[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-archiutti-kayo":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":133},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":128,"matched_pages":129,"match_count":130,"two_pages":131,"show_text":132},25333,"Kayo","archiutti-kayo","\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F45\u002Fbe0c048180720fd627960dbd3e2485-2901468def.pdf","Archiutti",1969,"archiutti","5.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125],{"image":7,"text":15,"number":16},"1\nKayo\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.2.png","2\n1\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.3.png","2\n3\nKayo\nEasy collection\nLinee essenziali, accostamenti cromatici inediti, la gamba in versione compasso o a “T”, \ndefiniscono lo stile “easy” di Kayo. Una collezione giovane nella forma e nei colori \nche si adatta ad ogni ambiente di lavoro attraverso interpretazioni dello spazio \noriginali e di carattere. Simmetrie formali e compositive permettono di creare \nandamenti ritmici geometricamente regolari per una gestione funzionale dell’ufficio. \nL’alternanza dei bianchi ai colori e ai decori interpreta la collezione giovane di Archiutti.\nproduct design Studio Perin e Topan Associati\nEssentielle Linien, nie \ngesehene Farbkombinationen, \nder Fuß in der Kompass- oder \n“T”- Version, den “Easy”-Stil \nvon Kayo definieren. \nEine in der Form und den \nFarben junge Kollektion, die \nsich jeder Arbeitsumgebung \ndurch originelle und\nhervorragende Interpretierungen \nanpasst. Formelle und \nzusammensetzbare \nSymmetrien ermöglichen \ndie Kreierung rhythmischer \nund geometrisch regelmäßiger \nBewegungen für eine \nfunktionelle Verwaltung des \nBüros. Die Abwechslung von \nWeiß mit den Farben und den \nDekorationen interpretiert die \njunge Kollektion von  Archiutti.\nLíneas esenciales, \ncombinaciones cromáticas \ninéditas, la pata en versión \ncompás o en “T”, definen el \nestilo “sin complicaciones” \nde Kayo. Una colección \nde colores y formas jóvenes \nque se adapta a cualquier \nentorno de trabajo mediante \ninterpretaciones originales \ny con carácter del espacio. \nSimetrías formales y \ncompositivas permiten crear \nformas rítmicas de geometría \nregular para una gestión \nfuncional de la oficina. \nLa alternancia del blanco \ncon los colores y \ndecoraciones interpreta la \ncolección joven de Archiutti. \nLes lignes essentielles, les \nassociations de couleurs \ninédites, le piètement dans \nla version compas ou en “T”, \ndéfinissent le style “easy” \nde Kayo. Une collection jeune \ndans la forme et dans les \ncouleurs, qui s’adapte à tous \nles milieux de travail à travers \ndes interprétations originales \nde l’espace et pleines de \ncaractère. Des symétries \ndans les formes et dans \nles compositions permettent \nde créer des rythmes \ngéométriques réguliers pour \nune gestion fonctionnelle \ndu bureau. L’alternance des \nblancs aux couleurs et aux \ndécors définit la collection \njeune d’Archiutti.\nClean lines, innovative \ncolour combinations and \n“T” or inverted “Y”- shape \nlegs define the easy style \nof Kayo. A collection \nfeaturing young shapes \nand colours, it interprets \nspace in an original, unique \nmanner, allowing it to adapt \nto any work environment. \nThe symmetry of form \nand composition produces \na rhythmic, regular series \nof shapes, allowing \nfor the arrangement \nof a functional office. \nArchiutti’s young collection \nfeatures the alternation \nof white with colours \nand with decorations.\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.4.png","4\n5\n4\n5 \nKayo interpreta lo spazio \nufficio in modo easy, \ngiocando attraverso \nlinee essenziali e colori \ninnovativi. Sensazioni di \nleggerezza sono suggerite \ndall’accostamento del \nnoce canaletto al bianco \noltre che dalla soluzione \nrazionale della gamba \ncondivisa del bench.\nKayo interprète l’espace du \nbureau suivant un mode easy, \njouant à travers des lignes \nessentielles et des couleurs \ninnovantes. Les sensations \nde légèreté sont suggérées \npar l’association du noyer \nd’Amérique au blanc ainsi \nque par la solution rationnelle \ndu piètement partagé \nde la structure bench.