[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-wallanddeco-technical-catalogue-2020":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":733},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":728,"matched_pages":729,"match_count":730,"two_pages":731,"show_text":732},12790,"Technical Catalogue 2020","wallanddeco-technical-catalogue-2020","\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fc4\u002F8cf4bccf5a593a6c2beb574729738b-27081bbd87.pdf","Wall&deco",2370,"wall-deco","9.4 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473,477,481,485,489,493,497,501,505,509,513,517,521,525,529,533,537,541,545,549,553,557,561,565,569,573,577,581,585,589,593,597,601,605,609,613,617,621,625,629,633,637,641,645,649,653,657,661,665,669,673,677,681,685,689,693,697,701,705,709,713,717,721,725],{"image":7,"text":15,"number":16},"catalogo tecnico\ntechnical catalogue\n2010 \u002F 2019\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.2.png","Indice\u002FIndex \nVarianti grafiche\nGraphic variations\n1:4 section\n-2\n14\n176\n1977\n4\n14\n176\n24H \n4\n14\n176\nA fleur de peau \n14\n177\nA modo mio \n4\n15\n177\nA sudden happiness \n15\n177\nA tratti\n15\n177\nÀ vivre\n15\n178\nA whispered secret \n16\n178\nAbsintho \n16\n178\nAccesorized \n16\n179\nAdagio \n16\n179\nAenigmatica \n17\n179\nAgata \n4\n17\n179\nAgorà \n4\n17\n180\nAires \n17\n180\nAkos\n4\n18\n180\nAlba salix\n18\n180\nAlgarve \n18\n181\nAll or nothing \n18\n181\nAlpenjäger \n19\n181\nAlphabetical swirl \n4\n19\n181\nAlter ego\n4\n19\n182\nAmazon \n19\n182\nAmbrosia\n20\n182\nAncetre \n4\n20\n182\nAncient walls \n20\n183\nAnni \n4\n20\n183\nAnother canvas \n21\n183\nAntiqua \n21\n183\nAplomb \n21\n184\nAqua elephas \n21\n184\nArazzo \n22\n184\nArcadia\n4\n22\n184\nArchive it \n22\n185\nArdea \n22\n185\nArigato \n4\n23\n185\nAshes to Ashes \n23\n186\nAtomic \n23\n186\nAunt Mary \n23\n186\nAurora\n4\n24\n186\nAvionic \n24\n187\nAzul \n4\n24\n187\nB-tree \n24\n187\nB&W \n25\n187\nBabilonia\n4\n25\n187\nBackstreets \n4\n25\n188\nBad boys \n25\n188\nBairro alto\n26\n188\nBalalaika \n26\n188\nBali \n26\n189\nBallet \n26\n189\nBaloon \n27\n189\nBambi Boom \n27\n189\nBarcode \n27\n190\nBelle \n4\n27\n190\nBengali \n4\n28\n191\nBestiarivm\n28\n192\nBetter than ever \n4\n29\n191\nBevel \n28\n190\nBianco \n29\n191\nBiancospino \n29\n192\nBidi \n29\n192\nBig fish \n29\n192\nBirds \n4\n30\n193\nBlack bricks \n30\n193\nBlack forest \n30\n193\nBlack mama \n4\n30\n193\nBlack spaces \n31\n193\nBlue China \n31\n194\nBlue essence \n4\n31\n194\nBlue limit \n31\n194\nBluerouge\n32\n194\nBois d’hiver \n32\n195\nBoiserie \n4\n32\n195\nBolshoi \n4\n32\n195\nBon ton\n33\n195\nBooks \n33\n196\nBorder lines \n33\n196\nBorgia \n4\n33\n196\nBrasilia \n4\n34\n196\nBreeze \n34\n197\nBrilliant disguise\n4\n34\n197\nBrit-chic \n34\n197\nBrocart \n4\n35\n197\nBronzo \n35\n198\nBrush \n4\n35\n198\nBubble \n35\n199\nBuen retiro \n36\n199\nBuffet chinois \n36\n199\nBurlington \n4\n36\n199\nButterflies \n4\n36\n199\nC-panel \n37\n200\nCache-cache \n37\n200\nCactus juice \n37\n200\nCamelot\n37\n200\nCamp noire \n4\n38\n201\nCan can \n4\n38\n201\nCannot copy \n39\n201\nCanvas \n38\n201\nCanvas bouquet \n39\n202\nCardo maximus\n39\n202\nCarp \n39\n202\nCart-on \n4\n39\n202\nCasablanca \n40\n203\nCascade \n40\n203\nCasquet \n40\n203\nCatch me \n4\n40\n203\nCaveau \n41\n204\nCentral park \n41\n204\nCentury 19 \n41\n204\nChalks \n41\n205\nCharlie \n42\n205\nCharms \n42\n205\nChartres \n42\n205\nCheetah \n4\n42\n206\nCherry bomb \n43\n206\nChildhood \n43\n206\nChill-out \n43\n206\nChronos\n4\n43\n206\nChui \n4\n44\n207\nCia e la guselo \n44\n207\nCinetica \n44\n207\nCircling \n4\n44\n207\nCircus \n45\n208\nClose to me \n45\n208\nCloud brush \n45\n208\nCockatoo \n4\n45\n208\nColibreeze \n46\n209\nCollage \n46\n209\nColor field\n4\n46\n209\nConcrete moiré \n4\n46\n209\nConquistadores \n4\n47\n210\nCorcovado \n47\n210\nCountdown \n47\n210\nCoupure \n4\n47\n211\nCourier lines \n48\n211\nCourtship \n48\n211\nCover \n48\n211\nCross room\n48\n212\nCrow \n49\n212\nCrust \n49\n212\nCrystal ship \n4\n49\n213\nCucù \n49\n213\nCut pad \n50\n213\nCutting flower \n50\n213\nDancing Queen \n50\n214\nDans le bois \n50\n214\nDare me \n51\n214\nDark wave \n51\n214\nDarlingtonia \n4\n51\n214\nDe prospectiva \n51\n215\nDe puntillas\n52\n215\nDecameron\n52\n215\nDefilé\n52\n216\nDejeuner \n52\n216\nDelavé \n4\n53\n216\nDelove \n4\n53\n216\nDéshabillé \n53\n217\nDesus \n53\n217\nDie blaue reiter \n54\n217\nDittamo\n54\n217\nDIY \n54\n218\nDo what you love \n54\n218\nCOLLECTIONS 2010\u002F209\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.3.png","Dorsel\n4\n55\n218\nDown a new roads\n55\n218\nDrawing \n55\n219\nDrawing candles \n55\n219\nDream town \n56\n219\nDress \n56\n219\nDrift\n56\n220\nDripping \n56\n220\nDrops from heaven \n4\n57\n220\nDu jour \n57\n221\nDurch \n57\n221\nEat art \n4\n57\n221\nEat to beat \n58\n221\nEau nouveau\n58\n222\nEchos\n58\n222\nEden \n58\n222\nEights \n59\n222\nEl caballo de Andy \n59\n223\nElisir\n59\n223\nEmotions \n59\n223\nEmpire \n60\n224\nEmpty sky \n4\n60\n224\nEnergy\n60\n224\nEnsemble \n4\n60\n224\nEnvol \n4\n61\n225\nEpisodi notturni \n61\n225\nEpoque \n61\n225\nEros \n4\n61\n226\nEsplanade \n62\n226\nEtnic Ink \n62\n226\nEureka\n62\n227\nExa \n4\n62\n227\nExotic damier \n63\n227\nEyes in the dark\n63\n228\nEyes in tubes \n4\n63\n228\nFade out lines\n63\n228\nFado \n4\n64\n228\nFaenna\n64\n229\nFair play\n64\n229\nFamily affair\n64\n229\nFemme fatale\n65\n229\nFFF... \n4\n65\n230\nFibre \n4\n65\n230\nFil blanc \n65\n230\nFiore mio \n4\n66\n230\nFish mambo\n66\n231\nFish wish \n4\n66\n231\nFjords \n66\n231\nFlag forest \n67\n231\nFlake off \n67\n232\nFlamboyant \n4\n67\n232\nFlamingo dada \n67\n232\nFlash lines \n4\n68\n232\nFlat icon \n68\n233\nFleur des amériques \n68\n233\nFloat on \n68\n233\nFloor \n69\n233\nFlorence\n4\n69\n234\nFlorianopolis\n4\n69\n234\nFloridita \n69\n234\nFlorigraphique \n70\n234\nFlower poetry \n4\n70\n235\nFlowerized \n70\n235\nFly away \n70\n235\nFly to the future \n71\n236\nFoggy notion \n71\n236\nFossil\n4\n71\n236\nFruscìo \n71\n236\nFunny land \n4\n72\n236\nFunny parrots \n72\n237\nFurniture \n72\n237\nGaelico\n72\n237\nGarden flavours \n73\n237\nGasoline \n73\n238\nGeisha \n73\n238\nGently adrift \n73\n238\nGeomimetico \n74\n238\nGershwin \n4\n74\n239\nGirls on film \n74\n239\nGiunone \n74\n239\nGlaze\n75\n239\nGlifi \n4\n75\n240\nGlimpse \n75\n240\nGoalll \n75\n240\nGolden apples \n4\n76\n240\nGolden hook\n4\n76\n241\nGolden wind \n4\n76\n241\nGolfing \n76\n241\nGood luck\n4\n77\n242\nGouache \n77\n242\nGradient \n4\n77\n242\nGraffiante \n77\n242\nGraffitisme \n78\n243\nGranfondo \n78\n243\nGraphite \n78\n243\nGreat escape \n78\n243\nGreen area\n79\n244\nGrooming \n79\n244\nGugu gaga \n79\n244\nGypsum \n79\n244\nHabitat\n4\n80\n245\nHaiku \n80\n245\nHarmonic entropy \n80\n245\nHavana \n4\n80\n246\nHellenic\n81\n246\nHerbarium \n4\n81\n246\nHerodio \n4\n81\n246\nHey taxi! \n81\n246\nHidden city\n82\n247\nHigh mountain \n82\n247\nHistoria\n82\n247\nHome sweet home \n82\n247\nHorizon \n83\n248\nHouse is my dress \n4\n83\n248\nHydra \n83\n248\nHypotenuse \n4\n83\n248\nIkaría \n84\n249\nImaginarium\n84\n249\nImpressions \n84\n249\nImprinting \n4\n84\n249\nIn mind \n85\n250\nIn sight\n85\n250\nIn the river \n85\n250\nIn vetta \n85\n250\nIncanto\n86\n251\nInfinity \n4\n86\n251\nInk \n4\n86\n251\nInstant panorama \u002F \nreloaded \n4\n86\n251\nInterstellar \n87\n252\nIride\n87\n252\nJap \n4\n87\n252\nJasminum \n87\n252\nJeux de construction \n4\n88\n253\nJohnny 99 \n4\n88\n253\nJules \n4\n88\n253\nJuvenile \n88\n254\nKaleidos\n89\n254\nKanji \n89\n254\nKansas City \n4\n89\n254\nKeep young \n89\n255\nKeith bau \n90\n255\nKendima \n90\n255\nKimono \n4\n90\n255\nKiss me \n90\n255\nKnock knock \n91\n256\nKo \n91\n256\nKona\n91\n256\nKyoto\n91\n257\nLa citta' fluida \n92\n257\nLa famiglia pois\n92\n257\nLa gorda\n92\n257\nLa isla bonita\n4\n92\n258\nLa maison \n93\n258\nLa vie marine \n93\n258\nLa vie en rose\n93\n258\nLabyrinth \n93\n259\nLand \n94\n259\nLe bilan d'un siècle\n4\n94\n259\nLeisure is great \n94\n259\nLeon battista \n94\n260\nLeonardo \n95\n260\nLesley\n95\n260\nLess is a bore\n95\n261\nLetra-set \n4\n95\n261\nLettera 32\n96\n261\nLeviosa \n96\n261\nLia\n96\n262\nLibellula \n4\n96\n262\nLiberty love \n4\n97\n262\nLick it \n97\n262\nLife is fun \n97\n263\nLight fall \n97\n263\nLight shadow \n4\n98\n263\nLimbo azul \n98\n263\nLine’n motion \n98\n264\nLino \n4\n98\n264\nLiquida \n99\n264\nLive at ease\n99\n264\nLong play \n99\n265\nLong week \n99\n265\nLos Angeles \n100\n265\nLost in a map \n4\n100\n265\nLost in the flood \n4\n100\n266\nLost paradise\n100\n266\nLouis XV\n101\n266\nLucie\n101\n267\nLuna Plena \n4\n101\n267\nLurk \n101\n267\nLuviento \n102\n268\nLuz\n102\n268\nMadame vent \n102\n268\nMagic trip \n102\n269\nMahai\n4\n103\n269\nMamma mia\n103\n269\nMan on the moon \n103\n269\nMandala \n103\n270\nMany holes\n104\n270\nMarinière \n104\n270\nMark memories \n104\n271\nMatelassé \n104\n271\nMatrix\n4\n105\n271\nMeccatronico\n105\n271\nMedallion \n105\n272\nMediterrean marks\n105\n272\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.4.png","Meeting across the river \n106\n272\nMelancholy \n106\n272\nMemories \n106\n272\nMemory of jm\n4\n106\n273\nMeriggio \n107\n273\nMetropolis\n107\n273\nMidday from my window \n107\n273\nMidsummer night\n4\n107\n274\nMilano \n108\n274\nMilky way\n4\n108\n274\nMillennium \n4\n108\n275\nMirabilia \n108\n275\nMiss princess \n109\n275\nMissterre \n109\n275\nMistral \n109\n276\nMod \n109\n276\nModernista \n110\n276\nMoebius \n4\n110\n276\nMomo \n110\n276\nMonsieur didot\n110\n277\nMont Blanc\n111\n277\nMoon guardian \n111\n277\nMorphosis \n111\n277\nMotel futuriste \n111\n278\nMusik metrik \n112\n278\nMy Africa \n112\n278\nMy body \n4\n112\n278\nMy museum\n112\n279\nMy wife\n113\n279\nNäga \n113\n279\nNebulae\n113\n280\nNew pollution \n113\n280\nNew York under attack1 \n114\n280\nNew York under attack2 \n114\n280\nNews planet \n114\n280\nNico \n114\n281\nNight garden\n4\n115\n281\nNo gravity \n4\n115\n281\nNo parking \n115\n281\nNo plan\n115\n282\nNomade\n4\n116\n282\nNordic taste \n116\n282\nNotturno blu \n116\n282\nNouveau geisha \n116\n283\nNovecento\n117\n283\nNu ocean \n117\n283\nOasis\n4\n117\n283\nOld school \n117\n284\nOnehundredpercent\n118\n284\nOnly now \n118\n284\nOpium \n118\n285\nOpus mixtum\n4\n118\n285\nOrchidalia \n119\n285\nOrigami \n119\n285\nOrnate\n4\n119\n286\nOuverture\n119\n286\nOver \n120\n286\nPage blanche \n120\n286\nPaintillise \n120\n287\nPajlo\n4\n120\n287\nPale blue eyes\n4\n121\n287\nPalette \n121\n288\nPanache \n121\n288\nPaparazzi \n121\n288\nPaper edge \n122\n289\nParolier \n122\n289\nPart of my journey \n4\n122\n289\nPastello \n122\n289\nPatchworking \n123\n290\nPavot\n123\n290\nPeacock \n123\n290\nPencil birds \n123\n291\nPhytogenesis\n124\n291\nPianthus \n124\n291\nPicos do mundo\n124\n291\nPills\n124\n292\nPiña colada\n125\n292\nPink wind \n4\n125\n292\nPix man\n125\n292\nPlissé \n4\n125\n293\nPneu\n4\n126\n293\nPoid plume \n126\n293\nPoison \n126\n294\nPommes à cidre\n126\n294\nPortraits \n127\n294\nPost\n127\n294\nPrecious \n127\n295\nPresenze \n4\n127\n295\nPrimavera \n128\n295\nPrintemps \n128\n296\nProfumo\n128\n296\nPulvis\n128\n296\nQuad\n129\n296\nQuiet Paris \n129\n297\nRafale \n4\n129\n297\nRainbow \n129\n297\nRamage \n130\n297\nRarefatto \n130\n298\nRat pack\n4\n130\n298\nRaw \n130\n298\nRazor \n4\n131\n299\nRe-form \n4\n131\n299\nReal identity \n131\n299\nRebus \n131\n299\nRecut \n132\n300\nReef\n132\n300\nRelief \n4\n132\n300\nRenaissance \n4\n132\n300\nRené \n133\n301\nRepaired \n4\n133\n301\nReplicate \n133\n301\nReverso\n4\n133\n301\nRhombus\n134\n302\nRio \n4\n134\n302\nRoad lines \n134\n302\nRocking doors \n134\n303\nRoll over\n135\n303\nRomance \n135\n303\nRosa rosae\n135\n303\nRothschild\n135\n304\nRound the World\n136\n304\nRue Cambon \n4\n136\n304\nRuster \n136\n305\nSaigon \n136\n305\nSailka \n137\n305\nSalt & pepper \n137\n307\nSangallo \n4\n137\n305\nSantander\n137\n306\nSarah\n138\n306\nScent \n138\n306\nScottish blumen \n4\n138\n306\nScrub\n4\n138\n307\nSegreti \n4\n139\n307\nSelenite \n139\n307\nSend your thought \n4\n139\n307\nSensationalism \n139\n308\nSeparé \n140\n308\nSew up \n140\n308\nShadows \n4\n140\n308\nShocking\n4\n140\n309\nShooter \n141\n309\nSignoria \n4\n141\n309\nSilver blossom \n4\n141\n309\nSilver + Gold \n4\n141\n310\nSinfonia \n142\n310\nSit-in \n4\n142\n310\nSkil\n142\n310\nSkulls \n142\n311\nSlipstream \n4\n143\n311\nSlow motion\n4\n143\n311\nSmells like... \n4\n143\n311\nSofa \n143\n312\nSofia \n144\n312\nSomewhere \n4\n144\n312\nSonar \n144\n312\nSosho \n4\n144\n313\nSottobosco \n4\n145\n313\nSoul \n145\n313\nSound of thunder \n4\n145\n313\nSpace oddity \n4\n145\n314\nSpanish caravan \n146\n314\nSpectrum\n4\n146\n314\nSpell\n146\n314\nSpices \n4\n146\n315\nSpolvero\n147\n315\nStardust \n147\n315\nSteampunk \n147\n315\nStella \n4\n147\n316\nStill another one\n148\n316\nStill here \n148\n316\nStone\n4\n148\n316\nStonehenge\n4\n148\n317\nStoryboard \n149\n317\nStrawberry tears\n149\n317\nStriping \n4\n149\n317\nStucco\n149\n318\nSubmarino\n4\n150\n318\nSubway\n150\n318\nSumi\n150\n318\nSuper heroes\n150\n319\nSuspicious \n151\n319\nSvalbard \n151\n319\nSynthetic wander \n4\n151\n319\nTaipei \n151\n320\nTalt\n4\n152\n320\nTapié \n152\n320\nTapis volant\n152\n320\nTaraké\n4\n152\n321\nTatooine \n153\n321\nTell me tiles \n153\n321\nTempesta \n4\n153\n321\nThe dark side\n4\n153\n321\nThe deep wild space\n4\n154\n322\nThe game \n4\n154\n322\nThe garden \n154\n322\nThe joker\n4\n154\n322\nThe promised land \n155\n323\nThe rising \n155\n323\nThe royal wedding \n4\n155\n323\nThe secret box \n155\n323\nThe way out \n4\n156\n324\nThea \n156\n323\nTiffany \n156\n324\nTiles V\n156\n325\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.5.png","Ogni grafica inserita nel catalogo tecnico \npresenta una riproduzione in scala 1:4, così \nda poterne meglio apprezzare i dettagli.\nLa sezione 1:4  è a pagina 176. \nQuesta riproduzione, visualizzata da 30 \ncm, offre lo stesso livello di dettaglio di \nuna parete reale osservata a 140 cm di \ndistanza (H 300 cm).\nEach graphic featured in the technical catalogue \nis combined to a reproduction in scale 1:4 so as \nto allow for details to be appreciated.\nThe 1:4 section is at page 176.\nThis reproduction, seen at 30 cm, offers the \nsame level of detail of a real wall observed at \n140 cm distance (H 270 cm).\nIl catalogo tecnico\nThe technical catalogue\nInformazioni generali\nGeneral informations \nRiferimento pagina sezione ColourMatch\nColourMatch section page reference \n30 cm\nColorMatch section\n140 cm\n300 cm\nQuesta icona identifica le grafiche che, per le \ntonalità di colore e per gli elementi decorativi, sono \nparticolarmente indicate per la riproduzione Bronzage®\nThis icon identifies the graphics that, for the color \nshades and decorative elements, are particularly \nindicated for reproduction on Bronzage®\nTime \n157\n325\nTimes \n157\n325\nTiny wing\n157\n325\nTolup \n157\n326\nToner\n158\n326\nToujours toi\n4\n158\n326\nToxicity \n4\n158\n326\nTraces \n4\n158\n327\nTraining \n159\n327\nTrap stratch \n159\n327\nTreillage\n159\n327\nTribute \n159\n327\nTrue colours \n160\n328\nTrue lies \n160\n328\nTry again \n160\n328\nTujane\n4\n160\n328\nTutti colori + 1\n161\n329\nTypology \n161\n329\nUh uh oh \n4\n161\n329\nUncle sy\n161\n329\nUnder the bridge\n162\n330\nUndressed avenue\n162\n330\nUnter der linden \n4\n162\n330\nUpsidedown \n162\n330\nUrban canvas \n163\n331\nValentina \n163\n331\nVers l'est \n4\n163\n331\nVerso \n163\n331\nVertical green \n164\n332\nVia col vento \n4\n164\n332\nVibrante \n164\n332\nVie lumiere\n164\n333\nViride\n4\n165\n333\nVivaldi\n4\n165\n333\nVoyage \n165\n333\nWall notes \n165\n334\nWalls \n166\n334\nWatch\n166\n334\nWeimar \n4\n166\n335\nWet heart \n4\n166\n335\nWhile my guitar \n4\n167\n335\nWhispers  \n167\n336\nWhite angel \n167\n336\nWhite fly \n167\n336\nWho is who\n168\n336\nWhy not \n168\n336\nWild giraffe \n168\n337\nWinter camou \n168\n337\nWith a little help \nfrom my friend \n4\n169\n337\nWonder \n169\n337\nWoodland \n169\n338\nWool \n169\n338\nWordless \n170\n338\nWow\n170\n338\nWrapped around you\n4\n170\n339\nWunderkammer\n4\n170\n339\nX-Ray \n4\n171\n339\nX-ploded \n4\n171\n340\nXtra strong \n4\n171\n340\nYankee doodle \n171\n340\nYardbirds \n172\n340\nYeah! \n172\n341\nYellow mellow \n172\n341\nYurta \n172\n341\nZenitale \n4\n173\n342\nZinco\n173\n342\nZoonimo\n4\n173\n342\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.6.png","CWC - Contemporary Wallpaper Collection  \np. 14\nCampioni ColorMatch \u002F ColorMatch samples  \np. 176\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.7.png","CWC - Contemporary Wallpaper Collection\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.8.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n14\n15\n-2 Ines Porrino - (p. 176) sezione 1:4 section\nWDM21801\nWDM21802\n1977 Gio Pagani - (p. 176) sezione 1:4 section\nWD771801  \nWD771802  \nWD771803  \n24H Lorenzo De Grandis - (p. 176) sezione 1:4 section\nWD241401  \nWD241402\nA fleur de peau Antonio Marras - (p. 177) sezione 1:4 section\nWDFP1901\nWDFP1902\nA modo mio Antonella Guidi - (p. 177) sezione 1:4 section\nWDAM1901 \n \nWDAM1902 \n \nA sudden happiness The Elusive Otter - (p. 177) sezione 1:4 section\nWDSH1901\nWDSH1902\nA tratti Gupica - (p. 177) sezione 1:4 section\nWDAT1801\nWDAT1802\nÀ vivre Antonella Guidi - (p. 178) sezione 1:4 section\nWDAV1801\nWDAV1802\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.9.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n16\n17\nA whispered secret Antonella Guidi - (p. 178) sezione 1:4 section\nWDSW1501\nWDSW1502\nAbsintho Lorenzo De Grandis - (p. 178) sezione 1:4 section\nWDAB1301\nWDAB1302  \nWDAB1303\nWDAB1304\nAccessorized Shout - (p. 179) sezione 1:4 section\nTTAC1201\nTTAC1202\nAdagio Draga&Aurel  - (p. 179) sezione 1:4 section\nWDAD1601\nWDAD1602\nAenigmatica Draga&Aurel - (p. 179) sezione 1:4 section\nWDAE1701\nWDAE1702\nAgata Francesca Zoboli - (p. 179) sezione 1:4 section\nWDAG1901\nWDAG1902 \n \nAgorà Francesca Zoboli - (p. 180) sezione 1:4 section\nWDAG1401  \nWDAG1402  \nAires Christian Benini - (p. 180) sezione 1:4 section\nWDAI0801\nWDAI0802\nWDAI0803\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.10.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n18\n19\nAkos Christian Benini \u002F Andrea Merendi - (p. 180) sezione 1:4 section\nWDAK1801  \nWDAK1802\nAlba salix Francesca Zoboli  - (p. 180) sezione 1:4 section\nWDAS1801\nWDAS1802\nAlgarve Shout - (p. 181) sezione 1:4 section\nTTAL1401\nTTAL1402\nAll or nothing Talva Design - (p. 181) sezione 1:4 section\nWDAN1901\nWDAN1902\nAlpenjäger Paolo Badesco \u002F Costantino Affuso - (p. 181) sezione 1:4 section\nWDAL1501\nWDAL1502\nAlphabetical swirl Paolo Badesco - (p. 181) sezione 1:4 section\nWDAS1101  \nWDAS1102\nAlter ego Federico Pepe - (p. 182) sezione 1:4 section\nWDAE1801  \nWDAE1802\nAmazon Talva Design - (p. 182) sezione 1:4 section\nBBAM0901\nBBAM0902\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.11.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n20\n21\nAmbrosia Christian Benini - (p. 182) sezione 1:4 section\nWDAM1801\nWDAM1802\nAncetre Giovanni Pesce - (p. 182) sezione 1:4 section\nWDAN1701  \nWDAN1702  \nAncient walls Gio Pagani - (p. 183) sezione 1:4 section\nGPW1201\nGPW1202\nGPW1203  \nAnni Wladimiro Bendandi - (p. 183) sezione 1:4 section\nWDAN1401  \nWDAN1402\nAnother canvas Draga&Aurel - (p. 183) sezione 1:4 section\nWDAC1601\nWDAC1602\nAntiqua CTRLZAK - (p. 183) sezione 1:4 section\nWDAN1601\nWDAN1602\nAplomb Draga&Aurel  - (p. 184) sezione 1:4 section\nWDAP1601\nWDAP1602\nAqua elephas Talva Design - (p. 184) sezione 1:4 section\nBBAE1101\nBBAE1102\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.12.