[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-baker-furniture-designer":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":653},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":648,"matched_pages":649,"match_count":650,"two_pages":651,"show_text":652},890,"Designer","baker-furniture-designer","\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F30\u002Feb2b084909995be9f819533fd4d568.pdf","Baker Furniture",2114,"baker-furniture","11.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473,477,481,485,489,493,497,501,505,509,513,517,521,525,529,533,537,541,545,549,553,557,561,565,569,573,577,581,585,589,593,597,601,605,609,613,617,621,625,629,633,637,641,645],{"image":7,"text":15,"number":16},"BAKER DESIGNER\ngiants \n \nof design\nIt’s not an innovation to work with some of the most respected \ndesigners of the 20th century, but a tradition. From Kem Weber \nand Joseph Urban to T.H. Robsjohn-Gibbings and Finn Juhl, from \nCharles Pfister to Albert Hadley, Baker’s heritage is part of the fabric \nof the last century of leadership in great design. \nToday \nthat \ndesign \ntradition \ncontinues \nwith \nBarbara \nBarry,  \nThomas Pheasant, Bill Sofield, Laura Kirar and Jacques Garcia. Baker \nis also fortunate to have access to the archives of Tony Duquette and \nAndré Arbus, as well as the entrée to European Stately Homes under \nthe direction of Sir Humphry Wakefield. The result is a collection rich \nin original work. While designers of such stature could go anywhere, \nthey choose Baker — a partner with a reputation for embracing and \nexecuting their vision.\n 31\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.3.png","  33\nbaker designer\n 33\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.4.png","34  |  baker designer\nb a k e r f u r n i t u r e .c o m \nBARBARA BARRY \nBarbara Barry is among the world’s \nmost \nprominent \nand \ntalented \ndesigners. Her name stands for a \nunique blend of sophistication and \nlivability; her designs are classic, \ntimeless and fluid. Hers is a look that \nspeaks to the elegance of form and \nsimplicity of line. Her designs range \nfrom elegant interiors to a portfolio \nof products for the home. With a \nvision of how we live today, coupled \nwith \nan \neye \ntoward \ntomorrow, \nBarbara \nBarry \ncreates \nelegant \ninteriors, timeless furnishings and \nluxury products that inspire a life of \nbeauty.  Page 36\nJACqUES GARCIA\nJacques \nGarcia \ndiscovered \nhis \ntalent for drawing and his fascination \nfor objets d’art at an early age. His \nillustrious career, which has spanned \nalmost 30 years, makes Jacques \nGarcia one of the most sought-\nafter French interior decorators of \nour time. The elegance of his work \nis exceeded only by its personality, \nwhich evokes the best of all things \nFrench — though its inspiration is \ndrawn from a wide range of sources, \nincluding \nZen \nminimalism \nand \nNapoleonic extravagance. The list of \nGarcia’s elite international clientele \nspeaks to his rare talent, distinctive \nstyle and creative genius. Page 66\nLAURA KIRAR \nA designer with the soul of an artist, \nLaura completed her degree in \nsculpture and interior architecture \nat the prestigious School of the Art \nInstitute of Chicago. Her passion for \nconceptual aesthetics and practical \nexperience as a fine artist has \nshaped her career as a designer. She \nis known for her elegant, innovative \ninteriors \nand \nproducts \nfor \nthe \nhome with a timeless sensibility. Her \npassion for artistic exploration in all \nmediums has continued to infuse her \nwork with originality and thoughtful \nattention to detail. Page 90\nTHomAS PHEASANT \nThomas Pheasant is an award-\nwinning interior designer recognized \ninternationally \nfor \nhis \ninterior \ndesign and furniture collections. \nHis \nsignature \nstyle \nis \nmodern \nelegance — calm \nand \nluxurious \ninteriors of quality and comfort. \nHe is known for his mastery of the \nneutral palette and his skillful mix \nof antiques with new furniture as \nwell as signature pieces of his own \ndesign. His focus is on bringing a \ncontemporary dimension to classic \nprinciples of design; a bridging \nof past and present — combining \nthe best of the past with today’s \ninnovations. Page 108\ngiants \n \nof design\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.5.png","designer  |  35\nbaker designer\nBILL SoFIELD \nBill Sofield is considered one of \nthe most thoughtful talents of his \ngeneration. A rigorous modernist, \nSofield believes in the credo that \ndesign must live as well as it \nlooks. His work is defined not by \na particular style but by a holistic \napproach to design that addresses \nthe requirements of living. materials \nand architectural details take their \ncue from the context of the project \nat hand with careful consideration \nfor function and a client’s individual \npersonality and needs. His furniture \nand product design are imbued \nwith a sophisticated respect for \nmateriality and a concern for how a \ndesign should improve with use and \nage to become an object of legacy.\nPage 138\nToNY DUqUETTE \nConsidered by many as an American \ndesign icon, artist and designer Tony \nDuquette left behind an artistic \nlegacy that inspires fantasy and stirs \nthe imagination. For these selected \npieces, Baker has reverently and \naccurately reproduced Duquette’s \noriginal \nworks — most \nof \nwhich \nwere one-of-a-kind pieces created \nexclusively \nfor \nhis \ninternational \nclientele. The selection includes three \nupholstered pieces, six casegoods, \nthree accessories and seven lighting \nofferings. Page 160\nANDRé ARBUS \nAndré Arbus holds the rare honor \nof being recognized as a genius in \nhis own time. This distinction is a \ntestament to both his talents and \nhis integrity as a true artist. Part \nfurniture designer, architect, sculptor \nand philosopher, Arbus changed the \ndirection of modern French décor \nand \narchitecture \nby \nredefining \nthe \nprinciples \nof \ngood \ndesign. \nThe reproductions in the André \nArbus \nCollection \nreflect \nArbus’ \ngenius \nfor \nmaterial, \nproportion \nand construction, and include six \nupholstered pieces, nine casegoods \nand eight lighting offerings. Page 164\nSTATELY HomES\nAn English Baronet, Sir Humphry \nWakefield is a foremost authority on \nEnglish antiques and architecture. \nHe has acted as a consultant to \nBaker’s Stately Homes program \nsince founding the collection in \n1980, \npersonally \nsecuring \nfirst-\never commercial access to noble \nhomes throughout England, Ireland, \nScotland and even the royal palaces \nof the former Soviet Union. With \nthe well-trained eye of an antique \nfurniture expert, Sir Humphry has \nselected and personally drawn and \ndetailed the treasured antiques \nthat form the basis of the Stately  \nHomes \nCollection. \nThese \nitems \nrecreate the furniture designed and \nbuilt by the world’s finest craftsmen, \nall still actually used in the great \nhomes of these noblemen. Page 170\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.6.png","36  |  baker designer\nBARBARA BARRY\nInspired by French Neoclassicism, Art Deco and the Golden Age of Hollywood, Barbara Barry \noffers upholstery in three complementary directions. While scaled for today’s living, most \nframes are nonetheless tempered by a refined feminine line. The color palette is dominated by \nneutrals, often layered, for a look that appeals to both designers and end users. The application \nof other fabrics allows the collection to address both contemporary and traditional interiors.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.7.png","baker designer\nbarbara barry  |  37\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.8.png","38  |  baker designer\nb a k e r f u r n i t u r e .c o m \n821-86   \nsofa \npage 38\nthe barbara barry collection\n| high back rolled arm sofa\na tight back sofa with a hint of a sway. exaggerated roll arms. loose \ncushion seat. round tapered legs.\nthis is an example of a sofa being massive without being masculine. \nWhile the exaggerated arm and simple leg of this sofa lean modern, \nthe frame has also been successful in any number of traditional \nfabrics. With three seats and arms sturdy enough for others to lean \nor even sit on, this is a design for those who entertain. Pillows offer \nan opportunity to mix fabrics.\n821-06  w 106\" d 41\" h 35\" sh 18\" ah 33\" inw 81\" ind 22\"\nw 269 d 104 h 89 sh 46 ah 84 inw 206 ind 56 cm\nrelated styles\n821-06   \nsofa \npage 38\nthe barbara barry collection\n| high back rolled arm sofa\na tight back sofa with a pronounced sway. exaggerated roll arms. \nsplit seat. round taperrd legs. \nthis design demonstrates that a modern look can in fact be curvy \nand feminine. While there is a remarkable amount of movement, the \nlines are nonetheless clean. With excellent depth and what amounts \nto two oversized seats, this is an ideal sofa for conversation. \n821-86  w 86\" d 41\" h 35\" sh 18\" ah 33\" inw 61\" ind 22\"\nw 218 d 104 h 89 sh 46 ah 84 inw 155 ind 56 cm\nrelated styles\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.9.png","baker designer\nthe barbara barry collection  |  39\n847-37   \nchair \npage 60\nthe barbara barry collection\n| tight back sofa\ninspired by an english club chair, this sofa has a trim tight back over a  \nloose three-cushion seat. an abbreviated roll arm. exposed wood rail \nover faceted legs.\nWith button-tufted corner pillows, this sofa is ever so slightly more \ntraditional than the corresponding lounge chair. once again, however, \nthe frame is basically a canvas for the fabric, waiting for the user to \ndecide whether it is traditional or contemporary, formal or casual. \n847-88   w 88\" d 38\" h 34\" sh 18\" ah 23\" inw 73\" ind 24\"\nw 224 d 97 h 86 sh 46 ah 58 inw 185 ind 61 cm\nrelated styles\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.10.png","40  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.11.png","baker designer\nthe barbara barry collection  |  41\nthe barbara barry collection\n| Paris sofa\ncontemporized chesterfield with a pulled channel and a bench seat \nrather than tufting. Welt trim standard, oversized nickel nailhead trim \noptional. square tapered legs. nickel cap and caster.\ninspired by a mid-century example, this sofa takes the chesterfield to \nan entirely different place. the low, but long, proportions are important \nfor downtown living — full-sized but not excessively so. designed to \nbe art deco, but a change of fabric and trim allow a fresh traditional \nlook. the low back allows it to float easily or anchor a setting under a \npicture window. one of baker’s most published designs.\n822-84  w 84\" d 34\" h 30\" sh 17\" ah 30\" inw 62\" ind 22\"\nw 213 d 86 h 76 sh 43 ah 76 inw 157 ind 56 cm\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.12.png","by the inch\nby the inch\nby the inch\n42  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe barbara barry collection\n| highback sofa\na classic track arm sofa with a high back. three loose back and seat \ncushions. tapered block legs. \nthis is a versatile, and ultimately architectural sofa. a building block \nof sorts, the sofa is more or less neutral, blending with the balance of \nthe design scheme. at the same time, its physical stature allows it to \ndivide a room if necessary. low arms encourage an occasional nap.   \n820-97  highback sofa  \n w 971⁄2\" d 421⁄2\" h 371⁄2\" sh 171⁄2\" ah 22\" inw 90\" ind 25\"\nw 248 d 108 h 95 sh 44 ah 56 inw 229 ind 64 cm\n820-81  highback short sofa  \n w 81\" d 421⁄2\" h 371⁄2\" sh 171⁄2\" ah 22\" inw 74\" ind 25\"\nw 206 d 108 h 95 sh 44 ah 56 inw 188 ind 64 cm\n820-66  highback loveseat\nw 66\" d 421⁄2\" h 371⁄2\" sh 171⁄2\" ah 22\" inw 59\" ind 25\"\nw 168 d 108 h 95 sh 44 ah 56 inw 150 ind 64 cm\nrelated styles\n820-34  \nchair   \npage 58\n820-11  \nottoman   \npage 58\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.13.png","by the inch\nby the inch\nby the inch\nbaker designer\nthe barbara barry collection  |  43\nrelated styles\nthe barbara barry collection\n| modern sofa\nloose three-cushion back with three corresponding rectangular \nthrow pillows. loose three-cushion seat. track arm. tapered block \nfeet. \nthis is the sofa that goes anywhere. designed for everyday use, \neveryone likes the three-over-three cushion style, and almost \neveryone likes to nap on it now and then. as a design, it is easily \ndressed up or down. the throw pillows offer an easy way to layer one \nneutral over another. also a great look at 100+ inches.\n830-86  modern sofa  \n w 86\" d 40\" h 35\" sh 18\" ah 23\" inw 75\" ind 21\"\nw 218 d 102 h 89 sh 46 ah 58 inw 191 ind 53 cm\n830-76  modern short sofa  \n w 76\" d 40\" h 35\" sh 18\" ah 23\" inw 65\" ind 21\"\nw 193 d 102 h 89 sh 46 ah 58 inw 165 ind 53 cm\n830-60  modern loveseat \n w 60\" d 40\" h 35\" sh 18\" ah 23\" inw 49\" ind 21\"\nw 152 d 102 h 89 sh 46 ah 58 inw 124 ind 53 cm\n820-34  \nchair   \npage 58\n820-11  \nottoman   \npage 58\n830-76 \nshort sofa \n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.14.png","44  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.15.png","baker designer\nthe barbara barry collection  |  45\nthe barbara barry collection\n| reeded base sofa\na track arm sofa with a loose three-cushion back over a loose three- \ncushion seat. rectilinear bolsters. standard with two tufted box \nedged pillows and two knife-edged pillows. delicately reeded wrap-\naround base. tapered block feet. \nWhile this sofa is visually larger and more masculine, the addition of \nbolsters and an intricate reed adds a touch of glamour — and even \nmore comfort. in fact, the formidable bolsters make this the ideal \nsofa for an afternoon nap. easily divides a large room.\n826-90   w 90\" d 41\" h 37\" sh 19\" ah 28\" inw 77\" ind 24\"\nw 229 d 104 h 94 sh 48 ah 71 inw 196 ind 61 cm\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.16.png","46  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.17.png","baker designer\nthe barbara barry collection  |  47\n883-33  \nchair   \npage 60 \nthe barbara barry collection\n| curved back sofa\nthis is a contemporized crescent sofa. curved back with three loose \ncushions, a shaped bench seat and a slope arm. the arm actually \nholds the seat in a crisp, contemporary way. square tapered legs, \nflaring in the back.\nthis sofa was designed to float in a rotunda — or anywhere a room \ndivider might be necessary. the corresponding curved back chair \ncompletes the look. superbly tailored, with strong vertical lines, \nthe form is reminiscent of a man’s suit. as a result of the curve, the \ncorner seats offer an opportunity for intimate conversation.\n883-84   w 831⁄2\" d 401⁄2\" h 34\" sh 17\" ah 15\" inw 66\" ind 23\"\nw 212 d 103 h 86 sh 43 ah 38 inw 168 ind 58 cm\nrelated styles\n883-11  \nottoman   \npage 60\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.18.png","48  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe barbara barry collection\n| flared daybed\na contemporized daybed with flaring arms and a bench seat over a \nreeded wood frame. square tapered legs.\na daybed of this type works in a large living room or possibly a small \nbedroom in lieu of a conventional bed. When placed against a wall, \nthrow pillows can be added to make it work as a sofa. sometimes \nused in pairs. this particular example is easily dressed in either a \ncontemporary or a more traditional fabric.