\nKayo interpreta el espacio de \nla oficina sin complicaciones, \njugando con líneas esenciales \ny colores innovadores. \nLa combinación del nogal \ncanaletto con el blanco y \nla racionalidad de la pata \ncompartida del bench sugieren \nuna sensación de ligereza.\nKayo interprets office space \nin an easy manner, creating \na play of clean lines and \ninnovative colours. A feeling \nof lightness is suggested by \nthe pairing of grooved walnut \nand white, as well as by the \nlogical solution of a shared \nleg for the bench.\nKayo interpretiert den \nEasy-Büroraum und spielt \nmit den essentiellen Linien \nund innovativen Farben. \nEin Gefühl der Leichtigkeit \nwird durch die Kombination \nder Schwarznuss mit Weiß \nsowie durch die rationale \nLösung des geteilten Fußes \ndes Bench gegeben.\n01\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.5.png","6\n7\n6\nL’introduzione della finitura \nbianca, qui presentata \nnella struttura condivisa \ncon gamba a spillo e nello \nscreen, sottolinea la continua \nricerca e cura del dettaglio, \ncapace di influenzare \nl’estetica del progetto.\nDie Einführung der weißen \nVerarbeitung, die hier in der \ngeteilten Struktur mit dem \nNadelfuß und im Screen\ndargestellt wird, wird die \nständige Suche und Sorgfalt \ndes Details unterstreichen, \nwas die Ästhetik des \nProjekts beeinflusst.\nLa introducción del acabado \nblanco, aquí presentado \nen la estructura compartida \ncon pata aguja y en el \npanel separador, remarca \nla búsqueda continua y \nel cuidado de los mínimos \ndetalles, capaz de influenciar \nla estética del proyecto.\nL’introduction de la finition \nblanche, présente ici dans \nla structure partagée avec \npied fuselé et dans l’écran, \nsouligne la recherche \ncontinue et le soin du \ndétail, capable d’influencer \nl’esthétique du projet.\nThe introduction of a white \nfinish, shown here in the \nshared structure with thin \nlegs and in the partition, \nhighlights the continual \nexperimentation and attention \nto detail that can influence \nthe aesthetics of a project.\n7\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.6.png","8\n99\n8\n02\nOpenspace dedicato a \ngruppi di lavoro coordinati, \ncaratterizzato da una \ncomposizione di scrivanie \noperative contrapposte. \nLo screen in tessuto \ncolora l’insieme e permette \ndi tracciare lo spazio \ndi lavoro personale.\nOpenspace für koordinierte \nArbeitsgruppen, die durch \neine Zusammensetzung \nvon entgegen gesetzten \noperativen Schreibtischen \ngekennzeichnet sind. \nDie Gewebe-Abschirmung \nverleiht dem Ganzen \nFarbe und ermöglicht die \nTrennung der persönlichen \nArbeitsbereiche. \nUn openspace para grupos \nde trabajo coordinados, \ncaracterizado por una \ncomposición de mesas \noperativas contrapuestas. \nEl panel separador de tejido \nalegra el conjunto y permite \ndelimitar el espacio \nde trabajo personal.\nOpen space dédié \naux groupes de travail \ncoordonnés, caractérisé \npar une composition de \npostes individuels opposés. \nL’écran en tissu colore \nl’ensemble et permet \nde délimiter l’espace \nde travail personnel.\nOpen space dedicated to \ncoordinated work groups, \nfeaturing back-to-back \nwork desks. The fabric \npartition gives colour to the \nensemble and defines the \npersonal work space.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.7.png","10\n11\n11\n10\nLa possibilità di accostare \npiù colori, i materiali \nmolteplici (tessuto, \nmelaminico, cristallo) \ninterpretano gli screen \nin modo originale.\nDie Verbindung mehrerer \nFarben und zahlreicher \nMaterialien (Gewebe, \nMelamin, Kristallglas) \nermöglicht eine originelle \nGestaltung der Screens.\nLa posibilidad de combinar \nvarios colores, los materiales \nmúltiples (tejido, melaminado, \ncristal) interpretan los paneles \nseparadores en modo original.\nLa possibilité d’assortir \nplusieurs couleurs, les \nnombreux matériaux (tissu, \nmélaminé, verre) permettent \nune interprétation originale \nde la fonction écran.