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n22\n23\nArazzo Eva Germani - (p. 184) sezione 1:4 section\nWDAR1501\nWDAR1502\nWDAR1802  \nArcadia Lorenzo De Grandis - (p. 184) sezione 1:4 section\nWDAR1801\nArchive it Paolo Badesco \u002F Costantino Affuso - (p. 185) sezione 1:4 section\nWDAR1401\nWDAR1402\nArdea Elisa Vendramin - (p. 185) sezione 1:4 section\nWDAR1901\nWDAR1902\nArigato Shout - (p. 185) sezione 1:4 section\nWDAG1501  \nWDAG1502  \nWDAG1503\nAshes to Ashes Gio Pagani - (p. 186) sezione 1:4 section\nWDAA1701\nAtomic Gio Pagani - (p. 186) sezione 1:4 section\nWDAT1701\nWDAT1702\nWDAT1703\nAunt Mary Christian Benini - (p. 186) sezione 1:4 section\nWDAM1101\nWDAM1102\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.13.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n24\n25\nWDAU1802  \nAurora Lorenzo De Grandis - (p. 186) sezione 1:4 section\nWDAU1801\nAvionic  Francesca Zoboli - (p. 187) sezione 1:4 section\nWDAV1401\nWDAV1402\nAzul Christian Benini - (p. 187) sezione 1:4 section\nWDAZ1101  \nWDAZ1102  \nB-tree Talva Design - (p. 187) sezione 1:4 section\nBBBT1201\nBBBT1202\nB&W Francesca Zoboli - (p. 187) sezione 1:4 section\nWDBW1401\nWDBW1402\nBabilonia CTRLZAK - (p. 187) sezione 1:4 section\nWDBA1801  \nWDBA1802\nBackstreets Gio Pagani - (p. 188) sezione 1:4 section\nGPW1005 col. 1  \nGPW1005 col. 2  \nBad boys  Gio Pagani - (p. 188) sezione 1:4 section\nGPW1204\nGPW1205\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.14.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n26\n27\nBairro alto Shout - (p. 188) sezione 1:4 section\nTTBA1401\nTTBA1402\nBalalaika Christian Benini - (p. 188) - sezione 1:4 section\nWDBK0901\nWDBK0902\nBali Lorenzo De Grandis - (p. 189) sezione 1:4 section\nWDBA1501\nWDBA1502\nBallet Silvia Stella Osella - (p. 189) sezione 1:4 section\nWDBA1701\nWDBA1702\nBaloon Christian Benini - (p. 189) sezione 1:4 section\nWDOO0901\nWDOO0902\nBambi Boom Lorenzo De Grandis - (p. 189) sezione 1:4 section\nWDBB1501\nWDBB1502\nBarcode Gio Pagani - (p. 190) sezione 1:4 section\nGPW1206\nGPW1207\nBelle Lorenzo De Grandis - (p. 190) sezione 1:4 section\nWDBE1501  \nWDBE1502  \nWDBE1503  \n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.15.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n28\n29\nBengali Lorenzo De Grandis - (p. 191) sezione 1:4 section\nWDBE1401\nWDBE1402  \nBestiarivm Gio Pagani - (p. 191) sezione 1:4 section\nWDBE1801\nWDBE1802\nWDBE1803\nBetter than ever Ines Porrino - (p. 192) sezione 1:4 section\nWDBE1901 \n \nWDBE1902\nBevel Christian Benini - (p. 190) sezione 1:4 section\nWDBE1601\nWDBE1602\nWDBE1603\nBianco Christian Benini - (p. 191) sezione 1:4 section\nWDBI1501\nWDBI1502\nBiancospino Francesca Zoboli - (p. 192) sezione 1:4 section\nWDBN1501\nWDBN1502\nBidi Shout - (p. 192) sezione 1:4 section\nWDBI1701\nWDBI1702\nBig fish Gio Pagani - (p. 192) sezione 1:4 section\nGPW1121\nGPW1122 \n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.16.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n30\n31\nBirds Gio Pagani - (p. 193) sezione 1:4 section\nGPW1419  \nBlack bricks Gio Pagani - (p. 193) sezione 1:4 section\nWDBB1601\nBlack forest Talva Design - (p. 193) sezione 1:4 section\nBBBF1101\nBBBF1102\nBlack mama Francesca Zoboli - (p. 193) sezione 1:4 section\nWDBM1301\nWDBM1302  \nBlack spaces Lorenzo De Grandis - (p. 193) sezione 1:4 section\nWDBS1401\nWDBS1402\nBlue China Gio Pagani - (p. 194) sezione 1:4 section\nGPW1307\nGPW1308\nBlue essence Lorenzo De Grandis - (p. 194) sezione 1:4 section\nWDBE1301\nWDBE1302  \nBlue limit Christian Benini - (p. 194) sezione 1:4 section\nWDBL1201\nWDBL1202\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.17.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n32\n33\nBluerouge Talva Design - (p. 194) sezione 1:4 section\nWDBL1501\nWDBL1502\nBois d’hiver Lorenzo De Grandis - (p. 195) sezione 1:4 section\nWDBH1701\nWDBH1702\nWDBH1703\nBoiserie Wladimiro Bendandi - (p. 195) sezione 1:4 section\nWDBO1401  \nWDBO1402  \nBolshoi Antonella Guidi - (p. 195) sezione 1:4 section\nWDBO1701  \nWDBO1702  \nBon ton Gio Pagani - (p. 195) sezione 1:4 section\nGPW1510\nGPW1511\nBooks Gio Pagani - (p. 196) sezione 1:4 section\nGPW1105\nGPW1106\nBorder lines Bertero Projects - (p. 196) sezione 1:4 section\nWDBL1901\nWDBL1902\nBorgia Christian Benini - (p. 196) sezione 1:4 section\nWDBO1201\nWDBO1202  \n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.18.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n34\n35\nBrasilia Lorenzo De Grandis - (p. 196) sezione 1:4 section\nWDBR1601  \nWDBR1602  \nBreeze 4P1B - (p. 197) sezione 1:4 section\nWDBR1701\nWDBR1702\nBrilliant disguise Gio Pagani - (p. 197) sezione 1:4 section\nWDBD1501  \nWDBD1502\nWDBD1503\nBrit-chic Talva Design - (p. 197) sezione 1:4 section\nWDBC1601\nWDBC1602\nBrocart Giovanni Pesce - (p. 198) sezione 1:4 section\nWDBO1501  \nWDBO1502  \nWDBO1503  \nBronzo Paolo Badesco \u002F Costantino Affuso - (p. 198) sezione 1:4 section\nWDBZ1501\nWDBZ1502\nBrush Giovanni Pesce - (p. 198) sezione 1:4 section\nWDBR1401  \nWDBR1402  \nBubble Wladimiro Bendandi - (p. 198) sezione 1:4 section\nWDBU1201\nWDBU1202\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.19.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n36\n37\nBuen retiro Wladimiro Bendandi - (p. 199) sezione 1:4 section\nWDBR1501\nWDBR1502\nBuffet chinois Paolo Badesco \u002F Costantino Affuso - (p. 199) sezione 1:4 section\nWDBC1901\nWDBC1902\nBurlington Christian Benini - (p. 199) sezione 1:4 section\nWDBU1601  \nWDBU1602  \nButterflies Gio Pagani - (p. 199) sezione 1:4 section\nGPW1433  \nGPW1434  \nC-panel Paolo Badesco - (p. 200) sezione 1:4 section\nWDCP1301\nWDCP1302\nCache-cache Shout - (p. 200) sezione 1:4 section\nWDCC1601\nWDCC1602\nCactus juice  Ines Porrino - (p. 200) sezione 1:4 section\nWDCJ1401\nWDCJ1402\nCamelot Talva Design - (p. 200) sezione 1:4 section\nBBCA1201\nBBCA1202\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.20.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n38\n39\nCamp noire Eva Germani - (p. 201) sezione 1:4 section\nWDCN1401  \nWDCN1402  \nCan can Lorenzo De Grandis - (p. 201) sezione 1:4 section\nWDCN1601  \nWDCN1602  \nCannot copy Gio Tirotto - (p. 201) sezione 1:4 section\nWDCC1901\nWDCC1902\nCanvas Paolo Badesco \u002F Costantino Affuso - (p. 201) sezione 1:4 section\nWDCA1401\nWDCA1402\nCanvas bouquet Antonio Marras - (p. 202) sezione 1:4 section\nWDCA1601\nWDCA1602\nCardo maximus Draga&Aurel - (p. 202) sezione 1:4 section\nWDCM1801\nWDCM1802\nCarp Gio Pagani - (p. 202) sezione 1:4 section\nGPW1435 \nGPW1436 \nCart-on Giovanni Pesce - (p. 202) sezione 1:4 section\nWDCO1601  \nWDCO1602  \n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.21.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n40\n41\nCasablanca Christian Benini - (p. 203) sezione 1:4 section\nWDAB1201\nWDAB1202\nCascade Christian Benini - (p. 203) sezione 1:4 section\nWDCA1201\nWDCA1202\nCasquet Antonio Marras - (p. 203) sezione 1:4 section\nWDCA1501\nWDCA1502\nCatch me Giovanni Pesce - (p. 203) sezione 1:4 section\nWDCM1501  \nWDCM1502  \nCaveau Antonella Guidi - (p. 204) sezione 1:4 section\nWDCV1701\nWDCV1702\nCentral park Shout - (p. 204) sezione 1:4 section\nTTCP1301\nTTCP1302\nCentury 19 Paolo Badesco - (p. 204) sezione 1:4 section\nWD191201\nWD191202\nWD191203\nChalks GIovanni Pesce - (p. 205) sezione 1:4 section\nWDCK1601\nWDCK1602\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.22.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n42\n43\nCharlie Shout - (p. 205) sezione 1:4 section\nWDCH1601\nWDCH1602\nCharms Francesca Zoboli - (p. 205) sezione 1:4 section\nWDCH1501\nWDCH1502\nChartres Talva Design - (p. 205) sezione 1:4 section\nBBCH1401\nBBCH1402\nCheetah Talva Design - (p. 206) sezione 1:4 section\nWDCH1701  \nWDCH1702  \nCherry bomb Gio Pagani - (p. 206) sezione 1:4 section\nWDCB1701\nChildhood Gio Pagani - (p. 206) sezione 1:4 section\nGPW1208\nChill-out Draga&Aurel - (p. 206) sezione 1:4 section\nWDCO1701\nWDCO1702\nWDCH1802\nChronos Lorenzo De Grandis - (p. 206) sezione 1:4 section\nWDCH1801  \n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.23.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n44\n45\nChui Christian Benini - (p. 207) sezione 1:4 section\nWDCH1401  \nWDCH1402\nCia e la guselo Sylva Gortana - (p. 207) sezione 1:4 section\nWDGO1201\nWDGO1202\nCinetica Christian Benini \u002F Andrea Merendi - (p. 207) sezione 1:4 section\nWDCI1501\nWDCI1502\nCircling Christian Benini - (p. 207) sezione 1:4 section\nWDCR1501  \nWDCR1502\nCircus Eva Germani - (p. 208) sezione 1:4 section\nWDCI1701\nWDCI1702\nClose to me Marika Baldoni - (p. 208) sezione 1:4 section\nWDCL1201\nWDCL1202\nCloud brush Christian Benini - (p. 208) sezione 1:4 section\nWDCB1601 \nWDCB1602\nCockatoo Gio Pagani -  (p. 208) sezione 1:4 section\nGPW1301  \nGPW1302\nGPW1303\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.24.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n46\n47\nColibreeze Christian Benini - (p. 209) sezione 1:4 section\nWDCO1101\nWDCO1102\nCollage Antonella Guidi - (p. 209) sezione 1:4 section\nWDCG1601\nWDCG1602\nColor field Gio Pagani - (p. 209) sezione 1:4 section\nWDCF1801  \nConcrete moiré Christian Benini - (p. 209) sezione 1:4 section\nWDCM1401\nWDCM1402  \nConquistadores Lorenzo De Grandis - (p. 210) sezione 1:4 section\nWDCO1301\nWDCO1302  \nWDCO1303\nCorcovado Shout - (p. 210) sezione 1:4 section\nWDCC1501\nWDCC1502\nCountdown Christian Benini - (p. 210) sezione 1:4 section\nWDDO1201\nWDDO1202\nCoupure Lorenzo De Grandis - (p. 211) sezione 1:4 section\nWDCO1401  \nWDCO1402  \n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.25.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n48\n49\nCourier lines Christian Benini - (p. 211) sezione 1:4 section\nWDCL1601\nWDCL1602\nCourtship The Elusive Otter - (p. 211) sezione 1:4 section\nWDCS1701\nWDCS1702\nCover Lorenzo De Grandis - (p. 211) sezione 1:4 section\nWDCO1501\nWDCO1502\nCross room Serena Confalonieri - (p. 212) sezione 1:4 section\nWDCR1301\nWDCR1302\nWDCR1303\nCrow Gio Pagani - (p. 212) sezione 1:4 section\nGPW1416\nGPW1417\nGPW1418\nCrust Paolo Badesco \u002F Costantino Affuso - (p. 212) sezione 1:4 section\nWDCR1401\nWDCR1402\nCrystal ship Gio Pagani - (p. 213) sezione 1:4 section\nGPW1305  \nGPW1306\nCucù Shout - (p. 213) sezione 1:4 section\nWDCU1701\nWDCU1702\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.26.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n50\n51\nCut pad Christian Benini - (p. 213) sezione 1:4 section\nWDCP1401\nWDCP1402\nCutting flower Gio Pagani - (p. 213) sezione 1:4 section\nGPW1437 \nGPW1438 \nDancing Queen Gio Pagani - (p. 214) sezione 1:4 section\nWDDQ1501\nWDDQ1502\nDans le bois Silvia Stella Osella - (p. 214) sezione 1:4 section\nWDDB1901\nWDDB1902\nDare me Paolo Badesco \u002F Costantino Affuso - (p. 214) sezione 1:4 section\nWDDM1601\nWDDM1602\nDark wave Gio Pagani - (p. 214) sezione 1:4 section\nWDDW1501\nDarlingtonia María Gómez García - (p. 214) sezione 1:4 section\nWDDA1601  \nWDDA1602  \nWDDA1603\nDe prospectiva Christian Benini - (p. 215) sezione 1:4 section\nWDDP1301\nWDDP1302\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.27.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n52\n53\nDe puntillas Eva Germani - (p. 215) sezione 1:4 section\nWDDP1801\nWDDP1802\nDecameron Talva Design - (p. 215) sezione 1:4 section\nBBDE1101\nBBDE1102\nDefilé María Gómez García - (p. 216) sezione 1:4 section\nWDDE1701\nWDDE1702\nDejeuner Lorenzo De Grandis - (p. 216) sezione 1:4 section\nWDDE1901\nWDDE1902\nDelavé Draga&Aurel  - (p. 216) sezione 1:4 section\nWDDE1601  \nWDDE1602\nDelove Maria Gomez Garcia - (p. 216) sezione 1:4 section\nWDDL1901 \n \nWDDL1902\nDéshabillé Draga&Aurel  - (p. 217) sezione 1:4 section\nWDDE1501\nWDDE1502\nDesus Christian Benini - (p. 217) sezione 1:4 section\nWDDE1201\nWDDE1202\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.28.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n54\n55\nDie blaue reiter Talva Design - (p. 217) sezione 1:4 section\nBBDR1301\nBBDR1302\nDittamo Antonella Guidi - (p. 217) sezione 1:4 section\nWDDI1801  \nWDDI1802  \nDIY Lorenzo De Grandis - (p. 218) sezione 1:4 section\nWDDI1401\nWDDI1402\nDo what you love Christian Benini - (p. 218) sezione 1:4 section\nWDDO1301\nWDDO1302\nDorsel Wladimiro Bendandi - (p. 218) sezione 1:4 section\nWDDO1801\nWDDO1802  \nDowns new roads Draga&Aurel - (p. 218) sezione 1:4 section\nWDDN1801\nWDDN1802\nDrawing Wladimiro Bendandi - (p. 219) sezione 1:4 section\nWDDR1201\nWDDR1202\nDrawing Candles Ines Porrino - (p. 219) sezione 1:4 section\nWDDC1401\nWDDC1402\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.29.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n56\n57\nDream town Talva Design - (p. 219) sezione 1:4 section\nBBDT0901\nBBDT0902\nDress Gio Pagani - (p. 219) sezione 1:4 section\nGPW1405\nGPW1406\nDrift Serena Confalonieri - (p. 220) sezione 1:4 section\nWDDT1301\nWDDT1302\nWDDT1303\nWDDT1304\nDripping Lorenzo De Grandis - (p. 220) sezione 1:4 section\nWDDR1301\nWDDR1302\nDrops from heaven Gio Pagani - (p. 220) sezione 1:4 section\nGPW1332  \nGPW1333  \nGPW1334  \nDu jour Lorenzo De Grandis - (p. 221) sezione 1:4 section\nWDDJ1901\nWDDJ1902\nDurch Christian Benini - (p. 221) sezione 1:4 section\nWDDU1401\nWDDU1402\nEat art Christian Benini - (p. 221) sezione 1:4 section\nWDEA1401  \nWDEA1402  \n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.30.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n58\n59\nWDEB1701\nEat to beat Gio pagani - (p. 221) sezione 1:4 section\nEau nouveau Christian Benini - (p. 222) sezione 1:4 section\nWDEN1401\nWDEN1402\nEchos The Elusive Otter - (p. 222) sezione 1:4 section\nWDEC1701\nWDEC1704\nEden Gio Pagani - (p. 222) sezione 1:4 section\nGPW1316\nGPW1317\nGPW1318\nEights Giovanni Pesce - (p. 222) sezione 1:4 section\nWDEI1901\nWDEI1902\nEl caballo de Andy Lorenzo De Grandis - (p. 223) sezione 1:4 section\nWDEC1301\nWDEC1302\nWDEC1303\nElisir Lorenzo De Grandis - (p. 223) sezione 1:4 section\nWDEL1801\nWDEL1802\nEmotions Eva Germani - (p. 223) sezione 1:4 section\nWDEM1601\nWDEM1602\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.31.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n60\n61\nEmpire Shout - (p. 224) sezione 1:4 section\nTTEM1201\nTTEM1202\nEmpty sky Gio Pagani  - (p. 224) sezione 1:4 section\nGPW1002 col. 1  \nGPW1002 col. 2  \nEnergy Christian Benini - (p. 224) sezione 1:4 section\nWDEN1801\nWDEN1802\nEnsemble Lorenzo De Grandis - (p. 224) sezione 1:4 section\nWDEN1501  \nWDEN1502  \nWDEN1503\nEnvol Talva Design - (p. 225) sezione 1:4 section\nBBEN1201\nBBEN1202  \nEpisodi notturni Gupica - (p. 225) sezione 1:4 section\nWDEN1901\nWDEN1902\nEpoque Ines Porrino - (p. 225) sezione 1:4 section\nWDEP1501\nWDEP1502\nWDEP1503\nEros Gio Pagani - (p. 226) sezione 1:4 section\nGPW1328  \nGPW1329\nGPW1330  \nGPW1331\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.32.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n62\n63\nEsplanade Shout - (p. 226) sezione 1:4 section\nTTES1301\nTTES1302\nEtnic Ink Gio Pagani - (p. 226) sezione 1:4 section\nGPW1413\nGPW1414\nEureka Simone Fanciullacci - (p. 227) sezione 1:4 section\nWDEU1801  \n  \nWDEU1802  \nExa Giovanni Pesce - (p. 227) sezione 1:4 section\nWDEX1501  \nWDEX1502\nWDEX1503  \nWDEX1504  \nExotic damier Paolo Badesco \u002F Costantino Affuso - (p. 227) sezione 1:4 section\nWDEX1601\nWDEX1602\nEyes in the dark Lorenzo De Grandis - (p. 228) sezione 1:4 section\nWDED1801\nWDED1802\nEyes in tubes Federico Pepe - (p. 228) sezione 1:4 section\nWDET1901\nWDET1902 \n \nFade out lines Gio Pagani - (p. 228) sezione 1:4 section\nWDFO1801\nWDFO1802\nWDFO1803\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.33.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n64\n65\nFado Shout - (p. 228) sezione 1:4 section\nTTFA1401\nTTFA1402  \nFaenna Christian Benini - (p. 229) sezione 1:4 section\nWDFA1801\nWDFA1802\nFair play Serena Confalonieri - (p. 229) sezione 1:4 section\nWDFP1801\nWDFP1802\nFamily affair Paolo Badesco \u002F Costantino Affuso - (p. 229) sezione 1:4 section\nWDFA1701\nWDFA1702\nFemme fatale Gio Pagani - (p. 229) sezione 1:4 section\nWDFF1701\nWDFF1702\nFFF... Antonella Guidi - (p. 230) sezione 1:4 section\nWDFF1501  \nWDFF1502\nFibre Ines Porrino - (p. 230) sezione 1:4 section\nWDFI1501  \nWDFI1502  \nFil blanc Shout - (p. 230) sezione 1:4 section\nWDFB1501\nWDFB1502\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.34.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n66\n67\nFiore mio Talva Design - (p. 230) sezione 1:4 section\nWDFM1501  \nWDFM1502\nFish mambo Shout - (p. 231) sezione 1:4 section\nWDFM1701\nWDFM1702\nFish wish Giovanni Pesce - (p. 231) sezione 1:4 section\nWDFW1401\nWDFW1402  \nFjords Shout - (p. 231) sezione 1:4 section\nTTFI1301\nTTFI1302\nFlag forest Shout - (p. 231) sezione 1:4 section\nWDFF1601\nWDFF1602\nFlake off Gio Pagani- (p. 232) sezione 1:4 section\nGPW1104\nFlamboyant Christian Benini - (p. 232) sezione 1:4 section\nWDFL1201\nWDFL1202  \nFlamingo dada Talva Design - (p. 232) sezione 1:4 section\nBBFD0901\nBBFD0902\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.35.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n68\n69\nFlash lines Lorenzo De Grandis - (p. 232) sezione 1:4 section\nWDFL1601  \nWDFL1602  \nFlat icon Lorenzo De Grandis - (p. 233) sezione 1:4 section\nWDFI1401\nWDFI1402\nFleur des Amériques Ines Porrino  - (p. 233) sezione 1:4 section\nWDFA1601\nWDFA1602\nFloat on The Elusive Otter - (p. 233) sezione 1:4 section\nWDFO1601\nWDFO1602\nFloor Paolo Badesco \u002F Costantino Affuso  - (p. 233) sezione 1:4 section\nWDFL1401\nWDFL1402\nFlorence Lorenzo De Grandis - (p. 234) sezione 1:4 section\nWDFL1701  \nWDFL1702  \nWDFL1703  \nFlorianopolis María Gómez García - (p. 234) sezione 1:4 section\nWDFL1801\nWDFL1802  \nFloridita María Gómez García - (p. 234) sezione 1:4 section\nWDFR1601\nWDFR1602\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.36.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n70\n71\nFlorigraphique Elisa Vendramin - (p. 235) sezione 1:4 section\nWDFL1901\nWDFL1902\n   \nFlowerized Talva Design - (p. 235) sezione 1:4 section\nBBFW0901\nBBFW0902\nFlower poetry Christian Benini - (p. 235) sezione 1:4 section\nWDFP1101  \nWDFP1102\nFly away Francesca Zoboli - (p. 235) sezione 1:4 section\nWDFA1501\nWDFA1502\nFly to the future Wladimiro Bendandi - (p. 236) sezione 1:4 section\nWDFF1101\nWDFF1102\nFoggy notion Gio Pagani - (p. 236) sezione 1:4 section\nWDFN1701\nWDFN1702\nFossil Talva Design - (p. 236) sezione 1:4 section\nWDFS1801  \nWDFS1802  \nFruscìo Eva Germani - (p. 236) sezione 1:4 section\nWDFR1501\nWDFR1502\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.37.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n72\n73\nFunny land Christian Benini - (p. 236) sezione 1:4 section\nWDFA1101  \nWDFA1102\nFunny parrots Talva Design - (p. 237) sezione 1:4 section\nBBFP0901\nBBFP0902\nFurniture Eva Germani - (p. 237) sezione 1:4 section\nWDFU1501\nWDFU1502\nGaelico Christian Benini - (p. 237) sezione 1:4 section\nWDGA1701\nWDGA1702\nGarden flavours Lorenzo De Grandis - (p. 237) sezione 1:4 section\nWDGF1301\nWDGF1302\nGasoline Christian Benini - (p. 238) sezione 1:4 section\nWDGA1201\nWDGA1202\nGeisha Christian Benini - (p. 238) sezione 1:4 section\nWDGE0901\nWDGE0902\nGently adrift The Elusive Otter - (p. 238) sezione 1:4 section\nWDGA1901\nWDGA1902\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.38.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n74\n75\nGeomimetico Gio Pagani - (p. 238) sezione 1:4 section\nGPW1320\nGPW1321\nGershwin Lorenzo De Grandis - (p. 239) sezione 1:4 section\nWDGH1601  \nWDGH1602\nGirls on film Gio Pagani - (p. 239) sezione 1:4 section\nGPW1324\nGPW1325\nGiunone Francesca Zoboli - (p. 239) sezione 1:4 section\nWDGI1601\nWDGI1602\nGlaze DeBonaDeMeo- (p. 239) sezione 1:4 section\nWDGL1801\nWDGL1802\nGlifi Wladimiro Bendandi - (p. 240) sezione 1:4 section\nWDGL1501  \nWDGL1502\nWDGL1503\nGlimpse Christian Benini - (p. 240) sezione 1:4 section\nWDGL0901\nWDGL0902\nGoalll Xavier Barcelona - (p. 240) sezione 1:4 section\nTTGO1301\nTTGO1302\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.39.