[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-wallanddeco-contemporary-wallpaper-collection-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":349},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":344,"matched_pages":345,"match_count":346,"two_pages":347,"show_text":348},22090,"Contemporary Wallpaper Collection 2025","wallanddeco-contemporary-wallpaper-collection-2025","\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fe3\u002Fa6d990a6f510a3f53a33bcd9016a5c-28e160f780.pdf","Wall&deco",2370,"wall-deco","21.8 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.2.png","contemporary\nwallpaper\ncollection\nCWC 2025\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.3.png","Subject\nImage pag.\nTechnical pag.\nA New Day\n93\n136\nAnanke\n84\n136\nAtmosfere\n10\n136\nBeige Allure\n53\n137\nBy The Way\n8\n137\nCascata\n126\n137\nCharme\n104\n138\nDanae\n55\n138\nDettaglio\n56\n138\nDustpath\n95\n139\nEclisse\n14\n139\nEngraving\n61\n139\nEvoking\n23\n140\nFades\n68\n140\nGhostforrest\n18\n140\nHeritage\n100\n141\nHiding In Barks\n21\n141\nHortorium\n117\n141\nHorus\n27\n142\nIl Colore Del Grano\n75\n142\nIl Mare Dove Non Si Tocca\n106\n142\nIn Out\n132\n143\nIncognito\n28\n143\nJ'aime Beaucoup\n109\n143\nJinko\n91\n144\nKalah\n125\n144\nstory.1\nin brown we trust\npag. 6\nstory.2\nsoulful minimalism\npag. 48\nstory.3\ntimeless\npag. 88\ntechnical \ninformation\nCWC 2025 \npag. 134\n2025 collection\nSubject\nImage pag.\nTechnical pag.\nLa Aldaba\n96\n144\nLe Gardien De Mon Jardin\n76\n145\nLes Courbes\n31\n145\nLevante\n114\n145\nLilly\n35\n146\nLong Tale\n36\n146\nMetavision\n59\n146\nMorning Mist\n39\n147\nOlimpia\n87\n147\nOnce Upon A Time\n111\n147\nOriental Gold\n118\n148\nOverlap\n131\n148\nOxytocin\n70\n148\nPaloma\n128\n149\nParallel Tinct\n40\n149\nPharos\n79\n149\nPlatino\n51\n150\nPrincess In Black\n99\n150\nRilievi\n82\n150\nRimmel\n65\n151\nScaglie\n43\n151\nSussurrro\n46\n151\nTimeless Simplicity\n67\n152\nTracciante\n45\n152\nVacances\n121\n152\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.4.png","d.ecodura™, la prima carta da parati al mondo in bio-vinile\nd.ecodura™ è il rivestimento murale per interni che ridefinisce gli \nstandard della carta da parati, senza compromessi tra Sostenibilità, \nDurata e Bellezza.\nd.ecodura™ promuove un approccio sostenibile sostituendo il vinile \nconvenzionale con BIOVYN™, un materiale innovativo a ridotto \nimpatto ambientale, che utilizza materie prime rinnovabili  al posto \ndelle plastiche vergini di origine fossile, mantenendone le stesse \nprestazioni in termini di resistenza e durabilità.\nPremiato con Archiproducts Award per la Sostenibilità 2024, German \nInnovation Award Special Mention 2024, Selezione Adi Design Index \n2024, vincitore del German Design Award 2025 - I riconoscimenti \nassegnati a d.ecodura™ sottolineano l’eccezionale innovazione di \nun rivestimento murale che utilizza nello strato superficiale vinile \ndi origine biologica - BIOVYN™ - prodotto interamente da etilene \nderivato da residui di legno dell’industria forestale.\nd.ecodura™ è un prodotto con Dichiarazione Ambientale di Prodotto \n(EPD) registrata, soddisfa i requisiti del piano di prova Indoor Air \nComfort Gold nonché quelli del regolamento francese VOC A+, e \ngarantisce proprietà conformi agli standard di reazione al fuoco \ndi classe B s2 d0 e di classe A negli Stati Uniti. Supporto certificato \nIMO\u002FMED (Marine Equipment Directives), d.ecodura™ è adatto \nall’uso negli interni di imbarcazioni e altri spazi marini. \nd.ecodura™ è disponibile in due distinte texture che enfatizzano \nla sartorialità di Contemporary Wallpaper, la collezione dal forte \nimpatto decorativo, altamente personalizzabile per dimensioni, \ncolori e sviluppo grafico: d.TW (d.ecodura™ Texture Wallpaper) è il \nsupporto dal prezioso effetto tessuto, mentre d.SW (d.ecodura™ \nSand Wallpaper), con la sua superficie più liscia, ricorda la fine \ngranulosità della sabbia.\nd.ecodura™, the world’s first bio-based vinyl wallpaper.\nd.ecodura™ is the indoor wallcovering that redefines the \nstandards of wallpaper with no compromise. Sustainability, \nDurability, Beauty.\nd.ecodura™ pioneers a sustainable approach by replacing \nconventional vinyl with BIOVYN™, a game-changing \nmaterial with a lower environmental impact. It uses renewable raw \nmaterials instead of virgin fossil-based plastics, while offering the \nsame performance in terms of strength and durability.\nArchiproducts Award Sustainability 2024 Winner, German \nInnovation Award Special Mention 2024, Index Design Selection \n2024, German Design Award Winner 2025 – The accolades \ngranted to d.ecodura™ highlight the exceptional innovation of a \nwall covering that uses biologically sourced vinyl in the surface \nlayer – BIOVYN™ – produced entirely from ethylene derived from \nwood residue in the forestry industry.\nd.ecodura™ is a product with a registered Environmental Product \nDeclaration (EPD), meets the Indoor Air Comfort Gold test \nplan and French VOC Regulation A+ requirements, and ensures \nfire-resistant properties, compliant with class B s2 d0 fire \nreaction standards, and class A in the USA. The substrate is also \ncertified for marine environments – IMO\u002FMED (Marine Equipment \nDirectives) – suitable for use in the interiors of boats and other \nmarine spaces. \nThe decorative impact offers high customization potential \nthrough the Contemporary Wallpaper Collection, with options \nfor sizes, patterns, and shades. There is an added versatility with \ntwo distinct surface options to choose from: one with a precious \nfabric-like effect – d.TW (d.ecodura™ Texture Wallpaper) – and \nthe other with a granular texture reminiscent of sand – d.SW \n(d.ecodura™ Sand Wallpaper).\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.5.png","story .1\nin brown we trust\nCWC 2025 collection\n \nIl marrone si distingue non come semplice colore, ma come un fondamento \ndi vita, un’eco profonda delle radici della Terra, custode di calore per trascendere \nla mera estetica e diventare una presenza quasi spirituale.\n \nBrown stands out not simply as a color, but as a foundation of life, a deep \necho of Earth's roots, a keeper of warmth that transcends mere aesthetics to \nbecome an almost spiritual presence.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.6.png","Giovanni Pesce\nBy The Way\nWDBD2501\nstory .1 in brown we trust\n8\n9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.7.png","story .1 in brown we trust\n10\nChristian Benini\nAtmosfere\nWDAT2501\n11\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.8.png","story .1 in brown we trust\n12\n \nOgni immagine è un riflesso di questa terra che calpestiamo e amiamo, dal sottile \ngrano delle superfici in legno lavorato, alle trame intricatamente tessute di tessuti e arredi.\n \nEach image is a reflection of this earth we tread and love, from the subtle grain of \nworked wood surfaces to the intricately woven textures of fabrics and furnishings.\n13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.9.png","story .1 in brown we trust\n14\nFederico Peri\nEclisse\nWDEC2501\n15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.10.png","Una moodboard che celebra il \nmarrone nei suoi molteplici aspetti, \nevocando la solidità e la resilienza \ndella natura stessa.\nstory .1 in brown we trust\n16\nThis moodboard celebrates brown \nin its multiple aspects, evoking the \nsolidity and resilience of nature itself.\n17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.11.png","story .1 in brown we trust\n18\nCTRLZAK\nGhostForrest\nWDGF2501\n19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.12.png","Le Dictateur\nHiding In Barks\nWDHB2501\nstory .1 in brown we trust\n20\n21\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.13.png","María Gómez García\nEvoking\nWDEV2501\nstory .1 in brown we trust\n22\n23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.14.png"," \nIl marrone si manifesta non \nsolo nella mutevolezza della sua \ntinta, ma anche nel suo ruolo di base \nneutra, su cui la vita, in tutte le sue \nforme, può brillantemente fiorire.\nstory .1 in brown we trust\n24\n \nBrown manifests not only in \nthe mutability of its hue but also in \nits role as a neutral base, upon which \nlife, in all its forms, can brilliantly \nflourish. Wood, soft and welcoming, \nblends with clean, modern lines.\n25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.15.png","Studiopepe\nHorus\nWDHO2501\nstory .1 in brown we trust\n26\n27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.16.png","story .1 in brown we trust\n28\nGiovanni Pesce\nIncognito\nWDIN2501\n29\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.17.png","Paolo Badesco\nCostantino Affuso\nLes Courbes\nWDLC2501\nstory .1 in brown we trust\n30\n31\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.18.png"," \nUn lusso non sfarzoso ma essenziale, che \nriecheggia l’eterna danza tra l'uomo e la natura.\nstory .1 in brown we trust\n32\n \nA luxury that is not ostentatious but essential, \nechoing the eternal dance between man and nature.