[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-vistosi-general-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":1459},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":1454,"matched_pages":1455,"match_count":1456,"two_pages":1457,"show_text":1458},7150,"General 2019","vistosi-general-2019","\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fe3\u002F3b77086f881ee389e1ce855b392be6.pdf","Vistosi",256,"vistosi","34.5 MB",[14,17,21,25,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,107,111,115,119,123,127,131,135,139,143,147,151,155,159,163,167,171,175,179,183,187,191,195,199,203,207,211,215,219,223,227,231,235,239,243,247,251,255,259,263,267,271,275,279,283,287,291,295,299,303,307,311,315,319,323,327,331,335,339,343,347,351,355,359,363,367,371,375,379,383,387,391,395,399,403,407,411,415,419,423,427,431,435,439,443,447,451,455,459,463,467,471,475,479,483,487,491,495,499,503,507,511,515,519,523,527,531,535,539,543,547,551,555,559,563,567,571,575,579,583,587,591,595,599,603,607,611,615,619,623,627,631,635,639,643,647,651,655,659,663,667,671,675,679,683,687,691,695,699,703,707,711,715,719,723,727,731,735,739,743,747,751,755,759,763,767,770,774,777,781,785,789,793,797,801,805,809,813,817,821,825,829,833,837,841,845,849,853,857,861,865,869,873,877,881,885,889,893,897,901,905,909,913,917,921,925,929,933,937,941,945,949,953,957,961,965,969,973,977,981,985,989,993,997,1000,1004,1007,1011,1015,1019,1023,1027,1030,1034,1038,1042,1046,1050,1054,1058,1062,1066,1070,1074,1078,1082,1086,1090,1094,1098,1102,1106,1110,1114,1118,1122,1126,1130,1134,1138,1142,1146,1150,1154,1157,1161,1164,1168,1172,1176,1180,1184,1188,1192,1196,1200,1204,1208,1212,1216,1220,1224,1228,1232,1236,1240,1244,1248,1252,1256,1260,1264,1268,1272,1276,1280,1284,1288,1292,1296,1300,1304,1308,1312,1315,1319,1322,1326,1330,1334,1338,1342,1346,1350,1354,1358,1362,1366,1370,1374,1378,1382,1386,1390,1394,1398,1402,1406,1409,1413,1417,1421,1425,1429,1433,1437,1441,1445,1449,1452],{"image":7,"text":15,"number":16},"General Catalog\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.3.png"," \n",3,{"image":26,"text":19,"number":27},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.4.png",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.5.png","3\nContenuti \u002F Contents\nVistosi\nIndice analitico \u002F Analytical index\n4\nIndice fotografico \u002F Photographic index\n6\nStoria \u002F History\n8\nAzienda \u002F Company\n12\nDesigner \u002F Designers\n14\nProgetti \u002F Projects\n16\nProdotti \u002F Products\nSospensioni \u002F Suspension\n23\nPlafoniere \u002F Ceiling\n189\nParete \u002F Wall\n247\nTavolo \u002F Table\n287\nTerra \u002F Floor\n327\nInformazioni \u002F Information\nCome leggere il catalogo \u002F How to read the catalog\n352\nLegenda \u002F Key\n353\nMateriali \u002F Materials\nColori vetro \u002F Glass colors\n354\nFiniture vetro \u002F Glass finishes\n354\nFiniture delle parti metalliche \u002F Finishes of metal parts\n355\nAltri materiali \u002F Other materials\n355\nVersioni LED \u002F LED versions\n356\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.6.png","24PEARLS\n166\nALEGA\n290\nARIA\n124\nASSIBA\n52\n300\nAURORA\n202\nBACO\n154\nBALANCE\n118\n206\n254\nBISSONA\n295\nBOLLE\n162\n222\n324\nBOT\n112\n192\nCANDELA\n140\nCLEO\n152\nCLOTH\n150\n252\n315\n335\nCORNER\n280\nCRISTALLINA\n146\nDAFNE\n282\nDAMASCO\n66\n226\n264\n306\n340\nDIADEMA \n26\n232\n256\n319\n345\nDIAMANTE\n62\n228\nDRESS\n158\nECOS\n34\n236\n262\n346\nESSENCE\n50\nFEREA\n294\nFUTURA\n92\n234\n271\n311\n339\nGIOGALI\n172\n238\n268\n342\nGIOGALI3D\n186\nGLORIA\n349\nGOCCIA\n277\nGOTO\n304\nIMPLODE\n108\n194\n314\nINFINITA\n134\n214\nJO\n310\nJUBE\n82\nKIRA\n148\nLACRIMA\n104\nLEPANTO\n138\n330\nPT\nLT\nSP\nAP \u002F PP\nPL \u002F FA\n4\nIndice analitico \u002F Analytical index\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.7.png","LIO\n100\n200\n274\n296\n333\nLUCCIOLA\n132\n224\n260\n312\n332\nMIA\n208\nMINIGIOGALI\n180\n242\n266\n299\n344\nMIRAGE\n144\nMORIS\n212\nMUNEGA\n298\nNARANZA\n156\nNAXOS\n136\n320\n334\nNEOCHIC\n130\n210\n250\nNESSA\n292\nNINFEA\n160\nNODO\n142\nNOVECENTO\n46\n229\n318\n348\nOTO \n38\nOVALINA\n284\nPEGGY\n58\n278\nPOC\n70\n227\nPOD\n204\nPUPPET\n74\n276\n297\nRINA\n168\n220\n316\nSABA\n218\nSATA\n302\n336\nSEMAI\n116\n196\nSISSI\n102\nSMOKING\n331\nSOGNO\n216\nSPIRIT \n114\n198\n305\nSTARDUST\n54\n272\n301\nSTARNET\n96\nSTONE\n88\nSURFACE\n120\nTREPAI\n328\nTUBES\n106\n230\nVEGA\n270\n308\n347\nWHITWHITE\n126\n5\nPT\nLT\nSP\nAP \u002F PP\nPL \u002F FA\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.8.png","166\n118, 206, 254\n150, 252, 315, \n335\n62, 228\n172, 238, 268, \n342\n134, 214\n295\n280\n158\n186\n310\n162, 222, 324\n146\n34, 236, 262, \n346\n349\n82\n112, 192\n282\n50\n277\n148\n140\n66, 226, 264, \n306, 340\n294\n304\n104\n152\n26, 232, 256, \n319, 345\n92, 234, 271, \n311, 339\n108, 194, 314\n138, 330\n290\n124\n52, 300\n202\n154\nIndice fotografico \u002F Photographic index\n24Pearls \nAlega \nAria \nAssiba \nAurora \nBaco \nBalance \nBissona \nBolle \nBot \nCandela \nCristallina \nCleo \nDamasco \nCorner \nCloth \nDiadema \nDress \nDafne \nEssence \nFutura \nDiamante \nGiogali \nGiogali3d \nEcos \nImplode \nFerea \nJube \nKira \nLacrima \nGloria \nGoccia \nGoto \nInfinita \nJo \nLepanto \n6\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.9.png","100, 200, 274, \n296, 333\n298\n142\n204\n102\n88\n156\n46, 229, 318, \n348\n74, 276, 297\n331\n120\n136, 320, 334\n38\n168, 220, 316\n216\n328\n130, 210, 250\n284\n218\n114, 198, 305\n270, 308, 347\n292\n58, 278\n302, 336\n54, 272, 301\n106, 230\n160\n70, 227\n116, 196\n96\n126\n132, 224, 260, \n312, 332\n208\n180, 242, 266, \n299, 344\n144\n212\nLio \nLucciola \nMia \nMinigiogali \nMoris \nMunega \nNaranza \nNaxos \nNeochic \nNessa \nOto \nOvalina \nPuppet \nSaba \nMirage \nPoc \nNinfea \nNodo \nNovecento \nPeggy \nPod \nRina \nSata  \nSmoking\nTrepai\nVega\nSemai \nSissi \nSogno \nSpirit \nStone \nStarnet \nSurface \nTubes \nWithwhite \nStardust \n7\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.10.png","8\nCinque secoli di storia \u002F Five centuries of history\n1585-1900\nLe origini\nNelle acque della laguna veneziana \naffonda le sue origini la storia di \nVetreria Vistosi. \n1585 - Vincenzo Gazzabin, compare \nper la prima volta nei registri dell’arte \nvetraria muranese.\n1640 - La famiglia Gazzabin, diventa \nproprietaria della fornace Al Bastian.\n1690 - Il nome “Vistosi” fa la \nsua comparsa poco dopo, come \nsoprannome di un erede della vetreria \nGazzabin.\n1791 - Gio-Batta Vistosi viene \nnominato Gastaldo dell’Arte, capo \ndell’Arte dei Maestri Vetrai e \nrappresentante dei padroni delle \nfornaci muranesi.\nIl Novecento\nAlla fine della seconda guerra \nmondiale, l’azienda inizia a \nconcentrarsi nella produzione di \narticoli per l’illuminazione con Gino \ne Luciano Vistosi. È una storia di \npassione e di insaziabile ricerca del \nnuovo, che porta Vistosi ad iniziare \nimportanti collaborazioni.\n1945 - Guglielmo Vistosi, erede della \nfamiglia Gazzabin, dopo la fine della \nseconda guerra mondiale, apre una \nnuova fornace a Murano.\n1969-1980 - I nomi dei più famosi \ndisegnatori dell’epoca, come Gae \nAulenti, Angelo Mangiarotti, Ettore \nSottsass senior e jr., Adalberto Dal \nLago, Vico Magistretti, Albert Leclerc, \nsi legano alla produzione Vistosi. \n>\n \u002F The origins \nThe origins of Vetreria Vistosi stretch \nfar back into the waters of the \nVenetian lagoon. \n1585 - Vincenzo Gazzabin appeared \nfor the first time in the registers of the \nMurano glass art.\n1640 - The Gazzabin family became \nthe owner of the Al Bastian furnace.\n1690 - The name “Vistosi” appeared \nshortly afterwards as the nickname \nof an heir to the Gazzabin glassworks. \n1791 - Gio-Batta Vistosi was \nappointed Gastaldo dell’Arte, head \nof the glassmakers’ guild and \nrepresentative of the owners of the \nMurano furnaces.\n1900-1980\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.11.png","9\n1980-2000\nLa famiglia Moretti\nDa azienda artigiana a industria \nartigianale. \n1989 - Giancarlo Moretti, \nimprenditore muranese da tempo \nattivo nel settore \ncon Vetrofond e Punto Luce, rileva \nl’azienda dando vita a Vetreria Vistosi.\n1993 - Matteo Moretti, figlio di \nGiancarlo, attua una profonda \nriorganizzazione produttiva e \ncommerciale per rilanciare il marchio.\n1995 - Viene creata una nuova \nmiscela di vetro soffiato in cui è \nridotto al minimo il contenuto di \nsodio. Il vetro acquista quasi le virtù \ndell'acciaio: resistenza e lucentezza.\nNuove e importanti collaborazioni: \nChiaramonte e Marin, \nMichele De Lucchi, Mauro Olivieri \nsono alcuni di loro.\n\u002F The Moretti family\nFrom craft business to craft industry. \n1989 - Giancarlo Moretti, an \nentrepreneur from Murano that had long \nbeen active in the sector with Vetrofond \nand Punto Luce, took over the company \nand created Vetreria Vistosi.\n1993 - Matteo Moretti, Giancarlo’s son, \ncarried out a deep productive \nand commercial reorganization \nto relaunch the brand.\n1995 - A new blend of blown glass \nwith a minimal amount of sodium was \nused. The glass has almost acquired \nthe features of steel: it has become \nmore resistant and brilliant.\nNew and important collaborations: \nChiaramonte e Marin, \nMichele De Lucchi, Mauro Olivieri \nare some of them.\n\u002F The twentieth century\nAt the end of World War II, the \ncompany began to focus on the \nproduction of lighting products with \nGino and Luciano Vistosi. That was a \nstory of passion and insatiable search \nfor the new, which led Vistosi to start \nimportant collaborations.\n1945 - After the end of World War II \nGuglielmo Vistosi, heir of the Gazzabin \nfamily, opened a new furnace in \nMurano.\n1969-1980 - The most famous \ndesigners of the time, such as Gae \nAulenti, Angelo Mangiarotti, Ettore \nSottsass senior and jr., Adalberto Dal \nLago, Vico Magistretti, Albert Leclerc, \njoined the Vistosi production.\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.12.png","10\n\u002F The New Millennium\nResearch and production are improved \nto bring Vistosi products to foreign \nmarkets. \n2002 - Water jet cutting, used in the \nprocessing of flat glass, was used in \nmouth-blown items. Ferea was released.\n2003 - The typical Murano membrane \nprocessing was applied for the first time \nto lighting. Poc was released. \nThe silvering of the mirror surfaces was \nused in the three-dimensional forms \nof the lamps, which became reflective. \nCheope was released.\n2004 - Hot spinning was applied to an \nentire product. Damasco was released.\n2005 - Giogali 3D, a revision of the hook \nin three-dimensional form, was released. \nDiadema, whose rods are made with \na patented, not replicable technique, \nwas released.\n>\n2000-2015\nIl Nuovo Millennio\nRicerca e produzione si affinano per \nportare i prodotti Vistosi nei mercati esteri. \n2002 - Il taglio ad acqua (Water Jet) in \nuso nella lavorazione dei vetri piani, viene \nutilizzata negli articoli soffiati a bocca. \nNasce Ferea.\n2003 - La lavorazione a membrana, tipica \nmuranese, per la prima volta applicata \nall’illuminazione. Nasce Poc. L’argentatura \ndelle superfici a specchio viene impiegata \nnelle forme tridimensionali delle lampade, \nche diventano riflettenti. Nasce Cheope.\n2004 - La filatura a caldo applicata \nad un intero prodotto. Nasce Damasco.\n2005 - Nasce Giogali 3D, rivisitazione \ndel gancio in forma tridimensionale. \nNasce Diadema, le cui canne sono \nrealizzate con una tecnica brevettata e non \nreplicabile.\n2006 - Diadema selezionata da ADI \nper il XXI Premio Compasso d’Oro.\n2007 - Vistosi premiata da Eurispes, alla sua \n2a edizione, come caso di successo ed \neccellenza del sistema Italia.\n2009 - La tecnica della murrina viene \napplicata a modelli di grandi dimensioni. \nNasce Rina. La sabbiatura di precisione viene \nutilizzata per creare nuove texture. \nNasce Cheope09.\n2010 - Viene introdotta la marcatura di \nprodotto.\n2011 - Decorazioni raffinate come il reticello: \nreti imprigionate nel vetro e poi soffiate a \nfreddo. Nasce Assiba. Cromatura cangiante \nall’esterno: lampada metallica da spenta, che \nsi veste di color miele se accesa. Nasce Cloth. \nVega è la prima lampada a LED di Vistosi.\n2013 - Nuova miscela di cristallo: nasce il \nvetro soffiato senza piombo.\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.13.png","11\n2015-2019\nLa storia recente\n2016 - Futura vince Archiproduct Design \nAward. Nodo selezionata da ADI per il \nXXV Premio Compasso d’Oro. Trepai \npremiata con la menzione d’onore al \ngrandesignEtico.\n2017 - 50° Anniversario di Giogali.\nJube e Stone vincono Archiproduct \nDesign Award. Sata vince il Good Design \nAward e il Red Dot Design Award\n2018 - Vistosi selezionata e premiata \ntra le 100 Eccellenze Italiane per il Made \nin Italy.\n2019 - Sata vince il German Design \nAward e IF Design Award.\n\u002F Recent history\n2016 - Futura won the Archiproduct \nDesign Award. Node was selected by \nADI for the XXV Compasso d’Oro Award. \nTrepai was awarded with a honourable \nmention at grandesignEtico.\n2017 - 50th Anniversary of Giogali.\nJube and Stone won the Archiproduct \nDesign Award. Sata won the Good Design \nAward and the Red Dot Design Award.\n2018 - Vistosi was selected and awarded \namong the 100 Eccellenze italiane for \nMade in Italy.\n2019 - Sata won the German Design \nAward and IF Design Award.\n2006 - Diadema was selected by ADI \nfor the XXI Compasso d’Oro Award.\n2007 - In its second edition Eurispes \nawarded a prize to Vistosi as a case of \nsuccess and excellence in the Italian \nsystem.\n2009 - The murrine technique was applied \nto large models. Rina was released.\nPrecision sandblasting was used to create \nnew textures. Cheope09 was released.\n2010 - Product marking was introduced.\n2011 - Refined decorations such as the \nreticello: nets trapped in the glass and \nthen cold-blown. Assiba was released. \nIridescent chrome outside: a metal lamp \nwhen switched off, is dressed in honey \ncolour when switched on. Cloth was \nreleased.\nVega is the first LED lamp by Vistosi.\n2013 - New crystal blend: the lead-free \nblown glass was released.\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.14.png","12\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.15.png","13\nVistosi\nLe radici di Vistosi affondano nel terreno produttivo \ndella creatività e dell’artigianato veneziano, \nintrecciandosi con i fasti di una tradizione prestigiosa \ne senza tempo, quella del vetro. La sua è una storia \nlunga cinque secoli.  Nel 1989 la famiglia muranese \nMoretti rileva il prestigioso marchio, dando vita a \nVetreria Vistosi. Dal 1993 Matteo Moretti sale alla guida \ndell’azienda, portando avanti il fortunato binomio \ndesign-illuminazione e dando vita negli anni a collezioni \nche sono parte della storia del design.\nGiogali di Angelo Mangiarotti, Peggy, Futura e Stone \ndi Hangar Design Group, Diadema di Romani Saccani \nArchitetti Associati, Nodo di Pio e Tito Toso, Jube e \nSata di Favaretto & Partners sono ormai icone: molte \ndi loro molte delle quali hanno ricevuto premi anche \ninternazionali, che rendono Vistosi riconoscibile in tutto \nil mondo.\nVistosi has its roots in the productive soil of Venetian \ncreativity and craftsmanship, and these roots are \nintertwined with the splendour of a prestigious and \ntimeless tradition, that of glass. Its history is five \ncenturies long.\nIn 1989 the Moretti family from Murano took over the \nprestigious brand, creating Vetreria Vistosi.\nSince 1993 Matteo Moretti has taken the leadership \nof the firm linking the production to the names of the \nmost famous designers of the time. This successful \ncombination of design and lighting has given rise over the \nyears to collections that are part of the history of design.\nGiogali by Angelo Mangiarotti, Peggy, Futura and Stone \nby Hangar Design Group, Diadema by Romani Saccani \nArchitetti Associati, Nodo by Pio e Tito Toso, Jube \nand Sata by Favaretto & Partners are awarded icons, \nrecognized all over the world.