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> > Angelo Cappellini

Angelo Cappellini

120

Angelo Cappellini: Sittingrooms, 40 178

Salotti Luigi XVI
(1760-1790)
La linea retta che caratterizza lo stile Luigi
XVI si manifesta soprattutto nelle parti di
sostegno di poltrone e divani. Le gambe sono
affusolate, piramidali o a balaustra, lisce
oppure con scanalature rette o a spirale.
Anche i sostegni posteriori perdono la tipica
curvatura all’indietro e gli schienali
abbandonano forme arcuate e divaricazioni
per passare a più severi disegni quadrangolari
od ovali. La linearità complessiva è tuttavia
ingentilita da deroghe dettate dal gusto e
dalla funzionalità. I braccioli si legano al sedile
con eleganti curve di raccordo. Fasce e
schienali si piegano leggermente all’infuori.
Alla raffinatezza del disegno si unisce la
grazia dei motivi decorativi a intaglio. Nastri,
perline e greche si dispiegano lungo le fasce;
rose da sole o in mazzetti si adagiano sugli
schienali.
Louis XVI Style Drawing Rooms
(1760-1790)
The straight line characterizing Louis XVI’s
style is used particulary for supporting parts of
armchairs and sofa. Legs are tapered,
pyramidal or balustrade-shaped, smooth or
with straight or spiral grooves. The line of the
back support loses its typical movement
backwards and the armrests lose their arched
shapes and wide openings becoming severe
quadrangular or oval designs. The general
linearity is till refined by the rules of taste and
functionality. The armrests are fixed to the seat
through elegant joint-curves. Bands and backs
bend outwards slightly. Refined designs are
combined with graceful carved decorative
motifs. Ribbons, pearls and Greek frets enrich
the bands while single or bunches of roses
decorate the backs.

Elstead Lighting

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Angelo Cappellini

Sittingrooms 40 of 178

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