[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-arte-veneziana-mirrors-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":779},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":774,"matched_pages":775,"match_count":776,"two_pages":777,"show_text":778},7378,"Mirrors 2019","arte-veneziana-mirrors-2019","\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F78\u002F03a94b1c564c8192f9ede9145793d1.pdf","Arte Veneziana",272,"arte-veneziana","29.0 MB",[14,17,20,24,27,30,34,38,42,46,49,53,57,61,65,69,72,75,78,82,86,90,94,98,102,106,109,112,116,120,123,126,130,134,138,142,146,150,154,158,162,166,170,174,178,182,186,190,194,198,202,206,210,214,218,222,226,230,234,238,242,246,250,254,258,262,266,270,274,278,282,286,290,294,298,302,306,310,314,318,322,326,330,334,338,342,346,350,354,358,362,366,369,372,376,380,383,386,390,394,398,402,406,410,414,418,422,426,430,434,438,442,446,450,454,458,462,466,470,474,478,482,486,490,494,498,502,506,510,514,518,522,526,530,534,538,542,546,550,554,558,562,566,570,573,576,580,584,588,592,596,600,604,608,612,616,620,624,628,632,635,639,643,647,651,655,659,663,667,671,675,679,683,687,691,695,699,703,707,711,715,719,723,727,731,735,739,743,747,751,755,759,762,765,769,772],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.3.png","La bellezza è la promessa della felicità\nBeauty is the promise of happiness\nStendhal\n",3,{"image":25,"text":15,"number":26},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.4.png",4,{"image":28,"text":15,"number":29},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.5.png",5,{"image":31,"text":32,"number":33},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.6.png","Progetto grafco\nARTE VENEZIANA SRL\nFotografe\nQUASAR: quasar.com\nANDREA PANCINO: andreapancino.com\nStampa\nGRAFICHE ANTIGA SPA\ngrafcheantiga.it\nArte Veneziana® - Tutti i diritti riservati\nArte Veneziana Srl\nvia Cattaneo, 7\n30030 Olmo di Martellago\nVENEZIA ITALY\nT +39 041 90 89 20\nF +39 041 90 89 92\nwww.arteveneziana.com\nsales@arteveneziana.com \nRivalto is Contract Division \nof Arte Veneziana®\nDesign by Giovanni Luca Ferreri\nARTE VENEZIANA\n®\n",6,{"image":35,"text":36,"number":37},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.7.png","Catalogo specchi \u002F Mirrors catalogue \nARTE VENEZIANA\n®\nEdition 6.0\n",7,{"image":39,"text":40,"number":41},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.8.png"," \nARTE VENEZIANA si distingue nel mondo dell’arredo, grazie alla sua produzione artigianale interna e alla \nlavorazione del vetro tagliato, inciso e specchiato. La Famiglia Zanin ha interpretato la grande tradizione ar-\ntigianale della laguna di Venezia per tre generazioni, unendo la conoscenza produttiva e gli stili del passato \ncon il gusto del design affascinante e contemporaneo.\nEssendo completamente autonomi nella lavorazione, disponendo di una falegnameria interna, di esperti \nmaestri vetrai e di un ufficio tecnico interno, siamo in grado di produrre su progetto e disegno dei nostri \nclienti e di studi di architettura, qualsiasi tipo di specchio, mobile e lampadario. Da questo lavoro rigoroso \ne costantemente aggiornato nei metodi e nelle tecnologie, nascono collezioni di arredamento unici, espres-\nsione di una contemporaneità capace di dialogare con la storia e il gusto in modo visionario e innovativo. \nPer questo ARTE VENEZIANA è emblema di un’idea di alta qualità 100% Made in Italy, che a un background \nnutrito di raffinate culture sposa un’eleganza non convenzionale.\nARTE VENEZIANA è un affermato marchio italiano nel settore dei mobili di lusso, ed ha una sezione contract \nRivalto Home Interiors, specializzata in soluzioni custom. La nostra filosofia si basa sullo sviluppo di progetti \ntotal living nel quale creatività e distinzione sono i principali punti di forza.\n“La bellezza è la promessa della felicità” \nStendhal\n6\n",8,{"image":43,"text":44,"number":45},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.9.png","Arte Veneziana is set apart in the world of furnishing with its working with mirrored, engraved and cut glass. \nWith this brand the Zanin family has interpreted the great craft tradition of the Venice lagoon for three \ngenerations, combining the productive knowledge and the styles of the past with the search for contempo-\nraneity and new decorative forms.\nSince we are completely autonomous on the realization of our articles, with our own carpentry, our skil-\nled glass masters and technical office, we are able to produce in custom size every kind mirror, furniture \nor chandelier as our clients and design studios wish. From this rigorous and constantly updated work in \nmethods and technologies, new collections of unique furnishings are created, the expression of a contem-\nporaneity capable in communicating with history and taste in a visionary and innovative way. For this Arte \nVeneziana is the symbol of an idea of high-quality 100% Made in Italy, with a background fed by refined \ncultures that links unconventional elegance.\nArte Veneziana, an established italian brand for luxury furniture, and its contract department Rivalto Home \nInteriors, specialized in tailor made solutions. Our philosophy is based on the idea of developing concepts of \ntotal living which believes in distinctiveness and creativity as the major strong points.\n“Beauty is the promise of happiness” \nStendhal\n7\n",9,{"image":47,"text":15,"number":48},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.10.png",10,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.11.png","L’arte dello specchio\nThe art of the mirror\n",11,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.12.png","L’ARTE DELLO SPECCHIO. La prima notizia relativa al tentativo di realizzare specchi in vetro a Venezia risale all’inizio del XIV secolo. La volontà \ndi emulare produzioni di specchi come già avveniva in Germania, nelle Fiandre o in Lorena, porta alcuni artigiani muranesi ad associarsi con \nmercanti tedeschi. Il progetto, per ragioni storiche ormai dimenticate, fallisce e bisognerà attendere oltre un secolo e mezzo per registrare nuovi \ntentativi in tal senso.\nVa qui ricordato come la possibilità di produrre specchi sufficientemente riflettivi e trasparenti abbia origine (nel 1450) dalle capacità del maestro \ndi fornace Angelo Barovier di produrre - grazie a scelta accurata di materie prime e corrette fasi di lavorazione - il bel vetro terso e lucido che i \nmuranesi chiamano “cristallo”.\nSarà il cristallo che, nel 1492, verrà impiegato da Roberto Franzoso, nella fornace di Giorgio Ballarin in Murano, per la produzione dei primi spec-\nchi vitrei veneziani. È a partire da questa data che lo sviluppo dell’arte dello specchio inizia a registrare una notevole accelerazione.\nGià nel 1507 Andrea e Domenego dal Gallo sviluppano una tecnica per deporre un sottile strato di stagno su lastre in cristallo. Tale tecnica per-\nmette di ottenere un privilegio di fabbricazione (una sorta di brevetto rilasciato dal Consiglio dei X nella Repubblica di Venezia) per un periodo \ndi 20 anni. \nQuesti specchi, pur rivaleggiando con produzioni analoghe fatte all’estero, continuano a rimanere inferiori rispetto agli specchi metallici. Questi \nultimi infatti (realizzati con una lega di stagno e rame) sono levigati e quindi molto riflettenti, mentre gli specchi in vetro, in quanto tirati a mano, \npossiedono una superficie irregolare e quindi poco propensa ad una buona qualità riflessiva.\nEd è proprio un produttore di specchi metallici - Vincenzo Redor - che, tra il 1534 e il 1554, mette a punto una tecnica per levigare le lastre in \ncristallo in maniera da rendere gli specchi in vetro parimenti riflettenti rispetto agli specchi metallici. Evoluzione tecnica che Redor “brevetta” e \nutilizza in esclusiva per 25 anni.\nA partire da questo periodo la qualità degli specchi prodotti a Venezia (detti appunto Façon de Venise) inizia a non avere eguali in Europa. Per \ntale ragione si stabilisce che tale produzione è elemento strategico per la politica industriale della Serenissima. Viene perciò imposto che la re-\nalizzazione di specchi debba avvenire esclusivamente sul suolo lagunare e le competenze e conoscenze relative non possano essere trasmesse a \noperatori stranieri. Nel tempo l’atteggiamento di segretezza relativa alle tecniche di produzione dello specchio, anche in conseguenza all’avvento \ndella produzione industriale dei vetri piani, verrà meno. Già dopo la seconda metà del XVII° secolo tali segreti diverranno, nei fatti, di dominio \npubblico. Resterà però invariata la competenza nell’incisione artistica che permetterà a Venezia di restare un punto di riferimento nella produ-\nzione di specchi decorativi in ambito europeo e mondiale sino ai giorni nostri.\nTHE ART OF MIRROR. The first signs of the attempt to manufacture glass mirrors in Venice date back to the beginning of the fourteenth century. \nPrompted by the will to emulate the mirrors productions - as it already happened in Germany, in the Flanders or in Lorraine, some artisans from \nMurano decided to team up with German merchants. Due to clear historic reasons, the project fails and more than a century and a half will be \nnecessary to record new trials in this effect.\nIt should be remembered that the possibility of manufacturing sufficiently reflective and transparent mirrors arises (in 1450) from the ability of \nAngelo Barovier, master of furnace, to produce - thanks to an accurate selection of raw materials and adequate processing phases - the fine, clear \nand shiny glass called “crystal” by the inhabitants of Murano.\nIt will be crystal that, in 1492, will be used by Roberto Franzoso, at Giorgio Ballarin’s furnace in Murano, for the production of the first Venetian \nglass mirrors.