[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-wallanddeco-contemporary-wallpaper-collection-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":319},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":314,"matched_pages":315,"match_count":316,"two_pages":317,"show_text":318},22084,"Contemporary Wallpaper Collection 2022","wallanddeco-contemporary-wallpaper-collection-2022","\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F56\u002F5631ac7d089042754a0c6d717c3c7c-28e158ba0e.pdf","Wall&deco",2370,"wall-deco","16.5 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,200,204,207,211,215,219,223,227,231,235,239,243,247,251,255,259,263,267,271,275,279,283,287,291,295,299,303,307,311],{"image":7,"text":15,"number":16},"22\n20\nContemporary \nWallpaper \nCollection\nCWC\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.2.png","Contemporary Wallpaper Collection\nCWC\n2022\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.3.png","DEEP Nature\nchapter one\nDEEP NATURE\nDEEP Nature\n2022 collection\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.4.png","Nature enters surfaces and construction materials, creating authentic settings that \nmark out calm and balanced rhythms of life.\nOn the one hand a nature filtered through a lens that makes it abstract and rarefied, \nand on the other, a more ancestral nature, with a reference to the cave-hut, featuring \ndarker tones intertwined with the earth.\nLa natura entra nelle superfici e nei materiali da costruzione creando ambientazioni \nautentiche che scandiscono ritmi di vita pacati ed equilibrati.\nDa una parte una natura filtrata attraverso una lente che la rende astratta e rarefatta \n- dall’altra una natura più ancestrale, con un richiamo alla grotta - capanna, che \nmette in scena tonalità più cupe intrecciate alla terra. \n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.5.png","Christian Benini \n \n \n                             WDSE2201\nSeventh Floor\nFederico Peri  \n \n \n                             WDSH2201\nShingle\n7\n6\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.6.png","DeBonaDeMeo                                                                      \nWDPR2201\nPrestigio\nInes Porrino                                                                              \nWDJU2201\nJungle Cut\n9\n8\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.7.png","Gupica \n \n \n                                             WDON2201\nOn Stage\nElisa Vendramin      \n                                                              WDYU2201\nYukiyama\n11\n10\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.8.png","Studio Salaris + Sans Nom Studio                                        \nWDLO2201\nLove Nest\nStudio Salaris + Sans Nom Studio      \n                             WDKR2201  \nKripté \n13\n12\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.9.png","Ludovica+Roberto Palomba  \n \n             WDBU2201\nBucefalo\nMae Engelgeer  \n \n \n                                   WDIN2201  \nIntersections\n15\n14\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.10.png","Draga&Aurel \n \n \n                             WDFL2201\nFluid\nLorenzo De Grandis      \n                                             WDET2201  \nEtoile \n17\n16\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.11.png","Antonio Marras \n \n                                             WDNO2201  \nNonostante il fiore\nTalva Design                                                                           \nWDDI2201\nDiaphanus\n19\n18\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.12.png","Giovanni Pesce \n \n \n                             WDLM2201\nLuminaire\nChristian Benini      \n                                                               WDSI2201 \nS’il vous plaît \n21\n20\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.13.png","Paolo Badesco - Costantino Affuso \n                             WDLA2201\nLes Animaux en Papier\nAntonella Guidi \n \n \n                              WDTO2201\nTouch it\n23\n22\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.14.png","The Elusive Otter                                                                     \nWDUP2201\nUp Up\nAlessandro Gottardo (aka Shout)  \n                             WDTD2201\nThe Dip\n25\n24\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.15.png","Bertero Marzoli \n \n \n                             WDAN2201\nArchi Natura\nCTRLZAK \n \n \n                              WDJO2201\nJoshua\n27\n26\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.16.png","Ludovica+Roberto Palomba \n                                             WDAX2201\nAnimal Codex\nLe Dictateur     \n \n \n                             WDOR2201\nOrganic\n29\n28\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.17.png","Alessandro Gottardo (aka Shout)  \n \n               WDLI2201\nLittle Brown\nGiovanni Pesce      \n                                                              WDLU2201\nLumberjack\n31\n30\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.18.png","Serena Confalonieri \n \n \n              WDIV2201\nIvy Line\nTommaso Spinzi   \n \n                             WDAB2201  \nAbstraction \n33\n32\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.19.png","CHAPTER TWO\n2022 collection\nHERITAge\nHERITAge\nchapter two\nHERITAGE\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.20.png","The ambience of today that comes from what we have and what we manage to \npreserve from the past.\nObjects and details from the family heritage enhance the environment, making it \nunique thanks to the history they tell and pass on.\nA stratification of materials, geometries and, last but not least, of lives, creates a \nnew contemporaneity, a skilful mix of past and present, which is elegant and never \nchaotic.\nL’ambientazione di oggi, che nasce da ciò che abbiamo e che riusciamo a preservare \ndal passato.\nOggetti e dettagli del patrimonio famigliare valorizzano l’ambiente rendendolo \nunico grazie alla storia che raccontano e tramandano.\nUna stratificazione di materiali, geometrie e, non ultimo, di vite, crea una nuova \ncontemporaneità, mix sapiente di passato e presente, elegante e mai caotica\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.21.png","Studiopepe                                                                         \n  WDCH2201\nChaotic Ordinariness\nMaría Gómez García \n \n             WDRA2201\nRame d’estate\n39\n38\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.22.png","Studiopepe                                                                           \nWDGE2201\nGesture\nEva Germani \n \n             WDNA2201\nNaïf\n41\n40\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.23.png","Christian Benini \n \n \n             WDLE2201\nLe Misure\nAnna Vermiglia De Carlo                                                                         \n WDSA2201\nShamsi\n43\n42\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.24.png","Eva Germani                                                                           \nWDPE2201\nPerugino\nEva Germani \n \n \n             WDAS2201\nAssenzio\n45\n44\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.25.png","Paolo Badesco - Costantino Affuso \n \n \n             WDTE2201 \nTex-tales \nGio Tirotto \n \n \n             WDPL2201 \nPlaywall \n47\n46\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.26.png","Federico Peri \n \n \n             WDBS2201\nBistrot\nPaolo Badesco - Costantino Affuso \n \n \n             WDPA2201\nPas d’écran\n49\n48\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.27.png","Le Dictateur \n \n \n             WDMG2201\nMarble Greet\nAnna Vermiglia De Carlo                                                                           \nWDBI2201\nBianca\n51\n50\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.28.png","Bertero Marzoli \n \n             WDIP2201\nInterpiano\nKlaus Kremmerz \n \n                                                 WDAG2201\nAgavé\n53\n52\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.29.png","Lorenzo De Grandis                                                                           \nWDLS2201\nLost Island\nLorenzo De Grandis \n \n \n             WDHY2201\nHypnotique\n55\n54\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.30.png","Tommaso Spinzi                                                                           \nWDOS2201\nO.S.\nGupica                                                                          WDAL2201\nAlba’s Rules\n57\n56\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.31.png","Lorenzo De Grandis                                                                           \nWDIH2201\nItalian Holidays\nPaolo Badesco - Costantino Affuso \n \n             WDCO2201\nConciergerie\n59\n58\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.32.png","Serena Confalonieri \n \n \n             WDFW2201\nFlow\nFrancesca Zoboli                                                                          WDEG2201\nEarl Grey\n61\n60\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.33.png","Christian Benini                                                                           \nWDMA2201\nMasako\nTalva Design                                                                          \nWDIF2201\nInfinity\n63\n62\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.34.png","Tommaso Guerra                                                                          \nWDPO2201\nPoppies Mesh\n65\n64\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.35.png","RED Heart\n2022 collectionRED Heart\nchapter three\nRED HEART\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.36.png","A moodboard defined by a colour rather than a stylistic feature: a tribute to red, the \nsubtle leitmotif of design over the decades, reinterpreted to create sophisticated \nsettings. \nThe elegance of red emerges and is emphasised by careful colour combinations \nwith the furnishings and surfaces.\nUna moodboard definita non in virtù di una cifra stilistica ma di un colore: un \nomaggio al rosso, sottile fil-rouge del design nelle sue decadi, reinterpretato per \ncreare ambientazioni sofisticate. \nL’eleganza del rosso emerge e si enfatizza grazie ad accorti abbinamenti cromatici \ncon gli arredi e le superfici.