\n880-78   w 78\" d 35\" h 32\" sh 19\" ah 32\" inw 62\" ind 35\"\nw 198 d 89 h 81 sh 48 ah 81 inw 157 ind 89 cm\nthe barbara barry collection\n| flared arm sofa\na modern frame softened by an arched back, barely flared arms,  \nand luxurious pillows. reeded wrap-around wood banding and \nsquare tapered legs.\nthis is the little black dress, cut slim, with just enough shape. \ndesigned to float, the look of the frame changes with the fabric, and \nthe result is a sofa for every room and every occasion. back pillows \nare easily changed for interest. different pillows, different sofa. can \ngo modern with the optional bench seat. unexpected comfort.\n856-85   w 86\" d 39\" h 341⁄2\" sh 18\" ah 32\" inw 71\" ind 221⁄2\"\nw 218 d 99 h 88 sh 46 ah 81 inw 180 ind 57 cm\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.19.png","baker designer\nthe barbara barry collection  |  49\nthe barbara barry collection\n| sunday sectional\nthis sectional evolved from the way barbara barry \nenjoys the luxury of a sunday, that rare day away, the \nguilty pleasure of an old movie, reading the newspaper \nor even a nap. this sectional can fill a space of any size, \nbut it does so with more than enough scale to suggest \nnot only comfort but a place apart from the chores and \nchallenges of the week.\n| armless tuxedo section\neasy to specify and assemble, this is a very simple, very \nlow, sectional design with a modern demeanor. a loose \nback and a loose seat over a recessed plinth base.\nthis is the armless chair. the other components are the \ncorner chair and the ottoman.\n857-36   armless chair\nw 36\" d 381⁄2\" h 31\" sh 18\" ind 25\"\nw 91 d 98 h 79 sh 46 ind 64 cm\n| corner tuxedo section\neasy to specify and assemble, this is a very simple, \nvery low, sectional design with a modern demeanor.  \na loose back and a loose seat over a recessed plinth \nbase. butter knife arm.\nthis is the corner chair. the other components are the \narmless chair and the ottoman.\n857-38   corner chair\nw 38\" d 381⁄2\" h 31\" sh 18\" ah 29\" inw 25\" ind 25\"\nw 97 d 98 h 79 sh 46 ah 74 inw 64 ind 64 cm\n| ottoman\neasy to specify and assemble, this is a very simple, very \nlow, sectional design with a modern demeanor. ottoman \nhas an attached seat over a recessed plinth base.\nthis is the ottoman. the other components are the \ncorner chair and the armless chair.\n857-11   ottoman\nw 36\" d 36\" h 17\"\nw 91 d 91 h 43 cm\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.20.png","50  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.21.png","baker designer\nthe barbara barry collection  |  51\nthe barbara barry collection\n| deco classic lounge chair\nboxed back, exposed wood lounge chair with gracefully curved \narms and gadrooned handholds in the deco style. shaped loose \nseat. checkerboard inlay on rail. round tapered legs.\nthis high-fashion lady’s chair recalls the best of 1930s french modern \ndesign. at once sleek and openly luxurious, its small footprint lends \nitself to almost any room.\n460   w 26\" d 26\" h 32\" sh 19\" ah 24\" inw 19\" ind 20\"\nw 66 d 66 h 81 sh 48 ah 61 inw 48 ind 51 cm\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.22.png","52  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe barbara barry collection\n| oval x-back chair\na twist on a french neoclassic form. oval “x” splat to the back and \nfully upholstered to the front. exposed wood frame with flaring \narms. tapered legs.\nthis chair converges to a focal point at the oval back. depending \non the choice of fabric, it can be suitable for both contemporary \nand traditional schemes. an excellent opportunity for a combination \nfabric. available in a choice of finishes. this is the single most \npublished item at baker. \n471   w 30\" d 26\" h 38\" sh 18\" ah 26\" inw 26\" ind 21\"\nw 76 d 66 h 97 sh 46 ah 66 inw 66 ind 53 cm\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.23.png","baker designer\nthe barbara barry collection  |  53\nthe barbara barry collection\n| double x-back chair\na modern twist on an french neoclassic form. exposed wood frame \nwith a curved sway back. the “x” motif is repeated on the sides. \nloose boxed seat cushion. tapered legs.\nbalanced and graphic, this chair offers a great silhouette from \nany angle. designed to float, it is readily integrated into a variety \nof settings. a relatively low back adds to the feeling of something \nmodern. striking even as a single chair. \n479   w 27\" d 27\" h 31\" sh 19\" ah 241⁄2\" inw 231⁄2\" ind 21\"\nw 69 d 69 h 79 sh 48 ah 62 inw 60 ind 53 cm\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.24.png","by the inch\n54  |  baker designer\nb a k e r f u r n i t u r e .c o m \n422-11  \nottoman\nthe barbara barry collection\n| tub chair\na moderately scaled tub chair reminiscent of those popular in \nthe 1930s. decoratively seamed loose pillow back. loose seat \nover an unusual breakfront base. tapered block feet.\nlike most tub chairs, the curved back offers excellent \ncomfort and the opportunity to not only float but easily \nwalk around the item — even in a room of intermediate size. \nthe clever loose pillow detail softens the overall look. a \ngreat look with four cchairs around an ottoman.\n422 \n w 34\" d 39\" h 331⁄2\" sh 19\" ah 22\" inw 26\" ind 22\"\nw 86 d 99 h 85 sh 48 ah 56 inw 66 ind 56 cm\n422-11 \n ottoman\n w 29\" d 24\" h 18\"\nw 74 d 61 h 46 cm\nrelated styles\nrelated styles\nthe barbara barry collection\n| modern lounge chair\nloose back chair with a low track arm. rectangular throw \npillow standard. loose seat over tapered block feet.\nthis chair offers a very generous, very comfortable seat \nwhile retaining a crisp rectilinear look. the throw pillow \nrepeats the shape of the back, and the width of the arm \nis proportionate to the overall design. this is an essential \nbuilding block for a living area that is both high style and \nhigh use. While graphically complex, the shape remains \nalmost neutral, blending with the balance of the design \nscheme. \n830-37  w 37\" d 40\" h 35\" sh 18\" ah 23\" inw 251⁄2\" ind 21\"\nw 94 d 102 h 89 sh 46 ah 58 inw 65 ind 53 cm\n830-60  loveseat  \n w 60\" d 40\" h 35\" sh 18\" ah 23\" inw 49\" ind 21\"\nw 152 d 102 h 89 sh 46 ah 58 inw 124 ind 53 cm\n830-11 \n ottoman  \nw 35\" d 231⁄2\" h 17\"\nw 89 d 60 h 43 cm\n830-86  \nsofa \npage 43\n830-76  \nshort sofa \npage 43\n830-11  \nottoman\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.25.png","baker designer\nthe barbara barry collection  |  55\nthe barbara barry collection\n| club chair\nclassic form with an updated, more graceful and generally \nmore dramatic roll arm. loose back and seat. tapered \nblock feet.\nthis chair relies on stong convergence to provide a \ntruly generous seat while retaining a sense of elegance. \nbecause of its economical footprint, it can go more places \nthan a typical club chair. \n445 \n w 42\" d 39\" h 34\" sh 18\" ah 24\" inw 24\" ind 22\"\nw 107 d 99 h 86 sh 46 ah 61 inw 61 ind 56 cm\n445-11  ottoman  \nw 28\" d 23\" h 17\"\nw 71 d 58 h 43 cm\n445-11 \nottoman\nrelated styles\nthe barbara barry collection\n| lounge chair\na modern lounge chair with neoclassical roots. loose \npillow back including a smaller, flanged accent. butter \nknife arms. tight seat. fluted exposed wood base over \nsquare tapered legs.\nthis is a generous modern take on a lounge chair. often \nused in pairs or even fours. the low height allows the \nchair to have size without visually dominating a room. \napplications run the gamut — from a sleek fabric and \nblack lacquer in manhattan to a casual fabric and a \ndistressed finish in vail.\n423   w 36\" d 38\" h 31\" sh 16\" ah 24\" inw 21\" ind 22\"\nw 91 d 97 h 79 sh 41 ah 61 inw 53 ind 56 cm\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.26.png","56  |  baker designer\nb a k e r f u r n i t u r e .c o m \n442  \nchair \npage 56\nthe barbara barry collection\n| skirted sliPPer chair\nan updated slipper chair with the hint of a curve, a \nbolster, a fashionable skirt and a little more comfort. \ntight rolled back. \nthis takes the slipper chair to any room and any home. \nfrom contemporary to traditional, it is simply best of \nclass. its modest scale and surprising comfort allow for \nfull seating groups in places where that might otherwise \nbe impossible. reminiscent of a treble clef, this chair has \nbeen chosen for a surprising number of music rooms.\n442   w 25\" d 36\" h 35\" sh 16\" ind 20\"\nw 64 d 91 h 89 sh 41 ind 51 cm\n452  \nchair \npage 56\nrelated styles\nrelated styles\nthe barbara barry collection\n| sliPPer chair\nthe 442 skirted slipper chair without the skirt. the \nbolster adds both a sense of softness and unexpected \ncomfort. tight rolled back. square tapered legs.\nthis version of the slipper chair was inspired by the \ntailoring of menswear in the 1940s. ready to go \nanywhere, this form is easily placed in a living room, \nbedroom or dressing room. for a statement, pairs are an \nobvious choice, and the frame invites both fringes and \ntapes. often used opposite a loose back sofa. \n452    w 25\" d 36\" h 35\" sh 16\" ind 20\"\nw 64 d 91 h 89 sh 41 ind 51 cm\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.27.png","baker designer\nthe barbara barry collection  |  57\nthe barbara barry collection\n| upholstered slipper chair\na curved tight back slipper chair with just the hint of a wing. loose \nseat. deco foot with stylized gadrooning. Welt trim standard, \nnickelhead trim optional. \nunusually comfortable, this chair hugs the user. large enough to be \nused in a great room, but small enough for a bedroom or dressing \nroom. Four of these chairs make an elegant statement around an \nottoman. neutral, functional and a staple for modern living.\n455   \u0007w\u000729\"\u0007d\u000732\"\u0007h\u000734\"\u0007sh\u000718\" ind\u000723\"\nw\u000774\u0007d\u000781\u0007h\u000786\u0007sh\u000746\u0007ind\u000758\u0007cm\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.28.png","58  |  baker designer\nb a k e r F u r n i t u r e .c o m \nthe barbara barry collection\n| highback lounge chair\ngently curved high back lounge chair. loose back and a loose seat. \ntrack arms. tapered block legs.\nthis deep, comfortable and practical lounge chair is one of those \nessential building blocks for a living area that is both high style and \nhigh use. the chair itself is almost neutral, blending with the balance \nof the design scheme. While universally comfortable, the high back \nand deep seat make it particularly good for a taller user.\n820-34  w\u000734\"\u0007d\u0007401⁄2\"\u0007h\u000738\"\u0007sh\u0007171⁄2\" ah\u000722\" inw\u000725\" ind\u000724\"\nw\u000786\u0007d\u0007103\u0007h\u000797\u0007sh\u000744 ah\u000756\u0007inw\u000764 ind\u000761\u0007cm\n820-11 \n ottoman\u0007\u0007\nw\u000733\"\u0007d\u000730\"\u0007h\u000716\"\nw\u000784\u0007d\u000776\u0007h\u000741 cm\nrelated styles\n820-81 \n highback\u0007short\u0007sofa\u0007\u0007\npage\u000742\n820-97 \n highback\u0007sofa\u0007\u0007\npage\u000742\n820-66 \n highback\u0007loveseat\npage\u000742\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.29.png","baker designer\nthe barbara barry collection  |  59\n6498  \nottoman\nthe barbara barry collection\n| salon chair\nan exposed wood chair with a curved tight back. the arm \nhas a compound curve leading to an integral shaped and \ndimpled leg. hand fit cushion. Flaring legs.\nthis French modern form is another elegant exposed \nwood chair for the barbara barry collection. despite \na small footprint, the curved back offers surprising \ncomfort. this chair goes anywhere from a great room \nwith conversation groupings to a downtown condo with \nmore style than space. routinely used in pairs or as an \noccasional chair.\n6498 \n w\u0007281⁄2\"\u0007d\u000734\"\u0007h\u000732\"\u0007sh\u000718\" ah\u000723\" inw\u000722\" ind\u000724\"\nw\u000772\u0007d\u000786\u0007h\u000781\u0007sh\u000746 ah\u000758\u0007inw\u000756 ind\u000761\u0007cm\n6498-11  ottoman\u0007\u0007\nw\u000726\"\u0007d\u0007181⁄2\"\u0007h\u000716\"\nw\u000766\u0007d\u000747\u0007h\u000741 cm\nrelated styles\nthe barbara barry collection\n| scallop chair\nin the tradition of elegant French lounge chairs, a \nscalloped back chair with a closed arm. the seaming of \nthe channels highlights the shape of the back. loose seat \nover short, square cabriole legs. \nthis is an extraordinarily elegant hollywood regency \nchair with movement in literally every dimension. the \nback is rounded and flared — making it a small, but ideal, \ncandidate to float. readily goes more traditional with the \nright fabric — or a combination fabric treatment typical of \ncontinental furniture. \n874-30   w\u0007301⁄2\"\u0007d\u000733\"\u0007h\u000733\"\u0007sh\u000718\" ah\u000724\" inw\u000722\" ind\u000724\"\nw\u000777\u0007d\u000784\u0007h\u000784\u0007sh\u000746 ah\u000761\u0007inw\u000756 ind\u000761\u0007cm\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.30.png","60  |  baker designer\nb a k e r F u r n i t u r e .c o m \nthe barbara barry collection\n| curved back chair\ncurved loose cushion back with a slope arm and a \nloose seat. the arm actually holds the seat in a crisp, \ncontemporary way. square tapered legs, flaring in the back.\nthis chair was designed to float — whether en suite with the \n883-84 curved back sofa or in some other combination. \nrelatively narrow, it could conceivably be a candidate \nfor four chairs around an ottoman. the depth makes it a \ncomfortable lounge chair for both men and women.\n883-33  w\u000733\"\u0007d\u000738\"\u0007h\u000732\"\u0007sh\u000717\" ah\u000715\" inw\u000727\" ind\u000723\"\nw\u000784\u0007d\u000797\u0007h\u000781\u0007sh\u000743 ah\u000738\u0007inw\u000769 ind\u000758\u0007cm\n883-11  ottoman\u0007\u0007\n\u0007w\u0007281⁄2\"\u0007d\u0007231⁄2\"\u0007h\u000716\"\nw\u000772\u0007d\u000760\u0007h\u000741 cm\n883-84  \nsofa \npage\u000747\nrelated styles\n883-11  \nottoman\nthe barbara barry collection\n| tight back lounge chair\ninspired by a small english club chair, this design has a \nshaped tight back — trimmed to a more modern look. \nloose t-cushion seat. abbreviated roll arm. exposed \nwood rail over faceted legs.\nthis chair offers excellent comfort on an economical \nfootprint. the frame is basically a canvas for the fabric, \nwaiting for the user to decide whether it is traditional or \ncontemporary, formal or casual. the result is a chair for \nany style or any room.\n847-37\u0007\u0007\u0007\u0007w\u000737\"\u0007d\u000738\"\u0007h\u000734\"\u0007sh\u000718\" ah\u000723\" inw\u000722\" ind\u000724\"\nw\u000794\u0007d\u000797\u0007h\u000786\u0007sh\u000746 ah\u000758\u0007inw\u000756 ind\u000761\u0007cm\n847-88  \nsofa \npage\u000739\nrelated styles\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.31.png","baker designer\nthe barbara barry collection  |  61\nrelated styles\n6411-11 \nottoman\nthe barbara barry collection\n| exposed Wood lounge chair \nan exposed wood lounge chair with the hint of a curve and an \nelegant slope arm. loose back and seat, with the seat neatly framed \nby the arm. block legs available in a variety of finishes. \nthis is a surprisingly comfortable chair on a narrow footprint. scaled \nfor a corner, but equally impressive floating in the center of a room. \nthe height and the exposed wood frame add a sense of elegance, \nregardless of the fabric treatment. \n6411 \n w\u000732\"\u0007d\u000737\"\u0007h\u0007381⁄2\"\u0007sh\u0007171⁄2\" ah\u000717\" inw\u0007261⁄2\" ind\u000722\"\nw\u000781\u0007d\u000794\u0007h\u000798\u0007sh\u000744 ah\u000743\u0007inw\u000767 ind\u000756\u0007cm\n6411-11  ottoman\u0007\u0007\nw\u000728\"\u0007d\u000734\"\u0007h\u000717\"\nw\u000771\u0007d\u000786\u0007h\u000743 cm\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.32.png","62  |  baker designer\nb a k e r F u r n i t u r e .c o m \nthe barbara barry collection\n| chaise chair\ntight sway back. pleated ends. Flared legs.