\nStarting from this date, the development of the art of mirror starts recording a noticeable acceleration.\nIn 1507, Andrea and Domenego dal Gallo pointed out a technique to lay a slight layer of tin over crystal plates. This technique enables to achieve \na manufacture privilege (a sort of patent granted by the Council of Ten in the Republic of Venice) for a period of 20 years. \nThese mirrors, though competing with similar productions made abroad, remain inferior to metal mirrors. \nActually the latter (made of an alloy of tin and copper) are polished and hence much more reflective, while glass mirrors - which are “stretched by \nhand” - present an irregular surface which does not grant good reflection. Between 1534 and 1554, a manufacturer of metal mirrors - Vincenzo \nRedor - will develop a technique to smooth crystal plates to confer the same reflection degree of metal mirrors to glass mirrors. Such an exclusive \ntechnical evolution will be “patented” and adopted by Redor for 25 years.\nStarting from this period, the quality of the mirrors manufactured in Venice (the so-called Façon de Venise) starts being unrivalled across Europe. \nFor this reason, it is decided that this production represents a strategic element for the industrial policy of the Serenissima. It is then established \nthat the realization of mirrors shall be carried out only within the lagoon territory and the pertaining skills and knowledge cannot be transmitted \nto foreign operators. The secretive attitude concerning mirror production techniques declined over time, perhaps also as a result of the arrival \nof industrial production of flat glass. Such secrets were indeed already of public domain after the second half of the 17th century. However the \nartistic engraving skills remained, allowing Venice to remain, as it still does today, a point of reference in the production of decorative mirrors, \nnot just in Europe but all over the world.\n10\n",12,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.13.png","LO SPECCHIO VENEZIANO. I disegni presenti sullo specchio, ottenuti attraverso un’incisione fatta a mola, sono caratterizzati da \nmotivi floreali o, nel caso di disegni complessi, da scene figurative di carattere generalmente mitologico o bucolico. La struttura \ndi sostegno è sempre in legno. Esistono tre tipologie di specchio veneziano:\nSpecchi a foglie e fiori. In essi lo specchio inciso viene contornato da elementi vitrei (foglie, fiori, canne, decori). Tali elementi possono essere \nin pasta vitrea (opaca), in vetro trasparente (colorato o neutro), in vetro con foglia d’oro. Tutti i decori sono fissati al supporto mediante chiodi \nspeciali la cui testa è rivestita da una piccola borchia vitrea. Nei modelli più recenti (a partire dalla fine del XIX secolo) è possibile che il fissaggio \ndi questi elementi avvenga anche mediante l’impiego di viti.\nLa presenza di tali decori nasce dal fatto che le fabbriche produttrici di specchi erano a diretto contatto con le fabbriche che producevano vetri \n(talora entrambe le produzioni avvenivano nella medesima fornace). La prossimità ha permesso una contaminazione di generi che ha portato alla \nnascita di uno stile caratteristico.\nSpecchi a traforo. Sono specchi la cui parte decorativa (oltre all’incisione) è affidata a elementi “traforati” composti da piccoli pezzi di specchio \nmolati a mano e, una volta affiancati tra loro, capaci di comporre dei pattern decorativi estremamente intricati. In passato, per i clienti più esi-\ngenti, lo specchio a traforo veniva ulteriormente decorato con inserti in smalto, tartaruga, madreperla o pietre semipreziose (agata, lapislazzulo, \nmalachite, ecc.). Il fissaggio di ciascun pezzo di specchio  avviene attraverso l’incollaggio con pece o attraverso l’uso di piccole borchie lasciate \ncon la testa in vista: in quest’ultimo caso gli specchi vengono preventivamente forati.\nSpecchi a intarsio ligneo. In questo caso lo specchio inciso viene inserito all’interno di una cornice in legno intagliato e dorato. Gli specchi a \nintarsio sono più recenti di quelli a foglie e fiori o a traforo (si sviluppano a partire dal XVIII secolo) ma, per il fatto che le competenze relative \nall’intaglio ligneo sono comuni a molte nazioni europee (in particolare Francia, Austria e Germania), divengono ben presto i prodotti più comuni \nsul mercato. A tale proposito poteva capitare che la parte in specchio molato eseguito a Venezia venisse poi spedita all’estero per essere montata \nsu cornici lignee fatte in loco.\nTHE VENETIAN MIRROR. The patterns on the mirrors, obtained by means of its grinding wheel engraving, feature floral designs or, in the case of \ncomplex patterns, they feature mythological or bucolic figurative scenes. They always have a wooden backboard.\nThere are three types of Venetian mirror:\nMirrors with leaves and flowers. Here the engraved mirror is bordered by glassy elements (leaves, flowers, reeds, decorative elements). Such \nelements can be made of vitreous paste (opaque), transparent glass (coloured or neutral), or glass with gold leaf. All the decorative elements are \nfixed to the structure by means of special nails whose head is covered by a small vitreous boss. In the most recent models (starting from the end \nof the nineteenth century), it is possible that the fixing of these elements is carried out by making use of screws. The presence of such decorative \nelements derives from the fact that mirrors manufacturers were in direct contact with glass manufacturers (sometime their productions were \nexecuted within the same furnace). Thanks to proximity, there has been a contamination of styles that led to the birth of a characteristic style.\nDrilled mirrors. The decorative part of these mirrors (besides engraving) is relied to “drilled” elements made of small hand-bevelled mirror pieces \nwhich, once aligned, create very complex decorative patterns. In the past, for the most demanding customers, the drilled mirror was further dec-\norated with enamel, tortoiseshell, nacre or semi-precious stones (agate, lapislazuli, malachite, etc.) inserts. Each piece of mirror is fixed through \npitch gluing or through small bosses whose head is visible: in this case, mirrors are previously drilled.\nWood inlay mirrors. In this case, the engraved mirror is inserted within an inlayed and golden wooden frame. Inlay mirrors are more recent than \nleaves and flowers or drilled mirrors (they started spreading from the eighteenth century) but, as wood inlay skills are shared by many European \nCountries (particularly France, Austria and Germany), they soon became the most common products on the market. To this purpose, it could \nhappen that the cut mirror section made in Venice was sent abroad to be installed on wooden frames made on the spot.\nLO SPECCHIO FRANCESE. Lo sviluppo dell’industria dello specchio in Francia è dovuto principalmente alla figura di Jean-Baptiste \nColbert (1616-1683), ministro della Real Casa e referente di Luigi XIV per quanto riguarda la politica industriale della Francia nel \nXVII secolo. La necessità di sviluppare una produzione industriale autoctona spinge Colbert a concepire una strategia di spionag-\ngio industriale il cui obiettivo ultimo è quello di insidiare il primato della produzione di specchio a Venezia. Per far questo, tra il \n1665 e il 1667, Colbert favorisce l’espatrio di alcuni maestri spechieri veneziani che, trasferiti con tutti gli onori a Parigi (nella fabbrica divenuta \npoi la Manifacture Royale des Glaces de Miroir) iniziano a produrre, per conto dei francesi, specchi di ottima qualità. \nMa con il passare dei mesi ci si accorge che il costo di produzione degli specchi francesi risulta enormemente più alto di quelli prodotti a Venezia. \nInoltre, a differenza delle aspettative e delle promesse, i veneziani paiono non intenzionati a trasferire le loro conoscenze agli artigiani francesi.\nLa tensione esistente nei rapporti tra la direzione della Manifacture e la colonia dei fuoriusciti si fa acuta nel gennaio 1667, quando Colbert \nproibisce l’importazione in Francia degli specchi prodotti in Laguna e peggiora pochi giorni dopo, con la morte misteriosa di uno dei maestri \nmuranesi. Si pensa allora che la lunga mano dell’Inquisizione veneziana abbia cominciato ad agire per risolvere il problema in maniera radicale. \nImpauriti da questo evento i transfughi decidono di tornare in patria chiedendo (e ottenendo) il perdono. Apparentemente la lotta tra Colbert e \nla Serenissima pare risolversi a favore di quest’ultima: in realtà l’esperienza al fianco degli artigiani veneziani permette ai francesi di proseguire \nuna produzione indipendente che nel tempo insidierà il monopolio della Serenissima.