[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-zanotta-re-connecting-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":149},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":144,"matched_pages":145,"match_count":146,"two_pages":147,"show_text":148},22096,"Re-Connecting 2022","zanotta-re-connecting-2022","\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F1f\u002F791442de6c49261f5f787a449569e0-28e1d45275.pdf","Zanotta",407,"zanotta","10.8 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141],{"image":7,"text":15,"number":16},"RE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\n \nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING 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\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nCONNECTING\nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING\nCONNECTING \nCONNECTING \nCONNECTING \n \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING\n \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING\nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–CONNECTING \n \n \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\n \nCONNECTING\nRE–CONNECTING\nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING 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\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \n \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\n \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \n \n \nRE–CONNECTING \n \n \nRE–CONNECTING\nRE–CONNECTING\n \n \nRE–CONNECTING \n \n \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRe–Connecting\n2022 new products\nReconnecting is the theme of the 2022 collection. \nReconnecting with people, with objects \nand with Earth in a more sustainable way.\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.2.png","01\nCollection 2022\nRe–Connecting\nThe new 2022 Collection, La nuova collezione 2022 \n1345 \n \nNoah\n1045 \n \nZa:Za \n870 \n \nKarelia\n880 \n \nCampiello+\n627, 628 \nToTo \n2293 \n \nNena Stool\nThree new Quaderna additions, I tre nuovi pezzi di Quaderna\n150 \n \nRug\n656 \n \nCoffee table\n2750 \n \nWriting desk\nTechnical specifications, Informazioni tecniche\n02–19\n20–27\n28–33\n34–37\n38–41\n42–45\n46–47\n48–49\n50–53\n54–59\nThe new 2022 Collection\nThree new Quaderna additions\nNoah\nZa:Za\nKarelia\nCampiello+\nToTo\nNena Stool\nQuaderna, Coffee table\nQuaderna, Writing desk\nRe–Connecting\nIt’s time to get closer. To people, to things to a different — more conscious — way of living. Let’s go back \nto relating to reality. And let’s take advantage of this newfound closeness to bring real people and their \nauthentic needs back to the centre of the design process. In terms of design, the challenge is to be able \nto translate the new behaviours of living into products capable of responding to multiple needs in an \neven more satisfying, complete and innovative way. Functional, comfortable and versatile furnishing el-\nements, able to accompany us in all the steps of everyday life. Design objects that last over time with-\nout tiring. Made with care in every detail, following the best Italian artisan tradition. Built when possible, \nwith regenerated materials and easy to disassemble, with a view to increasing sustainability. Above all, \nproducts with great personality, able to arouse emotions. May they help us, with their silent presence, in \nthe difficult task of reconnecting. With others, with spaces. With the world we live in.\nRe–Connecting\nÈ tempo di riavvicinarci. Alle persone, alle cose, a un modo diverso \n— più consapevole — di vivere. Torniamo a metterci in relazione \ncon il reale. E approfittiamo di questa ritrovata vicinanza per ripor-\ntare le persone vere e i loro bisogni autentici al centro del pro-\ncesso progettuale. Sul piano del design, la sfida è riuscire a tradurre \ni nuovi comportamenti dell’abitare in prodotti capaci di rispondere  \na molteplici esigenze in modo ancora più soddisfacente, completo \ne innovativo. Elementi d’arredo funzionali, confortevoli e versatili,  \nin grado di accompagnarci in tutti i passaggi della vita quotidiana. \nOggetti di design che durino nel tempo senza stancare. Realizzati \ncon cura in ogni dettaglio, nel solco della migliore tradizione artigia-\nnale italiana. Costruiti quando possibile con materiali rigenerati  \ne facili da disassemblare, in un’ottica di sempre maggiore sosteni-\nbilità. Soprattutto, prodotti ricchi di personalità, che sappiano \nsuscitare emozioni. Che ci aiutino, con la loro silenziosa presenza, \nnel difficile compito di riconnetterci. Con gli altri, con gli spazi. \nCon il mondo in cui viviamo.\nQuaderna, Rug\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.3.png","Noah\n1345\nDesigner:\nDamian Williamson\n02\nNoah\ncod. 1345\nSketches of a slender rectangular platform upon \nwhich all elements are connected became the point \nof departure for the Noah collection. Designed to \nadapt to different spaces and needs, Noah Sofa com- \nbines small dimensions with extreme modularity.