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n76\n77\nGolden apples Eva GermanI - (p. 240) sezione 1:4 section\nWDGA1601  \nWDGA1602  \nGolden hook Christian Benini - (p. 241) sezione 1:4 section\nWDGH1701  \nWDGH1702  \nGolden wind Ines Porrino - (p. 241) sezione 1:4 section\nWDGW1401  \nWDGW1402  \nWDGW1403  \nGolfing CTRLZAK - (p. 241) sezione 1:4 section\nWDGO1901\nWDGO1902\nGood luck Christian Benini \u002F Andrea Merendi - (p. 242) sezione 1:4 section\nWDGL1701  \nWDGL1702  \nGouache Ines Porrino - (p. 242) sezione 1:4 section\nWDGO1401\nWDGO1402\nGradient Christian Benini - (p. 242) sezione 1:4 section\nWDGR1501  \nWDGR1502\nGraffiante Simone Fanciullacci - (p. 242) sezione 1:4 section\nWDGR1901\nWDGR1902\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.40.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n78\n79\nGraffitisme Talva Design - (p. 243) sezione 1:4 section\nBBGR1401\nBBGR1402\nBBGR1403\nGranfondo Talva Design - (p. 243) sezione 1:4 section\nBBGR1201\nBBGR1202\nGraphite Christian Benini - (p. 243) sezione 1:4 section\nWDGR0901\nWDGR0902\nGreat escape The Elusive Otter - (p. 243) sezione 1:4 section\nWDGE1601\nWDGE1602\nGreen area Talva Design - (p. 244) sezione 1:4 section\nBBGA1101\nBBGA1102\nGrooming Ines Porrino - (p. 244) sezione 1:4 section\nWDGR1701\nWDGR1702\nGugu gaga Christian Benini - (p. 244) sezione 1:4 section\nWDGG1101\nWDGG1102\nGypsum Christian Benini - (p. 244) sezione 1:4 section\nWDGY0901\nWDGY0902\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.41.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n80\n81\nHabitat Silvia Stella Osella - (p. 245) sezione 1:4 section\nWDHA1801\nWDHA1802  \nWDHA1803  \nHaiku Talva Design - (p. 245) sezione 1:4 section\nBBHA1201\nBBHA1202  \nHarmonic entropy Christian Benini - (p. 245) sezione 1:4 section\nWDAE0901\nWDAE0902\nHavana Lorenzo De Grandis - (p. 246) sezione 1:4 section\nWDHA1501  \nWDHA1502\nHellenic Paolo Badesco \u002F Costantino Affuso - (p. 246) sezione 1:4 section\nWDHL1701\nWDHL1701\nHerbarium Paolo Badesco - (p. 246) sezione 1:4 section\nWDHE1101\nWDHE1102  \nHerodio Tommaso Guerra - (p. 246) sezione 1:4 section\nWDHE1701  \nHey taxi! Shout - (p. 246) sezione 1:4 section\nTTHT1301\nTTHT1302\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.42.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n82\n83\nHidden city Christian Benini - (p. 247) sezione 1:4 section\nWDHC1701\nWDHC1702\nHigh mountain Christian Benini - (p. 247) sezione 1:4 section\nWDHM0901\nWDHM0902\nHistoria Serena Confalonieri - (p. 247) sezione 1:4 section\nWDHI1801\nWDHI1802\nHome sweet home Christian Benini - (p. 247) sezione 1:4 section\nWDHS1201\nWDHS1202\nHorizon Shout - (p. 248) sezione 1:4 section\nTTHO1201\nTTHO1202\nHouse is my dress Eva Germani - (p. 248) sezione 1:4 section\nWDHD1701  \nWDHD1702  \nHydra Paolo Badesco \u002F Costantino Affuso - (p. 248) sezione 1:4 section\nWDHY1901\nWDHY1902\nHypotenuse Gupica - (p. 248) sezione 1:4 section\nWDHI1701  \nWDHI1702  \n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.43.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n84\n85\nIkaría The Elusive Otter - (p. 249) sezione 1:4 section\nWDIK1501\nWDIK1502\nImaginarium Antonio Marras - (p. 249) sezione 1:4 section\nWDIM1701\nWDIM1702\nImpressions Federico Pepe - (p. 249) sezione 1:4 section\nWDIM1901\nWDIM1902\nImprinting Giovanni Pesce - (p. 249) sezione 1:4 section\nWDIP1401  \nWDIP1402  \nIn mind Paolo Badesco \u002F Costantino Affuso - (p. 250) sezione 1:4 section\nWDIM1401\nWDIM1402\nIn sight Shout - (p. 250) sezione 1:4 section\nWDIS1801\nWDIS1802\nIn the river Shout - (p. 250) sezione 1:4 section\nTTIN1201\nTTIN1202\nIn vetta Paolo Badesco \u002F Costantino Affuso - (p. 250) sezione 1:4 section\nWDIV1501\nWDIV1502\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.44.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n86\n87\nIncanto María Gómez García - (p. 251) sezione 1:4 section\nWDIN1701\nWDIN1702\nInfinity Marco Lorenzetto - (p. 251) sezione 1:4 section\nWDIF1901 \n \nWDIF1902\nInk Lorenzo De Grandis - (p. 251) sezione 1:4 section\nWDIN1301  \nWDIN1302  \nInstant panorama \u002F reloaded Studiopepe - (p. 251) sezione 1:4 section\nWDIP1901 \n \nWDIP1902\nInterstellar Draga&Aurel - (p. 252) sezione 1:4 section\nWDIN1901\nWDIN1902\nIride Christian Benini - (p. 252) sezione 1:4 section\nWDIR1701\nWDIR1702\nJap Antonio Marras - (p. 252) sezione 1:4 section\nWDJA1501  \nWDJA1502\nJasminum Antonio Marras - (p. 252) sezione 1:4 section\nWDJA1601\nWDJA1602\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.45.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n88\n89\nJeux de construction Paolo Badesco \u002F Costantino Affuso - (p. 253) sezione 1:4 section\nWDJC1901 \n \nWDJC1902\nJohnny 99 Gio Pagani  - (p. 253) sezione 1:4 section\nGPW1001 col. 1  \nGPW1001 col. 2\nGPW1001 col. 3\nJules 4P1B  - (p. 253) sezione 1:4 section\nWDJU1401\nWDJU1402  \nJuvenile Christian Benini  - (p. 254) sezione 1:4 section\nWDJV1401\nWDJV1402  \nKaleidos Antonio Marras  - (p. 254) sezione 1:4 section\nWDKA1701\nWDKA1702\nKanji Christian Benini  - (p. 254) sezione 1:4 section\nWDKA0901\nWDKA0902\nKansas City Gio Pagani - (p. 254) sezione 1:4 section\nWDKC1901 \n \nKeep young Talva Design  - (p. 254) sezione 1:4 section\nBBKY1301\nBBKY1302\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.46.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n90\n91\nKeith bau Lorenzo De Grandis - (p. 255) sezione 1:4 section\nWDKB1401\nWDKB1402\nKendima CTRLZAK - (p. 255) sezione 1:4 section\nWDKE1901\nWDKE1902\nKimono Lorenzo De Grandis - (p. 255) sezione 1:4 section\nWDKI1601  \nWDKI1602  \nKiss me Christian Benini  - (p. 255) sezione 1:4 section\nWDKM1301\nWDKM1302\nKnock knock Christian Benini  - (p. 256) sezione 1:4 section\nWDKK1201\nWDKK1202\nKo Antonella Guidi  - (p. 256) sezione 1:4 section\nWDKO1301\nWDKO1302\nWDKO1303\nKona Serena Confalonieri - (p. 256) sezione 1:4 section\nWDKO1801\nWDKO1802\nKyoto Lorenzo De Grandis - (p. 257) sezione 1:4 section\nWDKY1701\nWDKY1702\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.47.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n92\n93\nLa citta' fluida Christian Benini - (p. 257) sezione 1:4 section\nWDCF1901\nWDCF1902\nLa famiglia Pois Antonio Marras - (p. 257) sezione 1:4 section\nWDLF1801\nWDLF1802\nWDLF1803\nLa gorda Francesca Zoboli - (p. 257) sezione 1:4 section\nWDLG1701\nWDLG1702\nLa isla bonita Giovanni Pesce - (p. 258) sezione 1:4 section\nWDLI1701  \nWDLI1702  \nLa maison Christian Benini - (p. 258) sezione 1:4 section\nWDLM1601\nWDLM1602 \nLa vie en rose Eva Germani - (p. 258) sezione 1:4 section\nWDVR1801\nWDVR1802\nLa vie marine Talva Design - (p. 258) sezione 1:4 section\nWDVM1601\nWDVM1602\nLabyrinth Talva Design - (p. 259) sezione 1:4 section\nBBLB1301\nBBLB1302\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.48.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n94\n95\nLand Shout - (p. 259) sezione 1:4 section\nTTLA1201\nTTLA1202\nLe bilan d'un siècle Paolo Badesco \u002F Costantino Affuso - (p. 259) sezione 1:4 section\nWDBS1801  \nWDBS1802\nLeisure is great Antonella Guidi - (p. 259) sezione 1:4 section\nWDLG1301\nWDLG1302\nLeon battista Eva Germani - (p. 260) sezione 1:4 section\nWDLB1501\nWDLB1502\nLeonardo Federico Pepe - (p. 260) sezione 1:4 section\nWDLE1901\nWDLE1902\nLesley Bertero Projects - (p. 260) sezione 1:4 section\nWDLE1801\nWDLE1802\nWDLE1803\nLess is a bore Christian Benini - (p. 261) sezione 1:4 section\nWDLB1701\nWDLB1702\nLetra-set Wladimiro Bendandi - (p. 261) sezione 1:4 section\nWDLS1401  \nWDLS1402  \n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.49.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n96\n97\nLettera 32 Bertero Projects + Antonio Andrea Pinna - (p. 261) sezione 1:4 section\nWDLT1801\nWDLT1802\nLeviosa Maria Gomez Garcia - (p. 261) sezione 1:4 section\nWDLV1901\nWDLV1902\nLia Christophe Delcourt - (p. 262) sezione 1:4 section\nWDLI1801\nWDLI1802\nLibellula Lorenzo De Grandis - (p. 262) sezione 1:4 section\nWDLI1601  \nWDLI1602  \nLiberty love Gio Pagani - (p. 262) sezione 1:4 section\nGPW1407  \nGPW1408\nGPW1409  \nLick it Shout - (p. 262) sezione 1:4 section\nWDLC1501\nWDLC1502\nLife is fun Shout - (p. 263) sezione 1:4 section\nWDLF1901\nWDLF1902\nLight fall Eva Germani - (p. 263) sezione 1:4 section\nWDLI1901\nWDLI1902\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.50.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n98\n99\nLight shadow Lorenzo De Grandis - (p. 263) sezione 1:4 section\nWDLS1501  \nWDLS1502  \nLimbo azul Talva Design - (p. 263) sezione 1:4 section\nBBLA1201\nBBLA1202\nLine’n motion Talva Design - (p. 264) sezione 1:4 section\nBBLM1401\nBBLM1402\nLino Antonella Guidi - (p. 264) sezione 1:4 section\nWDLI1501  \nWDLI1502\nLiquida Draga&Aurel - (p. 264) sezione 1:4 section\nWDLQ1802\nWDLQ1801\nLive at ease The Elusive Otter - (p. 264) sezione 1:4 section\nWDLA1801\nWDLA1802\nLong play Draga&Aurel - (p. 265) sezione 1:4 section\nWDLP1901\nWDLP1902\nLong week Christian Benini - (p. 265) sezione 1:4 section\nWDLW1201\nWDLW1202\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.51.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n100\n101\nLos Angeles 4P1B - (p. 265) sezione 1:4 section\nWDLO1601\nWDLO1602\nLost in a map Christian Benini - (p. 265) sezione 1:4 section\nWDLM1101  \nWDLM1102\nLost in the flood Gio Pagani - (p. 266) sezione 1:4 section\nGPW1006 col. 1\nGPW1006 col. 2\nGPW1006 col. 3\nGPW1006 col. 4  \nLost paradise Lorenzo De Grandis - (p. 266) sezione 1:4 section\nWDLP1701\nWDLP1702\nLouis XV Christian Benini - (p. 266) sezione 1:4 section\nWDLU1301\nWDLU1302\nLucie Gio Pagani - (p. 267) sezione 1:4 section\nWDLU1801\nWDLU1802\nWDLU1803\nLuna Plena Lorenzo De Grandis - (p. 267) sezione 1:4 section\nWDLU1701  \nWDLU1702  \nWDLU1703  \nLurk Draga&Aurel - (p. 267) sezione 1:4 section\nWDLU1601\nWDLU1602\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.52.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n102\n103\nLuviento Giovanni Pesce - (p. 268) sezione 1:4 section\nWDLV1601\nWDLV1602\nWDLV1603\nLuz Giovanni Pesce - (p. 268) sezione 1:4 section\nWDLZ1801\nWDLZ1802\nMadame vent Antonio Marras - (p. 268) sezione 1:4 section\nWDMV1401\nWDMV1402\nMagic trip Talva Design - (p. 269) sezione 1:4 section\nBBMA1301\nBBMA1302\nMahai Draga&Aurel - (p. 269) sezione 1:4 section\nWDMA1801  \nWDMA1802\nMamma mia Gio Pagani - (p. 269) sezione 1:4 section\nWDMM1701\nWDMM1702\nWDMM1703\nMan on the moon Christian Benini \u002F Wladimiro Bendandi - (p. 269) sezione 1:4 section\nWDMM1301\nWDMM1302\nWDMM1303\nMandala Lorenzo De Grandis - (p. 270) sezione 1:4 section\nWDMA1401\nWDMA1402\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.53.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n104\n105\nMany holes Giovanni Pesce - (p. 270) sezione 1:4 section\nWDMH1801\nWDMH1802\nMarinière Ines Porrino - (p. 270) sezione 1:4 section\nWDMA1501\nWDMA1502\nMark memories Gio Pagani - (p. 271) sezione 1:4 section\nWDMM1501\nWDMM1502\nMatelassé Paolo Badesco \u002F Costantino Affuso - (p. 271) sezione 1:4 section\nWDMT1601\nWDMT1602\nMatrix Draga&Aurel - (p. 271) sezione 1:4 section\nWDMX1801  \nWDMX1802  \nMeccatronico Tommaso Guerra - (p. 271) sezione 1:4 section\nWDMC1801\nWDMC1802\nMedallion Gio Pagani - (p. 272) sezione 1:4 section\nGPW1439\nMediterrean marks Talva Design - (p. 272) sezione 1:4 section\nWDMA1701\nWDMA1702\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.54.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n106\n107\nMeeting across the river Gio Pagani - (p. 272) sezione 1:4 section\nGPW1003 col. 1\nGPW1003 col. 2\nMelancholy Gio Pagani - (p. 272) sezione 1:4 section\nWDME1601\nMemories Gio Pagani - (p. 272) sezione 1:4 section\nGPW1209\nGPW1210\nMemory of jm Gio Pagani - (p. 273) sezione 1:4 section\nWDME1801\nWDME1802\nWDME1803  \nMeriggio Serena Confalonieri - (p. 273) sezione 1:4 section\nWDME1901\nWDME1902\nMetropolis Gupica - (p. 273) sezione 1:4 section\nWDME1701\nWDME1702\nMidday from my window Ines Porrino - (p. 273) sezione 1:4 section\nWDMD1901\nWDMD1902\nMidsummer night Lorenzo De Grandis - (p. 274) sezione 1:4 section\nWDMN1501  \nWDMN1502  \nWDMN1503  \n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.55.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n108\n109\nMilano Antonio Marras - (p. 274) sezione 1:4 section\nWDMI1401\nWDMI1402\nMilky way Eva Germani - (p. 274) sezione 1:4 section\nWDMW1701  \nWDMW1702  \nMillennium Lorenzo De Grandis - (p. 275) sezione 1:4 section\nWDML1901 \n \nWDML1902\nMirabilia Giovanni Pesce - (p. 275) sezione 1:4 section\nWDMR1901\nWDMR1902\nMiss princess Christian Benini - (p. 275) sezione 1:4 section\nWDMP1201\nWDMP1202\nMissterre Talva Design - (p. 275) sezione 1:4 section\nBBMT1301\nBBMT1302\nMistral Lorenzo De Grandis - (p. 276) sezione 1:4 section\nWDMI1901\nWDMI1902\nMod Gio Pagani - (p. 276) sezione 1:4 section\nWDMO1601\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.56.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n110\n111\nModernista Christian Benini - (p. 276) sezione 1:4 section\nWDMO0901\nWDMO0902\nMoebius Serena Confalonieri - (p. 276) sezione 1:4 section\nWDMB1901 \n \nWDMB1902 \n \nMomo Lorenzo De Grandis - (p. 276) sezione 1:4 section\nWDMO1401\nWDMO1402\nMonsieur didot Lorenzo De Grandis - (p. 277) sezione 1:4 section\nWDMD1301\nWDMD1302\nMont Blanc Elisa Vendramin - (p. 277) sezione 1:4 section\nWDMB1701\nWDMB1702\nMoon guardian Shout - (p. 277) sezione 1:4 section\nTTMG1301\nTTMG1302\nMorphosis Talva Design - (p. 277) sezione 1:4 section\nWDMO1901\nWDMO1902\nMotel futuriste Eva Germani - (p. 278) sezione 1:4 section\nWDMF1601\nWDMF1602\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.57.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n112\n113\nMusik metrik Lorenzo De Grandis - (p. 278) sezione 1:4 section\nWDMM1401\nWDMM1402\nMy Africa Antonio Marras - (p. 278) sezione 1:4 section\nWDMA1901\nWDMA1902\nMy body Gio Pagani - (p. 278) sezione 1:4 section\nGPW1326  \nGPW1327  \nMy museum Paolo Badesco - (p. 279) sezione 1:4 section\nWDMU1301\nWDMU1302\nMy wife Giovanni Pesce - (p. 279) sezione 1:4 section\nWDMW1801\nWDMW1802\nNäga Draga&Aurel - (p. 279) sezione 1:4 section\nWDNA1501\nWDNA1502\nWDNA1503\nNebulae CTRLZAK - (p. 280) sezione 1:4 section\nWDNB1701\nWDNB1702\nNew pollution Christian Benini - (p. 280) sezione 1:4 section\nWDNP0901\nWDNP0902\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.58.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n114\n115\nSelezione mostri\nMonsters selection\nNew York under attack1 Gio Pagani - (p. 280) sezione 1:4 section\nGPW1211\nNew York under attack2 Gio Pagani - (p. 280) sezione 1:4 section\nGPW1213\nGPW1214\nSelezione mostri\nMonsters selection\nNews planet Christian Benini - (p. 280) sezione 1:4 section\nWDNP1101\nWDNP1102\nNico Gio Pagani - (p. 281) sezione 1:4 section\nGPW1335\nGPW1336\nNight garden Studiopepe - (p. 281) sezione 1:4 section\nWDNG1701  \nWDNG1702  \nWDNG1703  \nNo gravity Antonella Guidi - (p. 281) sezione 1:4 section\nWDNG1901 \n \nWDNG1902\nNo parking Christian Benini - (p. 281) sezione 1:4 section\nWDNO1201\nWDNO1202\nNo plan Lorenzo De Grandis - (p. 282) sezione 1:4 section\nWDNO1301\nWDNO1302\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.59.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n116\n117\nNomade Federico Pepe - (p. 282) sezione 1:4 section\nWDNO1801\nWDNO1802  \nNordic taste Christian Benini - (p. 282) sezione 1:4 section\nWDNT0901\nWDNT0902\nNotturno blu Shout - (p. 282) sezione 1:4 section\nWDNB1601\nWDNB1602\nNouveau geisha CTRLZAK - (p. 283) sezione 1:4 section\nWDNO1601\nWDNO1602\nWDNV1802\nNovecento Lorenzo De Grandis - (p. 283) sezione 1:4 section\nWDNV1801\nNu ocean Talva Design - (p. 283) sezione 1:4 section\nBBNO1401\nBBNO1402\nOasis Lorenzo De Grandis - (p. 283) sezione 1:4 section\nWDOA1701  \nWDOA1702  \nWDOA1703  \nOld school Christian Benini - (p. 284) sezione 1:4 section\nWDOS0901\nWDOS0902\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.60.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n118\n119\nOnehundredpercent Talva Design - (p. 284) sezione 1:4 section\nBBOP1301\nBBOP1302\nOnly now Draga&Aurel - (p. 284) sezione 1:4 section\nWDON1501\nWDON1502\nOpium Christian Benini - (p. 285) sezione 1:4 section\nWDOP0901\nWDOP0902\nOpus mixtum Francesca Zoboli - (p. 285) sezione 1:4 section\nWDOM1301\nWDOM1302  \nOrchidalia Draga&Aurel - (p. 285) sezione 1:4 section\nWDOR1601\nWDOR1602\nOrigami Christian Benini - (p. 285) sezione 1:4 section\nWDOR0901\nWDOR0902\nOrnate DeBonaDeMeo - (p. 286) sezione 1:4 section\nWDOR1801  \nWDOR1802  \nOuverture Lorenzo De Grandis - (p. 286) sezione 1:4 section\nWDOU1701\nWDOU1702\nWDOU1703\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.61.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n120\n121\nOver Lorenzo De Grandis - (p. 286) sezione 1:4 section\nWDOV1901\nWDOV1902\nPage blanche Christian Benini - (p. 286) sezione 1:4 section\nWDPB1901\nWDPB1902\nPaintillise Wladimiro Bendandi - (p. 287) sezione 1:4 section\nWDPT1601\nWDPT1602\nWDPT1603\nPajlo DeBonaDeMeo - (p. 287) sezione 1:4 section\nWDPA1801  \nWDPA1802  \nPale blue eyes Gio Pagani - (p. 287) sezione 1:4 section\nWDPB1701  \nWDPB1702  \nWDPB1703  \nPalette Paolo Badesco - (p. 288) sezione 1:4 section\nWDPA1301\nWDPA1302\nWDPA1303\nWDPA1304\nPanache Ines Porrino - (p. 288) sezione 1:4 section\nWDPA1601\nWDPA1602\nPaparazzi Draga&Aurel - (p. 288) sezione 1:4 section\nWDPA1501\nWDPA1502\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.62.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n122\n123\nPaper edge Giovanni Pesce - (p. 289) sezione 1:4 section\nWDPE1601\nWDPE1602\nParolier Francesca Zoboli - (p. 289) sezione 1:4 section\nWDPR1601\nWDPR1602\nPart of my journey Gio Pagani - (p. 289) sezione 1:4 section\nWDPJ1901 \n \nWDPJ1902\nPastello Talva Design - (p. 289) sezione 1:4 section\nWDPS1501\nWDPS1502\nWDPS1503\nPatchworking Christian Benini - (p. 290) sezione 1:4 section\nWDPA1101\nWDPA1102\nPavot Eva Germani - (p. 290) sezione 1:4 section\nWDPA1701\nWDPA1702\nPeacock 4P1B - (p. 290) sezione 1:4 section\nWDPK1601\nWDPK1602\nPencil birds Talva Design - (p. 291) sezione 1:4 section\nWDPB1601\nWDPB1602\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.63.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n124\n125\nPhytogenesis Silvia Stella Osella - (p. 291) sezione 1:4 section\nWDPH1701\nWDPH1702\nPianthus Tommaso Guerra - (p. 291) sezione 1:4 section\nWDPI1501\nWDPI1502\nWDPI1503\nPicos do mundo Serena Confalonieri - (p. 291) sezione 1:4 section\nWDPM1301\nWDPM1302\nWDPM1303\nWDPM1304\nPills 4P1B - (p. 292) sezione 1:4 section\nWDPI1701\nWDPI1702\nPiña colada Talva Design - (p. 292) sezione 1:4 section\nBBPC1301  \nBBPC1302\nPink wind Eva Germani - (p. 292) sezione 1:4 section\nWDPW1601  \nWDPW1602  \nPix man Xavier Barcelona - (p. 292) sezione 1:4 section\nTTPX1301\nTTPX1302\nPlissé Lorenzo De Grandis - (p. 293) sezione 1:4 section\nWDPL1501  \nWDPL1502  \nWDPL1503  \n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.64.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n126\n127\nPneu Draga&Aurel - (p. 293) sezione 1:4 section\nWDPN1701  \nWDPN1702  \nPoid plume Christian Benini \u002F Andrea Merendi - (p. 293) sezione 1:4 section\nWDPP1901\nWDPP1902\nPoison Eva Germani - (p. 294) sezione 1:4 section\nWDPO1501\nWDPO1502\nPommes à cidre Paolo Badesco \u002F Costantino Affuso - (p. 294) sezione 1:4 section\nWDPC1801\nWDPC1802\nPortraits Gio Pagani - (p. 294) sezione 1:4 section\nGPW1109\nGPW1110\nGPW1111\nPost Giovanni Pesce - (p. 294) sezione 1:4 section\nWDPO1701\nWDPO1702\nPrecious Gio Pagani - (p. 295) sezione 1:4 section\nWDPC1601\nWDPC1602\nPresenze Gio Pagani - (p. 295) sezione 1:4 section\nGPW1216\nGPW1217  \nGPW1218\nGPW1225\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.65.