\nLa caratteristica che differenzia maggiormente lo specchio francese da quello veneziano è che il primo non presenta mai decori vitrei (come \nfoglie o fiori) e molto raramente è caratterizzato da inserti in altri materiali. La ragione storica è probabilmente dovuta al fatto che la struttura \n11\n",13,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.14.png","produttiva francese (basata su grandi manifacture operanti ciascuna su un unico settore canonizzato) non abbia favorito quelle contaminazioni \nindustriali presenti invece nella produzione veneziana. \nGli specchi francesi si sono evoluti verso uno stile compositivo in cui si prediligono disegni decorativi caratterizzati da elementi di specchio \nmolati a mano (fissati al telaio ligneo mediante l’uso di pece) e affiancati tra loro: in questo senso si avvicinano agli specchi veneziani traforati \nma, a differenza di questi, hanno una caratteristica di composizione formale più strutturata e meno bizantina. L’incisione dei pezzi è caratte-\nrizzata da una propensione alla molatura profonda e da un’estetica più vicina a quella tedesca o boema (la prossimità geografica tra Francia e \nGermania ha sicuramente determinato questo avvicinamento stilistico). Conseguentemente, negli specchi, l’elemento decorativo inciso tende \nad essere più geometrico e meno figurativo. Va qui ricordato che le reciproche e sostanziose influenze artistiche tra Francia e Repubblica di \nVenezia tendono a complicare le categorizzazioni della produzione dello specchio. In particolare, nel XVIII secolo, si assiste nella città lagunare \nal proliferare di specchi dai chiari riferimenti stilistici francesi (mancanza di decori vitrei e composizione ottenuta attraverso l’affiancamento \ndi elemento in specchio molato) la cui decorazione, invece che basata su forme geometriche, impiega lo stile incisorio a carattere floreale o \nmitologico\u002Fbucolico tipicamente veneziano. Convenzionalmente, questi specchi vengono identificati come specchi veneziani  stile ‘700, al fine \ndi differenziarli dalle precedenti produzioni.\nPer coerenza filologica, visto che comunque essi assumono caratteristiche estetiche riferite ai modelli d’oltr’alpe, è stato deciso di farli rientrare \nnella categoria dei prodotti in stile francese. Perciò, al fine di renderli distinguibili dagli specchi francesi “originali”, la descrizione testuale di tali \narticoli è sempre “specchio veneziano stile ‘700”.\nTHE FRENCH MIRROR. The evolution of the mirror industry in France is mainly due to Jean-Baptiste Colbert (1616-1683), minister of the Royal \nHouse and Louis 14th’s arbiter for France industrial policy in the seventeenth century. The need of developing an autochthonous industrial \nproduction drives Colbert to conceive an industrial espionage strategy aimed at undermining Venice’s supremacy in the production of mirrors. \nTo this purpose, between 1665 and 1667, Colbert encourages the expatriation of some Venetian spechieri (mirror) masters who, after having \nmoved to Paris with great ceremony (in the plant which then became the Manufacture Royale des Glaces de Miroir) start producing excellent \nquality mirrors on behalf of French commissioners. But as the months go by, it is noticed that the French mirrors production cost results much \nhigher compared to the cost of mirrors manufactured in Venice. Moreover, unlike expectations and promises, Venice inhabitants do not intend \nto transfer their knowledge to the French people.\nThe tense relationship between the manufacture management and the colony of the emigrants become even more strained in January 1667, \nwhen Colbert forbids importation to France of the mirrors manufactured within the Lagoon and it gets worse a few days later, with the tragic \ndeath of one of Murano masters. Then the idea that the Venetian Inquisition has started its action to radically solve the problem starts spreading. \nScared by this event, the fugitives decide to go back to their Country, asking for (and obtaining) forgiveness. \nOutwardly, the fight between Colbert and the Serenissima seems to have been solved in favour of the latter: in fact, the experience with Vene-\ntian artisans enables the French to carry out an independent production which will undermine the Serenissima monopoly over time.\nCharacteristics of the French mirror. The difference between the French mirror and the Venetian mirror is that the first never presents glass \ndecorative elements (such as leaves or flowers) and it is rarely decorated with inserts in other materials. The historic reason lies in the fact that \nprobably the French production structure (based on great manufactures, each one operating on a unique canonized sector) did not want to \nsupport those industrial contaminations which are present in the Venetian production.\nFrench mirrors evolved towards a style which prefers decorative patterns of hand-bevelled mirrors element (fixed to the wooden frame with \npitch) and aligned: in this sense they approach the drilled Venetian mirrors but they differ from the latter for their formal composition, which is \nmore structured and less “Byzantine style”. Engraving of pieces is characterised by a predisposition to enhanced wheel grinding and by an aes-\nthetic aspect which approaches the German and Bohemian style (the geographic proximity between France and Germany certainly determined \nsuch a stylistic approach). As a consequence, in the mirrors the engraved decorative element tends to be more geometrical and less figurative. It \nis important to remember that the mutual and substantial artistic influences between France and the Republic of Venice tend to complicate the \nclassifications of mirror manufacture. In particular, in the XVIII century, the lagoon city frames to the springing up of mirrors with clear French \nstylistic references (absence of glass decorative elements and composition obtained from the combination of bevelled mirror elements) whose \ndecoration, instead of being based on geometric shapes, adopts floral or mythological\u002Fbucolic engraving style, typical of Venice.  Conventionally, \nthese mirrors are defined as eighteenth-century style Venetian mirrors (specchi veneziani  stile ‘700)  in order to distinguish them \nLO SPECCHIO MODERNO. L’evoluzione stilistica degli specchi non subisce grandi variazioni per tutto il XVII e XVIII secolo. Gli \nspecchi, siano essi veneziani o francesi, vengono riprodotti negli anni senza apportare modifiche che li caratterizzino ma, al \ncontrario, i caratteri storici che rappresentano vengono apprezzati dal conformismo estetico presente nella società borghese del \nperiodo.\nÈ a partire dal XX secolo che, con l’avvento di nuove poetiche artistiche, l’arte dell’incisione su specchio riceve un impulso al rinnovamento.\nGli esempi più rinomati di pezzi d’arredo in cui la presenza dello specchio è marcata compaiono soprattutto tra gli anni ‘20 e gli anni ‘40: in \nparticolare è l’Art Déco (nome derivato per estrema sintesi dal titolo dell’esposizione internazionale di Parigi nel 1925: Exposition Internationale \ndes Artes Décoratifs) che produce una nuova poetica dell’incisione. \nLo stile è eclettico e varia da nazione a nazione e da architetto ad architetto, ma il richiamo comune è una marcata predilezione per forme \ndecorative a matrice geometrica ed espressioni figurative stilizzate. In alcuni casi è percepibile l’influenza estetica derivante dalle avanguardie \nartistiche come il Futurismo, il Neoclassicismo, il Modernismo o il Cubismo.\nTra i progettisti che si cimentano maggiormente con l’arte dello specchio inciso vanno ricordati in particolar modo Serge Roche, Pierre Dariel, \nJacques-Émile Rhulmann (in Francia) e Giò Ponti (in Italia).\nTHE MODERN MIRROR. The stylistic evolution of mirrors does not undergo significant changes during the seventeenth and eighteenth centu-\n12\n",14,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.15.png","LO SPECCHIO CONTEMPORANEO. Come tutte le tradizioni, anche quella dell’arte incisoria può essere interpretata e riproposta \nattraverso una chiave di lettura innovativa capace di esprimere il proprio tempo.\nTali prodotti nascono dalla convinzione che esiste un pubblico in grado di apprezzare la tradizione raccontata in forme decorative \ncontemporanee.\nLa conseguenza di questo pensiero diventa quindi la produzione di  forme e attitudini moderne e  non convenzionali che, abbinate alla tradizione \nincisoria veneziana, permettano di evolvere l’alto artigianato che Arte Veneziana rappresenta in maniera intelligente, emozionante e visionaria. \nCONTEMPORARY MIRRORS. As in all traditions, the one of engraving can be interpreted and offered through an innovative perspective capable \nof expressing its period. \nWhat follows this way of thinking therefore becomes the production of modern and unconventional forms and attitudes, combined with the Vene-\ntian engraving tradition, enables the evolution of the high craftsmanship that Arte Veneziana represents in an intelligent, moving and visionary \nway. \nries. The mirrors, both Venetian and French ones, are reproduced over the years with no meaningful modifications but, on the contrary, their \ntypical historic traits are appreciated by the aesthetical conformism present in the middle class of the time.\nStarting from the twentieth century, with the coming of new artistic poetics, a renewal in the art of mirror engraving is encouraged.\nThe most renowned examples of furniture pieces characterised by mirrors are evident between the 1920s and the 1040s: particularly, Art Déco \n(name derived as a synthesis of Paris International Exhibition held in 1925: Exposition International des Arts Décoratifs) which sets a new \nengraving poetics. \nThe eclectic style is different, depending on the Country and on the architect, but the common thread is represented by a remarked predilec-\ntion for decorative styles with geometric roots and stylized figurative expressions. In some cases, the aesthetic influence derived from artistic \navant-gardes such as Futurism, Neoclassicism, Modernism, or Cubism can be perceived.\nAmong the most well-known designers of engraved mirror art, Serge Roche, Pierre Dariel, Jacques-Émile Rhulmann (in France) and Giò Ponti \n(in Italy) just to mention a few.\nLA TECNICA ÉGLOMISÉ. Già conosciuta dagli artigiani dell’antico Egitto, la tecnica églomisé prende nome da colui che, in epoca \nmoderna, è stato artefice del suo recupero: Jean-Baptiste Glomy (1711-1786), corniciaio alla corte dei Re Luigi XV e Luigi XVI, \nriporta questo processo in voga a partire dalla seconda metà del XVIII° secolo.