\nA single seat cushion offers greater flexibility in the \nuse of seating, while the high and enveloping back \ncushion offers a total comfort. This visually element \nmorphed into an optional curved module. The inten-\ntion of designer Damian Williamson is to create a re-\nlaxed and convivial atmosphere with seating \npositions that facilitate eye contact. While the inte-\ngrated wooden trays contribute to the overall \ngraphic expression and provide useful space for our \nbelongings.\nGli schizzi di un’esile piattaforma rettangolare alla \nquale sono collegati tutti gli elementi sono di-\nventati il  punto di partenza per la collezione Noah. \nProgettato per adattarsi a spazi ed esigenze diffe-\nrenti, il divano Noah unisce ridotte dimensioni a un’e-\nstrema modularità. Un cuscino di seduta unico offre \nuna maggiore flessibilità di utilizzo, mentre il cuscino \ndello schienale alto e avvolgente offre un comfort \ntotale. Questo elemento di leggerezza visiva continua \nanche in un modulo curvo opzionale. L’intenzione \ndel designer Damian Williamson è quella di creare \nun’atmosfera rilassante e conviviale con posizioni \ndi seduta che facilitino il contatto visivo. Mentre i vas-\nsoi in legno contribuiscono all’espressione grafica \ncomplessiva e forniscono spazio utile per i nostri ef-\nfetti personali.\n03\nCollection 2022\nRe–Connecting\nFabric, Tessuto: Viburno 28056\nFeet, Piedi: Graphite painted steel, Acciaio verniciato grafite\nModular sofa, Divano componibile\n↖↑ Noah\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.4.png","04\nNoah\ncod. 1345\nLeather, Pelle: Extra 0479\nFeet, Piedi:  Steel feet with glossy black nickel satin finish, \nPiedini in acciaio nichelsatinato lucido nero\nModular sofa, Divano componibile\nNoah\n05\nCollection 2022\nRe–Connecting\n↗→ Leather, Pelle: Extra 0479\nDetails, Dettagli\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.5.png","Fabric, Tessuto: Taiga 32554\nFeet, Piedi:  Steel feet with glossy black nickel satin finish, \nPiedini in acciaio nichelsatinato lucido nero\nModular sofa, Divano componibile\n+ Tray, Vassoio\nNoah\n06\nNoah\ncod. 1345\nNoah fits large, medium, small spaces. \n07\nCollection 2022\nRe–Connecting\nMaybe we should have called it Zelig.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.6.png","8\nNoah\ncod. 1345\nDetail, Dettaglio\nNoah\nFabric, Tessuto: Taiga 32554\nFeet, Piedi:  Steel feet with glossy black nickel satin finish, \nPiedini in acciaio nichelsatinato lucido nero\nModular sofa, Divano componibile\n+ Tray, Vassoio\nDetails, Dettagli\nNoah\nFabric, Tessuto: Taiga 32554\n09\nCollection 2022\nRe–Connecting\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.7.png","10\nNoah\ncod. 1345\nFabric, Tessuto: Taiga 32501\nFeet, Piedi:  Steel feet with glossy black nickel satin finish, \nPiedini in acciaio nichelsatinato lucido nero\nModular sofa, Divano componibile\n+ Tray, Vassoio\nNoah\n“An elegant and formally resolved sofa that creates a welcoming \nand inclusive space.”\n“Un divano elegante e risolto formalmente con un’attenzione ai dettagli e alla ricerca di una nuova forma espressiva che crei uno spazio accogliente e inclusivo.”\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.8.png","12\nNoah\ncod. 1345\nFabric, Tessuto: Testura 32630\nFeet, Piedi:  Steel feet with glossy black nickel satin finish,  \nPiedini in acciaio nichelsatinato lucido nero\nModular sofa, Divano componibile\n+ Tray, Vassoio\nNoah\n13\nCollection 2022\nRe–Connecting\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.9.png","14\nNoah\ncod. 1345\nFabric, Tessuto: Taiga 32503\nFeet, Piedi:  Steel feet with glossy black nickel satin finish, \nPiedini in acciaio nichelsatinato lucido nero\nModular sofa, Divano componibile\n+ Tray, Vassoio\nNoah\nDetail, Dettaglio\n↘ Fabric, Tessuto: Taiga 32503\nFabric, Tessuto: Taiga 32503\nDetail, Dettaglio\n132 × 54 × 75 cm\nFeet, Piedi:  Steel feet with glossy black nickel satin finish, \nPiedini in acciaio nichelsatinato lucido nero\n↗ Pouf + Tray, Vassoio\n→ Pouf \n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.10.png","16\nNoah\ncod. 1345\nDetail, Dettaglio\nFabric, Tessuto: Taiga 32503\nModular sofa, Divano componibile\n+ Tray, Vassoio\n↗↘ Noah\nFabric, Tessuto: Taiga 32503\nFeet, Piedi:  Steel feet with glossy black nickel satin finish, \nPiedini in acciaio nichelsatinato lucido nero\nDetail, Dettaglio\nModular sofa, Divano componibile\n+ Tray, Vassoio\nNoah\n17\nCollection 2022\nRe–Connecting\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.11.png","18\nNoah\ncod. 1345\nFabric, Tessuto: Taiga 32503\nFeet, Piedi:  Steel feet with glossy black nickel satin finish, \nPiedini in acciaio nichelsatinato lucido nero\nModular sofa, Divano componibile\n+ Tray, Vassoio \n+ Pouf\nNoah\n19\nCollection 