[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-acerbis-remasters":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":229},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":224,"matched_pages":225,"match_count":226,"two_pages":227,"show_text":228},11949,"Remasters","acerbis-remasters","\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F19\u002Fc93c3a135e433a11e85ec790c230d0-26e5927dd3.pdf","Acerbis",2302,"acerbis","10.6 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221],{"image":7,"text":15,"number":16},"Remasters\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.3.png","Tra le più longeve \naziende italiane nel settore \ndell’arredamento, Acerbis \nè un punto di riferimento \nper gli estimatori del design \nitaliano. All’avanguardia \ncon i suoi 150 anni di \nesperienza, la sua costante \nricerca di modernità \nha prodotto creazioni \ndi straordinaria innovazione. \nOggi, questa missione \ncontinua con rinnovato \nvigore grazie all’acquisizione \nda parte di MDF Italia, \nazienda leader del settore, \ne ai nuovi direttori creativi \nFrancesco Meda e David \nLopez Quincoces, che \naffermano e portano avanti \nuna visione avanguardista \n– ormai eredità familiare \ndel brand –  di un design \nche unisce funzionalità \ne innovazione. \nOne of the most enduring \nfurniture companies \nin Italy, Acerbis stands \nas a connoisseur’s \nbenchmark of Italian \ndesign — a pioneer with \n150 years of expertise, \nwhose continual search \nfor modernity has \nproduced creations \nof stunning innovation. \nToday that mission \ncontinues with fresh \nvigor thanks to the \nacquisition from industry \nleader MDF Italia, and with \nnewly appointed creative \ndirectors Francesco Meda \nand David Lopez Quincoces, \naffirming the brand’s \nfamily – led lineage  \nof cutting – edge vision \nwith a universe of designs \nthat unite function \nand the avant-garde.\n03\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.4.png","Francesco Meda e David \nLopez Quincoces, i nuovi \ndirettori creativi di Acerbis, \nhanno unito i loro già \nconsolidati punti di forza \nnel design industriale \ne nell’architettura per \ndare nuova forza al futuro \ndel design di Acerbis. \n \nCon una percezione visionaria \ndel contemporaneo e una \npassione per la storia del \ndesign, i due hanno iniziato \nquesto nuovo percorso \nesplorando gli archivi \nAcerbis e riproponendo \nversioni aggiornate di \nprodotti storici dell’azienda, \nla cui modernità rimane \nall’avanguardia ancora oggi.  \n \nCiascun design di archivio  \nè stato scelto accuratamente \nda Meda e Lopez Quincoces \nper celebrare un’epoca \nleggendaria di sperimentazione \ne per fornire un’analisi \nprospettica delle icone \nAcerbis: vere fondamenta \ndi bellezza e funzionalità, \nradicate nella potente \ntradizione di questo \nmarchio, presupposti su\ncui costruire i futuri capitoli \ndella storia di Acerbis.\nFrancesco Meda and \nDavid Lopez Quincoces, \nthe new creative directors \nof Acerbis, have united \ntheir well-proven strengths \nin industrial design \nand architecture, \nto invigorate the future \nof design at Acerbis.  \n \nWith a visionary sense \nof the contemporary \nand a passion for the history \nof design, the pair have \ncommenced a reawakening \nof Acerbis’ archives, \nrelaunching fresh versions \nof creations whose \nmodernity remains \nprogressive even today.  \n \nEach archive design was \ncarefully chosen by Meda \nand Lopez Quincoces \nto highlight an era of \niconic experimentation, \nand to create a forward-\nlooking survey of Acerbis’ \nbeautifully useful icons: \na foundation grounded \nin the potent heritage \nof this pace-setting \nbrand to commence \na new chapter of Acerbis.\n04\n05\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.5.png","#01  Menhir   \nGiotto Stoppino e Lodovico Acerbis, 1983\n \n#02  Gong   \nGianfranco Frattini, 1987\n#03  Jot    \nGiotto Stoppino, 1976\n#04  Maestro   Gianfranco Frattini, 1997\n#05  Life    \nRoberto Monsani, 1975\n#06  Storet   \nNanda Vigo, 1994\n#07  Sheraton   Giotto Stoppino e Lodovico Acerbis, 1977\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.6.png","Original design by:\nGiotto Stoppino e Lodovico Acerbis\nMenhir\nlow tables\nWith a daring approach \nto materials, the Menhir low \ntable becomes a composition \nof colors and textures that \neloquently illustrate the \nsculptural simplicity of \nLodovico Acerbis and Giotto \nStoppino’s inventions of new \nforms. With a Greek-like \nclassicism, the table’s column \nconnects the monumental \nmarble base, matte in its \ncontemporary version, to \na tabletop newly rendered \nin lacquered wood or black \nash wood and dark stained \nwalnut, creating a striking \nexchange between colors \nand elements. \n#01\nGrazie a un approccio audace \nai materiali, i tavolini Menhir \ndiventano una composizione \ndi colori e trame che illustrano \nin modo eloquente la semplicità\nscultorea delle forme ideate \nda Lodovico Acerbis e Giotto \nStoppino. Connotata da \nun classicismo di stampo \ngreco, la colonna del tavolo \ncollega la monumentale base \nin marmo, opaca nella sua \nversione contemporanea, \nal piano del tavolo disponibile \nin noce tinto scuro, frassino \nnero e in otto laccature, \ncreando uno straordinario \nconnubio di forme e colori.\n09\n08\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.7.png","Newly conceived in three \ndifferent heights, the Menhir \nlow table vaunts a more \ndramatically-sized round top, \nand now appears as a tall \nconsole as well — a concept \nfrom the original designs today \nin production for the first time.\nDisponibile in tre diverse \naltezze, il tavolino Menhir \nvanta un piano rotondo \ndi dimensioni importanti, \ne ora si presenta anche come \nuna consolle alta - uno dei \nprogetti originali, oggi in \nproduzione per la prima volta.\n10\n11\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.8.png","12\n13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.9.png","#01\n14\n15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.10.png","Sistema di tavolini e consolle \ncaratterizzati dalla versatilità \ndi utilizzo e combinazione \ntra le varie forme, oltre \na dimensioni e materiali. \nSystem of tables \nand consoles feature \nversatility, combination \nof various shapes, \nsizes and materials. \n16\n17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.11.png","18\n19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.12.png","#02\nOriginal design by:\nGianfranco Frattini\nGong\nside table\nRappresentativa del design \nrigoroso di Gianfranco Frattini, \nla famiglia di tavolini Gong \nriemerge con tutta la sua \ngrazia ed estro formale \nin diverse altezze e diametri: \nle nuove proporzioni \ne grandezze sono ideali \nper ospitare sculture,\npiante e altri oggetti. \nI metalli verniciati nelle \nfiniture ottone spazzolato \no canna di fucile aggiungono \nnuova enfasi alla materia, \nmentre lo stelo in tinta \no a contrasto in ottone, il piano \ne la base in metallo esprimono \npurezza delle forme.\nEmblematic of the rigorous \ndesigns of Gianfranco \nFrattini, the Gong side \ntable reemerges with his \nquintessential grace and \nflair of form, now in diverse \nheights and diameters \n— a family of proportions for \nsculptures, plants, and other \ndecor. In a muted brushed \nfinish of brass or gunmetal, \nthe metals present a new \nemphasis on materiality, \nwith a column in the same \ncolour or contrasting in \nbrass, and a tabletop and \nbase in iron, all in gleaming, \nelemental purity.\n20\n21\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.13.png","22\n23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.14.png","#02\n24\n25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.15.png","I tavolini sono disponibili \nnella versione monocromatica, \ninteramente verniciati nelle \nfiniture canna di fucile \no bronzo orbitale; invece \nper la versione bicromatica \nlo stelo è in ottone spazzolato \ne si pone in netto contrasto \ncon le due finiture proposte.\nThe coffee tables \nare entirely painted \nin gunmetal or an orbital \nbronze finish. The stand \nis in brushed brass for \nthe two-coloured version \nand sharply contrasts \nwith the two finishes.\n26\n27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.16.png","28\n29\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.17.png","Original design by:\nGiotto Stoppino\nJot\nchair\n#03\nEsaltando l’acciaio come \nnella tradizione Bauhaus, \nla sedia Jot con struttura \nin tubolare cromata proietta \nla sua forma sinuosa nell’era \ncontemporanea con una \nnuova versione, pura nella \nsua essenza e bellezza, \ngrazie al metallo lucido \ne al cuoio naturale. \nLa sedia Jot rappresenta \nun esempio iconico dell’uso \nsapiente di Giotto Stoppino \ndello stile a sbalzo e della \nricerca sui materiali. \nCelebrating stainless \nsteel in the Bauhaus \ntradition, the tubular \nchrome-framed Jot chair \ntakes its swooping, balletic \nform into the contemporary \nera with a new version purified \nof any paint or dye that \nwould hide the essence \nof its powerful metal and \nrawhide leather elements. \nAn iconic example of Giotto \nStoppino’s masterful use \nof cantilevered chair styles \nand his exploratory method \nwith materials.