\nLa tecnica consiste del fissaggio di una foglia d’oro su un supporto in vetro (lastra, coppa o qualsiasi altro oggetto decorabile) \nmediante una colla oleosa. La foglia d’oro viene poi decorata a smalto oppure incisa con una punta metallica (graffiatura). Molto spesso, en-\ntrambe le tecniche vengono impiegate sul medesimo pezzo.\nNel caso il decoro venga posto sulla parte esterna del vetro, si preferisce ricuocere oro e smalto per donare loro maggiore resistenza all’abrasione. \nIn caso contrario, il decoro è protetto dal vetro medesimo (lavorazione a freddo).\nArte veneziana impiega la tecnica églomisé su differenti prodotti con differenti stili (veneziano, francese, moderno o contemporaneo). Alterna-\ntivamente all’églomisé, è possibile decorare gli specchi esclusivamente a smalto (evitando il rivestimento in foglia d’oro). Anche in questo caso \nil prodotto può essere ricotto in forno per aumentarne la resistenza all’abrasione.\nI prodotti che impiegano queste tecniche decorative vengono indicati con il simbolo\n, posto all’interno dell’icona stilistica di riferimento \n(                      ). \nTHE ÉGLOMISÉ TECHNIQUE. The Verre églomisé or back painting technique dates back to Egyptian times but it was named after Jean-Baptiste \nGlomy (1711-1786) who was responsible for its revival in modern times. Glomy was a frame maker at the court of King Luois XV and Louis XVI \nand began using this technique during the second half of the eighteenth century. \nThe technique consists of applying gold leaf to a glass substrate (plate, cup or any other object that can be decorated) using an oil-based ad-\nhesive. The gold leaf is then decorated with enamel or engraved with a metallic point. Often, both techniques are used on the same object. If, \nhowever, the decoration is made on the back of the glass, it is preferable to bake the gold and enamel again to increase abrasion resistance, \notherwise, the decoration can be protected by the glass itself (cold gilding).\nArte Veneziana applies verre églomisé techniques on different products using different styles; \nVenetian, French, modern or contemporary. As an alternative to verre églomisé, it is possible to decorate mirrors with enamel (avoiding the gold \nleaf coating). In this case too, the product can be baked again to increase abrasion resistance. \nProducts in which these techniques are used are indicated with the symbol\n, placed inside the stylistic icon it refers to. (                      ).\n13\n",15,{"image":70,"text":15,"number":71},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.16.png",16,{"image":73,"text":15,"number":74},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.17.png",17,{"image":76,"text":15,"number":77},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.18.png",18,{"image":79,"text":80,"number":81},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.19.png","Indice fotografico\nPhotographic index\n",19,{"image":83,"text":84,"number":85},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.20.png","Specchi \u002F Mirrors\n014\np.26\nF15\np.30\n051\np.32\n0205\np.34\n050\np.36\n0440\np.37\n079\np.38\n0100\np.39\n0970\np.40\n0971\np.42\n0130\np.43\n0101\np.44\n0450\np.46\n015\np.48\n07809\np.50\n088\np.51\n095\np.52\n0208\np.53\n0430\np.54\n0400\np.56\n0410\np.57\n0175\np.58\n016\u002FS\np.60\n0181\np.61\n0203\np.62\n18\n",20,{"image":87,"text":88,"number":89},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.21.png","4071\np.63\n068\np.64\n071\np.65\n0179\np.66\n0173\np.68\n0169\u002FS\np.69\n3000\np.70\n3001\np.71\nJ50\np.72\n0200\np.74\n087\np.76\n3012\np.78\n0106\np.79\n08006\np.80\n030\u002FEG\np.82\n020\u002FEG\np.84\n040\u002FEG\np.86\n2615\u002FEG\np.88\n7160\np.92\n7170\np.96\nMUSEO\np.98\nM50\np.100\nM70\np.102\nMB95\u002FS\np.103\n010\np.104\nM170\np.106\nNEW\nM990\np.108\nM1000\np.110\nM920\u002FS\np.112\nM80\np.114\n19\n",21,{"image":91,"text":92,"number":93},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.22.png","M2000\np.116\nM2050\np.118\nNEW\nOV04\np.120\n7060\np.122\n7050\np.124\n6741\np.125\n7159\np.128\nM160\np.130\n7025\np.131\n7024\np.132\n7250\np.134\n6717\np.135\n7038\np.138\nM35\u002FS\np.140\nM120\np.141\n2460\u002FS\np.144\n2030\u002FS\np.145\n2550\u002FS\np.146\n2710\np.148\n99007\np.150\n99006\np.152\n2510\u002FS\np.153\n4070\np.154\n2040\u002FS\np.155\n06007\u002FS\np.156\n20\n",22,{"image":95,"text":96,"number":97},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.23.png","Decorazioni \u002F Decorations   p.160-186\n      ACANTHUS\n      BURANELLO\n      CONVALLARIA\n      BOUQUET\n      CORNUCOPIA\n      SCUDO VENEZIANO\n      LUCANIA\n      SHARAZAD\n      GORDIO\n      LAURUS\n      CORINZIO\n      MOSTRINA\n      OLIVA FRANCESE\n      BULLE FIAMMINGA\n      FIAMMANTE\n      SOFT\n      OLEA\n      BUGATTI\n      CRISSCROSS\n      LITTORE\n21\n",23,{"image":99,"text":100,"number":101},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.24.png","      IMPERIUM\n      DIAMANTE\n      CLOUDY\nNEW\n      LEATHER\nNEW\n      STELLATA\nNEW\n      ÉGLOMISÉ GOLD\n      ÉGLOMISÉ SILVER\nLa nostra produzione è fatta a mano, artigianale, ed eventuali difetti o piccole variazioni di misure sono da considerarsi \nprova di questa artigianalità e soprattutto dell’unicità di ogni singolo pezzo.\nOur production is handmade, handcrafted, and any defects or slight variations in measurements are to be considered \nas evidence of this craftsmanship, and especially as an evidence of uniqueness of each single piece.\n22\n",24,{"image":103,"text":104,"number":105},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.25.png","Specchi\nMirrors\n23\n",25,{"image":107,"text":15,"number":108},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.26.png",26,{"image":110,"text":15,"number":111},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.27.png",27,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.28.png","Ed. 6.0\n014\nL\n177\nH\n255\nL\n695\u002F8\nH\n1003\u002F8\n014\nImportante specchio stile Veneziano, inciso a diamante ed anticato, con vetri tirati a mano e \ninserti foreali in vetro di Murano color cristallo. Telaio in legno massello anticato fnitura bitume.\nEngraved and antiqued handmade mirror in Venetian style with Murano glass decorations crystal \ncolour. Structure in antiqued solid wood fnished in bitumen.\n26\n",28,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.29.png","27\n",29,{"image":121,"text":15,"number":122},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.30.png",30,{"image":124,"text":15,"number":125},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.31.png",31,{"image":127,"text":128,"number":129},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.32.png","Ed. 6.0\nF15\nSpecchio in stile Veneziano, inciso a mano ed anticato con ricci in vetro di Murano color \ncristallo e fori in pasta vitrea multicolore. Telaio in legno fnitura naturale.\nHand engraved and antiqued mirror in Venetian style with decorations in Murano glass crystal \ncolour and multicolour glass-paste. Structure in natural wood.\nF15\nL\n110\nH\n185\nL\n431\u002F4\nH\n727\u002F8\n30\n",32,{"image":131,"text":132,"number":133},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.33.png","31\n",33,{"image":135,"text":136,"number":137},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.34.png","Ed. 6.0\n051\nSpecchiera stile Veneziano anticata ed incisa su vetro tirato a mano con decorazioni in vetro di \nMurano color cristallo. Telaio in legno massello anticato fnitura naturale.\nEngraved and antiqued handmade mirror in Venetian style with Murano glass decorations in crystal \ncolour. Structure in antiqued natural solid wood.\n051\nL\n68\nH\n127\nL\n263\u002F4\nH\n50\n32\n",34,{"image":139,"text":140,"number":141},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.35.png","33\n",35,{"image":143,"text":144,"number":145},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.36.png","Ed. 6.0\n0205\nSpecchio inciso anticato in stile Veneziano con ricci e fori in vetro di Murano color cristallo. \nTelaio in legno fnitura naturale.\nEngraved and antiqued mirror in Venetian style with Murano glass curls and fowers crystal colour. \nStructure in natural wood.\n0205\nL\n70\nH\n130\nL\n271\u002F2\nH\n511\u002F8\n34\n",36,{"image":147,"text":148,"number":149},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.37.png","Ed. 6.0\n35\n",37,{"image":151,"text":152,"number":153},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.38.png","Ed. 6.0\n050\nSpecchio stile Veneziano inciso a mano con ricci in vetro di Murano color cristallo e fori in pasta \nvitrea multicolore. Telaio in legno fnitura naturale.\nHand engraved mirror in Venetian style with Murano glass curls in crystal colour and multicolour \nglass-paste decorations. Structure in natural wood.\n050\nL\n85\nH\n135\nL\n331\u002F2\nH\n531\u002F8\n36\n",38,{"image":155,"text":156,"number":157},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.39.png","Ed. 6.0\n0440\nSpecchio inciso stile Veneziano con ricci e fori in vetro di Murano color cristallo oro. Telaio in \nlegno fnitura naturale.\nVenetian style mirror with engravings and Murano glass decorations in crystal gold colour. Structure \nin natural wood.\n0440\nL\n85\nH\n135\nL\n331\u002F2\nH\n531\u002F8\n37\n",39,{"image":159,"text":160,"number":161},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.40.png","Ed. 6.0\n079\nSpecchio stile Veneziano inciso a mano con ricci e fori in vetro di Murano color ambra. Telaio in \nlegno fnitura naturale.\nVenetian style mirror with handmade engravings and Murano glass decorations in amber colour. \nStructure in natural wood.