\n100 ECCELLENZE\nITALIANE\n2007\nMENZIONE\nD’ONORE\n2018\nPremi \u002F Awards\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.16.png","red dot \ndesign \naward\n2017\n14\n14\nMarco Acerbis • SPIRIT\nAtelier Oï • ESSENCE \nEmmanuel Babled • POD, FEREA\nGiovanni Barbato • ARIA, MIRAGE, SURFACE\nChiaramonte & Marin • NEOCHIC\nMichele De Lucchi • VEGA\nOriano Favaretto • NINFEA\nFavaretto&Partners • TREPAI, JUBE, SATA\nMatthias Hickl per Lissoni Associati • TUBES\nHangar Design Group • PEGGY, FUTURA, STONE\nFrancesco Lucchese • STARDUST\nVico Magistretti • ALEGA\nAngelo Mangiarotti • GIOGALI, GIOGALI 3D, MINIGIOGALI \nMauro Olivieri • ASSIBA, BACO, WITHWHITE\nRomani Saccani Architetti Associati • 24PEARLS, CLOTH, CRISTALLINA, \nDIADEMA, NOVECENTO, PUPPET\nAlberto Saggia e Valerio Sommella • KIRA, SEMAI\nGregorio Spini • BOT, IMPLODE\nPio e Tito Toso • BALANCE, JO, NODO, OTO\nRenato Toso, Noti Massari & Associati • ECOS, INFINITA\nGianni Veneziano e Luciana Di Virgilio | Veneziano+Team • STARNET\nLuciano Vistosi • LEPANTO, MUNEGA\nBEST of  CATEGORY\n2016\nDIADEMA 2006\nNODO 2016\nJUBE 2017\nFUTURA 2016\nSATA 2017\nSATA 2019\nJUBE 2019\nSATA 2017\nSTONE 2017\nTREPAI 2016\nPremi di prodotto \u002F Product Awards\nDesigners\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.17.png","15\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.18.png","16\nProgetti \u002F Projects\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.19.png","17\nProgetti \u002F Projects\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.20.png","18\nProgetti \u002F Projects\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.21.png","19\nProgetti \u002F Projects\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.22.png","20\nProgetti \u002F Projects\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.23.png","21\nProgetti \u002F Projects\n",23,{"image":105,"text":19,"number":106},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.24.png",24,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.25.png","23\nSospensioni \u002F Suspension\n  Plafoniere \u002F Ceiling\n189\n  Parete \u002F Wall\n247\n  Tavolo \u002F Table\n287\n  Terra \u002F Floor\n327\n",25,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.26.png","24Pearls \n166\nAria \n124\nAssiba \n52\nBaco \n154\nBalance \n118\nBolle \n162\nBot \n112\nCandela \n140\nCleo \n152\nCloth \n150\nCristallina \n146\nDamasco \n66\nDiamante \n62\nDiadema \n26\nDress \n158\nEcos \n34\nEssence \n50\nFutura \n92\nGiogali \n172\nGiogali3d \n186\nImplode \n108\nInfinita \n134\nJube \n82\nKira \n148\nLacrima \n104\nLepanto \n138\nLio \n100\nLucciola \n132\nMinigiogali \n180\nMirage \n144\n24\nSospensioni \u002F Suspension\n",26,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.27.png","Naranza \n156\nNaxos \n136\nNeochic \n130\nNinfea \n160\nNodo \n142\nNovecento \n46\nOto \n38\nPeggy \n58\nPoc \n70\nPuppet \n74\nRina \n168\nSemai \n116\nSissi \n102\nSpirit \n114\nStardust \n54\nStone \n88\nStarnet \n96\nSurface \n120\nTubes \n106\nWithwhite \n126\n25\nSospensioni \u002F Suspension\n",27,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.28.png","26\nDiadema SP 60 B\nDIADEMA\nDIADEMA\ndesign Romani Saccani Architetti Associati 2005\n",28,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.29.png","27\nDiadema SP C-2\n",29,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.30.png","28\nDiadema SP M A \u002F G C \u002F P B\n",30,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.31.png","29\nDiadema SP G B \u002F M C \u002F P A\n",31,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.32.png","30\nDiadema SP O2\n",32,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.33.png"," DIADEMA SP 60 B \n 8×77W E27 \n \n \n \n \n  \n 8×60W E26 \n \nø cm 60\nø 24”\ncm 48\n19”\nmax cm 120\nmax 47”\ncm 80\n31”\nUSA & CANADA\n DIADEMA SP K3 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 97 x 29\n38” x 11”\nmax cm 120\nmax 47”\ncm 48\n19”\nUSA & CANADA\n DIADEMA SP O2 \n 10×77W E27 \n \n \n \n \n  \n  10×60W E26 \n \ncm 117 x 40”\n46” x 16”\nmax cm 120\nmax 47”\ncm 80\n31”\nUSA & CANADA\n DIADEMA SP C-2 \n 8×77W E27 \n \n \n \n \n  \n 8×60W E26 \n \nø cm 100\nø 39”\nmax cm 120\nmax 47”\ncm 80\n31”\nUSA & CANADA\n Diadema è un sistema di illuminazione basato sul \nsingolo elemento della canna in puro vetro. \nCombinando canne di diverse dimensioni, la luce \nsi rifl ette e si trasmette in una sensazione di \nmovimento. La montatura metallica permette \nnumerose varianti e ampi margini per versioni su \nmisura, sempre a scomparsa, grazie al sistema di \nfi ssaggio ideato appositamente per questo \nmodello. \n Diadema is a lighting system based on a single \nelement, the rod of pure glass. It takes advantage \nof the way it refl ects and transmits the light, while \noffering a sense of movement by using rods of \ndifferent sizes. The metal body allows to offer \nmultiple variations and ample space for custom-\nmade versions with concea led  metal body, thanks \nto the fi xing system developed for this collection. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n DIADEMA \n design Romani Saccani Architetti \nAssociati 2005 \n CR  \n BS  \n CR  \n Collezione \u002F Collection \n 232\n 256\n319 \n345 \n31\n",33,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.34.png","32\nDiadema SP K3\n",34,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.35.png"," DIADEMA SP P A \n 1×60W G9 \n C  \n \n \n \n \n  \n 1×60W G9 \n C  \nø cm 9\nø 3,5”\nmax cm 120\nmax 47”\ncm 35\n14”\nUSA & CANADA\n DIADEMA SP P B\n 1×60W G9 \n C  \n \n \n \n \n  \n 1×60W G9 \n C  \nø cm 9\nø 3,5”\nmax cm 120\nmax 47”\ncm 48\n19”\nUSA & CANADA\n DIADEMA SP P C \n 1×60W G9 \n C  \n \n \n \n \n  \n 1×60W G9 \n C  \nø cm 9\nø 3,5”\nmax cm 120\nmax 47”\ncm 80\n31”\nUSA & CANADA\n DIADEMA SP M A \n1×77W E27 \n C  \n \n \n \n \n  \n1×60W E26 \n C  \nø cm 18\nø 7”\nmax cm 120\nmax 47”\ncm 35\n14”\nUSA & CANADA\n DIADEMA SP M B \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 18\nø 7”\nmax cm 120\nmax 47”\ncm 48\n19”\nUSA & CANADA\n DIADEMA SP M C \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 18\nø 7”\nmax cm 120\nmax 47”\ncm 80\n31”\nUSA & CANADA\n DIADEMA SP G A \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 30\nø 12”\nmax cm 120\nmax 47”\ncm 35\n14”\nUSA & CANADA\n DIADEMA SP G B \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 30\nø 12”\nmax cm 120\nmax 47”\ncm 48\n19”\nUSA & CANADA\n DIADEMA SP G C \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 30\nø 12”\nmax cm 120\nmax 47”\ncm 80\n31”\nUSA & CANADA\n Diadema è un sistema di illuminazione basato sul \nsingolo elemento della canna in puro vetro. \nCombinando canne di diverse dimensioni, la luce \nsi rifl ette e si trasmette in una sensazione di \nmovimento. La montatura metallica permette \nnumerose varianti e ampi margini per versioni su \nmisura, sempre a scomparsa, grazie al sistema di \nfi ssaggio ideato appositamente per questo \nmodello. \n Diadema is a lighting system based on a single \nelement, the rod of pure glass. It takes advantage \nof the way it refl ects and transmits the light, while \noffering a sense of movement by using rods of \ndifferent sizes. The metal body allows to offer \nmultiple variations and ample space for custom-\nmade versions with concea led  metal body, thanks \nto the fi xing system developed for this collection. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n C   5 W  - 600 lm - 2.700 K  \n \n \n  \n \n  LED  USA & Canada \n  C   5 W - 600 lm - 2.700 K  \n  \n \n DIADEMA \n design Romani Saccani Architetti \nAssociati 2005 \n CR  \n BS  \n CR  \n Collezione \u002F Collection \n 232\n 256\n319 \n345 \n33\n",35,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.36.png","34\ndesign Renato Toso, Noti Massari & Associati 2007\nECOS\nECOS\nEcos SP 90\n",36,{"image":156,"text":157,"number":158},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.37.png","35\nEcos SP 60C\n",37,{"image":160,"text":161,"number":162},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.38.png","36\nEcos SP 35\n",38,{"image":164,"text":165,"number":166},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.39.png"," ECOS SP 35 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 35\nø 14”\nmax cm 120\nmax 47”\ncm 35\n14”\nUSA & CANADA\n ECOS SP 60C \n 4×77W E27 \n \n \n \n \n  \n 4×60W E26  \n \nø cm 60\nø 24”\nmax cm 120\nmax 47”\ncm 45\n18”\nUSA & CANADA\n ECOS SP 90 \n 5×77W E27 \n \n \n \n \n  \n  5×60W E26 \n \nø cm 85\nø 33”\nmax cm 120\nmax 47”\ncm 69\n27”\nUSA & CANADA\n Collezione di lampade componibili con anelli di \nvetro di diversi colori e textures. È una soluzione \nd'illuminazione che offre grandissima possibilità di \npersonalizzazione in termini di forme e misure. \n A system made with multiple glass rings, available \nin different colours and textures, which offers a high \nlevel of customization in terms of shape and size. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts\n ECOS \n design Renato Toso, Noti Massari & \nAssociati 2007 \n BC\u002FRI  \n CR\u002FRI  \nBS\nCR\n Collezione \u002F Collection \n 236\n 262\n346 \n37\n",39,{"image":168,"text":169,"number":170},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.40.png","38\ndesign Pio e Tito Toso 2015\nOTO\nOto SP R55\nOto\n",40,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.41.png","39\nOto SP RC\n",41,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.42.png","40\nOto SP SUR\n",42,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.43.png","41\nOto SP LIN\n",43,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.44.png","42\nOto SP CHA\n",44,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.45.png","43\n OTO SP R55 \n 9×60W G9 \n \n \n \n \n  \n9  ×60W G9 \n \nø cm 55\nø 22”\nmax cm 140\nmax 55”\nUSA & CANADA\n OTO SP R60 \n 10×60W G9 \n \n \n \n \n  \n 10×60W G9 \n \nø cm 60\nø 24”\nmax cm 320\nmax 126”\nUSA & CANADA\n OTO SP RC \n 12×60W G9 \n \n \n \n \n  \n 12×60W G9 \n \nø cm 82\nø 32”\nmax cm 320\nmax 126”\nUSA & CANADA\n OTO SP CHA \n 9×60W G9 \n \n \n \n \n  \n 9×60W G9 \n \nø cm 140\nø 55”\nmax cm 140\nmax 55”\nUSA & CANADA\n OTO SP FC \n 12×60W G9 \n \n \n \n \n  \n 12×60W G9 \n \ncm 169 x 76\n66” x 30”\nmax cm 140\nmax 55”\nUSA & CANADA\n OTO SP SUR \n 17×60W G9 \n \n \n \n \n  \n  17×60W G9 \n \ncm 108 x 108\n42” x 42”\ncm 35\n14”\nmax cm 140\nmax 55”\nUSA & CANADA\n OTO SP CUB \n 16×60W G9 \n \n \n \n \n  \n 16×60W G9 \n \ncm 80 x 80\n31” x 31”\ncm 80\n31”\nmax cm 220\nmax 87”\nUSA & CANADA\n OTO SP SPH \n 13×60W G9 \n \n \n \n \n  \n 13×60W G9 \n \nø cm 100\nø 39”\ncm 100\n39”\nmax cm 200\nmax 79”\nUSA & CANADA\n Elementi sferici in vetro soffi ato disponibili in \nquattro misure e due decori, con e senza sorgente \nluminosa. Il particolare design permette \nl’installazione verticale di più elementi in vetro ed \ninfi nite composizioni a scelta del cliente . \n Spherical blown glass elements available in four \nsizes and two decorations, with and without \nlighting source. The special design allows the \ninstallation of more vertical glass elements and \ninfi nite custom combinations. \n Tonalità del vetro \u002F Glass colour tone \n Rosoni \u002F Canopy \n \n OTO \n design Pio e Tito Toso 2015 \n BC\u002FRI  \n CR\u002FRI  \n AS  \n BC  \n NI  \n OTO SP LIN \n 4×60W G9 \n \n \n \n \n  \n  4×60W G9 \n \ncm 120 x 18\nø 47” x 7”\nmax cm 140\nmax 55”\nUSA & CANADA\n",45,{"image":192,"text":193,"number":194},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.46.png","44\nOto SP R55\n",46,{"image":196,"text":197,"number":198},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.47.png"," OTO SP 12 \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \n�������\n����\n�����\n��\n����������\n�������\nUSA & CANADA\n OTO SP 15 \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \n�������\n����\n�����\n��\n����������\n�������\nUSA & CANADA\n OTO SP 18 \n  1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \n�������\n����\n�����\n��\n����������\n�������\nUSA & CANADA\n OTO SP PEA A \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 18\nø 7”\nmax cm 140\nmax 55”\nUSA & CANADA\n OTO SP PEA B \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 18\nø 7”\nmax cm 140\nmax 55”\nUSA & CANADA\n OTO SP PEA C \n  1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 18\nø 7”\nmax cm 140\nmax 55”\nUSA & CANADA\n OTO SP PEA D \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 15\nø 6”\nmax cm 140\nmax 55”\nUSA & CANADA\n Elementi sferici in vetro soffi ato disponibili \nin quattro misure e due decori, con e senza \nsorgente luminosa. Il particolare design permette \nl’installazione verticale di più elementi in vetro \ned infi nite composizioni a scelta del cliente . \n Spherical blown glass elements available in four \nsizes and two decorations, with and without \nlighting source. The special design allows the \ninstallation of more vertical glass elements and \ninfi nite custom combinations. \n Tonalità del vetro \u002F Glass colour tone \n \n \n OTO \n design Pio e Tito Toso 2015 \n BC\u002FRI  \n CR\u002FRI  \n45\n",47,{"image":200,"text":201,"number":202},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.48.png","46\ndesign Romani Saccani Architetti Associati 2013 - restyling 2017\nNOVECENTO\nNovecento SP G\nNOVECENTO\n",48,{"image":204,"text":205,"number":206},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.49.png","Novecento SP G\n47\n",49,{"image":208,"text":209,"number":210},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.50.png","48\nNovencento SP G\n",50,{"image":212,"text":213,"number":214},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.51.png"," NOVECENTO SP P \n 1×60W E14 \n \n \n \n \n  \n 1×40W E12 \n \nø cm 27\nø 11”\nmax cm 120\nmax 47”\ncm 32\n12”\nUSA & CANADA\n NOVECENTO SP M \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 44\nø 17”\nmax cm 120\nmax 47”\ncm 58\n22”\nUSA & CANADA\n NOVECENTO SP G \n 5×60W E14 \n \n \n \n \n  \n 5×40W E12 \n \nø cm 64\nø 25”\ncm 80\n31”\ncm 120\n47”\nUSA & CANADA\n Collezione \u002F Collection \n 229 \n 318\n348\n La chiave di lettura della collezione Novecento è la \nvolontà di sintetizzare la tradizione muranese del \nlampadario, nel suo elemento più riconoscibile: il \nprofi lo. Lo riproduce un guscio di cristallo che è il \nprodotto della rotazione a 360° della silhouette \ndel lampadario, mantenendo così le caratteristiche \ndelle forme originali, e risultando perfetto per \natmosfere sia classiche che contemporanee. \n The idea behind the collection Novecento is to \nreduce the traditional Murano chandelier to its \nmost recognizable element, its profi le. This shape \nis then reconstructed in a 360º glass outline, \nwhich keeps the same characteristics of the \noriginal design and is therefore suitable for both \nclassic and contemporary ambiences. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n NOVECENTO \n design Romani Saccani Architetti \nAssociati 2013 \n BC\u002FRI  \n CR\u002FRI  \n CR  \n49\n",51,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.52.png","50\ndesign atelier oï 2015\nESSENCE\nEssence SP 5\nESSENCE\n",52,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.53.png"," ESSENCE SP \n 1×6W   LED  625 lm · 3.000 K \n \n \n \n \n 1×6W   LED  625 lm · 3.000 K \n \n�������\n�����\n�����\n���\n����������\n�������\nUSA & CANADA\n ESSENCE SP 5 \n 5×6W   LED  3125 lm · 3.000 K \n \n \n \n \n 5×6W   LED  3125 lm · 3.000 K \n \n�������\n�����\n������\n���\n����������\n�������\nUSA & CANADA\n Collezione di lampade con diffusore in canne di \nvetro lavorato a mano. La superfi cie è \nparzialmente opacizzata da una sabbiatura \nsfumata. Sorgente luminosa a LED. \n Collection of lamps with diffuser in handmade \nglass rods. The surface is made partially opaque \nby nuanced sandblasting. LED light source. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n ESSENCE \n design atelier oï 2015 \n CR\u002FSF  \n AB  \n51\n",53,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.54.png","52\ndesign Mauro Olivieri 2011\nASSIBA\nAssiba SP 6 MC4\nAssiba\n",54,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.55.png"," ASSIBA SP G \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 40\n16”\nmax cm 120\nmax 47”\ncm 28\n11”\nUSA & CANADA\n ASSIBA SP 2 \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 56\n22”\nmax cm 120\nmax 47”\ncm 26\n10”\nUSA & CANADA\n ASSIBA SP 6 \n 3×77W E27 \n C  \n \n \n \n \n  \n 3×60W E26 \n C  \ncm 50\n20”\ncm 59\n23”\nmax cm 120\nmax 47”\nUSA & CANADA\n Collezione \u002F Collection \n300 \n Collezione ispirata a forme, colori e texture \ndell'oceano. Permette infi nite combinazioni grazie \nai componenti rotanti, realizzati in vetro soffi ato \nlucido. È disponibile in due misure, collocabili in \nposizioni diverse. \n A collection inspired by the ocean life in its \ncolours, shapes and textures. It allows infi nite \ncombinations thanks to the rotating components, \nmade of glossy blown glass and available in two \nsizes, which can be arranged in different positions. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n ASSIBA \n design Mauro Olivieri 2011 \n BC\u002FBT  \n CR\u002FBT  \n MC2  \n MC3  \n CR  \n53\n",55,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.56.png","54\nStardust SP DOP\ndesign Francesco Lucchese 2015\nSTARDUST\nStardust\n",56,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.57.png","55\nStardust LT \u002F SP R \n",57,{"image":240,"text":241,"number":242},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.58.png","56\nStardust SP Q\nStardust SP Q\n",58,{"image":244,"text":245,"number":246},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.59.png"," STARDUST SP \n 1×48W G9 \n \n \n \n \n  \n 1×48W G9 \n \nø cm 5\nø 2”\ncm 59\n23”\nmax cm 120\nmax 47”\nUSA & CANADA\n STARDUST SP Q \n 8×48W G9 \n \n \n \n \n  \n 8×48W G9 \n \nø cm 65\n26”\ncm 50\n20”\nmax cm 80\nmax 31”\nUSA & CANADA\n STARDUST SP R \n 12×48W G9 \n \n \n \n \n  \n 12×48W G9 \n \ncm 82 x 59\n32” x 23”\ncm 50\n20”\nmax cm 80\nmax 31”\nUSA & CANADA\n STARDUST SP DOP \n 16×48W G9 \n \n \n \n \n  \n 16×48W G9 \n \nø cm 65\n26”\ncm 72\n28”\nmax cm 80\nmax 31”\nUSA & CANADA\n Collezione \u002F Collection \n 272\n 301\n Collezioni di lampade con braccia in vetro soffi ato \ne lavorato a mano. Le strutture in metallo \nnascondono un originale sistema di fi ssaggio dei \nbracci e del sistema di cablaggio. \n Collections of lamps with arms made of blown and \nhandcrafted crystal glass. The metal frames hide \nan original fastening system of the arms and of the \ncabling system. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n STARDUST \n design Francesco Lucchese 2015 \n CR\u002FRI  \n NN  \n57\n",59,{"image":248,"text":249,"number":250},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.60.png","58\ndesign Hangar Design Group 2017\nPEGGY\nPeggy SP 9\nPEGGY\n",60,{"image":252,"text":253,"number":254},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.61.png","59\nPeggy SP 9\n",61,{"image":256,"text":257,"number":258},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.62.png","60\nPeggy SP\n",62,{"image":260,"text":261,"number":262},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.63.png"," PEGGY SP \n 1×60W E14 \n \n \n \n \n 1×40W E12 \n \nø cm 20\nø 8”\nmax cm 120\nmax 47”\ncm 23\n9”\nUSA & CANADA\n PEGGY SP 9 \n 9×60W E14 \n \n \n \n \n  \n 9×40W E12 \n \ncm 180 x 67\n70” x 26”\nmax cm 130\nmax 51”\ncm 85\n33”\nUSA & CANADA\n Collezione \u002F Collection \n 278\n Il vetro soffi ato bianco lavorato a mano insieme al \nmetallo lucido color piombo, interpretano la \npolarità cromatica del black&white con la \nleggerezza di un segno razionale ed elegante. Con \nun’installazione di grande effetto, il lighting system \nPeggy illumina il Cafè del Peggy Guggenheim \nMuseum di Venezia. \n The white, blown handmade glass together \nwith the glossy black metal, with a lead-effect \ntreatment, interpret the polarity between \nblack&white with the lightness of a rational and \nelegant design. With an impressive installation \nthe lighting system lights up the Museum Café at \nPeggy Guggenheim Museum in Venice. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n PEGGY \n design Hangar Design Group 2014 - \nrestyling 2017 \n BC\u002FLU  \n NEL  \n OT  \n61\n",63,{"image":264,"text":265,"number":266},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.64.png","62\ndesign Barbara Maggiolo 2003\nDIAMANTE\nDiamante SP 50 \u002F 1 \u002F G\nDiamante\n",64,{"image":268,"text":269,"number":270},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.65.png","63\nDiamante SP 50\n",65,{"image":272,"text":273,"number":274},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.66.png","64\nDiamante SP 36\n",66,{"image":276,"text":277,"number":278},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.67.png"," DIAMANTE SP 1 \n 1×60W G9 \n B  \n \n \n \n \n  \n 1×60W G9 \n B  \ncm ~ 9\n ~ 3,5”\nø cm ~ 14\nø ~ 5,5”\nmax cm 140\nmax 55”\nUSA & CANADA\n DIAMANTE SP G \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm ~ 20\n~ 8”\nø cm ~ 30\nø ~ 12”\nmax cm 120\nmax 47”\nUSA & CANADA\n DIAMANTE SP 50 \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm ~ 22\n ~ 9”\nmax cm 120\nmax 47”\nø cm ~ 48\nø ~ 19”\nUSA & CANADA\n DIAMANTE SP 3 \n 3×60W G9 \n \n \n \n \n  \n 3×60W G9 \n \nmax cm 140\nmax 55”\ncm 9\n3,5”\nø cm 14\nø 5,5”\nUSA & CANADA\n DIAMANTE SP 4 \n 4×60W G9 \n \n \n \n \n  \n 4×60W G9 \n \ncm 98\n38,5”\nmax cm 140\nmax 55”\ncm 9\n3,5”\nUSA & CANADA\n DIAMANTE SP 5 \n 5×60W G9 \n \n \n \n \n  \n  5×60W G9 \n \nmax cm 140\nmax 55”\ncm 9\n3,5”\nø cm 14\nø 5,5”\nUSA & CANADA\n DIAMANTE SP 36 \n36 ×60W G9 \n \n \n \n \n  \n36 ×60W G9 \n \ncm 120\n48”\nmax cm 140\nmax 55”\ncm 9\n3,5”\nUSA & CANADA\n Collezione \u002F Collection \n 228 \n Massima la versatilità di questa creazione, \nrealizzata con un processo esclusivamente \nartigianale. Diamante è disponibile in tre misure e \npuò essere installata come sospensione, applique, \nplafoniera, lampada da tavolo e da terra, a faretto \no in una composizione sospesa. \n Great versatility for this creation made with a totally \nhandcrafted production. Diamante is available in \nthree sizes and can be used as pendant, sconce, \nceiling, table and fl oor lamp or as part of a cluster. \n Tonalità del vetro \u002F Glass colour tone \n \nParti metalliche \u002F Metal parts \n  LED  Europe \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n \n \n \n  LED  USA & Canada \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n DIAMANTE \n design Barbara Maggiolo 2003 \n CR  \n AM   \n NI  \n* SP 50 solo CR \u002F SP 50 only CR\n* \n65\nALO\nLED\n",67,{"image":280,"text":281,"number":282},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.68.png","66\nDamasco SP G \u002F P \u002F C \u002F M \ndesign Paolo Crepax 2003\nDAMASCO\nDamasco\n",68,{"image":284,"text":285,"number":286},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.69.png"," DAMASCO SP P \n 1×60W G9 \n A  \n \n \n \n \n  \n 1×60W G9 \n A  \nmax cm 140\nmax 55”\nø cm 7\nø 3”\ncm 12\n5”\nUSA & CANADA\n DAMASCO SP M \n 1×77W E27 \n \n \n \n \n \n  \n 1×60W E26 \n \ncm 25\n10”\nø cm 15\nø 6”\nmax cm 120\nmax 47”\nUSA & CANADA\n DAMASCO SP G \n  1×77W E27 \n \n \n \n \n \n  \n 1×60W E26 \n \ncm 35\n14”\nø cm 20\nø 8”\nmax cm 120\nmax 47”\nUSA & CANADA\n DAMASCO SP C \n 1×60W G9 \n B  \n \n \n \n \n  \n 1×60W G9 \n B  \nmax cm 140\nmax 55”\ncm 8\n3”\nø cm 12\nø 5”\nUSA & CANADA\n Collezione \u002F Collection \n 226 \n 264\n 306\n 340\n Collezione realizzata con la tecnica bozzolo, in cui \nl'originale decoro diventa un vero e proprio \nmateriale: la sovrapposizione di fi li di vetro fuso a \ncreare una texture in rilievo. Damasco è una delle \ncreazioni di più lungo successo, che vede nel \ntempo versioni sempre nuove. \n It is produced with the bozzolo technique, which \nconsists in applying threads of molten glass that \ncreate an organic texture. Due to its versatility, it is \none of our most successful series which has been \ndeveloped and extended during the years with new \nversions.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  A   5 W - 10 V - 600 lm - 2.700 K  \n \n \n  \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n \n  \n \n  LED  USA & Canada \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  A   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n \n DAMASCO \n design Paolo Crepax 2003 \n CR\u002FCR  \n CR\u002FAM  \n NI  \n67\n",69,{"image":288,"text":289,"number":290},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.70.png","68\nDamasco SP 6 P\n",70,{"image":292,"text":293,"number":294},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.71.png"," DAMASCO SP 3 P \n 3×60W G9 \n \n \n \n \n  \n 3×60W G9 \n \ncm 29\nø 11”\nmax cm 140\nmax 55”\ncm 12\n5”\nUSA & CANADA\n DAMASCO SP 3 C \n 3×60W G9 \n \n \n \n \n  \n 3×60W G9 \n \ncm 29\n11”\nmax cm 140\nmax 55”\ncm 8\n3”\nUSA & CANADA\n DAMASCO SP 4 C \n 4×60W G9 \n \n \n \n \n  \n  4×60W G9 \n \nmax cm 140\nmax 55”\ncm 8\n3”\ncm 98\n38,5”\nUSA & CANADA\n DAMASCO SP 5 P \n 5×60W G9 \n \n \n \n \n  \n 5×60W G9 \n \nmax cm 140\nmax 55”\nø cm 35\nø 14”\ncm 12\n5”\nUSA & CANADA\n DAMASCO SP 5 C \n 5×60W G9 \n \n \n \n \n  \n 5×60W G9 \n \nø cm 12\nø 5”\nmax cm 140\nmax 55”\ncm 8\n3”\nUSA & CANADA\n DAMASCO SP 6 P \n 6×60W G9 \n \n \n \n \n  \n  6×60W G9 \n \nmax cm 120\nmax 47”\nmax cm 80\nmax 31”\nUSA & CANADA\n Collezione realizzata con la tecnica bozzolo, in cui \nl'originale decoro diventa un vero e proprio \nmateriale: la sovrapposizione di fi li di vetro fuso a \ncreare una texture in rilievo. Damasco è una delle \ncreazioni di più lungo successo, che vede nel \ntempo versioni sempre nuove. \n Due to its versatility, one of our most successful \nseries which has been developed and extended \nduring the years with new versions. It is produced \nwith the bozzolo technique, which consists in \napplying threads of molten glass that create an \norganic texture. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n DAMASCO \n design Paolo Crepax 2003 \n CR\u002FCR  \n CR\u002FAM  \n NI  \n Collezione \u002F Collection \n 226 \n 264\n 306\n 340\n69\n",71,{"image":296,"text":297,"number":298},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.72.png","70\ndesign Barbara Maggiolo 2003\nPOC\nPoc SP 35 \u002F 25 \u002F 16\nPoc\n",72,{"image":300,"text":301,"number":302},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.73.png","71\nPoc SP 16\n",73,{"image":304,"text":305,"number":306},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.74.png","72\nPoc SP 35\n",74,{"image":308,"text":309,"number":310},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.75.png"," POC SP 16 \n 1×60W G9 \n B  \n \n \n \n \n  \n 1×60W G9 \n B  \nø cm 16\nø 6”\ncm 15\n6”\nmax cm 140\nmax 55”\nUSA & CANADA\n POC SP 25 \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nmax cm 120\nmax 47”\ncm 23\n9”\nø cm 25\nø 10”\nUSA & CANADA\n POC SP 35 \n 2×60W G9 \n \n \n \n \n  \n  2×60W G9 \n \nmax cm 120\nmax 47”\ncm 32\n12,5”\nø cm 35\nø 14”\nUSA & CANADA\n POC SP 16 3 \n 3×60W G9 \n \n \n \n \n  \n 3×60W G9 \n \ncm 16\n6”\nmax cm 140\nmax 55”\ncm 15\n6”\nUSA & CANADA\n POC SP 16 5 \n 5×60W G9 \n \n \n \n \n  \n 5×60W G9 \n \nø cm 16\nø 6”\nmax cm 140\nmax 55”\ncm 15\n6”\nUSA & CANADA\n Collezione \u002F Collection \n 227 \n L’esclusivo impiego della membrana interna nella \ncollezione Poc genera, come una lente, l’effetto di \nuna sfera composta da due metà. La resa di ogni \nmembrana è diversa, creando per ciascun pezzo \ndinamiche variazioni di intensità di luce e colore \nsulla superfi cie. \n The spherical glass presents an internal membrane \nthat acts as a lens to create the illusion of being \nmade in two halves and adds a sense of dynamic \nchange of intensity and colour to the surface, \nwhich allows the uniqueness of each piece. \n Tonalità del vetro \u002F Glass colour tone \n \nParti metalliche \u002F Metal parts \n  LED  Europe \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n \n  \n \n  LED  USA & Canada \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n POC \n design Barbara Maggiolo 2003 \n CR\u002FBC  \n CR\u002FBN  \n NI  \n* Cristallo con membra interna bianco-nera \u002F \n  Crystal with internal membrane white-black.  \n* \n73\n",75,{"image":312,"text":313,"number":314},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.76.png","74\nPUPPET\ndesign Romani Saccani Architetti Associati 2015\nPuppet\nPuppet SP 24 P\n",76,{"image":316,"text":317,"number":318},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.77.png","75\n",77,{"image":320,"text":321,"number":322},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.78.png","76\nPuppet SP R12 MC1\n",78,{"image":324,"text":325,"number":326},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.79.png","77\nPuppet SP R12\n",79,{"image":328,"text":329,"number":330},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.80.png","78\nPuppet SP L9 MC1\n",80,{"image":332,"text":333,"number":334},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.81.png"," PUPPET SP P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 16\nø 6”\ncm 16\n6”\nmax cm 120\nmax 47”\nUSA & CANADA\n PUPPET SP M \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 22\nø 9”\ncm 22\n9”\nmax cm 120\nmax 47”\nUSA & CANADA\n PUPPET SP G \n  1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 28\nø 11”\ncm 28\n11”\nmax cm 120\nmax 47”\nUSA & CANADA\n PUPPET SP L6  \n 6×60W G9 \n \n \n \n \n  \n 6×60W G9 \n \ncm 91 x 35\n36” x 14”\n max cm 150\n max 60”\nUSA & CANADA\n PUPPET SP L9 \n 9×60W G9 \n \n \n \n \n  \n 9×60W G9 \n \ncm 136 x 38\n54” x 15”\n max cm 150\nmax 60”\nUSA & CANADA\n PUPPET SP R3 \n 3×60W G9 \n \n \n \n \n  \n 3×60W G9 \n \nø cm 50\nø 20”\nmax cm 150\n max 60”\nUSA & CANADA\n PUPPET SP R6 \n 6×60W G9 \n \n \n \n \n  \n 6×60W G9 \n \nø cm 58\nø 23”\nmax cm 320\n max 126”\nUSA & CANADA\n PUPPET SP R12 \n 12×60W G9 \n \n \n \n \n  \n 12×60W G9 \n \nø cm 83\nø 33”\nmax cm 320\n max 126”\nUSA & CANADA\n PUPPET SP R24 \n 24×60W G9 \n \n \n \n \n  \n  24×25W G9 \n \nø cm 108\nø 43”\n max cm 320\n max 126”\nUSA & CANADA\n Collezione \u002F Collection \n 276\n297 \n Collezione di lampade con diffusori in vetro \nsoffi ato sfumato e rigato irregolarmente. \nLe braccia del lampadario sono appese \nsingolarmente a piacere del cliente. \n Collection of lamps with blown glass diffuser with \nan original irregularly lined ‘dégradé’ fi nish. The \narms of the chandelier are hung individually to \ncustomer demand. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n PUPPET \n design Romani Saccani Architetti \nAssociati 2015 \n BC\u002FSF  \n CR\u002FTR  \n FU\u002FTR  \n AM\u002FTR  \n CR  \n NE  \n*\n*\n*\n*\n*\n*\n* Rosone AS \u002F Canopy AS\n79\nLOREM IPSUM SP\n",81,{"image":336,"text":337,"number":338},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.82.png","80\nPuppet SP 18 P\n",82,{"image":340,"text":341,"number":342},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.83.png"," PUPPET SP 6 P \n 6×60W G9 \n \n \n \n \n  \n 6×60W G9 \n \nmax ø cm 80\nmax ø 32”\ncm 45\n18”\nmax 120\n max 47”\nUSA & CANADA\n PUPPET SP 12 P \n 12×60W G9 \n \n] \n \n \n  \n 12×60W G9 \n \ncm 60\n24”\nmax ø cm 130\nmax ø 52”\nmax 120\n max 47”\nUSA & CANADA\n PUPPET SP 18 P \n  18×60W G9 \n \n \n \n \n  \n 18×40W G9 \n \ncm 80\n32”\nmax ø cm 130\nmax ø 52”\nmax cm 120\n max 47”\nUSA & CANADA\n PUPPET SP 24 P \n 24×60W G9 \n \n \n \n \n  \n 24×25W G9 \n \ncm 110\n43”\nmax ø cm 190\nmax ø 75”\nmax cm 120\n max 47”\nUSA & CANADA\n PUPPET SP 36 P \n 36×40W G9 \n \n \n \n \n  \n 36×20W G9 \n \nmax ø cm 190\nmax ø 75”\ncm 130\n52”\nmax cm 120\nmax 47”\nUSA & CANADA\n Collezione \u002F Collection \n276 \n 297\n Collezione di lampade con diffusori in vetro \nsoffi ato sfumato e rigato irregolarmente. \nLe braccia del lampadario sono appese \nsingolarmente a piacere del cliente. \n Collection of lamps with blown glass diffuser with \nan original irregularly lined ‘dégradé’ fi nish. The \narms of the chandelier are hung individually to \ncustomer demand.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n PUPPET \n design Romani Saccani Architetti \nAssociati 2015 \n BC\u002FSF  \n CR\u002FTR  \n FU\u002FTR  \n AM\u002FTR  \n CR  \n NE  \n81\n",83,{"image":344,"text":345,"number":346},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.84.png","82\ndesign Favaretto&Partners 2017\nJUBE\nJube SP G \u002F P\nJube\n",84,{"image":348,"text":349,"number":350},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.85.png","83\nJube SP 1 G \u002F 1 P\n",85,{"image":352,"text":353,"number":354},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.86.png","84\nJube SP G \u002F P\n",86,{"image":356,"text":357,"number":358},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.87.png","85\nJube SP P\n",87,{"image":360,"text":361,"number":362},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.88.png","86\nJube SP 1 G\n",88,{"image":364,"text":365,"number":366},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.89.png"," JUBE SP 1 P \n 1×19,5W   LED  2850 lm · 3.000 K  \n \n \n \n \n  \n 1×19,5W   LED  2850 lm · 3.000 K   \nø cm 26\nø 10”\nmax cm 200\nmax 79”\ncm 24\n9”\nUSA & CANADA\n JUBE SP P \n 1×19,5W  LED    2850 lm · 3.000 K \n \n \n \n \n  \n 1×19,5W   LED  2850 lm · 3.000 K  \nø cm 26\nø 10”\nmax cm 200\nmax 79”\ncm 28\n11”\nUSA & CANADA\n JUBE SP 1 G \n  1×19,5W   LED  2850 lm · 3.000 K \n \n \n \n \n  \n 1×19,5W   LED   2850 lm · 3.000 K   \nø cm 38\nø 15”\nmax cm 200\nmax 79”\ncm 17\n7”\nUSA & CANADA\n JUBE SP G \n 1×19,5W   LED  2850 lm · 3.000 K \n \n \n \n \n  \n 1×19,5W   LED  2850 lm · 3.000 K  \nø cm 38\nø 15”\nmax cm 200\nmax 79”\ncm 22\n9”\nUSA & CANADA\n Essenziale, sinuosa e delicata, nasce dall’unione \ndi due vetri soffi ati che, una volta assemblati, \ndanno vita a un gioco di sovrapposizioni e creano \nun effetto tono su tono dal fascino retrò. Grazie a \nun potente waterjet, che permette di effettuare sul \nvetro fori di diametri molto grandi, si integra al \nmeglio la fusione dei due vetri, facendoli apparire \ncome un pezzo unico. Sorgente luminosa a  LED . \n Essential, sinuous and delicate, Jube was born \nfrom the union of two blown glasses that, once \nassemb led  together, create an overlapping, \nton sur ton effect with a retro charm. Thanks to \na powerful waterjet, which perforates glass with \nholes of a very large diameter, the fusion of the \nglasses is perfectly integrated, so two glasses look \nlike a single piece.  LED  light source. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n JUBE \n design Favaretto&Partners 2017 \n CR  \n CR\u002FBC  \n \n FU\u002FTR  \n FU\u002FBC  \n TB  \n TB\u002FBC  \n VA  \n VA\u002FBC  \n OS  \n JUBE SP 1 P \n 1×19,5W   LED  2850 lm · 3.000 K  \n \n \n \n \n  \n 1×19,5W   LED  2850 lm · 3.000 K   \nø cm 26\nø 10”\nmax cm 200\nmax 79”\ncm 24\n9”\nUSA & CANADA\n JUBE SP P \n 1×19,5W  LED    2850 lm · 3.000 K \n \n \n \n \n  \n 1×19,5W   LED  2850 lm · 3.000 K  \nø cm 26\nø 10”\nmax cm 200\nmax 79”\ncm 28\n11”\nUSA & CANADA\n JUBE SP 1 G \n  1×19,5W   LED  2850 lm · 3.000 K \n \n \n \n \n  \n 1×19,5W   LED   2850 lm · 3.000 K   \nø cm 38\nø 15”\nmax cm 200\nmax 79”\ncm 17\n7”\nUSA & CANADA\n JUBE SP G \n 1×19,5W   LED  2850 lm · 3.000 K \n \n \n \n \n  \n 1×19,5W   LED  2850 lm · 3.000 K  \nø cm 38\nø 15”\nmax cm 200\nmax 79”\ncm 22\n9”\nUSA & CANADA\n Essenziale, sinuosa e delicata, nasce dall’unione \ndi due vetri soffi ati che, una volta assemblati, \ndanno vita a un gioco di sovrapposizioni e creano \nun effetto tono su tono dal fascino retrò. Grazie a \nun potente waterjet, che permette di effettuare sul \nvetro fori di diametri molto grandi, si integra al \nmeglio la fusione dei due vetri, facendoli apparire \ncome un pezzo unico. Sorgente luminosa a  LED . \n Essential, sinuous and delicate, Jube was born \nfrom the union of two blown glasses that, once \nassemb led  together, create an overlapping, \nton sur ton effect with a retro charm. Thanks to \na powerful waterjet, which perforates glass with \nholes of a very large diameter, the fusion of the \nglasses is perfectly integrated, so two glasses look \nlike a single piece.  LED  light source. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n JUBE \n design Favaretto&Partners 2017 \n CR  \n CR\u002FBC  \n \n FU\u002FTR  \n FU\u002FBC  \n TB  \n TB\u002FBC  \n VA  \n VA\u002FBC  \n OS  \n87\n",89,{"image":368,"text":369,"number":370},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.90.png","design Hangar Design Group 2017\nSTONE\nStone\nStone SP\n88\n88\n",90,{"image":372,"text":373,"number":374},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.91.png","89\nStone SP\n",91,{"image":376,"text":377,"number":378},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.92.png","90\nStone SP\n",92,{"image":380,"text":381,"number":382},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.93.png"," STONE SP \n 1×48W E14 \n \n \n \n \n 1×40W   E12    \n \ncm 40\n16”\ncm 33\n 13”\nmax cm 120\nmax 47”\ncm 40\n16”\ncm 40\n16”\nUSA & CANADA\n STONE SP \n 2W+8W  LED  1110 lm · 2.700 k \n \n \n \n \n 2W+8W  LED  1110 lm · 2.700 k  \ncm 40\n16”\ncm 33\n 13”\nmax cm 120\nmax 47”\ncm 40\n16”\ncm 40\n16”\nUSA & CANADA\n Stone è caratterizzata da volumi quasi scolpiti, \ndove la leggerezza del vetro soffi ato si oppone alla \nsolidità di geometrie lineari. In questo \ncontrappunto, tra l’utilizzo di un materiale che \nnaturalmente tende alla forma tonda e un design \nrigoroso che impone spigoli e linee ortogonali, si \nesprime l’equilibrio di una composizione luminosa \ndi carattere, inedita. Sorgente luminosa a  LED . \n Stone is characterized by almost sculptured \nvolumes, where the lightness of blown glass is \nopposed to the solidity of linear geometries. In \nthis counterpoint, between the use of a material \nnaturally tending to round shapes, and a rigorous \ndesign requiring edges and orthogonal lines, \nthe balance of a bright, original composition is \nexpressed.  