[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-vitra-sofa-collection":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":185},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":180,"matched_pages":181,"match_count":182,"two_pages":183,"show_text":184},15594,"Sofa Collection","vitra-sofa-collection","\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F5d\u002F932fff7a63d74cda5c9b7ddfdfc58c-285e01195c.pdf","Vitra",1477,"vitra","10.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177],{"image":7,"text":15,"number":16},"v\nVlinder Sofa & Polder \nHella Jongerius\nFreeform Sofa \nIsamu Noguchi\nMariposa Sofa \nEdward Barber & Jay Osgerby\nMarshmallow Sofa \nGeorge Nelson\nSoft Modular Sofa \nJasper Morrison\nSuita & Grand Sofà \nAntonio Citterio\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.2.png","Vlinder Sofa → 9\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.3.png","Polder → 19\nMarshmallow Sofa → 27\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.4.png","Freeform Sofa → 31\nMariposa Sofa → 35\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.5.png","Soft Modular Sofa → 45\nSuita → 55\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.6.png","Grand Sofà → 67\n9\nDutch designer Hella Jongerius has served as Art Director for the Vitra Colour & \nMaterial Library since 2008. During this time she has developed several exclusive \nfabrics for Vitra. Her very first joint project with Vitra resulted in the Polder Sofa, \nwhich was conceived in 2005 as the centrepiece of the newly launched Home \nCollection. The recently introduced Vlinder Sofa is a quintessential example of this \nfruitful collaboration and a masterpiece of modern weaving. \nVlinder Sofa\nHella Jongerius \n2018\nWhen a designer blurs \nthe line between utilitarian \nobject and art\n9\nDutch designer Hella Jongerius has served as Art Director for the Vitra Colour & \nMaterial Library since 2008. During this time she has developed several exclusive \nfabrics for Vitra. Her very first joint project with Vitra resulted in the Polder Sofa, \nwhich was conceived in 2005 as the centrepiece of the newly launched Home \nCollection. The recently introduced Vlinder Sofa is a quintessential example of this \nfruitful collaboration and a masterpiece of modern weaving. \nVlinder Sofa\nHella Jongerius \n2018\nWhen a designer blurs \nthe line between utilitarian \nobject and art\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.7.png","10\nWhen creating the new Vlinder Sofa, \nHella Jongerius drew on her extensive \nknowledge of weaving techniques along \nwith her ten years of experience as Art \nDirector for colours and materials at Vitra. \nVlinder’s contemporary body serves as \na platform for the striking and precisely \ntailored textile cover that is draped over \nthe entire structure and vaguely resembles \na butterfly. The cover bears the Dutch \ndesigner’s distinctive signature and pushes \nthe boundaries of modern weaving \ntechnology. A multitude of weave patterns, \ncolours and textures flow together on \nthe surface to form a richly abstract \ncomposition full of density and depth. \nVlinder’s unique appearance blurs the \nborder between utilitarian object and art.\n10\nWhen creating the new Vlinder Sofa, \nHella Jongerius drew on her extensive \nknowledge of weaving techniques along \nwith her ten years of experience as Art \nDirector for colours and materials at Vitra. \nVlinder’s contemporary body serves as \na platform for the striking and precisely \ntailored textile cover that is draped over \nthe entire structure and vaguely resembles \na butterfly. The cover bears the Dutch \ndesigner’s distinctive signature and pushes \nthe boundaries of modern weaving \ntechnology. A multitude of weave patterns, \ncolours and textures flow together on \nthe surface to form a richly abstract \ncomposition full of density and depth. \nVlinder’s unique appearance blurs the \nborder between utilitarian object and art.\n11\nVlinder Sofa · light reds\n11\nVlinder Sofa · light reds\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.8.png","12\nThe duvet-like cover, combined with the softly upholstered body, \nprovides exceptional comfort. The contemporary body of the \nVlinder Sofa serves as a platform for the extraordinary cover: a rich \ntapestry of motifs, weaves and colour that vaguely resembles \na beautiful butterfly with outspread wings. Sinuously draped over the \nentire structure, the cover is held in place by its own weight.\nCompositions\nVlinder Sofa · dark reds\nH 750 × W 2400 × D 1240\nVlinder Sofa · light reds\nH 750 × W 2400 × D 1240\nVlinder Sofa · light greens\nH 750 × W 2400 × D 1240\nVlinder Sofa · dark greens\nH 750 × W 2400 × D 1240\nBovist\nH 380 × W 540 × D 540\n12\nThe duvet-like cover, combined with the softly upholstered body, \nprovides exceptional comfort. The contemporary body of the \nVlinder Sofa serves as a platform for the extraordinary cover: a rich \ntapestry of motifs, weaves and colour that vaguely resembles \na beautiful butterfly with outspread wings. Sinuously draped over the \nentire structure, the cover is held in place by its own weight.\nCompositions\nVlinder Sofa · dark reds\nH 750 × W 2400 × D 1240\nVlinder Sofa · light reds\nH 750 × W 2400 × D 1240\nVlinder Sofa · light greens\nH 750 × W 2400 × D 1240\nVlinder Sofa · dark greens\nH 750 × W 2400 × D 1240\nBovist\nH 380 × W 540 × D 540\nVlinder Sofa · light reds\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.9.png","Vlinder Sofa · light reds\n‘Summing it up, I would say \nthat Vlinder brings the best \nout of the combined worlds \nof craft and industry.’\nHella Jongerius\n15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.10.png","16\nQ&A with Hella Jongerius\nHella Jongerius in her studio in Berlin\nWorking with Vitra is for me a relationship that is \nbased on respect and trust. We both want to push \nboundaries – and be the best. The result – Vlinder –\n is a piece of high-end engineering in textiles.\n16\nQ&A with Hella Jongerius\nHella Jongerius in her studio in Berlin\nWorking with Vitra is for me a relationship that is \nbased on respect and trust. We both want to push \nboundaries – and be the best. The result – Vlinder –\n is a piece of high-end engineering in textiles.\n17\nWhat is your personal interest in textiles? \nWe live in a world of fast-changing fashion, in which \ntextiles have become a throw-away product. We are \nlosing skills – like the craft of weaving, with its richness \nand quality of textiles and the expression that it has. \nAnd we also live in a digital world. Today it is becoming \nincreasingly important to have a haptic environment, \nsomething real to touch – a tactile, rich skin. With \nVlinder, I show what textiles can do if you break the \nboundaries of traditional manufacturing.\nWhat sets the Vlinder Sofa apart? \nVlinder has the archetypical shape of a contemporary \nsofa but its elaborate production and handcrafting \ntransform it into a unique masterpiece. I was assisted \nby hand weavers and a team of textile engineers from \nVitra, who all joined forces to make this novel design \npossible. Vlinder embodies a new kind of tailored \n“one-off” pattern, an haute couture sofa that combines \nthe human touch of crafts with the possibilities of \ndigital technology. In addition to the outstanding cover, \nthe sofa offers ultimate comfort due to the soft padding \nmade of multi-layered foam, in combination with the \npillow-like blanket.\nWhat is special about the sofa’s structure? \nThe most prominent feature of the sofa is its cover: a \nlarge-patterned overlay in a soft jacquard weave – called \n‘Tailored Fabric’ – which is snugly draped over the sofa \nbody. The design is a collage of abstract shapes in various \nbindings. Although classic in shape, the sofa is also soft \nand informal. What’s special about the design is the \nuse of an elaborately produced textile. It demonstrates \nhow the best of two worlds – craft and industry – can \nbe combined to create a unique textile collage. Vlinder \nis a sofa for individualists with a pendant for ultimate \ncomfort.