\n31\n30\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.18.png","32\n33\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.19.png","#03\n34\n35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.20.png","Una seduta dalla linea \nessenzialee sinuosa, \ndisegnata dal tubo in metallo \nin contrasto con la naturalezza \ndel cuoio cucito a mano. \nIl design della struttura \nsfrutta le caratteristiche \ninsite del metallo curvato \nper donare alla sedia \nmaggiore flessibilità. \nA chair with essential \nand sinuous lines, designed \nby the metal tube in contrast \nwith the naturalness \nof the full grain leather. \nThe structure design’s takes \nadvantage of the inherent \ncharacteristics of the curved \nmetal to give the chair \ngreater flexibility.\n36\n37\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.21.png","38\n39\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.22.png","Un secolo e mezzo di storia\nOriginariamente con sede \nnella Valle Seriana della \nbergamasca, in quell’area \nnel nord della Lombardia \nvotata all’industria del \nmobile che ha reso Milano \nla capitale mondiale del \ndesign, Acerbis è passata \ndi padre in figlio fino \nad oggi, alla sua quarta \ngenerazione, che vede \nEnrico Acerbis come nuovo \nambasciatore del marchio. \nFondata nel 1870 \nda Benvenuto Acerbis, \nun sapiente artigiano \ndel legno che seppe creare \nuna solida clientela grazie \nai suoi design artigianali \npersonalizzati, l’azienda \nsi è evoluta, mantenendo \nsempre una solida \nconduzione familiare, \ndall’iniziale lavorazione \nartigianale alla produzione \nin serie con l’avvento di \nLodovico Acerbis negli anni \n’60, epoca caratterizzata \ndalle collaborazioni con \nalcuni dei più innovativi \ndesigner italiani e \ninternazionali – per citarne \nalcuni, Massimo e Lella \nVignelli, Vico Magistretti, \nNanda Vigo, Gianfranco \nFrattini, Giotto Stoppino, \nMario Bellini e Andrea \nBranzi. Acerbis è una \ndelle poche aziende italiane \nad aver preso parte alle \nprime edizioni del Salone \ndel Mobile di Milano, \npartecipandovi per la prima \nvolta nel 1965, e ad aver \npresentato da allora nuovi \ndesign in ogni edizione \ndella fiera.\nA Century and a Half of History\nOriginally located in \nBergamo’s Valle Seriana, \npart of the northern \nfurniture- making hub \nof Lombardy that \ntransformed Milan into \nthe world’s design capital, \nAcerbis has passed from \nfathers to sons through \nthe decades and is now\nin its fourth generation \nwith Enrico Acerbis as \nthe brand’s ambassador. \nFounded in 1870 \nby Benvenuto Acerbis, \na skilled woodworker \nwho built up a loyal \nclientele for his artisanal \ncustom designs, Acerbis \nhas seen its family \nleadership guide the \ncompany from early craft \nfabrication to Lodovico \nAcerbis’ 1960s-era leap \nto serial production \nand collaborations with \nsome of Italy’s most \ntrailblazing designers \n— among them, Massimo \nand Lella Vignelli, Vico \nMagistretti, Nanda Vigo, \nGianfranco Frattini, Giotto \nStoppino, Mario Bellini, \nand Andrea Branzi. \nThe brand is one of just \na handful of Italian companies \nto have exhibited at Milan’s \nSalone del Mobile from \nthe very beginning, \nin 1965, and to present \nnew designs at each \nedition ever since.\n40\n41\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.23.png","Visione innovativa \ne design all’avanguardia\nBasata su processi \nproduttivi di alta precisione \ne su un’eredità consolidata \ndi eccellenza artigianale, \nAcerbis ha rivoluzionato \nle soluzioni creative \nper i contesti abitativi \ncontemporanei con il \nmoderno arredamento \nmodulare, grazie alla \nreinterpretazione da parte \ndei suoi designer di credenze, \nlibrerie e mobili contenitori, \nmolti dei quali divenuti \noggetto di esposizione \nnei più prestigiosi musei \nal mondo, come il Museo \ndi Arte Moderna di New York \ne il Victoria & Albert \nMuseum di Londra.