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n128\n129\nWDPR1501\nWDPR1502\nPrimavera Lorenzo De Grandis - (p. 295) sezione 1:4 section\nPrintemps Lorenzo De Grandis - (p. 296) sezione 1:4 section\nWDPR1401\nWDPR1402\nProfumo Christian Benini \u002F Andrea Merendi - (p. 296) sezione 1:4 section\nWDPO1601\nWDPO1602\nPulvis Ines Porrino - (p. 296) sezione 1:4 section\nWDPU1801\nWDPU1802\nQuad Ines Porrino - (p. 296) sezione 1:4 section\nWDQU1701\nWDQU1702\nQuiet Paris Shout - (p. 297) sezione 1:4 section\nTTQP1401\nTTQP1402\nRafale Elisa Vendramin - (p. 297) sezione 1:4 section\nWDRF1601  \nWDRF1602  \nRainbow Elisa Vendramin - (p. 297) sezione 1:4 section\nWDRB1601\nWDRB1602\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.66.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n130\n131\nRamage Antonella Guidi - (p. 297) sezione 1:4 section\nWDRA1601\nWDRA1602\nWDRA1603\nRarefatto Draga&Aurel - (p. 298) sezione 1:4 section\nWDRA1901\nWDRA1902\nRat pack Wladimiro Bendandi - (p. 298) sezione 1:4 section\nWDRP1701  \nWDRP1702  \nRaw Paolo Badesco - (p. 298) sezione 1:4 section\nWDRA1101\nWDRA1102\nWDRA1501  \nWDRA1502  \nRazor Francesca Zoboli - (p. 299) sezione 1:4 section\nRe-form DeBonaDeMeo - (p. 299) sezione 1:4 section\nWDRF1901 \n \nWDRF1902\nReal identity Christian Benini - (p. 299) sezione 1:4 section\nWDRI0901\nWDRI0902\nRebus Francesca Zoboli - (p. 299) sezione 1:4 section\nWDRE1601\nWDRE1602\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.67.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n132\n133\nRecut Christian Benini - (p. 300) sezione 1:4 section\nWDRC1401\nWDRC1402\nReef Talva Design - (p. 300) sezione 1:4 section\nBBRE1101\nBBRE1102\nRelief 4P1B - (p. 300) sezione 1:4 section\nWDRE1501\nWDRE1502  \nRenaissance Christian Benini - (p. 300) sezione 1:4 section\nWDRE0901\nWDRE0902  \nRené Christian Benini - (p. 301) sezione 1:4 section\nWDRN1501\nWDRN1502\nRepaired Christian Benini - (p. 301) sezione 1:4 section\nWDRE1201\nWDRE1202  \nReplicate Lorenzo De Grandis - (p. 301) sezione 1:4 section\nWDRE1401\nWDRE1402\nWDRE1403\nReverso Talva Design - (p. 301) sezione 1:4 section\nWDRE1801  \nWDRE1802  \n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.68.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n134\n135\nRhombus Draga&Aurel - (p. 302) sezione 1:4 section\nWDRH1701\nWDRH1702\nWDRH1703\nRio Lorenzo De Grandis - (p. 302) sezione 1:4 section\nWDRI1901\nWDRI1902 \n \nRoad lines Christian Benini - (p. 302) sezione 1:4 section\nWDRL1101\nWDRL1102\nRocking doors Gio Pagani - (p. 303) sezione 1:4 section\nGPW1219\nGPW1220\nGPW1221\nRoll over Shout - (p. 303) sezione 1:4 section\nTTRO1301\nTTRO1302\nRomance Gio Pagani - (p. 303) sezione 1:4 section\nGPW1411\nGPW1412\nRosa rosae Christian Benini - (p. 303) sezione 1:4 section\nWDRR1301\nWDRR1302\nRothschild Christian Benini - (p. 304) sezione 1:4 section\nWDRO1701\nWDRO1702\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.69.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n136\n137\nRound the World Lorenzo De Grandis - (p. 304) sezione 1:4 section\nWDRW1301\nWDRW1302\nRue Cambon Gio Pagani - (p. 304) sezione 1:4 section\nGPW1313\nGPW1314\nGPW1315  \nRuster Christian Benini - (p. 305) sezione 1:4 section\nWDRU1201\nWDRU1202\nSaigon Shout - (p. 305) sezione 1:4 section\nWDSA1901\nWDSA1902\nSailka Christian Benini - (p. 305) sezione 1:4 section\nWDSK1901\nWDSK1902\nSalt & pepper Gio Pagani - (p. 307) sezione 1:4 section\nWDSL1901\nSangallo Giovanni Pesce - (p. 305) sezione 1:4 section\nWDSA1501  \nWDSA1502  \nWDSA1503  \nSantander Shout - (p. 306) sezione 1:4 section\nWDSA1701\nWDSA1702\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.70.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n138\n139\nSarah Lorenzo De Grandis - (p. 306) sezione 1:4 section\nWDSH1301\nWDSH1302\nScent Eva Germani - (p. 306) sezione 1:4 section\nWDSC1401\nWDSC1402\nScottish blumen Ines Porrino - (p. 306) sezione 1:4 section\nWDSB1601\nWDSB1602\nScrub Francesca Zoboli - (p. 307) sezione 1:4 section\nWDSC1301\nWDSC1302\nSegreti Eva Germani - (p. 307) sezione 1:4 section\nWDSE1401  \nWDSE1402  \nSelenite Draga&Aurel - (p. 307) sezione 1:4 section\nWDSE1901\nWDSE1902\nSend your thought Christian Benini - (p. 307) sezione 1:4 section\nWDSY1101  \nWDSY1102\nSensationalism Wladimiro Bendandi - (p. 308) sezione 1:4 section\nWDSE1201\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.71.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n140\n141\nSeparé Talva Design - (p. 308) sezione 1:4 section\nWDSE1501\nWDSE1502\nSew up Christian Benini - (p. 308) sezione 1:4 section\nWDSU1401\nWDSU1402\nShadows Gio Pagani - (p. 308) sezione 1:4 section\nGPW1116\nGPW1117  \nShocking Talva Design - (p. 309) sezione 1:4 section\nWDSH1801  \nWDSH1802  \nShooter Christian Benini - (p. 309) sezione 1:4 section\nWDSH1201\nWDSH1202\nSignoria Christian Benini - (p. 309) sezione 1:4 section\nWDSI1101  \nWDSI1102  \nSilver blossom Christian Benini \u002F Andrea Merendi - (p. 309) sezione 1:4 section\nWDSB1401  \nWDSB1402  \nWDSB1403  \nSilver + Gold Gio Pagani - (p. 310) sezione 1:4 section\nWDSG1501  \nWDSG1502  \n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.72.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n142\n143\nSinfonia Talva Design - (p. 310) sezione 1:4 section\nWDSI1601\nWDSI1602\nSit-in Christian Benini - (p. 310) sezione 1:4 section\nWDSI1401  \nWDSI1402  \nSkil Serena Confalonieri - (p. 310) sezione 1:4 section\nWDSK1801\nWDSK1802\nSkulls Gio Pagani - (p. 311) sezione 1:4 section\nGPW1119 col. 1\nGPW1119 col. 2\nSlipstream Lorenzo De Grandis - (p. 311) sezione 1:4 section\nWDSL1401  \nWDSL1402  \nSlow motion Giovanni Pesce - (p. 311) sezione 1:4 section\nWDSM1801\nWDSM1802  \nSmells like... Wladimiro Bendandi - (p. 311) sezione 1:4 section\nWDSL1101  \nWDSL1102\nSofa Christian Benini - (p. 312) sezione 1:4 section\nWDSO1601\nWDSO1602\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.73.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n144\n145\nSofia Draga&Aurel - (p. 312) sezione 1:4 section\nWDSO1501\nWDSO1502\nSomewhere Silvia Stella Osella - (p. 312) sezione 1:4 section\nWDSW1901 \n \nWDSW1902 \n \nSonar Wladimiro Bendandi - (p. 312) sezione 1:4 section\nWDSO1901\nWDSO1902\nSosho Gio Pagani - (p. 313) sezione 1:4 section\nGPW1420  \nSottobosco Talva Design - (p. 313) sezione 1:4 section\nWDSB1501\nWDSB1502  \nSoul Eva Germani - (p. 313) sezione 1:4 section\nWDSO1401\nWDSO1402\nSound of thunder Gio Pagani - (p. 313) sezione 1:4 section\nGPW1310  \nGPW1311\nSpace oddity Gio Pagani - (p. 314) sezione 1:4 section\nGPW1322  \nGPW1323\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.74.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n146\n147\nSpanish caravan Gio Pagani - (p. 314) sezione 1:4 section\nWDSC1501\nWDSC1502\nSpectrum Giovanni Pesce - (p. 314) sezione 1:4 section\nWDSE1701  \nWDSE1702\nSpell Eva Germani - (p. 314) sezione 1:4 section\nWDSP1801\nWDSP1802\nSpices Serena Confalonieri - (p. 315) sezione 1:4 section\nWDSP1901 \n \nWDSP1902\nSpolvero Francesca Zoboli - (p. 315) sezione 1:4 section\nWDSP1701\nWDSP1702\nStardust Gio Pagani - (p. 315) sezione 1:4 section\nWDSD1501\nWDSD1502\nSteampunk 4P1B - (p. 315) sezione 1:4 section\nWDSP1501\nWDSP1502\nStella Marika Baldoni - (p. 316) sezione 1:4 section\nWDST1501  \nWDST1502  \n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.75.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n148\n149\nStill another one Paolo Badesco - (p. 316) sezione 1:4 section\nWDAO1301\nWDAO1302\nStill here Gio Pagani - (p. 316) sezione 1:4 section\nWDSH1601\nWDSH1602\nStone Gio Pagani - (p. 316) sezione 1:4 section\nGPW1403\nGPW1404  \nWDST1802\nStonehenge Lorenzo De Grandis- (p. 317) sezione 1:4 section\nWDST1801  \nStoryboard Gio Pagani - (p. 317) sezione 1:4 section\nGPW1222\nGPW1223\nStrawberry tears Xavier Barcelona - (p. 317) sezione 1:4 section\nTTST1301\nTTST1302\nStriping Paolo Badesco - (p. 317) sezione 1:4 section\nWDST1101  \nWDST1102\nWDST1103\nStucco Christian Benini - (p. 318) sezione 1:4 section\nWDST1301\nWDST1302\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.76.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n150\n151\nSubmarino Francesca Zoboli - (p. 318) sezione 1:4 section\nWDSB1801  \nWDSB1802\nSubway Christian Benini - (p. 318) sezione 1:4 section\nWDSW1301\nWDSW1302\nSumi Francesca Zoboli - (p. 318) sezione 1:4 section\nWDSU1701\nSuper heroes Shout - (p. 319) sezione 1:4 section\nTTSH1401\nTTSH1402\nSuspicious Marco Lorenzetto - (p. 319) sezione 1:4 section\nWDSU1901\nWDSU1902\nSvalbard Christian Benini - (p. 319) sezione 1:4 section\nWDSV1101\nWDSV1102\nSynthetic wander Gio Pagani - (p. 319) sezione 1:4 section\nWDSY1901\nWDSY1902 \n \nTaipei Lorenzo De Grandis - (p. 320) sezione 1:4 section\nWDTA1601\nWDTA1602\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.77.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n152\n153\nTalt Gupica - (p. 320) sezione 1:4 section\nWDTA1701  \nWDTA1702  \nTapié Draga&Aurel - (p. 320) sezione 1:4 section\nWDTA1501\nWDTA1502\nTapis volant Paolo Badesco \u002F Costantino Affuso - (p. 320) sezione 1:4 section\nWDTV1701\nWDTV1702\nTaraké Elisa Vendramin - (p. 321) sezione 1:4 section\nWDTA1801  \nWDTA1802\nTatooine Gio Pagani - (p. 321) sezione 1:4 section\nGPW1514\nGPW1512\nTell me tiles Gio Pagani - (p. 321) sezione 1:4 section\nGPW1224\nTempesta Ines Porrino - (p. 321) sezione 1:4 section\nWDTE1501\nWDTE1502  \nThe dark side Marika Baldoni - (p. 321) sezione 1:4 section\nWDDS1701  \nWDDS1702\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.78.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n154\n155\nThe deep wild space The Elusive Otter - (p. 322) sezione 1:4 section\nWDDW1801\nWDDW1802  \nThe game Giovanni Pesce - (p. 322) sezione 1:4 section\nWDTG1901 \n \nWDTG1902\nThe garden Lorenzo De Grandis - (p. 322) sezione 1:4 section\nWDTG1601\nWDTG1602\nThe joker Lorenzo De Grandis - (p. 322) sezione 1:4 section\nWDTJ1301\nWDTJ1302  \nThe promised land Francesca Zoboli - (p. 323) sezione 1:4 section\nWDPL1901\nWDPL1902\nThe rising Gio Pagani - (p. 323) sezione 1:4 section\nGPW1004 col. 1\nGPW1004 col. 2\nGPW1004 col. 3\nGPW1004 col. 4\nThe royal wedding Eva Germani - (p. 323) sezione 1:4 section\nWDRW1901\nWDRW1902 \n \nThe secret box DeBonaDeMeo - (p. 324) sezione 1:4 section\nWDSB1901\nWDSB1902\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.79.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n156\n157\nThe way out DeBonaDeMeo - (p. 324) sezione 1:4 section\nWDTW1901 \n \nWDTW1902\nThea Draga&Aurel - (p. 324) sezione 1:4 section\nWDTH1901\nWDTH1902\nTiffany Lorenzo De Grandis - (p. 324) sezione 1:4 section\nWDTI1601\nWDTI1602\nWDTI1603\nTiles V Gio Pagani - (p. 325) sezione 1:4 section\nGPW1440\nTime Gio Pagani - (p. 325) sezione 1:4 section\nGPW1107\nGPW1108\nTimes Lorenzo De Grandis - (p. 325) sezione 1:4 section\nWDTI1501\nWDTI1502\nTiny wing Christian Benini - (p. 325) sezione 1:4 section\nWDTW1301\nWDTW1302\nTolup Shout - (p. 326) sezione 1:4 section\nTTTO1201\nTTTO1202\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.80.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n158\n159\nToner Francesca Zoboli - (p. 326) sezione 1:4 section\nWDTO1301\nWDTO1302\nToujours toi Eva Germani - (p. 326) sezione 1:4 section\nWDTT1801  \nWDTT1802\nToxicity Gio Pagani - (p. 326) sezione 1:4 section\nWDTO1601  \nWDTO1602  \nTraces Christian Benini - (p. 327) sezione 1:4 section\nWDTR1401\nWDTR1402  \nTraining Gio Pagani - (p. 327) sezione 1:4 section\nGPW1118\nTrap stratch Eva Germani - (p. 327) sezione 1:4 section\nWDTS1601\nWDTS1602\nTreillage Paolo Badesco \u002F Costantino Affuso - (p. 327) sezione 1:4 section\nWDTR1701\nTribute Gio Pagani - (p. 328) sezione 1:4 section\nWDTR1601\nWDTR1602\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.81.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n160\n161\nTrue colours Christian Benini - (p. 328) sezione 1:4 section\nWDTC0901\nWDTC0902\nTrue lies Paolo Badesco - (p. 328) sezione 1:4 section\nWDTL1201\nWDTL1202\nTry again Gio Pagani - (p. 328) sezione 1:4 section\nWDTY1601\nTujane Lorenzo De Grandis- (p. 328) sezione 1:4 section\nWDTU1801  \nWDTU1802  \nTutti colori + 1 Eva Germani - (p. 329) sezione 1:4 section\nWDTC1801\nWDTC1802\nTypology Christian Benini - (p. 329) sezione 1:4 section\nWDTY0901\nWDTY0902\nUh uh oh Lorenzo De Grandis - (p. 329) sezione 1:4 section\nWDUU1401\nWDUU1402\nWDUU1403  \nUncle Sy Shout - (p. 329) sezione 1:4 section\nWDUS1801\nWDUS1802\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.82.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n162\n163\nUnder the bridge Shout - (p. 330) sezione 1:4 section\nTTUB1301\nTTUB1302\nUndressed avenue Talva Design - (p. 330) sezione 1:4 section\nBBUA0901\nBBUA0902\nUnter den linden Wladimiro Bendandi - (p. 330) sezione 1:4 section\nWDUL1401  \nWDUL1402\nUpsidedown Eva Germani - (p. 330) sezione 1:4 section\nWDUP1401\nWDUP1402\nUrban canvas Bertero Projects - (p. 331) sezione 1:4 section\nWDUC1901\nWDUC1902\nValentina Gio Pagani - (p. 331) sezione 1:4 section\nGPW1312\nVers l'est Giovanni Pesce - (p. 331) sezione 1:4 section\nWDVE1901\nWDVE1902 \n \nVerso Paolo Badesco \u002F Costantino Affuso - (p. 331) sezione 1:4 section\nWDVE1501\nWDVE1502\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.83.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n164\n165\nVertical green Lorenzo De Grandis - (p. 332) sezione 1:4 section\nWDVG1501\nWDVG1502\nWDVG1503\nVia col vento Christian Benini - (p. 332) sezione 1:4 section\nWDVC1601  \nWDVC1602  \nVibrante Draga&Aurel - (p. 332) sezione 1:4 section\nWDVI1501\nWDVI1502\nWDVI1503\nVie lumiere Gupica - (p. 333) sezione 1:4 section\nWDVL1701\nWDVL1702\nViride Francesca Zoboli - (p. 333) sezione 1:4 section\nWDVI1801  \nWDVI1802\nVivaldi Talva Design - (p. 333) sezione 1:4 section\nWDVI1701  \nWDVI1702  \nVoyage Gio Pagani - (p. 333) sezione 1:4 section\nWDVO1601\nWDVO1602\nWall notes Lorenzo De Grandis - (p. 334) sezione 1:4 section\nWDWN1401\nWDWN1402\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.84.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n166\n167\nWalls Gio Pagani - (p. 334) sezione 1:4 section\nGPW1113\nGPW1114\nGPW1115\nWatch Lorenzo De Grandis - (p. 334) sezione 1:4 section\nWDWA1301\nWDWA1302\nWeimar Lorenzo De Grandis - (p. 335) sezione 1:4 section\nWDWE1601  \nWDWE1602  \nWet heart Christian Benini - (p. 335) sezione 1:4 section\nWDWE1201\nWDWE1202  \nWhile my guitar Gio Pagani - (p. 335) sezione 1:4 section\nWDWG1901 \n \nWDWG1902 \n \nWhispers Christian Benini - (p. 336) sezione 1:4 section\nWDWH0901\nWDWH0902\nWhite angel Christian Benini - (p. 336) sezione 1:4 section\nWDWA1101\nWDWA1102\nWhite fly Gio Pagani - (p. 336) sezione 1:4 section\nWDWF1501\nWDWF1502\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.85.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n168\n169\nWho is who Federico Pepe - (p. 336) sezione 1:4 section\nWDWW1801\nWDWW1802\nWhy not Gio Pagani - (p. 336) sezione 1:4 section\nWDWN1501\nWDWN1502\nWild giraffe Talva Design - (p. 337) sezione 1:4 section\nBBWG0901\nBBWG0902\nWinter camou Talva Design - (p. 337) sezione 1:4 section\nBBWC1101\nBBWC1102\nWith a little help from my friend Gio Pagani - (p. 337) sezione 1:4 section\nWDWL1901 \n \nWDWL1902\nWonder Eva Germani - (p. 337) sezione 1:4 section\nWDWO1901\nWDWO1902\nWoodland The Elusive Otter - (p. 338) sezione 1:4 section\nWDWO1501\nWDWO1502\nWool Giovanni Pesce - (p. 338) sezione 1:4 section\nWDWO1601\nWDWO1602\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.86.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n170\n171\nWordless Christian Benini - (p. 338) sezione 1:4 section\nWDWL1501\nWDWL1502\nWow Lorenzo De Grandis - (p. 338) sezione 1:4 section\nWDWO1301\nWDWO1302\nWrapped around you Gio Pagani - (p. 339) sezione 1:4 section\nWDWR1801  \nWDWR1802\nWunderkammer Lorenzo De Grandis - (p. 339) sezione 1:4 section\nWDWU1301\nWDWU1302  \nWDWU1303\nWDWU1304\nX-ploded Talva Design - (p. 340) sezione 1:4 section\nBBXP1401\nBBXP1402  \nX-Ray Paolo Badesco \u002F Costantino Affuso - (p. 339) sezione 1:4 section\nWDXR1801\nWDXR1802\nXtra strong Christian Benini - (p. 340) sezione 1:4 section\nWDXS1201  \nWDXS1202\nYankee doodle Shout - (p. 340) sezione 1:4 section\nTTYD1201\nTTYD1202\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.87.png","Larghezza Rollo Roll width (47 cm) — Lunghezza Rollo Roll length (custom)\nVarianti colore e sviluppo grafica Color variations and graphic composition\n172\n173\nYardbirds Gio Pagani - (p. 340) sezione 1:4 section\nWDYA1601\nWDYA1602\nWDYA1603\nYeah! Lorenzo De Grandis - (p. 341) sezione 1:4 section\nWDYE1401\nWDYE1402\nWDYE1403\nYellow mellow Shout - (p. 341) sezione 1:4 section\nWDYM1501\nWDYM1502\nYurta Christian Benini - (p. 341) sezione 1:4 section\nWDYU0901\nWDYU0902\nZenitale Antonella Guidi - (p. 342) sezione 1:4 section\nWDZE1901 \n  \nWDZE1902\nZinco Paolo Badesco - (p. 342) sezione 1:4 section\nWDZI1201\nWDZI1202\nZoonimo Silvia Stella Osella - (p. 342) sezione 1:4 section\nWDZO1701\nWDZO1702  \nWDZO1703\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.88.png","Tecnologia ColorMatch™\nColorMatch™ Technology\nColorMatch™ è l’innovativa tecnologia adottata da Wall&decò \nper migliorare la resa cromatica e la qualità di stampa dei \npropri parati e renderli non solo conformi agli standard tecnici \ndi calibrazione del colore ma incredibilmente fedeli a quanto \npercepito visivamente dal cliente.\nLa tecnologia ColorMatch™ permette una gestione ottimale del \ncolore per riprodurre immagini grafiche con una resa qualitativa \neccezionale che si traduce in maggiore luminosità, pienezza, \nbrillanza del contrasto cromatico, volume, tridimensionalità e in \nun aumento del dettaglio e della definizione del colore.\nOltre alla ricerca dell’alta fedeltà cromatica, ColorMatch™ è in \ngrado di assicurare una gestione industriale del colore, ossia \npermettere un’elevata ripetizione del processo di controllo \ncromatico con una resa qualitativa superiore ai profili applicati \ndagli standard di settore.\nCon la tecnologia ColorMatch™, nonostante la goffratura della \ncarta da parati e delle due diverse tecnologie di stampa utilizzate \nper realizzare i parati e il catalogo, la percezione dell’assetto \ncromatico è comunque parallela, ossia verosimile rispetto a \nquella dell’occhio umano indipendentemente dai diversi supporti \ndi stampa, così da rendere i colori della grafica stampata a \ncatalogo estremamente simili a quelli della carta da parati.\nColorMatch™, l’unione tra percezione e tecnica nella gestione \ndella qualità di stampa per parati di eccezionale fedeltà \ncromatica.\nColorMatch™ is the new technology adopted by Wall&decò to \nimprove color rendering and print quality of their wall coverings \nmaking them not only complaint to the technical standards for color \ncalibration but incredibly corresponding to what visually perceived by \nthe customer.\nColorMatch™ technology allows optimal color management to \nreproduce graphic images with an exceptional quality yield resulting \nin increased brightness, fullness, brilliance of color contrast, volume, \nthree-dimensionality and in higher in color detail and definition.\nBesides the search for high color fidelity, ColorMatch™ is able to \nensure the industrial management of colors, and thus allows the high \nrepeatability of the color control process with a superior quality yield \ncompared to the profiles used in the industry sector.\nWith ColorMatch™ technology, despite the embossing of wallpaper \nand of the two different printing technologies used to produce wall \ncoverings and the catalogue, the perception of the color composition \nis in any case parallel, i.e. likely compared to that of the human eye \nregardless of the different printing materials, so as to make the colors \nof the graphics printed in the catalog extremely similar to those of \nthe wall coverings. \nColorMatch ™, the union between perception and technique in \nthe management of print quality for wall coverings of exceptional \nchromatic fidelity.