\nDifferent colours and a \nvariety of materials (fabric, \nmelamine and glass) can \nbe combined, lending the \npartitions an original look.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.8.png","12\n13\n12\n13 \nAmbiente articolato e \nfunzionale: tavoli simmetrici \ndotati di piani di servizio \ne completi di top-access. \nQuest’ultimo attrezzato \ndi supporto per braccio \norientabile portamonitor \no lampada. Contenitori \na serrandina dividono \nl’ambiente in diverse \nsituazioni lavoro.\nEine abwechslungsreiche \nund funktionelle Umgebung: \nSymmetrische Tische mit \nArbeitsflächen und Top-\nAccess. Der Top-Acess ist \nmit einer Halterung für den \nschwenkbaren Bildschirm- \noder Lampenträgerarm \nausgestattet. Behälter mit \nSchiebetüren unterteilen \ndie Umgebungen in \nverschiedene Arbeitssituationen.\nEspacio articulado y \nfuncional: mesas simétricas \ncon superficies de servicio \ny top-access. Este último \nintegrado con soporte para \nbrazo orientable para monitor \no lámpara. Los muebles \ncontenedores con persiana \ndividen el espacio en distintas \nsituaciones de trabajo.\nEspace articulé et fonctionnel: \ntables symétriques équipées \nde plans de service et \nde trappe top-access. \nCette dernière est équipée \nd’un support pour bras \norientable de support \nporte-écran vidéo ou lampe. \nDes meubles avec rideau \ncoulissant divisent l’espace \nen permettant des situations \nde travail différentes.\nFunctional, well-defined \nenvironments: symmetrical \ntables featuring multiple \nlevels, complete with \na top-access system. \nThe top-access system \nis equipped with a swivel \nmount for a monitor \nor lamp. Storage units \nwith rolling shutter doors \ndivide the area into different \nwork environments.\n03\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.9.png","14\n15\n14\nUn solo punto d’appoggio \nper lato: la gamba a \n“T” sagoma il fianco delle \nscrivanie caratterizzando i \ntavoli della collezione Kayo.\nNur ein Auflagepunkt pro \nSeite: Der “T”-Fuß formt \ndie Seite der Schreibtische \nund zeichnet die Tische \nder Kollektion Kayo aus.\nUn seul point d’appui \npar côté : le piètement \nen “T” renversé souligne \nle côté des bureaux \nen caractérisant les tables \nde la collection Kayo.\nUn solo punto de apoyo por \nlado: la pata en “T” describe \nel lateral de los escritorios \ncaracterizando las mesas \nde la colección Kayo.\nOnly one leg per side – \nT-shape legs mark the \ncontours of the desks, one \nof the features of the tables \nin the Kayo collection.\n15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.10.png","16\n17\n16\n17\nLa successione delle postazioni \ndi lavoro crea un andamento \nritmico geometricamente \nregolare  che vive con \nrazionalità lo spazio.\nLa sucesión de los puestos \nde trabajo crea una \norganización rítmica de \ngeometría regular que vive \nel espacio con racionalidad.\nLa succession des postes \nde travail crée un rythme \ngéométrique régulier pour \nvivre l’espace de manière \nrationnelle.\nThe series of work areas \ncreates a rhythmic, regular \nsuccession of forms that \nlends a feeling of logic \nto the environment.\nDie Folge der Arbeitsplätze \nbildet einen rhythmischen \nund geometrisch regelmäßigen \nVerlauf, der  die Bereich \nrational gestaltet.\n04\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.11.png","18\n19\n19\nIl cristallo del divisorio \npermette un’interazione \ndisinvolta tra le postazioni \ne allo stesso tempo \nriflette e filtra la luce.\nDas Kristallglas der \nUnterteilung ermöglicht \neine zwangslose Interaktion \nzwischen den Arbeitsplätzen \nund reflektiert und filtriert \ngleichzeitig das Licht.\nEl cristal del separador \npermite una interacción \ndesenvuelta entre los \npuestos de trabajo y al \nmismo tiempo refleja la luz. \nLe verre de séparation \npermet une interaction \ndécontractée entre les \npostes et, en même temps, \nreflète et filtre la lumière.\nThe glass partition permits\na relaxed interaction \nbetween work stations \nand simultaneously reflects \nand diffuses light.