LED  light source. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n STONE \n design Hangar Design Group 2017 \n CR\u002FBC  \n FU\u002FBC  \n NN  \n91\n",93,{"image":384,"text":385,"number":386},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.94.png","92\nFutura SP P \u002F M \u002F G \ndesign Hangar Design Group 2015\nFUTURA\nFutura\n",94,{"image":388,"text":389,"number":390},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.95.png","93\nFutura SP 3\n",95,{"image":392,"text":393,"number":394},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.96.png","94\nFutura SP G\n",96,{"image":396,"text":397,"number":398},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.97.png"," FUTURA SP P \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26  \n \nø cm 20\nø 8”\ncm 24\n9”\nmax cm 140\nmax 55”\nUSA & CANADA\n FUTURA SP M \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 23\nø 9”\ncm 44\n17”\nmax cm 140\nmax 55”\nUSA & CANADA\n FUTURA SP G \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26  \n \nø cm 40\nø 16”\ncm 25\n10”\nmax cm 140\nmax 55”\nUSA & CANADA\n FUTURA SP 3 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \n max cm 40\nmax 16”\nmax cm 120\nmax 47”\nø cm 55\nø 22”\nUSA & CANADA\n Collezione \u002F Collection \n 234 \n 271\n 311\n339 \n Collezione di lampade in vetro soffi ato disponibile \nin cristallo e tre esclusive colorazioni abbinate a \ndifferenti fi niture dell’anello metallico. Il vetro \nsoffi ato è in pezzo unico ma la particolare \nlavorazione lo rende di colore trasparente nella \nparte superiore e di colore diffusore nella parte \ninferiore. \n Collection of lamps in blown glass available in \ntransparent and three exclusive colors combined \nwith different fi nishes of the metal ring. The glass \nis blown in one piece but the particular handcraft \nprocess makes the colour transparent in the upper \npart and diffuser in the bottom part. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n FUTURA \n design Hangar Design Group 2015 \n BC\u002FNE  \n FU\u002FMA  \n AM\u002FOT  \n CR\u002FRA  \n NE  \n*\n* SP 3 Rosone AS \u002F SP 3 Canopy AS\n*\nBEST of  CATEGORY\n2016\n95\n",97,{"image":400,"text":401,"number":402},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.98.png","96\nStarnet SP 1\ndesign Gianni Veneziano e Luciana Di Virgilio Veneziano+Team 2015\nSTARNET\nStarnet\n",98,{"image":404,"text":405,"number":406},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.99.png","97\nStarnet SP 2\n",99,{"image":408,"text":409,"number":410},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.100.png","98\nStarnet SP 1\n",100,{"image":412,"text":413,"number":414},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.101.png"," STARNET SP 1 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 50\nø 20”\ncm 35\n14”\nmax cm 120\nmax 47”\nUSA & CANADA\n STARNET SP 2 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 40\nø 16”\ncm 75\n30”\nmax cm 120\nmax 47”\nUSA & CANADA\n Infi nite trame di tessuti di cristallo permettono di \nrealizzare le composizioni preferite e di modifi carle \na proprio piacimento in qualsiasi momento. \n Infi nite crystal wefts allow to realize the preferred \ncompositions and to change them anytime on \nrequest. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n STARNET \n design Gianni Veneziano e Luciana \nDi Virgilio | Veneziano+Team 2015 \n CR  \n BS  \n CR  \n99\n",101,{"image":416,"text":417,"number":418},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.102.png","100\narchivio storico Vetreria Vistosi 1972\nLIO\nLio SP 5\nLio\n",102,{"image":420,"text":421,"number":422},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.103.png"," LIO SP 1 P \n 1×60W G9 \n A  \n \n \n \n \n  \n 1×60W G9 \n A  \nø cm 7\nø 3”\nmax cm 140\nmax 55”\ncm 20\n8”\nUSA & CANADA\n LIO SP \n 1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 8\nø 3”\nmax cm 120\nmax 47”\ncm 49\n19”\nUSA & CANADA\n LIO SP 60 \n  1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nmax cm 120\nmax 47”\ncm 60\n24”\nø cm 12\nø 5”\nUSA & CANADA\n LIO SP 3 P \n 3×60W G9 \n \n \n \n \n  \n3 ×60W G9 \n \ncm 20\n8”\nmax cm 140\nmax 55” \ncm 29\n11”\nUSA & CANADA\n LIO SP 3 \n 3×100W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 49\n19”\nmax cm 120\nmax 47”\ncm 29\n11”\nUSA & CANADA\n LIO SP 5 P \n 5×60W G9 \n \n \n \n \n  \n  5×60W G9 \n \ncm 20\n8”\nmax cm 140\nmax 55”\nø cm 35\nø 14”\nUSA & CANADA\n LIO SP 4 \n 4×100W E27 \n \n \n \n \n  \n 4×60W E26 \n \ncm 49\n19”\nmax cm 120\nmax 47”\ncm 98\n39”\nUSA & CANADA\n LIO SP 5 \n 5×100W E27 \n \n \n \n \n  \n 5×60W E26 \n \ncm 49\n19”\nmax cm 120\nmax 47”\nø cm 8\nø 3”\nUSA & CANADA\n Collezione \u002F Collection \n 200 \n 274\n 296\n 333\n Ampia gamma di lampade che in un design \nminimalista e discreto esaltano la sorgente \nluminosa, grazie alla fascia di vetro traslucida \nimprigionata tra gli strati del cristallo. \n A comprehensive range of lamps that share a \nminimal, unobtrusive design that makes the most \nof the light source, which to the traslucid white \nband inserted in the glass. \n Tonalità del vetro \u002F Glass colour tone \n \n  LED  Europe \n  A   5 W - 10 V - 600 lm - 2.700 K  \n \n \n  \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n \n  \n \n  LED  USA & Canada \n  A   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n LIO \n archivio storico Vetreria Vistosi 1972 \n CR\u002FBC  \n NI  \n101\n",103,{"image":424,"text":425,"number":426},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.104.png","102\nSISSI\ndesign Barbara Maggiolo 2009\nSissi SP\nSissi\n",104,{"image":428,"text":429,"number":430},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.105.png"," SISSI SP \n 1×75W GU10 \n \n \n \n \n  \n 1×50W GU10 \n \nø cm 14\nø 6”\ncm 85\n33”\nmax cm 120\nmax 47”\nUSA & CANADA\n SISSI SP L4 \n 4×75W GU10 \n \n \n \n \n  \n 4×50W GU10 \n \ncm 85\n33”\nmax cm 120\nmax 47”\nø cm 14\nø 6”\nUSA & CANADA\n Sissi è un’elegante vetro soffi ato a forma di cono \nsottile e sinuoso, adatto per installazioni che \nrichiedono luce diretta. \n Sissi is an elegant mouth-blown glass in the shape \nof a narrow sinuous cone, suitable for installations \nrequiring concentrated light. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n SISSI \n design Barbara Maggiolo 2009 \n BC\u002FLU  \n CR\u002FRI  \n CR  \n103\n",105,{"image":432,"text":433,"number":434},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.106.png","104\ndesign Paolo Crepax 2003\nLACRIMA\nLacrima SP G\nLacrima\n",106,{"image":436,"text":437,"number":438},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.107.png"," LACRIMA SP P \n 1×100W E27 \n \n \n \n \n \n  \n 1×60W E26 \n \nmax cm 120\nmax 47”\ncm 100\n39”\nø cm 17\nø 7”\nUSA & CANADA\n LACRIMA SP G \n 1×100W E27 \n \n \n \n \n \n  \n 1×60W E26 \n \nmax cm 120\nmax 47”\ncm 170\n67”\nø cm 21\nø 8”\nUSA & CANADA\n Realizzata in due dimensioni, grazie alla forma di \ngoccia allungata, Lacrima è la soluzione ideale per \nvani scale e soffi tti alti. \n Available in two sizes, thanks to its long teardrop \nshape, Lacrima is the ideal solution for staircases \nor high ceilings. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  \n LACRIMA \n design Paolo Crepax 2003 \n BC \u002FLU\n NI  \n105\n",107,{"image":440,"text":441,"number":442},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.108.png","106\ndesign Matthias Hickl per Lissoni Associati 2005\nTUBES\nTubes\nTubes SP 60 \u002F 90 \u002F 40 \u002F 120\n",108,{"image":444,"text":445,"number":446},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.109.png"," TUBES SP 20 \n 1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 13\n5”\nmax cm 120\nmax 47”\ncm 20\n8”\nUSA & CANADA\n TUBES SP 40 \n 1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 13\n5”\ncm 40\n16”\nmax cm 120\nmax 47”\nUSA & CANADA\n TUBES SP 60 \n  1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 12\n5”\nmax cm 120\nmax 47 ”\ncm 60\n24”\nUSA & CANADA\n TUBES SP 90 \n 1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 13\n5”\nmax cm 120\nmax 47”\ncm 90\n35”\nUSA & CANADA\n TUBES SP 120 \n 1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 13\n5”\nmax cm 120\nmax 47”\ncm 120\n47”\nUSA & CANADA\n Collezione \u002F Collection \n 230 \n Una serie di cinque elementi lineari di diversa \nlunghezza in vetro soffi ato, che si possono usare \ncome singole sospensioni, lampade a soffi tto o in \ncombinazioni multiple. \n A series of fi ve elements of straight lines in \ndifferent lenghts, made of mouthblown glass, \nwhich can be used as standalone pendants and \nceiling fi xtures or for multiple combinations. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n TUBES \n design Matthias Hickl per Lissoni \nAssociati 2005 \n BC\u002FLU  \n FU \u002FTR\n NO  \n107\n",109,{"image":448,"text":449,"number":450},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.110.png","108\nImplode SP 16\ndesign Gregorio Spini 2011\nIMPLODE\nImplode\n",110,{"image":452,"text":453,"number":454},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.111.png","109\nImplode SP 38\n",111,{"image":456,"text":457,"number":458},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.112.png","110\nImplode SP 50\n",112,{"image":460,"text":461,"number":462},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.113.png"," IMPLODE SP 16 \n 1×60W G9 \n B  \n \n \n \n \n  \n 1×60W G9 \n B  \n�������\n����\n�����\n��\n����������\n�������\nUSA & CANADA\n IMPLODE SP 38 \n 3×77W E27 \n I\n F  \n \n \n \n \n  \n 3×60W E26 \n I\n F  \n�����\n���\n����������\n�������\n�������\n�����\nUSA & CANADA\n IMPLODE SP 50 \n 3×77W E27 \n N  O  \n \n \n \n \n  \n 3×60W E26 \n N  O  \n�����\n���\n����������\n�������\n�������\n�����\nUSA & CANADA\n Collezione \u002F Collection \n 194 \n 314\n Questa linea rappresenta l’illusione di una \nsuperfi cie creatasi dall’implosione di un volume. Il \nvetro, grazie alla sua densità, lascia trasparire le \ngradazioni di strati multipli di cristallo bianco e \ntrasparente. \n A collection that represents the illusion of a surface \ncreated by the implosion of a volume. The glass, \ndue to the thickness, shows a gradation of multiple \nlayers of white and transparent crystal. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  N   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  N   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n IMPLODE \n design Gregorio Spini 2011 \n BC\u002FCR  \n BC  \n111\n",113,{"image":464,"text":465,"number":466},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.114.png","112\ndesign Gregorio Spini 2011\nBOT\nBot SP 35\nBot\n",114,{"image":468,"text":469,"number":470},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.115.png"," BOT SP 16 \n 1×60W G9 \n B  \n \n \n \n \n  \n 1×60W G9 \n B  \n�����\n��\n�����\n��\n����������\n�������\nUSA & CANADA\n BOT SP 35 \n 3×77W E27 \n J  G  \n \n \n \n \n  \n 3×60W E26 \n J  G  \n�����\n���\n����������\n�������\n�������\n�����\nUSA & CANADA\n BOT SP 45 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \n�����\n��\n����������\n�������\n�������\n�����\nUSA & CANADA\n Collezione \u002F Collection \n 192 \n Un volume in movimento che ne genera uno \nnuovo è il concetto rappresentato dalla collezione \nBot. Che richiama anche il processo della \nsoffi atura del vetro, in cui il materiale \nincandescente contiene la luce, prima ancora di \navere una forma defi nitiva. \n A collection that represents the idea of a volume in \nmotion, which generates a new one. The concept \nis also a reminiscence of the process of glass \nblowing in which the incandescent glass contains \nthe light before it even has a defi nitive shape. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n BOT \n design Gregorio Spini 2011 \n BC\u002FCR  \n BC  \n113\n",115,{"image":472,"text":473,"number":474},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.116.png","design Marco Acerbis 2013\nSPIRIT\nSissi SP 37\nSpirit\n114\n",116,{"image":476,"text":477,"number":478},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.117.png"," SPIRIT SP 45 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \nmax cm 120\nmax 47”\ncm 16\n6”\nø cm 45\nø 18”\nUSA & CANADA\n SPIRIT SP 37 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nmax cm 120\nmax 47”\ncm 27\n11”\nø cm 37\nø 15”\nUSA & CANADA\n Collezione \u002F Collection \n 198 \n 305\n Spirit è la forma del diamante soffi ata nel vetro. \nLe particolari rigature, frutto di una lunga ricerca, \ncatturano la luce e la rifl ettono, nascondendo la \nsorgente luminosa anche nella versione in cristallo \ntrasparente. \n The shape of a diamond blown into glass. \nThe folds are the result of a long process of \ndevelopment that creates a unique light refl ection \nwhile, even in the transparent crystal version,\nthe source of light is concea led . \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n SPIRIT \n design Marco Acerbis 2013 \n BC\u002FLU  \n CR\u002FTR  \n NI  \n115\n",117,{"image":480,"text":481,"number":482},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.118.png","116\nSemai SP P \u002F G \u002F M\ndesign Alberto Saggia e Valerio Sommella 2015\nSEMAI\nSemai\n",118,{"image":484,"text":485,"number":486},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.119.png"," SEMAI SP P \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 30\n12”\ncm 25\n10”\nmax cm 120\nmax 47”\nø cm 30\nø 12”\nUSA & CANADA\n SEMAI SP M \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \ncm 40\n16”\nø cm 40\nø 16”\ncm 35\n14”\nmax cm 120\nmax 47”\nUSA & CANADA\n SEMAI SP G \n 2×77W E27 \n I\n F  \n \n \n \n \n  \n  2×60W E26  \n I\n F  \ncm 45\n18”\ncm 20\n8”\nmax cm 120\nmax 47”\nø cm 45\nø 18”\nUSA & CANADA\n Collezione \u002F Collection \n 196 \n Collezione di lampade in vetro soffi ato a bocca \nall’interno di una gabbia di acciaio. La tecnica di \nsoffi aggio libera rende ciascuna lampada sempre \ndiversa. \n Collection of lamps made of a glass mouth blown \ninto a steel cage. This free blowing technique \nmakes each lamp always different. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n SEMAI \n design Alberto Saggia e Valerio \nSommella 2015 \n BC\u002FLU  \n BC  \n117\n",119,{"image":488,"text":489,"number":490},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.120.png","118\ndesign Pio e Tito Toso 2011\nBALANCE\nBalance\nBalance SP G \u002F M \u002F 24\n",120,{"image":492,"text":493,"number":494},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.121.png"," BALANCE SP 24 \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \nmax cm 140\nmax 55”\ncm 11\n4”\ncm 21\n8”\nUSA & CANADA\n BALANCE SP M \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \nmax cm 120\nmax 47”\ncm 17\n7”\ncm 40\n16”\nUSA & CANADA\n BALANCE SP G \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \nmax cm 120\nmax 47”\ncm 18\n7”\ncm 48\n19”\nUSA & CANADA\n Collezione \u002F Collection \n20 6 \n254 \n La traiettoria delle orbite planetarie intorno al sole \nispira questa collezione, che ripropone il \nmovimento creato dall'armonia e dall'equilibrio di \nforze invisibili con vetro e luce. \n Inspired by the elliptic orbit of a planet around the \nsun, a motion that is created by the harmony and \nbalance of unseen forces represented with the \nglass and the light. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n BALANCE \n design Pio e Tito Toso 2011 \n BC\u002FLU  \nNI\u002FBC\n119\nLOREM IPSUM SP\n",121,{"image":496,"text":497,"number":498},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.122.png","120\ndesign Giovanni Barbato 2017\nSURFACE\nSurface\nSurface SP P\n",122,{"image":500,"text":501,"number":502},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.123.png","121\nSurface SP G\n121\n",123,{"image":504,"text":505,"number":506},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.124.png","122\nSurface SP P \u002F G\n",124,{"image":508,"text":509,"number":510},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.125.png"," SURFACE SP P \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 27\nø 10”\nmax cm 120\nmax 47”\ncm 18\n7”\nø cm 27\nø 10”\nUSA & CANADA\n SURFACE SP G \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 40\nø 16”\nmax cm 120\nmax 47”\ncm 26\n10”\nø cm 40\nø 16”\nUSA & CANADA\n Surface ridefi nisce il concetto di forma: \nè l’evoluzione del vetro verso una forma mutante. \nÈ una geometria unica generata dall’intersezione \ndi due corpi solidi, assume forme diverse, a \nseconda dell’angolo di osservazione, consentendo \nall’osservatore di interpretarli ancora e ancora. \n Surface redefi nes the concept of shape: it is the \nevolution of glass to a mutating shape. It’s unique \ngeometry generated by the intersection of two \nsolid bodies, assumes different forms, depending \non the angle of observation, allowing the observer \nto interpret them again and again. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n SURFACE \n design Giovanni Barbato 2017design \nGiovanni Barbato 2017 \n BC\u002FFU  \n BC  \n BC\u002FTB  \n BC\u002FVA  \n NI  \n123\nLOREM IPSUM SP\n",125,{"image":512,"text":513,"number":514},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.126.png","124\nAria SP\ndesign Giovanni Barbato 2017\nARIA\nAria\n",126,{"image":516,"text":517,"number":518},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.127.png"," ARIA SP \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 35\nø 14”\nmax cm 120\nmax 47”\ncm 26\n10”\nUSA & CANADA\n Due vetri semplicemente appoggiati a un anello \nrendono la montatura elemento signifi cativo e \ncaratterizzante della lampada, valorizzando la \nleggerezza del vetro. I tagli inclinati dei vetri \npermettono infi nite composizioni. \n Two glasses simply fi xed on a ring make the frame \na signifi cant feature of the lamp and give more \nvalue to the lightness of the glass. Slanted-cut \nglass allows infi nite compositions. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n ARIA \n design Giovanni Barbato 2017 \n BC\u002FSF  \n BC\u002FCM  \n BC\u002FRA  \n NL  \n125\n",127,{"image":520,"text":521,"number":522},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.128.png","design Mauro Olivieri 2009\nWITHWHITE\nWhitwhite SP 26 X \u002F 18 p \u002F 36 P \u002F P \u002F 46 G\nWithwhite\n126\n",128,{"image":524,"text":525,"number":526},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.129.png"," WITHWHITE SP P \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nmax cm 120\nmax 47”\ncm 55\n22”\nø cm 18\nø 7”\nUSA & CANADA\n WITHWHITE SP M \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nmax cm 120\nmax 47”\ncm 40\n16”\nø cm 26\nø 10”\nUSA & CANADA\n WITHWHITE SP G \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nmax cm 120\nmax 47”\ncm 28\n11”\nø cm 36\nø 14”\nUSA & CANADA\n WITHWHITE SP X \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 46\nø 18”\nmax cm 120\nmax 47”\ncm 18\n7”\nUSA & CANADA\n WITHWHITE SP 26 P \n 1×77W+1x77W E27 \n \n \n \n \n  \n 1×60W+1x60W E26 \n \nø cm 18\nø 7”\ncm 55\n22”\ncm 40\n16”\nmax cm 120\nmax 47”\nUSA & CANADA\n WITHWHITE SP 26 M \n  1×77W+1x77W E27 \n \n \n \n \n  \n 1×60W+1x60W E26 \n \nø cm 26\nø 10”\ncm 40\n16”\ncm 40\n16”\nmax cm 120\nmax 47”\nUSA & CANADA\n WITHWHITE SP 26 G \n1×77W+1x77W E27 \n \n \n \n \n  \n1×60W+1x60W E26 \n \ncm 40\n16”\nmax cm 120\nmax 47”\nø cm 36\nø 14”\ncm 28\n11”\nUSA & CANADA\n WITHWHITE SP 26 X \n 1×77W+1x77W E27 \n \n \n \n \n  \n 1×60W+1x60W E26 \n \ncm 40\n16”\nø cm 46\nø 18”\ncm 18\n7”\nmax cm 120\nmax 47”\nUSA & CANADA\n WITHWHITE SP 18 P \n  1×77W+1x77W E27 \n \n \n \n \n  \n 1×60W+1x60W E26 \n \nø cm 18\nø 7”\ncm 55\n22”\ncm 55\n22”\nmax cm 120\nmax 47”\nUSA & CANADA\n WITHWHITE SP 18 M \n1×77W+1x77W E27 \n \n \n \n \n  \n1×60W+1x60W E26 \n \ncm 55\n22”\nø cm 26\nø 10”\ncm 40\n16”\nmax cm 120\nmax 47”\nUSA & CANADA\n WITHWHITE SP 18 G \n 1×77W+1x77W E27 \n \n \n \n \n  \n 1×60W+1x60W E26 \n \nø cm 36\nø 14”\ncm 28\n11”\nmax cm 120\nmax 47”\ncm 55\n22”\nUSA & CANADA\n WITHWHITE SP 18 X \n  1×77W+1x77W E27 \n \n \n \n \n  \n 1×60W+1x60W E26 \n \nø cm 46\nø 18”\ncm 18\n7”\nmax cm 120\nmax 47”\ncm 55\n22”\nUSA & CANADA\n Collezione di cinque elementi singoli in vetro \nsoffi ato satinato, che possono essere installati sia \ncome sospensioni che come lampade da soffi tto, \nideali per lampadine a risparmio energetico. \nLe versioni con doppio vetro prevedono un \nsistema a doppio interruttore. \n A collection of fi ve single elements in matt-fi nish \nblown glass, which can be instal led  as pendants \nor ceiling fi xtures and are ideal for energy saving \nbulbs. The double glass versions allow a double \nswitch system. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n WITHWHITE \n design Mauro Olivieri 2009 \n BC\u002FST  \n BC  \n127\n",129,{"image":528,"text":529,"number":530},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.130.png","128\nWhitwhite SP P \u002F M \u002F G\n",130,{"image":532,"text":533,"number":534},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.131.png"," WITHWHITE SP 36 P \n 1×77W+1x77W E27 \n \n \n \n \n  \n 1×60W+1x60W E26 \n \ncm 28\n11”\nmax cm 120\nmax 47”\nø cm 18\nø 7”\ncm 55\n22”\nUSA & CANADA\n WITHWHITE SP 36 M \n 1×77W+1x77W E27 \n \n \n \n \n  \n 1×60W+1x60W E26 \n \ncm 28\n11”\nmax cm 120\nmax 47”\nø cm 26\nø 10”\ncm 40\n16”\nUSA & CANADA\n WITHWHITE SP 36 G \n  1×77W+1x77W E27 \n \n \n \n \n  \n 1×60W+1x60W E26 \n \ncm 28\n11”\ncm 28\n11”\nmax cm 120\nmax 47”\nø cm 36\nø 14”\nUSA & CANADA\n WITHWHITE SP 36 X \n 1×77W+1x77W E27 \n \n \n \n \n  \n 1×60W+1x60W E26 \n \ncm 28\n11”\nø cm 46\nø 18”\ncm 18\n7”\nmax cm 120\nmax 47”\nUSA & CANADA\n WITHWHITE SP 46 P \n 2×77W+1x77W E27 \n \n \n \n \n  \n 2×60W+1x60W E26 \n \nmax cm 120\nmax 47”\nø cm 18\nø 7”\ncm 55\n22”\ncm 18\n7”\nUSA & CANADA\n WITHWHITE SP 46 M \n 2×77W+1x77W E27 \n \n \n \n \n  \n  2×60W+1x60W E26 \n \nmax cm 120\nmax 47”\ncm 18\n7”\nø cm 26\nø 10”\ncm 40\n16”\nUSA & CANADA\n WITHWHITE SP 46 G \n 2×77W+1x77W E27 \n \n \n \n \n  \n2×60W+1x60W E26 \n \nmax cm 120\nmax 47”\nø cm 36\nø 14”\ncm 28\n11”\ncm 18\n7”\nUSA & CANADA\n WITHWHITE SP 46 X \n 2×77W+1x77W E27 \n \n \n \n \n  \n 2×60W+1x60W E26 \n \nø cm 46\nø 18”\ncm 18\n7”\ncm 18\n7”\nmax cm 120\nmax 47”\nUSA & CANADA\n Collezione di cinque elementi singoli in vetro \nsoffi ato satinato, che possono essere installati sia \ncome sospensioni che come lampade da soffi tto, \nideali per lampadine a risparmio energetico. \nLe versioni con doppio vetro prevedono un \nsistema a doppio interruttore. \n A collection of fi ve single elements in matt-fi nish \nblown glass, which can be instal led  as pendants \nor ceiling fi xtures and are ideal for energy saving \nbulbs. The double glass versions allow a double \nswitch system.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n WITHWHITE \n design Mauro Olivieri 2009 \n BC\u002FST  \n BC  \n129\n",131,{"image":536,"text":537,"number":538},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.132.png","130\ndesign Chiaramonte & Marin 2013\nNEOCHIC\nNeochic\nNeochic SP G \u002F R \u002F P \u002F M\n",132,{"image":540,"text":541,"number":542},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.133.png"," NEOCHIC SP P \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nmax cm 120\nmax 47”\ncm 17\n7”\ncm 36\n14”\ncm 27\n11”\ncm 36\n14”\nUSA & CANADA\n NEOCHIC SP M \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \nmax cm 120\nmax 47”\ncm 15\n6”\ncm 47\n19”\ncm 45\n18”\ncm 45\n18”\nUSA & CANADA\n NEOCHIC SP G \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \nmax cm 120\nmax 47”\ncm 16\n6”\ncm 50\n20”\ncm 54\n21”\ncm 50\n20”\nUSA & CANADA\n Collezione \u002F Collection \n210\n250 \n Trae ispirazione dall'effetto di acqua e vento \nsulla pietra il design di questa collezione di \nlampade. Le curve morbide e la superfi cie levigata \nincontrano il vetro soffi ato in un modello di \nestrema semplicità, adatto a qualsiasi contesto \nd'arredo. \n IThe design of this collection is inspired by \nthe effect that water and wind make on a stone. \nThe versatility of this lamp, ideal for any kind \nof decoration, comes from a recognizable \nand simple form. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n NEOCHIC \n design Chiaramonte & Marin 2013 \n BC\u002FST  \n NI  \n NEOCHIC SP R \n2×77W E27 \n J  G  \n \n \n \n \n  \n2×60W E26 \n J  G  \nmax cm 120\nmax 47”\ncm 15\n6”\ncm 54\n21”\ncm 54\n21”\ncm 41\n16”\nUSA & CANADA\n131\nLED J\nLED G\n",133,{"image":544,"text":545,"number":546},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.134.png","archivio storico Vetreria Vistosi 1981\nLUCCIOLA\nLucciola\n132\nLucciola SP G\n",134,{"image":548,"text":549,"number":550},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.135.png"," LUCCIOLA SP 18 \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \nø cm 18\nø 7”\nmax cm 140\nmax 55”\ncm 13\n5”\nUSA & CANADA\n LUCCIOLA SP 27 \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \nø cm 27\nø 11”\nmax cm 140\nmax 55”\ncm 21\n8”\nUSA & CANADA\n LUCCIOLA SP P \n  1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nmax cm 120\nmax 47”\ncm 27\n11”\nø cm 36\nø 14”\nUSA & CANADA\n LUCCIOLA SP M \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nmax cm 120\nmax 47”\ncm 30\n12”\nø cm 41\nø 16”\nUSA & CANADA\n LUCCIOLA SP G \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nmax cm 120\nmax 47”\ncm 36\n14”\nø cm 48\nø 19”\nUSA & CANADA\n Collezione \u002F Collection \n 224 \n 260\n 312\n332 \n Una delle più versatili collezioni. La sua forma \novale in vetro soffi ato satinato è disponibile in \ndiverse dimensioni, che si prestano a innumerevoli \ncombinazioni d'installazione. \n One of our most versatile series. Its oval and \nmouth-blown matt glass shape is available in \ndifferent sizes, which can be combined to offer \nmultiple possibilities. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n LUCCIOLA \n archivio storico Vetreria Vistosi 1981 \n BC\u002FST  \n NI  \n133\n",135,{"image":552,"text":553,"number":554},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.136.png","134\ndesign Renato Toso, Noti Massari & Associati 2009\nINFINITA\nInfinita\nInfinita SP 80\n",136,{"image":556,"text":557,"number":558},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.137.png"," INFINITA SP 36 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nmax cm 120\nmax 47”\ncm 14\n5”\nø cm 36\nø 14”\nUSA & CANADA\n INFINITA SP 53 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \nø cm 53\nø 21”\nmax cm 120\nmax 47”\ncm 15\n6”\nUSA & CANADA\n INFINITA SP 80 \n 5×77W E27 \n N  O  \n \n \n \n \n  \n  5×60W E26 \n N  O  \nø cm ~76\nø ~30”\nmax cm 120\nmax 47”\ncm 25\n10”\nUSA & CANADA\n Collezione \u002F Collection \n 214 \n In versione sospensione o applique, è la risposta \nalla sempre crescente domanda di lampade di \ngrandi dimensioni con portalampade multipli. Offre \nun'ampia superfi cie nonostante una montatura \nmetallica essenziale. \n Available as pendant or ceiling lamp. A response \nto a growing demand for large lamps with multiple \nsockets. Its main advantage is a considerable \nlighting surface with a minimum metal body. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  N   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  N   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n INFINITA \n design Renato Toso, Noti Massari & \nAssociati 2009 \n BC\u002FST  \n BC  \n135\n",137,{"image":560,"text":561,"number":562},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.138.png","archivio storico Vetreria Vistosi 1988\nNAXOS\nNaxos\n136\nNaxos SP 50\n",138,{"image":564,"text":565,"number":566},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.139.png"," NAXOS SP 50 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 30\n12”\nø cm 32\nø 13”\nmax cm 120\nmax 47”\nUSA & CANADA\n NAXOS SP 76 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 43\n17”\nø cm 45\nø 18”\nmax cm 120\nmax 47”\nUSA & CANADA\n Collezione \u002F Collection \n320 \n334 \n Collezione di lampade da tavolo, sospensioni e \npiantane dal design riconoscibile, che esalta la \nqualità del vetro satinato. \n A collection of table lamps, pendants and fl oor \nlamps with a recognizable design that maximizes \nthe quality of the matt-fi nish glass. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n NAXOS \n archivio storico Vetreria Vistosi 1988 \n BC\u002FST  \n NI  \n137\n",139,{"image":568,"text":569,"number":570},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.140.png","design Luciano Vistosi 1968\nLEPANTO\nLepanto\n138\nLepanto SP FL\n",140,{"image":572,"text":573,"number":574},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.141.png"," LEPANTO SP FL \n 1×54W G5 \n \n \n \n \n 1×54W G5 \ncm 140\n55”\nmax cm 120\nmax 47”\nUSA & CANADA\n Collezione \u002F Collection \n 330\n Lepanto è una vera scultura in vetro di Murano, \nche richiede grande abilità tecnica nella \nrealizzazione. La fi nitura del vetro 'pulegoso' che \nla caratterizza, trasforma la superfi cie in una \nraffi nata texture naturale. \n A light sculpture of classical inspiration made of \nMurano glass, which requires a high degree of \ntechnical skill. The 'pulegoso' fi nish adds a unique \norganic texture to the surface of the glass. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n LEPANTO \n design Luciano Vistosi 1968 \n BC\u002FPU  \n NI  \n139\nLOREM IPSUM SP\n",141,{"image":576,"text":577,"number":578},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.142.png","studio tecnico Vetreria Vistosi 2005\nCANDELA\nCandela\n140\nCandela SP\n",142,{"image":580,"text":581,"number":582},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.143.png"," CANDELA SP \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nmax cm 120\nmax 47”\ncm 59\n23”\nø cm 5\nø 2”\nUSA & CANADA\n Sospensione in vetro soffi ato incamiciato. \nLe dimensioni ridotte del corpo tubolare \nrichiedono un’elevata maestria nella fase di \nsoffi atura, per garantire uno spessore omogeneo. \n A pendant made with blown cased glass. Due \nto its narrow diameter a good deal of skill \nis necessary to blow a piece of it with even \nthickness. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n CANDELA \n studio tecnico Vetreria Vistosi 2010 \n BC\u002FLU  \n CR  \n141\n",143,{"image":584,"text":585,"number":586},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.144.png","142\nNodo SP 25 \u002F 40\ndesign Pio e Tito Toso 2015\nNODO\nNODO\n",144,{"image":588,"text":589,"number":590},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.145.png"," NODO SP 25 \n 1×48W G9 \n \n \n \n \n 1×48W G9 \n \nø cm 25\nø 10”\ncm 20\n8”\nmax cm 120\nmax 47”\nø cm 25\nø 10”\nUSA & CANADA\n NODO SP 40 \n 1×48W G9 \n \n \n \n \n 1×48W G9 \n \nø cm 40\nø 16”\ncm 25\n10”\nmax cm 120\nmax 47”\nø cm 40\nø 16”\nUSA & CANADA\n NODO SP 25 L4 \n  4×48W G9 \n \n \n \n \n 4×48W G9 \n \nmax cm 120\nmax 47”\nø cm 25\nø 10”\ncm 20\n8”\nUSA & CANADA\n Elemento soffi ato e lavorato a mano libera. \nDisponibile in due dimensioni anche componibili a \npiacere. Illuminazione direzionale verso il basso e \ndiffusa nell’ambiente. \nFreehand-blown element. Available in two sizes \nalso for custom installations. Directional lighting \ndownward and widespread in the ambient. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n NODO \n design Pio e Tito Toso 2015 \n BC\u002FLU  \n CR  \n143\n",145,{"image":592,"text":593,"number":594},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.146.png","144\ndesign Giovanni Barbato 2017\nMIRAGE\nMirage SP\nMirage\n",146,{"image":596,"text":597,"number":598},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.147.png"," MIRAGE SP \n 1×19,5W   LED  2850 lm · 3.000 K \n \n \n \n \n  \n 1×15W   LED  2050 lm · 3.000 K  \nø cm 37\nø 14”\nmax cm 120\nmax 47”\ncm 30\n12”\nUSA & CANADA\n Il vetro soffi ato restituisce alla luce il suo ruolo \ncentrale, direzionandola e diffondendola \nnell’ambiente in modo confortevole, \nsottolineandone la luminosità. Sorgente \nluminosa  LED . \n The blown glass gives light its central role, by \ncomfortably directing and spreading it in the \nenvironment, and emphasizing its brightness.\n LED  lighting source. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n MIRAGE \n design Andrea Barbato 2017design \nGiovanni Barbato 2017 \n BC\u002FCR  \n BC\u002FAM  \n BC\u002FFU  \n BC  \nLED potenziato a 2.850 lm \u002F LED power increased to 2.850 lm\n*\n*\n145\n",147,{"image":600,"text":601,"number":602},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.148.png","146\nCristallina SP\ndesign Romani Saccani Architetti Associati 2017\nCRISTALLINA\nCristallina\n",148,{"image":604,"text":605,"number":606},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.149.png"," CRISTALLINA SP \n 1×12,5W   LED  1650 lm · 3.000 K \n \n \n \n \n  \n 1×12,5W   LED   1650 lm · 3.000 K   \nø cm 24\nø 9”\nmax cm 120\nmax 47”\ncm 17\n6”\nUSA & CANADA\n L’idea guida della collezione si sviluppa attorno a \nun paralume, caratterizzato dalla bombatura sulla \nsommità e dalla tecnica dello sfumato nel cristallo, \nche permette alla luce di irradiarsi e diffondersi in \nmodo confortevole nell’ambiente. Sorgente \nluminosa a  LED . \n The main idea of the collection is built around \na lampshade, characterized by the convexity \nat the top and the sfumato technique of the \ncrystal, which allows light to radiate and spread \ncomfortably in the environment.  LED  light source. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n CRISTALLINA \n design Romani Saccani Architetti \nAssociati 2017 \n BC\u002FSF  \n CR\u002FMF  \n NE\u002FSF  \n BO  \n NEO  \n147\n",149,{"image":608,"text":609,"number":610},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.150.png","148\ndesign Alberto Saggia e Valerio Sommella 2017\nKIRA\nKira\nKira SP P\n",150,{"image":612,"text":613,"number":614},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.151.png"," KIRA SP P \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 32\nø 12”\nmax cm 120\nmax 47”\ncm 20\n8”\nUSA & CANADA\n Kira è una famiglia di lampade che combina il \nvetro soffi ato con il metallo, generando una serie \ndi apparecchi composti da due metà antitetiche: \nun diffusore in vetro cristallo, decorato e \nimpreziosito da una ricca texture superfi ciale, \nsormontato da un cappello in metallo tornito, \ndall’aspetto più minimale e pulito. Questa \ncollezione combina forme contemporanee alla \npreziosità e allo sfarzo luminoso del cristallo dei \nclassici lampadari veneziani. \n Kira is a collection of lamps combining metal with \nblown glass. The result is a set of lighting systems \ncomposed of two antithetical halves: a diffuser \nin crystal glass, decorated and embellished \nwith a rich surface texture, topped with a turned \nmetal cap, with a minimal and simple look. This \ncollection combines contemporary forms to the \npreciousness and brightness of classical Venetian \ncrystal chandeliers. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n KIRA \n design Alberto Saggia e Valerio \nSommella 2017 \n CR\u002FBT  \n BV  \n NEO  \n OT  \n149\n",151,{"image":616,"text":617,"number":618},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.152.png","150\ndesign Romani Saccani Architetti Associati 2009\nCLOTH\nCloth\nCloth SP G\n",152,{"image":620,"text":621,"number":622},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.153.png"," CLOTH SP G \n 1×77W E27 \n \n \n \n \n \n  \n 1×60W E26 \n \ncm 25\n10”\nø cm 40\nø 16”\nmax cm 120\nmax 47”\nUSA & CANADA\n Collezione \u002F Collection \n 252\n 315\n 335\n La complessa soffi atura di Cloth trasforma il vetro \nin un tessuto increspato, di grande effetto. Nella \nversione cromata, grazie ad un'esclusiva fi nitura \nesterna, Cloth è metallizzata quando è spenta, e \nassume un tono caldo beige scuro quando viene \naccesa. \n Unique blown glass that seems to turn into pleated \nfabric, making this collection a real eye catcher. \nThe chrome version has an exclusive outer chrome \ncoating that looks metallic when the lamp is off, \nbut turns to dark beige when the lamp is on. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n CLOTH \n design Romani Saccani Architetti \nAssociati 2009 \n BC\u002FST  \n BC\u002FCM  \n CR  \nOFF\nON\n151\n",153,{"image":624,"text":625,"number":626},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.154.png","152\nCleo SP \u002F G\ndesign Barbara Maggiolo 2009\nCLEO\nCleo\n",154,{"image":628,"text":629,"number":630},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.155.png"," CLEO SP \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 40\n16”\ncm 18\n7”\ncm 27\n11”\ncm 27\n11”\nmax cm 120\nmax 47”\nUSA & CANADA\n CLEO SP G \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 53\n21”\ncm 24\n9”\ncm 37\n15”\nmax cm 120\nmax 47”\ncm 37\n15”\nUSA & CANADA\n Questa linea di lampade è caratterizzata dalla \nsuggestione prodotta dalla rottura della simmetria. \nLa forma del vetro è infatti defi nita da due ellissi \nnon allineate, per cui al cambiare l'angolo di \nosservazione si ottengono effetti diversi. \n The main characteristic of this collection is the \nshape of the glass, which presents an upper \nellipsis that is not aligned with the bottom one, \nbreaking its symmetry and creating a sense of \nchange when the lamp is seen from different \nangles. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n CLEO \n design Barbara Maggiolo 2009 \n BC\u002FLU  \n NI  \n153\n",155,{"image":632,"text":633,"number":634},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.156.png","design Mauro Olivieri 1998\nBACO\n154\nBaco\nBaco SP 5\n",156,{"image":636,"text":637,"number":638},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.157.png"," BACO SP P \n 1×70W E27 \n C  \n \n \n \n \n  \n 1×70W E26 \n C  \ncm 29\n11”\nø cm 12\nø 5”\nmax cm 120\nmax 47”\nUSA & CANADA\n BACO SP G \n 1×70W E27 \n C  \n \n \n \n \n  \n 1×70W E26 \nC  \ncm 40\n16”\nø cm 16\nø 6”\nmax cm 120\nmax 47”\nUSA & CANADA\n BACO SP 3 \n 3×70W E27 \n \n \n \n \n  \n 3×70W E26 \n \ncm 29\n11”\nø cm 12\nø 5”\nmax cm 120\nmax 47”\nUSA & CANADA\n BACO SP 5 \n 5×70W E27 \n \n \n \n \n  \n 5×70W E26 \n \nmax cm 120\nmax 47”\nø cm 12\nø 5”\ncm 29\n11”\nUSA & CANADA\n Esclusiva sospensione a forma di lacrima, soffi ata \na bocca con una tecnica che trascolora il vetro di \nMurano dai toni del bianco al trasparente. \nDisponibile in due misure. \n Unique teardrop-shaped pendant light in \nmouthblown Murano glass with a shaded-tone \ntechnique from pure white to transparent. Available \nin two sizes. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n BACO \n design Mauro Olivieri 1998 \n BC\u002FSF  \n NI  \n155\n",157,{"image":640,"text":641,"number":642},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.158.png","156\nNaranza SP G\nNARANZA\narchivio storico Vetreria Vistosi 1965 - restyling 2007\nNaranza\n",158,{"image":644,"text":645,"number":646},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.159.png"," NARANZA SP P \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 40\nø 16”\ncm 32\n13”\nmax cm 120\nmax 47”\nUSA & CANADA\n NARANZA SP G \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 57\nø 22”\nmax cm 120\nmax 47”\ncm 47\n19”\nUSA & CANADA\n L'originalità delle sue linee si ispira alla forma della \nmedusa ed è realizzata dall'accoppiamento di due \ncomponenti in vetro che richiedono estrema \nmaestria nella soffi atura e nel taglio. \n An impressive focal point, with a unique shape, \ninspired by the jellyfi sh and made of two glass \ncomponents that require state of the art glass \nblowing and cutting techniques. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n NARANZA \n archivio storico Vetreria Vistosi 1965 \n- restyling 2007 \n SE\u002FCR  \n CR  \n157\nLOREM IPSUM SP\n",159,{"image":648,"text":649,"number":650},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.160.png","158\nstudio tecnico Vetreria Vistosi 2005\nDRESS\nDress SP G\nDress\n",160,{"image":652,"text":653,"number":654},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.161.png"," DRESS SP G \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 54\nø 21”\nmax cm 120\nmax 47”\ncm 25\n10”\nUSA & CANADA\n Il design essenziale di Dress si armonizza a \nqualsiasi atmosfera. Disponibile come \nsospensione. \n Available as a pendant light, Dress offers a clean \ndesign that can be adapted to any contemporary \natmosphere. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n DRESS \n studio tecnico Vetreria Vistosi 2005 \n BC\u002FLU  \n CR  \n159\nLOREM IPSUM SP\n",161,{"image":656,"text":657,"number":658},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.162.png","160\ndesign Oriano Favaretto 2009\nNINFEA\nNinfea\nNinfea SP G\n",162,{"image":660,"text":661,"number":662},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.163.png"," NINFEA SP P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \ncm ~ 15\n~ 6”\ncm ~ 8\n~ 3”\nmax cm 120\nmax 47”\nUSA & CANADA\n NINFEA SP G \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm ~ 65\n~ 26”\ncm ~ 28\n~ 11”\nmax cm 120\nmax 47”\ncm ~ 33\n~ 13”\nUSA & CANADA\n NINFEA SP 8 P \n 8×60W G9 \n \n \n \n \n  \n 8×60W G9 \n \ncm 58\n23”\ncm 41\n16”\nmax cm 120\nmax 47”\nUSA & CANADA\n Design elegante e produzione artigianale che \nesaltano al massimo le caratteristiche del vetro \nmuranese. Una collezione versatile in termini di \nmisure, colori e tipologie, che si adatta a qualsiasi \ncontesto d'arredo. \n Elegant hand-worked design that makes the most \nof Murano glass properties. The choice of sizes, \ncolours and types makes Ninfea suitable for any \ncontext. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n NINFEA \n design Oriano Favaretto 2009 \n BC\u002FLU  \n CR  \n161\n",163,{"image":664,"text":665,"number":666},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.164.png","Bolle\n162\ndesign Barbara Maggiolo 2009\nBOLLE\nBolle SP 45\n",164,{"image":668,"text":669,"number":670},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.165.png","163\nBolle SP G\n",165,{"image":672,"text":673,"number":674},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.166.png","design Barbara Maggiolo 2009\nBOLLE\n164\nBolle SP 45 \u002F 35 \u002F G \u002F P \n",166,{"image":676,"text":677,"number":678},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.167.png"," BOLLE SP P \n 1×60W G9 \n B  \n \n \n \n \n  \n 1×60W G9 \n B  \ncm 15\n6”\nø cm 16\nø 6”\nmax cm 140\nmax 55”\nUSA & CANADA\n BOLLE SP G \n 1×77W E27 \n \n \n \n \n \n  \n 1×60W E26 \n \ncm 24\n9”\nø cm 25\nø 10”\nmax cm 120\nmax 47”\nUSA & CANADA\n BOLLE SP 35 \n  1×77W E27 \n \n \n \n \n \n  \n 1×60W E26 \n \ncm 34\n13”\nmax cm 120\nmax 47”\nø cm 35\nø 14”\nUSA & CANADA\n BOLLE SP 45 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 44\n17”\nmax cm 120\nmax 47”\nø cm 45\nø 18”\nUSA & CANADA\n BOLLE SP 3 P \n 3×60W G9 \n \n \n \n \n  \n 3×60W G9 \n \nmax cm 140\nmax 55”\ncm 15\n6”\nø cm 16\nø 6”\nUSA & CANADA\n Collezione \u002F Collection \n 222 \n 324\n La caratteristica texture di questa collezione viene \ndalla tecnica baloton, che consiste nell'inserimento \ndi bolle d'aria nel vetro durante la lavorazione. \nL'effetto \"tessuto\" che si ottiene moltiplica i rifl essi \nsulla superfi cie della sfera. \n The main characteristic of this collection of lamps \nproduced with the baloton technique is the \ninsertion of bubbles of air in the glass during its \nproduction, that create multiple refl ections and add \nan organic texture on the surface of the sphere. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n BOLLE \n design Barbara Maggiolo 2003 \n BC\u002FBO  \n CR\u002FBO  \n NI  \n165\nLOREM IPSUM SP\n",167,{"image":680,"text":681,"number":682},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.168.png","166\n24Pearls SP\n24PEARLS\ndesign Romani Saccani Architetti Associati 2009\n24Pearls\n",168,{"image":684,"text":685,"number":686},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.169.png"," 24PEARLS SP \n 12×33W G9 \n \n \n \n \n 12×33W G9 \n \ncm 16\n6”\nø cm 62\nø 24”\nmax cm 120\nmax 47”\nUSA & CANADA\n Caratterizzano questa collezione due corolle di \nsfere in vetro soffi ato nei colori bianco e cromato, \ndisposte sugli anelli della montatura a due livelli, \nper creare un caleidoscopico effetto di luce e \nrifl essi. \n A composition made with two series of blown \nglass spheres in chrome and white colours \nand arranged in a two level ring that creates a \nkaleidoscopic effect of light and refl ection. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n 24PEARLS \n design Romani Saccani Architetti \nAssociati 2009 \n BC\u002FCM  \n CR  \n167\nLOREM IPSUM SP\n",169,{"image":688,"text":689,"number":690},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.170.png","168\ndesign Barbara Maggiolo 2009\nRINA\nRina\nRina SP 16 \u002F 25 \u002F 45 C\n",170,{"image":692,"text":693,"number":694},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.171.png","169\nRina SP 35 C \u002F 60\n",171,{"image":696,"text":697,"number":698},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.172.png","Rina SP 60\n170\n",172,{"image":700,"text":701,"number":702},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.173.png"," RINA SP 16 \n 1×60W G9 \n B  \n \n \n \n \n  \n 1×60W G9 \n B  \ncm 15\n6”\nø cm 16\nø 6”\nmax cm 140\nmax 55”\nUSA & CANADA\n RINA SP 25 \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 23\n9”\nmax cm 120\nmax 47”\nø cm 25\nø 10”\nUSA & CANADA\n RINA SP 35C \n  1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \ncm 31\n12”\nø cm 35\nø 14”\nmax cm 120\nmax 47”\nUSA & CANADA\n RINA SP 45C \n 3×77W E27 \n I\n F  \n \n \n \n \n  \n 3×60W E26 \n I\n F  \ncm 42\n16,5”\nø cm 45\nø 18”\nmax cm 120\nmax 47”\nUSA & CANADA\n RINA SP 60 \n 3×77W E27 \n J  G  \n \n \n \n \n  \n 3×60W E26 \n J  G  \ncm 55\n22”\nø cm 60\nø 24”\nmax cm 120\nmax 47”\nUSA & CANADA\n Collezione \u002F Collection \n 220 \n316 \n Si ispira al tarassaco, del quale ricorda il pappo, \ngrazie alla leggera texture della superfi cie, \nrealizzata con la tradizionale tecnica delle murrine. \nRina è disponibile in cinque misure che si possono \ncombinare in un'ampia gamma di installazioni a \nsospensione, applique e da soffi tto. \n Inspired by the dandelion fl ower and using the \ntraditional murrina technique, which creates an \norganic light texture, Rina is available in fi ve sizes \nthat can be combined in a wide range of pendant, \nceiling and wall lights. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n  B   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n RINA \n design Barbara Maggiolo 2009 \n BC\u002FMU  \n NI  \n171\nLOREM IPSUM SP\n",173,{"image":704,"text":705,"number":706},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.174.png","design Angelo Mangiarotti 1967\nGIOGALI\nGiogali SP 3 E\nGIOGALI\n",174,{"image":708,"text":709,"number":710},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.175.png","173\nGiogali SP 60\n",175,{"image":712,"text":713,"number":714},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.176.png","174\nGiogali SP 3 E\n",176,{"image":716,"text":717,"number":718},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.177.png"," GIOGALI SP 35 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 35\nø 14”\ncm 30\n12”\nmax cm 120\nmax 47”\nUSA & CANADA\n GIOGALI SP 3E \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 85\n33”\ncm 55\n22”\nø cm 50\nø 20”\nUSA & CANADA\n GIOGALI SP 50 \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nmax cm 85\nmax 33”\ncm 50\n20”\nø cm 50\nø 20”\nUSA & CANADA\n GIOGALI SP 60 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \nmax cm 85\nmax 33”\ncm 60\n24”\nø cm 60\nø 24”\nUSA & CANADA\n GIOGALI SP 80 \n 5×77W E27 \n \n \n \n \n  \n 5×60W E26 \n \nø cm 80\nø 31”\nmax cm 85\nmax 33”\ncm 60\n24”\nUSA & CANADA\n Collezione \u002F Collection \n 238 \n 268\n 342\n Un sistema decorativo d’illuminazione basato \nsull’elemento del gancio di cristallo componibile. \nDisponibile in diversi colori, montabile in versione \nda tavolo, da soffi tto, sospensione, da parete e da \nterra. Può essere impiegato in grandi lampadari e \nstrutture di qualsiasi dimensione. \n A decorative lighting system based on a single \nelement, the handmade glass hook. It is available \nin different colours, as standard table, ceiling, \npendant, wall fi xture and fl oor. It can also be \narranged to offer chandeliers and structures of any \ndimension. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n GIOGALI \n design Angelo Mangiarotti 1967 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n CR  \n BR  \n175\n",177,{"image":720,"text":721,"number":722},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.178.png","176\nGiogali SP OV 1\n",178,{"image":724,"text":725,"number":726},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.179.png","177\nGiogali SP RE 1 B\n",179,{"image":728,"text":729,"number":730},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.180.png","178\nGiogali SP CUB\n",180,{"image":732,"text":733,"number":734},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.181.png"," GIOGALI SP RE2 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 80 x 30\n31” x 12”\nmax cm 120\nmax 47”\ncm 35\n14”\nUSA & CANADA\n GIOGALI SP RE1 \n 10×77W E27 \n \n \n \n \n  \n 10×60W E26 \n \ncm 120 x 40\n47” x 16”\nmax cm 120\nmax 47”\ncm 80\n31”\nUSA & CANADA\n GIOGALI SP RE1B \n 10×77W E27 \n \n \n \n \n  \n  10×60W E26 \n \ncm 120 x 40\n47” x 16”\nmax cm 120\nmax 47”\ncm 50\n20”\nUSA & CANADA\n GIOGALI SP CUB \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \nmax cm 120\nmax 47”\n~ cm 50\n~ 20”\ncm 50 x 50\n20” x 20”\nUSA & CANADA\n GIOGALI SP OV1 \n 4×77W E27 \n \n \n \n \n  \n 4×60W E26 \n \ncm 120 x 60\n47” x 24”\nmax cm 120\nmax 47”\ncm 37\n15”\nUSA & CANADA\n GIOGALI SP JEL \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nmax cm 120\nmax 47”\n~ cm 70\n~ 28”\nø cm 55\nø 22”\nUSA & CANADA\n Un sistema decorativo d’illuminazione basato \nsull’elemento del gancio di cristallo componibile. \nDisponibile in diversi colori, montabile in versione \nda tavolo, da soffi tto, sospensione, da parete e da \nterra. Può essere impiegato in grandi lampadari e \nstrutture di qualsiasi dimensione. \nA decorative lighting system based on a single \nelement, the handmade glass hook. It is available \nin different colours, as standard table, ceiling, \npendant, wall fi xture and fl oor. It can also be \narranged to offer chandeliers and structures of any \ndimension. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n GIOGALI \n design Angelo Mangiarotti 1967 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n CR  \n BR  \n Collezione \u002F Collection \n 238 \n 268\n 342\n179\nLOREM IPSUM SP\n",181,{"image":736,"text":737,"number":738},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.182.png","180\nMinigiogali SP CLA\ndesign Angelo Mangiarotti 1967 - restyling 2009\nMINIGIOGALI\nMINIGIOGALI\n",182,{"image":740,"text":741,"number":742},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.183.png","181\nMinigiogali SP CHA\n",183,{"image":744,"text":745,"number":746},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.184.png","182\nMinigiogali SP 25\n",184,{"image":748,"text":749,"number":750},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.185.png"," MINIGIOGALI SP 25 \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nmax cm 120\nmax 47”\n~ cm 35\n~ 14”\nø cm 25\nø 10”\nUSA & CANADA\n MINIGIOGALI SP 35 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 35\nø 14”\ncm 30\n12”\nmax cm 120\nmax 47”\nUSA & CANADA\n MINIGIOGALI SP 3E \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \nmax cm 85\nmax 33”\ncm 45\n18”\nø cm 50\nø 20”\nUSA & CANADA\n MINIGIOGALI SP 60 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \nmax cm 85\nmax 33”\ncm 50\n20”\nø cm 60\nø 24”\nUSA & CANADA\n MINIGIOGALI SP 80 \n 5×77W E27 \n \n \n \n \n  \n 5×60W E26 \n \nø cm 80\nø 31”\nmax cm 85\nmax 33”\ncm 70\n28”\nUSA & CANADA\n Collezione \u002F Collection \n 242 \n 266\n 299\n 344\n La versione ridotta di Giogali, che permette \ndi impiegare i ganci in cristallo per installazioni a \nparete di minori dimensioni, standard o su misura. \n The reduced version of Giogali uses glass \nhooks for smaller wall installations, standard \nor custom-made. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n MINIGIOGALI \n design Angelo Mangiarotti 1967 - \nrestyling 2009 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n CR  \n BR  \n183\n",185,{"image":752,"text":753,"number":754},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.186.png","184\nMinigiogali SP CLO\n",186,{"image":756,"text":757,"number":758},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.187.png"," MINIGIOGALI SP RE2  \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 80 x 30\n31” x 12”\nmax cm 120\nmax 47”\ncm 35\n14”\nUSA & CANADA\n MINIGIOGALI SP CHA  \n 6×60W G9 \n \n \n \n \n  \n 6×60W G9 \n \nmax cm 120\nmax 47”\n~ cm 44\n~ 17”\nø cm 70\nø 28”\nUSA & CANADA\n MINIGIOGALI SP CLO  \n 3×60W G9 \n \n \n \n \n  \n 3×60W G9 \n \nmax cm 120\nmax 47”\n~ cm 40\n~ 16”\ncm 70\n28”\nUSA & CANADA\n MINIGIOGALI SP CLA  \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \nmax cm 120\nmax 47”\n~ cm 90\n~ 35”\nø cm 50\nø 20”\nUSA & CANADA\n MINIGIOGALI SP OV1  \n 4×77W E27 \n \n \n \n \n  \n 4×60W E26 \n \ncm 120 x 60\n47” x 24”\nmax cm 120\nmax 47”\ncm 37\n15”\nUSA & CANADA\n La versione ridotta di Giogali, che permette \ndi impiegare i ganci in cristallo per installazioni di \nminori dimensioni, standard o su misura. \n The reduced version of Giogali uses glass \nhooks for smaller wall installations, standard \nor custom-made.