\n079\nL\n80\nH\n95\nL\n311\u002F2\nH\n373\u002F8\n38\n",40,{"image":163,"text":164,"number":165},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.41.png","Ed. 6.0\n0100\nSpecchio inciso stile Veneziano con decori in vetro di Murano color ambra. Telaio in legno \nfnitura naturale.\nVenetian style mirror with engravings and Murano glass decorations in amber colour. Structure in \nnatural wood.\n0100 \nL\n100\nH\n165\nL\n393\u002F8\nH\n65\n39\n",41,{"image":167,"text":168,"number":169},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.42.png","Ed. 6.0\n0970\nSpecchio stile Veneziano inciso a mano con ricci e fori in vetro di Murano color ambra. Telaio in \nlegno fnitura naturale.\nVenetian style mirror with handmade engravings and Murano glass decorations in amber colour. \nStructure in natural wood.\n0970\nL\n70\nH\n120\nL\n271\u002F2\nH\n471\u002F4\n40\n",42,{"image":171,"text":172,"number":173},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.43.png","41\n",43,{"image":175,"text":176,"number":177},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.44.png","Ed. 6.0\n0971\nSpecchio stile Veneziano inciso a mano con decori in vetro di Murano color ambra. Telaio in \nlegno fnitura naturale.\nVenetian style mirror with handmade engravings and Murano glass decorations in amber colour. \nStructure in natural wood.\n0971\nL\n87\nH\n130\nL\n341\u002F4\nH\n511\u002F8\n42\n",44,{"image":179,"text":180,"number":181},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.45.png","Ed. 6.0\n0130\nSpecchio inciso stile Veneziano con decori in vetro di Murano color ambra. Telaio in legno \nfnitura naturale.\nVenetian style mirror with engravings and Murano glass decorations in amber colour. Structure in \nnatural wood.\n0130\nL\n75\nH\n90\nL\n291\u002F2\nH\n351\u002F2\n43\n",45,{"image":183,"text":184,"number":185},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.46.png","Ed. 6.0\n0101\nSpecchio stile Veneziano anticato con incisioni raffguranti dama e cavaliere. Cornice in vetro di \nMurano color cristallo oro e fori di cristallo. Telaio in legno fnitura naturale.\nAntiqued Venetian style mirror with lady and cavalier engraved. Murano glass frame in crystal gold \ncolour and crystal fowers. Structure in natural wood.\n0101\nL\n60\nH\n80\nL\n235\u002F8\nH\n311\u002F2\n44\n",46,{"image":187,"text":188,"number":189},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.47.png","45\n",47,{"image":191,"text":192,"number":193},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.48.png","Ed. 6.0\n0450\nGrande specchio inciso in stile Veneziano con decori in vetro di Murano color cristallo. Telaio in \nlegno massello anticato fnitura naturale.\nVenetian style mirror with engravings and Murano glass decorations in crystal colour. Structure in \nantiqued natural solid wood.\n0450\nL\n110\nH\n140\nL\n451\u002F4\nH\n551\u002F8\n46\n",48,{"image":195,"text":196,"number":197},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.49.png","47\n",49,{"image":199,"text":200,"number":201},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.50.png","Ed. 6.0\n015\nGrande specchiera incisa in stile Veneziano con specchio interno a riquadri bisellati e decori in \nvetro di Murano color cristallo oro. Telaio in legno fnitura naturale.\nBig hand engraved mirror in Venetian style with central mirror divided in bevelled panels and \nMurano glass decorations in crystal gold colour. Structure in natural wood.\n015\nL\n140\nH\n200\nL\n551\u002F8\nH\n783\u002F4\n48\n",50,{"image":203,"text":204,"number":205},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.51.png","49\n",51,{"image":207,"text":208,"number":209},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.52.png","Ed. 6.0\n07809\nSpecchio inciso in stile Veneziano con decori in vetro di Murano color cristallo oro. Telaio in \nlegno fnitura naturale.\nHand engraved mirror in Venetian style with Murano glass decorations in crystal gold colour. \nStructure in natural wood.\n07809\nL\n80\nH\n100\nL\n311\u002F2\nH\n393\u002F8\n50\n",52,{"image":211,"text":212,"number":213},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.53.png","Ed. 6.0\n088\nSpecchio inciso in stile Veneziano con decorazioni in vetro di Murano color cristallo oro. Telaio \nin legno fnitura naturale.\nEngraved mirror in Venetian style with Murano glass decorations in crystal gold colour. Structure in \nnatural wood. \n088\nL\n70\nH\n90\nL\n271\u002F2\nH\n351\u002F2\n088\nL\n80\nH\n100\nL\n311\u002F2\nH\n393\u002F8\n51\n",53,{"image":215,"text":216,"number":217},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.54.png","Ed. 6.0\n095\nSpecchio inciso in stile Veneziano con decori in vetro di Murano color cristallo oro. Telaio in \nlegno fnitura naturale.\nVenetian style mirror with engravings and Murano glass decorations in crystal gold colour. Structure \nin natural wood.\n095\nL\n80\nH\n100\nL\n311\u002F2\nH\n393\u002F8\n52\n",54,{"image":219,"text":220,"number":221},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.55.png","Ed. 6.0\n0208\nSpecchiera in stile Veneziano inciso a mano con dettagli in specchio rosa e decori foreali in \nvetro di Murano color cristallo oro. Telaio in legno fnitura naturale.\nHand engraved Venetian style mirror with details in pink mirror and Murano glass in crystal gold \ncolour. Structure in natural wood.\n0208\nL\n80\nH\n100\nL\n311\u002F2\nH\n393\u002F8\n53\n",55,{"image":223,"text":224,"number":225},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.56.png","Ed. 6.0\n0430\nSpecchio orizzontale inciso in stile Veneziano con ricci e fori in vetro di Murano color cristallo \noro. Telaio in legno fnitura naturale.\nHorizontal engraved mirror in Venetian style with Murano glass curls and fowers in crystal gold \ncolour. Structure in natural wood.\n0430\nL\n150\nH\n125\nL\n59\nH\n491\u002F4\n54\n",56,{"image":227,"text":228,"number":229},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.57.png","55\n",57,{"image":231,"text":232,"number":233},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.58.png","Ed. 6.0\n0400\nSpecchiera orizzontale incisa in stile Veneziano con specchio interno a riquadri bisellati e decori \nin vetro di Murano color cristallo oro. Telaio in legno fnitura naturale.\nHorizontal engraved mirror in Venetian style with bevelled panels mirror inside and Murano glass \ndecorations in crystal gold colour. Structure in natural wood.\n0400\nL\n140\nH\n110\nL\n551\u002F8\nH\n431\u002F4\n56\n",58,{"image":235,"text":236,"number":237},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.59.png","Ed. 6.0\n0410\nSpecchio orizzontale inciso in stile Veneziano con ricci e fori in vetro di Murano color cristallo \noro. Telaio in legno fnitura naturale.\nHorizontal engraved mirror in Venetian style with Murano glass curls and fowers in crystal gold \ncolour. Structure in natural wood.\n0410\nL\n140\nH\n110\nL\n551\u002F8\nH\n431\u002F4\n57\n",59,{"image":239,"text":240,"number":241},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.60.png","Ed. 6.0\n0175\nSpecchio orizzontale inciso in stile Veneziano con ricci e fori in vetro di Murano color cristallo. \nTelaio in legno fnitura naturale.\nHorizontal engraved mirror in Venetian style with Murano glass curls and fowers in crystal colour. \nStructure in natural wood.\n0175\nL\n150\nH\n110\nL\n59\nH\n431\u002F4\n58\n",60,{"image":243,"text":244,"number":245},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.61.png","59\n",61,{"image":247,"text":248,"number":249},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.62.png","Ed. 6.0\n016\u002FS\nSpecchio inciso in stile Veneziano con ricci e fori in vetro di Murano color cristallo oro. Telaio in \nlegno fnitura naturale. Abbinabile alla consolle 016\u002FC.\nEngraved mirror in Venetian style with Murano glass curls and fowers in crystal gold colour. \nStructure in natural wood. Matchable with console 016\u002FC.\n016\u002FS\nL\n115\nH\n115 \nL\n451\u002F4\nH\n451\u002F4\n60\n",62,{"image":251,"text":252,"number":253},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.63.png","Ed. 6.0\n0181\nSpecchio inciso in stile Veneziano con ricci e fori in vetro di Murano color cristallo oro. Telaio in \nlegno fnitura naturale.\nEngraved mirror in Venetian style with Murano glass curls and fowers in crystal gold colour. \nStructure in natural wood.\n0181\nL\n115\nH\n147\nL\n451\u002F4\nH\n577\u002F8\n61\n",63,{"image":255,"text":256,"number":257},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.64.png","Ed. 6.0\n0203\nSpecchio inciso in stile Veneziano con ricci e fori in vetro di Murano color cristallo oro. Telaio in \nlegno fnitura naturale.\nEngraved mirror in Venetian style with Murano glass curls and fowers in crystal gold colour. \nStructure in natural wood.\n0203\nL\n80\nH\n110\nL\n311\u002F2\nH\n431\u002F4\n62\n",64,{"image":259,"text":260,"number":261},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.65.png","Ed. 6.0\n4071\nSpecchio inciso in stile Veneziano con ricci in vetro di Murano color cristallo oro e fori in tinta \ncipria. Telaio in legno fnitura naturale.\nEngraved mirror in Venetian style with Murano glass curls in crystal gold colour and fowers in cipria \ncolour. Structure in natural wood.\n4071\nL\n75\nH\n110\nL\n291\u002F2\nH\n431\u002F4\n63\n",65,{"image":263,"text":264,"number":265},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.66.png","Ed. 6.0\n068\nSpecchio inciso in stile Veneziano con ricci e fori in vetro di Murano color cristallo oro. Telaio in \nlegno fnitura naturale.\nEngraved mirror in Venetian style with Murano glass curls and fowers in crystal gold colour. \nStructure in natural wood.\n068\nL\n60\nH\n105\nL\n235\u002F8\nH\n413\u002F8\n64\n",66,{"image":267,"text":268,"number":269},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.67.png","Ed. 6.0\n071\nSpecchio inciso in stile Veneziano con ricci e fori in vetro di Murano color cristallo oro. Telaio in \nlegno fnitura naturale.