\n33\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.19.png","Talva Design\nLilly\nWDLI2501\nstory .1 in brown we trust\n34\n35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.20.png","story .1 in brown we trust\n36\nTommaso Guerra\nLong Tale\nWDLT2501\n37\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.21.png","Christian Benini\nMorning Mist\nWDMM2501\nstory .1 in brown we trust\n38\n39\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.22.png","story .1 in brown we trust\n40\nMae Engelgeer\nParallel Tinct\nWDPT2501\n41\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.23.png","Federico Peri\nScaglie\nWDSC2501\nstory .1 in brown we trust\n42\n43\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.24.png","Federico Peri\nTracciante\nWDTR2501\nstory .1 in brown we trust\n44\n45\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.25.png","story .1 in brown we trust\n46\nLudovica+Roberto Palomba\nSussurro\nWDSS2501\n47\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.26.png","story .2\nsoulful minimalism\nCWC 2025 collection\n \nUn viaggio visivo attraverso spazi che parlano di quiete e di equilibrio, dove ogni \nelemento è scelto per la sua capacità di evocare emozioni.\n \nA visual journey through spaces that speak of quietude and balance, where each \nelement is chosen for its ability to evoke emotions.\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.27.png","María Gómez Garcia\nPlatino\nWDPL2501\nstory .2 soulful minimalism\n50\n51\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.28.png","DeBonaDeMeo\nBeige Allure\nWDBA2501\nstory .2 soulful minimalism\n52\n53\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.29.png","Studiopepe\nDanae\nWDDA2501\nstory .2 soulful minimalism\n54\n55\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.30.png","story .2 soulful minimalism\n56\nAnthony Guerrée\nDettaglio\nWDDE2501\n57\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.31.png","story .2 soulful minimalism\n58\nLe Dictateur\nMetavision\nWDMV2501\n59\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.32.png","Simone Fanciullacci\nEngraving\nWDEN2501\nstory .2 soulful minimalism\n60\n61\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.33.png","La palette di colori è una sinfonia di toni neutri, dove il \npanna e il beige dominano, arricchiti da improvvisi \"lampi\" di \nterracotta che portano con sé un calore terreno.\nstory .2 soulful minimalism\n62\nThe color palette is a symphony of neutral \ntones, where cream and beige dominate, \nenriched by sudden flashes of terracotta that \nbring an earthy warmth.\n63\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.34.png","Lorenzo De Grandis\nRimmel\nWDRI2501\nstory .2 soulful minimalism\n64\n65\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.35.png","Tommaso Spinzi\nt\nWDTS2501\nstory .2 soulful minimalism\n66\n67\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.36.png","story .2 soulful minimalism\n68\nDeBonaDeMeo\nFades\nWDFA2501\n69\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.37.png","story .2 soulful minimalism\n70\nTommaso Guerra\nOxytocin\nWDOX2501\n71\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.38.png","\"Soulful Minimalism\" non è solo uno stile; è una filosofia \ndi vita, un invito a ridurre al minimo il superfluo per \ndare spazio all'essenziale, permettendo così agli spazi \ne agli oggetti di raccontare la loro storia più intima e \npersonale.\nstory .2 soulful minimalism\n72\n\"Soulful Minimalism\" is not just a style; it is a philosophy \nof life, an invitation to minimize the superfluous to make \nroom for the essential, thereby allowing spaces and \nobjects to tell their most intimate and personal stories.\n73\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.39.png","Anna Vermiglia De Carlo\nIl colore del Grano\nWDCG2501\nstory .2 soulful minimalism\n74\n75\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.40.png","story .2 soulful minimalism\n76\nAntonella Guidi\nLe Gardien De Mon Jardin\nWDLG2501\n77\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.41.png","Elisa Vendramin\nPharos\nWDPH2501\nstory .2 soulful minimalism\n78\n79\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.42.png","La luce gioca un ruolo chiave, scivolando dolcemente su superfici lisce che \namplificano la sensazione di spazio e serenità. \nLight plays a key role, softly gliding over smooth surfaces that amplify the sense of \nspace and serenity. \nstory .2 soulful minimalism\n80\nI tessuti, dalle trame delicate, e i mobili dalle linee \nmorbide aggiungono un tocco di grazia e comfort, \nrendendo ogni ambiente un rifugio per l'anima.\nThe fabrics, with their delicate textures, and the \nfurniture with soft lines add a touch of grace and \ncomfort, making each environment a refuge for the soul.\n81\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.43.png","story .2 soulful minimalism\n82\nDraga&Aurel\nRilievi\nWDRL2501\n83\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.44.png","story .2 soulful minimalism\n84\nStudio Salaris\nAnanke\nWDAN2501\n85\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.45.png","story .2 soulful minimalism\n86\nAlessandro Gottardo \n(aka Shout)\nOlimpia\nWDOL2501\n87\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.46.png","story .3\ntimeless\nCWC 2025 collection\n \n\"Timeless\" è un inno alla stratificazione di epoche e stili, un caleidoscopio dove il \npassato e il futuro si fondono in un abbraccio senza tempo.\n \n\"Timeless\" is a hymn to the layering of eras and styles, a kaleidoscope where the past \nand the future blend in a timeless embrace.\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.47.png","Lorenzo De Grandis\nJinko\nWDJI2501\nstory .3 timeless\n90\n91\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.48.png","Gupica\nA  New Day\nWDND2501\nstory .3 timeless\n92\n93\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.49.png","Marco Lorenzetto\nDustpath\nWDDP2501\nstory .3 timeless\n94\n95\n95\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.50.png","story .3 timeless\n96\nChristian Benini\nLa Aldaba\nWDLA2501\n97\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.51.png","story .3 timeless\n98\nEva Germani\nPrincess In Black\nWDPB2501\n99\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.52.png","story .3 timeless\n100\nFrancesca Zoboli\nHeritage\nWDHE2501\n101\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.53.png","È più di una semplice collezione di spazi; \nè una dichiarazione audace che sfida le \nconvenzioni, dimostrando che la bellezza \nnon conosce epoca. \nstory .3 timeless\n102\nIt's more than just a collection of spaces; it is \na bold statement that challenges conventions, \ndemonstrating that beauty knows no era.\n103\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.54.png","story .3 timeless\n104\nLorenzo De Grandis\nCharme\nWDCH2501\n105\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.55.png","story .3 timeless\n106\nAntonio Marras\nIl Mare Dove Non Si Tocca\nWDIM2501\n107\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.56.png","Christian Benini\nJ’Aime Beaucoup\nWDJA2501\nstory .3 timeless\n108\n109\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.57.png","Eva Germani\nOnce Upon A Time\nWDOU2501\nstory .3 timeless\n110\n111\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.58.png","Con \"Timeless\", si celebra l'arte del dettaglio e della \nscoperta, invitando gli spettatori a perdere lo sguardo \ntra i secoli, a riscoprire il passato mentre si naviga nel \npresente, costruendo ponti visivi e emotivi che uniscono \nnon solo stili, ma anche storie e vite.   \nstory .3 timeless\n112\nWith \"Timeless\", the art of detail and discovery is \ncelebrated, inviting viewers to lose their gaze across \ncenturies, to rediscover the past while navigating the \npresent, building visual and emotional bridges that unite \nnot just styles, but also stories and lives.\n113\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.59.png","story .3 timeless\n114\nLorenzo De Grandis\nLevante\nWDLE2501\n115\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.60.png","CTRLZAK\nHortorium\nWDHT2501\nstory .3 timeless\n116\n117\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.61.png","story .3 timeless\n118\nEva Germani\nOriental Gold\nWDOG2501\n119\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.62.png","Paolo Badesco \nCostantino Affuso\nVacances\nWDVC2501\nstory .3 timeless\n120\n121\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.63.png","Ogni ambiente diventa un palcoscenico dove diversi \nsecoli danzano insieme, mescolando texture, colori e \nmateriali in un balletto armonioso e sorprendente.\nEach space becomes a stage where centuries dance \ntogether, mixing textures, colors, and materials in a \nharmonious and surprising ballet.\nstory .3 timeless\n122\nLa modernità non sostituisce l'antico, ma lo invita a \ndialogare. Modernity does not replace the antique, but \ninvites it to converse.  \n123\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.64.png","Studio Salaris\nKalah\nWDKA2501\nstory .3 timeless\n124\n125\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.65.png","story .3 timeless\n126\nDraga&Aurel\nCascata\nWDCA2501\n127\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.66.png","story .3 timeless\n128\nInes Porrino\nPaloma\nWDPA2501\n129\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.67.png","Ludovica+Roberto Palomba\nOverlap\nWDOV2501\nstory .3 timeless\n130\n131\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.68.png","story .3 timeless\n132\nThe Elusive Hotter\nIn Out\nWDIO2501\n133\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.69.png","technical \ninformation\nCWC 2025\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.70.png","technical section\nWDND2502\nAnanke \u002F Studio Salaris\nWDAN2502\nA New Day \u002F Gupica\nWDND2501\nWDAN2501\nAtmosfere \u002F Christian Benini\nWDAT2502\nWDAT2501\nLarghezza Rollo \u002F Roll Width: 47 cm \u002F 18.5\"  — Lunghezza Rollo \u002F Roll Length: Custom\n136\nBy The Way \u002F Giovanni Pesce\nBeige Allure \u002F DeBonaDeMeo\nWDBA2501\nWDBD2501\nCascata \u002F Draga&Aurel\nWDCA2501\nWDBD2502\nWDCA2502\nWDBA2502\n137\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.71.png","technical section\nWDCH2502\nDanae \u002F Studiopepe\nWDDA2502\nCharme \u002F Lorenzo De Grandis\nWDCH2501\nWDDA2501\nDettaglio \u002F Anthony Guerrée\nWDDE2501\nWDDE2502\nLarghezza Rollo \u002F Roll Width: 47 cm \u002F 18.5\"  — Lunghezza Rollo \u002F Roll Length: Custom\n138\nWDDP2502\nEclisse\u002F Federico Peri\nWDEC2502\nDustpath \u002F Marco Lorenzetto\nWDDP2501\nWDEC2501\nEngraving \u002F Simone Fanciullacci\nWDEN2502\nWDEN2501\n139\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.72.png","technical section\nWDEV2502\nFades \u002F DeBonaDeMeo\nEvoking \u002F María Gómez García\nWDEV2501\nWDFA2501\nGhostforrest \u002F CTRLZAK\nWDGF2502\nWDGF2501\nWDFA2501\nLarghezza Rollo \u002F Roll Width: 47 cm \u002F 18.5\"  — Lunghezza Rollo \u002F Roll Length: Custom\n140\nWDHE2502\nHiding In Barks \u002F Le Dictateur\nWDHB2502\nHeritage \u002F Francesca Zoboli\nWDHE2501\nWDHB2501\nHortorium \u002F CTRLZAK\nWDHT2502\nWDHT2501\n141\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.73.png","technical section\nWDHO2502\nIl Colore Del Grano \u002F Anna Vermiglia De Carlo\nWDCG2502\nHorus \u002F Studiopepe\nWDHO2501\nWDCG2501\nIl Mare Dove Non Si Tocca \u002F Antonio Marras\nWDIM2502\nWDIM2501\nLarghezza Rollo \u002F Roll Width: 47 cm \u002F 18.5\"  — Lunghezza Rollo \u002F Roll Length: Custom\n142\nWDIO2502\nIncognito \u002F Giovanni Pesce\nWDIN2502\nIn Out \u002F The Elusive Otter\nWDIO2501\nWDIN2501\nJ'aime Beaucoup \u002F Christian Benini\nWDJA2502\nWDJA2501\n143\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.74.png","technical section\nWDJI2502\nKalah \u002F Studio Salaris\nWDKA2502\nJinko \u002F Lorenzo De Grandis\nWDJI2501\nWDKA2501\nLa Aldaba \u002F Christian Benini\nWDLA2502\nWDLA2501\nLarghezza Rollo \u002F Roll Width: 47 cm \u002F 18.5\"  — Lunghezza Rollo \u002F Roll Length: Custom\n144\nWDLG2502\nLes Courbes \u002F Paolo Badesco-Costantino Affuso\nWDLC2502\nLe Gardien De Mon Jardin \u002F Antonella Guidi\nWDLG2501\nWDLC2501\nLevante \u002F Lorenzo De Grandis\nWDLE2502\nWDLE2501\n145\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.75.png","technical section\nWDLI2502\nLong Tale \u002F Tommaso Guerra\nWDLT2502\nLilly \u002F Talva Design\nWDLI2501\nWDLT2501\nMetavision \u002F Le Dictateur\nWDMV2502\nWDMV2501\nLarghezza Rollo \u002F Roll Width: 47 cm \u002F 18.5\"  — Lunghezza Rollo \u002F Roll Length: Custom\n146\nWDMM2502\nOlimpia \u002F Alessandro Gottardo (aka Shout)\nWDOL2502\nMorning Mist \u002F Christian Benini\nWDMM2501\nWDOL2501\nOnce Upon A Time \u002F Eva Germani\nWDOU2502\nWDOU2501\n147\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.76.png","technical section\nWDOG2502\nOverlap \u002F Ludovica+Roberto Palomba\nWDOV2502\nOriental Gold \u002F Eva Germani\nWDOG2501\nWDOV2501\nOxytocin \u002F Tommaso Guerra\nWDOX2502\nWDOX2501\nLarghezza Rollo \u002F Roll Width: 47 cm \u002F 18.5\"  — Lunghezza Rollo \u002F Roll Length: Custom\n148\nWDPA2502\nParallel Tinct \u002F Mae Engelgeer\nWDPT2501\nPaloma \u002F Ines Porrino\nWDPA2501\nWDPT2501\nPharos \u002F Elisa Vendramin\nWDPH2502\nWDPH2501\n149\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.77.png","technical section\nWDPL2502\nPrincess In Black \u002F Eva Germani\nWDPB2502\nPlatino\u002F María Gómez García\nWDPL2501\nWDPB2501\nRilievi \u002F Draga&Aurel\nWDRL2502\nWDRL2501\nLarghezza Rollo \u002F Roll Width: 47 cm \u002F 18.5\"  — Lunghezza Rollo \u002F Roll Length: Custom\n150\nWDRI2502\nScaglie \u002F Federico Peri\nWDSC2502\nRimmel \u002F Lorenzo De Grandis\nWDRI2501\nWDSC2501\nSussurrro \u002F Ludovica+Roberto Palomba\nWDSS2502\nWDSS2501\n151\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.78.png","technical section\nWDTS2502\nTracciante \u002F Federico Peri\nWDTR2502\nTimeless Simplicity \u002F Tommaso Spinzi\nWDTS2501\nWDTR2501\nVacances \u002F Paolo Badesco-Costantino Affuso\nWDVC2502\nWDVC2501\nLarghezza Rollo \u002F Roll Width: 47 cm \u002F 18.5\"  — Lunghezza Rollo \u002F Roll Length: Custom\n152\n153\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.79.png","CHRISTIAN BENINI\nFotografo, fondatore e art director di \nWall&decò Christian Benini inizia la carriera \ncome fotografo ritrattista e si specializza poi \nnella fotografia di moda e pubblicitaria. Le \nsue collaborazioni lo portano ad avvicinarsi \nalle agenzie di pubblicità e case di moda \nin Italia, Regno Unito e Stati Uniti. Il suo \ninteresse si indirizza in modo sempre più \npreciso verso la fotografia d’arredamento. \nHa avuto così inizio un percorso di \nricerca, tutt’ora in atto, che lo porta a \ncreare Wall&decò, un progetto che unisce \nfotografia e design in costante evoluzione. \n— Photographer, founder and art director of \nWall&decò Christian Benini began his career \nas a portrait photographer and then went \non to specialise in fashion and publicity \nphotography. He has worked in close \nconjunction with advertising agencies and \nfashion houses in Italy, the United Kingdom \nand the USA. His interest is increasingly \nmore precisely focused on the photography \nof interiors. Thus a path of research began \nwhich is still in progress and which resulted \nin his setting up Wall&decò, a project which \ncombines photography and design in \nconstant evolution.\nALESSANDRO GOTTARDO (AKA SHOUT) \nAlessandro Gottardo, conosciuto anche \ncon lo pseudonimo di Shout, vive e lavora \na Milano. Tra le sue collaborazioni più \nimportanti, The New York Times, The Wall \nStreet Journal, TIME, Penguin Books, \nVolkswagen, Barclays, ENI, Nokia, United \nAirlines. Ha ricevuto diversi riconoscimenti \ninternazionali; tra il 2006 e il 2007 pubblica \ncon la casa editrice 27_9 i volumi “Jetlag“ \ne “Jetlag 2”, nel 2010 “Mono Shout”, una \nmonografia sui primi 10 anni di attività e \nnel 2011 “DAZED”. Attraverso un’operazione \ndi sottrazione, di sintesi dell’immagine, \nShout rende le sue illustrazioni piccole \nopere concettuali in cui più che mostrare, \ncostruisce messaggi immediatamente \npercepibili.  — Alessandro Gottardo, also \nknown by the name of Shout, he lives and \nworks in Milan. Highlights of his career \ninclude cooperating with The New York \nTimes, The Wall Street Journal, TIME, \nPenguin Books, Volkswagen, Barclays, ENI, \nNokia, United Airlines. He has received \nnumerous international accolades: between \n2006 and 2007, his publishing company 27_9 \nproduced the books “Jetlag“ and “Jetlag 2”, \nin 2010 “Mono Shout”, a monographic work \non the first 10 years of business activity and \nin 2011 “DAZED”. By means of an operation \nof subtraction and image synthesis, Shout \nmakes his illustrations small conceptual \nworks, in which, rather than showing, he \nbuilds up immediately perceptible messages.\nANTONELLA GUIDI\nAntonella frequenta l’Istituto Statale d’arte \nper il Mosaico di Ravenna. Dal 1983 partecipa \na mostre sia personali che collettive e nel \n1987, utilizzando materiali riciclati a costo \nzero, inizia a produrre accessori per la moda, \nfondando una piccola azienda. La filosofia \ndel riciclo sarà la tematica fondamentale del \nlavoro artistico che continuerà in parallelo \nall’attività nel campo della moda, e che ha \nprodotto molte opere. Ha inoltre collaborato \ncon aziende tessili e ceramiche come \ndisegnatrice decorativa free lance e con \ncase editrici come illustratrice di libri fantasy. \n— Antonella attends the Mosaic State Art \nInstitute in Ravenna. Since 1983, she has \nbeen taking part in both solo and collective \nart shows and, in 1987, using recycled no-\ncost materials, she began making fashion \naccessories, setting up a small company. \nThe recycling philosophy pervades her \nentire artistic production which continues \nalongside her fashion industry activities \nand which has resulted in the creation of \nnumerous works. She has also collaborated \nwith textile and ceramic manufacturers \nas free-lance decorative designer and \nwith publishing companies as illustrator of \nfantasy books.\nANTONIO MARRAS\nAntonio Marras nasce ad Alghero, Sardegna. \nTerra che segna profondamente la sua \ncifra stilistica. Il suo esordio nella moda \navviene sotto il segno di una fortunata \ncasualità: nel 1987, infatti, è chiamato da \nuna ditta romana a disegnare collezioni di \nprêt-à-porter, grazie alla sua competenza \nsviluppata su un doppio binario. Quello \nculturale - Marras da sempre si interessa ad \nogni forma di espressione artistico-creativa \n- e quello “tecnico”, sviluppato in base alla \nconoscenza di materie e forme. Nel marzo \n1999, a Milano, la prima volta del suo prêt-\nà-porter e nel 2003 è invitato dal gruppo \nfrancese LVMH a diventare direttore artistico \ndella maison Kenzo sino al 2011. Con il suo \nheadquarter a Milano, Marras farà però una \nscelta importantissima, sentimentale ma \nanche artistica: non rinuncerà a vivere dove \nè cresciuto, ad Alghero sempre tornando \na cercare creatività, ispirazione, materiale \nper il suo universo espressivo. — Antonio \nMarras was born in Alghero, on Sardinia. \nThe island has always deeply influenced his \naesthetic. His fashion debut was the result \nof a lucky chance. In 1987 a fashion house \nin Rome asked him to design a prêt-à-porter \ncollection. Their invitation was due to his \ndual baggage of skills: cultural – Marras \nhas always involved himself in every form of \nartistic\u002Fcreative expression – and technical \nbased on his know-how of materials and \nforms. He debuts with his prêt-à-porter in \nMarch 1999 in Milan and in 2003 LVMH, the \nFrench luxury goods group, invites him to \nbe the artistic director of the Kenzo fashion \nhouse till 2011. With his headquarters in Milan, \nMarras made a fundamental choice, both \nsentimental and artistic: he will never give up \nliving where he was born, to Alghero always \nreturning in pursuit of creativity, inspiration \nand material for his expressive universe.