\ninspired by a scottish original, the scale and curve of this chair were \nmeant to be voluptuous — to stretch out in front of a fire. two of \nthese chairs, with only an ottoman between them, strike a spa-like \nsymmetry. this divided chaise is another example of the designer \nadding a curve or somehow lightening a traditional form — making it \nnot only new but modern. ideal in a large bedroom or near a window. \n433 \n \u0007w\u000735\"\u0007d\u000735\"\u0007h\u000736\"\u0007sh\u000717\" ind\u000723\"\nw\u000789\u0007d\u000789\u0007h\u000791\u0007sh\u000743 ind\u000758\u0007cm\n433-11  ottoman\n\u0007w\u000735\"\u0007d\u000729\"\u0007h\u000717\"\u0007\nw\u000789\u0007d\u000774\u0007h\u000743 cm\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.33.png","baker designer\nthe barbara barry collection  |  63\nthe barbara barry collection\n| high back chair\nhigh tight back with a narrow track arm. loose seat and square \ntapered legs. excellent pitch and comfort.\nthis is a remarkably versatile library chair, comfortable enough \nto stand alone and small enough to work as a host chair. neither \ntraditional nor contemporary, the form takes on the spirit of the \nfabric. also suitable for a small office or conference environment, \nparticularly in leather.\n439   w\u000726\"\u0007d\u000730\"\u0007h\u000738\"\u0007sh\u000719\" ah\u0007241⁄2\" inw\u000720\" ind\u000720\"\nw\u000766\u0007d\u000776\u0007h\u000797\u0007sh\u000748 ah\u000762\u0007inw\u000751 ind\u000751\u0007cm\nthe barbara barry collection\n| hassock\nthis versatile, baseball-stitched hassock is a surprise in a wide range \nof fabrics and leathers. Whether used as an ottoman, bunched as \nan alternative to a cocktail table or tucked away under a console as \noccasional seating for a party, it offers a practical accent to virtually \nany room. tight seat with two loops.\n406   w\u0007161⁄2\"\u0007d\u0007161⁄2\"\u0007h\u000718\"\nw\u000742\u0007d\u000742\u0007h\u000746 cm\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.34.png","64  |  baker designer\nb a k e r F u r n i t u r e .c o m \nthe barbara barry collection\n| cocktail ottoman\nan extraordinarily versatile cocktail ottoman with an accompanying \ntray. the top has a tight seat with patchwork stitching. square tapered \nlegs and a slatted lower shelf.\nin addition to the style and versatility of the cocktail ottoman form, \nthis item is also available in all baker optional finishes. this allows the \nlook to vary from contemporary to traditional to relaxed. the lower \nshelf is accessible storage. an excellent alternative to a game table.\n3496   w\u000744\"\u0007d\u000733\"\u0007h\u000716\"\nw\u0007112\u0007d\u000784\u0007h\u000741\u0007cm\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.35.png","baker designer\nthe barbara barry collection  |  65\nthe barbara barry collection\n| oval x-stitched ottoman\na large ottoman where the shape and stitching create the designer’s \nsignature oval “x.” an exposed wood banding adds a hint of old world \nglamour while tapered block feet offer a sense of visual lightness. the \noval form allows a large scale while maintaining a workable footprint. \nslightly taller than most ottomans, this item provides excellent party \nseating. the cutting of fabric for this item often produces flashing \nfrom one quarter to the next. this can make the overall effect more \ncontemporary.\n3491   w\u000748\"\u0007d\u0007271⁄2\"\u0007h\u000718\"\nw\u0007122\u0007d\u000770\u0007h\u000746 cm\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.36.png","66  |  baker designer\njacques garcia\njacques garcia brings a bold continental sensibility to Baker upholstery. arguably one of \nthe most celebrated designers in the world, jacques garcia revisits both traditional and \nmodern designs from the perspective of a man who is equal part artist, antiquarian and \nadventurer. The result is atmosphere. The upholstery draws heavily on his increasingly \nvisible commercial work. The chairs are particularly distinctive, often done in a combination \nfabric, and always at european height.\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.37.png","baker designer\njacques garcia  |  67\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.38.png","68  |  baker designer\nb a k e r F u r n i t u r e .c o m \n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.39.png","baker designer\nthe jacques garcia collection  |  69\nthe jacques garcia collection\n| capucine soFa\u0007\ntightly upholstered roll arm sofa with the roll continuing on the \nback. oversized, half fill, multi-pillow back and a loose seat. square \ntapered legs.\nthis grand sofa reflects the best of French luxury. the sculptural \nform has an extraordinary silhouette from every angle, and the \nback pillows offer an unusual opportunity for a variety of fabrics. \nthree legitimate seats make it ideal for entertaining. While \ntraditional leaning, the right fabric would allow this sofa to work in a \ncontemporary scheme.\n6303-97   w\u000797\"\u0007d\u0007391⁄2\"\u0007h\u0007351⁄2\"\u0007sh\u000718\"\u0007ah\u0007291⁄2\" inw\u000766\" ind\u000724\"\nw\u0007246\u0007d\u0007100\u0007h\u000790\u0007sh\u000746\u0007ah\u000775\u0007inw\u0007168 ind\u000761\u0007cm\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.40.png","70  |  baker designer\nb a k e r F u r n i t u r e .c o m \n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.41.png","baker designer\nthe jacques garcia collection  |  71\n6305-35  \nchair   \npage\u000784\nthe jacques garcia collection\n| concorde soFa\nthis is a stepped roll arm sofa with a corresponding roll back. loose \nback and seat. top-like toupie legs.\nthis distinctive design, with its roots in empire furniture and many \nyears later in the storied apartment of coco chanel, adds a variety \nof innovative couturier twists. now iconic, it defines an edited, but \naltogether French, sense of luxury. this is an open invitation to a \ncombination fabric. three generous seats are ideal for entertaining. \nanchors a setting with eclectic occasional chairs.\n6305-89   w\u000789\"\u0007d\u0007391⁄2\"\u0007h\u0007351⁄2\"\u0007sh\u000718\"\u0007ah\u000724\" inw\u000776\" ind\u000722\"\nw\u0007226\u0007d\u0007100\u0007h\u000790\u0007sh\u000746\u0007ah\u000761\u0007inw\u0007193 ind\u000756\u0007cm\n6305-72   loveseat\nw\u000772\"\u0007d\u000739\"\u0007h\u000735\"\u0007sh\u000718\"\u0007ah\u000724\"\u0007inw\u000758\" ind\u000722\"\nw\u0007183\u0007d\u0007100\u0007h\u000790\u0007sh\u000746\u0007ah\u000761\u0007inw\u0007147 ind\u000756\u0007cm\nrelated styles\n6305-11 \nottoman\npage\u000784\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.42.png","72  |  baker designer\nb a k e r F u r n i t u r e .c o m \n3766-38  \nchair \npage\u000776\nthe jacques garcia collection\n| pasha soFa\nlow track arm sofa with a loose back and seat. butter knife curve to \nthe top. turned feet.\nthe word Pasha refers to a turkish title akin to a british lord. in \nkeeping with that theme, this sofa is low slung — with the dominant \nhorizontal line seen in the reception rooms of the middle east. With \nthree very generous seats, this sofa was designed for entertaining on \na grand scale. easily divides a large room. low arm allows for a nap.\n3766-97  w\u000797\"\u0007d\u000734\"\u0007h\u000729\"\u0007sh\u000717\"\u0007ah\u0007201⁄2\" inw\u000786\" ind\u000722\"\nw\u0007246\u0007d\u000786\u0007h\u000774\u0007sh\u000743\u0007ah\u000752\u0007inw\u0007218 ind\u000756\u0007cm\n3766-11  ottoman\nw\u000738\"\u0007d\u0007231⁄2\"\u0007h\u000716\"\nw\u000797\u0007d\u000760\u0007h\u000741\u0007cm\nrelated styles\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.43.png","baker designer\nthe jacques garcia collection  |  73\nthe jacques garcia collection\n| dauphine soFa\nunique form is almost a frame within a frame. tightly wrapped outer \nframe is an old World technique called gainage. loose box cushion \nback and loose seat. inner arm is a slightly flaring butter knife design. \ntapered feet.\nthis couturier form is French in its luxury but universally traditional in \nits look. more than something different, it represents an extraordinary \ndisplay of craftsmanship — and an equally extraordinary opportunity \nfor a combination fabric. a focal point. two generous seats.\n6307-75  w\u000775\"\u0007d\u000740\"\u0007h\u000735\"\u0007sh\u000718\"\u0007ah\u000726\" inw\u000760\" ind\u000722\"\nw\u0007191\u0007d\u0007102\u0007h\u000789\u0007sh\u000746\u0007ah\u000766\u0007inw\u0007152 ind\u000756\u0007cm\nrelated styles\n3788-41  \nchair \npage\u000776\n3788-11  \nottoman \npage\u000776\nthe jacques garcia collection\n| castellane soFa\nhigh track arm sofa with a loose back and a loose seat. block feet.\nthis is an unusually large but low chair designed for either a spacious  \nroom or an open floor plan. three very generous seats for \nentertaining. typically used en suite with the 3788-41 chair and the \n3788-11 ottoman. european seat height.\n3788-04   w\u0007104\"\u0007d\u0007361⁄2\"\u0007h\u000729\"\u0007sh\u000716\" ah\u000724\" inw\u000794\" ind\u000723\"\nw\u0007264\u0007d\u000793\u0007h\u000774\u0007sh\u000741 ah\u000761\u0007inw\u0007129 ind\u000758\u0007cm\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.44.png","74  |  baker designer\nb a k e r F u r n i t u r e .c o m \n3781-30 \nchair \npage\u000777\nthe jacques garcia collection\n| castel loveseat\narmless exposed wood loveseat of neoclassical inspiration. tight \nbowed back with two pads. tight seat. Flaring legs.\nthis loveseat was originally designed for a client looking to float \nfurniture in a large space. crisp and modern, this design does \nthat — with the added touch of an x-back detail. equally at home \nas occasional seating or used in pairs for a conversation area. \nconceivably a more fashionable, more comfortable alternative to a \nbench. european seat height.\n3781-47   w\u0007461⁄2\"\u0007d\u0007331⁄2\"\u0007h\u000732\"\u0007sh\u000716\" ind\u000721\"\nw\u0007118\u0007d\u000785\u0007h\u000781\u0007sh\u000741 ind\u000753\u0007cm\nrelated styles\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.45.png","baker designer\nthe jacques garcia collection  |  75\nthe jacques garcia collection\n| pommier daybed\nmoderately scaled daybed with tightly rolled back and arm. bench \nseat. standard with a kick pleat flounce.\nthie updated daybed adds old World glamour to a living room, \nbedroom, fireplace or window nook. the size lends itself to a pair. \nWell-suited to a combination fabric. not available in leather.\n6322l  w\u0007321⁄2\"\u0007d\u000752\"\u0007h\u0007321⁄2\"\u0007sh\u0007151⁄2\"\u0007ah\u000720\" inw\u0007251⁄2\" ind\u000743\"\nw\u000783\u0007d\u0007132\u0007h\u000783\u0007sh\u000739\u0007ah\u000751\u0007inw\u000765 ind\u0007109\u0007cm\n6322r  w\u0007321⁄2\"\u0007d\u000752\"\u0007h\u0007321⁄2\"\u0007sh\u0007151⁄2\"\u0007ah\u000720\" inw\u0007251⁄2\" ind\u000743\"\nw\u000783\u0007d\u0007132\u0007h\u000783\u0007sh\u000739\u0007ah\u000751\u0007inw\u000765 ind\u0007109\u0007cm\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.46.png","76  |  baker designer\nb a k e r F u r n i t u r e .c o m \nrelated styles\nthe jacques garcia collection\n| pasha lounge chair\nlow-track arm chair with a loose back and seat. butter \nknife curve to the top. turned feet.\nthe word Pasha refers to a turkish title akin to a british \nlord. in keeping with that theme, this chair is low slung — \nwith the dominant horizontal line seen in the reception \nrooms of the middle east. mr. garcia has a variety of high — \nprofile clients in the region. envisioned for a great room \nwhere comfort is at a premium. european seat height.\n3766-38   w\u000738\"\u0007d\u000734\"\u0007h\u000729\"\u0007sh\u000717\" ah\u0007201⁄2\" inw\u000728\" ind\u000722\"\nw\u000797\u0007d\u000786\u0007h\u000774\u0007sh\u000743 ah\u000752\u0007inw\u000771 ind\u000756\u0007cm\n3766-11   ottoman\nw\u000738\"\u0007d\u0007231⁄2\"\u0007h\u000716\"\nw\u000797\u0007d\u000760\u0007h\u000741\u0007cm\n3766-97  \nsofa \npage\u000772\nthe jacques garcia collection\n| castellane chair\nhigh-track arm chair with a loose back and a loose seat. \nblock feet.\nthis is an unusually large but low chair designed for either \na spacious room or an open floor plan. the size of the \nchair works very well with the height of the arm — allowing \nthe user to keep his or her arms to the inside if desired. \ntypically used en suite with the 3788-04 sofa. european \nseat height.\n3788-41  w\u000741\"\u0007d\u0007361⁄2\"\u0007h\u000729\"\u0007sh\u000716\" ah\u000724\" inw\u0007301⁄2\" ind\u000723\"\nw\u0007104\u0007d\u000793\u0007h\u000774\u0007sh\u000741 ah\u000761\u0007inw\u000777 ind\u000758\u0007cm\n3788-11  ottoman\u0007\u0007\nw\u0007301⁄2\"\u0007d\u0007231⁄2\"\u0007h\u000715\"\nw\u000777\u0007d\u000760\u0007h\u000738 cm\nrelated styles\n3788-04 \nsofa \npage\u000773\n3788-11  \nottoman\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.47.png","baker designer\nthe jacques garcia collection  |  77\nthe jacques garcia collection\n| castel lounge chair\narmless exposed Wood chair of neoclassical inspiration. tight \nbowed back with pad. tight seat. Flaring legs.\nthis chair was originally designed for a client looking to float furniture \nin a large space. crisp and modern, this design does that – with the \nadded touch of an x-back detail. equally at home as an occasional \nchair or being used in twos and fours for a conversation area.\n3781-30   w\u000730\"\u0007d\u0007331⁄2\"\u0007h\u000732\"\u0007sh\u000716\" ind\u000721\"\nw\u000776\u0007d\u000785\u0007h\u000781\u0007sh\u000741 ind\u000753\u0007cm\nrelated styles\n3781-47  \nloveseat \npage\u000774\n3778-11  \nottoman \nrelated styles\nthe jacques garcia collection\n| vicomtesse lounge chair\na modern corner chair with flaring arms. loose seat. \ntelescope turned legs. available left and right arm facing. \never theatrical, this chair is a variation on a form the designer \nused for the hotel victor in miami. Fashionable and flexible, \nthese corner chairs can be used individually, paired or with an \nottoman between them. can be used in a corner or floated.\n3778 \n w\u000735\"\u0007d\u000735\"\u0007h\u000734\"\u0007sh\u000718\"\u0007ah\u000734\" inw\u000727\" ind\u000722\"\nw\u000789\u0007d\u000789\u0007h\u000786\u0007sh\u000746\u0007ah\u000786\u0007inw\u000769 ind\u000756\u0007cm\n3778-11  ottoman\n\u0007w\u000725\u00071⁄2\"\u0007d\u0007371⁄2\"\u0007h\u000717\"\nw\u000765\u0007d\u000795\u0007h\u000743\u0007cm\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.48.png","78  |  baker designer\nb a k e r F u r n i t u r e .c o m \n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.49.png","baker designer\nthe jacques garcia collection  |  79\nthe jacques garcia collection\n| sorbonne chair\nextension of the klismos form to a wing chair. silhouette is crisply \ndefined through gainage, tightly wrapping the fabric around the \nframe. tight back and seat. kidney pillow standard. tapered legs. \nthe name sorbonne refers to the university of Paris, dating to the \n13th century. this dramatic european height chair ranks among \nMr. garcia’s most versatile designs. it appears in both his modern \nParis apartment and his 17th century chateau. equally suitable for a \nlounge or conversation setting. \n6309   w 32\" d 321⁄2\" h 40\" sh 161⁄2\" inw 24\" ind 21\"\nw 81 d 83 h 102 sh 42 inw 61 ind 53 cm\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.50.png","80  |  baker designer\nb a k e r f u r n i t u r e .c o M  \n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.51.png","baker designer\nthe jacques garcia collection  |  81\nthe jacques garcia collection\n| Verdi lounge chair\nan updated wing chair with a tight curved back and seat. back pad \nis standard. turned legs.