\nEngraved mirror in Venetian style with Murano glass curls and fowers in crystal gold colour. \nStructure in natural wood.\n071\nL\n65\nH\n100\nL\n255\u002F8\nH\n393\u002F8\n65\n",67,{"image":271,"text":272,"number":273},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.68.png","Ed. 6.0\n0179\nSpecchio inciso in stile Veneziano con ricci e fori in vetro di Murano color cristallo oro. Telaio in \nlegno fnitura naturale.\nEngraved mirror in Venetian style with Murano glass curls and fowers in crystal gold colour. \nStructure in natural wood.\n0179\nL\n70\nH\n115\nL\n271\u002F2\nH\n451\u002F4\n66\n",68,{"image":275,"text":276,"number":277},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.69.png","Ed. 6.0\n67\n",69,{"image":279,"text":280,"number":281},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.70.png","Ed. 6.0\n0173\nSpecchio inciso in stile Veneziano con ricci e fori in vetro di Murano color cristallo oro. Telaio in \nlegno fnitura naturale.\nEngraved mirror in Venetian style with Murano glass curls and fowers in crystal gold colour. \nStructure in natural wood.\n0173\nL\n70\nH\n155\nL\n271\u002F2\nH\n61\n68\n",70,{"image":283,"text":284,"number":285},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.71.png","Ed. 6.0\n0169\u002FS\nSpecchiera incisa in stile Veneziano con cornice centrale in specchio bronzo. Decorazioni in vetro \ndi Murano color cristallo oro. Telaio in legno fnitura naturale. Abbinabile alla consolle 0169\u002FC.\nEngraved mirror in Venetian style with central frame in bronze mirror and Murano glass decorations in \ncrystal gold colour. Structure in natural wood. Matchable with console 0169\u002FC.\n0169\u002FS\nL\n77\nH\n110\nL\n303\u002F8\nH\n431\u002F4\n69\n",71,{"image":287,"text":288,"number":289},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.72.png","Ed. 6.0\n3000\nApplique stile Veneziano con dama incisa a mano, ricci e fori in vetro di Murano color cristallo oro e cipria. Completo \ndi due luci composte da braccia in vetro di Murano con paralumi in cotone plissè. Telaio in legno fnitura naturale.\nWall lamp in Venetian style with hand engraved lady, Murano glass curls and fowers in crystal gold and cipria colour, two \nlights in Murano glass and pleated cotton lampshades. Structure in wood natural fnish.\n3000\nL\n50\nH\n90\nL\n195\u002F8\nH\n351\u002F2\n70\n",72,{"image":291,"text":292,"number":293},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.73.png","Ed. 6.0\n3001\nApplique stile Veneziano con cavaliere inciso a mano, ricci e fori in vetro di Murano color cristallo oro e cipria. Completo \ndi due luci composte da braccia in vetro di Murano con paralumi in cotone plissè. Telaio in legno fnitura naturale.\nWall lamp in Venetian style with hand engraved cavalier, Murano glass curls and fowers in crystal gold and cipria colour, \ntwo lights in Murano glass and pleated cotton lampshades. Structure in wood natural fnish.\n3001\nL\n50\nH\n90\nL\n195\u002F8\nH\n351\u002F2\n71\n",73,{"image":295,"text":296,"number":297},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.74.png","Ed. 6.0\nJ50\nApplique stile Veneziano in specchio anticato con incisione mitologica e decori in vetro di Murano color cristallo. Portacandela a \ntre luci composta da braccia in vetro di Murano e terminale in bronzo anticato. Telaio in legno massello anticato fnitura naturale.\nWall lamp in Venetian style with handmade mirror with mythological engraving and Murano glass decorations crystal colour. Three \ncandle holders in Murano glass and antiqued bronze terminals. Structure in antiqued natural solid wood.\nJ50\nL\n40\nH\n90\nL\n153\u002F4\nH\n351\u002F2\n72\n",74,{"image":299,"text":300,"number":301},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.75.png","73\n",75,{"image":303,"text":304,"number":305},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.76.png","Ed. 6.0\n0200\nSpecchio stile Veneziano, inciso a mano ed anticato con ricci in vetro di Murano color ambra e \nfori in pasta vitrea multicolore. Telaio in legno massello anticato fnitura naturale.\nHand engraved and antiqued mirror in Venetian style with amber Murano glass curls and \nmulticolour glass-paste fowers. Structure in antiqued natural solid wood.\n0200\nL\n55\nH\n100\nL\n215\u002F8\nH\n393\u002F8\n74\n",76,{"image":307,"text":308,"number":309},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.77.png","75\n",77,{"image":311,"text":312,"number":313},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.78.png","Ed. 6.0\n087\nSpecchio inciso in stile Veneziano ed anticato con cornice di fori in vetro di Murano tinta ambra \ne azzurro. Telaio in legno fnitura naturale.\nHand engraved and antiqued mirror in Venetian style, inner frame in amber and light blue Murano \nglass fowers. Structure in natural wood.\n087\nL\n65\nH\n90\nL\n255\u002F8\nH\n351\u002F2\n76\n",78,{"image":315,"text":316,"number":317},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.79.png","77\n",79,{"image":319,"text":320,"number":321},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.80.png","Ed. 6.0\n3012\nSpecchio inciso in stile Veneziano con decori in vetro di Murano color cristallo. Telaio in legno \nfnitura naturale.\nVenetian style mirror with engravings and Murano glass decorations in crystal colour. Structure in \nnatural wood. \n3012\nL\n70\nH\n85\nL\n271\u002F2\nH\n331\u002F2\n78\n",80,{"image":323,"text":324,"number":325},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.81.png","Ed. 6.0\n0106\nSpecchio bicolore inciso in stile Veneziano con decori foreali in vetro di Murano color cristallo. \nTelaio in legno fnitura naturale.\nTwo-tones Venetian style mirror with engravings and Murano glass decorations in crystal colour. \nStructure in natural wood.\n0106\nL\n62\nH\n100\nL\n243\u002F8\nH\n393\u002F8\n79\n",81,{"image":327,"text":328,"number":329},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.82.png","Ed. 6.0\n08006\nSpecchio bicolore inciso in stile Veneziano con decori foreali in vetro di Murano color cristallo \noro. Telaio in legno fnitura naturale.\nTwo-tones Venetian style mirror with engravings and Murano glass decorations in crystal gold \ncolour. Structure in natural wood.\n08006\nL\n80\nH\n135\nL\n311\u002F2\nH\n531\u002F8\n80\n",82,{"image":331,"text":332,"number":333},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.83.png","Ed. 6.0\n81\n",83,{"image":335,"text":336,"number":337},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.84.png","Ed. 6.0\n030\u002FEG\nSpecchio anticato in stile Veneziano con ricci e fori in vetro di Murano color cristallo. Decoro realizzato \nmediante tecnica églomisé in colore argento. Telaio in legno fnitura naturale. Design Leo De Carlo.\nAntiqued mirror in Venetian style with curls and fowers in Murano glass crystal colour. Decoration\nmade in églomisé technique silver colour. Structure in natural wood. Design Leo De Carlo.\n030\u002FEG\nL\n81\nH\n132\nL\n317\u002F8\nH\n52\n82\n",84,{"image":339,"text":340,"number":341},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.85.png","83\n",85,{"image":343,"text":344,"number":345},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.86.png","Ed. 6.0\n020\u002FEG\nSpecchio anticato in stile Veneziano con ricci e fori in vetro di Murano color cristallo oro. Decoro \nrealizzato mediante tecnica églomisé in colore oro. Telaio in legno fnitura naturale. Design Leo De Carlo. \nAntiqued mirror in Venetian style with curls and fowers in Murano glass crystal gold colour. Decoration \nmade in églomisé technique gold colour. Structure in natural wood. Design Leo De Carlo.\n020\u002FEG\nL\n86\nH\n145\nL\n337\u002F8\nH\n57\n84\n",86,{"image":347,"text":348,"number":349},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.87.png","85\n",87,{"image":351,"text":352,"number":353},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.88.png","Ed. 6.0\n040\u002FEG\nSpecchio anticato in stile Déco con decoro a fasce realizzato mediante tecnica églomisé in colore oro. \nCornici in vetro e fori di Murano color ambra. Telaio in legno fnitura naturale. Design Leo De Carlo.\nAntiqued mirror in Déco style with fowers in Murano glass gold colour. Decoration made in \néglomisé technique gold colour. Structure in natural wood. Design Leo De Carlo.\n040\u002FEG\nL\n84\nH\n131\nL\n33\nH\n515\u002F8\n86\n",88,{"image":355,"text":356,"number":357},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.89.png","87\n",89,{"image":359,"text":360,"number":361},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.90.png","Ed. 6.0\n2615\u002FEG\nSpecchio anticato e decorato in foglia oro stile eglomisé. Telaio in rovere tinto nero e oliato. Fascia \nperimetrale in specchio molato ad “unghia”. Abbinabile a madia 2610\u002FEG. Design Giovanni Luca Ferreri.\nAntiqued mirror decorated with golden leaf eglomisé style. Structure in oiled oak black colour. Perimetral \nframe in mirror with “nails” bevellings. Matchable with sideboard 2610\u002FEG. Design Giovanni Luca Ferreri.\n2615\u002FEG\nL\n110\nH\n170\nL\n431\u002F4\nH\n667\u002F8\n88\n",90,{"image":363,"text":364,"number":365},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.91.png","89\n",91,{"image":367,"text":15,"number":368},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.92.png",92,{"image":370,"text":15,"number":371},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.93.png",93,{"image":373,"text":374,"number":375},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.94.png","Ed. 6.0\n7160\nImportante specchio anticato in stile Veneziano traforato con incisioni eseguite a mola diamantata. Specchio \nmolato e fssato con viti anticate. Telaio in legno massello verniciato color nero ed anticato. Design Leo De Carlo.