\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.37.png","Mae Engelgeer   \n                                                              \nWDAF2201  \nAfterglow\nAnna Vermiglia De Carlo \n \n                             WDFO2201\nFlor\n71\n70\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.38.png","Draga&Aurel    \n                                                              WDSP2201\nSpring Puddles \nDeBonaDeMeo     \n                                                             WDRD2201\nRadiant\n73\n72\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.39.png","Lorenzo De Grandis \n                                             WDVO2201\nVolare\nFederico Peri \n \n \n                              \nWDVE2201\nVeli\n75\n74\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.40.png","Le Dictateur \n \n \n                              \nWDMO2201\nMorse\nThe Elusive Otter                                                                     \nWDSK2201\nSkybound\n77\n76\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.41.png","Simone Fanciullacci   \n                                                              WDTA2201\nTassili\nStudio Salaris + Sans Nom Studio                                       \n WDFE2201\nFresco\n79\n78\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.42.png","Draga&Aurel    \n                                                             WDGH2201\nGhost\nTalva Design \n \n \n                               \nWDPS2201\nPassion\n81\n80\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.43.png","Antonella Guidi \n \n                                             WDOV2201\nOro Verde \nGiovanni Pesce \n \n \n                            \n  WDTP2201\nTapestry\n83\n82\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.44.png","Francesca Zoboli  \n \n                               WDCR2201\nChromatikos\nCTRLZAK \n \n \n                             WDFR2201\nFil Rouge\n85\n84\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.45.png","Andrea Merendi \n \n \n                             WDAC2201\nAlcamo\n87\n86\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.46.png","",46,{"image":198,"text":195,"number":199},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.47.png",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.48.png","Seventh Floor\n6\nShingle\n7\nPrestigio\n8\nJungle Cut\n9\nOn Stage\n10\nYukiyama\n11\nLove Nest\n12\nKripté\n13\nBucefalo\n14\nIntersections\n15\nFluid\n16\nEtoile\n17\nNonostante il fiore\n18\nDiaphanus\n19\nLuminaire\n20\nS'il vous plaît\n21\nLes Animaux en Papier\n22\nTouch it\n23\nUp Up\n24\nThe Dip\n25\nArchi Natura\n26\nJoshua\n27\nAnimal Codex\n28\nOrganic\n29\nLittle Brown\n30\nLumberjack\n31\nAbstraction\n32\nIvy Line\n33\nChaotic Ordinariness\n38\nRame d'estate\n39\nGesture\n40\nNaïf\n41\nLe Misure\n42\nShamsi\n43\nPerugino\n44\nAssenzio\n45\nTex-tales\n46\nPlaywall\n47\nBistrot\n48\nPas d'écran\n49\nMarble Greet\n50\nBianca\n51\nInterpiano\n52\nAgavé\n53\nLost Island\n54\nHypnotique\n55\nO.S.\n56\nAlba's Rules\n57\nItalian Holidays\n58\nConciergerie\n59\nFlow\n60\nEarl Grey\n61\nMasako\n62\nInfinity\n63\nPoppies Mesh\n64\nAfterglow\n70\nFlor\n71\nSpring Puddles\n72\nRadiant\n73\nVolare\n74\nVeli\n75\nMorse\n76\nSkybound\n77\nTassili\n78\nFresco\n79\nGhost\n80\nPassion\n81\nOro Verde\n82\nTapestry\n83\nChromatikos\n84\nFil Rouge\n85\nAlcamo\n86\nAbstraction\n96\nAfterglow\n96\nAgavé\n97\nAlba's Rules\n97\nAlcamo\n98\nAnimal Codex\n98\nArchi Natura\n99\nAssenzio\n99\nBianca\n100\nBistrot\n100\nBucefalo\n101\nChaotic Ordinariness\n101\nChromatikos\n102\nConciergerie\n102\nDiaphanus\n103\nEarl Grey\n103\nEtoile\n104\nFil Rouge\n104\nFlor\n105\nFlow\n105\nFluid\n106\nFresco\n106\nGesture\n107\nGhost\n107\nHypnotique\n108\nInfinity\n108\nInterpiano\n109\nIntersections\n109\nItalian Holidays\n110\nIvy Line\n110\nJoshua\n111\nJungle Cut\n111\nKripté\n112\nLe Misure\n112\nLes Animaux en Papier\n113\nLittle Brown\n113\nLost Island\n114\nLove Nest\n114\nLumberjack\n115\nLuminaire\n115\nMarble Greet\n116\nMasako\n116\nMorse\n117\nNaïf\n117\nNonostante il fiore\n118\nO.S.\n118\nOn Stage\n119\nOrganic\n119\nOro Verde\n120\nPas d'écran\n120\nPassion\n121\nPerugino\n121\nPlaywall\n122\nPoppies Mesh\n122\nPrestigio\n123\nRadiant\n123\nRame d'estate\n124\nS'il vous plaît\n124\nSeventh Floor\n125\nShamsi\n125\nShingle\n126\nSkybound\n126\nSpring Puddles\n127\nTapestry\n127\nTassili\n128\nTex-tales\n128\nThe Dip\n129\nTouch it\n129\nUp Up\n130\nVeli\n130\nVolare\n131\nYukiyama\n131\nINDEX A\u002FZ \nTECHNICAL INFORMATION \nCOLOR MATCH\nINDEX \nCHAPTER ONE\nSOGGETTO \u002F SUBJECT\nPAG.\nSOGGETTO \u002F SUBJECT\nPAG. 2\nCHAPTER TWO\nPAG. 34\nCHAPTER THREE\nPAG. 66\nPAG.\n",48,{"image":205,"text":195,"number":206},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.49.png",49,{"image":208,"text":209,"number":210},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.50.png","CWC 2022\nTECHNICAL INFORMATION \nCOLOR MATCH\n",50,{"image":212,"text":213,"number":214},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.51.png","ColorMatch™ è l’innovativa tecnologia adottata da \nWall&decò che rappresenta l’unione tra percezione \ne tecnica nella gestione della qualità di stampa per \nparati di eccezionale fedeltà cromatica per una resa \nqualitativa eccezionale, ovvero maggiore luminosità, \npienezza, brillantezza del contrasto cromatico, volume, \ntridimensionalità e qualità nei dettagli e nella definizione \ndel colore.\nOltre alla ricerca dell’alta fedeltà cromatica, ColorMatch™ \nè in grado di assicurare una gestione industriale del colore, \nossia permettere un’elevata ripetizione del processo di \ncontrollo cromatico con una resa qualitativa superiore ai \nprofili applicati dagli standard di settore. \nCon la tecnologia ColorMatch™, nonostante la goffratura \ndella carta da parati e delle due diverse tecnologie di stampa \nutilizzate per realizzare i parati e il catalogo, la percezione \ndell’assetto cromatico è comunque parallela, ossia verosimile \nrispetto a quella dell’occhio umano indipendentemente dai \ndiversi supporti di stampa, così da rendere i colori della grafica \nstampata a catalogo estremamente simili a quelli della carta \nda parati. \nColorMatch™, is the new technology adopted by \nWall&decò, the union between perception and technique \nin the management of print quality for wall coverings of \nexceptional chromatic fidelity allowing an exceptional \nquality yeld resulting, in increased brightness , fullness, \nbrilliance of color contrast, volume, three dimensionality \nand higher color detail and definition.\nBesides the search for high color fi delity, ColorMatch™ \nis able to ensure the industrial management of colors, and \nthus allows  the  high repeatability  of  the  color  control  \nprocess with a superior quality yield compared to the profi \nles used in the industry sector.\nWith  ColorMatch™  technology, despite the embossing \nof wallpaper and of the two different printing technologies \nused to produce wall coverings and the catalogue, the \nperception of the color composition is in any case parallel, \ni.e. likely compared to that of the human  eye regardless of \nthe different printing materials, so as to make the colors \nof the graphics printed in the catalog extremely similar to \nthose of the wall coverings. \nCOLORMATCH™ technology\n",51,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.52.png","WDAB2201\nWDAB2202\nAbstraction\nTommaso Spinzi\nWDAF2201\nWDAF2202\nAfterglow\nMae Engelgeer\nWDAG2202\nAgavé\nKlaus Kremmerz\nWDAL2201\nWDAL2202\nAlba's Rules\nGupica\nWDAG2201\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n97\n96\nColorMatch 1:4\nColorMatch 1:4\n",52,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.53.png","WDAC2201\nWDAC2202\nWDAX2201\nWDAX2202\nWDAN2201\nWDAN2202\nAlcamo\nAndrea Merendi\nArchi Natura\nBertero Marzoli\nWDAS2201\nWDAS2202\nAnimal Codex\nLudovica + Roberto Palomba\nAssenzio\nEva Germani\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n99\n98\nColorMatch 1:4\nColorMatch 1:4\n",53,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.54.png","WDBI2201\nWDBI2202\nBianca\nAnna Vermiglia De Carlo\nWDBS2201\nWDBS2202\nBistrot\nFederico Peri \nWDBU2201\nWDBU2202\nBucefalo\nLudovica+Roberto Palomba\nWDCH2201\nWDCH 2202\nChaotic Ordinariness\nStudiopepe\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n101\n100\nColorMatch 1:4\nColorMatch 1:4\n",54,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.55.png","Chromatikos\nFrancesca Zoboli\nDiaphanus\nTalva Design\nWDCR2201\nWDCR2202\nWDCO2201\nWDCO2202\nConciergerie  \nPaolo Badesco - Costantino Affuso\nWDDI2201\nWDDI2202\nWDEG2201\nWDEG2202\nEarl Grey\nFrancesca Zoboli\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n103\n102\nColorMatch 1:4\nColorMatch 1:4\n",55,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.56.png","WDET2201\nWDET2202\nEtoile\nLorenzo De Grandis\nWDFR2201\nWDFR2202\nFil Rouge\nCTRLZAK\nWDFO2201\nWDFO2202\nFlor\nAnna Vermiglia De Carlo\nWDFW2201\nWDFW2202\nFlow\nSerena Confalonieri\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n105\n104\nColorMatch 1:4\nColorMatch 1:4\n",56,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.57.png","WDFL2201\nWDFL2202\nFluid\nDraga&Aurel\nWDFE2201\nWDFE2202\nFresco\nStudio Salaris + Sans Nom Studio\nWDGE2201\nWDGE2202\nGesture\nStudiopepe\nWDGH2201\nWDGH2202\nGhost \nDraga&Aurel\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n107\n106\nColorMatch 1:4\nColorMatch 1:4\n",57,{"image":240,"text":241,"number":242},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.58.png","WDHY2201\nWDHY2202\nHypnotique\nLorenzo De Grandis\nWDIF2201\nWDIF2202\nInfinity\nTalva Design\nWDIP2201\nWDIP2202\nInterpiano\nBertero Marzoli\nWDIN2201\nWDIN2202\nIntersections\nMae Engelgeer\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n109\n108\nColorMatch 1:4\nColorMatch 1:4\n",58,{"image":244,"text":245,"number":246},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.59.png","WDIH2201\nWDIH2202\nItalian Holidays\nLorendo De Grandis\nWDIV2201\nWDIV2202 \nIvy Line\nSerena Confalonieri\nWDJO2201\nWDJO2202 \nJoshua\nCTRLZAK\nWDJU2201\nWDJU2202\nJungle Cut\nInes Porrino\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n111\n110\nColorMatch 1:4\nColorMatch 1:4\n",59,{"image":248,"text":249,"number":250},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.60.png","WDKR2201\nWDKR2202\nKripté\nStudio Salaris + Sans Nom Studio\nWDLE2201\nWDLE2202\nLe Misure\nChristian Benini\nWDLA2201\nWDLA2202\nLe Animaux en Papier\nPaolo Badesco - Costantino Affuso\nWDLI2201\nWDLI2202\nLittle Brown\nAlessandro Gottardo (aka Shout)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n113\n112\nColorMatch 1:4\nColorMatch 1:4\n",60,{"image":252,"text":253,"number":254},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.61.png","WDLS2201\nWDLS2202\nLost Island\nLorenzo De Grandis\nWDLO201\nWDLO2202\nLove Nest\nStudio Salaris + Sans Nom Studio\nWDLU2201\nWDLU2202\nLumberjack\nGiovanni Pesce\nWDLM2201\nWDLM2202\nLuminaire\nGiovanni Pesce\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n115\n114\nColorMatch 1:4\nColorMatch 1:4\n",61,{"image":256,"text":257,"number":258},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.62.png","WDMG2201\nWDMG2202\nMarble Greet\nLe Dictateur\nWDMA2201\nWDMA2202\nMasako\nChristian Benini \nWDMO2201\nWDMO2202\nMorse\nLe Dictateur\nWDNA2201\nWDNA2202\nNaïf\nEva Germani\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n117\n116\nColorMatch 1:4\nColorMatch 1:4\n",62,{"image":260,"text":261,"number":262},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.63.png","WDNO2201\nWDNO2202\nNonostante il fiore\nAntonio Marras\nWDOS2201\nWDOS2202\nO.S.