\nCampioni ColorMatch\nColorMatch Samples\nSezione 1:4\n1:4 Section\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.89.png","176\n177\nArchivio generale General archive\nSezione 1:4 Section\nGeneral archive\n1:4 section\nWDM21801\nWDM21802\nWD771801\nWD771802\nWD771803\n \nWD241401\nWD241402\nWDFP1901\nWDFP1902\nWDAM1901\nWDAM1902\nWDSH1901\nWDSH1902\nWDAT1801\nWDAT1802\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.90.png","178\n179\nArchivio generale General archive\nSezione 1:4 Section\nWDAV1801\nWDAV1802\nWDSW1501\nWDSW1502\nWDAB1301\nWDAB1302\nWDAB1303\nWDAB1304\nTTAC1201\nTTAC1202\nWDAD1601\nWDAD1602\nWDAE1701\nWDAE1702\n \nWDAG1901\nWDAG1902\n \n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.91.png","180\n181\nArchivio generale General archive\nSezione 1:4 Section\nWDAG1401\nWDAG1402\nWDAI0801\nWDAI0802\nWDAI0803\nWDAK1801\nWDAK1802\nWDAS1801\nWDAS1802\nTTAL1401\nTTAL1402\nWDAN1901\nWDAN1902\nWDAL1501\nWDAL1502\nWDAS1101\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.92.png","182\n183\nArchivio generale General archive\nSezione 1:4 Section\nWDAS1102\nWDAE1801\nWDAE1802\nBBAM0901\nBBAM0902\nWDAM1801\nWDAM1802\nWDAN1701\nWDAN1702\nGPW1201\nGPW1202\nWDAN1401\nWDAN1402\nWDAC1601\nWDAC1602\nWDAN1601\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.93.png","184\n185\nArchivio generale General archive\nSezione 1:4 Section\nWDAN1602\nWDAP1601\nWDAP1602\nBBAE1101\nBBAE1102\nWDAR1501\nWDAR1502\nWDAR1801\nWDAR1802\nWDAR1401\nWDAR1402\nWDAR1901\nWDAR1902\nWDAG1501\nWDAG1502\nWDAG1503\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.94.png","186\n187\nArchivio generale General archive\nSezione 1:4 Section\nWDAA1701\nWDAT1701\nWDAT1702\nWDAT1703\nWDAM1101\nWDAM1102\nWDAU1801\nWDAU1802\nWDAV1401\nWDAZ1101\nWDAZ1102\nBBBT1201\nBBBT1202\nWDBW1401\nWDBW1402\nWDBA1801\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.95.png","188\n189\nArchivio generale General archive\nSezione 1:4 Section\nWDBA1802\nGPW1005 col. 1\nGPW1005 col. 2\nGPW1204\nGPW1205\nTTBA1401\nTTBA1402\nWDBK0901\nWDBK0902\nWDBA1501\nWDBA1502\nWDBA1701\nWDBA1702\nWDOO0901\nWDOO0902\nWDBB1501\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.96.png","190\n191\nArchivio generale General archive\nSezione 1:4 Section\nWDBB1502\nGPW1206\nGPW1207\nWDBE1501\nWDBE1502\nWDBE1503\nWDBE1601\nWDBE1602\nWDBE1603\nWDBE1401\nWDBE1402\nWDBE1801\nWDBE1802\nWDBE1803\nWDBE1901\nWDBE1902\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.97.png","192\n193\nArchivio generale General archive\nSezione 1:4 Section\nWDBI1501\nWDBI1502\nWDBN1501\nWDBN1502\nWDBI1701\nWDBI1701\nWDBI1702\nGPW1121\nGPW1122\nGPW1419\nWDBB1601\nBBBF1101\nBBBF1102\nWDBM1301\nWDBM1302\nWDBS1401\nWDBS1402\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.98.png","194\n195\nArchivio generale General archive\nSezione 1:4 Section\nGPW1307\nGPW1308\nWDBE1301\nWDBE1302\nWDBL1201\nWDBL1202\nWDBL1501\nWDBL1502\nWDBH1701\nWDBH1702\nWDBH1703\nWDBO1401\nWDBO1402\nWDBO1701\nWDBO1702\nGPW1511\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.99.png","196\n197\nArchivio generale General archive\nSezione 1:4 Section\nGPW1510\nGPW1105\nGPW1106\nWDBL1901\nWDBL1902\nWDBO1201\nWDBO1202\nWDBR1601\nWDBR1602\nWDBR1701\nWDBR1702\nWDBD1501\nWDBD1502\nWDBD1503\nWDBC1601\nWDBC1602\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.100.png","198\n199\nArchivio generale General archive\nSezione 1:4 Section\nWDBO1501\nWDBO1502\nWDBO1503\nWDBZ1501\nWDBZ1502\nWDBR1401\nWDBR1402\nWDBU1201\nWDBU1202\nWDBR1501\nWDBR1502\nWDBC1901\nWDBC1902\nWDBU1601\nWDBU1602\nGPW1433\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.101.png","200\n201\nArchivio generale General archive\nSezione 1:4 Section\nGPW1434\nWDCP1301\nWDCP1302\nWDCC1601\nWDCC1602\nWDCJ1401\nWDCJ1402\nBBCA1201\nBBCA1202\nWDCN1401\nWDCN1402\nWDCN1601\nWDCN1602\nWDCC1901\nWDCC1902\nWDCA1401\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.102.png","202\n203\nArchivio generale General archive\nSezione 1:4 Section\nWDCA1402\nWDCA1601\nWDCA1602\nWDCM1801\nWDCM1802\nGPW1435\nGPW1436\nWDCO1601\nWDCO1602\nWDAB1201\nWDAB1202\nWDCA1201\nWDCA1202\nWDCA1501\nWDCA1502\nWDCM1501\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.103.png","204\n205\nArchivio generale General archive\nSezione 1:4 Section\nWDCM1502\nWDCV1701\nWDCV1702\nTTCP1301\nTTCP1302\nWD191201\nWD191202\nWD191203\nWDCK1601\nWDCK1602\nWDCH1601\nWDCH1602\nWDCH1501\nWDCH1502\nBBCH1401\nBBCH1402\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.104.png","206\n207\nArchivio generale General archive\nSezione 1:4 Section\nWDCH1701\nWDCH1702\nWDCB1701\nGPW1208\nWDCO1701\nWDCO1702\nWDCH1801\nWDCH1802\nWDCH1401\nWDCH1402\nWDGO1201\nWDGO1202\nWDCI1501\nWDCI1502\nWDCR1501\nWDCR1502\n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.105.png","208\n209\nArchivio generale General archive\nSezione 1:4 Section\nWDCI1701\nWDCI1702\nWDCL1201\nWDCL1202\nWDCB1601\nWDCB1602\nGPW1301\nGPW1302\nGPW1303\nGPW1304\nWDCO1101\nWDCO1102\nWDCG1601\nWDCG1602\nWDCF1801\nWDCM1401\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.106.png","210\n211\nArchivio generale General archive\nSezione 1:4 Section\nWDCM1402\nWDCO1301\nWDCO1302\nWDCO1303\nWDCC1501\nWDCC1502\nWDDO1201\nWDDO1202\nWDCO1401\nWDCO1402\nWDCL1601\nWDCL1602\nWDCS1701\nWDCS1702\nWDCO1501\nWDCO1502\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.107.png","212\n213\nArchivio generale General archive\nSezione 1:4 Section\nWDCR1301\nWDCR1302\nWDCR1303\nGPW1416\nGPW1417\nGPW1418\nWDCR1401\nWDCR1402\nGPW1305\nGPW1306\nWDCU1701\nWDCU1702\nWDCP1401\nWDCP1402\nGPW1437\nGPW1438\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.108.png","214\n215\nArchivio generale General archive\nSezione 1:4 Section\nWDDQ1501\nWDDQ1502\nWDDB1901\nWDDB1902\nWDDM1601\nWDDM1602\nWDDW1501\nWDDA1601\nWDDA1602\nWDDA1603\nWDDP1301\nWDDP1302\nWDDP1801\nWDDP1802\nBBDE1101\nBBDE1102\n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.109.png","216\n217\nArchivio generale General archive\nSezione 1:4 Section\nWDDE1701\nWDDS1702\nWDDE1901\nWDDE1902\nWDDE1601\nWDDE1602\nWDDL1901\nWDDL1902\nWDDE1501\nWDDE1502\nWDDE1201\nWDDE1202\nBBDR1301\nBBDR1302\nWDDI1801\nWDDI1802\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.110.png","218\n219\nArchivio generale General archive\nSezione 1:4 Section\nWDDI1401\nWDDI1402\nWDDO1301\nWDDO1302\nWDDO1801\nWDDO1802\nWDDN1801\nWDDN1802\nWDDR1201\nWDDR1202\nWDDC1401\nWDDC1402\nBBDT0901\nBBDT0902\nGPW1405\nGPW1406\n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.111.png","220\n221\nArchivio generale General archive\nSezione 1:4 Section\nWDDT1301\nWDDT1302\nWDDT1303\nWDDT1304\nWDDR1301\nWDDR1302\nGPW1332\nGPW1333\nGPW1334\nWDDJ1901\nWDDJ1902\nWDDU1401\nWDDU1402\nWDEA1401\nWDEA1402\nWDEB1701\n",111,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.112.png","222\n223\nArchivio generale General archive\nSezione 1:4 Section\nWDEN1401\nWDEN1402\nWDEC1701\nWDEC1704\nGPW1316\nGPW1317\nGPW1318\nWDEI1901\nWDEI1902\nWDEC1301\nWDEC1302\nWDEC1303\nWDEL1801\nWDEL1802\nWDEM1601\nWDEM1602\n",112,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.113.png","224\n225\nArchivio generale General archive\nSezione 1:4 Section\nTTEM1201\nTTEM1202\nGPW1002 col. 1\nGPW1002 col. 2\nWDEN1801\nWDEN1802\nWDEN1501\nWDEN1502\nWDEN1503\nBBEN1201\nBBEN1202\nWDEN1901\nWDEN1902\nWDEP1501\nWDEP1502\nWDEP1503\n",113,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.114.png","226\n227\nArchivio generale General archive\nSezione 1:4 Section\nGPW1328\nGPW1329\nGPW1330\nGPW1331\nTTES1301\nTTES1302\nGPW1413\nGPW1414\nWDEU1801\nWDEU1802\nWDEX1501\nWDEX1502\nWDEX1503\nWDEX1504\nWDEX1601\nWDEX1602\n \n",114,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.115.png","228\n229\nArchivio generale General archive\nSezione 1:4 Section\nWDED1801\nWDED1802\nWDET1901\nWDET1902\nWDFO1801\nWDFO1802\nWDFO1803\nTTFA1401\nTTFA1402\nWDFA1801\nWDFA1802\nWDFP1801\nWDFP1802\nWDFA1701 \nWDFA1702\nWDFF1701\n",115,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.116.png","230\n231\nArchivio generale General archive\nSezione 1:4 Section\nWDFF1702\nWDFF1501\nWDFF1502\nWDFI1501\nWDFI1502\nWDFB1501\nWDFB1502\nWDFM1501\nWDFM1502\nWDFM1701\nWDFM1702\nWDFW1401\nWDFW1402\nTTFI1301\nTTFI1302\nWDFF1601\n",116,{"image":478,"text":479,"number":480},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.117.png","232\n233\nArchivio generale General archive\nSezione 1:4 Section\nWDFF1602\nGPW1104\nWDFL1201\nWDFL1202\nBBFD0901\nBBFD0902\nWDFL1601\nWDFL1602\nWDFI1401\nWDFI1402\nWDFA1601\nWDFA1602\nWDFO1601\nWDFO1602\nWDFL1401\nWDFL1402\n",117,{"image":482,"text":483,"number":484},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.118.png","234\n235\nArchivio generale General archive\nSezione 1:4 Section\nWDFL1701\nWDFL1702\nWDFL1703\nWDFL1801\nWDFL1802\nWDFR1601\nWDFR1602\nWDFL1901\nWDFL1902\nBBFW0901\nBBFW0902\nWDFP1101\nWDFP1102\nWDFA1501\nWDFA1502\n",118,{"image":486,"text":487,"number":488},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.119.png","236\n237\nArchivio generale General archive\nSezione 1:4 Section\nWDFR1501\nWDFR1502\nWDFN1701\nWDFN1702\nWDFS1801\nWDFS1802\nWDFF1101\nWDFA1101\nWDFA1102\nBBFP0901\nBBFP0902\nWDFU1501\nWDFU1502\nWDGA1701\nWDGA1702\nWDGF1301\n",119,{"image":490,"text":491,"number":492},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.120.png","238\n239\nArchivio generale General archive\nSezione 1:4 Section\nWDGF1302\nWDGA1201\nWDGA1202\nWDGE0901\nWDGE0902\nWDGA1901\nWDGA1902\nGPW1320\nGPW1321\nWDGH1601\nWDGH1602\nGPW1324\nGPW1325\nWDGI1601\nWDGI1602\nWDGL1801\n",120,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.121.png","240\n241\nArchivio generale General archive\nSezione 1:4 Section\nWDGL1802\nWDGL1501\nWDGL1502\nWDGL0901\nWDGL0902\nTTGO1301\nTTGO1302\nWDGA1601\nWDGA1602\nWDGH1701\nWDGH1702\nWDGW1401\nWDGW1402\nWDGW1403\nWDGO1901\nWDGO1902\n",121,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.122.png","242\n243\nArchivio generale General archive\nSezione 1:4 Section\nWDGL1701\nWDGL1702\nWDGO1401\nWDGO1402\nWDGR1501\nWDGR1502\nWDGR1901\nWDGR1902\nBBGR1401\nBBGR1402\nBBGR1403\nBBGR1201\nBBGR1202\nWDGR0901\nWDGR0902\nWDGE1601\n",122,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.123.png","244\n245\nArchivio generale General archive\nSezione 1:4 Section\nWDGE1602\nBBGA1101\nBBGA1102\nWDGR1701\nWDGR1702\nWDGG1101\nWDGG1102\nWDGY0901\nWDGY0902\nWDHA1801\nWDHA1802\nWDHA1803\nBBHA1201\nBBHA1202\nWDAE0901\nWDAE0902\n",123,{"image":506,"text":507,"number":508},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.124.png","246\n247\nArchivio generale General archive\nSezione 1:4 Section\nWDHA1501\nWDHA1502\nWDHL1701\nWDHL1702\nWDHE1101\nWDHE1102\nWDHE1701\nTTHT1301\nTTHT1302\nWDHC1701\nWDHC1702\nWDHM0901\nWDHM0902\nWDHI1801\nWDHI1802\nWDHS1201\n",124,{"image":510,"text":511,"number":512},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.125.png","248\n249\nArchivio generale General archive\nSezione 1:4 Section\nWDHS1202\nTTHO1201\nTTHO1202\nWDHD1701\nWDHD1702\nWDHY1901\nWDHY1902\nWDHI1701\nWDHI1702\nWDIK1501\nWDIK1502\nWDIM1701\nWDIM1702\nWDIM1901\nWDIM1902\nWDIP1401\n",125,{"image":514,"text":515,"number":516},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.126.png","250\n251\nArchivio generale General archive\nSezione 1:4 Section\nWDIP1402\nWDIM1401\nWDIM1402\nWDIS1801\nWDIS1802\nTTIN1201\nTTIN1202\nWDIV1501\nWDIV1502\nWDIN1701\nWDIN1702\nWDIF1901\nWDIF1902\nWDIN1301\nWDIN1302\nWDIP1901\n",126,{"image":518,"text":519,"number":520},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.127.png","252\n253\nArchivio generale General archive\nSezione 1:4 Section\nWDIP1902\nWDIN1901\nWDIN1902\nWDIR1701\nWDIR1702\nWDJA1501\nWDJA1502\nWDJA1601\nWDJA1602\nWDJC1901\nWDJC1902\nGPW1001 col. 1\nGPW1001 col. 2\nGPW1001 col. 3\nWDJU1401\nWDJU1402\n",127,{"image":522,"text":523,"number":524},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.128.png","254\n255\nArchivio generale General archive\nSezione 1:4 Section\nWDJV1401\nWDJV1402\nWDKA1701\nWDKA1702\nWDKA0901\nWDKA0902\nWDKC1901\nBBKY1301\nBBKY1302\nWDKB1401\nWDKB1402\nWDKE1901\nWDKE1902\nWDKI1601\nWDKI1602\nWDKM1301\n",128,{"image":526,"text":527,"number":528},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.129.png","256\n257\nArchivio generale General archive\nSezione 1:4 Section\nWDKM1302\nWDKK1201\nWDKK1202\nWDKO1301\nWDKO1302\nWDKO1303\nWDKO1801\nWDKO1802\nWDKY1701\nWDKY1702\nWDCF1901\nWDCF1902\nWDLF1801\nWDLF1802\nWDLF1803\nWDLG1701\n",129,{"image":530,"text":531,"number":532},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.130.png","258\n259\nArchivio generale General archive\nSezione 1:4 Section\nWDLG1702\nWDLI1701\nWDLI1702\nWDLM1601\nWDLM1602\nWDVR1801\nWDVR1802\nWDVM1601\nWDVM1602\nBBLB1301\nBBLB1302\nTTLA1201\nTTLA1202\nWDBS1801\nWDBS1802\nWDLG1301\n",130,{"image":534,"text":535,"number":536},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.131.png","260\n261\nArchivio generale General archive\nSezione 1:4 Section\nWDLG1302\nWDLB1501\nWDLB1502\nWDLE1901\nWDLE1902\nWDLE1801\nWDLE1802\nWDLE1803\nWDLB1701\nWDLB1702\nWDLS1401\nWDLS1402\nWDLT1801\nWDLT1802\nWDLV1901\nWDLV1902\n",131,{"image":538,"text":539,"number":540},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.132.png","262\n263\nArchivio generale General archive\nSezione 1:4 Section\nWDLI1801\nWDLI1802\nWDLI1601\nWDLI1602\nGPW1407\nGPW1408\nGPW1409\nWDLC1501\nWDLC1502\nWDLF1901\nWDLF1902\nWDLI1901\nWDLI1902\nWDLS1501\nWDLS1502\nBBLA1201\n",132,{"image":542,"text":543,"number":544},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.133.png","264\n265\nArchivio generale General archive\nSezione 1:4 Section\nBBLA1202\nBBLM1401\nBBLM1402\nWDLI1501\nWDLI1502\nWDLQ1801\nWDLQ1802\nWDLA1801\nWDLA1802\nWDLP1901\nWDLP1902\nWDLW1201\nWDLW1202\nWDLO1601\nWDLO1602\nWDLM1101\n",133,{"image":546,"text":547,"number":548},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.134.png","266\n267\nArchivio generale General archive\nSezione 1:4 Section\nWDLM1102\nGPW1006 col. 1\nGPW1006 col. 2\nGPW1006 col. 3\nGPW1006 col. 4\nWDLP1701\nWDLP1702\nWDLU1301\nWDLU1302\nWDLU1801\nWDLU1802\nWDLU1803\nWDLU1701\nWDLU1702\nWDLU1601\nWDLU1602\n",134,{"image":550,"text":551,"number":552},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.135.png","268\n269\nArchivio generale General archive\nSezione 1:4 Section\nWDLU1603\nWDLV1601\nWDLV1602\nWDLV1603\nWDLZ1801\nWDLZ1802\nWDMV1401\nWDMV1402\nBBMA1301\nBBMA1302\nWDMA1801\nWDMA1802\nWDMM1701\nWDMM1702\nWDMM1703\nWDMM1301\n",135,{"image":554,"text":555,"number":556},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.136.png","270\n271\nArchivio generale General archive\nSezione 1:4 Section\nWDMM1302\nWDMM1303\nWDMA1401\nWDMA1402\nWDMH1801\nWDMH1802\nWDMA1501\nWDMA1502\nWDMM1501\nWDMM1502\nWDMT1601\nWDMT1602\nWDMX1801\nWDMX1802\nWDMC1801\nWDMC1802\n",136,{"image":558,"text":559,"number":560},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.137.png","272\n273\nArchivio generale General archive\nSezione 1:4 Section\nGPW1439\nWDMA1701\nWDMA1702\nGPW1003 col. 1\nGPW1003 col. 2\nWDME1601\nGPW1209\nGPW1210\nWDME1801\nWDME1802\nWDME1803\nWDME1901\nWDME1902\nWDME1701\nWDME1702\nWDMD1901\n",137,{"image":562,"text":563,"number":564},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.138.png","274\n275\nArchivio generale General archive\nSezione 1:4 Section\nWDMD1902\nWDMN1501\nWDMN1502\nWDMN1503\nWDMI1401\nWDMI1402\nWDMW1701\nWDMW1702\nWDML1901\nWDML1902\nWDMR1901\nWDMR1902\nWDMP1201\nWDMP1202\nBBMT1301\nBBMT1302\n",138,{"image":566,"text":567,"number":568},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.139.png","276\n277\nArchivio generale General archive\nSezione 1:4 Section\nWDMI1901\nWDMI1902\nWDMO1601\nWDMO0901\nWDMO0902\nWDMB1901\nWDMB1902\nWDMO1401\nWDMO1402\nWDMD1301\nWDMD1302\nWDMB1701\nWDMB1702\nTTMG1301\nTTMG1302\nWDMO1901\n",139,{"image":570,"text":571,"number":572},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.140.png","278\n279\nArchivio generale General archive\nSezione 1:4 Section\nWDMO1902\nWDMF1601\nWDMF1602\nWDMM1401\nWDMM1402\nWDMA1901\nWDMA1902\nGPW1326\nGPW1327\nWDMU1301\nWDMU1302\nWDMW1801\nWDMW1802\nWDNA1501\nWDNA1502\nWDNA1503\n",140,{"image":574,"text":575,"number":576},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.141.png","280\n281\nArchivio generale General archive\nSezione 1:4 Section\nWDNB1701\nWDNB1702\nWDNP0901\nWDNP0902\nGPW1211\nGPW1214\nWDNP1101\nWDNP1102\nGPW1335\nGPW1336\nWDNG1701\nWDNG1702\nWDNG1703\nWDNG1901\nWDNG1902\nWDNO1201\n",141,{"image":578,"text":579,"number":580},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.142.png","282\n283\nArchivio generale General archive\nSezione 1:4 Section\nWDNO1202\nWDNO1301\nWDNO1302\nWDNO1801\nWDNO1802\nWDNT0901\nWDNT0902\nWDNB1601\nWDNB1602\nWDNO1601\nWDNO1602\nWDNV1801\nWDNV1802\nBBNO1401\nBBNO1402\nWDOA1701\n",142,{"image":582,"text":583,"number":584},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.143.png","284\n285\nArchivio generale General archive\nSezione 1:4 Section\nWDOA1702\nWDOA1703\nWDOS0901\nWDOS0902\nBBOP1301\nBBOP1302\nWDON1501\nWDON1502\nWDOP0901\nWDOP0902\nWDOM1301\nWDOM1302\nWDOR1601\nWDOR1602\nWDOR0901\nWDOR0902\n",143,{"image":586,"text":587,"number":588},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.144.png","286\n287\nArchivio generale General archive\nSezione 1:4 Section\nWDOR1801\nWDOR1802\nWDOU1701\nWDOU1702\nWDOU1703\nWDOV1901\nWDOV1902\nWDPB1901\nWDPB1902\nWDPT1601\nWDPT1602\nWDPT1603\nWDPA1801\nWDPA1802\nWDPB1701\nWDPB1702\n",144,{"image":590,"text":591,"number":592},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.145.png","288\n289\nArchivio generale General archive\nSezione 1:4 Section\nWDPB1701\nWDPA1301\nWDPA1302\nWDPA1303\nWDPA1304\nWDPA1601\nWDPA1602\nWDPA1501\nWDPA1502\nWDPE1601\nWDPE1602\nWDPR1601\nWDPR1602\nWDPJ1901\nWDPJ1902\nWDPS1501\n",145,{"image":594,"text":595,"number":596},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.146.png","290\n291\nArchivio generale General archive\nSezione 1:4 Section\nWDPS1502\nWDPS1503\nWDPA1101\nWDPA1102\nWDPA1701\nWDPA1702\nWDPK1601\nWDPK1602\nWDPB1601\nWDPB1602\nWDPH1701\nWDPH1702\nWDPI1501\nWDPI1502\nWDPI1503\nWDPM1301\n",146,{"image":598,"text":599,"number":600},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.147.png","292\n293\nArchivio generale General archive\nSezione 1:4 Section\nWDPM1302\nWDPI1701\nWDPI1702\nBBPC1301\nBBPC1302\nWDPW1601\nWDPW1602\nTTPX1301\nTTPX1302\nWDPL1501\nWDPL1502\nWDPL1503\nWDPN1701\nWDPN1702\nWDPP1901\nWDPP1902\n",147,{"image":602,"text":603,"number":604},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.148.png","294\n295\nArchivio generale General archive\nSezione 1:4 Section\nWDPO1501\nWDPO1502\nWDPC1801\nWDPC1802\nGPW1109\nGPW1110\nGPW1111\nWDPO1701\nWDPO1702\nWDPC1601\nWDPC1602\nGPW1216\nGPW1217\nGPW1218\nGPW1225\nWDPR1501\n",148,{"image":606,"text":607,"number":608},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.149.png","296\n297\nArchivio generale General archive\nSezione 1:4 Section\nWDPR1502\nWDPR1401\nWDPR1402\nWDPO1601\nWDPO1602\nWDPU1801\nWDPU1802\nWDQU1701\nWDQU1702\nTTQP1401\nTTQP1402\nWDRF1601\nWDRF1602\nWDRB1601\nWDRB1602\nWDRA1601\n",149,{"image":610,"text":611,"number":612},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.150.png","298\n299\nArchivio generale General archive\nSezione 1:4 Section\nWDRA1602\nWDRA1603\nWDRA1901\nWDRA1902\nWDRP1701\nWDRP1702\nWDRA1101\nWDRA1102\nWDRA1501\nWDRA1502\nWDRF1901\nWDRF1902\nWDRI0901\nWDRI0902\nWDRE1601\nWDRE1602\n",150,{"image":614,"text":615,"number":616},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.151.png","300\n301\nArchivio generale General archive\nSezione 1:4 Section\nBBRE1101\nBBRE1102\nWDRC1401\nWDRC1402\nWDRE1501\nWDRE1502\nWDRE0901\nWDRE0902\nWDRN1501\nWDRN1502\nWDRE1201\nWDRE1202\nWDRE1401\nWDRE1402\nWDRE1403\nWDRE1801\n",151,{"image":618,"text":619,"number":620},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.152.png","302\n303\nArchivio generale General archive\nSezione 1:4 