\nANTHONY GUERRÉE \nAnthony Guerrée è un designer francese nato \nin Normandia nel 1987, con sede a Parigi. \nConosciuto per i suoi progetti scultorei e \nfunzionali, esplora l'artigianato di alta qualità \ne la storia delle arti decorative francesi.\nGuerrée si forma all'École Boulle, dove ha \nsviluppato la sua passione per l'artigianato di \nqualità. Nel 2010 inizia la sua carriera presso \nlo Studio Andrée Putman, collaborando \ncon i migliori artigiani, e successivamente \naffianca Christophe Delcourt per la Delcourt \nCollection. Nel 2020, Guerrée lancia il \nproprio studio, creando progetti ispirati ai \nsuoi viaggi, alle esperienze personali e alla \nletteratura. La sua collezione di debutto, \nChairs of Lost Time, è influenzata da ‘À la \nrecherche du temps perdu ‘ di Marcel Proust: \nogni sedia rappresenta un personaggio del \nromanzo. Nel 2022, la sua sedia-schermo \n“Verdurin” entra a far parte della collezione \ndel Mobilier National e riceve il premio \n“French Design 100” al Palais de l'Élysée.\nGuerrée collabora con marchi internazionali \ncome De La Espada, Linteloo o La Chanc.\nAnthony Guerrée, a French designer born \nin Normandy in 1987, based in Paris. Known \nfor his sculptural yet functional designs, \nhe explores high-quality craftsmanship \nand the history of French decorative \narts. Guerrée trained at the École Boulle, \nwhere he developed his passion for fine \ncraftsmanship. He began his career at \nStudio Andrée Putman in 2010, collaborating \nwith top artisans, and later worked with \nChristophe Delcourt on the Delcourt \nCollection. In 2020, Guerrée launched his \nown studio, creating designs inspired by his \ntravels, personal experiences, and literature. \nHis debut collection, Chairs of Lost Time, \nwas influenced by Marcel Proust’s À la \nrecherche du temps perdu, with each chair \nembodying a character from the novel. In \n2022, his “Verdurin” screen-chair entered \nthe collection of Mobilier National, and he \nreceived the “French Design 100” prize at \nthe Palais de l’Élysée. Guerrée collaborates \nwith international brands like De La Espada, \nLinteloo or La Chanc.\nANNA VERMIGLIA DE CARLO\nNata a Milano, Anna è un’artista che alterna \ne mescola da sempre le sue molte attività \nsovrapponendo generi e tecniche. Le \ndiverse forme espressive utilizzate le hanno \npermesso di creare nel tempo un particolare \nmondo distintivo. Le sue sculture tagliate \nin sottili lamiere d’ottone che luccicano \ne danzano nell’aria fanno parte di molte \ncollezioni private ed estere, così come i suoi \nquadri e disegni. Si è anche dedicata con \nsuccesso a varie forme di design, dalle luci \nda tavolo alla grafica, dai film d’animazione \nal disegno per tessuti, fino ai vetri d’arte \ne la carta da parati. La costante ricerca \ne l’esperienza maturata in tante attività \ndiverse, l’hanno anche portata a progettare \nuna linea di arredamento da giardino \ndesigners\nCWC 2025\nprodotta in Salento con artigiani locali. \nHa studiato presso il M.I.T. di Cambridge, \nUSA, dove ha sviluppato la sua formazione \nartistica presso il C.A.V.S. (Center for \nAdvanced Visual Studies). Per dieci anni è \nstata disegnatrice, creativa e autrice de \n“L’Albero Azzurro”, programma televisivo \ndi RAI1. I suoi libri sono pubblicati dalle \npiù importanti case editrici italiane come: \nRizzoli, Bompiani, Electa, Fabbri, Nuages, \nDe Agostini, Emme. Le sue illustrazioni sono \nstate regolarmente diffuse dalle maggiori \ntestate giornalistiche: La Repubblica, \nLa Stampa, Abitare, Amica, Esquire, Il \nMessaggero, L’Europeo, Il Giornale della \nMusica, Spazio & Società. Il suo percorso \nartistico l’ha vista anche coinvolta in \ndiversi progetti architettonici con il padre, \nl’architetto Giancarlo De Carlo.\nVive tra Milano, il Salento e Berlino. Ha due \nfigli: Jessica e Leo Einaudi.\nBorn in Milan, Anna is an artist who has \nalways alternated and blended all her \nmany activities, superimposing genres and \ntechniques. All these various expressive \nforms have enabled her to create over time \nthe depiction of a particular distinctive \nworld,. Her brass sheet metal sculptures \nthat glitter and dance in the air, are held \nin many private and foreign collections, \nas well as her paintings and drawings. \nShe also successfully dedicated herself to \nvarious forms of design, from table lamps \nto graphics, animation films, textiles, glass \nart and wall paper. Her constant research, \nin so many different undertakings, have \nalso led her to design a garden furniture line \nproduced in Salento by local artisans.\nShe studied at M.I.T. of Cambridge, USA, \nwhere she developed her artistic training \nat C.A.V.S. (Center for Advanced Visual \nStudies). She worked as creator, author and \ncreative designer of “L’Albero Azzurro”, a \nTV Show, on Italy’s main channel RAI1. Her \nbooks have been published by prominent \nItalian publishing houses such as: Rizzoli, \nBompiani, Electa, Fabbri, Nuages, De \nAgostini, Emme. Her illustrations have been \nregularly featured in many Italian magazines \nand newspapers: La Repubblica, La Stampa, \nAbitare, Amica, Esquire, Il Messaggero, \nL’Europeo, Il Giornale della Musica, Spazio \n& Società. She has been involved in several \narchitectural projects with her father, \narchitect Giancarlo De Carlo. She lives \nbetween Milan, Salento and Berlin. She has \ntwo children: Jessica and Leo Einaudi.\nCTRLZAK \nCTRLZAK Art & Design Studio agisce a \nlivello internazionale nel campo dell’arte \ne del design. Lo studio fondato da Thanos \nZakopoulos (Grecia) e Katia Meneghini \n(Italia), si avvale di strumenti semiotici e \ncognitivi durante tutto il percorso creativo \nproponendo forme che vanno al di là \ndel comune valore estetico. L’approccio \ncreativo dello studio si relaziona al contesto \nsociale, ambientale e culturale in cui \nopera. Negli oggetti e ambienti proposti \nsi enfatizzano aspetti legati alla loro \nmemoria e alla storia stessa del luogo in \ncui vengono ri-contestualizzati, facendo \nattenzione ai dettagli che sottolineano il \nloro valore simbolico senza però negarne \nla funzionalità. — CTRLZAK Art & Design \nStudio is a multidisciplinary team founded \nby Thanos Zakopoulos (Greece) and Katia \nMeneghini (Italy). The studio operates \ninternationally in the field of contemporary \nart and design with a creative vision that is \nnot limited by a specific framework. With \nthe use of semiotic tools within the creative \nprocess the studio proposes forms that \nsurpass common aesthetic values working \non a cognitive level. The concept behind \neach project is to inspire a responsible \nawareness through the ‘added value’ that \nart has for society with a special attention \nto issues of environmental impact.\nDEBONADEMEO\nLuca DeBona e Dario DeMeo, architetto \ne designer, si incontrano sul percorso \ntra Milano e il Veneto e iniziano una \ncollaborazione che proprio dal viaggio \nattinge ispirazione per produrre segni e \ndisegni di risposta alle esigenze dell’habitat \ncontemporaneo. Collaborano con \nprestigiose aziende di arredo, illuminazione, \ndecorazione occupandosi di direzione \nartistica, ideazione di concept e sviluppo di \nprodotti. Una ricerca in micro e macro scala \nche rilegge e fonde vari ambiti: architettura, \ndesign, grafica e arte per creare ambienti e \noggetti innovativi, ma capaci di raccontare \nstorie e indurre emozioni. — Luca and \nDario, architect and designer, meet on \nthe road between Milan and the Italian \nVeneto region and begin a collaboration \nthat dRaws inspiration from the trip, to \nproduce marks and dRawings that respond \nto the needs of the contemporary home \ninteriors. They collaborate with prestigious \nfurnishing, lighting and decor companies, \nlooking after art direction, concept and \nproduct development. A research in micro \nand macro scale that reviews and merges \ndifferent spheres: architecture, design, \ngraphics and art, to create innovative \nenvironments and objects, but able to tell \nstories and stir emotions.\nDRAGA&AUREL\nDi origine serba lei, tedesco lui – trovano \nnell’Italia il giusto terreno per la loro \nespressione artistica. Draga affina \nnegli anni una sua tecnica di pittura \ndirettamente su tessuto che le permette \ndi creare una collezione dal design unico \ndove colore, motivo e materia si incontrano \nin una commistione armonica. Aurel \nK. sceglie di esaltare le potenzialità della \nresina ricorrendo ad una forte espressività \npittorica. L’intesa, oltre che di vita, nel 2007 \ndiventa anche professionale: vivendo e \nsviluppando insieme la comune passione \nper l’arte contemporanea, l’affinità \nartistica cresce con loro conducendoli \nad un comune percorso di ricerca, di \napprofondimento e di confronto che li \nportano a collaborazioni con prestigiosi \nmarchi internazionali quali Baxter \ne Anthropologie. — She is of Serbian \norigin while he is from Germany – they \nfind in Italy the right soil for their artistic \nexpression. Draga refined her painting \ntechnique directly on canvas during the \nyears that allowed her creating a collection \ncharacterised by a unique design where \ncolour, pattern and matter meet in a \nharmonic union. Aurel K. chooses to exalt \nthe potentials of resin, resorting to a \nstrong pictorial expression. The mutual \nunderstanding, in addition to a personal \nlevel, became also professional in 2007: \nliving and developing together the common \npassion for modern art, the artistic affinity \ngrew with them, leading the couple to \nundertake a common research, study and \nsharing path that led them to cooperate \nwith the most prestigious international \nbrands, like Baxter and Anthropologie.