\ngiuseppe \nVerdi \nwas \nan \ninfluential \n19th \ncentury \ncomposer \nwhose works are performed in opera houses around the world. \nunquestionably lyrical, this chair pursues the same timeless quality. \na sweeping decorative seam defines each wing – and provides an \nunusual opportunity for a combination fabric. Well suited for use as \neither a lounge or a conversation chair. european seat height.\n3769   w 28\" d 341⁄2\" h 391⁄2\" sh 161⁄2\" ind 22\"\nw 71 d 88 h 100 sh 42 ind 56 cm\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.52.png","82  |  baker designer\nb a k e r f u r n i t u r e .c o M \n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.53.png","baker designer\nthe jacques garcia collection  |  83\nthe jacques garcia collection\n| tuileries chair\nan updated bergère with a deep seat and a curved back. crest rail \nretains a stylized rococo scroll. exaggerated slope arm. twist turned \nlegs. Welt trim standard, extensive nailhead trim optional.\nnapoleon used tuileries Palace, across from the louvre, as the seat of \nhis government. this ambitious chair was inspired by the small club \nchairs residing there. dramatic in a conversation grouping, study, or \noffice, the tuileries chair is a signature item for the collection – and \namong baker’s most published designs. european height.\n6312 \n w 321⁄2\" d 35\" h 351⁄2\" sh 16\" ah 181⁄2\" inw 24\" ind 22\"\nw 83 d 89 h 90 sh 41 ah 47 inw 51 ind 56 cm\n6312-11  ottoman\nw 30\" d 221⁄2\" h 15\"\nw 76 d 57 h 38 cm\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.54.png","84  |  baker designer\nb a k e r f u r n i t u r e .c o M \nthe jacques garcia collection\n| PriaM chair\nlounge chair with a tight, slightly rolled back and a \nstepped roll arm. loose seat. tapered legs.\nin greek mythology, Priam was the king of troy during the \ntrojan War. reminiscent of a palanquin, this chair conjures \nimages of a grand, throne-like seat. this is a true lounge \nchair, comfortable and closer to an american height. More \nor less formal depending on the choice of fabric.\n6347   w 32\" d 34\" h 331⁄2\" sh 17\" ah 25\" inw 22\" ind 231⁄2\"\nw 81 d 86 h 85 sh 43 ah 64 inw 56 ind 60 cm\nthe jacques garcia collection\n| concorde chair\nthis is a stepped roll arm chair with a corresponding roll \nback. loose back and seat. top-like toupie legs.\nthis distinctive design, with its roots in empire furniture \nand many years later in the storied apartment of coco \nchanel, adds a variety of innovative couturier twists. now \niconic, it defines an edited but altogether french sense of \nluxury. this is an open invitation to a combination fabric, \nand the comfort is excellent for a moderately sized frame.\n6305-35    w 35\" d 391⁄2\" h 351⁄2\" sh 18\" ah 24\" inw 21\" ind 22\"\nw 89 d 100 h 90 sh 46 ah 61 inw 53 ind 56 cm\n6305-11 \n ottoman\nw 29\" d 23\" h 17\"\nw 74 d 58 h 43 cm\n6305-89  \nsofa \npage 71\nrelated styles\n6305-72  \nloveseat \npage 71\n6305-11 \nottoman\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.55.png","baker designer\nthe jacques garcia collection  |  85\nthe jacques garcia collection\n| tiVoli lounge chair\na sway back chair with an exaggerated slope arm. tight \nback and seat. tightly wrapped fabric in the manner of \ngainage. flaring legs.\nnamed for an early park and subsequent garden in Paris, \nthis sculptural chair makes one of the strongest fashion \nstatements from one of the world’s premier designers. \nbold silhouette from any angle. this chair sits low and \ndeep, suggesting an ottoman for all but the tallest users. a \nunique option as a divided chaise. \n3785   w 301⁄2\" d 35\" h 34\" sh 161⁄2\" ah 17\" inw 241⁄2\" ind 241⁄2\"\nw 77 d 89 h 86 sh 42 ah 43 inw 61 ind 62 cm\nthe jacques garcia collection\n| josePhine chair\na gondola chair with the hint of a side panel typical of a \nbergère. tight back and seat. tapered legs \nnamed for the first empress of france, this chair wraps the \nbody not unlike the shawls favored by josephine. stylish \nand practical, european height chairs of this nature have \nlong been fixtures in the best french fashion houses — for \nmarking and hemming a custom gown. an extraordinary \nopportunity for a combination fabric. equally suitable for \na lounge or conversation setting.  \n6311   w 30\" d 341⁄2\" h 38\" sh 16\" inw 23\" ind 231⁄2\"\nw 76 d 88 h 97 sh 41 inw 58 ind 60 cm\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.56.png","86  |  baker designer\nb a k e r f u r n i t u r e .c o M \n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.57.png","baker designer\nthe jacques garcia collection  |  87\nthe jacques garcia collection\n| eugene chair\nan exposed wood lounge chair with a tight curved back \nand a tight seat. scooped back and arm. flaring feet.\nthis chair is a versatile form with a distinctive profile from \nevery angle. the scooped detail is a couturier touch rare \noutside a custom shop, and the execution of that motif \nwith an exposed wood frame is almost unique. While \nthe small footprint allows it to float effortlessly, the \nheight gives it a sense of importance. accommodates a \ncombination fabric. european height.\n6337   w 301⁄2\" d 33\" h 381⁄2\" sh 16\" ah 25\" inw 23\" ind 23\"\nw 77 d 84 h 98 sh 41 ah 64 inw 58 ind 58 cm\nthe jacques garcia collection\n| Victoire chair\nklismos design with an exaggerated back and a tight seat. \nstylized column detail on back. flaring legs.\njacques garcia maintains an office near the louvre, \nand he often walks its corridors in search of interesting \nforms — some of which are classical to the point of again \nbeing modern. this chair is an example. With a wide seat \nand an important back, the proportions of this chair are \nfresh although possibly familiar to a roman senator. bold \nand ready to float. european height.\n6308   w 30\" d 301⁄2\" h 311⁄2\" sh 15\" ind 24\"\nw 76 d 77 h 80 sh 38 ind 61 cm\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.58.png","88  |  baker designer\nb a k e r f u r n i t u r e .c o M \nthe jacques garcia collection\n| toPkaPi ottoMan\ntrefoil ottoman in the turkish tradition. tight seat with decorative \nbutton.  standard with a kick pleat flounce. not available in leather.\nthe name Topkapi refers to an extraordinary palace in istanbul \nthat was home to ottoman sultans for more than 400 years. this \nform reflects of the most elaborate turkish ottomans of the rococo \nperiod. More than fifty yards of thread are used to create each \noptional tassel. arguably the most exotic but polished ottoman now \nin production.\n6323   w 40\" d 40\" h 18\"\nw 102 d 102 h 46 cm\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.59.png","baker designer\nthe jacques garcia collection  |  89\nthe jacques garcia collection\n| Plaisir bench\noblong bench with concave sides over a wood frame \nbase. shaped bracket feet.\nWith a choice of fabrics, this bench can work in both \nformal and more provincial interiors. inspired by an \n18th century french travel trunk, many of which had \nsurprisingly elaborate forms. appropriate as an ottoman, \na cocktail table, a hall bench, or an end-of-bed bench.\n6321   w 47\" d 22\" h 181⁄2\"\nw 119 d 56 h 47 cm\nthe jacques garcia collection\n| aleXandre stool\nthe cross frame, or curule, design was used by the \nromans as a seat for dignitaries of a high order. this \nneoclassically-inspired reinvention functions as a simple \nstool or a spot table. shown in brown, also available in \nblack or red leather. nail head trim standard.\n6300   w 24\" d 22\" h 20\"\nw 61 d 56 h 51 cm\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.60.png","90  |  baker designer\nlaura kirar\nlaura kirar is a trained artist, a sculptor, committed to bringing art to the objects that fill our \ndaily lives. While much of her work is somehow familiar, it owes to no single school or point \nof view. Her upholstery becomes a diverse, working, evolving canvas on which to capture the \nmoments of our lives. That includes both established standards and spirited improvisation — \nrelated by elegant forms and honest materials.\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.61.png","baker designer\nlaura kirar  |  91\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.62.png","92  |  baker designer\nb a k e r f u r n i t u r e .c o M \n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.63.png","baker designer\nthe laura kirar collection  |  93\n6112C \nChair \npage 107\nthe laura kirar collection\n| Medida sofa\nan updated sofa with just the hint of a high P-arm. loose pillow back \nand a bench seat. slightly flaring legs.\nthe word medida means measured. laura kirar’s recent work in latin \namerica is often a measured response to the strong architecture of \nthe area. this sofa offers a classic modern look in a large room. ideal \nfor entertaining or media. four legitimate seats. a strong horizontal \nline might appeal to the art collector looking for something to \nanchor a wall.\n6112s   w 96\" d 37\" h 361⁄2\" sh 18\" ah 30\" inw 85\" ind 22\"\nw 244 d 94 h 93 sh 46 ah 76 inw 216 ind 56 cm\nrelated styles\n6112o \nottoman\npage 107\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.64.png","94  |  baker designer\nb a k e r f u r n i t u r e .c o M \n6104-78  \nloveseat \npage 95\nthe laura kirar collection\n| neue sofa\na slightly rounded loose three-cushion back with decorative buttons \nas punctuation. bench seat. flaring sinuous slope arms. Wood band \nover flaring tapered feet. \ninfluenced by the new café culture of Vienna in the 1920s, this sofa \nis at once formidable and neatly tailored. With uncommon length \nand the absence of any space between the seats, the sofa version \nof this design was meant for entertainment. Wood banding offers an \nopportunity to frame or highlight with an optional finish.\n6104-94   w 94\" d 40\" h 35\" sh 18\" ah 221⁄2\" inw 84\" ind 23\"\nw 239 d 102 h 89 sh 46 ah 57 inw 213 ind 58 cm\nrelated styles\n6104-36  \nChair   \npage 105\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.65.png","baker designer\nthe laura kirar collection  |  95\nthe laura kirar collection\n| neue loVeseat\na slightly rounded loose two-cushion back with decorative buttons \nas punctuation. bench seat. flaring sinuous slope arms. Wood band \nover flaring tapered feet. \ninfluenced by the new café culture of Vienna in the 1920s, this \nloveseat is at once formidable and neatly tailored. While scaled for \ndowntown living, this design offers two generous seats. Visually \nclean with no center leg. enough shape to float, possibly with a \ncombination fabric. often seen in pairs.\n6104-78   w 78 ⁄2\" d 40\" h 35\" sh 18\" ah 221⁄2\" inw 68\" ind 23\"\nw 199 d 102 h 89 sh 46 ah 57 inw 173 ind 58 cm\n6104-94 \nsofa \npage 94 \nrelated styles\n6104-36  \nChair   \npage 105\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.66.png","96  |  baker designer\nb a k e r f u r n i t u r e .c o M \n6105-32  \nChair   \npage 105\nthe laura kirar collection\n| cradle sofa\ninspired by danish modernism. loose back and seat, both with a \npartial fill. thin butter knife arm. drops into a cradle reminiscent of \nasian palanquin. \nthe simplicity of the slim upholstery, the partial fill and the cradle \ncontrast with the sinuous elegance of the arm. casual and couture, \nlike jeans with designer heels. in the right fabric and finish, this sofa \nreflects the character of a room — the rare accent that is spot on. \nthe moderate length works for downtown living. \n6105-85   w 85\" d 35\" h 37\" sh 18\" ah 24\" inw 74\" ind 22\"\nw 216 d 89 h 94 sh 46 ah 61 inw 188 ind 56 cm\n6105-11 \n ottoman\nw 29\" d 27\" h 18\"\nw 74 d 69 h 46 cm\nrelated styles\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.67.png","baker designer\nthe laura kirar collection  |  97\nthe laura kirar collection\n| lisse sofa\ninspired by mid-century danish sofas. high back with just a hint of a \ncurve. high flared arms again with just a hint of a curve. three throw \npillows. bench seat. reeded square tapered legs.\nin french, lisse means smooth. While the overall effect is largely \nrectilinear, almost every surface moves smoothly. this formidable, \nshelter-like sofa is architecture, softened but no less formidable. \nideal in a great room or for media. a neutral foil for more exuberant \nlounge chairs.\n6109-88   w 88\" d 38\" h 421⁄2\" sh 20\" ah 38\" inw 78\" ind 22\"\nw 224 d 97 h 108 sh 51 ah 97 inw 198 ind 56 cm\n6110  \nChaise lounge  \npage 101\nrelated styles\nthe laura kirar collection\n| sensei sofa\nroll arm sofa with a tight back, a loose seat and throw pillows. \nshaped a pron. tapered legs.\nthe word sensei refers to a master, expert or standard. this \nversatile sofa can work in most schemes, whether contemporary or \ntraditional. While the silhouette has motion and a subtle softness \nto it, the design nonetheless offers three full seats for entertaining. \ncrisply tailored, the seams on the back continue the break in the \nseats and the seams on the apron.\n6118s \n w 91\" d 371⁄2\" h 32\" sh 18\" ah 25\" inw 75\" ind 23\"\nw 191 d 95 h 81 sh 46 ah 64 inw 191 ind 58 cm\n6118C   \nChair \npage 107\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.68.png","98  |  baker designer\nb a k e r f u r n i t u r e .c o M \n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.69.png","baker designer\nthe laura kirar collection  |  99\nthe laura kirar collection\n| claro sectional\nthe word claro means “of course.” drawing \nfrom the repertoire of a sculptor, laura kirar \ndemonstrates that of course a sectional can be \ncomfortable, a design statement, and nicely \ndetailed. this is a fully articulated design idea \nwith a very different arm, scaled to a great \nroom, and a full plinth base creating the illusion \nof one piece. \n| claro arMless chair\narmless component to the claro sectional. tight back with \na slight notch to receive a loose seat. back pillow standard.  \nPlinth base. \nthis is a deep sectional designed for flexibility and comfort. \nthe plinth base is consistent across all of the components, \nand this provides an uninterrupted modern look. notch \ndetail adds a sense of crispness and order. can be made \nmore casual with the choice of fabric.\n6113Ca  armless chair\nw 34\" d 39\" h 32\" sh 17\" ind 24\"\nw 86 d 97 h 81 sh 43 ind 61 cm\n| claro corner chair\ncorner component to the claro sectional. tight back with \na slight notch to receive a loose seat. two back pillows \nstanrdard. oversized butter knife arm with notch to receive \na loose seat. Plinth base.\nthis is a deep sectional designed for flexibility and comfort. \nthe plinth base is consistent across all of the components, \nand this provides an uninterrupted modern look. notch \ndetail adds a sense of crispness and order. can be made \nmore casual with the choice of fabric.\n6113CC  corner chair\nw 39\" d 39\" h 32\" sh 17\" ah 32\" inw 24\" ind 24\"\nw 97 d 97 h 81 sh 43 ah 81 inw 61 ind 61 cm\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.70.png","100  |  baker designer\nb a k e r f u r n i t u r e .c o M \n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.71.png","baker designer\nthe laura kirar collection  |  101\n6118s  \nsofa   \npage 97\nthe laura kirar collection\n| sensei chaise lounge chair\navailable with either right or left arm facing. flared back and arm. \nbench seat. square tapered legs.