Section\nWDRE1802\nWDRH1701\nWDRH1702\nWDRH1703\nWDRI1901\nWDRI1902\nWDRL1101\nWDRL1102\nGPW1219\nGPW1220\nGPW1221\nTTRO1301\nTTRO1302\nGPW1411\nGPW1412\nWDRR1301\n",152,{"image":622,"text":623,"number":624},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.153.png","304\n305\nArchivio generale General archive\nSezione 1:4 Section\nWDRR1302\nWDRO1701\nWDRO1702\nWDRW1301\nWDRW1302\nGPW1313\nGPW1314\nGPW1315\nWDRU1201\nWDRU1202\nWDSA1901\nWDSA1902\nWDSK1901\nWDSK1902\nWDSA1501\nWDSA1502\n",153,{"image":626,"text":627,"number":628},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.154.png","306\n307\nArchivio generale General archive\nSezione 1:4 Section\nWDSA1503\nWDSA1701\nWDSA1702\nWDSH1301\nWDSH1302\nWDSC1401\nWDSC1402\nWDSB1601\nWDSB1602\nWDSC1301\nWDSC1302\nWDSE1401\nWDSE1402\nWDSL1901\nWDSE1901\nWDSY1101\n",154,{"image":630,"text":631,"number":632},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.155.png","308\n309\nArchivio generale General archive\nSezione 1:4 Section\nWDSY1102\nWDSE1201\nWDSE1501\nWDSE1502\nWDSU1401\nWDSU1402\nGPW1116\nGPW1117\nWDSH1801\nWDSH1802\nWDSH1201\nWDSH1202\nWDSI1101\nWDSI1102\nWDSB1401\nWDSB1402\n",155,{"image":634,"text":635,"number":636},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.156.png","310\n311\nArchivio generale General archive\nSezione 1:4 Section\nWDSB1403\nWDSG1501\nWDSG1502\nWDSI1601\nWDSI1602\nWDSI1401\nWDSI1402\nWDSK1801\nWDSK1802\nGPW1119 col. 1\nGPW1119 col. 2\nWDSL1401\nWDSL1402\nWDSM1801\nWDSM1802\nWDSL1101\n",156,{"image":638,"text":639,"number":640},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.157.png","312\n313\nArchivio generale General archive\nSezione 1:4 Section\nWDSL1102\nWDSO1601\nWDSO1602\nWDSO1501\nWDSO1502\nWDSW1901\nWDSW1902\nWDSO1901\nWDSO1902\nGPW1420\nWDSB1501\nWDSB1502\nWDSO1401\nWDSO1402\nGPW1310\nGPW1311\n",157,{"image":642,"text":643,"number":644},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.158.png","314\n315\nArchivio generale General archive\nSezione 1:4 Section\nGPW1322\nGPW1323\nWDSC1501\nWDSC1502\nWDSE1701\nWDSE1702\nWDSP1801\nWDSP1802\nWDSP1901\nWDSP1902\nWDSP1701\nWDSP1702\nWDSD1501\nWDSD1502\nWDSP1501\nWDSP1502\n",158,{"image":646,"text":647,"number":648},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.159.png","316\n317\nArchivio generale General archive\nSezione 1:4 Section\nWDST1501\nWDST1502\nWDAO1301\nWDAO1302\nWDSH1601\nWDSH1602\nGPW1403\nGPW1404\nWDST1801\nWDST1802\nGPW1222\nGPW1223\nTTST1301\nTTST1302\nWDST1101\nWDST1102\n",159,{"image":650,"text":651,"number":652},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.160.png","318\n319\nArchivio generale General archive\nSezione 1:4 Section\nWDST1103\nWDST1301\nWDST1302\nWDSB1801\nWDSB1802\nWDSW1301\nWDSW1302\nWDSU1701\nTTSH1401\nTTSH1402\nWDSU1901\nWDSU1902\nWDSV1101\nWDSV1102\nWDSY1901\nWDSY1902\n",160,{"image":654,"text":655,"number":656},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.161.png","320\n321\nArchivio generale General archive\nSezione 1:4 Section\nWDTA1601\nWDTA1602\nWDTA1701\nWDTA1702\nWDTA1501\nWDTA1502\nWDTV1701\nWDTV1702\nWDTA1801\nWDTA1802\nGPW1514\nGPW1512\nGPW1224\nWDTE1501\nWDTE1502\nWDDS1701\n",161,{"image":658,"text":659,"number":660},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.162.png","322\n323\nArchivio generale General archive\nSezione 1:4 Section\nWDDS1702\nWDDW1801\nWDDW1802\nWDTG1901\nWDTG1902\nWDTG1601\nWDTG1602\nWDTJ1301\nWDTJ1302\nWDPL1901\nWDPL1902\nGPW1004 col. 1\nGPW1004 col. 2\nGPW1004 col. 3\nGPW1004 col. 4\nWDRW1901\n",162,{"image":662,"text":663,"number":664},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.163.png","324\n325\nArchivio generale General archive\nSezione 1:4 Section\nWDRW1902\nWDSB1901\nWDSB1902\nWDTW1901\nWDTW1902\nWDTH1901\nWDTH1902\nWDTI1601\nWDTI1602\nWDTI1603\nGPW1440\nGPW1107\nGPW1108\nWDTI1501\nWDTI1502\nWDTW1301\n",163,{"image":666,"text":667,"number":668},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.164.png","326\n327\nArchivio generale General archive\nSezione 1:4 Section\nWDTW1302\nTTTO1201\nTTTO1202\nWDTO1301\nWDTO1302\nWDTT1801\nWDTT1802\nWDTO1601\nWDTO1602\nWDTR1401\nWDTR1402\nGPW1118\nWDTS1601\nWDTS1602\nWDTR1701\nWDTR1601\n",164,{"image":670,"text":671,"number":672},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.165.png","328\n329\nArchivio generale General archive\nSezione 1:4 Section\nWDTR1602\nWDTC0901\nWDTC0902\nWDTL1201\nWDTL1202\nWDTY1601\nWDTU1801\nWDTU1802\nWDTC1801\nWDTC1802\nWDTY0901\nWDTY0902\nWDUU1401\nWDUU1402\nWDUU1403\nWDUS1801\n",165,{"image":674,"text":675,"number":676},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.166.png","330\n331\nArchivio generale General archive\nSezione 1:4 Section\nWDUS1802\nTTUB1301\nTTUB1302\nBBUA0901\nBBUA0902\nWDUL1401\nWDUL1402\nWDUP1401\nWDUP1402\nWDUC1901\nWDUC1902\nGPW1312\nWDVE1901\nWDVE1902\nWDVE1501\nWDVE1502\n",166,{"image":678,"text":679,"number":680},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.167.png","332\n333\nArchivio generale General archive\nSezione 1:4 Section\nWDVG1501\nWDVG1502\nWDVG1503\nWDVC1601\nWDVC1602\nWDVI1501\nWDVI1502\nWDVI1503\nWDVL1701\nWDVL1702\nWDVI1801\nWDVI1802\nWDVI1701\nWDVI1702\nWDVO1601\nWDVO1602\n",167,{"image":682,"text":683,"number":684},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.168.png","334\n335\nArchivio generale General archive\nSezione 1:4 Section\nWDWN1401\nWDWN1402\nGPW1112\nGPW1113\nGPW1114\nGPW1115\nWDWA1301\nWDWA1302\nWDWE1601\nWDWE1602\nWDWE1201\nWDWE1202\nWDWH0901\nWDWH0902\nWDWG1901\nWDWG1902\n",168,{"image":686,"text":687,"number":688},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.169.png","336\n337\nArchivio generale General archive\nSezione 1:4 Section\nWDWA1101\nWDWA1102\nWDWF1501\nWDWF1502\nWDWW1801\nWDWW1802\nWDWN1501\nWDWN1502\nBBWG0901\nBBWG0902\nBBWC1101\nBBWC1102\nWDWL1901\nWDWL1902\nWDWO1901\nWDWO1902\n",169,{"image":690,"text":691,"number":692},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.170.png","338\n339\nArchivio generale General archive\nSezione 1:4 Section\nWDWO1501\nWDWO1502\nWDWO1601\nWDWO1602\nWDWL1501\nWDWL1502\nWDWO1301\nWDWO1302\nWDWR1801\nWDWWR1802\nWDWU1301\nWDWU1302\nWDWU1303\nWDWU1304\nWDXR1801\nWDXR1802\n",170,{"image":694,"text":695,"number":696},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.171.png","340\n341\nArchivio generale General archive\nSezione 1:4 Section\nBBXP1401\nBBXP1402\nWDXS1201\nWDXS1202\nTTYD1201\nTTYD1202\nWDYA1601\nWDYA1602\nWDYA1603 \nWDYE1401\nWDYE1402\nWDYE1403\nWDYM1501\nWDYM1502\nWDYU0901\nWDYU0902\n",171,{"image":698,"text":699,"number":700},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.172.png","342\nSezione 1:4 Section\nWDZE1901\nWDZE1902\nWDZI1201\nWDZI1202\nWDZO1701\nWDZO1702\nWDZO1703\n",172,{"image":702,"text":703,"number":704},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.173.png","Caratteristiche tecniche del prodotto\nProduct technical characteristics\n1\n2\n3\nLa collezione pittorica e narrativa di Wall&decò. Il linguaggio dei grandi decori, in cui fotografie, disegni, \nimmagini, trompe l’oeil, illustrazioni e citazioni di ogni immaginario del mondo diventano pareti che \nraccontano storie, per interni davvero unici. \nThe pictorial and narrative collection by Wall&decò. The language of large decors, where photographs, drawings, \npictures, trompE l’oeils, illustrations and quotes from every imagination of the world become wall patterns that tell \nstories, for truly unique interiors.\nLe immagini sono personalizzabili in altezza e larghezza per adattarsi alla dimensione della parete.\nGli elementi di design possono essere ridimensionati e persino ricolorati per adattarsi agli schemi di \nprogettazione. \nImages are customizable in height and width to suit the wall space. \nDesign elements can be rescaled and even recolored to suit design schemes. \nIl rivestimento murale viene consegnato in rolli numerati e può essere facilmente posato da un posatore \nprofesisonista.\nWall covering arrives in numbered rolls and can be easily hung by a professional wallpaper hanger. \nLa natura goffrata del rivestimento murale ha l’ulteriore vantaggio di coprire le imperfezioni nel muro. Il \nrivestimento murale è lavabile con un panno umido e resistente ad urti e impatti. \nThe embossed nature of the wallcovering has the added advantage of covering imperfections in the wall. The \nwallcovering is washable and extremely durable.\n",173,{"image":706,"text":707,"number":708},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.174.png","Designers\n",174,{"image":710,"text":711,"number":712},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.175.png","Christian Benini\nFotografo, fondatore e art director di Wall&decò \nChristian Benini inizia la sua carriera come \nfotografo ritrattista e si specializza poi nella \nfotografia di moda e pubblicitaria. Le sue \ncollaborazioni lo portano ad avvicinarsi alle \nagenzie di pubblicità e case di moda in Italia, \nRegno Unito e Stati Uniti. Il suo interesse si \nindirizza in modo sempre più preciso verso la \nfotografia d’arredamento. Ha avuto così inizio \nun percorso di ricerca, tutt’ora in atto, che lo \nporta a creare Wall&decò, un progetto che unisce \nfotografia e design in costante evoluzione.\n \nPhotographer, founder and art director of Wall&decò \nChristian Benini began his career as a portrait \nphotographer and then went on to specialise in \nfashion and publicity photography. He has worked \nin close conjunction with advertising agencies and \nfashion houses in Italy, the United Kingdom and \nthe USA. His interest is increasingly more precisely \nfocused on the photography of interiors. Thus a \npath of research began which is still in progress and \nwhich resulted in his setting up Wall&decò, a project \nwhich combines photography and design in constant \nevolution.\n4P1B\n4P1B è uno studio di design che opera nel \nmondo della progettazione con la convinzione \nche ogni cosa sia progetto, per questo motivo \nla sua attività spazia dal mondo del mobile \nall’illuminazione, dall’allestimento al retail. \nAl centro del lavoro di 4P1B c’è il metodo \nprogettuale e la ricerca costante di soluzioni \nformali, funzionali e commerciali, innovative. D \nè uno studio di grafica e illustrazione con sede \na Berlino. Nasce dall’unione di due personalità \ncon l’obiettivo di incontrarsi, di contaminarsi, \ndi sperimentare, unendo antico e moderno, \nistintività manuale e precisione maniacale, \npassione e lavoro.\n4P1B is a collective design studio that works in the \nworld of design with the belief that everything is a \nproject, for this reason works range from the world \nof furniture to lighting, to installations and o retail. At \nthe heart of 4P1B’s work is the design method and the \nconstant search formal, functional, commercial and \ninnovative solutions. D is a design and illustration \nstudio based in Berlin. Born from the union of two \npersonalities with the goal to meet, to defile, to \nexperiment, combine ancient and modern, manual \ninstinct and maniacal precision, passion and work. \nAlessandro Gottardo\n(Shout)\nAlessandro Gottardo, conosciuto anche con lo \npseudonimo di Shout, vive e lavora a Milano. \nTra le sue collaborazioni più importanti, The \nNew York Times, The Wall Street Journal, TIME, \nPenguin Books, Volkswagen, Barclays, ENI, Nokia, \nUnited Airlines. Ha ricevuto diversi riconoscimenti \ninternazionali; tra il 2006 e il 2007 pubblica con \nla casa editrice 27_9 i volumi “Jetlag“ e “Jetlag \n2”, nel 2010 “Mono Shout”, una monografia \nsui primi 10 anni di attività e nel 2011 “DAZED”. \nAttraverso un’operazione di sottrazione, di sintesi \ndell’immagine, Shout rende le sue illustrazioni \npiccole opere concettuali in cui più che mostrare, \ncostruisce messaggi immediatamente percepibili.\nAlessandro Gottardo, also known by the name of \nShout, he lives and works in Milan. Highlights of \nhis career include cooperating with The New York \nTimes, The Wall Street Journal, TIME, Penguin Books, \nVolkswagen, Barclays, ENI, Nokia, United Airlines. \nHe has received numerous international accolades: \nbetween 2006 and 2007, his publishing company \n27_9 produced the books “Jetlag“ and “Jetlag 2”, in \n2010 “Mono Shout”, a monographic work on the first \n10 years of business activity and in 2011 “DAZED”. \nBy means of an operation of subtraction and \nimage synthesis, Shout makes his illustrations small \nconceptual works, in which, rather than showing, he \nbuilds up immediately perceptible messages.\nAndrea Merendi\nAllestitore, stylist, fiorista, un po’ artista, molto \ncreativo, di sicuro poetico. Da anni si owccupa \ndi vetrine e allestimenti decorativi per diverse \naziende. La sua passione sono i fiori. Professionista \nonnivoro, cresce ripesca le conoscenze floreali e \ncrea dei personali fiori di carta per un lavoro in \nRinascente a Milano. Da allora i suoi fiori sono finiti \nsu riviste, in negozi   Showroom , come scenografie \nper eventi e carte da parati.\n \nHe is a shop window dresser, stylist, florist, with an \nartistic flair, a lot of creativity and a strong poetic streak. \nHe has years of experience in shop window dressing \nand retail premise decoration for several companies. \nHis true passion is flowers. He is an all-round \nprofessional who has expanded and revisited his floral \nknowledge to create bespoke paper flowers for the \nRinascente department store in Milan. Since then his \nflowers have been shown in magazines and displayed \nin showrooms, event settings and wallpapers.\nAntonella Guidi\nFrequenta l’Istituto Statale d’arte per il Mosaico \ndi Ravenna. Dal 1983 partecipa a mostre sia \npersonali che collettive e nel 1987, utilizzando \nmateriali riciclati a costo zero, inizia a produrre \naccessori per la moda, fondando una piccola \nazienda. La filosofia del riciclo sarà la tematica \nfondamentale del lavoro artistico che continuerà \nin parallelo all’attività nel campo della moda, \ne che ha prodotto molte opere. Ha inoltre \ncollaborato con aziende tessili e ceramiche come \ndisegnatrice decorativa free lance e con case \neditrici come illustratrice di libri fantasy.\n \n \nAntonella attends the Mosaic State Art Institute in \nRavenna. Since 1983, she has been taking part in \nboth solo and collective art shows and, in 1987, using \nrecycled no-cost materials, she began making fashion \naccessories, setting up a small company. The recycling \nphilosophy pervades her entire artistic production \nwhich continues alongside her fashion industry \nactivities and which has resulted in the creation of \nnumerous works. She has also collaborated with \ntextile and ceramic manufacturers as free-lance \ndecorative designer and with publishing companies \nas illustrator of fantasy books.\nAntonio Marras\nNasce ad Alghero, Sardegna. \nTerra che segna profondamente la sua cifra \nstilistica. Il suo esordio nella moda avviene \nsotto il segno di una fortunata casualità: nel \n1987, infatti, è chiamato da una ditta romana a \ndisegnare collezioni di prêt-à-porter, grazie alla \nsua competenza sviluppata su un doppio binario. \nQuello culturale - Marras da sempre si interessa \nad ogni forma di espressione artistico-creativa \n- e quello “tecnico”, sviluppato in base alla \nconoscenza di materie e forme. Nel marzo 1999, \na Milano, la prima volta del suo prêt-à-porter e \nnel 2003 è invitato dal gruppo francese LVMH a \ndiventare direttore artistico della maison Kenzo \nsino al 2011. Con il suo headquarter a Milano, \nMarras farà però una scelta importantissima, \nsentimentale ma anche artistica: non rinuncerà \na vivere dove è cresciuto, ad Alghero sempre \ntornando a cercare creatività, ispirazione, \nmateriale per il suo universo espressivo.\nAntonio Marras was born in Alghero, on Sardinia. The \nisland has always deeply influenced his aesthetic. His \nfashion debut was the result of a lucky chance. In 1987 \na fashion house in Rome asked him to design a prêt-\nà-porter collection. Their invitation was due to his dual \nbaggage of skills: cultural – Marras has always involved \nhimself in every form of artistic\u002Fcreative expression – \nand technical based on his know-how of materials and \nforms. He debuts with his prêt-à-porter in March 1999 \nin Milan and in 2003 LVMH, the French luxury goods \ngroup, invites him to be the artistic director of the Kenzo \nfashion house till 2011. With his headquarters in Milan, \nMarras made a fundamental choice, both sentimental \nand artistic: he will never give up living where he was \nborn, to Alghero always returning in pursuit of creativity, \ninspiration and material for his expressive universe.\nBertero Projects\nFabrizio Bertero, laureato in Architettura nel 1993 \npresso il Politecnico di Milano, titolare dello \nStudio Bertero Projects di Milano, insieme a \nSimona Marzoli,  svolge l’attività di progettista nei \nsettori dell’urbanistica, edilizia, interior design, \ndesign del prodotto e grafica, occupandosi \nprincipalmente di spazi commerciali, terziario, \nresidenziale, allestimenti museali e fieristici. \nCollabora ed ha collaborato con diverse società \ned enti nazionali ed internazionali come: TDK, \nMartini, Frankie Morello, FIAT, ILLY, Triennale di \nMilano, Museo della scienza e della tecnologia \ndi Milano, Zanotta, Fiera di Milano, Wall&decò \ne 100x100 Group. Docente a contratto presso lo \nIED (Istituto Europeo di Design)  di  Milano  per \ni corsi di Progettazione architettonica dal 1997.\nFabrizio Bertero graduated in architecture at the \nPolytechnic University of Milan in 1993 and is the \nowner of Studio Bertero Projects, based in Milan. \nTogether with Simona Marzoli, he works as a designer \nin the urban planning, construction, interior design, \nproduct design and graphics sectors and mostly \nfocuses on retail, service, residential interiors as well \nas museum and exhibitions set-ups. He collaborates \nand has previously collaborated with a number \nof companies, national and international bodies \nincluding: TDK, Martini, Frankie Morello, FIAT, ILLY, \nthe Milan Triennale, the National Museum of Science \nand Technology of Milan, Zanotta, Fiera di Milano, \nWall&decò and 100x100  Group. Since 1997 he is \ncontract professor at the IED (European Institute of \nDesign), Milan, for Architectonic Design Courses.\nChristophe Delcourt\nÈ alla fine degli anni’ 90 che Christophe Delcourt \nappare per la prima volta sulla scena francese \ndell’ arredamento. I primi oggetti lo vedono \ncoinvolto non solo come designer, ma anche \ncome editore e produttore. Tavoli, sedie e \nlampade disegnano rapidamente i contorni di un \nuniverso molto giusto e onesto. Il legno e l’acciaio \nforgiano pezzi la cui apparente semplicità formale \nmaschera sempre una perfetta padronanza \ndella realizzazione a mano. È in questo perfetto \nequilibrio tra la purezza del disegno, la bellezza di \nun materiale e l’estrema cura nella realizzazione \nche lo stile di Christophe Delcourt trova la sua \npiena espressione. Designer-editore, il suo \nviaggio sembra ora seguire un percorso rettilineo. \nMa molto rapidamente nasce il desiderio \ndi confrontarsi con altre attività artigianali e \naltri tecnicismi. E Christophe Delcourt inizia \nlentamente a collaborare con editori di piccole \ne grandi dimensioni, francesi e stranieri: Roche \nBobois, Tectona, Baxter, HC 28, Van Rossum e, \npiù recentemente, Collection Particulière, CC-\nTapis e Minotti.