\n18\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.12.png","20\n21\n20\n21\n05\nGli accostamenti di bianco, \ncristallo e wengè declinati \nnei tratti geometrici della \ncomposizione a “U” \ncaratterizzano un ambiente \nraffinato ed accogliente.\nDie Kombination von Weiß, \nKristallglas oder Wengé \nin den geometrischen \nBereichen der “U”-förmigen \nZusammensetzung heben \neine elegante und einladende \nUmgebung hervor.\nLas combinaciones \nde blanco, cristal o \nwengé aplicados en los \ntrazos geométricos de \nla composición en “U” \ncaracterizan un espacio \nrefinado y acogedor. \nLes associations de\nblanc, verre ou wengé, \ndéclinées dans les\n lignes géométriques \nde la composition en \n“U”, définissent un milieu \nraffiné et accueillant. \nThe combination of white, \nglass and wenge in the \ngeometric lines of the \nU-shaped composition \ncreate a refined and \nwelcoming atmosphere. \n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.13.png","22\n23\n22\n23\n06\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.14.png","24\n25\n25\n24\nKayo propone per l’ufficio\nclassiche forme di \naggregazione. La luminosità \ne la leggerezza del bianco, \nla lucentezza del cristallo dei \ndivisori e delle librerie allargano \nla percezione degli spazi.\nKayo bietet dem Büro \nklassische gemeinsame \nFormen. Der Glanz und \ndie Leichtigkeit der Farbe \nWeiß und der Glanz \ndes Kristallglases der \nUnterteilungen und der \nBücherregale erhöhen die \nEmpfindung der Raumgröße.\nKayo propone para la \noficina clásicas formas de \nagregación. La luminosidad y \nla ligereza del blanco, el brillo \ndel cristal de los separadores \ny de las librerías amplían \nla percepción del espacio.\nKayo propose pour le bureau \ndes formes classiques \nd’agrégation. La luminosité et \nla légèreté du blanc, l’éclat du \nverre des séparations et des \nbibliothèques élargissent la \nperception des espaces.\nKayo offers classic shapes \nfor the office that can be \ncombined. The brilliance \nand lightness of white and \nthe gleam of the glass on\n the partitions and bookcases \nexpand the perception \nof the space.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.15.png","26\n27\n27\n26\nIl bench operativo si esprime \nattraverso la simmetria e la \ncontinuità delle postazioni \nche caratterizzano \norizzontalmente l’ambiente. \nKayo propone uno stile young \ndagli abbinamenti cromatici \ninediti e di carattere.\nDer operative Bench drückt \nsich durch die Symmetrie und \ndie Kontinuität der Arbeitsplätze \naus, die die Umgebung \nwaagrecht auszeichnen. \nKayo schlägt einen Young-Stil \nmit neuen charakterstarken \nFarbkombinationen vor.\nEl bench operativo se expresa \na través de la simetría y la \ncontinuidad de los puestos que \ncaracterizan horizontalmente \nel entorno. Kayo propone un \nestilo joven con combinaciones \ncromáticas inéditas y decididas.\nLe bench s’exprime à travers \nla symétrie et la continuité \ndes postes qui caractérisent \nhorizontalement l’espace. \nKayo propose un style \njeune, aux associations \nchromatiques inédites \net de caractère.\nThe work bench is marked \nby the symmetry and \ncontinuity of the work stations \nthat horizontally delineate \nthe environment. Kayo offers \na young style that features \noriginal colour combinations \nand character.\n07\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.16.png","28\n29\n29\n28\nLo screen bicolore può \nospitare più tessuti; la \npersonalizzazione cromatica \nè la chiave della modernità \ncompositiva.\nDer zweifarbige Screen \nkann mehrere Gewebe \naufnehmen; die individuelle \nFarbgestaltung ist der \nSchlüssel der modernen \nZusammensetzung.\nEl panel bicolor puede \nalbergar varios tejidos; \nla personalización \ncromática es la clave \nde la modernidad \nde la composición.\nL’écran bicolore peut être \nrevêtu avec plusieurs \ntissus; la personnalisation \nchromatique est la clé de la \nmodernité de composition.\nThe bicolour partition \ncan have more than \none fabric; personalized \ncolour schemes are the \nkey to creating a modern \ncomposition.