\nTommaso Spinzi\nWDON2201\nWDON2202\nOn Stage\nGupica\nWDOR2201\nWDOR2202\nOrganic\nLe Dictateur\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n119\n118\nColorMatch 1:4\nColorMatch 1:4\n",63,{"image":264,"text":265,"number":266},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.64.png","WDOV2201\nWDOV2202   \nOro verde \nAntonella Guidi\nPas d'écran\nPaolo Badesco - Costantino Affuso\nWDPS2201\nWDPS2202\nPassion\nTalva Design\nPerugino\nEva Germani\nWDPA2201\nWDPA2202\nWDPE2201\nWDPE2202\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n121\n120\nColorMatch 1:4\nColorMatch 1:4\n",64,{"image":268,"text":269,"number":270},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.65.png","Playwall\nGio Tirotto\nPoppies Mesh\nTommaso Guerra\nPrestigio\nDeBonaDeMeo\nWDPL2201\nWDPL2202\nWDPO2201\nWDPO2202\nRadiant\nDeBonaDeMeo\nWDRD2201\nWDRD2202\nWDPR2201\nWDPR2202\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n123\n122\nColorMatch 1:4\nColorMatch 1:4\n",65,{"image":272,"text":273,"number":274},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.66.png","Rame d'estate\nMaria Gomez Garcia\nSeventh Floor\nChristian Benini\nS'il vous plaît\nChristian Benini\nShamsi\nAnna Vermiglia De Carlo\nWDRA2201\nWDRA2202\nWDSI2201\nWDSI2202\nWDSE2201\nWDSE2202\nWDSA2201\nWDSA 2202\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n125\n124\nColorMatch 1:4\nColorMatch 1:4\n",66,{"image":276,"text":277,"number":278},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.67.png","Shingle\nFederico Peri\nWDSK2201\nWDSK2202\nSkybound\nThe Elusive Otter\nSpring Puddles\nDraga&Aurel\nWDTP2201\nWDTP2202\nTapestry\nGiovanni Pesce\nWDSH2201\nWDSH2202\nWDSP2201\nWDSP2202\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n127\n126\nColorMatch 1:4\nColorMatch 1:4\n",67,{"image":280,"text":281,"number":282},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.68.png","WDTA2201\nWDTA2202\nTassili\nSimone Fanciullacci\nWDTE2201\nWDTE2202\nTex-tales\nPaolo Badesco - Costantino Affuso\nWDTD2201\nWDTD2202\nThe Dip\nAlessandro Gottardo (aka Shout)\nWDTO2201\nWDTO2202\nTouch it\nAntonella Guidi\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n129\n128\nColorMatch 1:4\nColorMatch 1:4\n",68,{"image":284,"text":285,"number":286},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.69.png","WDUP2201\nWDUP2202\nUp Up\nThe Elusive Otter   \nWDVE2201\nWDVE2202\nVeli\nFederico Peri\nWDVO2201\nWDVO2202\nVolare\nLorenzo De Grandis\nWDYU2201\nWDYU2202\nYukiyama\nElisa Vendramin\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) — Lunghezza Rollo \u002F Roll length (custom)\n131\n130\nColorMatch 1:4\nColorMatch 1:4\n",69,{"image":288,"text":289,"number":290},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.70.png","15-0927 TCX\n17-1113 TCX\n13-1105 TCX\n15-4307 TCX\n19-3911 TCX\nsoggeTTo \u002F subjeCT\nCod. var. 01\nIl colore è la tua guida nella nostra collezione.\nAbbiamo creato le palette per favorire la tua ispirazione, \nunendo i soggetti grafici per gruppi di colori affini che \ndefiniscono mood diversi. \nNelle Tabelle Colore, all’interno di ogni palette troverai i \nsoggetti grafici con indicazione del numero di pagina in \ncui è possibile consultare la grafica ambientata e il codice \nprodotto di riferimento. \nNelle colonne a destra del nome potrai vedere a quali colori \ndella palette corrisponde il singolo decoro. \nPer una ricerca ancora più veloce e sistematica, il nostro sito \nè la risorsa più importante per navigare nella collezione: \nsu www.wallanddeco.com puoi individuare un soggetto \ngrafico filtrando la ricerca per palette, colore, nome e codice.\nIt is color that guides you through our collection.\nWe have created palettes to favour your inspiration, \ngrouping graphic subjects according to colors which \ndefine different moods. \nColor chart contain graphic subjects for each palette, \ncomplete with the page number to view the graphic \nsettings and product codes of reference. \nThe columns to the right of the name enable you \nto view the colours of the palette for each single \ndecoration. \nOur website is the most valuable resource for an even \nfaster and systematic search when browsing our \ncollection: \ngo to www.wallanddeco.com to identify a graphic \nsubject by filtering according to palette, color, name \nand code.\nDEEP NATURE\n18-1246 TCX\nPaNToNe®\nMood\nbroNzage®\nPag.\n32\nAbstraction\nWDAB2201\n28\nAnimal Codex\nWDAX2201\n26\nArchi Natura\nWDAN2201\n14\nBucefalo\nWDBU2201\n19\nDiaphanus\nWDDI2201\n17\nEtoile\nWDET2201\n16\nFluid\nWDFL2201\n15\nIntersections\nWDIN2201\n33\nIvy Line\nWDIV2201\n27\nJoshua\nWDJO2201\n9\nJungle Cut\nWDJU2201\n13\nKripté\nWDKR2201\n22\nLes Animaux en Papier\nWDLA2201\n30\nLittle Brown\nWDLI2201\n12\nLove Nest\nWDLO2201\n31\nLumberjack\nWDLU2201\n20\nLuminaire\nWDLM2201\n18\nNonostante il fiore\nWDNO2201\n10\nOn Stage\nWDON2201\n29\nOrganic\nWDOR2201\n8\nPrestigio\nWDPR2201\n21\nS'il vous plaît\nWDSI2201\n   \n6\nSeventh Floor\nWDSE2201\n7\nShingle\nWDSH2201\n25\nThe Dip\nWDTD2201\n23\nTouch it\nWDTO2201\n24\nUp Up\nWDUP2201\n11\nYukiyama\nWDYU2201\nCWC 2022\nTABELLE COLORE\nCOLOR CHARTS\n",70,{"image":292,"text":293,"number":294},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.71.png","soggeTTo \u002F subjeCT\nCod. var. 01\nHERITAGE\n16-1439 TCX\n19-1223 TCX\n15-0960 TCX\n15-4702 TCX\n19-5230 TCX\nMood\nPaNToNe®\n18-0940 TCX  \nbroNzage®\nPaNToNe®\nPag.\n53\nAgavé\nWDAG2201\n�\n�\n�\n�\n�\n57\nAlba's Rules\nWDAL2201\n�\n�\n�\n�\n45\nAssenzio\nWDAS2201\n�\n�\n�\n51\nBianca\nWDBI2201\n�\n�\n�\n�\n�\n48\nBistrot\nWDBS2201\n�\n�\n�\n�\n�\n38\nChaotic Ordinariness\nWDCH2201\n�\n�\n�\n�\n�\n�\n59\nConciergerie\nWDCO2201\n�\n�\n�\n�\n61\nEarl Grey\nWDEG2201\n�\n�\n�\n60\nFlow\nWDFW2201\n�\n�\n�\n�\n40\nGesture\nWDGE2201\n�\n�\n�\n�\n�\n55\nHypnotique\nWDHY2201\n�\n�\n�\n�\n�\n63\nInfinity\nWDIF2201\n�\n�\n�\n�\n�\n52\nInterpiano\nWDIP2201\n�\n�\n�\n58\nItalian Holidays\nWDIH2201\n�\n�\n�\n�\n42\nLe Misure\nWDLE2201\n�\n�\n�\n54\nLost Island\nWDLS2201\n�\n�\n�\n50\nMarble Greet\nWDMG2201\n�\n�\n62\nMasako\nWDMA2201\n�\n�\n�\n�\n41\nNaïf\nWDNA2201\n�\n�\n�\n�\n�\n�\n56\nO.S.\nWDOS2201\n�\n�\n�\n�\n�\n�\n49\nPas d'écran\nWDPA2201\n�\n�\n�\n�\n44\nPerugino\nWDPE2201\n�\n�\n�\n47\nPlaywall\nWDPL2201\n�\n�\n�\n�\n64\nPoppies Mesh\nWDPO2201\n�\n�\n�\n�\n�\n39\nRame d'estate\nWDRA2201\n�\n�\n�\n�\n�\n�\n43\nShamsi\nWDSA2201\n�\n�\n�\n46\nTex-tales\nWDTE2201\n�\n�\n�\n�\n14-4203 TCX\n19-1518 TCX\n19-1758 TCX\n15-1906 TCX\n14-1310 TCX\nsoggeTTo \u002F subjeCT\nCod. var. 01\nRED HEART\n19-0309 TCX\nMood\nPaNToNe®\nbroNzage®\nPag.\n70\nAfterglow\nWDAF2201\n�\n�\n�\n�\n�\n�\n86\nAlcamo\nWDAC2201\n�\n�\n84\nChromatikos\nWDCR2201\n�\n�\n�\n85\nFil Rouge\nWDFR2201\n�\n�\n�\n71\nFlor\nWDFO2201\n�\n�\n�\n�\n�\n79\nFresco\nWDFE2201\n�\n�\n�\n�\n80\nGhost\nWDGH2201\n�\n�\n�\n�\n�\n�\n76\nMorse\nWDMO2201\n�\n�\n�\n�\n82\nOro Verde\nWDOV2201\n�\n�\n81\nPassion\nWDPS2201\n�\n�\n�\n�\n�\n�\n73\nRadiant\nWDRD2201\n�\n�\n77\nSkybound\nWDSK2201\n�\n�\n�\n�\n�\n�\n72\nSpring Puddles\nWDSP2201\n�\n�\n�\n�\n�\n�\n83\nTapestry\nWDTP2201\n�\n�\n�\n�\n�\n�\n�\n78\nTassili\nWDTA2201\n�\n�\n�\n75\nVeli\nWDVE2201\n�\n�\n�\n�\n�\n74\nVolare\nWDVO2201\n�\n�\n�\n�\n�\n   \n",71,{"image":296,"text":297,"number":298},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.72.png","CHRISTIAN BENINI\nFotografo, fondatore e art director di Wall&decò \nChristian Benini inizia la sua carriera come \nfotografo ritrattista e si specializza poi nella \nfotografia di moda e pubblicitaria. Le sue \ncollaborazioni lo portano ad avvicinarsi alle \nagenzie di pubblicità e case di moda in Italia, Regno \nUnito e Stati Uniti. Il suo interesse si indirizza \nin modo sempre più preciso verso la fotografia \nd’arredamento. Ha avuto così inizio un percorso \ndi ricerca, tutt’ora in atto, che lo porta a creare \nWall&decò, un progetto che unisce fotografia e \ndesign in costante evoluzione. — Photographer, \nfounder and art director of Wall&decò Christian \nBenini began his career as a portrait photographer \nand then went on to specialise in fashion and \npublicity photography. He has worked in close \nconjunction with advertising agencies and fashion \nhouses in Italy, the United Kingdom and the USA. His \ninterest is increasingly more precisely focused on \nthe photography of interiors. Thus a path of research \nbegan which is still in progress and which resulted in \nhis setting up Wall&decò, a project which combines \nphotography and design in constant evolution.\nALESSANDRO GOTTARDO (AKA SHOUT) \nAlessandro Gottardo, conosciuto anche con lo \npseudonimo di Shout, vive e lavora a Milano. Tra \nle sue collaborazioni più importanti, The New York \nTimes, The Wall Street Journal, TIME, Penguin \nBooks, Volkswagen, Barclays, ENI, Nokia, United \nAirlines. Ha ricevuto diversi riconoscimenti \ninternazionali; tra il 2006 e il 2007 pubblica con \nla casa editrice 27_9 i volumi “Jetlag“ e “Jetlag \n2”, nel 2010 “Mono Shout”, una monografia \nsui primi 10 anni di attività e nel 2011 “DAZED”. \nAttraverso un’operazione di sottrazione, di sintesi \ndell’immagine, Shout rende le sue illustrazioni \npiccole opere concettuali in cui più che mostrare, \ncostruisce messaggi immediatamente percepibili. \n  — Alessandro Gottardo, also known by the name of \nShout, he lives and works in Milan. Highlights of his \ncareer include cooperating with The New York Times, \nThe Wall Street Journal, TIME, Penguin Books, \nVolkswagen, Barclays, ENI, Nokia, United Airlines. \nHe has received numerous international accolades: \nbetween 2006 and 2007, his publishing company \n27_9 produced the books “Jetlag“ and “Jetlag 2”, in \n2010 “Mono Shout”, a monographic work on the first \n10 years of business activity and in 2011 “DAZED”. \nBy means of an operation of subtraction and image \nsynthesis, Shout makes his illustrations small \nconceptual works, in which, rather than showing, he \nbuilds up immediately perceptible messages.\nANDREA MERENDI\nAllestitore, stylist, fiorista, un po’ artista, \nmolto creativo, di sicuro poetico. Da anni si \nowccupa di vetrine e allestimenti decorativi \nper diverse aziende. La sua passione sono i \nfiori. Professionista onnivoro, cresce ripesca le \nconoscenze floreali e crea dei personali fiori di \ncarta per un lavoro in Rinascente a Milano. Da \nallora i suoi fiori sono finiti su riviste, in negozi    \nShowroom , come scenografie per eventi e carte \nda parati. — He is a shop window dresser, stylist, \nflorist, with an artistic flair, a lot of creativity and a \nstrong poetic streak. He has years of experience \nin shop window dressing and retail premise \ndecoration for several companies. His true passion \nis flowers. He is an all-round professional who has \nexpanded and revisited his floral knowledge to \ncreate bespoke paper flowers for the Rinascente \ndepartment store in Milan. Since then his flowers \nhave been shown in magazines and displayed in \nshowrooms, event settings and wallpapers.\nANTONELLA GUIDI\nAntonella frequenta l’Istituto Statale d’arte per il \nMosaico di Ravenna. Dal 1983 partecipa a mostre \nsia personali che collettive e nel 1987, utilizzando \nmateriali riciclati a costo zero, inizia a produrre \naccessori per la moda, fondando una piccola \nazienda. La filosofia del riciclo sarà la tematica \nfondamentale del lavoro artistico che continuerà \nin parallelo all’attività nel campo della moda, e che \nha prodotto molte opere. Ha inoltre collaborato \ncon aziende tessili e ceramiche come disegnatrice \ndecorativa free lance e con case editrici come \nillustratrice di libri fantasy. — Antonella attends the \nMosaic State Art Institute in Ravenna. Since 1983, \nshe has been taking part in both solo and collective \nart shows and, in 1987, using recycled no-cost \nmaterials, she began making fashion accessories, \nsetting up a small company. The recycling \nphilosophy pervades her entire artistic production \nwhich continues alongside her fashion industry \nactivities and which has resulted in the creation of \nnumerous works. She has also collaborated with \ntextile and ceramic manufacturers as free-lance \ndecorative designer and with publishing companies \nas illustrator of fantasy books.