\nas with the rest of the sensei series, there is a sculptural commitment \nto beauty on all sides of this item. equally at home in either the \nbedroom or anywhere alternate seating might be required. shape is \nmore retro than either traditional or contemporary.\n6110l\u002Fr   w 32\" d 71\" h 34\" sh 16\" ah 23\" inw 25\" ind 59\"\nw 81 d 180 h 86 sh 41 ah 58 inw 64 ind 150 cm\nrelated styles\n6118C\nChair   \npage 107\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.72.png","102  |  baker designer\nb a k e r f u r n i t u r e .c o M \nthe laura kirar collection\n| Muji lounge chair\nexposed wood chair with a chinese tangent circle motif. loose back \nand seat. flaring arms with an elaborate compound curve.\nunique in its simplicity, this chair was inspired by a mid-century \nexample from the designer’s home. its fusion of elements from \nVienna, denmark and china speaks to the designer’s preference \nfor bold new forms and finishes. this is an ideal occasional chair — \nstriking in design and moderate in proportion. an ideal canvas for \noptional finishes. often used in pairs.\n6103 \n w 29\" d 36\" h 281⁄2\" sh 17\" ah 221⁄2\" inw 251⁄2\" ind 24\"\nw 74 d 91 h 72 sh 43 ah 57 inw 65 ind 61 cm\n6103-11  ottoman  \nsq 261⁄2\" h 17\"\nsq 67 h 43 cm\nrelated styles\n6103-11\nottoman\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.73.png","baker designer\nthe laura kirar collection  |  103\nthe laura kirar collection\n| cradle Wing chair \ninspired by danish modernism. tight back with a kidney pillow and \na loose seat. thin wing converges to an equally thin arm. cradle \nreminiscent of asian palanquin. nailheads for punctuation.\nthis architectural wing chair displays more character than most \naccent chairs. the simplicity of the slim upholstery and the standout \ncradle contrast with the profile of a sinuous double-cut arm. casual \nand couture, like jeans with designer heels. More comfortable than it \nappears. a den or library chair. often used in pairs.\n6106      w 30\" d 36\" h 481⁄2\" sh 19\" ah 24\" inw 23\" ind 211⁄2\"\nw 76 d 91 h 123 sh 48 ah 61 inw 58 ind 55 cm\n6105-11   ottoman\nw 29\" d 27\" h 18\"\nw 74 d 69 h 46 cm\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.74.png","104  |  baker designer\nb a k e r f u r n i t u r e .c o M \n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.75.png","baker designer\nthe laura kirar collection  |  105\nthe laura kirar collection\n| cradle arm chair\ninspired by danish modernism. loose back and seat, both \nwith a partial fill. thin butter knife arm. drops into a cradle \nreminiscent of an asian palanquin.\nthe simplicity of the slim upholstery, the partial fill and the \ncradle contrast with the sinuous elegance of the arm. casual \nand couture, like jeans with designer heels. the back and \nseat cushions are often shown in a tone-on-tone combination \nfabric. the uniqueness of the silhouette encourages the use \nof twos and fours. \n6105-32   w 32\" d 35\" h 37\" sh 18\" ah 24\" inw 22\" ind 22\"\nw 81 d 89 h 94 sh 46 ah 61 inw 56 ind 56 cm\n6105-11     ottoman\nw 29\" d 27\" h 18\"\nw 74 d 69 h 46 cm\n6105-85  \nsofa \npage 96\nrelated styles\nthe laura kirar collection\n| neue lounge chair\na classic tub chair with the addition of a loose back. \ndecorative buttons as punctuation. sinuous slope arm. \nWood band over flaring tapered feet.\ninfluenced by the new café culture of Vienna in the 1920s, \nthis chair is at once formidable and neatly tailored. While the \ndesign is classic, the low, but deep, proportions create a very \nmodern sense of refinement. modern but not too much so the \nresulting form can work in a variety of rooms and schemes. \noften used in pairs or fours. \n6104-36   w 361⁄2\" d 40\" h 35\" sh 171⁄2\" ah 221⁄2\" inw 26\" ind 23\"\nw 93 d 102 h 89 sh 44 ah 57 inw 66 ind 58 cm\n6104-78  \nloveseat \npage 95\n6104-94  \nsofa \npage 94\nrelated styles\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.76.png","106  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.77.png","baker designer\nthe laura kirar collection  |  107\n6110  \nchaise lounge chair \npage 101\nthe laura kirar collection\n| sensei lounge chair\nrollarm chair with a tight back, a kidney pillow and a loose \nseat. shaped apron. tapered legs.\nthe word sensei refers to a master, expert or standard. \nthis chair was designed to be a new standard for high-\nstyle, high-comfort seating regardless of the design \nscheme. convergence allows for less visual mass. a \nworkhorse classic with a hint of movement and grace. \noften used in pairs. excellent bedroom chair.\n6118c   w 39\" d 37\" h 32\" sh 171⁄2\" ah 25\" inw 20\" ind 23\"\nw 99 d 94 h 81 sh 44 ah 64 inw 51 ind 58 cm\n6118s  \nsofa \npage 97\nrelated styles\nthe laura kirar collection\n| medida chair\nan updated club chair with just the hint of a high P-arm. \nloose back and seat. slightly flaring legs.\nin spanish, the word medida means “measured”. laura \nkirar has recently accepted a number of assignments in \nlatin america, and her work is often a measured response \nto the strong architecture of the area. this chair takes on \nthe personality of the fabric. refined shape and seaming \nto the arm. moderate in scale, classic and ultimately a \nworkhorse lounge chair.\n6112c \n w 34\" d 37\" h 361⁄2\" sh 18\" ah 30\" inw 22\" ind 22\"\nw 86 d 94 h 93 sh 46 ah 76 inw 56 ind 56 cm\n6112o \n ottoman  \nw 28\" d 23\" h 161⁄2\"\nw 71 d 58 h 42 cm\n6112s  \nsofa \npage 93\n6112o  \nottoman\nrelated styles\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.78.png","108  |  baker designer\nthomas pheasant\nDriven by a broader philosophy of bridging the past to the present, most thomas pheasant \nupholstery draws from both the tradition of grand parisian furniture and a more postmodern \nvocabulary. In both cases, there is a sculptural quality to the work. most designs owe to either \nhis client work or things developed for one of his own homes. \n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.79.png","thomas Pheasant  |  109\nbaker designer\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.80.png","110  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.81.png","baker designer\nthe thomas Pheasant collection  |  111\nthe thomas Pheasant collection\n| Paris sofa\na contemporized chesterfield. extensive nail head trim adds a \ngraphic detail framing the silhouette. tapered block feet. \ndesigned for thomas Pheasant’s home in d.c., this sofa offers \nmodern luxury on a grand scale. intended for a great room, it can \nwork to divide a space or provide a visual platform for artwork. a \nlow back and a trim arm make it relevant for both traditional and \ncontemporary interiors. With four legitimate seats, this is often the \nsofa of choice for those who entertain.\n6369-97   w 971⁄2\" d 34\" h 281⁄2\" sh 171⁄2\" ah 281⁄2\" inw 85\" ind 24\"\nw 248 d 86 h 72 sh 44 ah 72 inw 216 ind 61 cm\n6369-84   loveseat\nw 841⁄2\" d 34\" h 281⁄2\" sh 171⁄2\" ah 281⁄2\" inw 72\" ind 24\"\nw 215 d 86 h 72 sh 44 ah 72 inw 183 ind 61 cm\n6369-85  \nchaise lounge   \npage 120\n6369-32  \nchair   \npage 121\nrelated styles\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.82.png","112  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.83.png","baker designer\nthe thomas Pheasant collection  |  113\n6383-30  \nchair \npage 123\nthe thomas Pheasant collection\n| manhattan sofa\na sofa with a nod to the 1940s. high track arm. tight back and a \nloose seat. extensive nail head trim. tapered block feet.\nthe rectilinear look of this design offers an excellent backdrop \nfor the crown of the cushion. the overall effect is low, deep  and \ncomfortable. in the interest of neatness, this is a tight back cleverly \nmade to look loose. can go contemporary with the right fabric and \ntrim. three legitimate seats for entertaining. ideal in a media room.\n6383-97   w 961⁄2\" d 36\" h 301⁄2\" sh 18\" ah 241⁄2\" inw 85\" ind 231⁄2\"\nw 245 d 91 h 77 sh 46 ah 62 inw 216 ind 60 cm\nrelated styles\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.84.png","114  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.85.png","baker designer\nthe thomas Pheasant collection  |  115\n6384-68  \nloveseat   \npage 123\nthe thomas Pheasant collection\n| cinema sofa\nupdated sofa in the english club style. over-scale roll arm with a \nraised panel framed by two rows of nail head trim. tapered block feet.\nthis sofa offers three generous seats with an emphasis on comfort. \nit can be made more or less traditional, more or less formal through \nthe choice of fabric and nail head. While designed for entertaining, it \nworks in almost any large room in almost any scheme.\n6384-96   w 96\" d 371⁄2\" h 34\" sh 171⁄2\" ah 24\" inw 17\" ind 231⁄2\"\nw 244 d 95 h 86 sh 44 ah 61 inw 196 ind 60 cm\nrelated styles\n6384-37  \nchair   \npage 123\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.86.png","116  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe thomas Pheasant collection\n| camelback sofa\na contemporized camelback design with a waterfall skirt. tufted \nback with a roll arm and a loose cushion seat. bolsters are standard. \nskirt seamed to mimic the cushions.\nan updated classic with unexpected glamour. the addition of a \nwaterfall skirt and the deletion of the arm panel make for a cleaner \nlook. a slightly smaller back panel adds a bit of grace. three ample \nseats for entertaining. suitable for almost any home or setting \ndepending on the choice of fabric. \n6352-96    w 96\" d 35\" h 35\" sh 181⁄2\" ah 241⁄2\" inw 79\" ind 24\"\nw 244 d 89 h 89 sh 47 ah 62 inw 201 ind 61 cm\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.87.png","baker designer\nthe thomas Pheasant collection  |  117\nthe thomas Pheasant collection\n| tufted oVal sofa\nan oval sofa with a deeply tufted back and seat. curled arms. outside \nupholstery is framed by nail head trim. tapered hexagonal legs.\nthis glamorous sofa was inspired by an original from the 1940s. \nreminiscent of boutique custom upholstery, the smooth curl of the \noutside contrasts with the texture of the inside tufting. this refined \ndowntown sofa floats superbly, inviting a combination fabric. With \nthe user hugged in the corners, it functions as a more practical tête- \nà-tête. great in a bay window.\n6387-81  w 81\" d 34\" h 32\" sh 181⁄2\" ah 24\" inw 64\" ind 24\"\nw 206 d 86 h 81 sh 47 ah 61 inw 163 ind 61 cm\n6388-81\nsofa   \npage 117\nthe thomas Pheasant collection\n| oVal sofa\nan oval sofa with deeply curled arms. notched bench seat. tapered \nhexagonal legs.\nthis is a more contemporary, more sculptural twist on an original from \nthe 1940s. at once compact and dramatic, it offers two legitimate \nseats — like a loveseat with more presence. this item floats superbly, \ninviting a combination fabric. With the user literally hugged in the \ncorners, it also functions as a more practical tête-à-tête.\n6388-81   w 81\" d 34\" h 311⁄2\" sh 19\" ah 231⁄2\" inw 65\" ind 24\"\nw 206 d 86 h 80 sh 48 ah 60 inw 165 ind 61 cm\n6387-81\nsofa   \npage 117\nrelated styles\nrelated styles\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.88.png","118  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.89.png","baker designer\nthe thomas Pheasant collection  |  119\n6327-66  \nloveseat \npage 119\n6327-37  \nchair \npage 124\n6327-11  \nottoman \npage 124\nthe thomas Pheasant collection\n| Villa sofa\na couturier twist on the club chair form with a rolled back and \ndeeply cut rolled ends. tight back with kidney pillows. loose seat. \nslope arm. base seam follows the seat. tapered legs.\nthe Villa sofa has rare grace for a large form. sculptural and elegant, \nthe design suggests a very modern sense of luxury. convergence \ngives the sofa a fluid silhouette against a wall. three legitimate seats \nmake it ideal for entertaining. one of baker’s most published designs. \n6327-98   w 98\" d 41\" h 37\" sh 18\" inw 82\" ind 23\"\nw 249 d 104 h 94 sh 46 inw 208 ind 58 cm\nrelated styles\n6327-98  \nsofa \npage 119\nthe thomas Pheasant collection\n| Villa loVeseat\na couturier twist on the club chair form with a tight rolled back and \ndeeply cut rolled ends. tight back with kidney pillows. loose seat. \nslope arm. seaming of base mimics the seat. tapered legs.\nthis loveseat offers a bold, symmetrical and modern sense of \nglamour. With a rolled back and pleasing angles, it floats easily. \nstrong convergence makes for a workable footprint. ideal for \nsmaller spaces or larger settings allowing for pairs. one of baker’s \nmost published designs.\n6327-66   w 66\" d 41\" h 37\" sh 18\" inw 50\" ind 23\"\nw 168 d 104 h 94 sh 46 inw 127 ind 58 cm\nrelated styles\n6327-37  \nchair \npage 124\n6327-11  \nottoman \npage 124\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.90.png","120  |  baker designer\nb a k e r f u r n i t u r e .c o m \n6369-97  \nsofa   \npage 111\n6369-84 \nloveseat   \npage 111\n6369-32  \nchair   \npage 121\nrelated styles\nthe thomas Pheasant collection\n| Paris chaise lounge\nthis is an updated daybed with two low tufted arms and two bolsters. \ntufted seat. extensive nail head trim adds a graphic detail framing \nthe silhouette. tapered block feet.\na chaise of this nature is high-style occasional seating. unusually \nlong, this frame is often used in lieu of a sofa — whether floating or \nagainst a wall. its modest height also makes it suitable as a dramatic \nwindow seat. in an office or bedroom, it easily plays the role of a \ntrue daybed.\n6369-85   w 85\" d 29\" h 22\" sh 161⁄2\" ah 22\" inw 64\"\nw 216 d 74 h 56 sh 42 ah 56 inw 163 cm\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.91.png","baker designer\nthe thomas Pheasant collection  |  121\nthe thomas Pheasant collection\n| Paris club chair\na contemporized chesterfield look with tufted back, arms and seat. \nextensive nail head trim adds a graphic detail framing the silhouette. \ntapered block feet.\nthis compact chair brings mid-century glamour to an old World \nform. a lean arm allows for a more generous seat. offered with a \nvariety of nail head options, the design can be pushed in either a \ncontemporary or a traditional direction. easily floated. ideal for a \ncombination fabric.\n6369-32    w 321⁄2\" d 34\" h 281⁄2\" sh 171⁄2\" ah 281⁄2\" inw 20\" ind 24\"\nw 83 d 86 h 72 sh 44 ah 72 inw 51 ind 61 cm\nrelated styles\n6369-97  \nsofa   \npage 111\n6369-84  \nloveseat   \npage 111\n6369-85  \nchaise lounge   \npage 120\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.92.png","122  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.93.png","baker designer\nthe thomas Pheasant collection  |  123\nthe thomas Pheasant collection\n| manhattan club chair\na club chair with a nod to the 1940s. high track arm. tight \nback and seat. extensive nail head trim. tapered block feet.\nWith a crisp line and a pronounced nail head frame, available \nin a variety of finishes, this club chair takes a retro form to \na much bolder place. at the same time, the footprint and \nheight remain manageable — and suited to downtown living. \nalso appropriate for a media room. frequently specified with \na combination fabric.\n6383-30   w 30\" d 36\" h 301⁄2\" sh 18\" ah 241⁄2\" inw 19\" ind 231⁄2\"\nw 76 d 91 h 77 sh 46 ah 62 inw 48 ind 60 cm\nrelated styles\n6383-97  \nsofa \npage 113\nthe thomas Pheasant collection\n| cinema club chair\nclub chair with a loose back and seat. over-scale roll arm \nwith a raised panel framed by two rows of nail head trim. \ntapered block feet.