\nELISA VENDRAMIN\nElisa Vendramin è un’illustratrice italiana \nche lavora per lo più a progetti grafici per il \nsettore culturale e del design, elaborando \ndigitalmente pattern illustrati. Dopo aver \nconseguito un Master in Communication \nDesign presso Central Saint Martins \nCollege of Art and Design (London, 2010), \nElisa comincia a collaborare con istituzioni \nculturali quali Science Museum of London \ne Nordic House Reykjavik, nonché lavora \ncon agenzie di comunicazione come \nBrandever, Amplify e Machas. Dopo \nuna serie di mostre collettive a Londra e \nParigi, Elisa si trasferisce a Reykjavik dove \nviene selezionata per alcune residenze \nd'artista, tra cui SÍM International \nResidency (Reykjavik, 2011) e NES Artist \nResidency (Skagaströnd, 2011). Dal 2013 \nritorna in Italia e continua a collaborare \ncome freelance con clienti internazionali \nquali Atacama Invest, Fendi, Bompiani, \nMondadori, MuseumsQuartier Wien e \nApple. In contemporanea, segue progetti di \nricerca personale esposti presso la galleria-\nartstore Atelier Olschinsky di Vienna. – Elisa \nVendramin is an Italian illustrator who works \nmostly on graphic projects for the cultural \nand design sector, digitally processing \nillustrated patterns. After obtaining a Master \nin Communication Design at Central Saint \nMartins College of Art and Design (London, \n2010), Elisa begins to collaborate with \ncultural institutions such as Science Museum \nof London and Nordic House Reykjavik, \nas well as working with communication \nagencies such as Brandever, Amplify and \nMachas. After a series of group exhibitions in \nLondon and Paris, Elisa moved to Reykjavik \nwhere she was selected for several artist \nresidencies, including SÍM International \nResidency (Reykjavik, 2011) and NES Artist \nResidency (Skagaströnd, 2011). Since \n2013 she returns to Italy and continues to \ncollaborate as a freelancer with international \nclients such as Atacama Invest, Fendi, \nBompiani, Mondadori, MuseumsQuartier \nWien and Apple. At the same time, he follows \npersonal research projects exhibited at the \ngallery-artstore Atelier Olschinsky in Vienna.\nEVA GERMANI\nUna lunga formazione maturata nel mondo \ndel restauro l’ha portata a contatto diretto \ncon le opere dei grandi maestri, dipinti \ned affreschi dal grande impatto e valore \nartistico ed architettonico. La conoscenza \ndei materiali, delle tecniche esecutive, \ndelle atmosfere di sapore antico sono \nconvogliate in uno stile rapido, privo di \nformalismi accademici a volte aggraziato, \nma sempre contraddistinto da un tratto \ndi materica ruvidità. Proiettata verso una \ndecorazione dall’effetto scenografico si \ndedica, in collaborazione con architetti e \ndesigner, alla creazione di spazi domestici \no commerciali caratterizzati da una forte \n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.80.png","atmosfera retrò e dal gusto vagamente \nbohémien. — A long training period in the \nfield of architectural conservation allowed \nher to gain direct contact with the artworks \nof famous artists, paintings and frescos \nof great artist and architectural impact \nand value. Her knowledge of materials \nand execution techniques, which recall \ntraditional settings, are conveyed through \na determined style, without academic \nformalisms, at times graceful, but \nalways characterized by a ruvid material \ntrait. Projected towards scenographic \ndecoration, her works are carried out with \narchitects and designers and consist in \nthe creation of residential and commercial \nspaces with strong retrò atmospheres and \nslight bohemian tastes.\nFEDERICO PERI\nFederico Peri nasce nel 1983 a Montebelluna \nin provincia di Treviso. Terminati gli studi \nuniversitari a Milano presso la Facoltà \ndi interior design dell’Istituto Europeo di \nDesign, si trasferisce a Parigi grazie ad una \nborsa di studio di residenza per artisti. In \nquesto periodo, ricco di contaminazioni \ninternazionali e stimoli progettuali, \ninizia il proprio percorso professionale \nappassionandosi ai grandi maestri e \ndefinendo il proprio interesse come sinergia \ntra storico e contemporaneo. Rientra \na Milano per lavorare presso Vudafieri \nSaverino Partners fino al 2011, quando avvia il \nproprio studio occupandosi prevalentemente \ndi progettazione d’interni e arredo.\nCollabora con aziende, marchi di moda, \nprofessionisti e privati concependo progetti \nche siano strettamente connessi alle singole \nidentità. Nilufar, galleria internazionale con \nsede a Milano, rappresenta i suoi prodotti \nin edizione limitata, tra cui la collezione di \nlampade “Shapes” nominata nel 2016 per il \nGerman Design Awards. Tra i candidati come \n“miglior designer esordiente” al Salone del \nmobile Milano awards 2017 con il prodotto \n“Galerie” disegnato per FontanaArte, \nviene anche nominato per il “rising talent \nawards” all’edizione di Maison&Objet \n2018.. — Federico Peri was born in 1983 in \nMontebelluna in the province of Treviso. \nAfter graduating in Interior Design from the \nEuropean Institute of Design, he moved to \nParis thanks to a residency scholarship for \nartists. During this period, brimming with \ninternational cross-contaminations and \ndesign stimuli, he developed a professional \ninterest and passion for the great masters \nwhile also defining his own interest as the \nsynergy of the historical and contemporary. \nHe returned to Milan to work at Vudafieri \nSaverino Partners until 2011, when he started \nhis own firm, mainly focused on interior \nand furniture design. He collaborates with \ncompanies, fashion brands, professionals \nand individuals, bringing to life projects \nthat closely tie in with individual identities. \nNilufar, an international gallery based in \nMilan, represents its limited-edition products, \nincluding the “Shapes” collection of lamps \nnominated in 2016 for the German Design \nAwards. One of the “best new designer” \ncontestants at the 2017 Salone del Mobile \nMilano awards with the product “Galerie” \ndesigned for FontanaArte, he was also \nnominated for the “Rising Talent Awards” at \nMaison&Objet 2018.\nFRANCESCA ZOBOLI\nFrancesca, dopo essersi diplomata in pittura \nall’Accademia di Belle arti di Milano, nel \n1990, fonda lo studio di decorazioni d’interni \nL’O di Giotto, che opera in Italia e all’estero. \nAll’attività di interior decorator affianca la \nricerca pittorica, condotta in particolare \nsull’assemblaggio di materiali. Dal connubio \nfra pittura e decorazione nasce lo stile dei \nsuoi lavori, connotato da un linguaggio \noriginale che si ispira a tessuti, tappezzerie, \nantiche tecniche di stampa, motivi etnici \ne tradizionali, pattern grafici, intonaci, \ntexture naturali come legni, foglie, polveri, \nterre. Attenta e sensibile alle più recenti \ntendenze della moda, del design, dell’arte e \ndell’architettura contemporanea, Francesca \nZoboli mira ad articolare e integrare \norganicamente il progetto decorativo \nall’ambiente e allo spazio. Fra i suoi clienti, \nFratelli Rossetti, Hotel De Russie , Kenzo, \nper cui nel 2006 ha progettato e realizzato \ninterventi di decorazione destinati al \nnuovo concept store di Parigi (Art Director \nAntonio Marras). — After graduating in \nPainting at the Academy of Fine Arts in \nMilan in 1990, Francesca founds l’O di \nGiotto – ann Interior Decoration Studio \noperating both in Italy and abroad. \nAlongside interior decorating, she also \nconducts pictorial research, especially as \nregards the assembly of materials. Out of \nthe combination of painting and decorating \ncomes the style of her works, distinguished \nby an original language inspired by fabrics, \nupholsteries, old printing methods, ethnic \nand traditional motifs, graphic patterns, \nplastering, natural textures such as \nwoods, leaves, powders, earths. Careful \nand sensitive to the most recent fashion, \ndesign, art and modern architecture trends, \nFrancesca Zoboli aims at organically \narticulating and integrating decorative \nprojects in environments and spaces. \nAmong her customers Fratelli Rossetti and \nHotel De Russie; in 2006 she has partially \ndesigned and decorated the new concept \nstore in Paris for Kenzo (Art Director Antonio \nMarras).\nGIOVANNI PESCE\nDiplomato al Liceo Artistico di Bari con \nindirizzo architettonico, Giovanni Pesce \ninizia la sua attività nel 1986 nell’ufficio \ntecnico di un’azienda di credito, per \nla progettazione delle sue filiali. Nel \n1994 fonda, in collaborazione con altri \nprofessionisti, Signum, un gruppo di lavoro \nattivo nella realizzazione di spazi espositivi. \nDal 1997 avvia un proprio studio che lo vede \nimpegnato sia come interior designer che \ncome designer di prodotto. — Giovanni \nbegan his career in 1986 when he was asked \nto join the staff of the technical department \nof a major credit company for the design \nof a large number of branches. In 1994 \nhe founded the Signum, a working group \nin collaboration with other professionals, \nwith whom he developed exhibition spaces. \nSince 1997 he started a studio \u002F laboratory \nof ideas in which he is engaged, initially as \nan interior designer, then more and more \ndirected towards product design: clear \nand direct works with discrete shapes and \nmaterials and with a beauty intimately \nlinked to their functionality.