\nWhat makes the production of the cover so complex? \nEight colours with yarns of two different thicknesses \ncomprise the various levels of seven different jacquard \nweaves. A multitude of weave patterns, colours and \ntextures flow together on the surface to form a choreo-\ngraphed, richly abstract composition full of density and \ndepth. Its conception and production proved a major \nchallenge and would not have been possible without \na team of outstanding experts. The development \nand production of several Vitra specific textiles in the\nlast years have formed the basis for this project.’\nHow does one go about achieving such a result? \nThe development of this unique fabric is based on \ndecades of experience in industrial weaving and textile \ndesign. It is the fruit of close collaboration between \ntextile experts from Vitra, weaving specialists and of \ncourse my team at Jongeriuslab. In my studio, I always \nstart with a lady who is a weaving expert and designer \nand knows how to translate hand-woven pieces into \nindustrial production systems. From here, we deliver our \ndesign to the mill – that is where the real trick happens. \nThey have excellent expertise in yarns, spinning and \ndyeing. The whole process of weaving – especially when \nit is so complex – is very difficult to predict but each time \nthe results come from our mill, it is like a magical surprise. \nSumming it up, I would say that Vlinder brings the best \nout of the combined worlds of craft and industry.\nHow would you describe the collaboration with Vitra?\nAt Vitra there is an upholstery team who have great \nskills and are willing to follow what I would like to see \nand achieve, and they go ahead and try to make it \nhappen. Working with Vitra is for me a relationship that\n is based on respect and trust. We both want to push \nboundaries – and be the best. The result – Vlinder – is \na piece of high-end engineering in textiles. \nEngineering is one of Vitra’s leading qualities, and with \nthis project we went deeper and exhaustively explored \ntextile engineering aspects. Soft engineering to get the \ngreatest functionality, tactile quality.\nWeaving loom \n17\nWhat is your personal interest in textiles?\nWe live in a world of fast-changing fashion, in which \ntextiles have become a throw-away product. We are \nlosing skills – like the craft of weaving, with its richness \nand quality of textiles and the expression that it has. \nAnd we also live in a digital world. Today it is becoming \nincreasingly important to have a haptic environment, \nsomething real to touch – a tactile, rich skin. With \nVlinder, I show what textiles can do if you break the \nboundaries of traditional manufacturing.\nWhat sets the Vlinder Sofa apart? \nVlinder has the archetypical shape of a contemporary \nsofa but its elaborate production and handcrafting \ntransform it into a unique masterpiece. I was assisted \nby hand weavers and a team of textile engineers from \nVitra, who all joined forces to make this novel design \npossible. Vlinder embodies a new kind of tailored \n“one-off” pattern, an haute couture sofa that combines \nthe human touch of crafts with the possibilities of \ndigital technology. In addition to the outstanding cover, \nthe sofa offers ultimate comfort due to the soft padding \nmade of multi-layered foam, in combination with the\npillow-like blanket.\nWhat is special about the sofa’s structure? \nThe most prominent feature of the sofa is its cover: a \nlarge-patterned overlay in a soft jacquard weave – called \n‘Tailored Fabric’ – which is snugly draped over the sofa \nbody. The design is a collage of abstract shapes in various\nbindings. Although classic in shape, the sofa is also soft \nand informal. What’s special about the design is the \nuse of an elaborately produced textile. It demonstrates \nhow the best of two worlds – craft and industry – can \nbe combined to create a unique textile collage. Vlinder \nis a sofa for individualists with a pendant for ultimate \ncomfort.\nWhat makes the production of the cover so complex? \nEight colours with yarns of two different thicknesses \ncomprise the various levels of seven different jacquard \nweaves. A multitude of weave patterns, colours and \ntextures flow together on the surface to form a choreo-\ngraphed, richly abstract composition full of density and \ndepth. Its conception and production proved a major \nchallenge and would not have been possible without \na team of outstanding experts. The development\nand production of several Vitra specific textiles in the\nlast years have formed the basis for this project.’\nHow does one go about achieving such a result? \nThe development of this unique fabric is based on \ndecades of experience in industrial weaving and textile \ndesign. It is the fruit of close collaboration between \ntextile experts from Vitra, weaving specialists and of \ncourse my team at Jongeriuslab. In my studio, I always \nstart with a lady who is a weaving expert and designer \nand knows how to translate hand-woven pieces into \nindustrial production systems. From here, we deliver our \ndesign to the mill – that is where the real trick happens. \nThey have excellent expertise in yarns, spinning and \ndyeing. The whole process of weaving – especially when \nit is so complex – is very difficult to predict but each time \nthe results come from our mill, it is like a magical surprise.\nSumming it up, I would say that Vlinder brings the best \nout of the combined worlds of craft and industry.\nHow would you describe the collaboration with Vitra?\nAt Vitra there is an upholstery team who have great \nskills and are willing to follow what I would like to see \nand achieve, and they go ahead and try to make it \nhappen. Working with Vitra is for me a relationship that\n is based on respect and trust. We both want to push \nboundaries – and be the best. The result – Vlinder – is \na piece of high-end engineering in textiles. \nEngineering is one of Vitra’s leading qualities, and with \nthis project we went deeper and exhaustively explored \ntextile engineering aspects. Soft engineering to get the \ngreatest functionality, tactile quality.\nWeaving loom \n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.11.png","18\nThe blanket of the Vlinder sofa looks like a big \npicture from different patterns and fields. \nHistorically, such ‘woven pictures’ as carpets or \ntapestries were always bound to different colours. \nComputer-aided machines made it possible to not \nonly vary the colour but also the binding. For a \nblouse or shirt, the third thread is often a repetition \nof the first thread. The Vlinder Blanket is different \nin every crossing point. Therefore, the production of \na Vlinder blanket requires 128 million different \npieces of information.\nA textile engineer checks the successful transfer from handicraft to industrial production.\n18\nThe blanket of the Vlinder sofa looks like a big \npicture from different patterns and fields. \nHistorically, such ‘woven pictures’ as carpets or \ntapestries were always bound to different colours. \nComputer-aided machines made it possible to not \nonly vary the colour but also the binding. For a \nblouse or shirt, the third thread is often a repetition \nof the first thread. The Vlinder Blanket is different \nin every crossing point. Therefore, the production of \na Vlinder blanket requires 128 million different \npieces of information.\nA textile engineer checks the successful transfer from handicraft to industrial production.\n19\nThe designer Hella Jongerius has become known for the unique way in which she fuses \nindustry and craft, high- and low-tech, traditional and contemporary. In her textiles \nand ceramic works as well as her furniture pieces, Jongerius has consistently addressed \nthe significance of colours and surfaces in contemporary design. Her works have been \nshown at such institutions as the Design Museum (London), Galerie kreo (Paris) and \nthe Museum of Modern Art (New York). She created the Polder Sofa with Vitra in 2005 \nas the centrepiece of the newly launched Home Collection. \nPolder  \nHella Jongerius\n2005\u002F2015\nWhen a designer doesn’t \nlike sofas  and makes one \nshe likes herself\n19\nThe designer Hella Jongerius has become known for the unique way in which she fuses \nindustry and craft, high- and low-tech, traditional and contemporary. In her textiles \nand ceramic works as well as her furniture pieces, Jongerius has consistently addressed \nthe significance of colours and surfaces in contemporary design. Her works have been \nshown at such institutions as the Design Museum (London), Galerie kreo (Paris) and \nthe Museum of Modern Art (New York). She created the Polder Sofa with Vitra in 2005 \nas the centrepiece of the newly launched Home Collection. \nPolder  \nHella Jongerius\n2005\u002F2015\nWhen a designer doesn’t \nlike sofas  and makes one \nshe likes herself\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.12.png","20\nIn 2004, Rolf Fehlbaum, Vitra’s CEO at \nthe time, invited Dutch designer Hella \nJongerius to design a sofa for Vitra. \n‘Why a sofa?’ she answered. ‘I hate sofas, \nbig blocks of foam – I never see a sofa \nthat I like.’ To which Fehlbaum replied, \n‘Then why don’t you make one you \nlike yourself? \nThe Polder by Hella Jongerius becomes \na focal piece in any home: its asymmetrical \nshape and cushions in various fabrics \nand colours add an eye-catching note to \nany interior.\n20\nIn 2004, Rolf Fehlbaum, Vitra’s CEO at \nthe time, invited Dutch designer Hella \nJongerius to design a sofa for Vitra. \n‘Why a sofa?’ she answered. ‘I hate sofas, \nbig blocks of foam – I never see a sofa \nthat I like.’ To which Fehlbaum replied, \n‘Then why don’t you make one you \nlike yourself? \nThe Polder by Hella Jongerius becomes \na focal piece in any home: its asymmetrical \nshape and cushions in various fabrics \nand colours add an eye-catching note to \nany interior.\n21\nPolder · Fabric mix golden yellow\n21\nPolder · Fabric mix golden yellow\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.13.png","22\nPolder · Fabric mix golden yellow\nH 820 × W 2600 × D 970\nPolder Ottoman\nH 350 × W 640 × D 830\nPolder · Fabric mix night blue \nH 820 × W 2600 × D 970\nPolder · Fabric mix red\nH 820 × W 2600 × D 970\nPolder · Fabric mix green\nH 820 × W 2600 × D 970\nPolder exists in two variations: Polder Sofa \nor Polder Compact for smaller spaces. \nAn ottoman can be added to the composition. \nColours & Materials\n22\nPolder · Fabric mix golden yellow\nH 820 × W 2600 × D 970\nPolder Ottoman\nH 350 × W 640 × D 830\nPolder · Fabric mix night blue \nH 820 × W 2600 × D 970\nPolder · Fabric mix red\nH 820 × W 2600 × D 970\nPolder · Fabric mix green\nH 820 × W 2600 × D 970\nPolder exists in two variations: Polder Sofa \nor Polder Compact for smaller spaces. \nAn ottoman can be added to the composition. \nColours & Materials\nPolder Compact · Fabric mix red\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.14.png","Polder · Fabric mix golden yellow\n‘The Polder was an experiment, \na sketch that worked.’\nHella Jongerius\n25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.15.png","26\nPolder · Fabric mix golden yellow\n26\nPolder · Fabric mix golden yellow\n27\nGeorge Nelson is regarded as one of the most important figures in American design. \nActive as an architect, a product and exhibition designer and a writer, he was a\nleading voice in the discourse on design and architecture over several decades. \nHis archive is held by the Vitra Design Museum and includes roughly 7400 manuscripts, \nplans, drawings, photographs and slides dating from 1924 to 1984. \nMarshmallow Sofa \nGeorge Nelson\n1956\nWhen a designer \ninjects social meaning \ninto joyful objects \n27\nGeorge Nelson is regarded as one of the most important figures in American design. \nActive as an architect, a product and exhibition designer and a writer, he was a\nleading voice in the discourse on design and architecture over several decades. \nHis archive is held by the Vitra Design Museum and includes roughly 7400 manuscripts, \nplans, drawings, photographs and slides dating from 1924 to 1984. \nMarshmallow Sofa \nGeorge Nelson\n1956\nWhen a designer \ninjects social meaning \ninto joyful objects \n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.16.png","28\nGeorge Nelson’s Marshmallow Sofa trans-\nforms the traditional sofa into a playful \nthree-dimensional object with eighteen \ncolourful cushions attached to a simple \nsteel frame. Due to the unusual form and \nconstruction of the Marshmallow Sofa, \nit is one of the most extraordinary sofas \nin the history of design. \nAn extension element with six additional \ncushions can be mounted between two \nsofa units, making it possible to create \nan indefinitely extendable seat. The \nin di vidual cushions are upholstered with \na robust vinyl cover.\n28\nGeorge Nelson’s Marshmallow Sofa trans-\nforms the traditional sofa into a playful \nthree-dimensional object with eighteen \ncolourful cushions attached to a simple \nsteel frame. Due to the unusual form and \nconstruction of the Marshmallow Sofa, \nit is one of the most extraordinary sofas \nin the history of design. \nAn extension element with six additional \ncushions can be mounted between two \nsofa units, making it possible to create \nan indefinitely extendable seat. The \nin di vidual cushions are upholstered with \na robust vinyl cover.\nMarshmallow Sofa · Tonus, 03 red (special version, standard version in Vinyl Marshmallow)\nMarshmallow Sofa · Tonus, 03 red (special version, standard version in Vinyl Marshmallow)\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.17.png","30\nMarshmallow Sofa · George Nelson, 1956\n30\nMarshmallow Sofa · George Nelson, 1956\n31\nThe oeuvre of Japanese-American artist and designer Isamu Noguchi is unusually \nmulti-faceted. He is regarded as a universal talent whose creative oeuvre went beyond \nsculpture to encompass stage sets, furniture, lighting, interiors as well as outdoor \nplazas and gardens. His sculptural style is indebted to a vocabulary of organic forms \nand exerted a sustained influence on design during the 1950s.  \nFreeform Sofa \nIsamu Noguchi \n1946\nWhen furniture \nmeets sculpture\n31\nThe oeuvre of Japanese-American artist and designer Isamu Noguchi is unusually \nmulti-faceted. He is regarded as a universal talent whose creative oeuvre went beyond \nsculpture to encompass stage sets, furniture, lighting, interiors as well as outdoor \nplazas and gardens. His sculptural style is indebted to a vocabulary of organic forms \nand exerted a sustained influence on design during the 1950s.  \nFreeform Sofa \nIsamu Noguchi \n1946\nWhen furniture \nmeets sculpture\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.18.png","32\nThe sculptural quality of Noguchi’s \ndesign vocabulary finds expression in \nthe Freeform Sofa: it is entirely different \nfrom other designs of the same period, \nappearing like an enlarged sculpture \nof flat, rounded river stones. The slender \norganic forms are fluid and graceful.\n32\nThe sculptural quality of Noguchi’s\ndesign vocabulary finds expression in \nthe Freeform Sofa: it is entirely different \nfrom other designs of the same period, \nappearing like an enlarged sculpture \nof flat, rounded river stones. The slender \norganic forms are fluid and graceful.\nFreeform Sofa · Credo, 17 black\u002Faubergine\nFreeform Sofa · Credo, 17 black\u002Faubergine\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.19.png","34\nFreeform Sofa and Ottoman, 1946\n34\nFreeform Sofa and Ottoman, 1946\n35\nEdward Barber and Jay Osgerby studied architecture as fellow students at the \nRoyal College of Art in London. Since that time, their collaborative work has probed \nthe interface between industrial design, furniture design and architecture.\nMariposa Sofa \nEdward Barber & \nJay Osgerby\n2014\nWhen designers \nwant to get cosy\n35\nEdward Barber and Jay Osgerby studied architecture as fellow students at the \nRoyal College of Art in London. Since that time, their collaborative work has probed \nthe interface between industrial design, furniture design and architecture.\nMariposa Sofa \nEdward Barber & \nJay Osgerby\n2014\nWhen designers \nwant to get cosy\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.20.png","36\nWhen designing the Mariposa Sofa, \nBritish design duo Edward Barber and \nJay Osgerby sought to create the kind \nof sofa that offers maximum reward after \na long day’s work. By bringing exceptional \ncomfort to the concept of a sofa with \nadjustable back and side panels, the \ndesigners achieved their original aim: \n‘getting cosy’, they say, ‘that was the  \nambition’. And despite the inviting aura \nof spacious comfort – it yet maintains \na subtly understated presence in the living \nroom thanks to its balanced proportions.