\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.17.png","30\n31\n31\n30\nKayo è un sistema che \nintegra tavoli di lavoro, \nsupporti per le attività \noperative, contenitori di \nservizio: un’interpretazione \ncontemporanea per \nambienti articolati.\nKayo ist ein System, \ndas Arbeitstische, \nHalterungen für die \noperativen Tätigkeiten und \nArbeitsbehälter integriert: \nEine zeitgenössische \nInterpretierung für \nabwechslungsreiche \nUmgebungen.\nKayo es un sistema \nque integra mesas de \ntrabajo, soportes para \nlas actividades operativas, \ncontenedores de servicio: \nuna interpretación \ncontemporánea para \nespacios articulados.\nKayo est un système \nqui intègre des tables \nde travail, des supports \npour les activités de \nbureau et des meubles de \nservice: une interprétation \ncontemporaine pour des \nespaces articulés.\nKayo offers a system that \nintegrates work tables, work \nstations, and storage units \n– a contemporary look \nfor divided environments.\n08\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.18.png","32\n33\n33\n32\n09\nGestire la sequenza delle \npostazioni operative, \ndistribuendo lo spazio \nin modo funzionale, è \nsemplice attraverso pareti  \nda 145 cm di altezza che \ncreano spazi personali \nall’interno di un openspace.\nDie Folge der Arbeitsplätze  \ngestaltet den vorliegenden \nPlatz durch die Wände mit \n145 cm Höhe funktionell \nund einfach, wodurch \npersönliche Bereiche \ninnerhalb des Openspace \ngebildet werden.\nGérer la succession \ndes postes de travail en \ndistribuant l’espace de \nmanière fonctionnelle est \nsimple grâce aux cloisons \nde 145 cm de hauteur \nqui créent des espaces \npersonnels à l’intérieur \nd’un open space.\nOrganizar la secuencia \nde los puestos de trabajo, \ndistribuyendo el espacio \nen modo funcional, es \nsencillo mediante tabiques \nde 145 cm de altura que \ncrean espacios personales \nalrededor de un openspace.\nArranging the layout of work \nstations and organizing the \nspace in a functional manner \nis made easy with the use of \n145-cm-tall walls that create \npersonal work spaces inside \nan open space plan.\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.19.png","34\n35\n35\n34\nIl divisorio si caratterizza \ndal binomio di colori e \nmateriali, il tessuto giallo \ne il melaminico grigio \ncaratterizzano questa \ncomposizione.\nDie Unterteilung zeichnet \nsich durch die zweifache \nFarbe und die Materialien \naus, das gelbe Gewebe und \ndas graue Melamin stellen \ndie Eigenschaften dieser \nZusammensetzung dar.\nEl separador se caracteriza \npor el binomio de colores y \nmateriales, el tejido amarillo \ny el melaminado gris \ncaracterizan esta composición.\nLa séparation joue sur \nle duo de couleurs \net matériaux, le tissu \njaune et le mélaminé \ngris caractérisent cette \ncomposition.\nThe partitions feature \ntwo different colours \nand materials, in this case \nyellow fabric and grey \nmelamine are combined.\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.20.png","36\n37\n37\n36\n10\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.21.png","38\n39\n39\n38\nUn’aggregazione libera \npersonalizza gli ambienti \nattraverso “privacy screens” \nche delimitano gli spazi.\nUna fascia superiore in \ncristallo lascia filtrare la luce.\nEine freie Zusammenstellung \ngestaltet die Umgebungen \ndurch die Bereiche \ntrennende “privacy screens”\nindividuell. Ein oben \nliegender Kristallglasbereich \nlässt das Licht durch.\nUna agregación libre \npersonaliza el entorno con \nlos  “privacy screens” que \ndelimitan los espacios. \nUna franja superior de \ncristal deja filtrar la luz.\nUnits can be combined \nin a variety of ways to \nform privacy screens that \ndelineate the space and \ncreate a personalized \nenvironment. The use of \nglass in the upper section \nallows light to filter through.\nUne agrégation libre \npersonnalise les espaces à \nl’aide de “privacy screens” \nqui délimitent le poste \nde travail. Une bande \nsupérieure en verre laisse \nfiltrer la lumière.