\nANTONIO MARRAS\nAntonio Marras nasce ad Alghero, Sardegna. Terra \nche segna profondamente la sua cifra stilistica. Il \nsuo esordio nella moda avviene sotto il segno di una \nfortunata casualità: nel 1987, infatti, è chiamato \nda una ditta romana a disegnare collezioni di prêt-\nà-porter, grazie alla sua competenza sviluppata \nsu un doppio binario. Quello culturale - Marras da \nsempre si interessa ad ogni forma di espressione \nartistico-creativa - e quello “tecnico”, sviluppato \nin base alla conoscenza di materie e forme. Nel \nmarzo 1999, a Milano, la prima volta del suo prêt-\nà-porter e nel 2003 è invitato dal gruppo francese \nLVMH a diventare direttore artistico della maison \nKenzo sino al 2011. Con il suo headquarter a Milano, \nMarras farà però una scelta importantissima, \nsentimentale ma anche artistica: non rinuncerà \na vivere dove è cresciuto, ad Alghero sempre \ntornando \na \ncercare \ncreatività, \nispirazione, \nmateriale per il suo universo espressivo. — Antonio \nMarras was born in Alghero, on Sardinia. The island \nhas always deeply influenced his aesthetic. His \nfashion debut was the result of a lucky chance. In \n1987 a fashion house in Rome asked him to design \na prêt-à-porter collection. Their invitation was due \nto his dual baggage of skills: cultural – Marras has \nalways involved himself in every form of artistic\u002F\ncreative expression – and technical based on his \nknow-how of materials and forms. He debuts \nwith his prêt-à-porter in March 1999 in Milan and \nin 2003 LVMH, the French luxury goods group, \ninvites him to be the artistic director of the Kenzo \nfashion house till 2011. With his headquarters in \nMilan, Marras made a fundamental choice, both \nsentimental and artistic: he will never give up living \nwhere he was born, to Alghero always returning in \npursuit of creativity, inspiration and material for his \nexpressive universe.\nANNA VERMIGLIA DE CARLO\nNata a Milano, Anna è un’artista che alterna \ne mescola da sempre le sue molte attività \nsovrapponendo generi e tecniche. Le diverse \nforme espressive utilizzate le hanno permesso di \ncreare nel tempo un particolare mondo distintivo. \nLe sue sculture tagliate in sottili lamiere d’ottone \nche luccicano e danzano nell’aria fanno parte di \nmolte collezioni private ed estere, così come i suoi \nquadri e disegni. Si è anche dedicata con successo \na varie forme di design, dalle luci da tavolo alla \ngrafica, dai film d’animazione al disegno per \ntessuti, fino ai vetri d’arte e la carta da parati. \nLa costante ricerca e l’esperienza maturata in \ntante attività diverse, l’hanno anche portata a \nprogettare una linea di arredamento da giardino \nprodotta in Salento con artigiani locali. \nHa studiato presso il M.I.T. di Cambridge, USA, \ndove ha sviluppato la sua formazione artistica \npresso il C.A.V.S. (Center for Advanced Visual \nStudies). Per dieci anni è stata disegnatrice, \ncreativa \ne \nautrice \nde \n“L’Albero \nAzzurro”, \nprogramma televisivo di RAI1. I suoi libri sono \npubblicati dalle più importanti case editrici \nitaliane come: Rizzoli, Bompiani, Electa, Fabbri, \nNuages, De Agostini, Emme.\nLe sue illustrazioni sono state regolarmente \ndiffuse dalle maggiori testate giornalistiche: La \nRepubblica, La Stampa, Abitare, Amica, Esquire, \nIl Messaggero, L’Europeo, Il Giornale della Musica, \nSpazio & Società. Il suo percorso artistico l’ha vista \nanche coinvolta in diversi progetti architettonici \ncon il padre, l’architetto Giancarlo De Carlo.\nVive tra Milano, il Salento e Berlino. Ha due figli: \nJessica e Leo Einaudi.\nBorn in Milan, Anna is an artist who has always \nalternated and blended all her many activities, \nsuperimposing genres and techniques. All these \nvarious expressive forms have enabled her to create \nover time the depiction of a particular distinctive \nworld,. Her brass sheet metal sculptures that glitter \nand dance in the air, are held in many private and \nforeign collections, as well as her paintings and \ndrawings. She also successfully dedicated herself \nto various forms of design, from table lamps to \ngraphics, animation films, textiles, glass art and wall \npaper. Her constant research, in so many different \nCWC 2022\nDESIGNERS\nundertakings, have also led her to design a garden \nfurniture line produced in Salento by local artisans.\nShe studied at M.I.T. of Cambridge, USA, where she \ndeveloped her artistic training at C.A.V.S. (Center for \nAdvanced Visual Studies). She worked as creator, \nauthor and creative designer of “L’Albero Azzurro”, \na TV Show, on Italy’s main channel RAI1. Her books \nhave been published by prominent Italian publishing \nhouses such as: Rizzoli, Bompiani, Electa, Fabbri, \nNuages, De Agostini, Emme. Her illustrations have \nbeen regularly featured in many Italian magazines \nand newspapers: La Repubblica, La Stampa, \nAbitare, Amica, Esquire, Il Messaggero, L’Europeo, \nIl Giornale della Musica, Spazio & Società. She has \nbeen involved in several architectural projects with \nher father, architect Giancarlo De Carlo. She lives \nbetween Milan, Salento and Berlin. She has two \nchildren: Jessica and Leo Einaudi.\nBERTERO MARZOLI\n“Un messaggio offre il massimo d’informazione \nquando la sua inaspettatezza, imprevedibilità, ci \nprocura il massimo del piacere” (Gillo Dorfles).\nQuesta citazione guida da sempre le idee di Fabrizio \nBertero, architetto laureato al Politecnico di Milano, \ne Simona Marzoli, architetto d’interni diplomata \nall’Istituto Europeo di Design di Milano. I due \nprogettisti realizzano insieme abitazioni private e \nspazi dedicati alla collettività, boutique, ristoranti, \nuffici, allestimenti fieristici e museali, oggetti \ne grafiche; si occupano, ognuno con le proprie \nspecifiche competenze, ma usando la creatività in \nmaniera trasversale, di pianificazione urbanistica, \narchitettura, interior, prodotto e comunicazione \nvisiva. Hanno collaborato con Triennale di Milano, \nZanotta, IED, TDK Europe, Fiat, Illy, Frankie Morello, \nWall&decò, AIS Associazione Italiana Sommelier, \nCamera Nazionale della Moda Italiana. Entrambi \nsono docenti in IED. — A message offers the maximum \nof information when its unexpected, unpredictability, \ngives us the maximum of pleasure”. (Gillo Dorfles) This \nquote has always guided the ideas of Fabrizio Bertero, \narchitect graduated from the Politecnico di Milano, \nand Simona Marzoli, interior architect graduated from \nthe European Institute of Design in Milan. The two \ndesigners create together private homes and spaces \ndedicated to the community, boutiques, restaurants, \noffices, trade fair and museum displays, objects and \ngraphics; they deal with urban planning, architecture, \ninterior, product and visual communication, each \nwith their own specific skills, but using creativity \nin a transversal way. They have collaborated with \nTriennale di Milano, Zanotta, IED, TDK Europe, Fiat, Illy, \nFrankie Morello, Wall&decò, AIS Associazione Italiana \nSommelier, Camera Nazionale della Moda Italiana. \nBoth are teachers in IED.\nCTRLZAK\nCTRLZAK Art & Design Studio agisce a livello \ninternazionale nel campo dell’arte e del design. \nLo studio fondato da Thanos Zakopoulos (Grecia) \ne Katia Meneghini (Italia), si avvale di strumenti \nsemiotici e cognitivi durante tutto il percorso \ncreativo proponendo forme che vanno al di là \ndel comune valore estetico. L’approccio creativo \ndello studio si relaziona al contesto sociale, \nambientale e culturale in cui opera. Negli oggetti e \nambienti proposti si enfatizzano aspetti legati alla \nloro memoria e alla storia stessa del luogo in cui \nvengono ri-contestualizzati, facendo attenzione \nai dettagli che sottolineano il loro valore simbolico \nsenza però negarne la funzionalità. — CTRLZAK \nArt & Design Studio is a multidisciplinary team \nfounded by Thanos Zakopoulos (Greece) and \nKatia Meneghini (Italy). The studio operates \ninternationally in the field of contemporary art and \ndesign with a creative vision that is not limited by a \nspecific framework. With the use of semiotic tools \nwithin the creative process the studio proposes \nforms that surpass common aesthetic values \nworking on a cognitive level. The concept behind \neach project is to inspire a responsible awareness \nthrough the ‘added value’ that art has for society \nwith a special attention to issues of environmental \nimpact. \nDEBONADEMEO\nLuca DeBona e Dario DeMeo, architetto e designer, \nsi incontrano sul percorso tra Milano e il Veneto \ne iniziano una collaborazione che proprio dal \nviaggio attinge ispirazione per produrre segni \ne disegni di risposta alle esigenze dell’habitat \ncontemporaneo. \nCollaborano \ncon \nprestigiose \naziende di arredo, illuminazione, decorazione \noccupandosi di direzione artistica, ideazione \ndi concept e sviluppo di prodotti. Una ricerca \nin micro e macro scala che rilegge e fonde vari \nambiti: architettura, design, grafica e arte per \ncreare ambienti e oggetti innovativi, ma capaci di \nraccontare storie e indurre emozioni. — Luca and \nDario, architect and designer, meet on the road \nbetween Milan and the Italian Veneto region and \nbegin a collaboration that dRaws inspiration from the \ntrip, to produce marks and dRawings that respond \nto the needs of the contemporary home interiors. \nThey collaborate with prestigious furnishing, lighting \nand decor companies, looking after art direction, \nconcept and product development. A research in \nmicro and macro scale that reviews and merges \ndifferent spheres: architecture, design, graphics and \nart, to create innovative environments and objects, \nbut able to tell stories and stir emotions.\nDRAGA&AUREL\nDi origine serba lei, tedesco lui – trovano nell’Italia \nil giusto terreno per la loro espressione artistica. \nDraga affina negli anni una sua tecnica di pittura \ndirettamente su tessuto che le permette di \ncreare una collezione dal design unico dove \ncolore, motivo e materia si incontrano in una \ncommistione armonica. Aurel K. sceglie di esaltare \nle potenzialità della resina ricorrendo ad una forte \nespressività pittorica. L’intesa, oltre che di vita, \nnel 2007 diventa anche professionale: vivendo \ne sviluppando insieme la comune passione per \nl’arte contemporanea, l’affinità artistica cresce \ncon loro conducendoli ad un comune percorso di \nricerca, di approfondimento e di confronto che li \nportano a collaborazioni con prestigiosi marchi \ninternazionali quali Baxter e Anthropologie. — She \nis of Serbian origin while he is from Germany – they \nfind in Italy the right soil for their artistic expression. \nDraga refined her painting technique directly on \ncanvas during the years that allowed her creating a \ncollection characterised by a unique design where \ncolour, pattern and matter meet in a harmonic \nunion. Aurel K. chooses to exalt the potentials of \nresin, resorting to a strong pictorial expression. The \nmutual understanding, in addition to a personal \nlevel, became also professional in 2007: living \nand developing together the common passion \nfor modern art, the artistic affinity grew with \nthem, leading the couple to undertake a common \nresearch, study and sharing path that led them to \ncooperate with the most prestigious international \nbrands, like Baxter and Anthropologie.