\nThe Mariposa Sofa owes its extraordinary \ncomfort to its appealing soft upholstery; \nthe user is surrounded by cushions, never \ncoming into contact with a hard element. \nAnd these cushions are also functional as \nwhen we live on a sofa, accidents can \nhappen. Like all Vitra sofa covers, even the \nmovable panels can be reupholstered.\n36\nWhen designing the Mariposa Sofa, \nBritish design duo Edward Barber and \nber\nJay Osgerby sought to create the kind \nof sofa that offers maximum reward after \na long day’s work. By bringing exceptional \ncomfort to the concept of a sofa with \nadjustable back and side panels, the \ndesigners achieved their original aim: \n‘getting cosy’, they say, ‘that was the  \nambition’. And despite the inviting aura \nof spacious comfort – it yet maintains \na subtly understated presence in the living \nroom thanks to its balanced proportions.\nThe Mariposa Sofa owes its extraordinary \ncomfort to its appealing soft upholstery; \nthe user is surrounded by cushions, never \ncoming into contact with a hard element. \nAnd these cushions are also functional as \nwhen we live on a sofa, accidents can \nhappen. Like all Vitra sofa covers, even the \nmovable panels can be reupholstered.\n37\nMariposa Sofa · Linho, 04 canola\n37\nMariposa Sofa · Linho, 04 canola\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.21.png","38\nMariposa 2-Seater\nH 805–875 × W 1800–2100 × D 1015–1150\nMariposa Ottoman\nlarge: H 320 × W 680 × D 680 \nmedium: H 320 × W 520 × D 520\nMariposa 3-Seater\nH 805–875 × W 2380–2680 × D 1015–1150\nMariposa Love Seat\nH 805–875 × W 1200–1500 × D 1015–1150\nThe larger Mariposa 2 1\u002F2-Seater and 3-Seater are ideal for \nstretching out to read a book or take a nap. The concise \ndimensions of the Mariposa 2-Seater make it perfectly suited \nfor compact living spaces, where every inch counts. \nThe Mariposa Love Seat is the matching companion and can \neither be used as spacious lounge chair for one person or \na cosy nest for two. The Mariposa Club Armchairs are the \nperfect match for small spaces. \nCompositions\nMariposa Club Armchair\nH 780 × W 815 × D 875\nMariposa Club Armchair, swivel\nH 780 × W 815 × D 875\n38\nMariposa 2-Seater\nH 805–875 × W 1800–2100 × D 1015–1150\nMariposa Ottoman\nlarge: H 320 × W 680 × D 680 \nmedium: H 320 × W 520 × D 520\nMariposa 3-Seater\nH 805–875 × W 2380–2680 × D 1015–1150\nMariposa Love Seat\nH 805–875 × W 1200–1500 × D 1015–1150\nThe larger Mariposa 2 1\u002F2-Seater and 3-Seater are ideal for \nstretching out to read a book or take a nap. The concise \ndimensions of the Mariposa 2-Seater make it perfectly suited \nfor compact living spaces, where every inch counts. \nThe Mariposa Love Seat is the matching companion and can \neither be used as spacious lounge chair for one person or \na cosy nest for two. The Mariposa Club Armchairs are the \nperfect match for small spaces. \nCompositions\nMariposa Club Armchair\nH 780 × W 815 × D 875\nMariposa Club Armchair, swivel\nH 780 × W 815 × D 875\n39\nMariposa’s slim arm- and backrests can be individually tilted \nfrom an upright position to an outward angle of approximately \n30°, comfortably accommodating different sitting and reclining \npositions. The supporting panels stay in place until intentional \npressure is applied. With its graceful and adjustable wing-like \npanels, the Mariposa Sofa was aptly named after the Spanish \nword for butterfly. \nButterfly effect\n39\nMariposa’s slim arm- and backrests can be individually tilted \nfrom an upright position to an outward angle of approximately \n30°, comfortably accommodating different sitting and reclining \npositions. The supporting panels stay in place until intentional \npressure is applied. With its graceful and adjustable wing-like \npanels, the Mariposa Sofa was aptly named after the Spanish \nword for butterfly. \nButterfly effect\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.22.png","1\n8\n9\n10\n11\n12\n13\n14\n2\n3\n4\n5\n6\n7\n40\nThe Mariposa Sofa family is available in plenty of \ncolours. To discover more colour and material options \ngo to vitra.com\u002Fcolour-material-library\nSelection of colors and materials\n1  Reed ,  09   rose quartz  2  Linho ,  05   rose quartz  3  Aura ,  14   pale rose  4  Iroko 2 ,  16   salmon  \n5  Aura ,  15   cherry  6  Linho ,  06   chestnut  7  Iroko 2 ,  14   bordeaux  8  Corsaro ,  01   pale blue melange  \n9  Volo ,  51   ice blue  10  Aura ,  11   petrol blue  11  Credo ,  22   emerald\u002Fivy  12  Iroko 2 ,  01   lemon  \n13  Mello ,  04   canary  14  Reed ,  07  canary \n1\n8\n9\n10\n11\n12\n13\n14\n2\n3\n4\n5\n6\n7\n40\nThe Mariposa Sofa family is available in plenty of \ncolours. To discover more colour and material options \ngo to vitra.com\u002Fcolour-material-library\nSelection of colors and materials\n1  Reed ,  09   rose quartz \n2  Linho ,  05   rose quartz 3  Aura ,  14   pale rose 4  Iroko 2 ,  16   salmon \n5  Aura ,  15   cherry \n6  Linho ,  06   chestnut 7  Iroko 2 ,  14   bordeaux 8  Corsaro ,  01   pale blue melange \n9  Volo ,  51   ice blue 10  Aura ,  11   petrol blue 11  Credo ,  22   emerald\u002Fivy 12  Iroko 2 ,  01   lemon \n13  Mello ,  04   canary 14  Reed ,  07  canary \nMariposa Sofa 2-Seater · Mello, 11 graphite\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.23.png","Mariposa 2 1\u002F2-Seater · Iroko, 01 lemon\n‘The soul function of this \ndesign is to create the most \ncomfortable seating to spend \nyour whole weekend on it.’\nEdward Barber & Jay Osgerby\n43\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.24.png","44\nMariposa Sofa 2 1\u002F2-Seater · Kvadrat Harald 233 (Special Edition)\n45\nJasper Morrison lives and works in London and Tokyo. His designs are expressions \nof the ‘super normal’ design philosophy: rather than seeking unusual or extravagant \nresults, he often breathes new life into proven solutions by means of reinterpretation, \nfurther development and refinement. He has worked together with Vitra on a regular \nbasis since 1989. \nSoft Modular Sofa \nJasper Morrison\n2016\nWhen a designer gets \nhim self into the sofa zone\n45\nJasper Morrison lives and works in London and Tokyo. His designs are expressions \nof the ‘super normal’ design philosophy: rather than seeking unusual or extravagant \nresults, he often breathes new life into proven solutions by means of reinterpretation, \nfurther development and refinement. He has worked together with Vitra on a regular \nbasis since 1989. \nSoft Modular Sofa \nJasper Morrison\n2016\nWhen a designer gets \nhim self into the sofa zone\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.25.png","46\nAs its name suggests, Jasper Morrison’s \nSoft Modular Sofa is soft and modular. In \nother words: it offers exceptional comfort \nand can be arranged in any number of \nconfigurations. In line with Morrison’s \ndesign philosophy, his updated and \nimproved version of the classic low-slung \nsofa aims first and foremost at being \n‘good at what it is’. \nWith its carefully balanced proportions \nand renunciation of decorative details,\nthe Soft Modular Sofa makes for a refined \naddition to any interior. \n46\nAs its name suggests, Jasper Morrison’s \nSoft Modular Sofa is soft and modular. In \nother words: it offers exceptional comfort \nand can be arranged in any number of \nconfigurations. In line with Morrison’s \ndesign philosophy, his updated and \nimproved version of the classic low-slung \nsofa aims first and foremost at being \n‘good at what it is’. \nWith its carefully balanced proportions \nand renunciation of decorative details,\nthe Soft Modular Sofa makes for a refined \naddition to any interior. \n47\nSoft Modular Sofa 3-Seater · Cosy, 02 fossil\u002FAura, 32 chartreuse\n47\nSoft Modular Sofa 3-Seater · Cosy, 02 fossil\u002FAura, 32 chartreuse\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.26.png","48\nFirmly in line with his philosophy of ‘super normal’ design, \nJasper Morrison has successfully coupled home-like informality \nwith precise finishing and expressive clarity. As a result, the \nSoft Modular Sofa functions like an architectural element that \ncan be subtly integrated in any interior.\nCompositions\nSoft Modular Sofa 2-Seater\nH 645 × W 2380 × D 980\nSoft Modular Sofa 2-Seater with platform right\nH 645 × W 2380 × D 980\nOttoman\nH 380 × W 920 × D 820\nSoft Modular Sofa Corner \nConfiguration with central platform\nH 645 × W 3300 × D 980\nSoft Modular Sofa 3-Seater\nH 645 × W 3300 × D 980\n48\nFirmly in line with his philosophy of ‘super normal’ design, \nJasper Morrison has successfully coupled home-like informality \nwith precise finishing and expressive clarity. As a result, the \nSoft Modular Sofa functions like an architectural element that \ncan be subtly integrated in any interior.