\nIt is at the end of the 1990’s that Christophe \nDelcourt appears for the first time on the French \nscene of furniture. As far as those first objects are \nconcerned, not only is he their designer, but also their \nmanufacturer and editor. Tables, chairs, and lamps \nthen quickly draw the contours of a universe both very \njust and honest. The wood and the steel forge pieces \nof which the apparent formal simplicity always masks \na perfect mastering of the craftsmanship. It is in this \nperfect balance between the purity of a drawing, \nthe beauty of a material and the extreme care of a \nmaking that the Christophe Delcourt style will find \nits full expression. Designer-editor, his journey now \nseems to follow a straight path. But very quickly, the \ndesire to confront himself to other craftsmanships \nand other technicalities is born. And Christophe \nDelcourt slowly starts collaborating with small and \nlarge, French or foreign, editors: Roche Bobois, \nTectona, Baxter, HC 28, Van Rossum, or more recently, \nCollection Particulière, CC-Tapis, and Minotti. \nCTRLZAK\nCTRLZAK Art & Design Studio agisce a livello \ninternazionale nel campo dell’arte e del design. \nLo studio fondato da Thanos Zakopoulos (Grecia) \ne Katia Meneghini (Italia), si avvale di strumenti  \nsemiotici e cognitivi  durante tutto il percorso \ncreativo proponendo forme che vanno al di là del \ncomune valore estetico. L’approccio creativo dello \nstudio si relaziona al contesto sociale, ambientale \ne culturale in cui opera. Negli oggetti e ambienti \nproposti si enfatizzano aspetti legati alla loro \nmemoria e alla storia stessa del luogo in cui \nvengono ri-contestualizzati, facendo attenzione ai \ndettagli che sottolineano il loro valore simbolico \nsenza però negarne la funzionalità.\nCTRLZAK Art & Design Studio is a multidisciplinary \nteam founded by Thanos Zakopoulos (Greece) \nand Katia Meneghini (Italy). The studio operates \ninternationally in the field of contemporary art and \ndesign with a creative vision that is not limited by a \nspecific framework. With the use of semiotic tools \nwithin the creative process the studio proposes forms \nthat surpass common aesthetic values working on a \ncognitive level. The concept behind each project is to \ninspire a responsible awareness through the ‘added \nvalue’ that art has for society with a special attention \nto issues of environmental impact. \nDeBonaDeMeo\nLuca De Bona e Dario De Meo, architetto e \ndesigner, si incontrano sul percorso tra Milano \ne il Veneto e iniziano una collaborazione che \nproprio dal viaggio attinge ispirazione per \nprodurre segni e disegni di risposta alle esigenze \ndell’habitat contemporaneo.  Collaborano con \nprestigiose aziende di arredo, illuminazione, \ndecorazione occupandosi di direzione artistica, \nideazione di concept e sviluppo di prodotti. Una \nricerca in micro e macro scala che rilegge e fonde \nvari ambiti: architettura, design, grafica e arte per \ncreare ambienti e oggetti innovativi, ma capaci di \nraccontare storie e indurre emozioni.\nLuca and Dario, architect and designer, meet on the \nroad between Milan and the Italian Veneto region \nand begin a collaboration that dRaws inspiration \nfrom the trip, to produce marks and dRawings that \nrespond to the needs of the contemporary home \ninteriors. They collaborate with prestigious furnishing, \nlighting and decor companies, looking after art \ndirection, concept and product development. A \nresearch in micro and macro scale that reviews \nand merges different spheres: architecture, design, \ngraphics and art, to create innovative environments \nand objects, but able to tell stories and stir emotions.\nDraga&Aurel\nDi origine serba lei, tedesca lui – trovano \nnell’Italia il giusto terreno per la loro espressione \nartistica. Draga affina negli anni una sua tecnica \ndi pittura direttamente su tessuto che le permette \ndi creare una collezione dal design unico dove \ncolore, motivo e materia si incontrano in una \ncommistione armonica.\nAurel K. sceglie di esaltare le potenzialità della \nresina ricorrendo ad una forte espressività \npittorica. L’intesa, oltre che di vita, nel 2007 \ndiventa \nanche \nprofessionale: \nvivendo \ne \nsviluppando insieme la comune passione per \nl’arte contemporanea, l’affinità artistica cresce \ncon loro conducendoli ad un comune percorso \ndi ricerca, di approfondimento e di confronto che \nli portano a collaborazioni con prestigiosi marchi \ninternazionali quali Baxter e Anthropologie.\nShe is of Serbian origin while he is from Germany \n– they find in Italy the right soil for their artistic \nexpression. Draga refined her painting technique \ndirectly on canvas during the years that allowed her \ncreating a collection characterised by a unique design \nwhere colour, pattern and matter meet in a harmonic \nunion. Aurel K. chooses to exalt the potentials of \nresin, resorting to a strong pictorial expression. The \nmutual understanding, in addition to a personal \nlevel, became also professional in 2007: living and \ndeveloping together the common passion for modern \nart, the artistic affinity grew with them, leading the \ncouple to undertake a common research, study and \nsharing path that led them to cooperate with the \nmost prestigious international brands, like Baxter and \nAnthropologie.\nElisa Vendramin\nElisa Vendramin, è un’illustratrice italiana che \nlavora per lo più a progetti grafici per il settore \nculturale, elaborando digitalmente pattern \nillustrati. Dopo aver conseguito la Laurea in \nDisegno Industriale presso lo IUAV di Venezia si \ntrasferisce a Londra per frequentare un Master \nin Communication Design presso Central Saint \nMartins College of Art and Design dove inizia \na collaborare con varie istituzioni culturali \npartecipando anche mostre collettive a Londra, \nParigi, Reykjavik e Vienna. Nel 2011 Elisa si \ntrasferisce Reykjavik per esplorare progetti \ndi ricerca personale e partecipare a diverse \nresidenze d’artista, tra cui SÍM International \nResidency e NES Artist Residency. Dal 2013 torna \nin Italia e continua a lavorare come illustratrice \ncon agenzie internazionali quali Brandever \n(Vancouver, BC), Atacama Invest (Santiago del \nCile), ed esporre come artista presso le gallerie-\nartstore Atelier Olschinsky di Vienna e NAU \nGallery di Stoccolma.\nElisa Vendramin is an Italian illustrator who \nspecialises in graphical projects for the cultural sector \nby creating digitally produced graphic patterns. \nAfter graduating in Industrial Design from the IUAC \nin Venice, she moved to London to take a Master in \nCommunication Design at the Central Saint Martins \nCollege of Art and Design, where she started to work \nfor several cultural institutions and also showcased \nher creations in collective art exhibitions in London, \nParis, Reykjavik and Vienna. In 2011 Elisa moved to \nReykjavik to focus on personal research projects and \nto join several artist residencies, including the SÍM \nInternational Residency and NES Artist Residency \nIn 2013 Elisa returned to Italy, where she currently \nworks as an illustrator with international agencies \nsuch as Brandever (Vancouver, BC), Atacama Invest \n(Santiago de Chile), and exhibits in the Vienna-based \nartstore Atelier Olschinsky and in the Stockhom-based \nNAU Gallery.\nEva Germani\nUna lunga formazione maturata nel mondo \ndel restauro l’ha portata a contatto diretto \ncon le opere dei grandi maestri, dipinti ed \naffreschi dal grande impatto e valore artistico \ned architettonico. La conoscenza dei materiali, \ndelle tecniche esecutive, delle atmosfere di \nsapore antico sono convogliate in uno stile \nrapido, privo di formalismi accademici a volte \naggraziato, ma sempre contraddistinto da un \ntratto di materica ruvidità. Proiettata verso una \ndecorazione dall’effetto scenografico si dedica, \nin collaborazione con architetti e designer, alla \ncreazione di spazi domestici o commerciali \ncaratterizzati da una forte atmosfera retrò e dal \ngusto vagamente bohémien.\nA long training period in the field of architectural \nconservation allowed her to gain direct contact with \nthe artworks of famous artists, paintings and frescos \nof great artist and architectural impact and value. \nHer knowledge of materials and execution techniques, \nwhich recall traditional settings, are conveyed through \na determined style, without academic formalisms, at \ntimes graceful, but always characterized by a ruvid \nmaterial trait. Projected towards scenographic \ndecoration, her works are carried out with architects \nand designers and consist in the creation of \nresidential and commercial spaces with strong retrò \natmospheres and slight bohemian tastes.\nFederico Pepe\nFederico Pepe è nato nel 1976. Vive e lavora \na Milano. È una figura unica nel panorama \nculturale e artistico italiano, dove si muove con \nagilità ed estrema coerenza estetica tra varie \nforme artistiche. Pubblicità, Artista, Graphic \nDesigner, Video Maker. Direttore creativo \ndell’agenzia di comunicazione multinazionale \nDLVBBDO. Nel 2006 fonda Le Dictatuer, \nprogetto \neditoriale \ne \nspazio \nespositivo \nindipendente a Milano, per il quale è da \noltre 10 anni direttore editoriale e artistico. \nHa esposto le sue opere e i suoi progetti alla \nMOMA Library and Family Business di New \nYork, alla TATE MODERN di Londra, al Palais \nde Tokyo di Parigi, alla Triennale di Milano e \nin molte altre gallerie private. Collabora negli \nanni con artisti famosi come Maurizio Cattelan, \nPierpaolo Ferrari, Nico Vascellari, Jacopo \n",175,{"image":714,"text":715,"number":716},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.176.png","Benassi e designer come Patricia Urquiola con \ncui ha firmato due collezioni (CREDENZA 2016, \nMISCREDENZA 2017).\nFederico Pepe was born in 1976. He lives and works in \nMilan. He is a unique figure in the cultural and artistic \nItalian landscape, where he moves with agility and \nextreme aesthetic coherence between various artistic \nforms. Advertising, Artist, Graphic Designer, Video \nMaker. Executive creative director of the DLVBBDO \nMultinational Communication Agency. In 2006 he \nfounded in Le Dictatuer, an editorial project and an \nindependent exhibition space based in Milan, for \nwhich he has been the editor of editorial and artistic \nplan for over 10 years. He exhibited his works and \nprojects at MOMA Library and Family Business in \nNew York, at TATE MODERN in London, at the Palais \nde Tokyo in Paris, at the Trienniale of Milan and in \nmany others private galleries. Over the years he \ncollaborated with famous artists such as Maurizio \nCattelan, Pierpaolo Ferrari, Nico Vascellari, Jacopo \nBenassi and designers such as Patricia Urquiola with \nwhom he has signed two collections (CREDENZA 2016, \nMISCREDENZA 2017).\nFrancesca Zoboli\nFrancesca, dopo essersi diplomata in pittura \nall’Accademia di Belle arti di Milano, nel 1990, \nfonda lo studio di decorazioni d’interni L’O di \nGiotto, che opera in Italia e all’estero.\nAll’attività di interior decorator affianca la \nricerca pittorica, condotta in particolare \nsull’assemblaggio di materiali. Dal connubio \nfra pittura e decorazione nasce lo stile dei suoi \nlavori, connotato da un linguaggio originale \nche si ispira a tessuti, tappezzerie, antiche \ntecniche di stampa, motivi etnici e tradizionali, \npattern grafici, intonaci, texture naturali \ncome legni, foglie, polveri, terre. Attenta \ne sensibile alle più recenti tendenze della \nmoda, del design, dell’arte e dell’architettura \ncontemporanea, \nFrancesca \nZoboli \nmira \nad articolare e integrare organicamente il \nprogetto decorativo all’ambiente e allo spazio. \nFra i suoi clienti, Fratelli Rossetti, Hotel De \nRussie , Kenzo, per cui nel 2006 ha progettato \ne realizzato interventi di decorazione destinati \nal nuovo concept store di Parigi (Art Director \nAntonio Marras).\nAfter graduating in Painting at the Academy of Fine \nArts in Milan in 1990, Francesca founds l’O di Giotto – \nann Interior Decoration Studio operating both in Italy \nand abroad. Alongside interior decorating, she also \nconducts pictorial research, especially as regards the \nassembly of materials. \nOut of the combination of painting and decorating \ncomes the style of her works, distinguished by an \noriginal language inspired by fabrics, upholsteries, \nold printing methods, ethnic and traditional motifs, \ngraphic patterns, plastering, natural textures such \nas woods, leaves, powders, earths. Careful and \nsensitive to the most recent fashion, design, art and \nmodern architecture trends, Francesca Zoboli aims \nat organically articulating and integrating decorative \nprojects in environments and spaces.\nAmong her customers Fratelli Rossetti and Hotel \nDe Russie; in 2006 she has partially designed and \ndecorated the new concept store in Paris for Kenzo \n(Art Director Antonio Marras).\nGio Tirotto\nFonda il suo studio nel 2010. Gio Tirotto sviluppa \nprogetti di interni, prodotto e allestimento, \nfocalizzando la sua direzione artistica prima \nnella ricerca ed in seguito nella più pulita sintesi \ntra forma e funzione. “Progetto per essere un \nponte che connette il pensiero al messaggio, \nindispensabile obiettivo del mio linguaggio \nartistico”. Qualunque cosa egli disegni nasce \ndall’attenzione a tutto ciò che gli sta intorno, \nvivo o inanimato. Se c’è un limite tra arte e \ndesign, prova a cancellarlo, riprogettando tutta \nla complessità esistente tra gli esseri umani e gli \noggetti. Questa è la ragione per la quale crede \nche il rito, la memoria e l’immaginazione siano \nspesso la funzione essenziale delle cose”. Tra i \nclienti: Alcantara, Viabizzuno, Seletti, Secondome \nGallery, D’arrigo External Design,Petracer’s, \nWall&decò, Lago, Bormioli Rocco, Greggio, \nMingardo, Exnovo.\nGio Tirotto founded his own studio in 2010. He \ndevelops projects for interiors, products and \ninstallations, focusing his artistic direction on \nresearch which is followed up by the most clean-cut \nsynthesis between form and function. “I design to \nbe a bridge which connects thought with message, \nan indispensable aim of my artistic language”. \nEverything he designs is inspired by an attention of \nwhat is around him, living or inanimate. If there is a \nlimit between art and design, he tries to erase it and \nre-design all the existing complicity among human \nbeings and objects. This is why he believes that rituals, \nmemory and imagination are often the essential \nfunction of things. Clients - to name but a few: \nAlcantara, Viabizzuno, Seletti, Secondome Gallery, \nD’arrigo External Design, Petracer’s, Wall&decò, Lago, \nBormioli Rocco, Greggio, Mingardo, Exnovo. \nGiovanni Pagani\nSi laurea al Politecnico di Milano in architettura \ne inizia la sua carriera nel 1995. Le sue proposte \nprendono forma dalle emozioni che vengono \ntradotte negli oggetti e nelle architetture che \npropone. La cifra distintiva che accomuna i suoi \nlavori, dai negozi alle strutture di accoglienza, \ndalla ristorazione alle residenze private è \nl’emozione che si prova di fronte alle sue \nrealizzazioni: un microcosmo di sensazioni che \nWall&decò ha colto ed ulteriormente valorizzato.\nA graduate in architecture from the Milan Polytechnic, \nhis career began in 1995. Giovanni Pagani’s goal is to \ncapture emotions and transfer them into his objects \nand interior designs. The guiding theme common to \nall his works, from shops to hotels, restaurants and \nprivate homes, is the emotion aroused by using them: \na microcosm of sensations which Wall&decò has \ngrasped and further promoted.\nGiovanni Pesce\nDiplomato al Liceo Artistico di Bari con indirizzo \narchitettonico, Giovanni Pesce inizia la sua attività \nnel 1986 nell’ufficio tecnico di un’azienda di credito, \nper la progettazione delle sue filiali. Nel 1994 fonda, \nin collaborazione con altri professionisti, Signum, un \ngruppo di lavoro attivo nella realizzazione di spazi \nespositivi. Dal 1997 avvia un proprio studio che lo \nvede impegnato sia come interior designer che \ncome designer di prodotto.\nGiovanni began his career in 1986 when he was \nasked to join the staff of the technical department \nof a major credit company for the design of a \nlarge number of branches. In 1994 he founded the \nSignum, a working group in collaboration with other \nprofessionals, with whom he developed exhibition \nspaces. Since 1997 he started a studio \u002F laboratory \nof ideas in which he is engaged, initially as an \ninterior designer, then more and more directed \ntowards product design: clear and direct works with \ndiscrete shapes and materials and with a beauty \nintimately linked to their functionality.\nGupica\nDopo una laurea in letteratura Gunilla Zamboni \n(Gupica) matura una formazione nell’ambito \ndella pittura murale a Firenze e delle arti \ndecorative in Francia a Versailles, dove si diploma \nin Peintre en Décor. Si specializza in interior \ndesign allo IED di Milano. Lavora a contatto \ncon le migliori maestranze italiane e francesi, \naffinando i segreti e le tecniche della pittura \ndecorativa in Francia e lo studio del design in \nItalia. Nel 2010 fonda Gupica, uno studio creativo \nche realizza progetti servendosi di un metodo \nmultidisciplinare che coinvolge arti decorative, \ndesign di interni e di prodotto, sperimentazione \ncontemporanea e artigianalità. Mettendo al \nservizio di clienti e aziende la propria visione \ncreativa. La cura per il dettaglio e un dialogo \ncostante tra contemporaneo e codici legati alla \ntradizione contraddistinguono i suoi progetti\nUpon obtaining her degree in Literature, Gunilla \nZamboni (Gupica) she continued to study in Florence \nfocusing on the art of fresco and mural painting, \ncompleting her studies with a master degree in \nPeintre en Décor in Versailles, France. She later \nspecialized in interior design at IED in Milan. Gunilla \nworked with Italian and French masters, honing the \nsecrets and techniques of decorative painting in \nFrance and the study of design in Italy. In 2010 she \nfounded Gupica, a creative studio that develops \nprojects through multi-disciplinary methods such \nas: decorative arts, interior design, product design, \ntraditional handcrafts and modern techniques. She \nevolves projects for private clients and companies \nwith her creative vision. Her attention to detail and \nthe combination of contemporary and traditional \ncodes characterize her projects.\nInes Porrino\nInes svolge l’attività dal 1975, inizialmente in \ncollaborazione con gli studi Arcoop, Arkite’ \nArchitetti Associati e Studio Piergiorgio \nCazzaniga, dal 1997 diventa libero professionista \ne si occupa di interior, allestimenti fieristici, \neventi di design e negozi di arredamento. Ines \nPorrino si occupa del concept della realizzazione \ndel prodotto e del catalogo per collezioni di \npavimenti in pvc Limonta. Dal 2010 ha iniziato \nuna produzione delle lampade artigianali \nFilrouge. Ha collaborato con diverse testate \nd’arredamento,tra le quali Interni, Spazio Casa, \nLake Como lifestyle.\nInes has been in business since 1975, initially in \ncollaboration with studios such as Arcoop, Arkite \nAssociated Architects and Studio Piergiorgio \nCazzaniga. In 1997 she turn into a free lance \nconsultant in the field of interior design, exhibition \nspaces, design events and furniture stores. Ines \nPorrino develops the concept up to the product \nprototype and the catalogue for a floor collections \nin PVC for Limonta. Since 2010 he has begun a \nproduction of artisanal lamps FILROUGE. She has \nworked with several interior design magazines such \nas Interni, SpazioCasa, Lake Como Lifestyle.\nLorenzo De Grandis\nResponsabile creativo per importanti brand \nnel design di interni. Una continua ricerca di \nriferimenti che permette a Lorenzo De Grandis di \nprogettare e sviluppare contenuti visivi ottenendo \nrisultati di grande forza comunicativa. Sensazioni, \nidee e atmosfere si traducono  nei suoi progetti \ndi graphic design, textile design e allestimenti. \nUno studio multidisciplinare con un’ambizione: \ncatturare il ritmo e l’estetica del tempo.\nResponsible of visual communication for important \ninterior design companies. Lorenzo De Grandis’s \nworks inspires ideas and stories. Emotion \ndriving to create atmosphere with shapes and \nfunctions, effective solutions and projects. Textiles, \ngraphic design, interiors and further sensation. A \nmultidisciplinary study with an ambition: to capture \nthe rhythm and the aesthetics of time. To see what \ninspires, what elevates, what activates.