\nFretworked and antiqued mirror in Venetian style with foral engravings made with diamond grinding wheel. Bevelled \nmirror fxed with antiqued screws. Solid wooden structure with black varnish, antiqued fnishing. Design Leo De Carlo. \n7160\nL\n156\nH\n222\nL\n613\u002F8\nH\n873\u002F8\n92\n",94,{"image":377,"text":378,"number":379},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.95.png","93\n",95,{"image":381,"text":15,"number":382},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.96.png",96,{"image":384,"text":15,"number":385},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.97.png",97,{"image":387,"text":388,"number":389},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.98.png","Ed. 6.0\n7170\nSpecchio anticato bicolore in stile Veneziano traforato con incisioni eseguite mediante mola a sfera. Trafori in \nspecchio molato fssati con viti a vista. Telaio in legno massello verniciato color nero e anticato. Design Leo De Carlo.\nAntiqued two-tone mirror in fretwork Venetian style with foral engravings made with spheric grinding wheel. Fretworks in \nbevelled mirror fxed with screws. Solid wooden structure with black varnish, antiqued fnishing. Design Leo De Carlo.\n7170 \nL\n87\nH\n146\nL\n341\u002F4\nH\n571\u002F2\n96\n",98,{"image":391,"text":392,"number":393},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.99.png","97\n",99,{"image":395,"text":396,"number":397},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.100.png","Ed. 6.0\nMUSEO\nSpecchio anticato bicolore in stile Veneziano traforo, inciso e molato a mano. Trafori in specchio \nmolato fssati con viti a vista. Telaio in legno laccato nero opaco.\nAntiqued two-tone bevelled mirror in traforo Venetian style with engravings. Fretworks in bevelled \nmirror fxed with screws. Structure in black matt lacquered wood.\nMUSEO\nL\n90\nH\n135\nL\n351\u002F2\nH\n531\u002F8\n98\n",100,{"image":399,"text":400,"number":401},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.101.png","Ed. 6.0\n99\n",101,{"image":403,"text":404,"number":405},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.102.png","Ed. 6.0\nM50\nSpecchio Veneziano stile ‘700 con inserti in vetro molato color blu notte e incisioni argentate \neseguite a mano. Telaio in legno massello anticato fnitura naturale.\n18th century Venetian style mirror with hand bevelled night blue glass inserts with silvered \nengravings. Structure in antiqued solid natural wood.\nM50\nL\n90\nH\n135\nL\n351\u002F2\nH\n531\u002F8\n100\n",102,{"image":407,"text":408,"number":409},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.103.png","Ed. 6.0\n101\n",103,{"image":411,"text":412,"number":413},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.104.png","Ed. 6.0\nM70\nSpecchio Veneziano stile ‘700 con inserti color blu notte molato e inciso a mano. Telaio in legno \nmassello anticato fnitura naturale.\n18th century Venetian style mirror with hand bevelled and engraved mirror inserts and night blue \nglass. Structure in antiqued solid natural wood.\nM70\nL\n80\nH\n150\nL\n311\u002F2\nH\n59\n102\n",104,{"image":415,"text":416,"number":417},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.105.png","Ed. 6.0\nMB95\u002FS\nSpecchio Veneziano stile ‘700 molato ed inciso con doppia cornice in specchio rosa bisellato. \nTelaio in legno massello fnitura noce. Abbinabile alla consolle MB95\u002FC.\nHand bevelled and engraved mirror in 18th century Venetian style with double frame in pink \nbevelled mirror. Structure in solid wood fnished in walnut colour. Matchable with console MB95\u002FC.\nMB95\u002FS\nL\n70\nH\n130\nL\n271\u002F2\nH\n511\u002F8\n103\n",105,{"image":419,"text":420,"number":421},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.106.png","Ed. 6.0\n010\nReinterpretazione contemporanea di specchio Veneziano stile ‘700 con cimiero e fasce incise lucide \ned argentate. Telaio in legno massello verniciato color nero ed anticato. Design Leo De Carlo.\nContemporary reinterpretation of Venetian style 18th century mirror. Crest and bands in mirror with shiny \nhandmade engravings. Solid wooden structure with black varnish and antiqued fnishing. Design Leo De Carlo.\n010\nL\n75\nH\n140\nL\n291\u002F2\nH\n551\u002F8\n104\n",106,{"image":423,"text":424,"number":425},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.107.png","105\n",107,{"image":427,"text":428,"number":429},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.108.png","Ed. 6.0\nM170\nSpecchio in stile Francese molato a mano e con particolari in specchio anticato color oro. Telaio \nin legno massello verniciato color nero ed anticato.\nFrench style and hand engraved mirror with antiqued and golden mirrored details. Solid wooden \nstructure with black varnish and antiqued fnishing.\nM170\nL\n100\nH\n150\nL\n393\u002F8\nH\n59\n106\n",108,{"image":431,"text":432,"number":433},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.109.png","Ed. 6.0\n107\n",109,{"image":435,"text":436,"number":437},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.110.png","Ed. 6.0\nM990\nSpecchio in stile Francese con cornice color oro incisa e molata a mano. Telaio in legno \nmassello anticato fnitura naturale.\nFrench mirror with hand engraved and bevelled mirror frame in gold colour. Structure in antiqued \nsolid natural wood.\nM990\nL\n70\nH\n130\nL\n271\u002F2\nH\n511\u002F8\n108\n",110,{"image":439,"text":440,"number":441},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.111.png","109\n",111,{"image":443,"text":444,"number":445},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.112.png","Ed. 6.0\nM1000\nFedele riproduzione di specchiera molata ed incisa a mano, disegnata da Leonardo da Vinci \nnel 1500.\nFaithful replica of bevelled mirror with handmade engravings, designed by Leonardo da Vinci \nin the XVI Century.\nM1000\nL\n80\nH\n94\nL\n311\u002F2\nH\n37\n110\n",112,{"image":447,"text":448,"number":449},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.113.png","Ed. 6.0\n111\n",113,{"image":451,"text":452,"number":453},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.114.png","Ed. 6.0\nM920\u002FS\nSpecchio in stile Impero inciso ed anticato con doppia cornice fnita foglia oro antico e applicazioni di volti in vetro \ncolato di Murano rappresentanti un giovane fauno. Telaio in legno fnitura naturale. Abbinabile alla consolle M920\u002FC.\nEngraved and antiqued mirror in Empire style with double wooden frame fnished in antiqued golden leaf and Murano \nglass faun’s heads.  Structure in natural wood. Matchable with console M920\u002FC.\nM920\u002FS\nL\n80\nH\n120\nL\n311\u002F2\nH\n471\u002F4\n112\n",114,{"image":455,"text":456,"number":457},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.115.png","113\n",115,{"image":459,"text":460,"number":461},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.116.png","Ed. 6.0\nM80\nSpecchio stile Veneziano, anticato con incisioni a mano a tema mitologico. Telaio in legno \nmassello naturale anticato.\nVenetian style antiqued mirror with handmade engravings of mythological events. Structure in \nantiqued natural solid wood.\nM80\nL\n145\nH\n220\nL\n57\nH\n865\u002F8\n114\n",116,{"image":463,"text":464,"number":465},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.117.png","115\n",117,{"image":467,"text":468,"number":469},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.118.png","Ed. 6.0\nM2000\nSpecchio extrachiaro inciso e molato a mano con anticatura graduale. Telaio in legno di \nlistellare di abete massiccio anticato nero-carbone. Design Giovanni Luca Ferreri.\nHand bevelled and hand engraved extraclear mirror with gradual antiqued fnishing. Structure in \nantiqued battenboard fr coal-black colour. Design Giovanni Luca Ferreri.\nM2000\nL\n145\nH\n199\nL\n57\nH\n783\u002F8\n116\n",118,{"image":471,"text":472,"number":473},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.119.png","117\n",119,{"image":475,"text":476,"number":477},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.120.png","Ed. 6.0\nM2050\u002FS\nSpecchio extrachiaro inciso e molato a mano con anticatura graduale. Telaio in legno di \nlistellare di abete massiccio anticato nero-carbone. Design Giovanni Luca Ferreri.\nHand bevelled and hand engraved extraclear mirror with gradual antiqued fnishing. Structure in \nantiqued battenboard fr coal-black colour. Design Giovanni Luca Ferreri.\nM2050\u002FS\nØ 130\nØ 511\u002F8\n118\n",120,{"image":479,"text":480,"number":481},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.121.png","119\n",121,{"image":483,"text":484,"number":485},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.122.png","Ed. 6.0\nOV04\nSpecchio Veneziano stile ‘700 anticato, molato ed inciso a mano. Telaio in legno massello \nanticato fnitura naturale.\nHand bevelled and engraved antiqued mirror in 18th century Venetian style. Structure in antiqued \nsolid natural wood.\nOV04\nL\n98\nH\n170\nL\n385\u002F8\nH\n667\u002F8\n120\n",122,{"image":487,"text":488,"number":489},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.123.png","121\n",123,{"image":491,"text":492,"number":493},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.124.png","Ed. 6.0\n7060\nImportante specchio Veneziano stile ‘700 anticato, molato ed inciso a mano. Telaio in legno \nmassello verniciato color nero ed anticato.\nEngraved and antiqued mirror in 18th century Venetian style. Solid wooden structure with black \nvarnish and antiqued fnishing.\n7060\nL\n110\nH\n183\nL\n431\u002F4\nH\n72\n122\n",124,{"image":495,"text":496,"number":497},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.125.png","123\n",125,{"image":499,"text":500,"number":501},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.126.png","Ed. 6.0\n7050\nSpecchio Veneziano stile ‘700 anticato, molato ed inciso a mano. Telaio in legno massello \nverniciato color nero ed anticato.