\nCompositions\nSoft Modular Sofa 2-Seater\nH 645 × W 2380 × D 980\nH 645 × W 2380 × D 980\nSoft Modular Sofa 2-Seater with platform right\nH 645 × W 2380 × D 980\nOttoman\nH 380 × W 920 × D 820\nSoft Modular Sofa Corner \nConfiguration with central platform\nH 645 × W 3300 × D 980\nSoft Modular Sofa 3-Seater\nH 645 × W 3300 × D 980\n1\n3\n4\n5\n6\n7\n8\n10\n9\n2\n11\n49\nThanks to its modular design with side, corner and central \nelements as well as a chaise longue, the size and form of the \nSoft Modular Sofa can be customised to meet a diverse \nrange of requirements. The multilayered construction comprising \nseveral different types of carefully selected foam guarantees soft, \nrelaxing comfort and ensures that the cushions return to their \noriginal form after use.\n1 Soft Modular Sofa Chaise longue left · H 645 × W 920 × D 1820 \n2 Soft Modular Sofa Chaise longue right · H 645 × W 920 × D 1820 3 Soft Modular Sofa corner element right · \nH 645 × W 980 × D 980  4 Soft Modular Sofa side element right-low armrest · H 645 × W 980 × D 980 \n5 Soft Modular Sofa central element · H 645 × W 920 × D 980 6 Soft Modular Sofa side element left-low armrest · \nH 645 × W 980 × D 980 7 Soft Modular Sofa corner element left · H 645 × W 980 × D 980 \n8 Soft Modular Sofa platform right · H 380 × W 920 × D 980 9 Soft Modular Sofa platform central · H 380 × W 920 × D 980 \n10 Soft Modular Sofa platform left · H 380 × W 920 × D 980 11 Soft Modular Sofa Ottoman ∙ H 380 × W 920 × D 820\n1\n3\n4\n5\n6\n7\n8\n10\n9\n2\n11\n49\nThanks to its modular design with side, corner and central \nelements as well as a chaise longue, the size and form of the \nSoft Modular Sofa can be customised to meet a diverse \nrange of requirements. The multilayered construction comprising \nseveral different types of carefully selected foam guarantees soft, \nrelaxing comfort and ensures that the cushions return to their \noriginal form after use.\n1 Soft Modular Sofa Chaise longue left · H 645 × W 920 × D 1820 \n2 Soft Modular Sofa Chaise longue right · H 645 × W 920 × D 1820 3 Soft Modular Sofa corner element right · \nH 645 × W 980 × D 980  4 Soft Modular Sofa side element right-low armrest · H 645 × W 980 × D 980 \n5 Soft Modular Sofa central element · H 645 × W 920 × D 980 6 Soft Modular Sofa side element left-low armrest · \nH 645 × W 980 × D 980 7 Soft Modular Sofa corner element left · H 645 × W 980 × D 980 \n8 Soft Modular Sofa platform right · H 380 × W 920 × D 980 9 Soft Modular Sofa platform central · H 380 × W 920 × D 980 \n10 Soft Modular Sofa platform left · H 380 × W 920 × D 980 11 Soft Modular Sofa Ottoman ∙ H 380 × W 920 × D 820\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.27.png","1\n8\n9\n10\n11\n12\n13\n14\n15\n16\n2\n3\n4\n5\n6\n7\n50\nThe Soft Modular Sofa family is available in plenty \nof colours. To discover more colour and material options \ngo to vitra.com\u002Fcolour-material-library\nSelection of colors and materials\n1  Leather Premium ,  73  clay  2  Leather Premium ,  71  sand  3  Mello ,  05  papyrus  4  Aura ,  20  papyrus  \n5  Linho ,  02  sand  6  Aura ,  77  brick  7  Aura ,  11  petrol blue  8  Cosy 2 ,  12  pale blue  \n9  Credo ,  11  cream\u002Fdolphin  10  Dumet ,  06  pebble melange  11  Corsaro ,  01  pale blue melange  \n12  Dumet ,  28  sage\u002Fsteel blue  13  Volo ,  51  ice blue  14  Tress ,  12  steel blue melange  \n15  Leather Premium ,  60  smoke blue  16  Aura ,  07  hunter green \n1\n8\n9\n10\n11\n12\n13\n14\n15\n16\n2\n3\n4\n5\n6\n7\n50\nThe Soft Modular Sofa family is available in plenty \nof colours. To discover more colour and material options \ngo to vitra.com\u002Fcolour-material-library\nSelection of colors and materials\n1  Leather Premium ,  73  clay 2  Leather Premium ,  71  sand 3  Mello ,  05  papyrus 4  Aura ,  20  papyrus \n5  Linho ,  02  sand 6  Aura ,  77  brick 7  Aura ,  11  petrol blue 8  Cosy 2 ,  12  pale blue \n9  Credo ,  11  cream\u002Fdolphin 10  Dumet ,  06  pebble melange 11  Corsaro ,  01  pale blue melange \n12  Dumet ,  28  sage\u002Fsteel blue 13  Volo ,  51  ice blue 14  Tress ,  12  steel blue melange \n15  Leather Premium ,  60  smoke blue 16  Aura ,  07  hunter green \nSoft Modular Sofa 3-Seater, corner element · Maize, 03 cream\u002Fsteel grey\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.28.png","Soft Modular Sofa 3-Seater · Aura, 01 cream\n‘A sofa is as much about comfort \nas it is about flexibility.’\nJasper Morrison\n53\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.29.png","54\nSoft Modular Sofa 3-Seater with platform and Ottoman · Reed, 01 olive\n55\nThe Italian architect and designer Antonio Citterio has collaborated with Vitra since \n1988. His designs demonstrate a masterful ability to unite Italian flair and classic \nelegance in a reductive aesthetic. Citterio has also developed numerous office pieces \nwith Vitra, which are naturally subjected to more intensive use than domestic \nfurnishings. He brings this experience to all of his designs – thereby ensuring their \nextraordinary longevity.\nSuita  \nAntonio Citterio\n2010\u002F2019\nWhen Swiss engineering \nmeets Italian design\n55\nThe Italian architect and designer Antonio Citterio has collaborated with Vitra since \n1988. His designs demonstrate a masterful ability to unite Italian flair and classic \nelegance in a reductive aesthetic. Citterio has also developed numerous office pieces \nwith Vitra, which are naturally subjected to more intensive use than domestic \nfurnishings. He brings this experience to all of his designs – thereby ensuring their \nextraordinary longevity.\nSuita  \nAntonio Citterio\n2010\u002F2019\nWhen Swiss engineering \nmeets Italian design\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.30.png","56\nUniting Swiss engineering and Italian \nflair, designer Antonio Citterio created \na sophisticated sofa system that combines \ntechnical precision with a lightweight, \nstreamlined aesthetic. Suita Sofa’s striking \ngeometric body and cushions seem to be \nsuspended over its sleek aluminium legs, \nwhich can be seen as a tribute to mid-\ncentury American design. \nSuita offers superb seating comfort in \na compact format, which makes it the \nperfect piece for those looking to make \noptimum use of space. With its timeless \nlook and endless possibi lities for \nadaptation, Suita is perfectly suited to \nany environment and style.\n56\nUniting Swiss engineering and Italian \nflair, designer Antonio Citterio created \na sophisticated sofa system that combines \ntechnical precision with a lightweight, \nstreamlined aesthetic. Suita Sofa’s striking \ngeometric body and cushions seem to be \nsuspended over its sleek aluminium legs, \nwhich can be seen as a tribute to mid-\ncentury American design. \nSuita offers superb seating comfort in \na compact format, which makes it the \nperfect piece for those looking to make \noptimum use of space. With its timeless \nlook and endless possibi lities for \nadaptation, Suita is perfectly suited to \nany environment and style.\n57\nSuita Chaise Longue · Corsaro, 05 stone melange\n57\nSuita Chaise Longue · Corsaro, 05 stone melange\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.31.png","58\nTufted Cushions: Sophisticated look and extraordinary comfort.\nClassic cushions: Elegant shape with large back cushions, linear contours, \nformal appearance, available with firm or soft padding-upholstery.\nPointed cushions: Casual, soft shape with comfort, for relaxed \nseating or reclining. Available with soft upholstery only.\nCushions\n58\nTufted Cushions: Sophisticated look and extraordinary comfort.\nClassic cushions: Elegant shape with large back cushions, linear contours, \nformal appearance, available with firm or soft padding-upholstery.\nPointed cushions: Casual, soft shape with comfort, for relaxed \nseating or reclining. Available with soft upholstery only.\nCushions\n1\n6\n7\n11\n8\n10\n4\n9\n2\n3\n5\n59\nWith a selection of many different cushion types, the Suita Sofa \nfamily can be individualised according to personal preferences and \nas the situation demands.