2022\nRe–Connecting\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.12.png","Za:Za\n1045\nDesigner:\nZaven\nA metal structure, light but solid, acts as a skeleton to \nthis sofa. The straps, not elastic and stretched like \ntraditional sofas, but fixed to the structure, create a \nsuspended seat like a hammock, where you can \nsink feeling wrapped by a cloud. The cushions, cov-\nered sartorially, are soft and abundant. Za:Za is the  \nresult, as the name suggests, of a close collaboration \nbetween Zaven and Zanotta, a work of synthesis \nand deconstruction, where the canonical elements \nthat make up the sofa have been examined, de-\ncomposed and reduced to the essentials. In Za:Za the \nsustainability aspect is primary: no glues are used \nand all materials are easily recyclable.\nUna struttura in metallo, leggera ma solida, fa da \nscheletro a questo divano. Le cinghie, non elastiche \ne tese come nei divani tradizionali ma fissate alla \nstruttura, creano una seduta sospesa come un’ama-\nca, dove sprofondare sentendosi avvolti da una \nnuvola. I cuscini, rivestiti sartorialmente, sono morbi-\ndi e abbondanti. Za:Za è il risultato, come suggeri-\nsce il nome, di una stretta collaborazione tra Zaven e \nZanotta, un lavoro di sintesi e decostruzione dove \ngli elementi canonici che compongono il divano sono \nstati esaminati, scomposti e ridotti all’essenziale. \nIn Za:Za l’aspetto della sostenibilità è primario: non \nvengono utilizzate colle e tutti i materiali sono \nfacilmente riciclabili.\n21\nCollection 2022\nRe–Connecting\nFabric, Tessuto: Quid 40357\nSteel frame, Struttura:  Matt red varnished,  \nAcciaio verniciato rosso opaco \nMonobloc sofa, Divano monoblocco\nZa:Za\n20\nZa:Za\ncod. 1045\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.13.png","Fabric, Tessuto: Quid 40357\nSteel frame, Struttura:  Matt red varnished,  \nAcciaio verniciato rosso opaco \nMonobloc sofa, Divano monoblocco\nZa:Za\nSoft as a cloud, cozy as a hammock.\n23\nCollection 2022\nRe–Connecting\n↓↑ Fabric, Tessuto: Quid 40357\nDetails, Dettagli\n22\nZa:Za\ncod. 1045\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.14.png","24\nZa:Za\ncod. 1045\nFabric, Tessuto: Testura 32615\nSteel frame, Struttura:  Matt black varnished,  \nAcciaio verniciato nero opaco \nMonobloc sofa, Divano monoblocco\nZa:Za\n25\nCollection 2022\nRe–Connecting\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.15.png"," \n \ncod. 1045\nSteel frame details, Dettagli struttura in acciaio\nMonobloc sofa, Divano monoblocco\n↑↓ Za:Za\n“We have explored a language that offers a comfortable and \nenvironmentally conscious product.”\nFabric, Tessuto: Top 31905\nSteel frame, Struttura:  Matt black varnished,  \nAcciaio verniciato nero opaco \nMonobloc sofa, Divano monoblocco\nZa:Za\n“Abbiamo esplorato un linguaggio formale e tecnico che considera non solo l’estetica e il comfort, ma anche la razionalizzazione dei cicli di produzione e riciclo, per \noffrire un prodotto confortevole e ecosostenibile.”\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.16.png","Karelia\n870\nDesigner:\nLiisi Beckmann, 1966\n28\nKarelia\ncod. 870\nDesigned by the Finnish Liisi Beckmann, this 60’s \npop icon owes its name to the Karelia, the region \nwhere the designer was born and that has always re-\nmained in her heart. And that still intact land, in-\ndented by creeks, gulfs, lakes, inspires that feeling of \njoy and freedom that here becomes a intact wavy \nsign of the seat. The armchair embodies in itself the \nfree and experimenting language of the Sixties and \nSeventies, a sculptural furniture that absolutely does \nnot show its fifty years. This timeless cult object is \nnow proposed by Zanotta after a careful tuning of the \ncoating and comfort. The double density of poly-\nurethane, the slight enlargement of the seat and the \npadding in bielastic foam with very high resistance, \nguarantee greater comfort and the maintenance of \nthe shape over time.\nDisegnata dalla finlandese Liisi Beckmann, questa \nicona pop degli anni ‘60 deve il suo nome alla Karelia, \nla regione dove è nata la designer e che le è sem-\npre rimasta nel cuore. E quella terra ancora intatta, fra-\nstagliata da insenature, golfi, laghi, ispira quella \nsensazione di gioia e libertà che qui diventa un carat-\nteristico segno ondulato della seduta. La poltrona \nincarna in sé il linguaggio libero e sperimentale degli \nanni Sessanta e Settanta, un arredo scultoreo \nche non mostra assolutamente i suoi cinquant’anni.