\nGUPICA\nDopo una laurea in letteratura Gunilla \nZamboni (Gupica) matura una formazione \nnell’ambito della pittura murale a Firenze e \ndelle arti decorative in Francia a Versailles, \ndove si diploma in Peintre en Décor. Si \nspecializza in interior design allo IED di \nMilano. Lavora a contatto con le migliori \nmaestranze italiane e francesi, affinando i \nsegreti e le tecniche della pittura decorativa \nin Francia e lo studio del design in Italia. \nNel 2010 fonda Gupica, uno studio creativo \nche realizza progetti servendosi di un \nmetodo multidisciplinare che coinvolge arti \ndecorative, design di interni e di prodotto, \nsperimentazione contemporanea e \nartigianalità. Mettendo al servizio di clienti e \naziende la propria visione creativa. La cura \nper il dettaglio e un dialogo costante tra \ncontemporaneo e codici legati alla tradizione \ncontraddistinguono i suoi progetti.  — Upon \nobtaining her degree in Literature, G unilla \nZamboni (Gupica) continued to study in \nFlorence focusing on the art of fresco and \nmural painting, completing her studies \nwith a master degree in Peintre en Décor in \nVersailles, France. She later specialized in \ninterior design at IED in Milan. Gupica worked \nwith Italian and French masters, honing \nthe secrets and techniques of decorative \npainting in France and the study of design in \nItaly. In 2010 she founded Gupica, a creative \nstudio that develops projects through multi-\ndisciplinary methods such as: decorative arts, \ninterior design, product design, traditional \nhandcrafts and modern techniques. She \nevolves projects for private clients and \ncompanies with her creative vision. Her \nattention to detail and the combination \nof contemporary and traditional codes \ncharacterize her projects.\nINES PORRINO\nInes svolge l’attività dal 1975, inizialmente \nin collaborazione con gli studi Arcoop, \nArkite’ Architetti Associati e Studio \nPiergiorgio Cazzaniga, dal 1997 diventa \nlibero professionista e si occupa di interior, \nallestimenti fieristici, eventi di design e \nnegozi di arredamento. Ines Porrino si \noccupa del concept della realizzazione del \nprodotto e del catalogo per collezioni di \npavimenti in pvc Limonta. Dal 2010 ha iniziato \nuna produzione delle lampade artigianali \nFilrouge. Ha collaborato con diverse testate \nd’arredamento,tra le quali Interni, Spazio \nCasa, Lake Como lifestyle. — Ines has been in \nbusiness since 1975, initially in collaboration \nwith studios such as Arcoop, Arkite \nAssociated Architects and Studio Piergiorgio \nCazzaniga. In 1997 she turn into a free lance \nconsultant in the field of interior design, \nexhibition spaces, design events and furniture \nstores. Ines Porrino develops the concept up \nto the product prototype and the catalogue \nfor a floor collections in PVC for Limonta. \nSince 2010 he has begun a production of \nartisanal lamps FILROUGE. She has worked \nwith several interior design magazines such \nas Interni, SpazioCasa, Lake Como Lifestyle.\nLE DICTATEUR\nFederico Pepe è nato nel 1976. Vive e lavora \na Milano. È una figura unica nel panorama \nculturale e artistico italiano, dove si muove \ncon agilità ed estrema coerenza estetica tra \nvarie forme artistiche. Pubblicità, Artista, \nGraphic Designer, Video Maker. Direttore \ncreativo dell’agenzia di comunicazione \nmultinazionale DLVBBDO. Nel 2006 fonda \nLe Dictatuer, progetto editoriale e spazio \nespositivo indipendente a Milano, per il \nquale è da oltre 10 anni direttore editoriale \ne artistico. Ha esposto le sue opere e i suoi \nprogetti alla MOMA Library and Family \nBusiness di New York, alla TATE MODERN \ndi Londra, al Palais de Tokyo di Parigi, alla \nTriennale di Milano e in molte altre gallerie \nprivate. Collabora negli anni con artisti \nfamosi come Maurizio Cattelan, Pierpaolo \nFerrari, Nico Vascellari, Jacopo Benassi e \ndesigner come Patricia Urquiola con cui \nha firmato due collezioni (CREDENZA 2016, \nMISCREDENZA 2017). — Federico Pepe was \nborn in 1976. He lives and works in Milan. He \nis a unique figure in the cultural and artistic \nItalian landscape, where he moves with \nagility and extreme aesthetic coherence \nbetween various artistic forms. Advertising, \nArtist, Graphic Designer, Video Maker. \nExecutive creative director of the DLVBBDO \nMultinational Communication Agency. In \n2006 he founded in Le Dictatuer, an editorial \nproject and an independent exhibition \nspace based in Milan, for which he has \nbeen the editor of editorial and artistic plan \nfor over 10 years. He exhibited his works \nand projects at MOMA Library and Family \nBusiness in New York, at TATE MODERN \nin London, at the Palais de Tokyo in Paris, \nat the Trienniale of Milan and in many \nothers private galleries. Over the years he \ncollaborated with famous artists such as \nMaurizio Cattelan, Pierpaolo Ferrari, Nico \nVascellari, Jacopo Benassi and designers \nsuch as Patricia Urquiola with whom he has \nsigned two collections (CREDENZA 2016, \nMISCREDENZA 2017).\nLORENZO DE GRANDIS\nResponsabile creativo per importanti brand \nnel design di interni. Una continua ricerca di \nriferimenti che permette a Lorenzo Lorenzo \nDe Grandis di progettare e sviluppare \ncontenuti visivi ottenendo risultati di \ngrande forza comunicativa. Sensazioni, \nidee e atmosfere si traducono  nei suoi \nprogetti di graphic design, textile design e \nallestimenti. Uno studio multidisciplinare \ncon un’ambizione: catturare il ritmo e \nl’estetica del tempo. — Responsible of visual \ncommunication for important interior design \ncompanies. Lorenzo Lorenzo De Grandis’s \nworks inspires ideas and stories. Emotion \ndriving to create atmosphere with shapes \nand functions, effective solutions and \nprojects. Textiles, graphic design, interiors \nand further sensation. A multidisciplinary \nstudy with an ambition: to capture the \nrhythm and the aesthetics of time. To see \nwhat inspires, what elevates, what activates.\nLUDOVICA+ROBERTO PALOMBA\nLudovica+Roberto Palomba, architetti, \nvivono e lavorano a Milano. Fondano nel \n1994 Palomba Serafini Associati. Hanno \nricevuto numerosi premi e riconoscimenti \ninternazionali come il Compasso D’Oro, l’Elle \nDecoration International Design Award, \nil Red Dot, il Design Plus, il Good Design \nAward, il German Design Award. Progettano \narchitetture ed esposizioni in tutto il mondo; \ncollaborano e sono art director per alcuni dei \nmarchi più affermati. \n“I nostri progetti di design e di architettura \nsi basano sull’analisi del cambiamento dei \ncomportamenti. Sia i primi schizzi che la \nstesura finale di ogni progetto sono passati \nal vaglio delle nostre due esigenze e delle \nnostre due visioni, allo stesso tempo complici \ne differenti, quindi consensuali. Questa \ncompletezza è frutto di un metodo, non di \nuno stilismo. Un metodo per coniugare gli \nopposti: creatività e funzione, innovazione e \nlongevità. Senza mai dimenticare originalità \ne purezza delle forme… \nLa cifra del nostro lavoro - ricerca, sviluppo, \nprogetto, si riassumono così in una sola \nparola: EVIDENZA.” — Ludovica+Roberto \nPalomba are architects who work and live \nin Milan. They founded Palomba Serafini \nAssociati in 1994. They have received \nnumerous international awards such as \nthe Compasso D’Oro, Elle Decoration \nInternational Design Award, Red Dot, \nDesign Plus, Good Design Award, German \nDesign Award. Ludovica+Roberto Palomba \nplan architectures and design exhibitions \nworldwide. They work with and are art \ndirectors for some of the most established \nbrands. “Our creations, whether they \nbe pieces of design or architecture, are \nderived from observations of change in \nhuman behavior. It is important to see \nthese products outside a fixed location \nor period – they do not reflect the latest \nfad but are the result of rationality and \npondered craftsmanship. Our initial drafts \nare projections of our own needs. Our two \nvisions are complementary and our design \nconsensual. The challenge of our work is \nabout merging function, innovation and \nlongevity. We seek to project courage and \nserenity through the purity and originality \nof our work…. And there it is, that is what \ncharacterizes our creations: research, often \nlengthy, difficult, exhilarating to achieve \nwhat in a word can only be expressed as \nEVIDENCE.”