\nCompositions\n1 Suita 3-Seater open armrest left ∙ H 885 × W 2200 × D 880 2 Suita 3-Seater ∙ H 885 × W 2330 × D 880 \n3 Suita 3-Seater open armrest right ∙ H 885 × W 2200 × D 880 4 Suita 2-Seater open armrest right ∙ H 885 × W 1680  × D 880\n5 Suita 2-Seater ∙ H 885 × W 1880 × D 880 6 Suita 2-Seater open armrest left ∙ H 885 × W 1680 × D 880 \n7 Suita Chaise Longue large, headsection, left ∙ H 1060 × W 855 × D 2275 8 Suita Chaise Longue small, headsection, left ∙ \nH 1060 × W 855 × D 1770 9 Suita Chaise Longue large, right ∙ H 885 × W 855 × D 2205  \n10 Suita Chaise Longue small, right ∙ H 885 × W 855 × D 1700 11 Suita Ottoman ∙ H 465 × W 1010 × D 810\n1\n6\n7\n11\n8\n10\n4\n9\n2\n3\n5\n59\nWith a selection of many different cushion types, the Suita Sofa \nfamily can be individualised according to personal preferences and \nas the situation demands.\nCompositions\n1 Suita 3-Seater open armrest left ∙ H 885 × W 2200 × D 880 2 Suita 3-Seater ∙ H 885 × W 2330 × D 880 \n3 Suita 3-Seater open armrest right ∙ H 885 × W 2200 × D 880 4 Suita 2-Seater open armrest right ∙ H 885 × W 1680  × D 880\n5 Suita 2-Seater ∙ H 885 × W 1880 × D 880 6 Suita 2-Seater open armrest left ∙ H 885 × W 1680 × D 880 \n7 Suita Chaise Longue large, headsection, left ∙ H 1060 × W 855 × D 2275 8 Suita Chaise Longue small, headsection, left ∙ \nH 1060 × W 855 × D 1770 9 Suita Chaise Longue large, right ∙ H 885 × W 855 × D 2205  \n10 Suita Chaise Longue small, right ∙ H 885 × W 855 × D 1700 11 Suita Ottoman ∙ H 465 × W 1010 × D 810\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.32.png","1\n13\n8\n9\n10\n11\n12\n2\n14\n3\n15\n4\n16\n17\n18\n19\n5\n6\n7\n60\nThe Suita Sofa family is available in plenty of colours.\nTo discover more colour and material options go to \nvitra.com\u002Fcolour-material-library\nSelection of colors and materials\n1  Reed ,  05  pearl  2  Mello ,  03  cement  3  Iroko 2 ,  02  silver grey  4  Corsaro ,  08  sierra melange  \n5  Cosy 2 ,  01  pebble grey  6  Dumet ,  32  sierra grey melange  7  Olimpo ,  10  sierra grey   \n8  Iroko 2 ,  08  dark grey  9  Reed ,  02  steel blue  10  Corsaro ,  01  pale blue melange  11  Cosy 2 ,  12  pale blue  \n12  Credo ,  01  cream  13  Reed ,  09  rose quartz  14  Linho ,  02  sand  15  Linho ,  07  olive  \n16  Linho ,  03  truffle  17  Iroko 2 ,  09  cream  18  Leather Natural ,  78  dark sand  19  Corsaro ,  07  canola melange \n1\n13\n8\n9\n10\n11\n12\n2\n14\n3\n15\n4\n16\n17\n18\n19\n5\n6\n7\n60\nThe Suita Sofa family is available in plenty of colours.\nTo discover more colour and material options go to \nvitra.com\u002Fcolour-material-library\nSelection of colors and materials\n1  Reed ,  05  pearl 2  Mello ,  03  cement 3  Iroko 2 ,  02  silver grey 4  Corsaro ,  08  sierra melange \n5  Cosy 2 ,  01  pebble grey 6  Dumet ,  32  sierra grey melange 7  Olimpo ,  10  sierra grey   \n8  Iroko 2 ,  08  dark grey 9  Reed ,  02  steel blue 10  Corsaro ,  01  pale blue melange 11  Cosy 2 ,  12  pale blue \n12  Credo ,  01  cream 13  Reed ,  09  rose quartz 14  Linho ,  02  sand 15  Linho ,  07  olive \n16  Linho ,  03  truffle 17  Iroko 2 ,  09  cream 18  Leather Natural ,  78  dark sand 19  Corsaro ,  07  canola melange \nSuita 3-Seater open Classic with Chaise Longue · Dumet, 01 ivory melange\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.33.png","Suita 3-Seater Tufted · Dumet, 03 beige\u002Fgrey\n‘Today people sit on a sofa in \nmany different ways, and it is \nimportant to create flexibility.’\nAntonio Citterio\n63\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.34.png","Suita 2-Seater open Pointed with Chaise Longue · Olimpo, 11 atlantic —Suita 2-Seater Pointed · Olimpo, 11 atlantic\n65\n‘When you produce classics, \nyou need innovation, but the \nidea of timelessness is also very \nimportant. Timelessness means \n“don’t exaggerate anything”. \nTry to reduce the idea and \nrecognize when it’s enough, \nit’s enough.’\nAntonio Citterio\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.35.png","66\nSuita 3-Seater and Ottoman Classic · Dumet, 21 red melange\n67\nMilan-based designer and architect Antonio Citterio is revered as a master of the \ntimelessly modern sofa for home living. For over three decades, he has shaped this \ntypology with his ability to bring lightness and elegance to domestic seating, no \nmatter the size of individual elements. Grand Sofà, which was presented in 2017, \nembodies the full scope of Citterio’s extensive knowledge and experience.  \nGrand Sofà \nAntonio Citterio\n2017\nWhen a grand sofa comes \nwith a graceful silhouette\n67\nMilan-based designer and architect Antonio Citterio is revered as a master of the \ntimelessly modern sofa for home living. For over three decades, he has shaped this \ntypology with his ability to bring lightness and elegance to domestic seating, no \nmatter the size of individual elements. Grand Sofà, which was presented in 2017, \nembodies the full scope of Citterio’s extensive knowledge and experience.  \nGrand Sofà \nAntonio Citterio\n2017\nWhen a grand sofa comes \nwith a graceful silhouette\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.36.png","68\nAntonio Citterio’s Grand Sofà represents \nthe perfect marriage between luxurious \ncomfort and contemporary design. \nConsisting of a range of precise and \nelegantly shaped elements that can be \ncombined in numerous configurations, \nthis sofa family pairs spacious seating \nwith a graceful silhouette. Viewed \nfrom any angle, Grand Sofà seems to \nfloat above the floor.\nThe clean lines and geometric forms \nof the generously dimensioned sofa \nelements create a spacious platform \nfor sitting or reclining. Artisanal \ntouches, such as the decorative cross-\nstitching on the seams of the body \nand the refined flat felled seams of \nthe cushions, emphasise Grand Sofà’s \nsuperior craftsmanship.\n68\nAntonio Citterio’s Grand Sofà represents \nthe perfect marriage between luxurious \ncomfort and contemporary design. \nConsisting of a range of precise and \nelegantly shaped elements that can be \ncombined in numerous configurations, \nthis sofa family pairs spacious seating \nwith a graceful silhouette. Viewed \nfrom any angle, Grand Sofà seems to \nfloat above the floor.\nThe clean lines and geometric forms \nof the generously dimensioned sofa \nelements create a spacious platform \nfor sitting or reclining. Artisanal \ntouches, such as the decorative cross-\nstitching on the seams of the body \nand the refined flat felled seams of \nthe cushions, emphasise Grand Sofà’s \nsuperior craftsmanship.\n69\nGrand Sofà 3½-Seater, full backrest · Corsaro, 09 bamboo melange\n69\nGrand Sofà 3½-Seater, full backrest · Corsaro, 09 bamboo melange\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.37.png","70\nFor the seat and back cushions of Grand Sofà you can \nchoose from a variety of different sizes and pad dings, all \nof which are available with or without tufting. While both \nversions provide the same extraordinary level of comfort, \neach has its own distinctive look. \nCushions\nGrand Sofà 3-Seater, Chaise Longue right with Sofa Tray\nH 900 × W 3370 × D 2310\nGrand Sofà 3 ½-Seater, full backrest\nH 900 × W 2710 × D 1100\n2 × Grand Sofà 3 ½-Seater open left and right\nH 900 × W 5420 × D 1100\n70\nFor the seat and back cushions of Grand Sofà you can \nchoose from a variety of different sizes and pad dings, all \nof which are available with or without tufting. While both \nversions provide the same extraordinary level of comfort, \neach has its own distinctive look. \nCushions\nGrand Sofà 3-Seater, Chaise Longue right with Sofa Tray\nH 900 × W 3370 × D 2310\nGrand Sofà 3 ½-Seater, full backrest\nH 900 × W 2710 × D 1100\n2 × Grand Sofà 3 ½-Seater open left and right\nH 900 × W 5420 × D 1100\n1\n6\n2\n3\n5\n12\n4\n8\n9\n7\n11\n10\n71\nThe wide variety of generously dimensioned sofa elements \nand cushion options provides maximum flexibility, allowing you to \nconfigure Grand Sofà according to your own personal preferences. \nTogether with the diverse range of fabrics and colours, variable \nbackrests, and base finishes in polished or powder-coated aluminium, \nthis opens up a multitude of possibilities for individual seating \narrangements. You can further customise your Grand Sofà with the \nSofa Tray, a narrow rectangular tray especially designed for use \non upholstered surfaces.