\nQuesto oggetto cult senza tempo viene ora ripro-\nposto da Zanotta dopo un’attenta messa a punto del \nrivestimento e del comfort. La doppia densità del \npoliuretano, il leggero ampliamento della seduta e \nl’imbottitura in schiuma bielastica ad altissima \nresistenza garantiscono un maggiore comfort e il \nmantenimento della forma nel tempo. \n29\nCollection 2022\nRe–Connecting\n↑ Fabric, Tessuto: Samba 32747\n↖ Fabric, Tessuto: Samba 32756\n74 × 80 × 60 cm\nh. seat, seduta 35 cm\nDetail, Dettaglio\nArmchair, Poltrona\nKarelia\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.17.png","30\nKarelia\ncod. 870\nFabric, Tessuto: Samba 32756 (Top)\nFabric, Tessuto: Samba 32726 (Bottom)\nArmchair, Poltrona\nKarelia\n“Karelia is the region where I was born. An uncontaminated \nland, rich of gulf and lakes, that has always remained \nin my heart.”\nFabric, Tessuto: A, Samba 32726\nB, Samba 32747\nC, Samba 32703\nD, Samba 32757\n \nFabric, Tessuto: Samba 32756\nB\nC\nD\nArmchair, Poltrona\nArmchair, Poltrona\nA\nKarelia\nKarelia\n“La Karelia è la regione dove sono nata. Una terra incontaminata, ricca di golfi e laghi, che mi è sempre rimasta nel cuore, ispirandomi”.\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.18.png","32\nKarelia\ncod. 870\n↖ Fabric, Tessuto: Samba 32756\n↑ Fabric, Tessuto: Samba 32726\n↗ Fabric, Tessuto: Samba 32758\nArmchair, Poltrona\nKarelia\nPeople are often so boring. \nAt least design shouldn’t be.\nFabric, Tessuto: Samba 32703\nFabric, Tessuto: Samba 32757\nArmchair, Poltrona\nArmchair, Poltrona\nKarelia\nKarelia\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.19.png","Campiello+\n880\nDesigner:\nDe Pas, D’Urbino, Lomazzi, 1984\nDesigned in 1984 by De Pas, D’Urbino, Lomazzi, \nCampiello is back today as Campiello+. Still very in-\nnovative in shape, it is made even more current \nthanks to the wider seat, the insertion of the swivel \nbase and the enlarged shaped cowhide shell to \ncomfortably accommodate the shoulders. In the \nCampiello+ armchair, the high backrest uphol-\nstered in cowhide embraces the padded seat, com-\npleted by a lumbar cushion and an additional head-\nrest. The swivel conic base rotates 360°. A protective \nalcove whose bent shell embraces and separates, \nalso visually, the person from the environment, pro-\nviding comfort and privacy at the same time.\nDisegnata nel 1984 da De Pas, D’Urbino, Lomazzi, \nla poltrona Campiello torna oggi con il nome \nCampiello+. Il design, ancor oggi molto innovativo, \nè reso ancora più attuale grazie alla seduta più am-\npia, all’inserimento della base girevole e alla scocca \nin cuoio sagomata per accogliere comodamente \nle spalle. Nella poltrona Campiello+, lo schienale alto \nrivestito in cuoio abbraccia la seduta imbottita, \ncompletata da un cuscino lombare e da un poggiate-\nsta aggiuntivo. La base conica girevole ruota di 360°. \nUn’alcova protettiva il cui guscio ricurvo abbraccia e \nsepara, anche visivamente, la persona dall’ambien-\nte circostante, offrendo comfort e privacy allo stesso \ntempo.\n34\nCampiello+\ncod. 880\nIn the end, everything revolves \naround design.\n↖  External sling in cowhide 0714, seat and \nlumbar cushion in fabric Top 31903,  \nScocca esterna in cuoio 0714, sedile e cuscino \npoggiareni in tessuto Top 31903\n↑  External sling in cowhide 0714, seat and \nlumbar cushion in fabric Top 31904, \nscocca esterna in cuoio 0714, sedile e cuscino \npoggiareni in tessuto Top 31904\n83 × 70 × 87 cm\nh. seat, h. seduta 41 cm\nSwivel armchair, Poltrona girevole\nCampiello+\n35\nCollection 2022\nRe–Connecting\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.20.png","↑  External sling in cowhide 0714, seat and \nlumbar cushion in fabric Top 31903,  \nScocca esterna in cuoio 0714, sedile e cuscino \npoggiareni in tessuto Top 31903\n↗  External sling in cowhide pigmentato 0801, \nseat in fabric Victor 28120,  \nlumbar cushion in fabric Victor 28121, \nScocca esterna in cuoio pigmentato 0801, \nsedile in tessuto Victor 28120,  \ncuscino poggiareni in tessuto Victor 28121\nSwivel armchair, Poltrona girevole\nCampiello+\n“Campiello+ is ready to welcome people of all backgrounds \nand in all environments, but beware that your pet will make \nit its home!”\n“Campiello+ è pronta ad accogliere con affetto, alti e bassi, magri e grassi, belli e brutti, laici e uomini di fede di diverse razze, ma attenzione a Snoopy che ne farà il \nsuo spazio preferito”.\n37\nCollection 2022\nDetails, Dettagli\n↗↘ Campiello+\nExternal sling in cowhide 0714, seat and lumbar \ncushion in fabric Top 31903,  \nScocca esterna in cuoio 0714, sedile e cuscino \npoggiareni in tessuto Top 31903\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.21.png","ToTo\n627\n628\nDesigner:\nBertrand Lejoly\nA playful geometry and a graphic elegance define the \nspirit of the ToTo collection. Designed by Bertrand \nLejoly as a homage to the Italian 1980s, this versatile \ntables collection is a nod to the joyful aesthetic of \nMemphis, with a modern sensitivity. The unique cen-\ntral base is a characteristic element of the ToTo \ncoffee table. Its slender steel structure and lacquered \nwooden foot support the top, coming in different \nhigh-end finishes. The three different heights and the \narray of marbles and cowhide offers many possibili-\nties to freely combine them. These beautiful materials, \ndelicately assembled in a simple yet sophisticated \nequilibrium, make ToTo an outstanding domestic pie-\nce of jewellery.