you \n(see www.bebitalia.com).\nLa descrizione e le immagini dei prodotti del presente \ncatalogo sono puramente indicative e non possono \nessere considerate vincolanti ai fini del loro utilizzo. \nB&B Italia si riserva di apportare ai prodotti le modifiche \nche ritiene più opportune, in qualsiasi momento \ne senza preavviso. Per ulteriori informazioni sulle \ncaratteristiche tecniche dei prodotti, invitiamo \na consultare il sito www.bebitalia.com dove troverete \nl’elenco dei rivenditori autorizzati a cui rivolgervi.\nProject \nGraph.X\nPhotography \nTommaso Sartori \nSanti Caleca \nStyling \nFrancesca Santambrogio\nTexts \nDavid Plaisant\nLaura Leonelli\nPrinting\nNava Press\nThanks to  \nAntoine Billore, Atrio Studio, Carpenters \nWorkshop Gallery, Galleria Clio Calvi Rudy \nVolpi, Galleria Grazia Montesi, Galerie JAG, \nGalleria Rossana Orlandi, Galleria Rossella \nColombari, Hermann Rosa, Materea, Mobilier \nTomette, Modernariato ‘900, Objet Vagabond, \nRenzo Freschi, Sergio Maria Calatroni, Studio \nAlexa Lixfeld, Terry Davies, Toni Porto, UP\u002FART\nCopyright \nB&B Italia \nJune 2022\nCredits\nV9085137   Made in Italy\nB&B ITALIA SPA\n22060 Novedrate (CO) Italy\nStrada Provinciale 32\nT. + 39 031 795 111\nF. + 39 031 791 592\ninfo@bebitalia.com \nItalia\nnumero verde 800 018 370\nUSA\ntoll free 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