\nCompositions\n1 Grand Sofà 2½-Seater ∙ H 900 × W 1800 × D 1100 2 Grand Sofà 3-Seater open left ∙ H 900 × W 2310 × D 1100 \n3 Grand Sofà 3-Seater full backrest ∙ H 900 × W 2300 × D 1100 4 Grand Sofà 3½-Seater open left ∙ H 900 × W 2710 × D 1100 \n5 Grand Sofà 3½-Seater ∙ H 900 × W 2710 × D 1100 6 Grand Sofà 3-Seater open right ∙ H 900 × W 2310 × D 1100 \n7 Grand Sofà 3½-Seater open right ∙ H 900 × W 2710 × D 1100 8 Grand Sofà Chaise Longue left ∙ H 900 × W 1060 × D 2310\n9 Grand Sofà Chaise Longue right ∙ H 900 × W 1060 × D 2310 10 Grand Sofà Bench ∙ H 380 × W 1800 × D 800 \n11 Grand Sofà Platform ∙ H 380 × W 1210 × D 1210 12 Grand Sofà Ottoman ∙ H 380 × W 910 × D 780\n1\n6\n2\n3\n5\n12\n4\n8\n9\n7\n11\n10\n71\nThe wide variety of generously dimensioned sofa elements \nand cushion options provides maximum flexibility, allowing you to \nconfigure Grand Sofà according to your own personal preferences. \nTogether with the diverse range of fabrics and colours, variable \nbackrests, and base finishes in polished or powder-coated aluminium, \nthis opens up a multitude of possibilities for individual seating \narrangements. You can further customise your Grand Sofà with the \nSofa Tray, a narrow rectangular tray especially designed for use \non upholstered surfaces.\nCompositions\n1 Grand Sofà 2½-Seater ∙ H 900 × W 1800 × D 1100 2 Grand \n3 Grand Sofà 3-Seater full backrest ∙ H 900 × W 2300 × D 1100 4 Gr\n5 Grand Sofà 3½-Seater ∙ H 900 × W 2710 × D 1100 6 Grand Sofà 3-Seater open right ∙ H 900 × W 2310 × D 1100 \n7 Grand Sofà 3½-Seater open right ∙ H 900 × W 2710 × D 1100 8 Grand Sofà Chaise Longue left ∙ H 900 × W 1060 × D 2310\n9 Grand Sofà Chaise Longue right ∙ H 900 × W 1060 × D 2310 10 Grand Sofà Bench ∙ H 380 × W 1800 × D 800 \n11 Grand Sofà Platform ∙ H 380 × W 1210 × D 1210 12 Grand Sofà Ottoman ∙ H 380 × W 910 × D 780\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.38.png","1\n8\n9\n10\n11\n12\n13\n14\n2\n3\n4\n5\n6\n7\n72\nThe Grand Sofà family is available in plenty \nof colours. To discover more colour and material \noptions go to vitra.com\u002Fcolour-material-library\nSelection of colors and materials\n1  Credo ,  01  cream  2  Corsaro ,  06  sand melange  3  Iroko 2 ,  09  cream  4  Dumet ,  02  beige melange  \n5  Reed ,  04  sand  6  Linho ,  02  sand  7  Linho ,  01  pearl  8  Reed ,  06  marble  \n9  Corsaro ,  09  bamboo melange  10  Cosy 2 ,  13  papyrus  11  Reed ,  12  truffle  12  Reed ,  09  rose quartz  \n13  Linho ,  05  rose quartz  14  Linho ,  07  olive \n1\n8\n9\n10\n11\n12\n13\n14\n2\n3\n4\n5\n6\n7\n72\nThe Grand Sofà family is available in plenty \nof colours. To discover more colour and material \noptions go to vitra.com\u002Fcolour-material-library\nSelection of colors and materials\n1  Credo ,  01  cream \n2  Corsaro ,  06  sand melange 3  Iroko 2 ,  09  cream \n4  Dumet ,  02  beige melange \n5  Reed ,  04  sand 6  Linho ,  02  sand 7  Linho ,  01  pearl \n8  Reed ,  06  marble \n9  Corsaro ,  09  bamboo melange \n10  Cosy 2 ,  13  papyrus 11  Reed ,  12  truffle 12  Reed ,  09  rose quartz \n13  Linho ,  05  rose quartz 14  Linho ,  07  olive \nGrand Sofà 3½-Seater full backrest · Corsaro, 05 stone melange\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.39.png","Grand Sofà 3½ Seater, open right & Chaise Longue · Corsaro, 06 sand melange\n‘A sofa is conviviality, it is conversation. \nWhen you think of a sofa, you think \nof friends or family around you.’\nAntonio Citterio\n75\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.40.png","76\nWhen a Vitra product arrives in your home, \nit already looks back on a long history. And you \ncontinue to add to this history, in your own \nhome, with all of its special characteristics and \nits own stories. Tell your personal story and share \nyour #VitraOriginal photos on social media.\nIsamu Noguchi in harmony with Dieter Rams and Joe Colombo – the \nsofa Freeform in a Berlin ‘Altbau’ surrounded by other design classics. \n@fantasticfrankgermany\nFavorite place for our children to hang out and play, they get \nvery creative on this Sofa. @norizzo\nLove sinking into my Mariposa Sofa after a long day. \nObviously with my Frenchie cushion. @zac_in_london\n76\nWhen a Vitra product arrives in your home, \nit already looks back on a long history. And you \ncontinue to add to this history, in your own \nhome, with all of its special characteristics and \nits own stories. Tell your personal story and share \nyour #VitraOriginal photos on social media.\nIsamu Noguchi in harmony with Dieter Rams and Joe Colombo – the \nsofa Freeform in a Berlin ‘Altbau’ surrounded by other design classics. \n@fantasticfrankgermany\nFavorite place for our children to hang out and play, they get \nvery creative on this Sofa. @norizzo\nLove sinking into my Mariposa Sofa after a long day. \nObviously with my Frenchie cushion. @zac_in_london\n77\nBuilding a home takes a life time and has more to do with the things \nyou surround yourself with rather than the bricks the house is build out \nof. Therefore we believe in committing to the things we invite into our \nhome. The Soft Modular Sofa is a classic that can follow our family \nand home for years to come even though the bricks might change \nover time. @linestutzer\nThe sofa is a real gift to have in our home. Not only as a stand when the \nchildren are dancing and do gymnastics. It’s also our best place to relax \nand a warm welcome home everytime we step into our house. \n@ilon.morecookies\nThe Polder sofa was the first furniture my partner and \nI got when we bought an apartment together – and in \nour home we are all about celebrating colors! We love \nhow the red color complements our collection of green \nplants nicely. @freshmess\n77\nBuilding a home takes a life time and has more to do with the things \nyou surround yourself with rather than the bricks the house is build out \nof. Therefore we believe in committing to the things we invite into our \nhome. The Soft Modular Sofa is a classic that can follow our family \nand home for years to come even though the bricks might change \nover time. @linestutzer\nThe sofa is a real gift to have in our home. Not only as a stand when the \nchildren are dancing and do gymnastics. It’s also our best place to relax \nand a warm welcome home everytime we step into our house. \n@ilon.morecookies\nThe Polder sofa was the first furniture my partner and \nI got when we bought an apartment together – and in \nour home we are all about celebrating colors! We love \nhow the red color complements our collection of green \nplants nicely. @freshmess\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.41.png","Vitra is represented worldwide.\nYour local Vitra partner can be found at www.vitra.com\u002Fdealers\nVitra International AG, Klünenfeldstrasse 22, CH–4127 Birsfelden\n0041 (0)61 377 00 00, info@vitra.com, www.vitra.com\nAll of the designs shown in this publication \nare protected by copyright. Vitra and the \nVitra Design Museum have been authorised \nby the owners of the intellectual property \nrights for the manufacture and distribution of \nthese designs and hold the exclusive world-\nwide rights for their production and sale.\nThe following restrictions apply:\nCharles & Ray Eames →  Worldwide \ndistribution rights for the Organic Chair, \nLa Chaise, Eames Elephant, Plywood Mobile, \nClassic Trays, Paper Napkins, Greeting Cards, \nCover Prints, Eames Quotes Posters, \nEames Quotes Greeting Cards, Eames Wool \nBlankets, Miniatures Collection and for the \nEames Radio, distribution rights for all other \ndesigns exclusively for Europe and the \nMiddle East. For other regions, please contact \nHerman Miller Inc.\nAlexander Girard → Worldwide distribution \nrights, with the exception of the Hexagonal \nTable, Environmental Enrichment Panels and \nZip Pouches. Vitra‘s rights to these named \nproducts are restricted to Europe and the \nMiddle East. For other regions, please \ncontact Herman Miller Inc.\nGeorge Nelson →  Worldwide distribution \nrights for all clocks and Miniatures Collection; \ndistribution rights for other designs exclusively \nfor Europe and the Middle East. For other \nregions, please contact Herman Miller Inc.\nIsamu Noguchi → Distribution rights for \nAkari Light Sculptures restricted to Europe \n(excluding France) and Australia. \nDistribution rights for the Coffee Table held \nby Herman Miller Inc. for North America; \ndistribution rights for the Dining Table held \nby Knoll Inc. for North America.