\nMarco Lorenzetto\nNato e cresciuto a Faenza, dopo i primi studi \ngiovanili si trasferisce a Roma. Conseguita la laurea \nin Sociologia all’Università “La Sapienza”, inizia \nsempre più ad appassionarsi all’arte e matura da \nautodidatta una formazione artistica ed estetica \nnell’ambito della pittura astratta entrando in \ndiversi ambienti dell’arte e cultura italiana ed \neuropea. Dopo la parentesi nella capitale, inizia a \nviaggiare e a vivere in varie città, Salamanca, New \nYork, Parigi per poi giungere a frequentare Berlino \nnell’anno 2009. Queste esperienze internazionali \nlo portano a conoscere e a vivere profondamente \nmovimenti artistici che aumentano la sua curiosità \ne la sua ricerca per la bellezza attraverso la \nsperimentazione di nuove tecniche e l’uso di \ndiversi materiali tra cui la ceramica. Nel 2017 \ncrea una linea di piatti di porcellana in vendita \npresso Bergdorf Goodman di New York. I dipinti \ndi Lorenzetto sono stati pubblicati in riviste come \nElle Decor, Vogue, The New York Times \u002F Style \nMagazine, Architectural Digest, Modern Luxury \nAngeleno. Dal 2011 vive a Los Angeles e lavora \nnella sua Bottega nel cuore di Hollywood.\nBorn and raised in Faenza, after his earliest years \nof education he moved to Rome. Upon graduating \nin Sociology at the “La Sapienza” University, he \ndeveloped a passion for art and aesthetics which \nhe nourished as a self-taught abstract painter, \ndelving into different fields of Italian and European \nart and culture. His stay in the capital was followed \nby a period of travelling and living in different cities: \nSalamanca, New York, Paris and lastly Berlin in 2009.\nThese international experiences led him to discover \nand profoundly experience artistic movements which \nfurther inspired his curiosity and research into beauty \nthrough experimentation with new techniques and \nthe use of different materials, including ceramics. \nIn 2017 he created a range of porcelain plates \nsold at Bergdorf Goodman, New York. Lorenzetto’s \npaintings have been published in magazines like Elle \nDecor, Vogue, The New York Times \u002F Style Magazine, \nArchitectural Digest, Modern Luxury Angeleno. He has \nbeen living in Los Angeles since 2011 and works at his \nstudio in the heart of Hollywood.\nMaría Gómez García\nProprietaria e direttrice dello studio creativo \nEstudio PAM ha sviluppato grafiche destinate a \nmateriali e utilizzi diversi, come sedie, carte da \nparati, porte, tavoli, tessuti; lavora, tra gli altri, \nper clienti con sede in Spagna, Italia, Brasile e \nStati Uniti. In precedenza, ha collaborato con \naziende e marchi come Le Lis Blanc (marchio \nbrasiliano di moda e oggetti  per la casa) e ZARA \n(Spagna). Ha un’esperienza decennale nella \nricerca dei nuovi trend della moda e della grafica \nnelle più significative città del mondo (Londra, \nNew York, Parigi, San Paolo, Seoul e Hong Kong). \nTutti i suoi disegni e le illustrazioni sono eseguiti a \nmano e riflettono il suo bagaglio professionale, il \ncosmopolitismo e la passione per la grafica.\nAs owner and director of Estudio PAM – a creative \nstudio – has been developing artwork for different \nusages and materials such as chairs, wallpapers, \ndoors, tables, textiles, among others, for clients based \nin Spain, Italy, Brazil and US. Previously, has worked for \ncompanies and brands such as Le Lis Blanc (Brazilian \nfashion and housewear brand) or ZARA (Spain). With \nmore than 10 years of experience, has collaborated \nas visual coolhunter and shopping in cities in different \ncontinents (London, New York, Paris, Sao Paulo, Seoul \nand Hong Kong). All of her drawings and illustrations \nare handmade created and reflects her professional \nexperience, cosmopolitanism and passion for artwork.  \nMarika Baldoni\nMarika Baldoni a 23 anni lascia l’Italia con \ndestinazione Stati Uniti, dove intraprende un \npercorso formativo che la porta ad avviare \nla sua attività di visual merchandiser e di \nvetrinista freelance. Rientra poi in Italia e \nintensifica \nun’importante \ncollaborazione \ncon Julian Fashion, nota boutique di Milano \nMarittima. Grazie alla sua versatilità creativa e \nalla sua natura poliedrica, Marika si dedica a \nprogetti, allestimenti, vetrine scenografiche ed \ninstallazioni di forte comunicazione visiva.\nMarika Baldoni left Italy for the USA when she \nwas 23. Here she began a training path which \nresulted in her setting up in business as a visual \nstylist and freelance window dresser. Back in \nItaly, she strengthened her close cooperation with \nJulian Fashion, a well-known boutique in Milano \nMarittima. Thanks to her creative versatility and \nmultifaceted nature, Marika dedicates her time to \nprojects, window-dressing, spectacular window set-\nups and installations of strong visual impact.\nPaolo Badesco - Costantino Affuso\nL’interior designer  Paolo  Badesco dal  2005  \npresenta  al  pubblico  milanese,  attraverso  il \nsuo  primo  negozio  di  corso  Magenta  96,  \nun  repertorio di  suggestioni  dal  sapore  nord  \neuropeo:  arredi  e  complementi  vintage  \nvolutamente  non  restaurati,  abbinati a  una  \nselezione  di  oggetti  contemporanei  frutto  di  una \nricerca  tra  Europa  e  Stati  Uniti.  Nel  2011  con  \nl’architetto  Costantino  Affuso,  già  senior  architect  \ndello  Studio Paolo  Badesco  Interior  Design, \namplia il progetto acquisendo  una  nuova  location  \nin  via  Palermo  1,  nel  cuore del  Brera  Design  \nDistrict.  Le  inedite  proposte  e  gli  allestimenti  \narditi  hanno  fatto  guadagnare  l’attenzione  della  \nstampa  internazionale  e  di  un  pubblico  sempre \npiù sensibile alle nuove tendenze.\nThe  interior  designer  Paolo  Badesco  since  2005 \npresents  to  the  public  in  Milan,  through  its first  store \nin  Corso  Magenta  96,  a  repertoire  of  suggestions \nwith  a  northern  European  flavor:  vintage  furniture \nand  accessories  deliberately  not  restored,  combined \nwith a  selection  of  contemporary  works  resulting  \nfrom  a  selection  between  Europe  and  the  United \nStates.  In  2011, with  the  architect  Constantino  Affuso, \nformerly  senior architect  at  the  Paolo  Badesco  \nInterior  Design  Studio, he  expanded the project  by \nacquiring  a  new  location  in  Via Palermo  1,  in  the  \nheart  of  Brera  Design  District.  The  new proposals  \nand  daring  installations  have  earned  them to the \nattention  of  the  international  press  and  of  an  \nincreasingly  sensitive public to new  trends.\nSerena Confalonieri\nDopo una laurea specialistica in Interior Design \nconseguita a pieni voti presso il Politecnico \ndi Milano, Serena ha lavorato in diversi studi di \narchitettura e design, a Milano, Barcellona \ne Berlino. Ora dirige il suo studio a Milano, \nlavorando su progetti che spaziano dall’interior \nalla grafica fino al textile design collaborando \ncon importanti aziende di design sia in Italia che \nall’estero.\nAfter a Master Degree in Interior Design at Politecnico \ndi Milano, Serena worked in many architecture and \ndesign practices, moving from Milano to Barcelona \nand Berlin. Now she runs her own studio in Milano, \nworking on interior, graphic and textile design projects \nand collaborates with important companies in Italy \nand abroad. She has also collaborated with textile \nand ceramic manufacturers as free-lance decorative \ndesigner and with publishing companies as illustrator \nof fantasy books.\nSilvia Stella Osella\nSilvia lavora nell’ambito della comunicazione \nvisiva dal 2005. Dopo aver studiato Illustrazione \nall’Istituto Europeo di Design si specializza in \nambito tessile con un Master in Textile Design e \npostgraduate al Central Saint Martins College di \nLondra. Dopo aver lavorato in alcune tra le più \nimportanti aziende tessili europee ha aperto il \nsuo studio di design di superficie e consulenza \na Milano. Attualmente collabora con brand \ninternazionali quali il gruppo Inditex - Zara, Zara \nKids, Adidas, Mango e Topshop, ed è docente \ndel corso di Pattern Design allo IED di Torino.\nGrazie al suo background multidisciplinare \ne al costante aggiornamento ha sviluppato \nun’estetica contemporanea e in continua \nevoluzione, in grado di coniugare progettualità \ne artigianalità. Nel 2015 ha co-fondato \nILUUT, marchio innovativo di abbigliamento \nsostenibile.\nSilvia has been working in visual communication since \n2005. After an illustration and visual communication \nBA at IED, she focuses on textile design with an MA \nand post-graduate courses at the Central Saint \nMartins College of Art, London. After working for \nsome of Europe’s leading textile companies she has \nopened her surface design and consultancy studio \nin Milan. She collaborates with international brands \nsuch as the Inditex group - Zara, Zara Kids, Adidas, \nMango, Topshop, and she is a visiting Professor in \nSurface and Pattern Design at IED Turin. Thanks to \nher multidisciplinary background and to a constant \nresearch she has developed a contemporary and \nalways evolving aesthetic, able to combine design \nknowledge and sense of craftsmanship. In 2015 she \nhas co-founded ILUUT, a sustainable and innovative \nfashion start up.\nSimone Fanciullacci\nNato e cresciuto in Liguria, dopo la laurea \nconseguita nel 2007 presso il Politecnico di \nMilano, fonda lo studio 4P1B con il quale ottiene \nnumerose pubblicazioni e riconoscimenti tra i \nquali l’IF Design Award, il Good Design Award \ne una menzione d’onore alla XXIII edizione \ndel Compasso d’Oro. Nel 2017, conclusa \nl’esperienza dello studio, inizia a firmare con \nil proprio nome i progetti che sviluppa. Tra i \nprincipali clienti Nilufar Gallery, Secondome, \nDe Vecchi Milano 1935, Wall&decò, Martinelli \nLuce, Lago, Chairs&More. Simone Fanciullacci è \nanche titolare e art director del marchio Edizione \nLimitata con il quale sviluppa e commercializza \nprogetti prodotti in piccole serie andando a \nriscoprire materiali, tecniche e artigiani sul \nterritorio italiano.\nSimone  Fanciullacci was born and  raised in \nLiguria and after graduating in 2007 from the \nPolytechnic University of Milan, he founds the \n4P1B Studio obtaining numerous publications and \nawards,  including the IF Design  Award, the Good \nDesign Award and an honourable mention  at the \n23rd edition of the Compasso d’Oro. In 2017, having \ncompleted the studio’s experience, he begins to sign \nthe projects he develops under his own name. Among \nhis main clients are Nilufar Gallery, Secondome, De \nVecchi Milano  1935, Wall&decò, Martinelli Luce, \nLago, Chairs&More. Simone  Fanciullacci is also \nthe owner and art director of Edizione Limitata \nbrand with which he develops and markets projects \nproduced in small series,  rediscovering materials, \ntechniques and craftsmen in Italy.\nStudiopepe\nStudiopepe è uno studio di design fondato \na Milano nel 2006 da Arianna Lelli Mami e \nChiara Di Pinto. Lo studio si occupa di creative \n",176,{"image":718,"text":719,"number":720},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.177.png","consultancy in tutte le sue forme. La filosofia \ndello studio si basa su un approccio concettuale \ninedito e trae forza da un vasto background \niconografico e visionario, generando risultati di \nunicità. L’attenzione per i dettagli e l’emozione \nche possono generare nelle persone, così come \nl’uso del colore, a volte ardito, e il mix inedito ma \narmonico tra i materiali scelti sono fondamentali \nnei progetti dello studio. Altro elemento di forza \nè la multidisciplinarità, il saper far dialogare \nall’interno di uno stesso progetto ambiti diversi \ncome il design, la moda e l’arte.\nStudiopepe is a design studio founded in Milan in 2006 \nby Arianna Lelli Mami and Chiara Di Pinto. The studio \nfocuses on creative consultancy (interiors, product \ndesign, editorial, set-design, color consultancy…). The \nstudio’s philosophy takes a strong visionary approach \nthanks to an iconographic background that generates \nunique results. The attention for details and emotions \nthat can be generated in people, as well as the use of \ncolor, sometimes daring, and the unusual but harmonius \nrelationship between materials are fundamental in each \nproject of the studio. Studiopepe also takes advantage \nof multidisciplinarity, knowing how to create a dialogue \nwithin different areas such as design, fashion and art.\nSylva Gortana\nSylva Gortana si forma all’Istituto Europeo di \nDesign a Milano e all’Università di Canberra \nin Australia. Concluso il percorso universitario \ncon il massimo dei voti collabora con studi \ndi architettura progettando mostre, stand ed \neventi. Dopo aver conseguito un master in Hotel \nDesign presso la Domus Academy di Milano, si \nspecializza nella progettazione di alberghi di \nlusso, centri benessere e termali. La continua \nricerca della giusta sintesi estetica tra spazio e \nmateria rappresenta l’equilibrio alla base dei \nsuoi progetti in cui il design interagisce con \nla storia, l’evoluzione del gusto e delle mode, \ngiocando con le forme e la funzionalità.\nSylva Gortana trained at the European Design Institute \nin Milan and at Canberra University in Australia. After \nbrilliantly ending her university career she began \nworking with architectural firms, designing exhibitions, \nstands and events. After obtaining a master in Hotel \nDesign at the Domus Academy of Milan, she began \nspecialising in the design of luxury hotels, wellness \ncentres and SPAs. The constant search for the right \naesthetic synthesis between space and matter \nrepresents the balance at the bottom of her projects in \nwhich design interacts with history, the evolution of taste \nand fashions, while playing with shapes and functions.\nTalva design\nTal Waldman (Talva Design) è un’artista, designer \ne architetto con base a Parigi.\nCompleta i suoi studi di arte e architettura \nlavorando per studi internazionali, da Jean \nNouvel, Christian de Portzamparc a Jean Paul \nViguier. Lo studio Talva Design a Parigi è una \nsintesi tra design e arte capace di offrire soluzioni \nd’interni, accessori per la casa e di arredo.\nTal Waldman (Talva Design) is an artist, designer \nand architect based in Paris. He completed his art \nand architecture studies working for international \nfirms, from Jean Nouvel to Christian de Portzamparc \nand Jean Paul Viguier. The Talva Design studio in \nParis is a synthesis between design and art capable \nof providing interior design solutions and home and \nfurnishing accessories.\nThe Elusive Otter\nLe raffinate illustrazioni di Raffaella Audiffredi, \nideatrice del progetto, puntano una lente \nd’ingrandimento sul mondo animale creando \ntavole su cui s’innesta una dimensione letteraria \na firma dello scrittore Matteo Sartori. La \ncollaborazione con Wall&Decò arricchisce di \nfascino il viaggio della “lontra timida” e sposa \nl’esperienza artistica di The Elusive Otter a una \nnuova realtà applicativa. Raffaella Audiffredi: \nArchitetto, laureata al Politecnico di Milano, \ndopo aver lavorato in Italia e all’estero, nel \n2010 apre il suo studio a Milano. Nel 2013 crea \nil progetto The Elusive Otter. Matteo Sartori: \nLaureato in Scienze politiche all’Università Statale \ndi Milano, dal 2002 al 2012 lavora per il cinema e \nla pubblicità. È autore di tre romanzi.\nThe refined illustrations of Raffaella Audiffredi, author \nof the project, zoom in details on the animal world, \ncreating canvases on which a literary dimension \nsigned by writer Matteo Sartori is triggered. The \ncollaboration with Wall&Decò enriches the journey \nof the ‘’elusive otter’’ with charm and combines \nthe artistic experience of The Elusive Otter to a new \napplication field. Raffaella Audiffredi: Architect, \ngraduated at the Polytechnic University of Milan, \nopened her studio in Milan in 2010, after working \nin Italy and abroad. She conceived The Elusive Otter \nproject in 2013. Matteo Sartori: Graduated in political \nsciences at the State University of Milan, he worked in \nthe cinema and advertising field from 2002 to 2012. \nHe is the author of three novels.\nTommaso Guerra\nDopo 12 anni come pubblicitario in numerose \nagenzie, Tommaso si dedica pienamente alla \nsua attività naturale: esprimersi attraverso le arti \ngrafiche. Il suo campo di azione lo porta in giro \nper il mondo e varia di continuo: dalla strada, \ncon installazioni e arredo urbano site specific agli \ninterni, dove spazia dalla decorazione muraria a \nprogetti completi di interior design.Il suo è un \npercorso in continua evoluzione, fatto di dialogo \naperto con i luoghi e con gli oggetti. \nAfter 12 years as advertising agent in numerous \nagencies, Tommaso fully focused on his natural \nactivity: express himself through graphic arts.\nHis work field takes him around the world and \nchanges constantly: from the road, with exhibitions \nand urban furniture site specific for interiors, where \nhe ranges from wall decorations to complete interior \ndesign projects. His path constantly evolves, and \nconsists of an open dialogue with places and objects.\nXavier Barcelona\nXavier è nato a Copenaghen 220 anni fa, è \nmoderatamente esagerato. Vive con il suo computer \nportatile che porta dentro una custodia rossa, gira \nil mondo, vede cose e le traduce in immagini che \nprendono vita in un modo o nell’altro.\nXavier was born in Copenaghen 220 years ago, \nhe is fairly exaggerated. He lives with his portable \ncomputer which he keeps in a red case, he travels the \nworld, sees things and translates them into images \nwhich take on life one way or another.\nWladimiro Bendandi\nWladimiro, dopo la maturità artistica, affina la \nsua tecnica studiando design e comunicazione \nvisiva. Le sue collaborazioni professionali sono \ntrasversali ed esplora le mille sfaccettature del \ngraphic design. Dal 2007 ha creato D+, il suo \nstudio di progettazione con la convinzione che \nun buon progetto comunicativo è un diritto di \ntutti. La progettazione grafica è per lui, infatti, \nuna forma di design vasta e virale in grado di \ninteragire con la quotidianità in un’ottica di \ncontinua ricerca e contaminazione. \nSin dal 2009 collabora con Wall&decò seguendo \ne progettando tutti gli strumenti strategici di \ncomunicazione visiva.\nWladimiro, after graduating from art school, \nrefined his technique by studying visual design and \ncommunication. He has worked with numerous \nleading brand names like Diesel and with artists such \nas Jovanotti and has cooperated in projects such as \nthe Turin World Design Capital.\nIn 2007, he set up D+, his own design firm in the \nconviction that everyone is entitled to a good \ncommunication project. For him, communication \nis in fact a vast and viral form of design able to \ninteract with daily existence in a perspective of \nongoing search and contamination. Since 2009 he \nhas collaborated with Wall&decò following and \nplanning all visual communication tools\n",177,{"image":722,"text":723,"number":724},"\u002Fmedia\u002Fimages\u002F48\u002F86be996b38c33929188d87a8d228f2-27081c3275.178.png","La riproduzione dei colori delle \nimmagini grafiche contenute in questo \ncatalogo è indicativa della resa \ncromatica reale sul parato stampato.\nSono invece fedeli riproduzioni \ndell’effetto cromatico, che si ottiene sul \nparato stampato, le immagini grafiche \ncontenute nella sezione ColorMatch (da \np.176 a p.342) del presente catalogo. \nSono unicamente queste immagini \ngrafiche, in scala 1:4, da prendere come \nriferimento per soddisfare esigenze \nprogettuali di abbinamento e \ncoordinamento dei colori.\nThe color reproduction of the graphic \nimages contained in this catalog is \nindicative of the actual color rendering \non the printed wall covering.\nFaithful reproductions of the color \nshades, obtained on the printed wall \ncoverings, are the graphic images \ncontained in the ColorMatch section \n(from p.176 to p.342) of this catalog. 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