\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.22.png","40\n41\n40\n41\n11\nUno spazio pieno di luce, \nesaltato dall’utilizzo di colori \nneutri dalle tonalità naturali. \nUna scelta precisa che \npermette di interpretare \nsituazioni lavorative \ndifferenti attraverso \nuna ritmata modulazione \ntra l’avorio, il cristallo \ne l’argento del metallo.\nA light-filled space enhanced \nthrough the use of neutral \ncolours in natural tones. \nA distinct choice that allows \ndifferent work environments \nto be interpreted through a \nrhythmic sequence of ivory, \nglass and silver metal.\nUn espace plein de \nlumière, exalté par l’utilisation \nde couleurs neutres aux tons \nnaturels. Un choix précis \nqui permet d’interpréter \ndes situations de travail \ndifférentes à travers une \nmodulation rythmée entre \nl’ivoire, le verre et la finition \nargent du métal.  \nEin lichtvoller Bereich, \nder durch die Anwendung \nneutraler Farben mit \nnatürlichen Farbtönen \nhervorgehoben wird. Eine\npräzise Wahl, die ermöglicht,\nverschiedene Arbeitssituationen\ndurch eine rhythmische \nModulierung von Elfenbein, \nKristallglas und Silbermetall \nzu interpretieren.\nUn espacio luminoso,\nenaltecido por el uso de \ncolores neutros de tonos \nnaturales. Una elección  \nprecisa que permite \ninterpretar distintas \nsituaciones de trabajo \nmediante una modulación \nrítmica entre el marfil, el \ncristal y el plateado del metal.\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.23.png","42\n43\n42\nDettagli \u002F Detail \u002F Détail \u002F Teil \u002F Detalle\nTop-access in posizione chiusa.\nTop-access system in the closed position.\nTrappe top-access en position fermée.\nTop-Access in geschlossener Stellung.\nTop-access en posición cerrada.\nTop-access in posizione aperta.\nTop-access system in the open position.\nTrappe top-access en position ouverte.\nTop-Access in geöffneter Stellung.\nTop-access en posición abierta.\nTop-access predisposto con supporto \nper braccio porta monitor o lampada.\nTop-access system equipped with \na swivel mount for a monitor or lamp.\nTrappe top-access prévue avec support \npour montage bras porte-écran ou lampe.\nTop-access mit Halterung zur Befestigung \neines Bildschirmträgerarms oder Lampe.\nTop-access con soporte para montar \nel brazo para el monitor o una lámpara.\nGamba a spillo.\nThin leg.\nPied fuselé.\nNadelfuß.\nPata aguja.\nGamba a compasso.\nInverted “Y”-shape leg.\nPiètement compas.\nKompass-Fuß.\nPata de compás.\nGamba a “T” rovesciata.\nInverted “T”-shape leg.\nPiètement “T” renversé.\nFuß mit umgekehrtem “T“.\nPata en “T” invertida.\n43\nDettaglio zaino passacavi.\nDetail of the cable housing.\nDétail logement passe-câbles.\nEinzelheit Kabeldurchführung.\nDetalle alojamiento para cables.\nStruttura di regolazione in altezza.\nHeight adjustment system.\nStructure de réglage en hauteur.\nHöheneinstellbare Struktur.\nEstructura para regulación en altura.\nPorta CPU interno alla struttura.\nCPU stand – inside the unit.\nSupport pour unité centrale \nà l’intérieur de la structure.\nIn der Struktur enthaltener CPU-Träger.\nPuerto CPU en interior de la estructura.\nPorta CPU esterno alla struttura.\nCPU stand – outside the unit.\nSupport pour unité centrale \nà l’extérieur de la structure.\nAußerhalb der Struktur liegender CPU-Träger.\nPuerto CPU en exterior de la estructura.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.24.png","44\n45\n44\nDettagli \u002F Detail \u002F Détail \u002F Teil \u002F Detalle\n45\nScreen light in melaminico.\nScreen light in melamine finish.\nScreen light en mélaminé.\nScreen light in melamin.\nScreen light melaminado.\nScreen light in tessuto.\nScreen light in fabric finish.\nScreen light en tissu.\nScreen light aus Gewebe.\nScreen light de tejido.\nPrivacy in tessuto bicolore.\nBicolour fabric privacy screen.\nPrivacy screen en tissu bicolore.\nPrivacy aus zweifarbigem Gewebe.\nPrivacy de tejido bicolor.\nPrivacy screen in cristallo.\nGlass privacy screen.\nPrivacy screen en verre.\nPrivacy screen aus Kristallglas.\nPrivacy Screen de cristal.