\nUna geometria giocosa e un’eleganza grafica defini-\nscono lo spirito della collezione ToTo. Progettato \nda Bertrand Lejoly come omaggio agli anni ‘80 italiani, \nquesta versatile collezione di tavolini è un rimando \nall’estetica gioiosa di Memphis, ma con una sensibi-\nlità moderna. La base centrale unica è un elemento \ncaratteristico del tavolino ToTo. La sua snella struttu-\nra in acciaio e il piede in legno laccato sostengono  \nil piano, disponibile in diverse finiture di alta gamma. \nLe tre diverse altezze e la gamma di marmi e cuoio \noffrono infinite possibilità di combinarli liberamente. \nQuesti preziosi materiali, composti con delicatezza  \nin un equilibrio semplice ma sofisticato, fanno di ToTo \nuno splendido gioiello domestico.\n38\nToTo\ncod. 627, 628\nElegant from head to toe.\nTop, Piano: Green Alpi marble, Marmo verde Alpi\nSteel frame, Struttura:  Matt black varnished, Acciaio verniciato nero opaco\nFoot, Piede: Glossy green beech, Faggio verde lucido\nØ 110 × 32 cm\nDetail, Dettaglio\nCoffee table, Tavolino\n↑ ToTo\n39\nCollection 2022\nRe–Connecting\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.22.png","↑ Ø 110 × 32 cm\n↖ Ø 45 × 50 cm\nCoffee table, Tavolino\nToTo\n(From left, Da sinistra)\nTop, Piano: White Carrara marble, Marmo bianco di Carrara\nSteel frame, Struttura:  Matt black varnished, Acciaio verniciato nero opaco\nFoot, Piede: Glossy black beech, Faggio nero lucido\nTop, Piano: Cowhide pigmentato 0841, Cuoio pigmentato 0841\nSteel frame, Struttura:  Matt black varnished, Acciaio verniciato nero opaco\nFoot, Piede: Glossy black beech, Faggio nero lucido\nTop, Piano: Cowhide pigmentato 0841, Cuoio pigmentato 0841\nSteel frame, Struttura:  Matt black varnished, Acciaio verniciato nero opaco\nFoot, Piede: Glossy black beech, Faggio nero lucido\nTop, Piano: Green Alpi marble, Marmo verde Alpi\nSteel frame, Struttura:  Matt black varnished, Acciaio verniciato nero opaco\nFoot, Piede: Glossy green beech, Faggio verde lucido\nØ 45 × 50 cm\nØ 45 × 42 cm\nØ 45 × 50 cm\nØ 45 × 42 cm\n←← p. 38\nToTo\n↑ Ø 45 × 42 cm\nTop, Piano: Green Alpi marble, Marmo verde Alpi\nSteel frame, Struttura:  Matt black varnished, Acciaio verniciato nero opaco\nFoot, Piede: Glossy green beech, Faggio verde lucido\nTop, Piano: White Carrara marble, Marmo bianco di Carrara\nSteel frame, Struttura:  Matt black varnished, Acciaio verniciato nero opaco\nFoot, Piede: Glossy black beech, Faggio nero lucido\nØ 110 × 32 cm\nØ 45 × 50 cm\nToTo\n“ToTo is the idea of joyfulness and elegance brought together \nin one piece of furniture.” \n“ToTo per me è l’idea di allegria ed eleganza riunite in un unico mobile.”\n40\ncod. 627, 628\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.23.png","Nena Stool\n2293\nDesigner:\nLanzavecchia+Wai\nThe Nena collection, designed by Lanzavecchia+Wai, \nis enriched with this new high stool, able to combine  \na distinctive design and a comfort difficult to match \nin this particular type of seating. The generous pad-\nding of the seat and backrest ensures a comfortable \nposition even when sitting for a long time. The back, \nwide as an embrace, is characterized by a strip of fa-\nbric that hides the zip, to make the stool completely \nremovable. The momentum of the inclined legs gives \nlightness and dynamism to the whole structure, in \nfact solid and durable. Two available heights make \nNena Stool ideal for both public and domestic spaces.\nLa collezione Nena, disegnata da Lanzavecchia+Wai, \nsi arricchisce con questo nuovo sgabello alto, in  \ngrado di coniugare un design distintivo e una como-\ndità difficilmente eguagliabile in questa particolare  \ntipologia di seduta. La generosa imbottitura del sedi-\nle e dello schienale assicura una posizione comoda \nanche stando seduti a lungo. Lo schienale, largo come \nun abbraccio, è caratterizzato da una fascia di tes-\nsuto che nasconde la cerniera, per rendere lo sgabel-\nlo completamente sfoderabile. Lo slancio delle  \ngambe inclinate dona leggerezza e dinamismo a tutta \nla struttura, che è solida e resistente. Due altezze  \ndisponibili rendono il Nena Stool ideale sia per spazi \npubblici che domestici.\n42\nNena Stool\ncod. 2293\n“We started from the comfort of the hug to design the Nena \nchair. We applied the same concept in the stool with its \nrecognizable dynamic form.”\n↖ Fabric, Tessuto: Victor 28115\n↗ Fabric, Tessuto: Victor 28116\nSteel frame, Struttura: \nMatt black varnished, Acciaio verniciato nero\n↖  56 × 52 × 77 cm \nh. seat, h. seduta 67 cm\n↗  56 × 52 × 98 cm \nh. seat, h. seduta 88 cm\nStool, Sgabello\nNena Stool\n“Siamo partiti dalla comodità di un abbraccio per progettare la sedia Nena. Quest’anno abbiamo applicato lo stesso concetto allo sgabello, adatto a caratterizzare \nlo spazio con la sua estetica riconoscibile, dinamica e raffinata in ogni dettaglio.”