\nELISA VENDRAMIN\nElisa Vendramin è un’illustratrice italiana che \nlavora per lo più a progetti grafici per il settore \nculturale, \nelaborando \ndigitalmente \npattern \nillustrati. Dopo aver conseguito la Laurea in \nDisegno Industriale presso lo IUAV di Venezia si \ntrasferisce a Londra per frequentare un Master \nin Communication Design presso Central Saint \nMartins College of Art and Design dove inizia \na collaborare con varie istituzioni culturali \npartecipando anche mostre collettive a Londra, \nParigi, Reykjavik e Vienna. Nel 2011 Elisa si \ntrasferisce Reykjavik per esplorare progetti di \nricerca personale e partecipare a diverse residenze \nd’artista, tra cui SÍM International Residency e \nNES Artist Residency. Dal 2013 torna in Italia e \ncontinua a lavorare come illustratrice con agenzie \ninternazionali quali Brandever (Vancouver, BC), \nAtacama Invest (Santiago del Cile), ed esporre \ncome artista presso le gallerie-artstore Atelier \nOlschinsky di Vienna e NAU Gallery di Stoccolma. \n— Elisa Vendramin is an Italian illustrator who \nspecialises in graphical projects for the cultural \nsector by creating digitally produced graphic \npatterns. After graduating in Industrial Design from \nthe IUAC in Venice, she moved to London to take \na Master in Communication Design at the Central \nSaint Martins College of Art and Design, where \nshe started to work for several cultural institutions \nand also showcased her creations in collective \nart exhibitions in London, Paris, Reykjavik and \nVienna. In 2011 Elisa moved to Reykjavik to focus \non personal research projects and to join several \nartist residencies, including the SÍM International \nResidency and NES Artist Residency. In 2013 \nElisa returned to Italy, where she currently works \nas an illustrator with international agencies such \nas Brandever (Vancouver, BC), Atacama Invest \n(Santiago de Chile), and exhibits in the Vienna-\nbased artstore Atelier Olschinsky and in the \nStockhom-based NAU Gallery.\nEVA GERMANI\nUna lunga formazione maturata nel mondo del \nrestauro l’ha portata a contatto diretto con le opere \ndei grandi maestri, dipinti ed affreschi dal grande \nimpatto e valore artistico ed architettonico. La \nconoscenza dei materiali, delle tecniche esecutive, \ndelle atmosfere di sapore antico sono convogliate \nin uno stile rapido, privo di formalismi accademici \na volte aggraziato, ma sempre contraddistinto \nda un tratto di materica ruvidità. Proiettata \nverso una decorazione dall’effetto scenografico \nsi dedica, in collaborazione con architetti e \ndesigner, alla creazione di spazi domestici o \ncommerciali caratterizzati da una forte atmosfera \nretrò e dal gusto vagamente bohémien. — A \nlong training period in the field of architectural \nconservation allowed her to gain direct contact \nwith the artworks of famous artists, paintings and \nfrescos of great artist and architectural impact and \nvalue. Her knowledge of materials and execution \ntechniques, which recall traditional settings, are \nconveyed through a determined style, without \nacademic formalisms, at times graceful, but always \ncharacterized by a ruvid material trait. Projected \ntowards scenographic decoration, her works are \ncarried out with architects and designers and \nconsist in the creation of residential and commercial \n",72,{"image":300,"text":301,"number":302},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.73.png","spaces with strong retrò atmospheres and slight \nbohemian tastes.\nLE DICTATEUR\nFederico Pepe è nato nel 1976. Vive e lavora a \nMilano. È una figura unica nel panorama culturale \ne artistico italiano, dove si muove con agilità ed \nestrema coerenza estetica tra varie forme artistiche. \nPubblicità, Artista, Graphic Designer, Video Maker. \nDirettore creativo dell’agenzia di comunicazione \nmultinazionale DLVBBDO. Nel 2006 fonda Le \nDictatuer, progetto editoriale e spazio espositivo \nindipendente a Milano, per il quale è da oltre 10 \nanni direttore editoriale e artistico. Ha esposto le \nsue opere e i suoi progetti alla MOMA Library and \nFamily Business di New York, alla TATE MODERN \ndi Londra, al Palais de Tokyo di Parigi, alla Triennale \ndi Milano e in molte altre gallerie private. Collabora \nnegli anni con artisti famosi come Maurizio Cattelan, \nPierpaolo Ferrari, Nico Vascellari, Jacopo Benassi e \ndesigner come Patricia Urquiola con cui ha firmato \ndue collezioni (CREDENZA 2016, MISCREDENZA \n2017). — Federico Pepe was born in 1976. He lives and \nworks in Milan. He is a unique figure in the cultural \nand artistic Italian landscape, where he moves with \nagility and extreme aesthetic coherence between \nvarious artistic forms. Advertising, Artist, Graphic \nDesigner, Video Maker. Executive creative director of \nthe DLVBBDO Multinational Communication Agency. \nIn 2006 he founded in  Le Dictatuer, an editorial \nproject and an independent exhibition space based in \nMilan, for which he has been the editor of editorial and \nartistic plan for over 10 years. He exhibited his works \nand projects at MOMA Library and Family Business \nin New York, at TATE MODERN in London, at the \nPalais de Tokyo in Paris, at the Trienniale of Milan \nand in many others private galleries. Over the years \nhe collaborated with famous artists such as Maurizio \nCattelan, Pierpaolo Ferrari, Nico Vascellari, Jacopo \nBenassi and designers such as Patricia Urquiola with \nwhom he has signed two collections (CREDENZA \n2016, MISCREDENZA 2017).\nFEDERICO PERI\nFederico Peri nasce nel 1983 a Montebelluna in \nprovincia di Treviso. Terminati gli studi universitari \na Milano presso la Facoltà di interior design \ndell’Istituto Europeo di Design, si trasferisce a \nParigi grazie ad una borsa di studio di residenza per \nartisti. In questo periodo, ricco di contaminazioni \ninternazionali e stimoli progettuali, inizia il proprio \npercorso professionale appassionandosi ai grandi \nmaestri e definendo il proprio interesse come \nsinergia tra storico e contemporaneo. Rientra a \nMilano per lavorare presso Vudafieri Saverino \nPartners fino al 2011, quando avvia il proprio studio \noccupandosi prevalentemente di progettazione \nd’interni e arredo.\nCollabora \ncon \naziende, \nmarchi \ndi \nmoda, \nprofessionisti e privati concependo progetti che \nsiano strettamente connessi alle singole identità. \nNilufar, galleria internazionale con sede a Milano, \nrappresenta i suoi prodotti in edizione limitata, tra \ncui la collezione di lampade “Shapes” nominata nel \n2016 per il German Design Awards. Tra i candidati \ncome “miglior designer esordiente” al Salone \ndel mobile Milano awards 2017 con il prodotto \n“Galerie” disegnato per FontanaArte, viene anche \nnominato per il “rising talent awards” all’edizione \ndi Maison&Objet 2018.. — Federico Peri was born \nin 1983 in Montebelluna in the province of Treviso. \nAfter graduating in Interior Design from the European \nInstitute of Design, he moved to Paris thanks to a \nresidency scholarship for artists. During this period, \nbrimming with international cross-contaminations \nand design stimuli, he developed a professional \ninterest and passion for the great masters while \nalso defining his own interest as the synergy of the \nhistorical and contemporary. He returned to Milan to \nwork at Vudafieri Saverino Partners until 2011, when \nhe started his own firm, mainly focused on interior \nand furniture design. He collaborates with companies, \nfashion brands, professionals and individuals, bringing \nto life projects that closely tie in with individual \nidentities. Nilufar, an international gallery based \nin Milan, represents its limited-edition products, \nincluding the “Shapes” collection of lamps nominated \nin 2016 for the German Design Awards. One of the \n“best new designer” contestants at the 2017 Salone \ndel Mobile Milano awards with the product “Galerie” \ndesigned for FontanaArte, he was also nominated for \nthe “Rising Talent Awards” at Maison&Objet 2018.\nFRANCESCA ZOBOLI\nFrancesca, dopo essersi diplomata in pittura \nall’Accademia di Belle arti di Milano,  nel 1990, \nfonda lo studio di decorazioni d’interni L’O di \nGiotto, che opera in Italia e all’estero. All’attività \ndi interior decorator affianca la ricerca pittorica, \ncondotta in particolare sull’assemblaggio di \nmateriali. Dal connubio fra pittura e decorazione \nnasce lo stile dei suoi lavori, connotato da un \nlinguaggio originale che si ispira a tessuti, \ntappezzerie, antiche tecniche di stampa, motivi \netnici e tradizionali, pattern grafici, intonaci, \ntexture naturali come legni, foglie, polveri, terre. \nAttenta e sensibile alle più recenti tendenze della \nmoda, del design, dell’arte e dell’architettura \ncontemporanea, \nFrancesca \nZoboli \nmira \nad \narticolare e integrare organicamente il progetto \ndecorativo all’ambiente e allo spazio. Fra i suoi \nclienti, Fratelli Rossetti, Hotel De Russie , Kenzo, \nper cui nel 2006 ha progettato e realizzato \ninterventi di decorazione destinati al nuovo \nconcept store di Parigi (Art Director Antonio \nMarras). — After graduating in Painting at the \nAcademy of Fine Arts in Milan in 1990, Francesca \nfounds l’O di Giotto – ann Interior Decoration Studio \noperating both in Italy and abroad. Alongside interior \ndecorating, she also conducts pictorial research, \nespecially as regards the assembly of materials. \nOut of the combination of painting and decorating \ncomes the style of her works, distinguished by an \noriginal language inspired by fabrics, upholsteries, \nold printing methods, ethnic and traditional motifs, \ngraphic patterns, plastering, natural textures such \nas woods, leaves, powders, earths. Careful and \nsensitive to the most recent fashion, design, art \nand modern architecture trends, Francesca Zoboli \naims at organically articulating and integrating \ndecorative projects in environments and spaces. \nAmong her customers Fratelli Rossetti and Hotel \nDe Russie; in 2006 she has partially designed and \ndecorated the new concept store in Paris for Kenzo \n(Art Director Antonio Marras).