\nAlla costante ricerca \ndi usi innovativi dei materiali, \nAcerbis è diventato un punto \ndi riferimento nell’ambito \ndelle laccature di alta qualità, \nconferendo livelli mai \nvisti prima di lucentezza \ne durevolezza, e inventando \nil proprio metodo brevettato \ndi finitura con laccatura, \nil Caoxol. Con un talento \nunico per sistemi speciali \ndi chiusura, cerniere e altre \ncomponenti personalizzate, \nretaggio della tradizione \nartigianale nella produzione \ndei mobili, Acerbis offre \nai suoi clienti un’esperienza \ndi lusso che combina \nestetica concettuale \ne funzionalità nelle soluzioni \nd’arredo. In tutti i suoi \nanni di sperimentazione \ned industrializzazione, \nAcerbis ha forgiato così \nil proprio DNA di ingegno \nitaliano rivolgendosi \na una clientela che \nguarda al futuro.\nInnovative vision \nand avant-garde design \nImbued with precision \nproduction and a finely-\nhoned heritage in high \ncraftsmanship, Acerbis \ninnovated creative solutions \nfor contemporary living \nspaces — creating the \nvanguard in modern modular \nfurnishings, with designers’ \nreimaginings of credenzas, \ncabinets, and storage \npieces, many of which have \nbeen exhibited at the world’s \nmost prestigious museums, \nincluding the Museum \nof Modern Art in New York,\nand the Victoria & Albert \nMuseum of London.\nContinually exploring \nnovel material uses, Acerbis \nestablished a new touchstone \nin high-quality lacquers, \nimbuing them with previously \nunseen levels of gloss \nand durability, and inventing \nits own patented Caoxol \nlacquer finish. A unique \ntalent for specialized \nclosing mechanisms, \nhinges, and other custom \nhardware, descended \nfrom the furniture maker’s \nartisan tradition, imparted \na fundamental luxury \nexperience of design \nfor users to match the \nconceptual aesthetic \nsolutions of the furnishings. \nOver these years of \nexperimentation and \nindustrialization, Acerbis \nforged its DNA of Italian \ningenuity for a future-gazing \nclientele ever since.\nUna nuova alleanza\nNel panorama globalizzato \ndel design, le società \naumentano il proprio \nsuccesso grazie a \npartnership strategiche. \nA partire dal 2019, MDF \nItalia ha unito le forze \ncon Acerbis acquisendo \nil marchio d’arredamento. \nInterconnessi nell’offerta, \ni due marchi insieme sono \nin grado di esplorare nuovi \nmercati, consolidando \nla loro vitalità commerciale \nper affrontare i continui \ncambiamenti del mercato \nglobale. “Questa acquisizione \ngarantisce la forza e la \ncontinuità di un marchio \nche è sempre stato \nun portabandiera nel \nmondo del design”, \nafferma Enrico Acerbis.\nCon la fusione \ndell’organizzazione \nproduttiva, commerciale \ne di marketing delle due \nsocietà e con una sede \ncomune a Mariano \nComense, MDF Italia \nfornisce la solidità della \nsua rete di distribuzione, \nl’elevata capacità del suo \nsistema produttivo e le \ncompetenze della propria \nstruttura di marketing \nmentre Acerbis contribuisce \ncon una consolidata rete \ndi vendita a livello \ninternazionale e un \nknow-how tecnologico frutto \ndi decenni di ricerca sui \nmateriali, sistemi costruttivi \ne di apertura dei mobili.\nI due marchi ribadiscono \ncosì il loro status di pilastri \ncomplementari del design \nitaliano nel mondo, \nal contempo crescendo \ninsieme, ma mantenendo \ndistintivo il proprio \nposizionamento, target \ndi riferimento e identità \npersonale di design.\nA New Alliance\nIn the globalized design \nlandscape, today’s \ncompanies succeed best \nin strategic partnerships: \nas of 2019, MDF Italia \nacquired Acerbis in order \nto join the forces of these \ntwo powerful brands \nof bold Italian furnishings. \nInterconnected in their \nofferings, together the \nbrands are able to explore \nnew markets, reinforcing \ntheir sales vitality to stay \nrobust amid the changing \ntides of the global market. \n“The alliance secures the \nstrength and continuity \nof a brand that has always \nbeen a standard-bearer \nin the world of design,” \nsays Enrico Acerbis.\nWith the consolidation of \nthe companies’ commercial, \nmarketing and production \norganization, and a joint \nheadquarters in Mariano \nComense, MDF Italia offers \nthe strength of its sales \nnetwork, the high capacity \nof its production system \nand the skills of its own \nmarketing, while Acerbis \ncontributes with a \nconsolidated international \nsales network and the \ntechnological know-how \nresulting from decades \nof research into materials, \nconstruction systems and \nfurniture opening. \nThe two brands stand \nto reinforce each other \nas complementary pillars \nof Italian design in the \nworld, growing together \nwhile maintaining their \ndiverse positioning, target \naudience, and distinctive \ndesign identity.