\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.25.png","46\n47\nMELAMINICO TINTA UNITA \u002F PLAIN MELAMINE \u002F MÉLAMINÉ TEINTE UNIE \u002F MELAMIN EINFARBIG \u002F MELAMINA COLOR LISO\nPannello nobilitato con decorativi melaminici \u002F Panel with wood-effect melamine finish \u002F Panneau surfacé avec papiers décoratifs mélaminés \u002F \nEdelholzpaneel mit Melamindekors \u002F Tablero revestido con papel decorativo impregnado de melamina\nAVORIO\nBIANCO\nGRIGIO CHIARO\nIvory. Ivoire.\nElfenbein. Marfil.\nWhite. Blanc. \nWeiß. Blanco.\nLight grey. Gris clair.\nHellgrau. Gris claro.\nMELAMINICO DECORO LEGNO \u002F WOOD-EFFECT MELAMINE \u002F MÉLAMINÉ DÉCOR BOIS \u002F \nMELAMINVERKLEIDET MIT HOLZDEKORS \u002F MELAMINA DECORACIÓN MADERA\nPannello nobilitato con decorativi melaminici \u002F Panel with wood-effect melamine finish \u002F Panneau surfacé avec papiers décoratifs mélaminés \u002F \nEdelholzpaneel mit Melamindekors \u002F Tablero revestido con papel decorativo impregnado de melamina\nFAGGIO\nWENGÈ\nACERO\nNOCE CANALETTO\nBeech. Hêtre.\nBuche. Haya.\nWengé. Wenge’.\nWengè. Wengé\nMaple. Érable.\nAhorn. Arce.\nCanaletto walnut. \nNoyer d’Amérique. \nSchwarznuss. \nNogal canaletto.\nLEGNO \u002F WOOD \u002F BOIS \u002F HOLZ \u002F MADERA\nPannello impiallacciato in essenza di legno \u002F Panel with wood veneer \u002F \nPanneau plaqué en essence de bois \u002F Furniertes Paneel aus Holzessenz \u002F Tablero enchapado de madera\nFAGGIO\nBeech. Hetre.\nBuche. Haya.\nSCRIVANIA (piani) - CASSETTIERE (top - frontali) - LIBRERIE (top - ante - fondi) \u002F DESK (tops) - CABINETS (tops - fronts) - BOOKCASES (tops - doors - bottoms) \u002F BUREAU (plans) \n- CAISSONS (dessus - façades) - BIBLIOTHÈQUES (dessus - portes - fonds) \u002F BÜCHERSCHRÄNKE (Tüeren) - SCHUBLADENSCHRÄNKE (Top - Vorderseiten) - BÜCHERREGALE (Top – \nTüren - Böden)  \u002F MESA (tablero) - CAJONERAS (encimera - frentes) – LIBRERÍAS (encimera - puertas - traseras) \nFiniture \u002F Finishes \u002F Finitions \u002F Ausführungen \u002F Terminaciones\n47\nTessuti (fare riferimento alla tabella colori Archiutti o fornita dal cliente) \u002F Fabrics (see Archiutti colour chart or customer selection) \u002F Tissus (se référer au nuancier Archiutti ou Sélection\ndu Client) \u002F Gewebe (Bezugnahme: Farbtabelle Archiutti oder nach Kundenwunsch) \u002F Telas (véase la tabla de colores Archiutti o Seleccion de Cliente)\nALLUMINIO VERNICIATO \u002F VARNISHED ALUMINIUM \u002F ALUMINIUM LAQUÉ \u002F LACKIERTES ALU \u002F ALUMINIO PINTADO\nSTRUTTURE IN METALLO \u002F METAL STRUCTURES \u002F  STRUCTURES EN MÉTAL \u002F METALLAUFBAU \u002F ESTRUCTURAS DE METAL\nALLUMINIO\nBIANCO\nANTRACITE\nAluminium. Aluminium.\nAluminiumgrau. Aluminio.\nWhite. Blanc. \nWeiß. Blanco.\nAnthracite. Anthracite.\nAntrazit. Antracita.\nLIBRERIE E CASSETTIERE (struttura) \u002F BOOKCASE AND PEDESTAL (structure) \u002F BIBLIOTHÈQUES ET CAISSONS (structure) \u002F \nBÜCHERSCHRÄNKE UND SCHUBSCHLADENSCHRÄNKE (aufbau) \u002F LIBRERÍAS Y CAJONERAS (estructura)\nMELAMINICO \u002F MELAMINE \u002F MÉLAMINÉ \u002F MELAMIN \u002F MELAMINA\nPannello nobilitato con decorativi melaminici - finitura a cera \u002F Panel with melamine finish – waxed \u002F Panneau surfacé avec papiers décoratifs mélaminés - finition à la cire \u002F \nEdelholzpaneel mit Melamindekors \u002F Tablero revestido con papel decorativo impregnado de melamina – acabado cera\nGRIGIO ALLUMINIO\nBIANCO\nANTRACITE\nAluminium grey. Gris \naluminium. Aluminiumgrau. \nGris aluminio.\nWhite. Blanc. \nWeiß. Blanco.\nAnthracite. Anthracite.\nAntrazit. Antracita.\nCRISTALLO ACIDATO\nCRISTALLO BIANCO\nCRISTALLO BROWN\nCRISTALLO TRASPARENTE\nCRISTALLO CAMMELLO\nAcid-etched glass. Verre \ndépoli. Stahl-Kristallglas\nCristal satinado al ácido.\nWhite crystal. Cristal blanc. \nWeißer Kristall. Cristal \nblanco.\nBrown crystal. Cristal brun. \nBrauner Kristall. Cristal \nmarrón.\nCamel brown glass. Verre \nbeige. Kristallglas Kamel. \nCristal camello.\nClear glass. Verre \ntransparent.Transparentes \nkristallglas. Cristal \ntransparente.