\nGIO TIROTTO\nFonda il suo studio nel 2010. Gio Tirotto sviluppa \nprogetti di interni, prodotto e allestimento, \nfocalizzando la sua direzione artistica prima \nnella ricerca ed in seguito nella più pulita sintesi \ntra forma e funzione. “Progetto per essere un \nponte che connette il pensiero al messaggio, \nindispensabile \nobiettivo \ndel \nmio \nlinguaggio \nartistico”.Qualunque cosa egli disegni nasce \ndall’attenzione a tutto ciò che gli sta intorno, \nvivo o inanimato. Se c’è un limite tra arte e \ndesign, prova a cancellarlo, riprogettando tutta \nla complessità esistente tra gli esseri umani e gli \noggetti. Questa è la ragione per la quale crede che \nil rito, la memoria e l’immaginazione siano spesso \nla funzione essenziale delle cose”. Tra i clienti: \nAlcantara, \nViabizzuno, \nSeletti, \nSecondome \nGallery, \nD’arrigo \nExternal \nDesign,Petracer’s, \nWall&decò, \nLago, \nBormioli \nRocco, \nGreggio, \nMingardo, Exnovo. — Gio Tirotto founded his own \nstudio in 2010. He develops projects for interiors, \nproducts and installations, focusing his artistic \ndirection on research which is followed up by \nthe most clean-cut synthesis between form and \nfunction. “I design to be a bridge which connects \nthought with message, an indispensable aim of \nmy artistic language”. Everything he designs is \ninspired by an attention of what is around him, \nliving or inanimate. If there is a limit between art \nand design, he tries to erase it and re-design all \nthe existing complicity among human beings and \nobjects. This is why he believes that rituals, memory \nand imagination are often the essential function \nof things. Clients - to name but a few: Alcantara, \nViabizzuno, Seletti, Secondome Gallery, D’arrigo \nExternal Design, Petracer’s, Wall&decò, Lago, \nBormioli Rocco, Greggio, Mingardo, Exnovo. \nGIOVANNI PESCE\nDiplomato al Liceo Artistico di Bari con indirizzo \narchitettonico, Giovanni Pesce inizia la sua \nattività nel 1986 nell’ufficio tecnico di un’azienda \ndi credito, per la progettazione delle sue filiali. \nNel 1994 fonda, in collaborazione con altri \nprofessionisti, Signum, un gruppo di lavoro attivo \nnella realizzazione di spazi espositivi. Dal 1997 \navvia un proprio studio che lo vede impegnato \nsia come interior designer che come designer \ndi prodotto. — Giovanni began his career in \n1986 when he was asked to join the staff of the \ntechnical department of a major credit company \nfor the design of a large number of branches. In \n1994 he founded the Signum, a working group in \ncollaboration with other professionals, with whom \nhe developed exhibition spaces. Since 1997 he \nstarted a studio \u002F laboratory of ideas in which he \nis engaged, initially as an interior designer, then \nmore and more directed towards product design: \nclear and direct works with discrete shapes and \nmaterials and with a beauty intimately linked to \ntheir functionality.\nGUPICA\nDopo una laurea in letteratura Gunilla Zamboni \n(Gupica) matura una formazione nell’ambito della \npittura murale a Firenze e delle arti decorative in \nFrancia a Versailles, dove si diploma in Peintre \nen Décor. Si specializza in interior design allo \nIED di Milano. Lavora a contatto con le migliori \nmaestranze italiane e francesi, affinando i segreti \ne le tecniche della pittura decorativa in Francia \ne lo studio del design in Italia. Nel 2010 fonda \nGupica, uno studio creativo che realizza progetti \nservendosi di un metodo multidisciplinare che \ncoinvolge arti decorative, design di interni e \ndi prodotto, sperimentazione contemporanea \ne artigianalità. Mettendo al servizio di clienti \ne aziende la propria visione creativa. La cura \nper il dettaglio e un dialogo costante tra \ncontemporaneo e codici legati alla tradizione \ncontraddistinguono i suoi progetti.  — Upon \nobtaining her degree in Literature, G unilla Zamboni \n(Gupica) continued to study in Florence focusing \non the art of fresco and mural painting, completing \nher studies with a master degree in Peintre en \nDécor in Versailles, France. She later specialized in \ninterior design at IED in Milan. Gupica worked with \nItalian and French masters, honing the secrets and \ntechniques of decorative painting in France and the \nstudy of design in Italy. In 2010 she founded Gupica, \na creative studio that develops projects through \nmulti-disciplinary methods such as: decorative \narts, interior design, product design, traditional \nhandcrafts and modern techniques. She evolves \nprojects for private clients and companies with \nher creative vision. Her attention to detail and the \ncombination of contemporary and traditional codes \ncharacterize her projects.\nINES PORRINO\nInes svolge l’attività dal 1975, inizialmente in \ncollaborazione con gli studi Arcoop, Arkite’ \nArchitetti \nAssociati \ne \nStudio \nPiergiorgio \nCazzaniga, dal 1997 diventa libero professionista \ne si occupa di interior, allestimenti fieristici, \neventi di design e negozi di arredamento. Ines \nPorrino si occupa del concept della realizzazione \ndel prodotto e del catalogo per collezioni di \npavimenti in pvc Limonta. Dal 2010 ha iniziato una \nproduzione delle lampade artigianali Filrouge. Ha \ncollaborato con diverse testate d’arredamento,tra \nle quali Interni, Spazio Casa, Lake Como lifestyle. \n— Ines has been in business since 1975, initially in \ncollaboration with studios such as Arcoop, Arkite \nAssociated Architects and Studio Piergiorgio \nCazzaniga. In 1997 she turn into a free lance \nconsultant in the field of interior design, exhibition \nspaces, design events and furniture stores.\nInes Porrino develops the concept up to the product \nprototype and the catalogue for a floor collections \nin PVC for Limonta. Since 2010 he has begun a \nproduction of artisanal lamps FILROUGE. She has \nworked with several interior design magazines such \nas Interni, SpazioCasa, Lake Como Lifestyle.\nKLAUS KREMMERZ\nKlaus Kremmerz ama viaggiare, lavora ovunque \ncon il suo laptop, il suo iPad o la sua Wacom Cintiq.\nPuoi riconoscerlo, Klaus.... È quello che disegna \nsul suo iPad, all'ombra di una grande palma, \ncon i piedi che bruciano al sole di mezzogiorno. \nSul suo tavolo a bordo piscina, una copia di The \nLong Goodbye, una crema solare a protezione \ntotale e un cocktail Seedlip. Sulle sue orecchie, \ncuffie B&O. Nelle orecchie, Badbadnotgood a \nripetizione. È quello che sorride da solo e non alza \nlo sguardo quando cadi in piscina. Aspetta con \nansia il suo invito da Elon Musk per essere il primo \nillustratore su Marte.\nI suoi clikenti sono Hermes, Flos, Hunter Boots, \nWeTransfer, New Yorker, NYT, Esquire, Die Zeit, \nMonocle, IBM, Les Echos, Zeit Magazin, Neon \nMagazine, Village Voice, GQ France e Apple.\nKlaus Kremmerz loves to travel, working from \nanywhere on his laptop, his iPad, or his cintiq \nWacom.You can spot Klaus.... He's the one sketching \non his iPad, shaded by a large palm, his feet burning \nin the midday sun. On his poolside table, a dogeared \ncopy of The Long Goodbye, total sun block and a \nSeedlip cocktail. On his ears, B&O headphones. In \nhis ears, Badbadnotgood on repeat. He’s the one \nsmiling to himself and doesn’t look up when you fall \nin the pool. He eagerly awaits his invite from Elon \nMusk to be the first illustrator on Mars.\nClients include Hermes, Flos, Hunter Boots, \nWeTransfer, New Yorker, NYT, Esquire, Die Zeit, \nMonocle, IBM, Les Echos, Zeit Magazin, Neon \nMagazine, Village Voice, GQ France, and Apple.\nLORENZO DE GRANDIS\nResponsabile creativo per importanti brand \nnel design di interni. Una continua ricerca di \nriferimenti che permette a Lorenzo De Grandis \ndi progettare e sviluppare contenuti visivi \nottenendo risultati di grande forza comunicativa. \nSensazioni, idee e atmosfere si traducono   nei \nsuoi progetti di graphic design, textile design e \nallestimenti. Uno studio multidisciplinare con \nun’ambizione: catturare il ritmo e l’estetica del \ntempo. — Responsible of visual communication for \nimportant interior design companies. Lorenzo De \nGrandis’s works inspires ideas and stories. Emotion \ndriving to create atmosphere with shapes and \nfunctions, effective solutions and projects. Textiles, \ngraphic design, interiors and further sensation. A \nmultidisciplinary study with an ambition: to capture \nthe rhythm and the aesthetics of time. To see what \ninspires, what elevates, what activates.\nLUDOVICA+ROBERTO PALOMBA\nLudovica+Roberto \nPalomba, \narchitetti, \nvi-\nvono e lavorano a Milano. Fondano nel 1994 \nPalomba Serafini Associati. Hanno ricevuto \nnumerosi premi e riconoscimenti internazio-\nnali come il Compasso D’Oro, l’Elle Decoration \nInternational Design Award, il Red Dot, il Design \nPlus, il Good Design Award, il German Design \nAward. \nProgettano \narchitetture \ned \nesposi-\nzioni in tutto il mondo; collaborano e sono art \ndirector per alcuni dei marchi più affermati. \n“I nostri progetti di design e di architettura si ba-\nsano sull’analisi del cambiamento dei comporta-\nmenti. Sia i primi schizzi che la stesura finale di \nogni progetto sono passati al vaglio delle nostre \ndue esigenze e delle nostre due visioni, allo stesso \ntempo complici e differenti, quindi consensuali. \nQuesta completezza è frutto di un metodo, non di \nuno stilismo. Un metodo per coniugare gli oppo-\nsti: creatività e funzione, innovazione e longevità. \nSenza mai dimenticare originalità e purezza delle \nforme… \nLa cifra del nostro lavoro - ricerca, sviluppo, \nprogetto, si riassumono così in una sola parola: \nEVIDENZA.” — Ludovica+Roberto Palomba are \narchitects who work and live in Milan. They founded \nPalomba Serafini Associati in 1994. They have \nreceived numerous  international awards  such as \nthe Compasso D’Oro, Elle Decoration International \nDesign Award, Red Dot, Design Plus, Good Design \nAward, German Design Award. Ludovica+Roberto \nPalomba plan architectures and design exhibitions \nworldwide. They work with and are art directors \nfor some of the most established brands. “Our \ncreations, whether they be pieces of design or \narchitecture, are derived from observations of \nchange in human behavior. It is important to see \nthese products outside a fixed location or period – \nthey do not reflect the latest fad but are the result \nof rationality and pondered craftsmanship. Our \ninitial drafts are projections of our own needs. Our \ntwo visions are complementary and our design \nconsensual. The challenge of our work is about \nmerging function, innovation and longevity. We \nseek to project courage and serenity through the \npurity and originality of our work…. And there it is, \nthat is what characterizes our creations: research, \noften lengthy, difficult, exhilarating to achieve what \nin a word can only be expressed as EVIDENCE.”