\n42\n43\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.24.png","Un rinnovato \npercorso creativo\nNel loro ruolo di nuovi \ndirettori creativi di Acerbis, \nFrancesco Meda e David \nLopez Quincoces uniscono\ni loro comprovati punti \ndi forza nell’ambito \ndell’architettura e del design \nindustriale. “Sia Francesco \nche David mettono \na disposizione diverse \ncompetenze, offrendo \nad Acerbis un punto di vista \npiù ampio”, dice Marco Cassina, \nDirettore Marketing di MDF \nItalia. “Sono designer di \nnuova generazione ma con \nesperienze significative, \nche dimostrano il loro talento, \ne con una visione \ndecisamente nitida \ndel marchio, che abbraccia \nla sua importante storia \ne le sue icone ed è in grado \ndi far evolvere creativamente \nlo stile internazionale \ne il design architettonico \nche distinguono Acerbis”.\nAn Invigorated \nCreative Course\nAs the new creative \ndirectors of Acerbis, \nFrancesco Meda and David \nLopez Quincoces combine \ntheir well-proven strengths \nin industrial design and \narchitecture. “Francesco \nand David each bring \ndifferent specialties \nto the table, creating a more \ncomprehensive perspective \nfor Acerbis,” says Marco \nCassina, marketing manager \nof MDF Italia. “They’re \ndesigners of the new \ngeneration, but with \nconsiderable experiences \nthat have already affirmed \ntheir talent, and with \na remarkably clear vision \nfor the brand that embraces \nits exceptional story \nand icons, freshly evolving \nthe International Style \nand architectural design \nthat has always \ndistinguished Acerbis.”\nCon una passione per \nla storia del design e una \npercezione visionaria del \ncontemporaneo, i due hanno \ncominciato a ravvivare gli \narchivi Acerbis, riproponendo \ncreazioni la cui modernità \nrimane all’avanguardia \nancora oggi. \n“Questi pezzi narrano una \nstoria importante dal valore \nintrinsecamente prezioso \nper coloro che comprendono \nl’aspetto narrativo del design”, \ndicono i designer. \n“Cerchiamo di renderli \nattuali sulla base di come \nviviamo oggi le nostre case, \ncon nuove proporzioni, \nmateriali e colori”. \nLe future collezioni \nvedranno il coinvolgimento \ndei più interessanti designer \ndi ultima generazione, \nma nella prima parte del \nloro incarico Meda e Lopez \nQuincoces si concentrano \nsul riscoprire i design \npiù originali e audaci \ndell’archivio Acerbis, \nrinterpretandoli per \nil mercato attuale.\nOgni design di archivio \nè stato selezionato \nattentamente da Meda \ne Lopez Quincoces \nper celebrare un’epoca \nleggendaria di sperimentazione \ne per fornire un’analisi \nprospettica delle icone \nAcerbis: vere fondamenta \ndi bellezza e funzionalità, \nradicate nella potente \ntradizione di questo marchio, \npresupposti su cui costruire \ni futuri capitoli della storia \ndi Acerbis.\nWith a passion for the \nhistory of design, and \na visionary sense of the \ncontemporary, the pair have \ncommenced a reawakening \nof Acerbis’ archives, \nrelaunching creations whose \nmodernity remains \nprogressive even today. \n“These pieces recount \nan important history with \nan intrinsically precious \nvalue for those who \nunderstand the narrative \nof design,” say the designers. \n“We’re updating them \nfor how we live in our homes \ntoday, with new proportions, \nnew materials, and new \ncolors.” Future collections \nwill draw on the most \nexciting designers of the \nnew era, but first the launch \nof their tenure sees Meda \nand Lopez Quincoces \nlooking back to the most \ndaring and original versions \nof archive designs \nand reinterpreting \nthem for today.\nEach archive design was \ncarefully chosen by Meda \nand Lopez Quincoces \nto highlight an era of iconic \nexperimentation, and \nto create a forward-looking \nsurvey of Acerbis’ \nbeautifully useful icons: \na foundation grounded \nin the potent heritage \nof this pace-setting brand \nto commence a new \nchapter of Acerbis.\n45\n44\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.25.png","#04\nOriginal design by:\nGianfranco Frattini\nMaestro\ntable\nCon la precisione e la vivida \nidentità che da sempre hanno \ncontraddistinto i lavori \ndi Gianfranco Frattini, \nil tavolo Maestro è stato \nprogettato per portare \nfunzionalità e perfezione \nnegli spazi abitativi. \nOggi, nelle versioni da 2,5, \n3 e 3,5 metri di lunghezza, \ndiventa più imponente nelle \nsue dimensioni e più scenico \nnel suo impatto materico \ngrazie al legno noce tinto \nscuro e al frassino nero.\nIl gioco di ritagli che \ncaratterizzano il basamento \ne il ponte centrale \nrichiamano l’architettura \ntradizionale giapponese.