\nMAE ENGELGEER\nIl design tessile è sempre stato al centro \ndel lavoro della designer olandese, sin dai \ntempi del liceo agli studi all’Amsterdam \nFashion Institute e al Sandberg Instituut. Da \nquando ha aperto il suo studio nel 2013, ha \ncoltivato la sua curiosità per l’artigianalità, \nsperimentando vecchie tecniche di \nproduzione tessile per affinarle e portarle \na uno stadio più avanzato. Il lavoro di Mae \nEngelgeer abbraccia sottili palette di colori, \nmotivi ed elementi lineari. Composizioni \ncomplesse si fondono con la perfezione per \nstabilire l’armonia. Esplorazioni creative \nsul contrasto di materiali e texture danno \nforma a opere che sono lussuose nella loro \ntattilità e dimensionalità. Oltre a sviluppare \nle proprie collezioni, Mae Engelgeer \ncollabora con marchi di tutto il mondo per \nprogetti che vanno dai prodotti tessili e \ndal design di mobili alle esplorazioni dei \nmateriali e alla direzione artistica\u002Fcolore, \nfino alle installazioni su larga scala e alle \nopere d’arte pubbliche. “Il mio lavoro è \nguidato dall’intuizione e dal desiderio di \ncreare. Mentre mi considero una sognatrice \nnella creazione di nuove atmosfere, sono \nin grado di tradurre rapidamente queste \nidee in opere tangibili utilizzando le giuste \ntexture, materiali e colori. Quando mi viene \nchiesta la mia visione nelle collaborazioni, \nsento un certo senso di libertà nell’esplorare \nuna moltitudine di possibilità”. — Textile \ndesign has always been at the heart of \nDutch designer Mae Engelgeer’s work, \nfrom her high school days to her studies \nat the Amsterdam Fashion Institute and \nSandberg Instituut. Since opening her \nown studio in 2013, she has nurtured her \ncuriosity for the craft, experimenting \nwithin the existing boundaries of textile \nproduction to elevate old techniques to \nmodernity. Mae Engelgeer’s work embraces \nsubtle color palettes, patterns and linear \nelements. Complex compositions merge with \nperfection to establish harmony. Creative \nexplorations into the material and texture \ncontrasts result in works that are luxurious in \ntheir tactility and dimensionality. In addition \nto developing her own collections, Mae \nEngelgeer also works with brands around \nthe world on projects ranging from textile \nproducts and furniture design to material \nexplorations and art\u002Fcolor direction, large-\nscale installations and public artworks. “My \nwork is driven by intuition and the desire \nto create. While I consider myself to be a \ndreamer in the creation of new atmospheres, \nI am able to quickly translate those ideas \ninto tangible works using the right textures, \nmaterials and colors. When asked for my \nvision in collaborations, I feel a certain \nsense of freedom to explore a multitude of \npossibilities.” \nMARCO LORENZETTO\n Nato e cresciuto a Faenza, dopo i primi \nstudi giovanili si trasferisce a Roma. \nConseguita la laurea in Sociologia \nall’Università “La Sapienza”, inizia sempre \npiù ad appassionarsi all’arte e matura da \nautodidatta una formazione artistica ed \nestetica nell’ambito della pittura astratta \nentrando in diversi ambienti dell’arte \ne cultura italiana ed europea. Dopo la \nparentesi nella capitale, inizia a viaggiare \ne a vivere in varie città, Salamanca, New \nYork, Parigi per poi giungere a frequentare \nBerlino nell’anno 2009.Queste esperienze \ninternazionali lo portano a conoscere \ne a vivere profondamente movimenti \nartistici che aumentano la sua curiosità e \nla sua ricerca per la bellezza attraverso la \nsperimentazione di nuove tecniche e l’uso \ndi diversi materiali tra cui la ceramica. Nel \n2017 crea una linea di piatti di porcellana \nin vendita presso Bergdorf Goodman di \nNew York. I dipinti di Lorenzetto sono stati \npubblicati in riviste come Elle Decor, Vogue, \nThe New York Times \u002F Style Magazine, \nArchitectural Digest, Modern Luxury \nAngeleno. Dal 2011 vive a Los Angeles \ne lavora nella sua Bottega nel cuore di \nHollywood. — Born and raised in Faenza, \nafter his earliest years of education he \nmoved to Rome. Upon graduating in \nSociology at the “La Sapienza” University, he \ndeveloped a passion for art and aesthetics \nwhich he nourished as a self-taught abstract \npainter, delving into different fields of \nItalian and European art and culture. His \nstay in the capital was followed by a period \nof travelling and living in different cities: \nSalamanca, New York, Paris and lastly Berlin \nin 2009. These international experiences led \nhim to discover and profoundly experience \nartistic movements which further inspired his \ncuriosity and research into beauty through \n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.81.png","experimentation with new techniques and \nthe use of different materials, including \nceramics. In 2017 he created a range of \nporcelain plates sold at Bergdorf Goodman, \nNew York. Lorenzetto’s paintings have \nbeen published in magazines like Elle \nDecor, Vogue, The New York Times \u002F Style \nMagazine, Architectural Digest, Modern \nLuxury Angeleno. He has been living in Los \nAngeles since 2011 and works at his studio in \nthe heart of Hollywood.\nMARÍA GÓMEZ GARCIA \nProprietaria e direttrice dello studio creativo \nEstudio PAM ha sviluppato grafiche destinate \na materiali e utilizzi diversi, come sedie, \ncarte da parati, porte, tavoli, tessuti; lavora, \ntra gli altri, per clienti con sede in Spagna, \nItalia, Brasile e Stati Uniti. In precedenza, \nha collaborato con aziende e marchi come \nLe Lis Blanc (marchio brasiliano di moda e \noggetti per la casa) e ZARA (Spagna). Ha \nun’esperienza decennale nella ricerca dei \nnuovi trend della moda e della grafica nelle \npiù significative città del mondo (Londra, \nNew York, Parigi, San Paolo, Seoul e Hong \nKong). Tutti i suoi disegni e le illustrazioni \nsono eseguiti a mano e riflettono il suo \nbagaglio professionale, il cosmopolitismo e \nla passione per la grafica. — As owner and \ndirector of Estudio PAM – a creative studio \n– has been developing artwork for different \nusages and materials such as chairs, \nwallpapers, doors, tables, textiles, among \nothers, for clients based in Spain, Italy, \nBrazil and US. Previously, has worked for \ncompanies and brands such as Le Lis Blanc \n(Brazilian fashion and housewear brand) \nor ZARA (Spain). With more than 10 years \nof experience, has collaborated as visual \ncoolhunter and shopping in cities in different \ncontinents (London, New York, Paris, Sao \nPaulo, Seoul and Hong Kong). All of her \ndrawings and illustrations are handmade \ncreated and reflects her professional \nexperience, cosmopolitanism and passion \nfor artwork.\nPAOLO BADESCO \nCOSTANTINO AFFUSO\nUn progetto dell’interior designer Paolo \nBadesco che dal 2005 presenta al pubblico \nmilanese, attraverso il suo primo negozio \ndi corso Magenta 96, un repertorio di \nsuggestioni dal sapore nord europeo: arredi \ne complementi vintage volutamente non \nrestaurati, abbinati a una selezione di oggetti \ncontemporanei frutto di una ricerca tra \nEuropa e Stati Uniti. Nel 2011 con l’architetto \nCostantino Affuso, già senior architect \ndello Studio Paolo Badesco interior design, \nil progetto si amplia acquisendo una nuova \nlocation in via Palermo 1, nel cuore del Brera \nDesign District. Le inedite proposte e gli \nallestimenti arditi hanno fatto guadagnare a \nRaw l’attenzione della stampa internazionale \ne di un pubblico sempre più sensibile alle \nnuove tendenze. — A project of the interior \ndesigner Paolo Badesco, who since 2005 \npresents to the public in Milan, through its \nfirst store in Corso Magenta 96, a repertoire \nof suggestions with a northern European \nflavor: vintage furniture and accessories \ndeliberately not restored, combined with a \nselection of contemporary works resulting \nfrom a selection between Europe and the \nUnited States. In 2011, with the architect \nConstantino Affuso, formerly senior architect \nat the Paolo Badesco interior design studio, \nthe project expanded by acquiring a new \nlocation in Via Palermo 1, in the heart of \nBrera Design District. The new proposals and \ndaring installations have earned Raw to the \nattention of the international press and of an \nincreasingly sensitive public to new trends.\nSIMONE FANCIULLACCI\nNato e cresciuto in Liguria, dopo la laurea \nconseguita nel 2007 presso il Politecnico \ndi Milano, fonda lo studio 4P1B con il \nquale ottiene numerose pubblicazioni e \nriconoscimenti tra i quali l’IF Design Award, \nil Good Design Award e una menzione \nd’onore alla XXIII edizione del Compasso \nd’Oro. Nel 2017, conclusa l’esperienza dello \nstudio, inizia a firmare con il proprio nome i \nprogetti che sviluppa. Tra i principali clienti \nNilufar Gallery, Secondome, De Vecchi \nMilano 1935, Wall&decò, Martinelli Luce, \nLago, Chairs&More. Simone Fanciullacci \nè anche titolare e art director del marchio \nEdizione Limitata con il quale sviluppa e \ncommercializza progetti prodotti in piccole \nserie andando a riscoprire materiali, tecniche \ne artigiani sul territorio italiano. — Simone \nFanciullacci was born and raised in Liguria \nand after graduating in 2007 from the \nPolytechnic University of Milan, he founds \nthe 4P1B Studio obtaining numerous \npublications and awards, including the IF \nDesign Award, the Good Design Award \nand an honourable mention at the 23rd \nedition of the Compasso d’Oro. In 2017, \nhaving completed the studio’s experience, \nhe begins to sign the projects he develops \nunder his own name. Among his main clients \nare Nilufar Gallery, Secondome, De Vecchi \nMilano 1935, Wall&decò, Martinelli Luce, \nLago, Chairs&More. Simone Fanciullacci is \nalso the owner and art director of Edizione \nLimitata brand with which he develops and \nmarkets projects produced in small series, \nrediscovering materials, techniques and \ncraftsmen in Italy.