\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.24.png","Fabric, Tessuto: Victor 28116\nSteel frame, Struttura: \nMatt black varnished, Acciaio verniciato nero\nDetail, Dettaglio\nDetail, Dettaglio\ncod. 2293\nFabric, Tessuto: Victor 28115\nSteel frame, Struttura: \nMatt black varnished, Acciaio verniciato nero\nNena Stool\nNena Stool\n45\nCollection 2022\nRe–Connecting\nHigh up on comfort!\n↖ Fabric, Tessuto: Victor 28115\n↗ Fabric, Tessuto: Victor 28116\nSteel frame, Struttura: \nMatt black varnished, Acciaio verniciato nero\nStool, Sgabello\nNena Stool\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.25.png","Designer:\nSuperstudio \n⁄ Cristiano Toraldo di Francia \n1972–2022\nThe rug was made by selecting an unprecedented  \narchitecture Istogramma from the archives of \nCristiano Toraldo di Francia. It is hand-tufted with \nuniform fleece across the entire surface and made \nfrom 100% New Zealand wool with an underside \nbacking in 100% cotton canvas. The perimeter \nedging is hand-made with wool thread. It is availa-\nble in two sizes solely with a white background and \ngrey and black lines, respecting the original design.\nIl tappeto è stato realizzato selezionando dall’archi-\nvio di Cristiano Toraldo di Francia un istogramma \ndi architettura inedito. È tuftato a mano con vello uni-\nforme su tutta la superficie e realizzato in 100% \nlana neozelandese con un supporto inferiore in 100% \ntela di cotone. La bordatura perimetrale è eseguita \na mano con filo di lana. È disponibile in due dimensioni \nesclusivamente con fondo bianco e linee grigie e \nnere, nel rispetto del disegno originale.\n46\nQuaderna\ncod. 150\nQuaderna turns fifty \nand it’s always revolutionary.\nQuaderna\nRug\n150\n47\nCollection 2022\nRe–Connecting\nQuaderna \nRug\n250 × 350 cm\nFrom an original drawing of, Da un disegno originale di Cristiano Toraldo di Francia\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.26.png","Quaderna\nCoffee table\nDesigner:\nSuperstudio, 1972–2022\nThe square-shaped coffee table is perfect for use in \na living room. The game of orthogonal lines is en-\nhanced by the square tabletop and the alternating \nblocks and voids of the base. It is 30 cm high and \ncan also be matched with a small table or a console \nfrom the same series to create an unprecedented \neffect of staggered surfaces\nIl tavolino basso di forma quadrata è perfetto come \ncomplemento per un salotto. Il gioco delle linee orto-\ngonali è esaltato dal piano quadrato e dall’alternanza \ndi pieno e vuoto della base. È alto 30 cm, e può esse-\nre anche abbinato a un tavolino o a una consolle della \nstessa serie per creare un inedito effetto di piani \nsfalsati.\n48\nQuaderna\ncod. 656\n656\n49\nCollection 2022\nRe–Connecting\n90 × 90 × 30 cm\nCoffee table, Tavolino\nQuaderna\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.27.png","Quaderna\nWriting desk\n2750\nDesigner:\nSuperstudio, 1969–1972\nThe desk, which is compact and functional in size, \nconceals a practical retractable drawer that occupies \nthe full width of the desktop. Ideal as a home work-\nstation, it fits in seamlessly in any room of the home.\nLo scrittoio, dalle proporzioni compatte e funzionali, \nnasconde un pratico cassetto a scomparsa che oc-\ncupa tutta la larghezza del piano. Ideale come posta-\nzione di lavoro domestica, si inserisce con facilità in \nqualunque ambiente della casa.\n50\nQuaderna\ncod. 2750\n51\nCollection 2022\nRe–Connecting\nQuaderna\nWriting desk, Scrittoio\nWith retractable drawer, \nCon cassetto a scomparsa \n132 × 54 × 75 cm\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.28.png","Quaderna\nWriting desk, Scrittoio\n132 × 54 × 75 cm\n52\nQuaderna\ncod. 2750\n53\nCollection 2022\n↗↘ Writing desk, Scrittoio\nRetractable drawer, Cassetto a scomparsa\nRetractable drawer, Cassetto a scomparsa\nDetails, Dettagli\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.29.png","1345 Noah\nDamian Williamson \n2022 \nMonobloc, straight and curved modular \nsofas with armrest or tray, pouf\nSteel feet, with glossy black nickel-\nsatin finish or varnished graphite. \nSteel frame. Elastic strips suspension. \nSingle-piece seat cushion in \npolyurethane ⁄ regenerated and \nregenerable polyester flakes. Back \ncushion in 100% new goose feathers. \nArmrest cushion in regenerated and \nregenerable polyester flakes. The \nstraight and curved end-sofas can be \nequipped with an armrest cushion or \nwith a tray, made of solid matt black \npainted ash with open pore, placed on \nthe supporting base of the sofa. \nRemovable fabric or leather cover.\nOne round-shaped tray, diameter 45 \ncm, made of solid matt black painted \nash with open pore, is available and \ncan be placed as desired on the seat \ncushions. The side panels are covered \nin the same fabric or leather as the \ncushions.