\nWith the precision and vivid \nidentity that Gianfranco \nFrattini imbued in his work, \nthe Maestro table was \ndesigned to conjure \nfunction and perfection \nin living spaces. Today, at \nversions in  2,5, 3 and 3.5 \nmeters in length, it becomes \ngrander in its scale for \nmodern entertaining needs, \nand more dramatic in its \nmaterial impact, with black \nash wood and dark stained \nwalnut making dark \nsilhouettes of the long, \ncantilevered wings of the \ntable and its linear play of \ncutouts that recalls traditional \nJapanese architecture.\n46\n47\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.26.png","49\n48\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.27.png","Il tavolo Maestro è composto \nda una base realizzata \nin massello di frassino \nnero o noce tinto scuro; \nad enfatizzare ed impreziosire \nla struttura il particolare \ndisegno a listelli, sinonimo \ndi qualità ed autenticità.\nThe Maestro table is \ncomposed of a base made \nof solid black ash wood \nor dark stained walnut which \nemphasises and embellish \nthe structure, the stand’s \nslatted design is synonymous \nwith quality and authenticity.\n50\n51\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.28.png","#04\n52\n53\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.29.png","L’attuale riedizione rispetta \nil progetto originale e mantiene \ninalterato il suo aspetto \nestetico, ma introduce nuove \nessenze contemporanee \ne dimensioni in linea \ncon le attuali aree living \ne interni domestici.\nThe current version follows \nthe original design and \nmaintains its aesthetic \nappearance but introduces \nmore contemporary wood \nand dimensions. which are \nconsistent with living areas \nand domestic interiors.\n54\n55\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.30.png","56\n57\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.31.png","Piano in fibra di legno \na media densità, spessore \n30mm, con particolare \nimpiallacciatura intarsiata \ne spazzolata a poro aperto, \nnelle finiture frassino nero \ne noce tinto scuro.\nThe top is made of 30 mm \nthick medium density wood \nfibre, with a special inlaid \nand brushed open grain \nveneer, in black ash and \ndark stained walnut finishes.\n58\n59\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.32.png","Original design by:\nRoberto Monsani\nLife\nsofa\n#05\nNell’immaginare nuovi stili \ndi vita, Roberto Monsani \nha sviluppato soluzioni \nper ripensare la casa, \ne il divano Life - così \nall’avanguardia da non \nessere mai stato prodotto \nin serie ai tempi di Monsani \n– conserva il suo originale \naspetto moderno. \nMantenendo il suo design \nmodulare e flessibile, \noggi l’originale struttura \ndel divano in plexiglas \nè stata allungata e \naggiornata con versioni in \nnoce tinto scuro e frassino \nnero, ideali per gli spazi \nabitativi contemporanei. \nI cuscini in piuma, \nestremamente comodi \ne pensati per un relax \ninformale, sono resi  \nancor più accoglienti \ndal rivestimento in velluto.\nIn envisioning new styles \nof living, Roberto Monsani \nimagined solutions to reshape \nthe home, and the Life \ncouch — so avant-garde \nit was never produced \nin series in Monsani’s day \n— retains its modern edge. \nMaintaining its modular \nand flexible design, today \nthe sofa’s original lucite \nframe has been elongated \nand updated with versions \nin dark stained walnut and \nblack ash for contemporary \nliving ideals. Designed \nto invite casual lounging, \nthe supremely comfortable \ndown cushions are now \nrendered ever more inviting \nin velvet, with softened \nshapes for absolute ease.\n61\n60\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.33.png","Sistema di imbottiti \na elementi componibili, \nrealizzato in multistrato \ndi betulla curvato, \nimpiallacciato, spazzolato \na poro aperto nelle finiture \nfrassino nero e noce tinto \nscuro. Sistema di aggancio \ndegli elementi nascosto.\nAn upholstered system \nwith modular elements, \nmade of veneered, brushed \nopen grain curved birch \nplywood in black ash \nand dark stained walnut \nfinishes. A hidden element \nhooking system.