\nWith a loose back and generous scale, this chair invites \nthe user to a night of movies or sports. the design can be \nmade more or less traditional, more or less formal through \nthe choice of fabric and nail head. equally at home in a large \nliving or family room. often in twos and fours around a \ncocktail table.\n6384-37   w 37\" d 371⁄2\" h 34\" sh 171⁄2\" ah 24\" inw 171⁄2\" ind 23\"\nw 94 d 95 h 86 sh 44 ah 61 inw 44 ind 58 cm\n6384-68  loveseat\nw 29\" d 27\" h 18\" \nw 74 d 69 h 46 cm\n6384-96  \nsofa \npage 115\nrelated styles\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.94.png","124  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe thomas Pheasant collection\n| Villa club chair\na couturier twist on the club chair form. tight rolled back with \ndeeply cut rolled ends. kidney pillow standard. a slope arm allows \nfor a fit loose seat. tapered legs.\nthis chair speaks to glamour and a modern sense of luxury. often \nused in pairs, or even en suite with the Villa sofa, for a stronger \nstatement. With a rolled back and pleasing angles, this item floats \neasily. the arms and seat converge, allowing for a generous seat on \na manageable footprint. \n6327-37  w 37\" d 41\" h 37\" sh 18\" inw 20\" ind 23\"\nw 94 d 104 h 94 h 46 inw 51 ind 58 cm\n6327-11 \n ottoman  \nw 341⁄2\" d 23\" h 17\"\nw 88 d 58 h 43 cm\n6327-98  \nsofa \npage 119\nrelated styles\n6327-66  \nloveseat \npage 119\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.95.png","baker designer\nthe thomas Pheasant collection  |  125\nthe thomas Pheasant collection\n| castle lounge chair\na lounge chair post-modern in demeanor. curved loose back over a \nloose seat. rolled slope arm with convergence. castle motif apron. \ntapered legs.\nthomas Pheasant enjoys blurring the boundary between the old \nand the new. ostensibly a one-of-a-kind custom piece, this chair \nrecasts an old architectural motif in a form they might have thought \na chariot of the gods. While deep and comfortable, the chair has a \nvisual lightness to it. ideal for a tight corner or a bedroom.\n6313 \n w 341⁄2\" d 42\" h 36\" sh 18\" ah 201⁄2\" inw 20\" ind 24\"\nw 88 d 107 h 91 sh 46 ah 52 inw 51 ind 61 cm\n6313-11  ottoman  \nw 37\" d 19\" h 16\"\nw 94 d 48 h 41 cm\nrelated styles\n6333l\u002Fr \nchair\npage 136\n6313-11  \nottoman\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.96.png","126  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.97.png","baker designer\nthe thomas Pheasant collection  |  127\nthe thomas Pheasant collection\n| moderne Wing chair \nan unusual chair with hand-tufted back and wings. exaggerated \nwings create a shelter effect. loose cushion seat. tapered legs.\nthis is a fresh slant on a traditional wing chair, somewhat smaller, \nwith a slightly lower seat. designed as a conversation chair, the user \nis encouraged to nestle in the corner, possibly with a leg draped over \nthe corner. typically used in pairs.\n6331 \n w 34\" d 351⁄2\" h 36\" sh 17\" inw 20\" ind 221⁄2\"\nw 86 d 90 h 91 sh 43 inw 51 ind 57 cm\n6331-11  ottoman\nw 30\" d 19\" h 151⁄2\"\nw 76 d 48 h 39 cm\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.98.png","128  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.99.png","baker designer\nthe thomas Pheasant collection  |  129\nthe thomas Pheasant collection\n| bel air chair\na high-style variation on the 19th century gondola form. curved back \nwith very refined slope arms and strong convergence. relatively \ndeep loose cushion seat. square tapered legs.\nthis deep, low slung, thoroughly modern twist on a european \nclassic was designed for the designer's home in d.c. With a very \nsmall footprint, this design easily works in a bedroom or floating in \na small setting within a larger room. conceivably an option in lieu of \na slipper chair.\n6368   w 261⁄2\" d 32\" h 341⁄2\" sh 161⁄2\" ah 151⁄2\" inw 17\" ind 23\"\nw 67 d 81 h 88 sh 42 ah 39 inw 43 ind 58 cm\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.100.png","130  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe thomas Pheasant collection\n| tufted back lounge chair\nthis is a fully upholstered twist on the classic klismos form. curved \nand tufted back with a stylized shoulder board. tight seat. framed \nin nail head trim. flaring square tapered legs.\na chair of this nature defines hollywood regency at its best — \nglamorous, comfortable and classic. frequently used in twos and \nfours to define a conversation area. equally at home as an occasional \nchair. the back lends itself to a combination fabric.\n6371   w 31\" d 291⁄2\" h 32\" sh 17\" ah 16\" ind 21\"\nw 79 d 75\" h 81 sh 43 ah 41 ind 53 cm\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.101.png","baker designer\nthe thomas Pheasant collection  |  131\nthe thomas Pheasant collection\n| greek lounge chair\na modern twist on a number of classical motifs. this lounge chair \nadds a stylized greek key shoulder board to a curved, wood-framed \ntight back. tight seat. saber legs. extensive nail head trim.\nthis is a bold reexamination of the klismos form. With a curved back \nand a baker quality seat, the result is good enough to be a legitimate \nlounge chair. often used in a combination fabric. readily floated in \ntwos or fours. ideal as an occasional chair.\n6341   w 261⁄2\" d 251⁄2\" h 301⁄2\" sh 141⁄2\" ind 201⁄2\"\nw 67 d 65 h 77 sh 37 ind 52 cm\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.102.png","132  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe thomas Pheasant collection\n| salon lounge chair\narmless lounge chair with a curved and tufted back outlined in nail \nhead trim. Yoke pull. tight seat. tapered legs.\nthis reinvention of a 1940s design works in pairs, fours or as an \naccent. Visually captivating from the back, this item was surely \nmeant to float. the curved back lends itself to a combination fabric \ntreatment — often a contemporary tone-on-tone application. the \nyoke pull is a signature thomas Pheasant motif, a bit of jewelry \nenticing the user to handle its weight.\n6329 \n w 29\" d 19\" h 161⁄2\" sh 17\" inw 24\" ind 22\"\nw 74 d 48 h 42 sh 43 inw 61 ind 56 cm\n6329-11 ottoman\n \n w 29\" d 30\" h 321⁄2\" sh 17\"\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.103.png","baker designer\nthe thomas Pheasant collection  |  133\nthe thomas Pheasant collection\n| tufted club chair\nWith elements of both a club and tub chair form, this \ndesign is something of a hybrid. curved back with tightly \nspaced hand tufting. the arms are surprisingly refined, \nlighter in scale and slightly flaring. loose t-cushion seat. \ntapered legs on casters.\nWith an unusually refined arm, this club chair is not only \nmore elegant but also more compact than most of its \npeers — without being any less spacious or comfortable \nfor the user. an excellent choice in a tight space. easily \nfloated and often used in a combination fabric. \n6357 \n w 321⁄2\" d 37\" h 34\" sh 17\" ah 22\" inw 22\" ind 24\"\nw 83 d 94 h 86 sh 43 ah 56 inw 56 ind 61 cm\n6357-11  ottoman\n w 28\" d 20\" h 16\"\nw 71 d 51 h 41 cm\nthe thomas Pheasant collection\n| lounge chair\nattached back lounge chair with a loose t-cushion seat. \nbox arm. nail head trim frames the back cushion and the \nbase. tapering hexagonal legs.\nthis crisply tailored lounge chair suggests a post-modern \nblending of classic elements and a modern line. the \neconomical footprint lends glamour to a bedroom or \noffice. the back detail and the flaring arms contribute a \nsense of something couturier, special and well-considered.\n6385   w 31\" d 321⁄2\" h 31\" sh 18\" ah 221⁄2\" inw 18\" ind 23\"\nw 79 d 83 h 79 sh 46 ah 57 inw 46 ind 58 cm\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.104.png","134  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.105.png","baker designer\nthe thomas Pheasant collection  |  135\nthe thomas Pheasant collection\n| directoire ottoman\na deeply tufted bench with exposed wood legs. the interlocking \nhalf-ring motif is reminiscent of french neoclassicism.\nboldly architectural, this large ottoman offers commanding visual \nscale and an unusual base. the effect is almost post modern. ideal \nas a cocktail ottoman or party seating.\n6336   w 49\" d 31\" h 18\"\nw 124 d 79 h 46 cm\nthe thomas Pheasant collection\n| roll-arm bench\na graceful bench with a deeply cut roll arm. tight seat. maple base \nwith marlborough leg and X-stretcher.\nthe demeanor of this bench can move from traditional to \ncontemporary with a change of fabric. equally at home at the end \nof a bed, near a window or in a hallway, it also moves easily between \ncollections. not available in fruitwood, chateau, antique Walnut or \nVeneto light finishes. \n6392   w 74\" d 21\" h 28\" sh 171⁄2\" ah 28\" inw 50\"\nw 188 d 53 h 71 sh 44 ah 71 inw 127 cm\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.106.png","136  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe thomas Pheasant collection\n| castle corner chairs\nan updated corner chair with a rolled arm and back. the castle motif \nowes to early english architecture. long square tapered legs. \nhere the designer recasts an idea from english neoclassicism to \ncreate a dramatic new form. almost always used as a pair. excellent \nin a corner or used to flank, and thus draw attention to, a cabinet or \nconsole. \n6333l   w 311⁄2\" d 23\" h 291⁄2\" sh 18\" ah 291⁄2\" inw 241⁄2\" ind 16\"\nw 80 d 58 h 75 sh 46 ah 75 inw 62 ind 41 cm\n6333r   w 311⁄2\" d 23\" h 291⁄2\" sh 18\" ah 291⁄2\" inw 241⁄2\" ind 16\"\nw 80 d 58 h 75 sh 46 ah 75 inw 62 ind 41 cm\nrelated styles\n6313  \nlounge chair \npage 125\n6313-11  \nottoman \npage 125\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.107.png","baker designer\nthe thomas Pheasant collection  |  137\nthe thomas Pheasant collection\n| bench\ntufted bench with bracket ends outlined in nail head trim. tapered  \nhexagonal legs. \nthis unusual form works as a hall bench, a cocktail ottoman, or at  \nthe end of a bed. excellent party seating or in front of a fireplace. \nmoderate width lends itself to a window or foyer.\n6389   w 501⁄2\" d 19\" h 18\" sh 18\"\nw 128 d 48 h 46 sh 46 cm\nthe thomas Pheasant collection\n| adam bench\na deeply tufted bench with exposed wood corners outlined with nail \nhead trim. faring tapered legs.\ninspired by a robert adam form, thomas Pheasant demonstrates \nthat even the most formal period design can be updated for today’s \nliving. the item has various applications including an end-of-bed \nbench, a window seat, a hall bench or possibly a cocktail ottoman. \nVery light visual scale.\n6334   w 49\" d 19\" h 18\"\nw 124 d 48 h 46 cm\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.108.png","138  |  baker designer\nbIll sofIelD\nbill sofield believes that a room should live as well as it looks. for that reason, upholstery has \nalways been an important part of the collection — an essay in how modern design and baker \ncomfort are in fact compatible. plinth sofas tend to anchor a room, while the complementary \nchairs are a study in masterful original design. In lieu of roll arms and arched backs, the collection \nuses convergence to add visual interest — and easier placement in smaller urban settings. \n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.109.png","baker designer\nbill sofield  |  139\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.110.png","140  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.111.png","baker designer\nthe bill sofield collection  |  141\nthe bill sofield collection\n| carlYle sofa\noverscale sofa with a loose back and seat. an unusually high track \narm with a saddle detail. upholstered to the floor over a plinth base.\nWith a relatively thin arm and plinth base, this is a more contemporary \nsofa with the emphasis on comfort. the scale allows it to function as \na room divider. somewhat more casual, it also has three legitimate \nseats for entertaining. often used en suite with the 6398c chair.\n6398s \n w 95\" d 371⁄2\" h 34\" sh 19\" ah 26\" inw 87\" ind 22\"\nw 241 d 95 h 86 sh 48 ah 6 inw 221 ind 56 cm\nrelated styles\n6398c  \nchair \npage 148\n",111,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.112.png","142  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe bill sofield collection\n| hollYWood sofa\nthis is a high slope arm sofa with a loose back and seat. standard \nwith arm pillows. Plinth base.\nscaled for a great room and a great deal of entertaining, this sofa \ndefines comfort for a contemporary frame. despite its visual mass, \nthe hollywood sofa still offers the delicate details of couturier \nupholstery. arm pillows allow comfort equal to the look, and the \nseaming of the base mimicks the break of the cushions. three \nlegitimate seats.\n6349-89   w 89\" d 40\" h 34\" sh 19\" ah 271⁄2\" inw 74\" ind 23\"\nw 226 d 102 h 86 sh 48 ah 70 inw 188 ind 58 cm\n",112,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.113.png","baker designer\nthe bill sofield collection  |  143\n6396c  \nchair   \npage 148\nthe bill sofield collection\n| brentWood sofa\nrelaxed sofa with a loose back and seat. the unusual arm combines \nthe track and saddle styles. shaped bracket feet add height and \npersonality.\nthis is a deep, comfortable sofa with more than a hint of whimsy. \nrelying on a relaxed fusion of traditional motifs, the right fabric can \nmake it the right choice for almost any scheme. three generous \nseats make it ideal for entertaining. enough scale for a great room.\n6396s   w 92\" d 39\" h 361⁄2\" sh 19\" ah 241⁄2\" inw 82\" ind 20\"\nw 234 d 99 h 93 sh 48 ah 62 inw 208 ind 51 cm\nrelated styles\n6396o  \nottoman   \npage 148\n",113,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.114.png","144  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",114,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.115.png","baker designer\nthe bill sofield collection   |  145\n6372  \nchair \npage 147\nthe bill sofield collection\n| Wren tufted sofa\ntuxedo arm sofa with strong convergence. tight back with \ndecorative buttons. loose seat. Welt - framed back and sides. round \ntapered legs with brass ferrules.\nnamed for christopher Wren, the 17th and 18th century designer \nwho rebuilt much of london after the fire, this chair is interior \narchitecture — and a signature piece in the bill sofield collection. \nmodern and meticulously detailed, it can either float or anchor a wall. \nWelt framing invites the use of contrasting fabric. often specified in \nleather. Widely published. \n6354-87   w 871⁄2\" d 351⁄2\" h 29\" sh 181⁄2\" ah 29\" inw 72\" ind 23\"\nw 222 d 90 h 74 sh 47 ah 74 inw 183 ind 58 cm\nrelated styles\n",115,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.116.png","146  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",116,{"image":478,"text":479,"number":480},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.117.png","baker designer\nthe bill sofield collection   |  147\n6354-87  \nsofa \npage 145\nthe bill sofield collection\n| Wren tufted chair\ntuxedo arm chair with strong convergence. tight back with \ndecorative buttons over a loose cushion seat. Welt - framed back and \nsides. thin wood banding. round tapered legs with brass ferrules.\nnamed for christopher Wren, the 17th and 18th century designer \nwho rebuilt much of london after the fire, this chair is interior \narchitecture. at its best in an open floor plan. a better opportunity \nfor contrasting fabric or welt than the sofa of the same design. often \nspecified in leather.