\nSori Yanagi → Distribution rights for the \nButterfly Stool restricted to Europe, Africa \nand North and South America.\nClassic Pillows → Distribution rights for \nEurope and Japan. For other regions, \nplease contact Maharam Inc..\n The design of the Eames Aluminum Chair \nand the Eames name are registered \ntrademarks.\n The design of the Eames Lounge Chair \nand the Eames name are registered \ntrademarks.\n The design of the Panton Chair and \nthe Panton name are registered trademarks.\n® All intellectual property rights such \nas trademarks, patents and copyrights \nreserved.\nNo part of this brochure may be reproduced \nwithout prior written permission from Vitra.\nProduct index:\n→ 9 Vlinder Sofa → 19 Polder → 27 \nMarshmallow Sofa → 31 Freeform Sofa \n→ 35 Mariposa Sofa → 45  Soft Modular Sofa  \n→ 55 Suita Sofa → 67 Grand Sofà\nPicture credits:\n→ Cover Vlinder Sofa → 1–8 Florian Böhm \n(Studio AKFB) → 9 Portrait Hella Jongerius: \nRoel van Tour → 11 Florian Böhm (Studio \nAKFB) → 13 Piotr Niepsuj → 13 Florian Böhm \n(Studio AKFB)\u002F Sculpture: Thomas Lerooy \n→ 16–18 Roel van Tour → 19 Portrait Hella \nJongerius: Markus Jans, Jongeriuslab \n→ 21, 23–26 Florian Böhm (Studio AKFB) \n→ 27 Portrait Georges Nelson: Eames Office, \nLLC → 29 Florian Böhm (Studio AKFB)  \n→ 30 © Vitra Design Museum, estate of \nGeorge Nelson → 31 Portrait Isamu Noguchi: \nNoguchi Foundation → 33 Florian Böhm \n(Studio AKFB) → 34 Andreas Sütterlin \n→ 35 Portrait Edward Barber & Jay Osgerby: \nFlorian Böhm (Studio AKFB) → 37, 41–44 \nFlorian Böhm (Studio AKFB) → 45 Portrait \nJasper Morrison: Elena Mahugo, Jasper \nMorrison Ltd. → 47, 51–54 Florian Böhm \n(Studio AKFB) → 55 Portrait Antonio Citterio: \nFlorian Böhm (Studio AKFB) → 57 Florian \nBöhm (Studio AKFB) → 61–66 Florian Böhm \n(Studio AKFB)\u002F Sculpture on page 62: Thomas \nKiesewetter → 67 Portrait Antonio Citterio & \n69, 73 Florian Böhm (Studio AKFB) → 74–75 \nFlorian Böhm (Studio AKFB)\u002F Sculpture: \nThomas Lerooy\u002F Carpet: Amini → 76–77 \nInstagram: Line Stützer\u002F Zac T Lee Mark \nJoseph Carandang\u002F Fantastic Frank \nGermany\u002F Ilon MoreCookies\u002F Noriko Hayashi\nProduct photography:\n→ 12, 22, 30, 38, 39, 40, 48, 50, 58, 61, 70, 72 \nMarc Eggimann\nProduction design:  \n→ 61 Paolo Bonfini → 66, 73 Filippa Egnell \n→ 23, 41 Annahita Kamali → 44, 52, 64 \nErwin Prib → 14, 62, 74 Sebastian Soukup \n→ 24, 42, 51 Annahita Kamali, Leonie von Arx\nDesign, art direction: Studio AKFB, München\nLithography: GZD Media GmbH, Renningen\nPrinting: Druckerei Vogl GmbH & Co KG, \nZorneding  \nPhotography: Studio AKFB (Interiors), \nMarc Eggimann (Products)\nVitra International AG strives to respect \nthe rights of third parties.\nIf we have inadvertently used material \nwithout acknowledgement, we will correct \nthe omission immediately upon notification.\n2019\u002F2020, art. no. 09187302 EN\nVitra is represented worldwide.\nYour local Vitra partner can be found at www.vitra.com\u002Fdealers\nVitra International AG, Klünenfeldstrasse 22, CH–4127 Birsfelden\n0041 (0)61 377 00 00, info@vitra.com, www.vitra.com\nAll of the designs shown in this publication \nare protected by copyright. Vitra and the \nVitra Design Museum have been authorised \nby the owners of the intellectual property \nrights for the manufacture and distribution of \nthese designs and hold the exclusive world-\nwide rights for their production and sale.\nThe following restrictions apply:\nCharles & Ray Eames →  Worldwide \ndistribution rights for the Organic Chair, \nLa Chaise, Eames Elephant, Plywood Mobile, \nClassic Trays, Paper Napkins, Greeting Cards, \nCover Prints, Eames Quotes Posters, \nEames Quotes Greeting Cards, Eames Wool \nBlankets, Miniatures Collection and for the \nEames Radio, distribution rights for all other \ndesigns exclusively for Europe and the \nMiddle East. For other regions, please contact \nHerman Miller Inc.\nAlexander Girard → Worldwide distribution \nrights, with the exception of the Hexagonal \nTable, Environmental Enrichment Panels and \nZip Pouches. Vitra‘s rights to these named \nproducts are restricted to Europe and the \nMiddle East. For other regions, please \ncontact Herman Miller Inc.\nGeorge Nelson →  Worldwide distribution \nrights for all clocks and Miniatures Collection; \ndistribution rights for other designs exclusively \nfor Europe and the Middle East. For other \nregions, please contact Herman Miller Inc.\nIsamu Noguchi → Distribution rights for \nAkari Light Sculptures restricted to Europe \n(excluding France) and Australia. \nDistribution rights for the Coffee Table held \nby Herman Miller Inc. for North America; \ndistribution rights for the Dining Table held \nby Knoll Inc. for North America.\nSori Yanagi → Distribution rights for the \nButterfly Stool restricted to Europe, Africa \nand North and South America.\nClassic Pillows → Distribution rights for \nEurope and Japan. For other regions, \nplease contact Maharam Inc..\n The design of the Eames Aluminum Chair \nand the Eames name are registered \ntrademarks.\n The design of the Eames Lounge Chair \nand the Eames name are registered \ntrademarks.\n The design of the Panton Chair and \nthe Panton name are registered trademarks.\n® All intellectual property rights such \nas trademarks, patents and copyrights \nreserved.\nNo part of this brochure may be reproduced \nwithout prior written permission from Vitra.\nProduct index:\n→ 9 Vlinder Sofa → 19 Polder → 27 \nMarshmallow Sofa → 31 Freeform Sofa \n→ 35 Mariposa Sofa → 45  Soft Modular Sofa  \n→ 55 Suita Sofa → 67 Grand Sofà\nPicture credits:\n→ Cover Vlinder Sofa → 1–8 Florian Böhm \n(Studio AKFB) → 9 Portrait Hella Jongerius: \nRoel van Tour → 11 Florian Böhm (Studio \nAKFB) → 13 Piotr Niepsuj → 13 Florian Böhm \n(Studio AKFB)\u002F Sculpture: Thomas Lerooy \n→ 16–18 Roel van Tour → 19 Portrait Hella \nJongerius: Markus Jans, Jongeriuslab \n→ 21, 23–26 Florian Böhm (Studio AKFB) \n→ 27 Portrait Georges Nelson: Eames Office, \nLLC → 29 Florian Böhm (Studio AKFB)  \n→ 30 © Vitra Design Museum, estate of \nGeorge Nelson → 31 Portrait Isamu Noguchi: \nNoguchi Foundation → 33 Florian Böhm \n(Studio AKFB) → 34 Andreas Sütterlin \n→ 35 Portrait Edward Barber & Jay Osgerby: \nFlorian Böhm (Studio AKFB) → 37, 41–44 \nFlorian Böhm (Studio AKFB) → 45 Portrait \nJasper Morrison: Elena Mahugo, Jasper \nMorrison Ltd. → 47, 51–54 Florian Böhm \n(Studio AKFB) → 55 Portrait Antonio Citterio: \nFlorian Böhm (Studio AKFB) → 57 Florian \nBöhm (Studio AKFB) → 61–66 Florian Böhm \n(Studio AKFB)\u002F Sculpture on page 62: Thomas \nKiesewetter → 67 Portrait Antonio Citterio & \n69, 73 Florian Böhm (Studio AKFB) → 74–75 \nFlorian Böhm (Studio AKFB)\u002F Sculpture: \nThomas Lerooy\u002F Carpet: Amini → 76–77 \nInstagram: Line Stützer\u002F Zac T Lee Mark \nJoseph Carandang\u002F Fantastic Frank \nGermany\u002F Ilon MoreCookies\u002F Noriko Hayashi\nProduct photography:\n→ 12, 22, 30, 38, 39, 40, 48, 50, 58, 61, 70, 72 \nMarc Eggimann\nProduction design:  \n→ 61 Paolo Bonfini → 66, 73 Filippa Egnell \n→ 23, 41 Annahita Kamali → 44, 52, 64 \nErwin Prib → 14, 62, 74 Sebastian Soukup \n→ 24, 42, 51 Annahita Kamali, Leonie von Arx\nDesign, art direction: Studio AKFB, München\nLithography: GZD Media GmbH, Renningen\nPrinting: Druckerei Vogl GmbH & Co KG, \nZorneding  \nPhotography: Studio AKFB (Interiors), \nMarc Eggimann (Products)\nVitra International AG strives to respect \nthe rights of third parties.\nIf we have inadvertently used material \nwithout acknowledgement, we will correct \nthe omission immediately upon notification.\n2019\u002F2020, art. no. 09187302 EN\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Ffe\u002F9ec09e0f250ab161c61256e823ed05-285e02e662.42.png","v\n",42,[],0,false,true,{"success":184,"data":186,"meta":405,"count":406,"next":407,"previous":408,"results":446,"brand_chips":507},[187,200,210,220,230,239,249,259,269,281,294,307,317,330,343,353,363,373,383,395],{"id":188,"title":189,"slug":190,"image":191,"source":192,"brand_name":193,"brand":194,"brand_slug":195,"file_size":196,"pages":197,"pages_count":198,"matched_pages":199,"match_count":182,"two_pages":183,"show_text":184},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 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