\n54 \nTechnical specifications, Informazioni tecniche  \n1345 Noah\nEndsofa 230 \nTerminale 230\nEndsofa 268,5 \nTerminale 268,5\nRounded sofa with tray 268,5 \nTerminale con vassoio 268,5\nSofa 268,5 \nDivano 268,5\nSofa 230 \nDivano 230\nAngular endsofa 268,5\nTerminale angolare 268,5\nLounge chair 115 \nPoltrona allungata 115\nSofa 268,5 \nDivano 268,5\nSofa 186 \nDivano 186\nSofa with tray 268,5 \nDivano con vassoio 268,5\nEndsofa 186 \nTerminale 186\nRounded endsofa 189 \nTerminale curvo 189\nLeft, Sinistro\nRight, Destro\nRight, Destro\nLeft, Sinistro\nLeft, Sinistro\nRight, Destro\nRight, Destro\nLeft, Sinistro\nLeft, Sinistro\nRight, Destro\nLeft, Sinistro\nRight, Destro\nRight, Destro\nLeft, Sinistro\nRight, Destro\nLeft, Sinistro\nRight, Destro\nLeft, Sinistro\nDivani monoblocco, componibili \nrettilinei e curvi con bracciolo \no vassoio, pouf\nPiedini in acciaio nichelsatinato lucido \ncolore nero oppure verniciato colore \ngrafite. Struttura in acciaio. Molleggio \nsu nastri elastici. Cuscino seduta unico \nin poliuretano ⁄ fiocchi di poliestere \nrigenerato e rigenerabile. Cuscino \nschienale in piuma d’oca — materiale \n100% vergine. Cuscino bracciolo in \nfiocchi di poliestere rigenerato e \nrigenerabile. Gli elementi terminali \nrettilinei e curvi possono essere dotati \ndi cuscino bracciolo oppure essere \nattrezzati con un vassoio in legno \nmassello di frassino verniciato nero \nporo aperto opaco sulla base portante \ndel divano. Rivestimento sfilabile in \nstoffa o in pelle. \nÉ disponibile un vassoio circolare Ø 45 \ncm in legno massello di frassino \nverniciato nero poro aperto opaco che \npuò essere appoggiato liberamente sui \ncuscini di seduta. I pannelli perimetrali \nsono rivestiti nella stessa stoffa o pelle \ndei cuscini. \n55\nCollection 2022\n \nRe–Connection\n1345 Noah\nPouf\nRounded tray\nVassoio tondo\n1345 Noah\nExamples of compositions \nEsempi di composizione\n3\n4\n7\n1\n5\n2\n6\n8\n10\n9\nRounded sofa with tray 189\nDivano curvo con vassoio 189\nLeft, Sinistro\nRight, Destro\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.30.png","1045 Za:Za\nZaven \n2022 \nDivani monoblocco\nStruttura portante in acciaio verniciato \ncolore nero o rosso opaco RAL 3004 \ndotata di nastri rigidi in poliestere \ncolore antracite per il supporto dei \ncuscini. Cuscini seduta, schienale e \nbracciolo in poliuretano ⁄ sfere di \npoliestere rigenerato e rigenerabile. \nAssemblaggio imbottiture privo di \ncollanti. Rivestimento sfilabile in stoffa.\nMonobloc sofas\nCarrying frame in matt black or red \nRAL 3004 steel, complete of stiff \npolyester straps in the shade \nanthracite for the support of the \ncushions. Seat, back and armrest \ncushions in polyurethane ⁄ \nregenerated and regenerable \npolyester balls. Paddings assembly \nwithout glues. Removable fabric cover. \nSofa 280\nDivano 280\nSofa 205 \nDivano 205\nSofa 240 \nDivano 240\n56 \nTechnical specifications, Informazioni tecniche  \n1045 Za:Za, 870 Karelia\n870 Karelia\nLiisi Beckmann\n1966 \nPoltrona\nStruttura in poliuretano espanso a \nquote differenziate. Rivestimento \nesterno sfilabile realizzabile solo nel \ntessuto bielastico Samba.\nArmchair\nGraduated polyurethane foam frame. \nExternal cover only available in \nbielastic Samba fabric.\n880 Campiello+\nDe Pas, D’Urbino, Lomazzi\n1984–2022 \nPoltrona girevole\nSchienale in multistrato di legno \nricoperto in cuoio pigmentato 90 nei \ncolori nero, antracite e fango o cuoio \n95 nel colore gold. Sedile in poliuretano \na quote differenziate\u002Ffiocchi di \npoliestere rigenerato e rigenerabile; \npoggiareni e cuscino schienale in \nfiocchi di poliestere rigenerato e \nrigenerabile. Rivestimento sfilabile in \nstoffa. Solo il cuscino poggiareni \npuò essere richiesto in un colore \ndiverso all’interno della stessa tipologia \ndi tessuto.\nSwivel armchair\nBackrest in plywood covered with \ncowhide pigmentato 90 in the shades \nblack, anthracite and mud or with \ncowhide 95 in the shade gold. Seat in \ngraduated polyurethane\u002Fregenerated \nand regenerable polyester flakes; \nlumbar and back cushion in \nregenerated and regenerable \npolyester flakes. Removable fabric \ncover. Only the lumbar cushion \ncan be requested in a distinct colour \nwithin the same fabric.\n57\nCollection 2022\n \n880 Campiello+, 627 ⁄ 628 Toto\n627 ⁄ 628 ToTo\nBertrand Lejoly\n2022 \nTavolini\nStruttura in acciaio verniciato colore \nnero opaco. Piani in lamiera di acciaio \nrivestiti in cuoio pigmentato 90 nei \ncolori gold, nero, antracite e fango in \nabbinamento al piede in faggio laccato \ncolore nero lucido, oppure piani in \nmarmo bianco di Carrara o verde Alpi, \nin abbinamento rispettivamente al \npiede in faggio laccato colore bianco \nlucido RAL 9010 o verde lucido RAL \n6012.