\nMAE ENGELGEER\nIl design tessile è sempre stato al centro del \nlavoro della designer olandese, sin dai tempi del \nliceo agli studi all’Amsterdam Fashion Institute e \nal Sandberg Instituut. Da quando ha aperto il suo \nstudio nel 2013, ha coltivato la sua curiosità per \nl’artigianalità, sperimentando vecchie tecniche \ndi produzione tessile per affinarle e portarle a uno \nstadio più avanzato. Il lavoro di Mae Engelgeer \nabbraccia sottili palette di colori, motivi ed \nelementi lineari. Composizioni complesse si \nfondono con la perfezione per stabilire l’armonia. \nEsplorazioni creative sul contrasto di materiali e \ntexture danno forma a opere che sono lussuose \nnella loro tattilità e dimensionalità. Oltre a \nsviluppare le proprie collezioni, Mae Engelgeer \ncollabora con marchi di tutto il mondo per \nprogetti che vanno dai prodotti tessili e dal design \ndi mobili alle esplorazioni dei materiali e alla \ndirezione artistica\u002Fcolore, fino alle installazioni \nsu larga scala e alle opere d’arte pubbliche. “Il \nmio lavoro è guidato dall’intuizione e dal desiderio \ndi creare. Mentre mi considero una sognatrice \nnella creazione di nuove atmosfere, sono in grado \ndi tradurre rapidamente queste idee in opere \ntangibili utilizzando le giuste texture, materiali e \ncolori. Quando mi viene chiesta la mia visione nelle \ncollaborazioni, sento un certo senso di libertà \nnell’esplorare una moltitudine di possibilità”. \n— Textile design has always been at the heart of \nDutch designer Mae Engelgeer’s work, from her \nhigh school days to her studies at the Amsterdam \nFashion Institute and Sandberg Instituut. Since \nopening her own studio in 2013, she has nurtured \nher curiosity for the craft, experimenting within the \nexisting boundaries of textile production to elevate \nold techniques to modernity. Mae Engelgeer’s \nwork embraces subtle color palettes, patterns and \nlinear elements. Complex compositions merge \nwith perfection to establish harmony. Creative \nexplorations into the material and texture contrasts \nresult in works that are luxurious in their tactility \nand dimensionality. In addition to  developing her \nown collections, Mae Engelgeer also works with \nbrands around the world on projects ranging from \ntextile products and furniture design to material \nexplorations and art\u002Fcolor direction, large-scale \ninstallations and public artworks. “My work is \ndriven by intuition and the desire to create. While \nI consider myself to be a dreamer in the creation \nof new atmospheres, I am able to quickly translate \nthose ideas into tangible works using the right \ntextures, materials and colors. When asked for my \nvision in collaborations, I feel a certain sense of \nfreedom to explore a multitude of possibilities.” \nMARÍA GÓMEZ GARCÍA\nProprietaria e direttrice dello studio creativo \nEstudio PAM ha sviluppato grafiche destinate a \nmateriali e utilizzi diversi, come sedie, carte da \nparati, porte, tavoli, tessuti; lavora, tra gli altri, \nper clienti con sede in Spagna, Italia, Brasile e \nStati Uniti. In precedenza, ha collaborato con \naziende e marchi come Le Lis Blanc (marchio \nbrasiliano di moda e oggetti per la casa) e ZARA \n(Spagna). Ha un’esperienza decennale nella \nricerca dei nuovi trend della moda e della grafica \n",73,{"image":304,"text":305,"number":306},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.74.png","nelle più significative città del mondo (Londra, \nNew York, Parigi, San Paolo, Seoul e Hong Kong). \nTutti i suoi disegni e le illustrazioni sono eseguiti \na mano e riflettono il suo bagaglio professionale, \nil cosmopolitismo e la passione per la grafica. — \nAs owner and director of Estudio PAM – a creative \nstudio – has been developing artwork for different \nusages and materials such as chairs, wallpapers, \ndoors, tables, textiles, among others, for clients \nbased in Spain, Italy, Brazil and US. Previously, \nhas worked for companies and brands such as Le \nLis Blanc (Brazilian fashion and housewear brand) \nor ZARA (Spain). With more than 10 years of \nexperience, has collaborated as visual coolhunter \nand shopping in cities in different continents \n(London, New York, Paris, Sao Paulo, Seoul and \nHong Kong). All of her drawings and illustrations \nare handmade created and reflects her professional \nexperience, cosmopolitanism and passion for \nartwork. \nPAOLO BADESCO \nCOSTANTINO AFFUSO\nUn \nprogetto \ndell’interior \ndesigner \nPaolo \nBadesco che dal 2005 presenta al pubblico \nmilanese, attraverso il suo primo negozio di \ncorso Magenta 96, un repertorio di suggestioni \ndal sapore nord europeo: arredi e complementi \nvintage volutamente non restaurati, abbinati a \nuna selezione di oggetti contemporanei frutto \ndi una ricerca tra Europa e Stati Uniti. Nel 2011 \ncon l’architetto Costantino Affuso, già senior \narchitect dello Studio Paolo Badesco interior \ndesign, il progetto si amplia acquisendo una \nnuova location in via Palermo 1, nel cuore del \nBrera Design District. Le inedite proposte e gli \nallestimenti arditi hanno fatto guadagnare a \nRaw l’attenzione della stampa internazionale e \ndi un pubblico sempre più sensibile alle nuove \ntendenze. — A project of the interior designer Paolo \nBadesco, who since 2005 presents to the public \nin Milan, through its first store in Corso Magenta \n96, a repertoire of suggestions with a northern \nEuropean flavor: vintage furniture and accessories \ndeliberately not restored, combined with a selection \nof contemporary works resulting from a selection \nbetween Europe and the United States. In 2011, \nwith the architect Constantino Affuso, formerly \nsenior architect at the Paolo Badesco interior \ndesign studio, the project expanded by acquiring a \nnew location in Via Palermo 1, in the heart of Brera \nDesign District. The new proposals and daring \ninstallations have earned Raw to the attention of the \ninternational press and of an increasingly sensitive \npublic to new trends.\nSANS NOM STUDIO\nSans Nom è uno studio di consulenza creativa \nfortemente improntato sul design di prodotto. Con \nil suo approccio intraprende una ricerca radicale con \nlo scopo di riscoprire dettagli quotidiani, portandone \nl’intrinseca poesia in oggetti d’uso. \nI fondatori scelgono di rimanere anonimi affinché gli \noggetti possano esprimersi nella forma più diretta.\nSans Nom is a creative studio with a deep-rooted \nfocus on product design. With its work it takes \na radical approach and aims to discover hidden \neveryday details bringing their poetry into objects of \nuse and research. \nTheir founders, driven by a profound passion to create \nobjects, choose to remain anonymous to let their \nobjects speaking in a pure form.\nSERENA CONFALONIERI\nDopo una laurea specialistica in Interior Design \nconseguita a pieni voti presso il Politecnico \ndi Milano, Serena ha lavorato in diversi studi \ndi architettura e design, a Milano, Barcellona \ne Berlino. Ora dirige il suo studio a Milano, \nlavorando su progetti che spaziano dall’interior \nalla grafica fino al textile design collaborando \ncon importanti aziende di design sia in Italia che \nall’estero. — After a Master Degree in Interior \nDesign at Politecnico di Milano, Serena worked in \nmany architecture and design practices, moving \nfrom Milano to Barcelona and Berlin. Now she \nruns her own studio in Milano, working on interior, \ngraphic and textile design projects and collaborates \nwith important companies in Italy and abroad. \nShe has also collaborated with textile and ceramic \nmanufacturers as free-lance decorative designer \nand with publishing companies as illustrator of \nfantasy books.\nSIMONE FANCIULLACCI\nNato e cresciuto in Liguria, dopo la laurea \nconseguita nel 2007 presso il Politecnico di \nMilano, fonda lo studio 4P1B con il quale ottiene \nnumerose pubblicazioni e riconoscimenti tra i \nquali l’IF Design Award, il Good Design Award \ne una menzione d’onore alla XXIII edizione del \nCompasso d’Oro. Nel 2017, conclusa l’esperienza \ndello studio, inizia a firmare con il proprio nome i \nprogetti che sviluppa. Tra i principali clienti Nilufar \nGallery, Secondome, De Vecchi Milano 1935, \nWall&decò, Martinelli Luce, Lago, Chairs&More. \nSimone Fanciullacci è anche titolare e art director \ndel marchio Edizione Limitata con il quale sviluppa \ne commercializza progetti prodotti in piccole serie \nandando a riscoprire materiali, tecniche e artigiani \nsul territorio italiano. — Simone Fanciullacci was \nborn and raised in Liguria and after graduating in \n2007 from the Polytechnic University of Milan, \nhe founds the 4P1B Studio obtaining numerous \npublications and awards, including the IF Design \nAward, the Good Design Award and an honourable \nmention at the 23rd edition of the Compasso d’Oro. \nIn 2017, having completed the studio’s experience, \nhe begins to sign the projects he develops under \nhis own name. Among his main clients are Nilufar \nGallery, Secondome, De Vecchi Milano 1935, \nWall&decò, Martinelli Luce, Lago, Chairs&More.\nSimone Fanciullacci is also the owner and art \ndirector of Edizione Limitata brand with which he \ndevelops and markets projects produced in small \nseries, rediscovering materials, techniques and \ncraftsmen in Italy.\nSTUDIOPEPE\nStudiopepe è uno studio di design fondato \na Milano nel 2006 da Arianna Lelli Mami e \nChiara Di Pinto. Lo studio si occupa di creative \nconsultancy in tutte le sue forme. La filosofia \ndello studio si basa su un approccio concettuale \ninedito e trae forza da un vasto background \niconografico e visionario, generando risultati di \nunicità. L’attenzione per i dettagli e l’emozione \nche possono generare nelle persone, così come \nl’uso del colore, a volte ardito, e il mix inedito ma \narmonico tra i materiali scelti sono fondamentali \nnei progetti dello studio. Altro elemento di forza \nè la multidisciplinarità, il saper far dialogare \nall’interno di uno stesso progetto ambiti diversi \ncome il design, la moda e l’arte. — Studiopepe \nis a design studio founded in Milan in 2006 by \nArianna Lelli Mami and Chiara Di Pinto. The studio \nfocuses on creative consultancy (interiors, product \ndesign, editorial, set-design, color consultancy…). \nThe studio’s philosophy takes a strong visionary \napproach thanks to an iconographic background \nthat generates unique results. The attention for \ndetails and emotions that can be generated in \npeople, as well as the use of color, sometimes \ndaring, and the unusual but harmonius relationship \nbetween materials are fundamental in each project \nof the studio. Studiopepe also takes advantage \nof multidisciplinarity, knowing how to create a \ndialogue within different areas such as design, \nfashion and art.\nSTUDIO SALARIS\nAlessandra Salaris dopo studi classici divisa dalla \npassione tra la medicina e l’architettura sceglie \nla via piu’ creativa, studia quindi a Londra e al \nPolitecnico di Miano dove si Laurea. Appassionata \ndi arredamento, interior, design, fotografia, viaggi \n, salute e food  trova il modo migliore per coniugare \ni suoi hobby e  trasformarli in lavoro, fonda quindi \nil suo studio di consulenza creativa, a Milano, \nnel cuore di Brera. I suoi viaggi sono rivolti alla \nricerca del bello che puo’ trovarsi anche in piccoli \noggetti che caratterizzano il luogo, le persone, la \ncultura    e la storia del paese visitato; pezzi che \nsicuramente un giorno verranno fotografato nei \nsuoi set fotografici. — Alessandra Salaris was \nborn in Milan. She topped her classical education \nwith the study of interior design in London and \nMilan, where she attended IED and graduated \nfrom Politecnico di Milano. She later earned a \nMasters degree in Marketing and Communication \nto better understand the challenges of the \nbusiness she faces everyday. As of today, she \nhas worked internationally. In the past decade \nshe has collaborated with the top magazines and \ncompanies of the industry. Her ambition has always \nbeen that of delivering a customized support to \nhelp her clients achieve an aesthetic expression \nof their brands. Her mission is to give a personal \nand recognizable contribution that enhances the \nclients’ story and core values.\nTALVA DESIGN\nTal Waldman (Talva Design) è un’artista, designer \ne architetto con base a Parigi.  Completa i suoi \nstudi di arte e architettura lavorando per studi \ninternazionali, da Jean Nouvel, Christian de \nPortzamparc a Jean Paul Viguier. Lo studio Talva \nDesign a Parigi è una sintesi tra design e arte \ncapace di offrire soluzioni d’interni, accessori per \nla casa e di arredo. — Tal Waldman (Talva Design) \nis an artist, designer and architect based in Paris. \nHe completed his art and architecture studies \nworking for international firms, from Jean Nouvel to \nChristian de Portzamparc and Jean Paul Viguier. The \nTalva Design studio in Paris is a synthesis between \ndesign and art capable of providing interior design \nsolutions and home and furnishing accessories.