\n6372   w 391⁄2\" d 35\" h 32\" sh 18\" ah 27\" inw 23\" ind 231⁄2\"\nw 100 d 89 h 81 sh 46 ah 69 inw 58 ind 60 cm\nrelated styles\n",117,{"image":482,"text":483,"number":484},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.118.png","148  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe bill sofield collection\n| brentWood club chair\nrelaxed club chair form with a loose back and seat. the \nunusual arm combines the track and saddle styles. shaped \nbracket feet add height and personality.\nthis is a deep, comfortable club chair with more than a hint of \nwhimsy. like much of the custom upholstery from the West \ncoast, it relies on a relaxed fusion of traditional motifs. With \nthe right fabric, this is a lounge chair for almost any scheme.\n6396c  w 33\" d 39\" h 361⁄2\" sh 19\" ah 241⁄2\" inw 23\" ind 20\"\nw 84 d 99 h 93 sh 48 ah 62 inw 58 ind 51 cm\n6396o  ottoman  \nw 33\" d 221⁄2\" h 19\"\nw 84 d 57 h 48 cm\n6396s  \nsofa \npage 143\n6396o  \nottoman\nrelated styles\nthe bill sofield collection\n| carlYle arm chair\nlounge chair with a loose back and seat. an unusually high \ntrack arm with a saddle detail. upholstered to the floor over \na plinth base.\nWith a relatively thin arm and a plinth base, this is a more \ncontemporary lounge chair. excellent depth and comfort on a \nfootprint of intermediate size. this is a versatile, architectural, \nbuilding block design. it can be used en suite with the \ncompanion 6398s sofa of compatible scale or complement a \nvariety of other sofa settings.\n6398c   w 311⁄2\" d 371⁄2\" h 34\" sh 19\" ah 26\" inw 231⁄2\" ind 22\"\nw 80 d 95 h 86 sh 48 ah 66 inw 60 ind 56 cm\n6398s  \nsofa \npage 141\nrelated styles\n",118,{"image":486,"text":487,"number":488},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.119.png","baker designer\nthe bill sofield collection  |  149\nthe bill sofield collection\n| bottomleY chair\nthis is a new take on a bergère. tall curved back with sinuous arms. \ntight back and seat with kidney pillow. exposed wood banding \nincluding a framed back. tapered legs.\nthis is a reference to William bottomley, a beaux arts architect \nwhose work included a famous 1930s new York apartment building \ncalled river house. bill sofield recently did a major project there, \nand this chair is a variation on a small but elegant design for that \nassignment. framed back invites a combination fabric.\n6394c   w 29\" d 32\" h 38\" sh 18\" ah 26\" inw 181⁄2\" ind 19\"\nw 74 d 81 h 97 sh 46 ah 66 inw 47 ind 48 cm\n",119,{"image":490,"text":491,"number":492},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.120.png","150  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",120,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.121.png","baker designer\nthe bill sofield collection  |  151\nthe bill sofield collection\n| manor Wing chair \nWing back with kidney pillow standard. loose seat. Walnut wrap-\naround banding and arms. flaring legs.\nsomething different. With a thin, deeply cut wing and an exposed \nwood frame, this chair reflects a danish modern influence. this \ncompact, curved back design floats easily — unlike most wing chairs. \nit also offers surprising comfort — again unlike most wing chairs. \nsuitable for a combination fabric. often specified in leather.\n6348   w 311⁄2\" d 331⁄2\" h 411⁄2\" sh 191⁄2\" ah 241⁄2\" inw 22\" ind 21\"\nw 80 d 85 h 105 sh 50 ah 62 inw 56 ind 53 cm\n",121,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.122.png","152  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",122,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.123.png","baker designer\nthe bill sofield collection  |  153\nthe bill sofield collection\n| salon chair\na Walnut - banded chair with converging upholstered sides. \nloose back and seat. legs have a distinctive stepped taper \nending in bronze sabot.\nWith polished Walnut and elegant bronze, this french \nmodern design speaks to the last great era of luxury furniture. \ndesigned for the Presidential suite of a premier new York \nhotel. Widely published. a modest footprint allows it to be \nused, in twos and fours, as a conversation chair. Welcomes a \ncombination fabric.\n6340   w 291⁄2\" d 34\" h 30\" sh 19\" ah 261⁄2\" inw 21\" ind 22\"\nw 75 d 86 h 76 sh 48 ah 67 inw 53 ind 56 cm\nthe bill sofield collection\n| normandie sWiVel chair\nfaceted exposed wood collar, including arm rests that are \nthemselves faceted. tight back over a loose seat. swivel base.\ninspired by a Josef hoffman design, this chair represents \nan altogether different, altogether modern form. Polished \nWalnut suggests the highest luxury of the period, and long \nfabric panels create a distinct waterfall effect. the swivel \nbase simply creates more options for placement. requested \nby many of the designer’s male clients.\n6393c   w 29\" d 351⁄2\" h 311⁄2\" sh 171⁄2\" ah 25\" inw 20\" ind 231⁄2\"\nw 74 d 90 h 80 sh 44 ah 64 inw 51 ind 60 cm\n",123,{"image":506,"text":507,"number":508},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.124.png","154  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",124,{"image":510,"text":511,"number":512},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.125.png","baker designer\nthe bill sofield collection  |  155\nthe bill sofield collection\n| astor Petite chair\nthis is an art deco occasional chair. low loose cushion \nback with a tight seat. an exquisitely curved wood \nbanding. tapered leg with nickel high heel feet.\nthis chair speaks to art deco at its most glamorous, the \ncelebration of modern life, and just as surely the birth of \nthe cocktail party as a response to Prohibition. this is a \nconversation chair, ideal in a secluded corner but daring \nenough to be a chic accent almost anywhere.\n6395C   w 241⁄2\" d 27\" h 271⁄2\" sh 181⁄2\" ah 201⁄2\" inw 171⁄2\"\nw 62 d 69 h 70 sh 47 ah 52 inw 44 cm\nthe bill sofield collection\n| layton chair\na modern take on the tub chair.  Pulled channel back. \na sculptural wood frame with compound curves and \nvirtually no straight lines.\nfor those seeking a fashion statement, the elegant wood \nframed layton is a staple of the baker assortment. it \ngoes anywhere, in any style, in any room, in any home—\nthe kind of thing you keep forever.  downtown, uptown, \nout of town. despite a small footprint, the layton sits big \nand feels substantial. the curved back floats effortlessly, \nand it provides a great canvas for a combination fabric \ntreatment.\n6359   w 31\" d 33\" h 311⁄2\" sh 181⁄2\" ah 26\" inw 21\"\nw 79 d 84 h 80 sh 47 ah 66 inw 53 inw 61 cm\n",125,{"image":514,"text":515,"number":516},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.126.png","156  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",126,{"image":518,"text":519,"number":520},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.127.png","baker designer\nthe bill sofield collection  |  157\nthe bill sofield collection\n| delamere chaise\nslipper chair with a Walnut frame and a flared crest rail. bronze \nlozenge in lieu of a button. Walnut back with bronze medallion over \nbronze - capped tapered legs.\ndesigned for an actress, this is a three - piece chaise — with the \ncompanion ottoman between a pair of these armless units. strikingly \nsynchronized, that application allows three seats for a party. a \npolished wood back, available in a variety of finishes, makes this a \ndramatic change of pace that can work across lifestyles. \n4017   w 30\" d 381⁄2\" h 36\" sh 17\"\nw 76 d 98 h 91 sh 43 cm\n4016   ottoman\nw 30\" d 26\" h 16\"\nw 76 d 66 h 41 cm\nrelated styles\n4016\nottoman\n",127,{"image":522,"text":523,"number":524},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.128.png","158  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe bill sofield collection\n| ridgeback salon chair\na contemporary occasional chair. tight attached back with high \npadded arms. tight seat. square post-like legs.\nthis design recalls the architectural character of fashionable mid-\ncentury chairs. the simple geometric silhouette defines the piece, \nand the choice of fabric perfects it. the design of the arm owes to \nthe profile of the designer’s ridgeback dog. this is a good solution \nfor a small conversation grouping, and it reflects the designer’s \npreference for smaller c hairs available for any occasion.\n6362   w 28\" d 28\" h 301⁄2\" sh 18\" ah 28\" inw 20\" ind 19\"\nw 71 d 71 h 77 sh 46 ah 71 inw 51 ind 48 cm\n",128,{"image":526,"text":527,"number":528},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.129.png","baker designer\nthe bill sofield collection  |  159\nthe bill sofield collection\n| saddle bench\na Walnut bench with a tight, inset seat. incised ends. \nflaring legs with bronze caps.\ninspired by the idea of a gentleman’s manhattan \napartment in the 1920s, this bench speaks to a subtle, very \nfunctional luxury. often upholstered in leather, the form is \nreminiscent of a horse and saddle. appropriate at the end \nof a bed, in a window or a foyer.\n4018   w 34\" d 19\" h 18\"\nw 86 d 48 h 46 cm\nthe bill sofield collection\n| ottoman\na high - fashion twist on an ottoman of smaller scale. \nattached box cushion top with a waterfall skirt. the \ndecorative button clasp is an idea borrowed from apparel \nor possibly a handbag. a small but impactful place for an \naccent fabric.\n6399o   w 26\" d 26\" h 18\"\nw 66 d 66 h 46 cm\n",129,{"image":530,"text":531,"number":532},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.130.png","160  |  baker designer\ntony duquette\nto this day, tony duquette remains the only man to have won both a tony Award and the \nprivilege of a one - man show at the Louvre. duquette was an irrepressible talent. While his \nupholstery respects classic form, it wholly rejects convention, and holds high the rebirth of \nsomething forever new. More than an accent, the artist’s upholstery is practical — albeit with \ncolor and personality. Like the man.\n",130,{"image":534,"text":535,"number":536},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.131.png","baker designer\ntony duquette  |  161\n",131,{"image":538,"text":539,"number":540},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.132.png","162  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe selected Works of tony duquette\n| Palmer chair\noriginally designed for the charles and Palmer ducommun bel \nair residence, the Palmer chair has been expertly reproduced by \nbaker. it has generous back and seat cushions, both detailed in a \nplush button tufting and secured to the chair frame by small ties. \nthe chair's back is an intricately woven steel design. the frame and \nlegs are made from single bars of steel, heated and bent to form its \nintricate curved base and unique, joined half-moon legs, which are \nmet by a single stretcher. the chair is offered in a stunning gold leaf \nlayered over red — the finish gently rubbed to bring through the red \nundertones — or in deep, mottled green Verdigris with tufted burnt \norange upholstery. circa 1965.\n1649   w 163⁄4\" d 17\" h 341⁄2\"\nw 43 d 43 h 88 cm\n",132,{"image":542,"text":543,"number":544},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.133.png","baker designer\nthe selected Works of tony duquette  |  163\nthe selected Works of tony duquette\n| marsan chair\nthe original marsan chair was first unveiled as part of \nduquette's unprecedented one-man exhibition at the \nPavillon de marsan in the louvre, Paris. the designer \nlater selected the chair for some of his interiors. \ninspired by 18th century french design, the chair sits \nlow to the floor, giving it a sculptural quality. the \ngenerously sized back and seat add to its commanding \nsilhouette. the front and back are tightly upholstered \nand surrounded by a wood frame trimmed in nail head. \na slightly crested seat cushion is similarly detailed \nin nail head trim and rests on an exposed wood base \nthat terminates to cabriole legs. the chair is offered in  \nPearl and coral lacquer with Pink glaze or silver gilt. \ncirca 1951.\n1619   w 26\" d 24\" h 281⁄2\" \nw 66 d 61 h 72 cm\nthe selected Works of tony duquette\n| elsie tabouret ottoman\nthe original elsie tabouret was designed by elsie de \nWolfe mendel, the \"first lady of interior decoration\" \nand mentor to duquette. so taken with duquette's \ntalent, de Wolfe introduced him into hollywood society, \npersonally commissioning significant pieces for her home \nto showcase his abilities. it was through this recognition \nthat duquette rose to worldwide fame and established \nhimself as one of the leading designers of his time. this \nsophisticated replica of the original — which now resides \nin duquette's historic studio — pays homage to this \nimportant association and friendship and remarks upon \nthe sophisticated spirit of the woman behind duquette's \nearly fame.\n1697   h 16\" dia 18\nh 41 dia 46 cm\n",133,{"image":546,"text":547,"number":548},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.134.png","164  |  baker designer\nAndré Arbus\nWhile André Arbus is known for the neoclassical roots of his work, he is best known as the \nleading designer of his generation. From the experimentation of the Jazz Age to postwar \nModernism to the glamour of ocean travel, the upholstery of André Arbus was always very \ndifferent. More ambitious and more refined, more demanding of the craftsman. today, more \nappropriate for baker.\n",134,{"image":550,"text":551,"number":552},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.135.png","baker designer\nandré arbus  |  165\n",135,{"image":554,"text":555,"number":556},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.136.png","166  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",136,{"image":558,"text":559,"number":560},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.137.png","baker designer\nthe andré arbus collection   |  167\n7384C  \nChair \npage 167  \nthe andré arbus collection\n| galerie settee\nan exposed wood frame with compound curves and convergence. \nattached back and a bench seat. Jewel-like cast bronze posts. \nthe scale of the design couples with a post leg to create the illusion \nof a weightlessness. ever subtle, the hint of an arch and the rumor of \na curve define the back. an opportunity for the right fabric. large \nenough to anchor a downtown setting but small enough to be used \nin pairs — for the ultimate combination of drama and restraint. Park \navenue without the traffic. \n7384l \n w 75\" d 351⁄2\" h 351⁄2\" sh 19\" ah 24\" inw 67\" ind 23\"\nw 191 d 90 h 90 sh 48 ah 61 inw 170 ind 58 cm\nrelated styles\n7384o  \nottoman  \nthe andré arbus collection\n| galerie chair\nan exposed wood frame with compound curves and a \nmeasure of convergence. attached back and a loose seat. \nJewel-like cast bronze posts. \nthe galerie chair revisits the french bergère through a \nsimplicity of form, a high quality of materials and an array \nof hand - applied finishes. drawn from the later work of \nandré arbus, there is an obvious sculptural quality to the \ndesign — more urbane than urban. this is a moderately \nscaled conversation chair routinely used in pairs or fours. \nthis is simply Park avenue.