\nCoffee tables\nMatt black varnished steel frame. \nSteel sheet tops, covered with \ncowhide pigmentato 90 in the shades \ngold, black, anthracite and mud \nmatching the foot in glossy black \npainted beech; or tops made of white \nCarrara or green Alpi marbles, \nmatching the foot respectively in \nglossy white RAL 9010 painted or \nglossy green RAL 6012 painted \nbeech. \n627\n628\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.31.png","2293 Nena Stool\nLanzavecchia+Wai \n2022 \nSgabello\nStruttura in acciaio verniciato colore \ngrafite o nero opaco. Imbottitura \nsedile in poliuretano, imbottitura \nschienale in poliuretano schiumato \nautoestinguente. Rivestimento sfilabile \nin stoffa o in pelle. Poggiapiedi \nricoperto in acciaio inox satinato. \nStool\nSteel frame varnished graphite or matt \nblack. Seat upholstered with \npolyurethane; backrest upholstered \nwith self-extinguishing polyurethane \nfoam. Removable fabric or leather \ncover. Footrest covered with satin-\nfinished stainless steel. \n58 \nTechnical specifications, Informazioni tecniche  \n2293 Nena Stool, 150 Quaderna\nRug\nHand-tufted rug with uniform fleece \nover the entire surface made of \n100% New Zealand wool. Perimeter \nedging finished by hand with wool \nthread on all six sides. Available in \nsizes 200 x 300 cm and\n250 x 350 cm in a single colour \nscheme: white background and \ngrey and black lines compliant with \ntheoriginal design.\n150 Quaderna, Rug\nSuperstudio ⁄ Cristiano Toraldo di Francia\n1972–2022 \nTappeto\nTappeto tuftato a mano con vello \nuniforme su tutta la superficie \nrealizzato in 100% lana neozelandese. \nBordatura perimetrale eseguita a \nmano con filo di lana a rifinire i sei lati. \nDisponibile nella dimensione 200 x 300 \ne 250 x 350 cm in un unico colore: \nfondo bianco e linee grigie e nere in \nlinea con il disegno originale.\nTavolino\nStruttura in legno tamburato placcato \nlaminato Print, colore bianco, a stampa \ndigitale a quadretti con interasse di 3 cm. \nCoffee table\nHoneycomb core structure coated \nwith white Print laminate, digitally \nprinted with black squares at 3 cm \nspacing. \n59\nCollection 2022\n \n656, 2750 Quaderna\nScrittoio\nStruttura in legno tamburato placcato \nlaminato Print, colore bianco, a stampa \ndigitale a quadretti con interasse di 3 \ncm. Cassetto estraibile a scomparsa \nricavato nello spessore del piano, vano \ncassetto in legno verniciato goffrato \nantigraffio colore nero.\nWriting desk\nHoneycomb core structure coated \nwith white Print laminate, digitally \nprinted with black squares \nat 3 cm spacing. The top hides a \nretractable pull-out drawer, with a \ndrawer compartment in black scratch-\nresistant embossed painted wood.\n656 Quaderna, Coffee table\nSuperstudio\n1972–2022\n2750 Quaderna, Writing desk\nSuperstudio\n1969–1972\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.32.png","Zanotta Spa\n20834 Nova Milanese \n(MB), Italy\nVia Vittorio Veneto 57 \nT: +39 0362 49 81\nGeneral information \nzanottaspa@zanotta.it \nwww.zanotta.it\nZanotta House Milano\n20154 Milano (MI), Italy \nPiazza XXV Aprile 16\nT: +39 0362 49 84 00\nZanotta House New York\nNew York, 10014 US\n23, Cornelia street\nZanotta Spa reserves the right to change, without previous notice, materials, covers, \nfinishes and drawings of the products presented in this catalogue. The textures \nand colours of materials and finishes are indicative as they are depending on the \ntolerance of the printing process.\nZanotta Spa si riserva di apportare, senza preavviso, modifiche nei materiali, \nnei rivestimenti, nelle finiture e nei disegni dei prodotti presentati in questo \ncatalogo. Le textures ed i colori dei materiali e delle finiture hanno valore indicativo \nin quanto soggetti alle tolleranze dei processi di stampa.\nRe–Connecting.\n2022 new products\n©2022 Zanotta Spa, \nall rights reserved\nGraphic design: \nThink Work Observe\nPhotography: \nSimone Barberis\nCopywriting:\nMavì Cerenza\nPre-press:\nAlt®Aluce Srl\nPrint:\nGrafiche Antiga, 2022\nWe design having people in mind, not design.\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F11\u002F79ad64051e95a9c8d97b32d8db3678-28e1d4c7f6.33.png","RE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING 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\nCONNECTING \nCONNECTING\nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–\nRE–CONNECTING \n \n \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\n \nRE–CONNECTING\nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING\nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING\nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING\n \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING\nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \nCONNECTING \n CONNECTING \nCONNECTING \nCONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING R\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING \nRE–CONNECTING\nRE–CONNECTING 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