\nTHE ELUSIVE OTTER\nLe raffinate illustrazioni di Raffaella Audiffredi, \nideatrice \ndel \nprogetto, \npuntano \nuna \nlente \nd’ingrandimento sul mondo animale creando \ntavole su cui s’innesta una dimensione letteraria \na firma dello scrittore Matteo Sartori. La \ncollaborazione con Wall&decò arricchisce di \nfascino il viaggio della “lontra timida” e sposa \nl’esperienza artistica di The Elusive Otter a una \nnuova realtà applicativa. Raffaella Audiffredi: \nArchitetto, laureata al Politecnico di Milano, dopo \naver lavorato in Italia e all’estero, nel 2010 apre il \nsuo studio a Milano. Nel 2013 crea il progetto The \nElusive Otter. Matteo Sartori: Laureato in Scienze \npolitiche all’Università Statale di Milano, dal \n2002 al 2012 lavora per il cinema e la pubblicità. \nÈ autore di tre romanzi. — The refined illustrations \nof Raffaella Audiffredi, author of the project, zoom \nin details on the animal world, creating canvases \non which a literary dimension signed by writer \nMatteo Sartori is triggered. The collaboration with \nWall&decò enriches the journey of the ‘’elusive \notter’’ with charm and combines the artistic \nexperience of The Elusive Otter to a new application \nfield. Raffaella Audiffredi: Architect, graduated at \nthe Polytechnic University of Milan, opened her \nstudio in Milan in 2010, after working in Italy and \nabroad. She conceived The Elusive Otter project \nin 2013. Matteo Sartori: Graduated in political \nsciences at the State University of Milan, he worked \nin the cinema and advertising field from 2002 to \n2012. He is the author of three novels.\nTOMMASO GUERRA\nDopo 12 anni come pubblicitario in numerose \nagenzie, Tommaso si dedica pienamente alla sua \nattività naturale: esprimersi attraverso le arti \ngrafiche. Il suo campo di azione lo porta in giro \nper il mondo e varia di continuo: dalla strada, con \ninstallazioni e arredo urbano site specific agli \ninterni, dove spazia dalla decorazione muraria \na progetti completi di interior design.Il suo è un \npercorso in continua evoluzione, fatto di dialogo \naperto con i luoghi e con gli oggetti. — After 12 \nyears as advertising agent in numerous agencies, \nTommaso fully focused on his natural activity: \nexpress himself through graphic arts. His work field \ntakes him around the world and changes constantly: \nfrom the road, with exhibitions and urban furniture \nsite specific for interiors, where he ranges from wall \ndecorations to complete interior design projects. \nHis path constantly evolves, and consists of an \nopen dialogue with places and objects.\nTOMMASO SPINZI\nTommaso Spinzi, fondatore di Spinzi Design, è un \ndesigner creativo e un consulente specializzato \nnella decorazione di interni e nella progettazione \ndi arredo.\nHa lavorato in Svizzera, in Australia e a New York. \nQuesto mix di influenze internazionali ha forgiato \nil suo approccio al design.\n“Ogni progetto è unico e concepito su misura \nper il cliente, che ci impegniamo a rappresentare \nin ogni dettaglio, nell’obiettivo di ricrearne il \nlifestyle attraverso un design di qualità. Questo \nprocesso può includere arte, stile, arredamento, \nstyling, abbinamento dei colori e design a 360°.”\nOltre a essere un collezionista di arredi, automobili \ne moto italiane Mid-Century, Tommaso progetta \npezzi in edizione limitata per gallerie e clienti.\nL’obiettivo di Tommaso è di ispirare, stimolare \ne, infine, creare ambienti ricchi di significato. \n— Tommaso Spinzi, founder of Spinzi Design, is \na creative designer and consultant specialised in \ninterior decoration and furniture design.\nHe has worked in Switzerland, Australia and New \nYork. This mix of international influences has \nshaped his approach to design.\nEach project is unique and tailor-made for the \nclient, whom we strive to represent in every detail, \nfocusing on creating lifestyles through good design. \nThis may include art, style, furniture, layout, colour \nschemes and the overall design fit.\nAs well as being a collector of mid-century Italian \nfurniture, cars and motorbikes, Tommaso designs \nlimited edition pieces for galleries and clients.\nTommaso’s goal is to inspire, stimulate and finally \ncreate meaningful environments. \n",74,{"image":308,"text":309,"number":310},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.75.png","La visione creativa Wall&decò abbraccia il mondo e ne \npercepisce cambiamenti, esigenze e nuove priorità. Fra \nqueste, il proporre soluzioni concretamente ecosostenibili \nnell’ambito del design di interni e dell’edilizia. Anche le carte \nda parati diventano parte di un processo virtuoso che non si \nesaurisce con la posa in opera, ma al contrario inizia da quel \nmomento e accompagna ogni realizzazione lungo tutta la sua \nvita, fino allo smaltimento.\nWall&decò introduce il supporto CWC-ECO per le proprie \ncarte: si tratta di un supporto in tessuto non tessuto \nrivestito con fibre di cellulosa e poliestere. Prodotto con \nun procedimento ecologico, il nuovo supporto è riciclabile, \nprivo di PVC e di ftalati e con una soglia di emissioni \ncertificata A+ secondo la normativa francese (test della \nnorma europea ISO 16000) relativa all’emissione di VOC, \nin accordo con la certificazione Indoor Air Comfort GOLD.\nPer le sue caratteristiche, il supporto è indicato per ogni \ntipo di interni e ha un’ottima capacità traspirante; rispetta \ninoltre le normative di reazione al fuoco classe B s1 d0.\nWall&decò’s creative vision embraces the world and \nsenses changes, needs and new priorities. Among \nthese, the necessity to introduce solutions for interior \ndesign and construction that are effectively sustainable. \nWallpapers become part of a virtuous circle that does \nnot stop after the installation: instead that is the start \nof a long life that follows each project up to the disposal \nphase.\nWall&decò introduces the CWC-ECO wall coating: it \nconsists of a non-woven fabric covered with cellulose \nfibre and polyester base. Made with an ecological \nproduction cycle, the new substrate is recyclable, \ntotally PVC-free and phthalate-free, and is certified \nA+ according to the French label (following European \nnorm ISO 16000) regarding VOC emissions, Indoor Air \nComfort GOLD certified.\nThanks to its features, the substrate is ideal for any \nkind of interiors, it’s highly breathable , and the coating \nrespects the Reaction to Fire standard, class B s1 d0.\nwallanddeco.com\nvia Santerno 18 - Cervia (Ravenna) - Italy\ntel +39.0544.918012\ninfo@wallanddeco.com\nShowroom Milano\nvia Solera Mantegazza 7\nShowroom Köln\nDesign Post, Deutz-Mülheimer-Str. 22a\n© all rights reserved  Wall&decò® 2022\nThe color reproduction of the graphic images \ncontained in this catalog is indicative of the actual \ncolor rendering on the printed wall covering.\nFaithful reproductions of the color shades, obtained \non the printed wall coverings, are the graphic \nimages contained in the ColorMatch section (from \np.96 to p.131) of this catalog. Only these graphic \nimages, in scale 1:4, are to be taken as a reference \nto satisfy color matching and coordination project \nrequirements.\ncatalogue graphic design \nD+ studio  [d-plus.it]\ncatalogue print\nPazzini Stampatore Editore s.r.l.\nphotoshooting \nart direction\nLorenzo De Grandis\nphoto\nMarina Denisova (Deep Nature)\nValentina Sommariva (Heritage)\nSilvia Rivoltella (Red Heart)\nstyling\nCristina Nava Studio\nthanks to \nAlberto Levi Gallery, Amini Carpets, Attilio Tono, \nBaxter, CARA \\ DAVIDE, Carpet Edition, cc-tapis, \nChiara Moro, DURAME, ETEL, Flos, FontanaArte, \nFritz Hansen, GIOBAGNARA, Golran, i 4 Mariani, \nKabinet, Kirkby Design (The Romo Group), Marset, \nMattia Bosco, Meridiani, Mogg, Moroso, Pietre \nTrovanti, Porro, Riva 1920, Salvatori, Schreiber \nCollezioni, Secolo, Society Limonta, Stefania \nLoschi, Studio Terre, Terry Davies Ceramic, TOOY, \nVilla Home Collection, Vitra distribuita in Italia da \nMoteni&C e Unifor\nLa riproduzione dei colori delle immagini grafiche \ncontenute in questo catalogo è indicativa della resa \ncromatica reale sul parato stampato.\nSono invece fedeli riproduzioni dell’effetto \ncromatico, che si ottiene sul parato stampato, le \nimmagini grafiche contenute nella sezione \nColorMatch (da p.96 a p.131) del presente catalogo. \nSono unicamente queste immagini grafiche, in scala \n1:4, da prendere come riferimento per soddisfare \nesigenze progettuali di abbinamento e \ncoordinamento dei colori.\nVisita WeMU\nVisit WeMU\nCWC-ECO\n PER UN INTERIOR DESIGN \nREALMENTE ECOSOSTENIBILE\nCONTRIBUTIONS FOR A REALLY \nSUSTAINABLE INTERIOR DESIGN\n",75,{"image":312,"text":313,"number":314},"\u002Fmedia\u002Fimages\u002Fc8\u002F9a2ef4bcf3892b14fa686dcae1e12d-28e158ba13.76.png","Descrizione materiale \nDescription of material\nSupporto in tessuto non tessuto con strato superficiale in vinile\nNon-woven fabric substrate with vinyl surface layer\nNatura dei componenti \nNature of components\nTessuto non tessuto, cellulosa, additivi, spalmatura del lato decorativo in PVC\nNon-woven fabric, cellulose, additives, PVC coating of decorative side\nPeso totale (minimo ÷ massimo) \nTotal weight (minimum ÷ maximum)\n340 g\u002Fm2 ÷ 360 g\u002Fm2  \nSpessore totale (minimo \u002F massimo)\nTotal thickness (minimum \u002F maximum)\n0,30 mm ÷ 0,34 mm\nTechnical Features\nReazione al fuoco\nReaction to fire\nClasse B s2 d0, USA Classe A\nClass B s2 d0, USA Class A\nVOC\nFrench VOC regulation A+ \u002F Indoor Air Comfort GOLD\nPermeabilità \nPermeability\nValore sd 1,37 m (mediamente permeabile al vapore secondo EN7783 Dry Cup\nSd value 1.37 m (average water vapour resistance according to EN7783 Dry Cup\nCertifications\nCWC & Bronzage ®\nResistente agli urti\nImpact resistant\nDescrizione d’uso\nDescription of use\nDa interni, residenziale e contract (hotel, commerciale)\nIndoor, residential and contract (hotel, commercial)\nDescrizione materiale \nDescription of material\nRivestimento Murale accoppiato a TNT\nWall coating matched with NWF\nNatura dei componenti \nNature of components\nTessuto non tessuto rivestito a base di fibre di cellulosa e poliestere\nCoated nonwoven based on cellulose and polyester fibers\nPeso totale (minimo ÷ massimo) \nTotal weight (minimum ÷ maximum)\n175 g\u002Fm2 ÷ 195 g\u002Fm2  \nSpessore totale (minimo \u002F massimo)\nTotal thickness (minimum \u002F maximum)\n0,30 mm ÷ 0,40 mm\nTechnical Features\nReazione al fuoco\nReaction to fire\nClasse B s1 d0, USA Classe A\nClass B s1 d0, USA Class A\nVOC\nFrench VOC regulation A+ \u002F Indoor Air Comfort GOLD\nPermeabilità \nPermeability\nValore sd 0,38 m (mediamente permeabile al vapore secondo EN7783 Dry Cup)\nSd value 0.38 m (average water vapour resistance according to EN7783 Dry Cup)\nCertifications\nCWC-ECO\nDescrizione d’uso\nDescription of use\nDa interni, residenziale e contract (hotel, commerciale)\nIndoor, residential and contract (hotel, commercial)\nAltamente Lavabile\nExtra washable\nSuperficie 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