\n7384C  w 30\" d 351⁄2\" h 351⁄2\" sh 19\" ah 24\" inw 22\" ind 23\"\nw 76 d 90 h 90 sh 48 ah 61 inw 56 ind 58 cm\n7384o  ottoman  \nw 27\" d 251⁄2\" h 181⁄2\"\nw 69 d 65 h 47 cm\nrelated styles\n7384l  \nsofa \npage 167\n7384o \nottoman\n",137,{"image":562,"text":563,"number":564},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.138.png","168  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",138,{"image":566,"text":567,"number":568},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.139.png","baker designer\nthe andré arbus collection   |  169\nthe andré arbus collection\n| du roi chaise\na tightly upholstered seat and back with a bit of a roll. cast bronze \nframe with a hardwood base over asymmetrically placed legs. \nthe du roi chaise was a longtime fixture in the king’s bedroom at \nthe Palais de l’élysée, home to the President of the french republic. \nVisually attenuated, this modern evolution of the recamier serves as \na symbol of overdue luxury in postwar france. \n7391Cs   w 261⁄2\" d 65\" h 35\" sh 141⁄2\" ind 50\"\nw 67 d 165 h 89 sh 37 ind 127 cm\nthe andré arbus collection\n| Paquebot chair\na delicate, deeply pitched and tightly upholstered frame. scrolled \nends and saber legs ending in brass sabots.\nan exercise in equilibrium, the lyrical curves and riveting lightness \nof this chair celebrate the luxurious ocean liners of the 1950s. the \nspirited work of andré arbus springs from a belief that the traditions \nof french furniture are the tools of innovation rather than imitation. a \nstriking profile for a modern lounge chair. literally, a work of art. With \nan ottoman between two chairs, this is the ultimate divided chaise.\n7348C  w 24\" d 421⁄2\" h 431⁄2\" sh 17\" ah 25\" inw 201⁄2\" ind 21\"\nw 61 d 108 h 110 sh 43 ah 64 inw 52 ind 53 cm\n7348o  ottoman  \nw 201⁄2\" d 23\" h 18\"\nw 52 d 58 h 46 cm\n",139,{"image":570,"text":571,"number":572},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.140.png","170  |  baker designer\nreproduced from best - of - kind antiques still resident in the most private rooms of the most \nstoried castles in england, Ireland and scotland, the stately Homes Collection remains \nthe best of baker. Collected by the world’s most influential families, over centuries rather \nthan generations, these designs mark the evolution of upholstery from the 17th through \nthe 19th centuries. they are the evolution of both comfort and fashion through the eyes of \nthe patrons who made it possible. somewhere beyond luxury, couture and quality lives the \ntimeless work of the masters. Alive and well in the stately Homes Collection.\nstAteLy HoMes\nUSE SHOT WITH DOG FROM LATEST \nSTATELY - P 6\n",140,{"image":574,"text":575,"number":576},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.141.png","baker designer\nstately homes  |  171\nLeFt: sIr HuMpHry WAkeFIeLd, bt.\nAboVe: pensHurst pLACe | kent, engLAnd\n rIgHt: bArons Court | County tyrone, IreLAnd\n",141,{"image":578,"text":579,"number":580},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.142.png","172  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",142,{"image":582,"text":583,"number":584},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.143.png","baker designer\nstately homes  |  173\nthe stately homes collection\n| chatsWorth sofa \na Victorian sofa with a tufted back and seat. scrolled arms with \ncarved borders. turned feet with a cap detail. nail head trim \nstandard on leather.\nthe original resides at chatsworth — the home of the duke and \nduchess of devonshire — itself widely hailed as one of the seven \ntreasure houses in all of england. the sofa has an openly english \nsilhouette that works in both period and contemporary settings. \nstriking in finishes that contrast with the cover. circa 1880.\n863-04  w 104\" d 36\" h 36\" sh 161⁄2\" ah 321⁄2\" inw 71\" ind 24\"\nw 264 d 91 h 91 sh 42 ah 83 inw 180 ind 61 cm\n",143,{"image":586,"text":587,"number":588},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.144.png","174  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe stately homes collection\n| tufted crescent sofa\na tufted early Victorian sofa with a curved and swayed back. scrolled \narms over a shaped bench cushion. Pleated skirt.\nthe original resides at broughton castle, the moated home of the \n20th lord saye and sele, whose family history includes signing the \nmagna carta. this diminutive sofa floats superbly. With the user \nliterally hugged in the corners, it can function as a tête-à-tête or \nan end - of - bed bench. in the right room, this loveseat would be \nremarkable in pairs. english circa 1845.\n834-70   w 70\" d 34\" h 32\" sh 181⁄2\" ah 28\" inw 46\" ind 201⁄2\"\nw 178 d 86 h 81 sh 47 ah 71 inw 117 ind 52 cm\n",144,{"image":590,"text":591,"number":592},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.145.png","baker designer\nstately homes  |  175\nthe stately homes collection\n| serPentine sofa \na Victorian sofa with a tight serpentine back, scrolled arms and a \nloose seat.\nthe original resides at chillingham castle, the home of sir humphry \nWakefield, bt. the family of the earls grey, the tea dynasty, granted \nthe storied castle to sir humphry Wakefield. With an eye trained at \nchristie’s and mallet, sir humphry has assembled an array of most \ndistinctive antiques including this sofa. With its flowing, almost \nsculptural lines, this design is unsurpassed floating in a large room. \ncirca 1880.\n6878-85   w 85\" d 34\" h 38\" sh 20\" ah 28\" inw 64\" ind 23\"\nw 216 d 86 h 97 sh 51 ah 71 inw 163 ind 58 cm\n",145,{"image":594,"text":595,"number":596},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.146.png","176  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",146,{"image":598,"text":599,"number":600},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.147.png","baker designer\nstately homes  |  177\nthe stately homes collection\n| guinness settee\na hepplewhite settee with a reeded frame. tight back and crisply \ntailored seat cushions. round tapered legs on casters. \nthe original resides in one of the homes acquired by the guinness \nfamily of dublin over the course of the last two centuries. this \nsettee demonstrates that great design ignores the boundaries of \nperiod and style. equally at home in a period, traditional, or even a \ncontemporary setting. the fabric defines the frame. compelling in \npairs framing a fireplace. circa 1780.\n6829-72   w 711⁄2\" d 311⁄2\" h 37\" sh 19\" ah 31\" inw 651⁄2\" ind 231⁄2\"\nw 182 d 80 h 94 sh 48 ah 79 inw 166 ind 60 cm\n",147,{"image":602,"text":603,"number":604},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.148.png","178  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",148,{"image":606,"text":607,"number":608},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.149.png","baker designer\nstately homes  |  179\nthe stately homes collection\n| baroque Wing chair \nimportant wing chair with a tight back, loose seat, and flat roll arms. \na baroque stretcher incorporates both ball and baluster turnings. \ncarved inscrolled braganza feet.\nthis throne - like wing chair owes to Viscountess astor, an american-\nborn english hero in the movement for women’s rights, and her home \nat cliveden Place. the imaginative irish design speaks to the legacy \nof the astors as collectors of the finest and most unusual furniture. \na unique solution to a room with high ceilings. often placed around \na fireplace. circa 1700.\n418   w 38\" d 40\" h 551⁄2\" sh 201⁄2\" ah 26\" inw 23\" ind 221⁄2\"\nw 97 d 102 h 141 sh 52 ah 66 inw 58 ind 57 cm\n",149,{"image":610,"text":611,"number":612},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.150.png","180  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",150,{"image":614,"text":615,"number":616},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.151.png","baker designer\nstately homes  |  181\nthe stately homes collection\n| guinness Wing chair \na Wing chair with scrolled arms, a tight seat, and tapered legs. a \ncarved fretwork trellis detail. brass cap and caster.\nthe original resides in one of the homes acquired by the guinness \nfamily of dublin over the course of the last two centuries. Whether \nused singly or in pairs, this compact Wing chair makes a statement. \nlike most irish furniture, it has both complexity and a sense of \nwhimsy. the blind fretwork beckons rooms needing a hint of spice. \nthe chair floats, possibly overlooking a garden. circa 1760.\n6489   w 33\" d 33\" h 41\" sh 181⁄2\" ah 26\" inw 19\" ind 211⁄2\"\nw 84 d 84 h 104 sh 47 ah 66 inw 48 ind 55 cm\n",151,{"image":618,"text":619,"number":620},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.152.png","182  |  baker designer\nb a k e r f u r n i t u r e .c o m \n",152,{"image":622,"text":623,"number":624},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.153.png","baker designer\nstately homes  |  183\nthe stately homes collection\n| george ii Wing chair \na best - of - kind Wing chair with a tufted fan back, scrolled \narms and a formidable tufted seat. cabriole front legs. \nPad feet.\nthe original resides at chatsworth — the home of the \nduke and duchess of devonshire and widely hailed as \none of the seven treasure houses in all of england. a \nhandsome wing chair with a daring profile. easily floated \nin a large room, possibly in pairs. ideal in a study, den or \neven behind a desk. circa 1730.\n5341C   w 37\" d 34\" h 47\" sh 21\" ah 26\" inw 22\" ind 201⁄2\"\nw 94 d 86 h 119 sh 53 ah 66 inw 56 ind 52 cm\nthe stately homes collection\n| library chair \na deep irish regency chair with the depth exaggerated by \nunusual saber legs and a rolled back.  button back with \na fluted frame, scrolled arms and caned sides. kidney \npillow. brass cap and caster.\nappropriately, this chair owes to the earl of longford and \nwhat is now a family of very popular authors. the original \nstill resides at tullynally castle, itself a gothic fantasy \nof the highest order. a statement pull-up chair for any \ntraditional room. circa 1805.\n5034   w 281⁄4\" d 321⁄2\" h 357\u002F8\" sh 18\" ah 27\" \nw 72 d 83 h 91 sh 46 ah 69 cm\n",153,{"image":626,"text":627,"number":628},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.154.png","184  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe stately homes collection\n| regency tub chair \na superb tub chair in the egyptian style. elaborately hand - carved \nleopard masks continuing into lifelike clawed and padded feet. \ngiltwood manes and other decorated accents.\nthis iconic tub chair owes to the duke of Wellington and the family’s \nhome at stratfield saye house. appropriately throne-like, the \noriginal was designed as a public gift to the immensely popular duke \nwhose military genius ultimately defeated napoleon. While surely a \nbold accent anywhere, this design also works well in a library or an \noffice. circa 1810.\n5050   w 355\u002F8\" d 337\u002F8\" h 371⁄4\" \nw 90 d 86 h 95 cm\n",154,{"image":630,"text":631,"number":632},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.155.png","baker designer\nstately homes  |  185\nthe stately homes collection\n| lion Pull-uP chair \na writing chair designed by thomas hope. curved wood frame \nwith a tight back and a tufted seat. detailed carved lion mask, body \nand feet. a striking hand - carved anthemion draws the eye to the \nback, and an intricate carved scroll wraps the base.\nthis regency masterpiece resides at the romantic bayham abbey, \nhome to the marquess of camden. the colorful lord michael was \nboth an author and a well-known collector. this best of kind pull - up \nchair speaks to his taste for the dramatic. circa 1820.\n5205   w 28\" d 275\u002F8\" h 321⁄2\" sh 18\" ah 26\" \nw 71 d 70 h 83 sh 46 ah 69 cm\n",155,{"image":634,"text":635,"number":636},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.156.png","186  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe stately homes collection\n| Victorian club chair\nclub chair with a tufted back. scrolled arms and a tight seat. bun \nfeet. nailhead trim standard on leather.\nthe original resides in dunsany castle, which was built to defend \nthe dublin port from the irish some 200 years before christopher \ncolumbus. more recently, the grandfather of lord dunsany was \nhonored for the greatest first chapter in the history of the english \nnovel. that would be appropriate to this chair — where many novels \nare consumed. While often covered in leather, mohair and velvet \nmake up beautifully. circa 1890.\n6438 \n w 36\" d 40\" h 33\" sh 17\" ah 24\" inw 19\" ind 23\"\nw 91 d 102 h 84\" sh 43 ah 61 inw 43 ind 58 cm\n6438-11  ottoman\nw 30\" d 26\" h 16\"\nw 76 d 66 h 41 cm\n",156,{"image":638,"text":639,"number":640},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.157.png","baker designer\nstately homes  |  187\nthe stately homes collection\n| late Victorian club chair\nclub chair with a tufted back. scrolled arms and a buttoned cushion. \nbun feet. nailhead trim standard on leather.\nthe original resides in dunsany castle, which was built to defend \nthe dublin port from the irish some 200 years before christopher \ncolumbus. more recently, the grandfather of lord dunsany was \nhonored for the greatest first chapter in the history of the english \nnovel. that would be appropriate to this chair — where many novels \nare consumed. While often covered in leather, mohair and velvet \nmake up beautifully. circa 1890.\n6468 \n w 36\" d 40\" h 33\" sh 181⁄2\" ah 24\" inw 19\" ind 23\"\nw 91 d 102 h 84 sh 47\" ah 61 inw 48 ind 58 cm\n6468-11  ottoman\nw 30\" d 26\" h 171⁄2\"\nw 76 d 66 h 44 cm\n",157,{"image":642,"text":643,"number":644},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.158.png","188  |  baker designer\nb a k e r f u r n i t u r e .c o m \nthe stately homes collection\n| queen anne arm chair \na queen anne chair with an upholsterd back in lieu of a splat. \nelongated shepherd’s crook arm. distinctive cabriole legs, with \nunusual splayed back legs. nail trim.\nthis chair owes to lord middleton and the family’s home at Wollaton \nhall — a tudor palace filled with the work of robert adam, thomas \nchippendale and england’s well - known portraitists. the crown \nsuggests that it was made for the visit by the royal family. ideal at a \ndesk or positioned as a piece of sculpture. optional gold decorated \ntrim accents on crown and legs (5139d, inset). circa 1710.\n5139\u002F5139d   w 221⁄4\" d 251⁄4\" h 363⁄4\"\nw 57 d 64 h 93 cm\n",158,{"image":646,"text":647,"number":648},"\u002Fmedia\u002Fimages\u002F47\u002F7a8702072e8e60cdc38b6dbb7ef004.159.png","baker designer\nstately homes  |  189\nthe stately homes collection\n| chiPPendale mahogany gainsborough chair \na gainsborough chair with an upholstered back and a serpentine \ncrest. arms terminating in carved medallions. carved cabriole legs \nwith whorl foot. nail trim.\nthe original resides at chillingham castle. the family of earl \ngrey, the tea dynasty, granted the storied castle to sir humphry \nWakefield. With an eye trained at christie’s and mallett, sir humphry \nhas assembled an array of most distinctive antiques including this \nchair. comfortable enough for an extended visit. refined enough to \nenjoy pride of place in any traditional room. circa 1765.\n5033   w 261⁄2\" d 261⁄4\" h 397\u002F8\" sh 173⁄4\" ah 26\" \nw 67 d 67 h 101 sh 45 ah 66 cm\n",159,[],0,false,true,{"success":652,"data":654,"meta":862,"count":863,"next":864,"previous":865,"results":897,"brand_chips":958},[655,668,677,686,695,704,713,723,733,744,756,769,778,791,803,813,823,832,841,853],{"id":656,"title":657,"slug":658,"image":659,"source":660,"brand_name":661,"brand":662,"brand_slug":663,"file_size":664,"pages":665,"pages_count":666,"matched_pages":667,"match_count":650,"two_pages":651,"show_text":652},26607,"Working 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