\nHand bevelled and engraved antiqued mirror in 18th century Venetian style. Solid wooden \nstructure with black varnish and antiqued fnishing.\n7050\nL\n152\nH\n190\nL\n597\u002F8\nH\n743\u002F4\n124\n",126,{"image":503,"text":504,"number":505},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.127.png","Ed. 6.0\n6741\nSpecchio Veneziano stile ‘700 anticato, molato ed inciso a mano. Telaio in legno massello \nanticato fnitura naturale.\nHand bevelled and engraved antiqued mirror in 18th century Venetian style. Structure in antiqued \nsolid natural wood.\n6741\nL\n115\nH\n170\nL\n451\u002F4\nH\n667\u002F8\n125\n",127,{"image":507,"text":508,"number":509},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.128.png","Ed. 6.0\n126\n",128,{"image":511,"text":512,"number":513},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.129.png","Ed. 6.0\n127\n",129,{"image":515,"text":516,"number":517},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.130.png","Ed. 6.0\n7159\nSpecchio Veneziano stile ‘700 anticato, molato ed inciso a mano. Telaio in legno massello \nanticato fnitura naturale.\nHand bevelled and engraved antiqued mirror in 18th century Venetian style. Structure in antiqued \nsolid natural wood.\n7159\nL\n99\nH\n122\nL\n39\nH\n48\n128\n",130,{"image":519,"text":520,"number":521},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.131.png","Ed. 6.0\n129\n",131,{"image":523,"text":524,"number":525},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.132.png","Ed. 6.0\nM160\nSpecchio Veneziano stile ‘700 anticato, molato ed inciso a mano. Telaio in legno massello \nanticato fnitura naturale.\nHand bevelled and engraved antiqued mirror in 18th century Venetian style. Structure in antiqued \nsolid natural wood.\nM160\nL\n90\nH\n160\nL\n351\u002F2\nH\n63\n130\n",132,{"image":527,"text":528,"number":529},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.133.png","Ed. 6.0\n7025\nSpecchio in stile Francese anticato, molato ed inciso a mano. Telaio in legno massello anticato \nfnitura naturale.\nHand bevelled and engraved antiqued mirror in French style. Structure in antiqued solid natural wood.\n7025\nL\n71\nH\n124\nL\n28\nH\n482\u002F4\n131\n",133,{"image":531,"text":532,"number":533},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.134.png","Ed. 6.0\n7024\nSpecchio Veneziano stile ‘700 anticato, molato ed inciso a mano. Telaio in legno massello \nanticato fnitura naturale.\nHand bevelled and engraved antiqued mirror in 18th century Venetian style. Structure in antiqued \nsolid natural wood.\n7024\nL\n90\nH\n160\nL\n351\u002F2\nH\n63\n132\n",134,{"image":535,"text":536,"number":537},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.135.png","Ed. 6.0\n133\n",135,{"image":539,"text":540,"number":541},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.136.png","Ed. 6.0\n7250\nSpecchio in stile Francese anticato, molato ed inciso a mano. Telaio in legno massello anticato \nfnitura naturale.\nHand bevelled and engraved antiqued mirror in French style. Structure in antiqued solid natural wood.\n7250\nL\n90\nH\n163\nL\n351\u002F2\nH\n641\u002F8\n134\n",136,{"image":543,"text":544,"number":545},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.137.png","Ed. 6.0\n135\n",137,{"image":547,"text":548,"number":549},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.138.png","Ed. 6.0\n6717\nSpecchio Veneziano stile ‘700 anticato, molato ed inciso a mano. Telaio in legno massello \nanticato fnitura naturale.\nHand bevelled and engraved antiqued mirror in 18th century Venetian style. Structure in antiqued \nsolid natural wood.\n6717\nL\n95\nH\n170\nL\n371\u002F8\nH\n667\u002F8\n136\n",138,{"image":551,"text":552,"number":553},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.139.png","137\n",139,{"image":555,"text":556,"number":557},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.140.png","Ed. 6.0\n7038\nSpecchio in stile Francese anticato, molato ed inciso a mano. Telaio in legno massello anticato \nfnitura naturale.\nHand bevelled and engraved antiqued mirror in French style. Structure in antiqued solid natural wood.\n7038\nL\n100\nH\n163\nL\n393\u002F8\nH\n641\u002F8\n138\n",140,{"image":559,"text":560,"number":561},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.141.png","139\n",141,{"image":563,"text":564,"number":565},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.142.png","Ed. 6.0\nM35\u002FS\nSpecchio Veneziano stile ‘700 molato ed inciso. Telaio in legno massello fnitura noce. \nAbbinabile alla consolle M35\u002FC.\nBevelled and engraved 18th century Venetian style mirror. Structure in solid wood fnished in walnut \ncolour. Matchable with console M35\u002FC.\nM35\u002FS\nL\n70\nH\n120\nL\n271\u002F2\nH\n471\u002F4\n140\n",142,{"image":567,"text":568,"number":569},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.143.png","Ed. 6.0\nM120\nSpecchiera molata ed incisa stile Francese con specchio interno a riquadri bisellati, decori in \nvetro color cristallo e cornice in specchio bronzo. Telaio in legno laccato noce naturale.\nFrench style bevelled mirror with bevelled panels mirror inside, glass decorations in crystal colour \nand bronze mirror frame. Structure in natural walnut lacquered wood.\nM120\nL\n56\nH\n183\nL\n22\nH\n72\n141\n",143,{"image":571,"text":15,"number":572},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.144.png",144,{"image":574,"text":15,"number":575},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.145.png",145,{"image":577,"text":578,"number":579},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.146.png","Ed. 6.0\n2460\u002FS\nSpecchio in stile Déco, anticato e rilegato a piombo, attribuito a Serge Roche (1898-1988) e recante \nil motto dell’Ordine della Giarrettiera inciso a mano. Telaio in legno fnito foglia argento antico.\nAntiqued and leaded mirror in Déco style ascribed to Serge Roche (1898-1988) with “The Most Noble \nOrder of the Garter” hand engraved motto. Wooden structure fnished in antiqued silver leaf.\n2460\u002FS\nØ 140\nØ 551\u002F8\n144\n",146,{"image":581,"text":582,"number":583},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.147.png","Ed. 6.0\n2030\u002FS\nSpecchio anticato in stile Déco, molato con incisioni a sfere lucide eseguite a mano. Telaio in \nlegno fnitura foglia argento.\nAntiqued bevelled mirror in Déco style with hand engraved shiny spheres. Wooden structure \nfnished in silver leaf. \n2030\u002FS\nØ 120\nØ 471\u002F4\n145\n",147,{"image":585,"text":586,"number":587},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.148.png","Ed. 6.0\n2550\u002FS\nSpecchiera con cornice in formelle di vetro extra chiaro argentato e molato a mano in stile \ndiamante. Telaio in legno fnito foglia argento.\nMirror with extraclear silvered glass tiles frame in diamond style bevelling. Wooden structure \nfnished in silver leaf.\n2550\u002FS\nL\n147\nH\n105\nL\n587\u002F8\nH\n413\u002F4\n146\n",148,{"image":589,"text":590,"number":591},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.149.png","147\n",149,{"image":593,"text":594,"number":595},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.150.png","Ed. 6.0\n2710\nSpecchio in stile Déco con inserti in cristallo molato a forma piramidale e cornice con incisioni \nlucide eseguite a mano. Telaio in legno laccato nero opaco.\nDéco style mirror with crystal pyramids applications and frame with shiny handmade engravings. \nStructure in black matte lacquered wood.\n2710\nL\n138\nH\n225\nL\n543\u002F8\nH\n885\u002F8\n148\n",150,{"image":597,"text":598,"number":599},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.151.png","149\n",151,{"image":601,"text":602,"number":603},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.152.png","Ed. 6.0\n99007\nSpecchio in stile Déco molato e anticato, con incisioni lucide eseguite a mano. Telaio in legno \nfnitura foglia argento antico.\nBevelled and antiqued mirror in Déco style with shiny handmade engravings. Wooden structure \nfnished in antiqued silver leaf.\n99007\nL\n180\nH\n110\nL\n707\u002F8\nH\n431\u002F4\n150\n",152,{"image":605,"text":606,"number":607},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.153.png","151\n",153,{"image":609,"text":610,"number":611},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.154.png","Ed. 6.0\n99006\nSpecchiera in stile Déco con cornice in specchio bronzo anticato e molato. Telaio in legno \nfnitura foglia argento antico. Design Lorin Marsh. \nDéco style mirror with bevelled and antiqued bronze mirrored frame. Wooden structure fnished in \nantiqued silver leaf. Design Lorin Marsh. \n99006\nL\n127\nH\n160\nL\n50\nH\n63\n152\n",154,{"image":613,"text":614,"number":615},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.155.png","Ed. 6.0\n2510\u002FS\nSpecchio in stile Déco con cornice in formelle bisellate. Telaio in legno con bordo nero lucido. \nAbbinabile alla consolle 2510\u002FC.\nDéco style mirror with bevelled tiles frame. Wooden structure with black glossy borders. Matchable \nwith console 2510\u002FC. \n2510\u002FS\nL\n130\nH\n90\nL\n511\u002F8\nH\n351\u002F2\n153\n",155,{"image":617,"text":618,"number":619},"\u002Fmedia\u002Fimages\u002F4f\u002F649f28df5f22d936b5596ab434c113.156.png","Ed. 6.0\n4070\nSpecchio anticato con elementi molati sovrapposti in stile Déco basata sul disegno originale di \nMax Ingrand (1908-1968). Telaio in legno laccato nero lucido.\nAntiqued mirror in Déco style with bevelled applications based on the original design of Max \nIngrand (1908-1968). 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