\n62\n63\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.34.png","#05\n64\n65\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.35.png","66\n67\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.36.png","#06\nOriginal design by:\nNanda Vigo\nStoret\nchest of drawers\nUna cassettiera giocosa \ne vivace, Storet incarna \nil tocco magico e visionario \ndelle creazioni di Nanda \nVigo, oggi resa più \ncontemporanea da nuove \nfiniture e proporzioni. \nSia nella versione alta \na dieci cassetti, che nella \nvariante comodino progettata \nda Vigo ma prodotto per \nla prima volta solo ora, \nStoret riflette i progressi \nodierni della produzione: \nl’artigianale lavorazione \ndel legno enfatizza la \ndecennale competenza \ndi Acerbis nella tradizione \nebanista. Il mobile, pur \nessendo realizzato in un \nunico materiale, crea un \nsinuoso gioco di chiaro \nscuri, che esaltano la \nnaturale bellezza del legno \ne la vivacità delle laccature.\nA playful, spirited pillar \nof drawers, the Storet \ncabinet epitomizes the \nvisionary touch of Nanda \nVigo’s designs, now \nmodernized with a brightly \nlacquered wood contrast \nand brand new proportions. \nIn both its elongated \nvertical edition, and in \nthe nightstand designed \nby Vigo but manufactured \nfor the first time only now, \nthe Storet reflects today’s \nadvances in production, \nwith the walnut’s visible \ngrain illuminating Acerbis’s \nmodern expertise in utilizing \nextensive wood surfaces. \nThe cabinet, though made \nentirely of a single material, \ncreates a potent game of \ncolorplay, tempered by the \npacifying shades and the \nnatural quality of the wood.\n68\n69\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.37.png","70\n71\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.38.png","#06\n72\n73\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.39.png","74\n75\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.40.png","La modanatura dei cassetti, \nelemento caratterizzante \ndel mobile, è in laccato lucido.\nCassetti con interno realizzato \nin multistrato impiallacciato.\nThe furniture’s key element \nis the drawers’ moulding \nand it is available in glossy \nlacquered. Drawers with \ninterior made of open\ngrain veneered plywood.\n76\n77\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.41.png","78\n79\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.42.png","Original design by:\nGiotto Stoppino e Lodovico Acerbis\nSheraton\nsideboard\n#07\nRispecchiando appieno \nil ruolo di Giotto Stoppino \ne Lodovico Acerbis come \nesponenti di spicco del \ndesign italiano, Sheraton \ncombina una forma \nelegante e rivoluzionaria \ncon funzionalità innovative. \nVincitore del Compasso \nd’Oro nel 1979, Sheraton \nfa parte della collezione \npermanente del Victoria \nand Albert Museum di \nLondra e oggi si arricchisce \ndi nuove laccature in sei \ntoni contemporanei. \nReflecting Giotto Stoppino \nand Lodovico Acerbis’s role \nas a leading exponent \nof modern Italian design, \nthe Sheraton sideboard \ncombines a sleekly \ngroundbreaking shape \nwith innovative functionality. \nThe winner of the Compasso \nd’Oro in 1979, the seminal \ndesign forms part of the \npermanent collection at \nLondon’s Victoria and Albert \nMuseum, and today sees new \neditions of the wood cabinet \nfinished with Acerbis’s \ndistinctive glossy lacquers in \nsix new contemporary tones. \n81\n80\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.43.png","82\n83\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.44.png","84\n85\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.45.png","#07\n86\n87\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.46.png","La chiusura e il sistema \nscorrevole originali \ndi Sheraton - una rivelazione \nal suo esordio - sono stati \nmodernizzati per garantire \nuno scorrimento più fluido.\nThe Sheraton’s original \nclosures and sliding \nsystem — a revelation upon \nits initial release — have \nbeen further modernized \nto ensure a smoother gliding.\n88\n89\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.47.png","Technical\nDrawings\n90\n91\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.48.png","ROCCHI\nMarmi Opachi: Bianco Carrara Statuario, Nero Marquinia, \nRosso Levanto, Verde Alpi\nDRUMS\nMatt Marble: Carrara Statuario White, Marquinia Black, \nLevanto Red, Alpi Green\nA\n26,5\n27,4\nB\n28\n16\nC\n28\n9\nE\n16\n9\nD\n16\n20\nTAVOLINO STRUTTURA BASSA\nTelaio Metallico: Nero Opaco\nTABLE LOW STRUCTURE\nMetal Frame: Black Matt\n36,2\nC + E\nA\nB + E\nC + D\nTAVOLINO STRUTTURA MEDIA \nTelaio Metallico: Nero Opaco\nTABLE MID STRUCTURE\nMetal Frame: Black Matt\n42,5\nC + E\nA\nB + E\nC + D\n48,8\nTAVOLINO STRUTTURA ALTA\nTelaio Metallico: Nero Opaco\nTEBLE HIGH STRUCTURE\nMetal Frame: Black Matt\nC + E\nA\nB + E\nC + D\nTOP\nLaccatura Lucida: Bordeaux, Rosa, Verde Scuro, Giallo Senape, \nRosso Mattone, Argilla, Bianco, Nero\nImpiallacciatura