\nLIBRERIE (ante) \u002F BOOKCASES (doors) \u002F BIBLIOTHÈQUES (portes) \u002F BÜCHERSCHRÄNKE (Tüeren)  \u002F LIBRERÍAS (puertas)\nCRISTALLO \u002F CRYSTAL \u002F CRISTAL \u002F KRISTALL \u002F CRISTAL\nSCREEN \u002F SCREEN \u002F PANNEAU ÉCRAN \u002F ABSCHIRMUNG \u002F SEPARADOR\nMELAMINICO BIANCO\nMELAMINICO GRIGIO\nMELAMINICO AVORIO\nCRISTALLO ACIDATO\nTESSUTO\nWhite melamine. \nMélaminé blanc. \nWeißes Melamin. \nMelamina blanca.\nGrey melamine. \nMélaminé gris. Graues \nMelamin. Melamina gris.\nIvory melamine. Mélaminé \nivoire. Elfenbeinfarbenes \nMelamin. Melamina marfil\nAcid-etched glass. Verre \ndépoli. Stahl-Kristallglas.\nCristal satinado al ácido.\nFabric. Tissu. \nGewebe. Tela\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.26.png","48\n49\n80\n80\n60\n60\nDX\nDX\n80\nDX\n80\n80\n226\n80\n80\n209\nØ 100\nDX\n160\n160\nØ 100\nDX\n160\u002F180\n120\n  \n160\u002F180\n120\n60\u002F80\nDX\n80\n80\n80\n80\n80\n80\n80\n160\u002F180\n80\n80\n80\n80\nØ 105\n90\n90\n160\u002F180\n120\n80\nDX\n80\n80\n80\n80\n80\n80\n80\n80\n80\n160\u002F180\nDX\n90\n80\n160\u002F180\n80\n80\u002F100\u002F120\n140\u002F160\u002F180\u002F200\n100\n160\u002F180\u002F200\n60\n80\nALLUMINIUM\n60\n80\nALLUMINIUM\n80\nDX\nDX\nDX\n80\n60\n160\n160\n80\n60\nDX\n160\u002F180\n120\n140\n80\nDX\n160\n60\n80\u002F100\u002F120\u002F140\nSX\n80\u002F100\u002F120\u002F140\nSX\n80\u002F100\u002F120\u002F140\n48\nKayo Compas\n49\n60\n60\n80\u002F100\u002F120\u002F140\n80\n80\n80\u002F100\u002F120\n140\u002F160\u002F180\u002F200\n90\n90\n80\n80\n160\u002F18\n160\u002F180\u002F200\n0\n100\n100\nMOD\n80\n80\nMOD\n80\n80\nMOD\n80\n80\nMOD\n80\n80\nMOD\n80\n80\nMOD\n80\n80\n200\n200\n160\u002F180\n160\u002F180\n118 Ø\n118 Ø\n240\n48,1\u002F58,6\n55,6\n41,4\n48,1\u002F58,6\n55,6\n41,4\n58,6\u002F78,6\n60,8\n41,4\n58,6\u002F78,6\n60,8\n41,4\n60\u002F80\n73,5\u002F78\n41,4\n60\u002F80\n41,4\n73,5\u002F78\n60\u002F80\n41,4\n73,5\u002F78\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.27.png","50\n51\nH.102\nH.72\nH.126\nSCRIVANIA KAYO\nCONDIVISA\n48\nH.120\nH.126\nH.70\n54\nH.120\n48\nH.110\n38\nH.70\nH.70\nH.48\nONDA\n30\nH.54\nH.164\nPIANO\nSCRIVANIA\nH.73\nPIANO\nSCRIVANIA\nH.180,7\nH.145,7\nH.109,6\nH.109,6\n80\u002F100\u002F120\u002F140\u002F160\u002F180\u002F200\n80\u002F100\u002F120\n80\u002F100\n80\u002F100\nH.107,3\nH.36,3\nH.38,6\n34,3\n36,6\nH.38,6\n36,6\n80\u002F200\n80 x 80\n100 x 100\n78\u002F118\u002F158\n78\n54\n38\n80\u002F100\u002F120\n140\u002F160\u002F180\u002F200\n38\n54\nR 100\n54\n38\nR 80\n30\n80\u002F120\n30\n140\u002F160\n48\n80\u002F100\u002F120\n140\u002F160\u002F180\n102\n60\u002F80\u002F100\u002F120\nR 80\n102\nR 100\n102\n102\nmelamine\n60\u002F80\u002F100\u002F120\n126\n80\u002F120\u002F140\u002F160\n126\nmelamine\n80\u002F120\u002F140\u002F160\n126\n80\u002F120\u002F140\u002F160\n164\nR 80\n164\nR 100\n164\n60\u002F80\u002F100\u002F120\n164\n60\u002F80\u002F100\u002F120\n164\nmelamine\n60\u002F80\u002F100\u002F120\n164\n60\u002F80\u002F100\u002F120\n16\u002F23,4\n54\u002F74\n94\u002F114\n94\u002F114\n60\n 74\n77\u002F117\n94\u002F134\n87\u002F127\n80\nDX\nDX\n80\nDX\n80\n80\n60\n60\nØ 105\n90\n90\n160\u002F180\n120\n80\n80\n80\n80\n80\n80\n80\n80\n80\n80\n80\n100\n80\n80\n80\n80\n80\n80\n80\n160\u002F180\n80\n80\n80\n160\u002F180\nDX\n90\n80\n160\u002F180\n80\n80\u002F100\u002F120\n140\u002F160\u002F180\u002F200\n100\n160\u002F180\u002F200\n60\n80\nALLUMINIUM\n60\n80\nALLUMINIUM\nØ 100\n160\n160\nØ 100\n160\u002F180\n120\n160\u002F180\n120\n60\u002F80\n80\n80\n226\n80\n80\n209\n80\nDX\nDX\nDX\n80\n60\n160\n160\n80\n60\nDX\n160\u002F180\n120\n140\n80\nDX\n160\n60\n80\u002F100\u002F120\u002F140\nSX\n80\u002F100\u002F120\u002F140\nSX\n80\u002F100\u002F120\u002F140\nKayo Ti\nScreen - heights scheme\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.28.png","52\n53\nart direction and graphics Dogtrot\nphoto Studio Renai & Renai\nphoto-retouch Eurografica Verona\nprint Grafiche Vianello\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F2c\u002Fcb85204a9fbae659ad3eb6c77f743e-290154497a.29.png","54\nArchiutti s.p.a\nVia Postumia Ovest, 200\n31048 Olmi di \nS. 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