\nSTUDIOPEPE\nStudiopepe è uno studio di design fondato \na Milano nel 2006 da Arianna Lelli Mami \ne Chiara Di Pinto. Lo studio si occupa di \ncreative consultancy in tutte le sue forme. \nLa filosofia dello studio si basa su un \napproccio concettuale inedito e trae forza \nda un vasto background iconografico e \nvisionario, generando risultati di unicità. \nL’attenzione per i dettagli e l’emozione che \npossono generare nelle persone, così come \nl’uso del colore, a volte ardito, e il mix inedito \nma armonico tra i materiali scelti sono \nfondamentali nei progetti dello studio. Altro \nelemento di forza è la multidisciplinarità, il \nsaper far dialogare all’interno di uno stesso \nprogetto ambiti diversi come il design, la \nmoda e l’arte. — Studiopepe is a design \nstudio founded in Milan in 2006 by Arianna \nLelli Mami and Chiara Di Pinto. The studio \nfocuses on creative consultancy (interiors, \nproduct design, editorial, set-design, color \nconsultancy…). The studio’s philosophy takes \na strong visionary approach thanks to an \niconographic background that generates \nunique results. The attention for details and \nemotions that can be generated in people, \nas well as the use of color, sometimes daring, \nand the unusual but harmonius relationship \nbetween materials are fundamental in each \nproject of the studio. Studiopepe also takes \nadvantage of multidisciplinarity, knowing \nhow to create a dialogue within different \nareas such as design, fashion and art.\nSTUDIO SALARIS\nAlessandra Salaris dopo studi classici divisa \ndalla passione tra la medicina e l’architettura \nsceglie la via piu’ creativa, studia quindi \na Londra e al Politecnico di Miano dove \nsi Laurea. Appassionata di arredamento, \ninterior, design, fotografia, viaggi , salute e \nfood  trova il modo migliore per coniugare \ni suoi hobby e  trasformarli in lavoro, fonda \nquindi il suo studio di consulenza creativa, a \nMilano, nel cuore di Brera. I suoi viaggi sono \nrivolti alla ricerca del bello che puo’ trovarsi \nanche in piccoli oggetti che caratterizzano \nil luogo, le persone, la cultura  e la storia \ndel paese visitato; pezzi che sicuramente \nun giorno verranno fotografato nei suoi set \nfotografici. — Alessandra Salaris was born \nin Milan. She topped her classical education \nwith the study of interior design in London \nand Milan, where she attended IED and \ngraduated from Politecnico di Milano. She \nlater earned a Masters degree in Marketing \nand Communication to better understand \nthe challenges of the business she faces \neveryday. As of today, she has worked \ninternationally. In the past decade she has \ncollaborated with the top magazines and \ncompanies of the industry. Her ambition \nhas always been that of delivering a \ncustomized support to help her clients \nachieve an aesthetic expression of their \nbrands. Her mission is to give a personal and \nrecognizable contribution that enhances the \nclients’ story and core values.\nTALVA DESIGN\nTal Waldman (Talva Design) è un’artista, \ndesigner e architetto con base a Parigi.  \nCompleta i suoi studi di arte e architettura \nlavorando per studi internazionali, da Jean \nNouvel, Christian de Portzamparc a Jean \nPaul Viguier. Lo studio Talva Design a Parigi è \nuna sintesi tra design e arte capace di offrire \nsoluzioni d’interni, accessori per la casa e \ndi arredo. — Tal Waldman (Talva Design) is \nan artist, designer and architect based in \nParis. He completed his art and architecture \nstudies working for international firms, from \nJean Nouvel to Christian de Portzamparc \nand Jean Paul Viguier. The Talva Design \nstudio in Paris is a synthesis between \ndesign and art capable of providing interior \ndesign solutions and home and furnishing \naccessories.\nTHE ELUSIVE OTTER\nLe raffinate illustrazioni di Raffaella \nAudiffredi, ideatrice del progetto, puntano \nuna lente d’ingrandimento sul mondo \nanimale creando tavole su cui s’innesta una \ndimensione letteraria a firma dello scrittore \nMatteo Sartori. La collaborazione con \nWall&decò arricchisce di fascino il viaggio \ndella “lontra timida” e sposa l’esperienza \nartistica di The Elusive Otter a una nuova \nrealtà applicativa. Raffaella Audiffredi: \nArchitetto, laureata al Politecnico di Milano, \ndopo aver lavorato in Italia e all’estero, \nnel 2010 apre il suo studio a Milano. Nel \n2013 crea il progetto The Elusive Otter. \nMatteo Sartori: Laureato in Scienze \npolitiche all’Università Statale di Milano, \ndal 2002 al 2012 lavora per il cinema e la \npubblicità. È autore di tre romanzi. — The \nrefined illustrations of Raffaella Audiffredi, \nauthor of the project, zoom in details on the \nanimal world, creating canvases on which a \nliterary dimension signed by writer Matteo \nSartori is triggered. The collaboration with \nWall&decò enriches the journey of the \n‘’elusive otter’’ with charm and combines the \nartistic experience of The Elusive Otter to a \nnew application field. Raffaella Audiffredi: \nArchitect, graduated at the Polytechnic \nUniversity of Milan, opened her studio in \nMilan in 2010, after working in Italy and \nabroad. She conceived The Elusive Otter \nproject in 2013. Matteo Sartori: Graduated \nin political sciences at the State University \nof Milan, he worked in the cinema and \nadvertising field from 2002 to 2012. He is the \nauthor of three novels.\nTOMMASO GUERRA \nDopo 12 anni come pubblicitario in numerose \nagenzie, Tommaso si dedica pienamente alla \nsua attività naturale: esprimersi attraverso le \narti grafiche. Il suo campo di azione lo porta \nin giro per il mondo e varia di continuo: dalla \nstrada, con installazioni e arredo urbano \nsite specific agli interni, dove spazia dalla \ndecorazione muraria a progetti completi \ndi interior design.Il suo è un percorso in \ncontinua evoluzione, fatto di dialogo aperto \ncon i luoghi e con gli oggetti. — After 12 \nyears as advertising agent in numerous \nagencies, Tommaso fully focused on his \nnatural activity: express himself through \ngraphic arts. His work field takes him around \nthe world and changes constantly: from the \nroad, with exhibitions and urban furniture \nsite specific for interiors, where he ranges \nfrom wall decorations to complete interior \ndesign projects. His path constantly evolves, \nand consists of an open dialogue with places \nand objects.\nTOMMASO SPINZI\nTommaso Spinzi, fondatore di Spinzi Design, \nè un designer creativo e un consulente \nspecializzato nella decorazione di interni e \nnella progettazione di arredo.\nHa lavorato in Svizzera, in Australia e a New \nYork. Questo mix di influenze internazionali \nha forgiato il suo approccio al design.\n“Ogni progetto è unico e concepito su \nmisura per il cliente, che ci impegniamo a \nrappresentare in ogni dettaglio, nell’obiettivo \ndi ricrearne il lifestyle attraverso un design di \nqualità. Questo processo può includere arte, \nstile, arredamento, styling, abbinamento \ndei colori e design a 360°.” Oltre a essere \nun collezionista di arredi, automobili e moto \nitaliane Mid-Century, Tommaso progetta \npezzi in edizione limitata per gallerie e clienti.\nL’obiettivo di Tommaso è di ispirare, \nstimolare e, infine, creare ambienti ricchi \ndi significato. — Tommaso Spinzi, founder \nof Spinzi Design, is a creative designer \nand consultant specialised in interior \ndecoration and furniture design. He has \nworked in Switzerland, Australia and New \nYork. This mix of international influences \nhas shaped his approach to design. Each \nproject is unique and tailor-made for the \nclient, whom we strive to represent in every \ndetail, focusing on creating lifestyles through \ngood design. This may include art, style, \nfurniture, layout, colour schemes and the \noverall design fit. As well as being a collector \nof mid-century Italian furniture, cars and \nmotorbikes, Tommaso designs limited edition \npieces for galleries and clients.\nTommaso’s goal is to inspire, stimulate and \nfinally create meaningful environments. \n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.82.png","wallanddeco.com\nvia Santerno 18 - Cervia (Ravenna) - Italy\ntel +39.0544.918012\ninfo@wallanddeco.com\nShowroom Milano\nvia Solera Mantegazza 7\n© all rights reserved  Wall&decò® 2025\nThe color reproduction of the graphic images \ncontained in this catalog is indicative of the actual \ncolor rendering on the printed wall covering.\ncatalogue graphic design \nD+ studio  [d-plus.it]\ncatalogue print\nPazzini Stampatore Editore s.r.l.\nphotoshooting \nart direction\nLorenzo De Grandis\nphoto\nSimone Fiorini (In Brown We Trust)\nMarina Denisova (Soulful Minimalism)\nSilvia Rivoltella (Timeless)\nStyling: Veronica Leali\nStyling Contributor: Alessia Biasion\nthanks to \nALBERTO LEVI GALLERY\nBIENVECERAMICS\nCAROLINA LEVINTON\nDANIEL NIKOLOVSKY\nEUGENIA QUERCI\nFEDERICA PAGLIA \nFRANCESC GASCH STUDIO\nILOE CERAMICS\nINCALMI\nLANEROSSI 1817 \nMADLEN CERAMICS\nMILLIM STUDIO\nNÆSSI STUDIO\nOBJECTS ARE BY\nOIKOS ESTUDIO\nRAMPINELLI EDIZIONI \nROSE DE NOUR\nVENINI\nLa riproduzione dei colori delle immagini grafiche \ncontenute in questo catalogo è indicativa della \nresa cromatica reale sul parato stampato.\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fbd\u002F96f73a13e146b3adb643077f07cb38-28e1616c55.83.png","wallanddeco.com\n",83,[],0,false,true,{"success":348,"data":350,"meta":565,"count":566,"next":567,"previous":568,"results":601,"brand_chips":662},[351,364,376,389,399,412,424,434,444,453,463,475,485,495,504,514,527,536,546,556],{"id":352,"title":353,"slug":354,"image":355,"source":356,"brand_name":357,"brand":358,"brand_slug":359,"file_size":360,"pages":361,"pages_count":362,"matched_pages":363,"match_count":346,"two_pages":347,"show_text":348},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 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