Intarsiata: Frassino Nero, Noce Tinto Scuro\nTOP\nGlossy Lacquering: Burgundy, Pink, Dark Green, Mustard Yellow, \nBrick Red, Clay, White, Black\nInlay Veneer: Black Ash, Dark Stained Walnut\n80\n100\nNon disponibile per struttura alta 48.8\nNot available for 48.8 high tructure\n120\nB + E\nA + E\nB + E\nA + E\nCONSOLE\nTelaio Metallico: Nero Opaco\nTop Laccatura Lucida: Bordeaux, Rosa, Verde Scuro, Giallo \nSenape, Rosso Mattone, Argilla, Bianco, Nero\nTop Impiallacciatura intarsiata: Frassino Nero, Noce Tinto Scuro\nCONSOLE\nMetal Frame: Black Matt\nTop Glossy Lacquering: Burgundy, Pink, Dark Green, Mustard \nYellow, Brick Red, Clay, White, Black\nTop Inlay Veneer: Black Ash, Dark Stained Walnut\n180\n180\n40\n80,2\np. 08\np. 08\n#01  Menhir  Giotto Stoppino e Lodovico Acerbis, 1983\n#01  Menhir  Giotto Stoppino e Lodovico Acerbis, 1983\n92\n93\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.49.png","p. 46\np. 20\nSIDE TABLE\nTelaio Metallico: Canna Di Fucile, Bronzo Orbitale\nOpzione Stelo: Ottone Spazzolato\nSIDE TABLE\nMetal Frame: Gunmetal, Orbital Bronze\nStand Option: Brushed Brass\n43\n43\n55\n27\n55\n45\n27\n27\n27\n27\n35\n80\n#04  Maestro  Gianfranco Frattini, 1997\n#02  Gong  Gianfranco Frattini, 1987\np. 30\nSEDIA\nTelaio Metallico: Nichel Nero Opaco, Cromo\nRivestimento in cuoio: Nero, Grigio Scuro, Grigio Caldo, Tortora, \nTesta Di Moro, Marrone, Naturale\nCHAIR\nMetal Frame: Matt Black Nickel, Chrome\nGlossy Lacquering: Black, Dark Gray, Warm Gray, Taupe, Dark \nBrown, Brown, Natural Colours\n48,5\n58\n55\n79\n#03  Jot  Giotto Stoppino, 1976\n90\n73\n250\n137\nTAVOLO 250\nEssenze Legno: Frassino Nero, Noce Tinto Scuro\nTABLE 250\nWood Essences: Black Ash Wood, Dark Stained Walnut\n73\n100\n300\n173,5\nTAVOLO 300\nEssenze Legno: Frassino Nero O Noce Tinto Scuro\nTABLE 300\nWood Essences: Black Ash Wood, Dark Stained Walnut\n94\n95\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.50.png","73\n100\n201,5\n350\nTAVOLO 350\nEssenze Legno: Frassino Nero, Noce Tinto Scuro\nTABLE 350\nWood Essences: Black Ash Wood, Dark Stained Walnut\np. 60\np. 46\n#05  Life  Roberto Monsani, 1975\n#04  Maestro  Gianfranco Frattini, 1997\nMODULO SEDUTA\nStruttura: Frassino Nero, Noce Tinto Scuro\nTessuti: Velluto opera Pierre Frey, tessuti collezione MDF Italia \ne\u002Fo tessuto cliente\nSEAT\nStructure: Black Ash, Dark Stained Walnut\nTextiles: Pierre Frey Opera velvet, MDF Italia Fabrics \nand\u002For customer fabric\n98\n90\n90\n63\n42\n98\nPOUF M\nStruttura: Frassino Nero, Noce Tinto Scuro\nTessuti: Velluto opera Pierre Frey, tessuti collezione MDF Italia \ne\u002Fo tessuto cliente\nM OTTOMAN\nStructure: Black Ash, Dark Stained Walnut\nTextiles: Pierre Frey Opera velvet, MDF Italia Fabrics \nand\u002For customer fabric\n98\n90\n90\n42\n42\n98\nPOUF S\nStruttura: Frassino Nero, Noce Tinto Scuro\nTessuti: Velluto opera Pierre Frey, tessuti collezione MDF Italia \ne\u002Fo tessuto cliente\nS OTTOMAN\nStructure: Black Ash, Dark Stained Walnut\nTextiles: Pierre Frey Opera velvet, MDF Italia Fabrics \nand\u002For customer fabric\n58\n90\n90\n58\n42\n42\n96\n97\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F89\u002F656ce7d493bea5444a1135559a315b-26e593686c.51.png","CASSETTIERA BASSA\nStruttura: Frassino Nero, Noce Tinto Scuro\nCassetti Laccatura Lucida: Bordeaux, Rosa, Verde Scuro, Giallo \nSenape, Rosso Mattone, Argilla, Bianco, Nero\nLOW CHEST OF DRAWERS\nStructure: Black Ash, Dark Stained Walnut\nDrawers Glossy Lacquering: Burgundy, Pink, Dark Green, Mustard \nYellow, Brick Red, Clay, White, Black\n55,6\n51,7\n55,6\n50\n55,5\n51,7\nCREDENZA 280\nLaccatura Lucida: Nero, Bianco, Bianco Sw, Grigio Ghiaia, \nGrigio Pietra, Grigio Fumo, Lino, Sabbia, Grigio Caldo, Argilla, \nRosso Ny, Rosso Vico, Blu Iseo, Verde Iseo; Bordeaux, Rosa, \nVerde Scuro, Giallo Senape, Rosso Mattone\nSIDEBOARD 280\nDrawers Glossy Lacquering: Black, White, Sw White, Gravel Grey, \nStone Grey, Smoke Grey, Linen, Sand, Warm Grey, Clay, Ny Red, \nVico Red, Iseo Blue, Iseo Green, Burgundy, Pink, Dark Green, \nMustard Yellow, Brick Red\n280\n49\n70\nCASSETTIERA ALTA\nStruttura: Frassino Nero, Noce Tinto Scuro\nCassetti Laccatura Lucida: Bordeaux, Rosa, Verde Scuro, Giallo \nSenape, Rosso Mattone, Argilla, Bianco, Nero\nHIGHT CHEST OF DRAWERS\nStructure: Black Ash, Dark Stained Walnut\nDrawers Glossy Lacquering: Burgundy, Pink, Dark Green, Mustard \nYellow, Brick Red, Clay, White, Black\n55,6\n51,7\n55,6\n50\n131,1\n51,7\np. 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