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n MINIGIOGALI \n design Angelo Mangiarotti 1967 - \nrestyling 2009 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n CR  \n BR  \n Collezione \u002F Collection \n 242 \n 266\n 299\n 344\n185\n",187,{"image":760,"text":761,"number":762},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.188.png","design Angelo Mangiarotti 2005\nGIOGALI3D\n186\nGiogali3D SP 90\nGIOGALI3D\n",188,{"image":764,"text":765,"number":766},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.189.png"," GIOGALI3D SP 50 \n 4×60W G9 \n \n \n \n \n  \n 4×60W G9 \n \ncm 60 x 50\n24” x 20”\nmax cm 120\nmax 47”\n~ cm 10\n~ 4”\nUSA & CANADA\n GIOGALI3D SP 90 \n 4×60W G9 \n \n \n \n \n  \n 4×60W G9 \n \ncm 50 x 90\n20” x 35”\nmax cm 120\nmax 47”\n~ cm 10\n~ 4”\nUSA & CANADA\n GIOGALI3D SP 100 \n 4×60W G9 \n \n \n \n \n  \n 4×60W G9 \n \ncm 90 x 85\n35” x 33”\nmax cm 120\nmax 47”\n~ cm 15\n~ 6”\nUSA & CANADA\n La versione 3D di Giogali permette di creare \nstrutture sia orizzontali che verticali, incatenando \ntra loro i ganci di cristallo, per installazioni \nstandard o su misura. \n The 3D version of Giogali gives the possibility of \ncreating both horizontal and vertical structures, with \ninterlinked glass hooks for standard and custom \nmade fi xtures. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n GIOGALI3D \n design Angelo Mangiarotti 2005 \n CR\u002FTR  \n CR  \nAltre colorazioni e finiture disponibili su richiesta\nOther colors and finishes available on request\n*\n*\n187\n",189,{"image":768,"text":19,"number":769},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.190.png",190,{"image":771,"text":772,"number":773},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.191.png","189\nPlafoniere \u002F Ceiling\n  Sospensioni \u002F Suspension\n23\n  Parete \u002F Wall\n247\n  Tavolo \u002F Table\n287\n  Terra \u002F Floor\n327\n",191,{"image":775,"text":19,"number":776},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.192.png",192,{"image":778,"text":779,"number":780},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.193.png","Implode \n194\nBot \n192\nSemai \n196\nSpirit \n198\nTubes \n230\nLio \n200\nAurora \n202\nPod \n204\nBalance \n206\nMia \n208\nNeochic \n210\nMoris \n212\nInfinita \n214\nSogno \n216\nSaba \n218\nRina \n220\nBolle \n222\nLucciola \n224\nDamasco \n226\nPoc \n227\nDiadema \n232\nEcos \n236\nFutura \n234\nGiogali \n238\nDiamante \n228\nNovecento \n229\nMinigiogali \n242\n191\n191\nPlafoniere \u002F Ceiling\n",193,{"image":782,"text":783,"number":784},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.194.png","192\ndesign Gregorio Spini 2011\nBOT\nBOT\nBot   FA 16 \u002F PL 35 \u002F PP 45 \n",194,{"image":786,"text":787,"number":788},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.195.png"," BOT PL 35 \n  3×77W E27 \n J  G  \n \n \n \n \n  \n 3×60W E26 \n J  G  \n�����\n���\n�������\n�����\nUSA & CANADA\n BOT PP 45 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \n�����\n��\n�������\n�����\n�����\n��\nUSA & CANADA\n BOT FA 16 \n 1×60W G9 \n D  \n \n \n \n \n  \n 1×60W G9 \n D  \n�����\n��\n�������\n����\n�����\n��\nUSA & CANADA\n Collezione \u002F Collection \n 112 \n Un volume in movimento che ne genera uno \nnuovo è il concetto rappresentato dalla collezione \nBot. Che richiama anche il processo della \nsoffi atura del vetro, in cui il materiale \nincandescente contiene la luce, prima ancora di \navere una forma defi nitiva.\n A collection that represents the idea of a volume in \nmotion, which generates a new one. The concept \nis also a reminiscence of the process of glass \nblowing in which the incandescent glass contains \nthe light before it even has a defi nitive shape.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n BOT \n design Gregorio Spini 2011 \n BC\u002FCR  \n BC  \n193\nLOREM IPSUM SP\n",195,{"image":790,"text":791,"number":792},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.196.png","194\ndesign Gregorio Spini 2011\nIMPLODE\nIMPLODE\nImplode FA 16 \u002F PL 38\n",196,{"image":794,"text":795,"number":796},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.197.png"," IMPLODE PL 38 \n 3×77W E27 \n I\n F  \n \n \n \n \n  \n 3×60W E26 \n I\n F  \n�����\n���\n�������\n�����\nUSA & CANADA\n IMPLODE PL 50 \n 3×77W E27 \n N  O  \n \n \n \n \n  \n 3×60W E26 \n N  O  \n�����\n���\n�������\n�����\nUSA & CANADA\n IMPLODE FA 16 \n  1×60W G9 \n D  \n \n \n \n \n  \n 1×60W G9 \n D  \n�����\n��\n�������\n����\n�����\n��\nUSA & CANADA\n Collezione \u002F Collection \n 108 \n 314\n Questa linea rappresenta l’illusione di una \nsuperfi cie creatasi dall’implosione di un volume. Il \nvetro, grazie alla sua densità, lascia trasparire le \ngradazioni di strati multipli di cristallo bianco e \ntrasparente. \n A collection that represents the illusion of a surface \ncreated by the implosion of a volume. The glass, \ndue to the thickness, shows a gradation of multiple \nlayers of white and transparent crystal. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  N   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  N   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n IMPLODE \n design Gregorio Spini 2011 \n BC\u002FCR  \n BC  \n195\nLOREM IPSUM SP\n",197,{"image":798,"text":799,"number":800},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.198.png","196\nSemai PP G\ndesign Alberto Saggia e Valerio Sommella 2015\nSEMAI\nSEMAI\n",198,{"image":802,"text":803,"number":804},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.199.png"," SEMAI PL P \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \ncm 30\n12”\nø cm 30\nø 12”\nUSA & CANADA\n SEMAI PL M \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \nø cm 40\nø 16”\ncm 40\n16”\nUSA & CANADA\n SEMAI PP G \n 2×77W E27 \n F  I  \n \n \n \n \n  \n  2×60W E26 \n I\n F  \nø cm 45\nø 18”\ncm 19\n7”\ncm 19\n7”\nUSA & CANADA\n Collezione \u002F Collection \n 116 \n Collezione di lampade in vetro soffi ato a bocca \nall’interno di una gabbia di acciaio. La tecnica di \nsoffi aggio libera rende ciascuna lampada sempre \ndiversa. \n Collection of lamps made of a glass mouth blown \ninto a steel cage. This free blowing technique \nmakes each lamp always different. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n SEMAI \n design Alberto Saggia e Valerio \nSommella 2015 \n BC\u002FLU  \n BC  \n197\nLOREM IPSUM SP\n",199,{"image":806,"text":807,"number":808},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.200.png","198\nSpirit PP 45\ndesign Marco Acerbis 2013\nSPIRIT\nSPIRIT\n",200,{"image":810,"text":811,"number":812},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.201.png"," SPIRIT PL 37 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \ncm 27\n11”\nø cm 37\nø 15”\nUSA & CANADA\n SPIRIT PP 45 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \ncm 16\n6”\nø cm 45\nø 18”\ncm 16\n6”\nUSA & CANADA\n Collezione \u002F Collection \n 114 \n305\n Spirit è la forma del diamante soffi ata nel vetro. \nLe particolari rigature, frutto di una lunga ricerca, \ncatturano la luce e la rifl ettono, nascondendo la \nsorgente luminosa anche nella versione in cristallo \ntrasparente. \n The shape of a diamond blown into glass. \nThe folds are the result of a long process of \ndevelopment that creates a unique light refl ection \nwhile, even in the transparent crystal version, the \nsource of light is concea led.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n SPIRIT \n design Marco Acerbis 2013 \n SPIRIT \n design Marco Acerbis 2013 \n BC\u002FLU  \n CR\u002FTR  \n NI  \n199\nLOREM IPSUM SP\n",201,{"image":814,"text":815,"number":816},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.202.png","200\nLio PP 50\narchivio storico Vetreria Vistosi 1972\nLIO\nLIO\n",202,{"image":818,"text":819,"number":820},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.203.png"," LIO PP 30 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 30\nø 12”\ncm 9\n4”\ncm 9\n4”\nUSA & CANADA\n LIO PP 40 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 40\nø 16”\ncm 10\n4”\ncm 10\n4”\nUSA & CANADA\n LIO PP 50 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \nø cm 50\nø 20”\ncm 14\n6”\ncm 14\n6”\nUSA & CANADA\n LIO FA \n 1×100W E27 \n \n \n \n \n 1×60W E26 \n \nmax cm 55\nmax 22”\nø cm 12\nø 5”\nø cm 8\nø 3”\ncm 49\n19”\ncm 19\n7”\nUSA & CANADA\n Collezione \u002F Collection \n10 0 \n 274\n296 \n 333\n Ampia gamma di lampade che in un design \nminimalista e discreto esaltano la sorgente \nluminosa, grazie alla fascia di vetro traslucida \nimprigionata tra gli strati del cristallo. \n A comprehensive range of lamps that share a \nminimal, unobtrusive design that makes the most \nof the light source, which to the traslucid white \nband inserted in the glass  . \n Tonalità del vetro \u002F Glass colour tone \n \n  LED  Europe \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n LIO \n archivio storico Vetreria Vistosi 1972 \n LIO \n archivio storico Vetreria Vistosi 1972 \n CR\u002FBC  \n BC  \n NI  \nNI solo versione FA \u002F NI only FA version\n*\n*\n*\n201\nLED F\nLED I\n",203,{"image":822,"text":823,"number":824},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.204.png","202\nAurora PP 50\nstudio tecnico Vetreria Vistosi 1986\nAURORA\nAURORA\n",204,{"image":826,"text":827,"number":828},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.205.png"," AURORA PP 30 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 30\nø 12”\ncm 10\n4”\ncm 10\n4”\nUSA & CANADA\n AURORA PP 40 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 40\nø 16”\ncm 12\n5”\ncm 12\n5”\nUSA & CANADA\n AURORA PP 50 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \nø cm 50\nø 20”\ncm 14\n5”\ncm 14\n5”\nUSA & CANADA\n   Un modello dalla forma lenticolare, nella versione \nplafoniera o lampada da parete. In tre diverse \ndimensioni, è realizzato in vetro bianco satinato, \ncon il catteristico decoro 'a morrisa' in topazio. \n A fi xture that can be used as ceiling wall. Available \nin three sizes, with a close lenticular shape made \nof matt white glass with a crystal or topaz 'morrisa' \nrim. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n AURORA \n studio tecnico Vetreria Vistosi 1986 \n BC\u002FCR  \n BC  \n203\nLOREM IPSUM SP\n",205,{"image":830,"text":831,"number":832},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.206.png","204\nPod PP G\ndesign Babled & Co. 2005\nPOD\n",206,{"image":834,"text":835,"number":836},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.207.png"," POD PP P \n 4×33W G9 \n \n \n \n \n 4×33W G9 \n \nø cm 43\nø 17”\ncm 8\n3”\ncm 8\n3”\nUSA & CANADA\n POD PP G \n 4×33W G9 \n \n \n \n \n 4×33W G9 \n \nø cm 55\nø 22”\ncm 8\n3”\ncm 8\n3”\nUSA & CANADA\n La collezione Pod è un esperimento di luce, \ntraslucidità e trasparenza. La sua grande forma \npiatta richiede una lavorazione particolarmente \ncomplessa, frutto della collaborazione di un \ngruppo di maestri vetrai. \n A collection of lamps that experiment with light, \ntranslucency and transparency and, due to its fl at \nshape, require a very complex glass that needs a \nteam of glass masters for its production. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n POD \n design Bab led  & Co. 2005 \n BC\u002FLU  \n BC  \n205\nLOREM IPSUM SP\n",207,{"image":838,"text":839,"number":840},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.208.png","206\nBalance PP G\ndesign Pio e Tito Toso 2011\nBALANCE\nBALANCE\n",208,{"image":842,"text":843,"number":844},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.209.png"," BALANCE PP 24 \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \n�����\n��\n�����\n��\n�����\n��\n�����\n��\nUSA & CANADA\n BALANCE PP M \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \n�����\n���\n�����\n��\n�����\n���\n�����\n��\nUSA & CANADA\n BALANCE PP G \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \ncm 56\n22”\ncm 48\n19”\ncm 18\n7”\ncm 18\n7”\nUSA & CANADA\n Collezione \u002F Collection \n 118 \n254\n La traiettoria delle orbite planetarie intorno al sole \nispira questa collezione, che ripropone il \nmovimento creato dall'armonia e dall'equilibrio di \nforze invisibili con vetro e luce. \n Inspired by the elliptic orbit of a planet around the \nsun, a motion that is created by the harmony and \nbalance of unseen forces represented with the \nglass and the light. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n BALANCE \n design Pio e Tito Toso 2011 \n BC\u002FLU  \n BC  \n207\nLOREM IPSUM SP\nLED E\nALO\n",209,{"image":846,"text":847,"number":848},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.210.png","208\nstudio tecnico Vetreria Vistosi 2013\nMIA\nMIA\nMia PP 60\n",210,{"image":850,"text":851,"number":852},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.211.png"," MIA PP 60 \n 3×77W E27 \n N  O  \n \n \n \n \n  \n 3×60W E26 \n N  O  \nø cm 60\nø 24”\ncm 24\n9”\ncm 24\n9”\nUSA & CANADA\n Sospensione, plafoniera e applique caratterizzate \nda una linea semplice, dolcemente bombata nella \nparte superiore. La plafoniera garantisce \nun'aderenza ottimale al supporto, grazie alla \nmontatura che riduce al minimo la distanza dal \nsoffi tto. \n Available as pendant or wall\u002Fceiling fi xture, Mia has \na soft shape gently rounded at the top, while the \nwall\u002Fceiling version ensures an excellent adhesion \nto the surface thanks to the metal body that \nreduces the distance to the ceiling. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  N   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n  N   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n MIA \n studio tecnico Vetreria Vistosi 2013 \n BC\u002FST  \n BC  \nLED O\n209\nLOREM IPSUM SP\n",211,{"image":854,"text":855,"number":856},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.212.png","210\nNeochic PP G\ndesign Chiaramonte & Marin 2013\nNEOCHIC\nNEOCHIC\n",212,{"image":858,"text":859,"number":860},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.213.png"," NEOCHIC PP P \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \ncm 17\n7”\ncm 17\n7”\ncm 27\n11”\ncm 36\n14”\nUSA & CANADA\n NEOCHIC PP M \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \ncm 15\n6”\ncm 47\n19”\ncm 45\n18”\ncm 15\n6”\nUSA & CANADA\n NEOCHIC PP G \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \ncm 16\n6”\ncm 16\n6”\ncm 54\n21”\ncm 50\n20”\nUSA & CANADA\n NEOCHIC PP R \n 2×77W E27  \n J  G  \n \n \n \n \n  \n2×60W E26 \n J  G  \ncm 15\n6”\ncm 15\n6”\ncm 54\n21”\ncm 41\n16”\nUSA & CANADA\n Trae ispirazione dall’effetto di acqua e vento \nsulla pietra il design di questa collezione di \nlampade. Le curve morbide e la superfi cie levigata \nincontrano il vetro soffi ato in un modello di \nestrema semplicità, adatto a qualsiasi contesto \nd’arredo. \n IThe design of this collection is inspired by \nthe effect that water and wind make on a stone. \nThe versatility of this lamp, ideal for any kind \nof decoration, comes from a recognizable \nand simple form.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n NEOCHIC \n design Chiaramonte & Marin 2013 \n BC\u002FST  \n BC  \n Collezione \u002F Collection \n 130 \n 250 \n211\n",213,{"image":862,"text":863,"number":864},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.214.png","212\nMoris PP 50\nstudio tecnico Vetreria Vistosi 1998\nMORIS\nMORIS\n",214,{"image":866,"text":867,"number":868},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.215.png"," MORIS PP 30 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 30\nø 12”\ncm 10\n4”\ncm 10\n4”\nUSA & CANADA\n MORIS PP 40 \n 1×77W E27 \n J  G  \n \n \n \n \n  \n 1×60W E26 \n J  G  \nø cm 40\nø 16”\ncm 11\n4”\ncm 11\n4”\nUSA & CANADA\n MORIS PP 50 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \nø cm 50\nø 20”\ncm 13\n5”\ncm 13\n5”\nUSA & CANADA\n Disponibile in tre diverse dimensioni, Moris si \npresta ad essere installata come lampada da \nsoffi tto o da parete. La forma a lente del diffusore \nin vetro satinato ottimizza il fl usso luminoso. \n Available in three sizes, Moris can be mounted \nboth as a ceiling and as a wall lamp. The lenticular \nshape of the matt fi nish blown glass helps to \nmaximize the light output. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n MORIS \n studio tecnico Vetreria Vistosi 1998 \n BC\u002FST  \n BC  \n213\nLOREM IPSUM SP\nLED F\nLED I\n",215,{"image":870,"text":871,"number":872},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.216.png"," INFINITA PP 36 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \ncm 14\n5”\nø cm 36\nø 14”\ncm 14\n5”\nUSA & CANADA\n INFINITA PP 53 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \ncm 15\n6”\nø cm 53\nø 21”\ncm 15\n6”\nUSA & CANADA\n INFINITA PL 80 \n 5×77W E27 \n N  O  \n \n \n \n \n  \n 5×60W E26 \n N  O  \ncm 25\n10”\nø cm ~76\nø ~30”\nUSA & CANADA\n Collezione \u002F Collection \n 134 \n In versione sospensione o applique, è la risposta \nalla sempre crescente domanda di lampade di \ngrandi dimensioni con portalampade multipli. Offre \nun'ampia superfi cie nonostante una montatura \nmetallica essenziale. \n Available as pendant or ceiling lamp. A response \nto a growing demand for large lamps with multiple \nsockets. Its main advantage is a considerable \nlighting surface with a minimum metal body. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  F   12,5 W - 25 V - 1650 lm - 3.000 K    \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  N   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  N   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n INFINITA \n design Renato Toso, Noti Massari & \nAssociati 2009 \n BC\u002FST  \n BC  \n214\ndesign Renato Toso, Noti Massari & Associati 2009\nINFINITA\nINFINITA\nInfinita  PL 80\n",216,{"image":874,"text":875,"number":876},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.217.png"," INFINITA PP 36 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \ncm 14\n5”\nø cm 36\nø 14”\ncm 14\n5”\nUSA & CANADA\n INFINITA PP 53 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \ncm 15\n6”\nø cm 53\nø 21”\ncm 15\n6”\nUSA & CANADA\n INFINITA PL 80 \n 5×77W E27 \n N  O  \n \n \n \n \n  \n  5×60W E26 \n N  O  \ncm 25\n10”\nø cm ~76\nø ~30”\nUSA & CANADA\n Collezione \u002F Collection \n 134 \n In versione sospensione o applique, è la risposta \nalla sempre crescente domanda di lampade di \ngrandi dimensioni con portalampade multipli. Offre \nun'ampia superfi cie nonostante una montatura \nmetallica essenziale. \n Available as pendant or ceiling lamp. A response \nto a growing demand for large lamps with multiple \nsockets. Its main advantage is a considerable \nlighting surface with a minimum metal body. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  N   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  N   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n INFINITA \n design Renato Toso, Noti Massari & \nAssociati 2009 \n BC\u002FST  \n BC  \n215\nLED N\nLED O\n",217,{"image":878,"text":879,"number":880},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.218.png","216\nSogno PP 55\nstudio tecnico Vetreria Vistosi 2003\nSOGNO\nSOGNO\n",218,{"image":882,"text":883,"number":884},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.219.png"," SOGNO PP 42 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \ncm 10\n4”\nø cm 42\nø 17”\ncm 10\n4”\nUSA & CANADA\n SOGNO PP 55 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \ncm 10\n4”\nø cm 55\nø 22”\ncm 10\n4”\nUSA & CANADA\n Disponibile in due misure, Sogno si può montare \ncome lampada da soffi tto o da parete. La fi nitura \nsatinata crea una luce d'ambiente dolce e diffusa. \n Available in two sizes, it can be mounted both as \na ceiling and as a wall lamp. The matt-fi nish blown \nglass helps to create a soft ambient light. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n SOGNO \n studio tecnico Vetreria Vistosi 2003 \n BC\u002FST  \n BC  \n217\nLOREM IPSUM SP\nLED J\nLED G\n",219,{"image":886,"text":887,"number":888},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.220.png","218\nSaba PP 50 \u002F 30 \u002F 40 \u002F 60\nstudio tecnico Vetreria Vistosi 1998\nSABA\nSABA\n",220,{"image":890,"text":891,"number":892},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.221.png"," SABA PP 30 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 30\nø 12”\ncm 9\n4”\ncm 9\n4”\nUSA & CANADA\n SABA PP 40 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 40\nø 16”\ncm 10\n4”\ncm 10\n4”\nUSA & CANADA\n SABA PP 50 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \nø cm 50\nø 20”\ncm 14\n6”\ncm 14\n6”\nUSA & CANADA\n SABA PP 60 \n 3×77W E27 \n N  O  \n \n \n \n \n  \n 3×60W E26 \n N  O  \nø cm 57\nø 22”\ncm 15\n6”\ncm 15\n6”\nUSA & CANADA\n Disponibile in quattro dimensioni diverse, Saba \nè lampada da soffi tto e da parete. \nLa forma a lente del diffusore in vetro soffi ato \nsatinato la rendono perfetta per l'illuminazione .\n Available in four sizes, Saba is available as a \nceiling or wall lamp. The lenticular shape of the \nmatt-fi nish blown glass makes \nit a great choice for ambient lighting. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  N   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n  LED  USA & Canada \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  N   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  O   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n SABA \n studio tecnico Vetreria Vistosi 1998 \n BC\u002FST  \n BC  \n219\nLOREM IPSUM SP\nLED F\nLED I\n",221,{"image":894,"text":895,"number":896},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.222.png","220\nRina PL 60\ndesign Barbara Maggiolo 2009\nRINA\nRINA\n",222,{"image":898,"text":899,"number":900},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.223.png"," RINA FA 16 \n 1×60W G9 \n D  \n \n \n \n \n  \n 1×60W G9 \n D  \nø cm 16\nø 6”\ncm 19\n7”\ncm 19\n7”\nUSA & CANADA\n RINA PL 25 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 25\nø 10”\ncm 30\n12”\nUSA & CANADA\n RINA PL 35 \n  1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \ncm 35\n14”\nø cm 35\nø 14”\nUSA & CANADA\n RINA PL 45 \n 3×77W E27 \n I\n F  \n \n \n \n \n  \n 3×60W E26 \n I\n F  \ncm 45\n18”\nø cm 45\nø 18”\nUSA & CANADA\n RINA PL 60 \n 3×77W E27 \n J  G  \n \n \n \n \n  \n 3×60W E26 \n J  G  \ncm 60\n24”\nø cm 60\nø 24”\nUSA & CANADA\n Collezione \u002F Collection \n 168 \n 316\n Si ispira al tarassaco, del quale ricorda il pappo, \ngrazie alla leggera texture della superfi cie, \nrealizzata con la tradizionale tecnica delle murrine. \nRina è disponibile in cinque misure che si possono \ncombinare in un'ampia gamma di installazioni a \nsospensione, applique e da soffi tto. \n Inspired by the dandelion fl ower and using the \ntraditional murrina technique, which creates an \norganic light texture, Rina is available in fi ve sizes \nthat can be combined in a wide range of pendant, \nceiling and wall lights. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n RINA \n design Barbara Maggiolo 2009 \n BC\u002FMU  \n BC  \n NI  \n221\nLOREM IPSUM SP\n",223,{"image":902,"text":903,"number":904},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.224.png","222\nBolle PL G\ndesign Barbara Maggiolo 2003\nBOLLE\nBOLLE\n",224,{"image":906,"text":907,"number":908},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.225.png"," BOLLE FA P \n 1×60W G9 \n D  \n \n \n \n \n  \n 1×60W G9 \n D  \ncm 18,5\n7”\ncm 18,5\n7”\nø cm 16\nø 6”\nUSA & CANADA\n BOLLE PL G \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 30\n12”\nø cm 25\nø 10”\nUSA & CANADA\n BOLLE PL 45 \n 3×77W E27 \n I\n F  \n \n \n \n \n  \n 3×60W E26 \n I\n F  \ncm 45\n18”\nø cm 45\nø 18”\nUSA & CANADA\n BOLLE PL 35 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \ncm 35\n14”\nø cm 35\nø 14”\nUSA & CANADA\n Collezione \u002F Collection \n 162 \n324 \n La caratteristica texture di questa collezione viene \ndalla tecnica baloton, che consiste nell'inserimento \ndi bolle d'aria nel vetro durante la lavorazione. \nL'effetto \"tessuto\" che si ottiene moltiplica i rifl essi \nsulla superfi cie della sfera. \n The main characteristic of this collection of lamps \nproduced with the baloton technique is the \ninsertion of bubbles of air in the glass during its \nproduction, that create multiple refl ections and add \nan organic texture on the surface of the sphere. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n BOLLE \n design Barbara Maggiolo 2003 \n BC\u002FBO  \n CR\u002FBO  \n BC  \n NI  \n*\n**\n* BC per PL 35, PL 45 \u002F BC for PL 35, PL 45\n** NI per FA, PL G \u002F NI for FA, PL G\n223\n",225,{"image":910,"text":911,"number":912},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.226.png","224\nLucciola PP M\narchivio storico Vetreria Vistosi 1981\nLUCCIOLA\nLUCCIOLA\n",226,{"image":914,"text":915,"number":916},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.227.png"," LUCCIOLA FA 18 \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \ncm 13\n5”\nø cm 18\nø 7”\ncm 13\n5”\nUSA & CANADA\n LUCCIOLA PP 27 \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \ncm 21\n8”\nø cm 27\nø 11”\ncm 21\n8”\nUSA & CANADA\n LUCCIOLA PP P \n  1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 36\nø 14”\ncm 27\n11”\ncm 27\n11”\nUSA & CANADA\n LUCCIOLA PP M \n 3×77W E27 \n I\n F  \n \n \n \n \n  \n 3×60W E26 \n I\n F  \nø cm 41\nø 16”\ncm 30\n12”\ncm 30\n12”\nUSA & CANADA\n LUCCIOLA PL G \n 3×77W E27 \n I\n F  \n \n \n \n \n  \n 3×60W E26 \n I\n F  \nø cm 48\nø 19”\ncm 36\n14”\nUSA & CANADA\n Collezione \u002F Collection \n 132 \n260\n 312 \n 332 \n Una delle più versatili collezioni. La sua forma \novale in vetro soffi ato satinato è disponibile in \ndiverse dimensioni, che si prestano a innumerevoli \ncombinazioni d’installazione. \n One of our most versatile series. Its oval, \nmouth-blown matt glass shape is available \nin different sizes, which can be combined \nto offer multiple possibilities.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n LUCCIOLA \n archivio storico Vetreria Vistosi 1981 \n LUCCIOLA \n archivio storico Vetreria Vistosi 1981 \n BC\u002FST  \n BC  \n225\nLOREM IPSUM SP\n",227,{"image":918,"text":919,"number":920},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.228.png"," DAMASCO FA C \n 1×60W G9 \n D  \n \n \n \n \n  \n 1×60W G9 \n D  \ncm 10\n4”\nø cm 12\nø 5”\nUSA & CANADA\n Collezione \u002F Collection \n66\n 264\n 306\n 340\n DAMASCO \n design Paolo Crepax 2003 \n Collezione realizzata con la tecnica bozzolo, in cui \nl’originale decoro diventa un vero e proprio \nmateriale: la sovrapposizione di fi li di vetro fuso a \ncreare una texture in rilievo. Damasco è una delle \ncreazioni di più lungo successo, che vede nel \ntempo versioni sempre nuove. \n Due to its versatility, it is one of our most \nsuccessful series which has been developed and \nextended during the years with new versions. It \nis produced with the bozzolo technique, which \nconsists in applying threads of molten glass that \ncreate an organic texture.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n DAMASCO \n design Paolo Crepax 2003 \n CR\u002FCR  \n CR\u002FAM  \n NI  \n226\nDamasco FA C\n",228,{"image":922,"text":923,"number":924},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.229.png"," POC FA 16 \n 1×60W G9 \n D  \n \n \n \n \n  \n 1×60W G9 \n D  \nø cm 16\nø 6”\ncm 19\n7”\ncm 19\n7”\nUSA & CANADA\n Collezione \u002F Collection \n 70 \n POC \n design Barbara Maggiolo 2003 \n L’esclusivo impiego della membrana interna nella \ncollezione Poc genera, come una lente, l’effetto di \nuna sfera composta da due metà. La resa di ogni \nmembrana è diversa, creando per ciascun pezzo \ndinamiche variazioni di intensità di luce e colore \nsulla superfi cie. \n The spherical glass presents an internal membrane \nthat acts as a lens to create the illusion of being \nmade in two halves and adds a sense of dynamic \nchange of intensity and colour to the surface, \nwhich allows the uniqueness of each piece. \n Tonalità del vetro \u002F Glass colour tone \n \nParti metalliche \u002F Metal parts \n  LED  Europe \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n CR\u002FBC  \n CR\u002FBN  \n NI  \n* Cristallo con membra interna bianco-nera  \n  Crystal with internal membrane white-black.  \n* \n227\nPoc FA 16\n",229,{"image":926,"text":927,"number":928},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.230.png"," DIAMANTE FA \n 1×60W G9 \n D  \n \n \n \n \n  \n 1×60W G9 \n D  \ncm 11,5\n4,5”\nø cm 14\nø 5,5”\ncm 11,5\n4,5”\nUSA & CANADA\n DIAMANTE PL G \n 1×77W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 25\n10”\nø cm 30\nø 12”\nUSA & CANADA\n DIAMANTE PL 50 \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 27\n11”\nø cm 48\nø 19”\nUSA & CANADA\n Collezione \u002F Collection \n62\n DIAMANTE \n design Barbara Maggiolo 2003 \n M assima la versatilità di questa creazione, \nrealizzata con un processo esclusivamente \nartigianale. Diamante è disponibile in tre misure e \npuò essere installata come sospensione, applique, \nplafoniera, a faretto o in una composizione \nsospesa. \n Great versatility for this creation made with a totally \nhandcrafted production. Diamante is available in \nthree sizes and can be used as pendant, sconce, \nceiling, or as part of a cluster.  \n Tonalità del vetro \u002F Glass colour tone \n \nParti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n  D   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n DIAMANTE \n design Barbara Maggiolo 2003 \n CR  \n AM  \n NI  \n* PL 50 solo CR \u002F PL 50 only CR\n* \n228\nDiamante PL 50\n",230,{"image":930,"text":931,"number":932},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.231.png"," NOVECENTO PL \n 5×60W E14 \n \n \n \n \n  \n 5×40W E12 \n \nø cm 64\nø 25”\ncm 17\n7”\nUSA & CANADA\n Collezione \u002F Collection \n 46 \n318 \n348 \n NOVECENTO \n design Romani Saccani Architetti 2013 \n La chiave di lettura della collezione Novecento è la \nvolontà di sintetizzare la tradizione muranese del \nlampadario, nel suo elemento più riconoscibile: il \nprofi lo. Lo riproduce un guscio di cristallo che è il \nprodotto della rotazione a 360° della silhouette \ndel lampadario, mantenendo così le caratteristiche \ndelle forme originali, e risultando perfetto per \natmosfere sia classiche che contemporanee.\n The idea behind the collection Novecento is to \nreduce the traditional Murano chandelier to its \nmost recognizable element, its profi le. This shape \nis then reconstructed in a 360º glass outline, \nwhich keeps the same characteristics of the \noriginal design and is therefore suitable for both \nclassic and contemporary ambiences.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FRI  \n CR\u002FRI  \n CR  \n229\nNovecento PL\n",231,{"image":934,"text":935,"number":936},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.232.png","230\nTubes PL 15\ndesign Matthias Hickl per Lissoni Associati 2005\nTUBES\nTUBES\n",232,{"image":938,"text":939,"number":940},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.233.png"," TUBES PL 20 \n 1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 13\n5”\ncm 23\n9”\ncm 16\n7”\nUSA & CANADA\n TUBES PL 40 \n 1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 13\n5”\ncm 43\n17”\ncm 16\n7”\nUSA & CANADA\n TUBES PL 60 \n  1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 13\n5”\ncm 63\n25”\ncm 16\n7”\nUSA & CANADA\n TUBES PL 90 \n 1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 13\n5”\ncm 93\n37”\ncm 16\n7”\nUSA & CANADA\n TUBES PL 120 \n 1×100W E27 \n C  \n \n \n \n \n  \n 1×60W E26 \n C  \ncm 13\n5”\ncm 16\n7”\ncm 123\n48”\nUSA & CANADA\n TUBES PL 9 \n 9×100W E27 \n C  \n \n \n \n \n  \n 9×60W E26 \n C  \n40\n40\n20\n20\n60\n40\n40\n20\n20\ncm 51\n20”\ncm 51\n20”\ncm 63\n25”\nUSA & CANADA\n TUBES PL 15 \n 15×100W E27 \n C  \n \n \n \n \n  \n 15×60W E26 \n C  \n40\n20\n60\n90\n60\n40\n40\n20\n20\n20\n40\n120\n90\n120\n60\ncm 87 - H cm 123\n34” - H 48” \ncm 105\n41”\nUSA & CANADA\n Collezione \u002F Collection \n10 6 \n Una serie di cinque elementi lineari di diversa \nlunghezza in vetro soffi ato, che si possono usare \ncome singole sospensioni, lampade a soffi tto \no in combinazioni multiple.\nA series of fi ve elements of straight lines in \ndifferent lenghts, made of mouthblown glass, \nwhich can be used as standalone pendants \nand ceiling fi xtures or for multiple combinations.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n  LED  USA & Canada \n  C   5 W - 10 V - 600 lm - 2.700 K  \n \n  \n \n TUBES \n design Matthias Hickl per Lissoni \nAssociati 2005 \n BC\u002FLU  \n FU\u002FTR  \n NO  \n231\nLOREM IPSUM SP\n",233,{"image":942,"text":943,"number":944},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.234.png","232\nDiadema PL 80\ndesign Romani Saccani Architetti Associati 2015\nDIADEMA\nDIADEMA\n",234,{"image":946,"text":947,"number":948},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.235.png"," DIADEMA PL 80 \n 2×120W R7s \n \n \n \n \n 2×120W R7s \n \ncm 42\n17”\ncm 80\n31”\ncm 13\n5”\nUSA & CANADA\n DIADEMA FA P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 12\nø 4”\ncm 5\n2”\ncm 35\n14”\nUSA & CANADA\n Collezione \u002F Collection \n26\n 256 \n 319 \n 345 \n Diadema è un sistema di illuminazione basato sul \nsingolo elemento della canna in puro vetro. \nCombinando canne di diverse dimensioni, la luce \nsi rifl ette e si trasmette in una sensazione di \nmovimento. La montatura metallica permette \nnumerose varianti e ampi margini per versioni su \nmisura, sempre a scomparsa, grazie al sistema di \nfi ssaggio ideato appositamente per questo \nmodello. \n Diadema is a lighting system based on a single \nelement, the rod of pure glass. It takes advantage \nof the way it refl ects and transmits the light, while \noffering a sense of movement by using rods of \ndifferent sizes. The metal body allows to offer \nmultiple variations and ample space for custom-\nmade versions with concea led  metal body, thanks \nto the fi xing system developed for this collection. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n DIADEMA \n design Romani Saccani Architetti \nAssociati 2005 \n CR  \n BS  \n CR  \n233\nLOREM IPSUM SP\n",235,{"image":950,"text":951,"number":952},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.236.png","234\ndesign Hangar Design Group 2015\nFUTURA\nFUTURA\nFutura PL G\n",236,{"image":954,"text":955,"number":956},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.237.png"," FUTURA PL P \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 30\n12”\nø cm 20\nø 8”\nUSA & CANADA\n FUTURA PL G \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 40\nø 16”\ncm 29\n11”\nUSA & CANADA\n Collezione \u002F Collection \n 92\n 271\n311 \n 339\n Collezione di lampade in vetro soffi ato disponibile \nin cristallo e tre esclusive colorazioni abbinate a \ndifferenti fi niture dell’anello metallico. Il vetro \nsoffi ato è in pezzo unico ma la particolare \nlavorazione lo rende di colore trasparente nella \nparte superiore e di colore diffusore nella parte \ninferiore.\nCollection of lamps in blown glass available in \ntransparent and three exclusive colors combined \nwith different fi nishes of the metal ring. The glass \nis blown in one piece but the particular handcraft \nprocess makes the colour transparent in the upper \npart and diffuser in the bottom part.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n FUTURA \n design Hangar Design Group 2015 \n BC\u002FNE  \n FU\u002FMA  \n AM\u002FOT  \n CR\u002FRA  \n NE  \n235\nBEST of  CATEGORY\n2016\n",237,{"image":958,"text":959,"number":960},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.238.png","236\ndesign Renato Toso, Noti Massari & Associati 2007\nECOS\nECOS\nEcos PL 90\n",238,{"image":962,"text":963,"number":964},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.239.png"," ECOS PL 60A \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \nø cm 60\nø 24”\ncm 35\n14”\nUSA & CANADA\n ECOS PL 90 \n 5×77W E27 \n \n \n \n \n  \n 5×60W E26 \n \nø cm 85\nø 33”\ncm 46\n18”\nUSA & CANADA\n Collezione \u002F Collection \n3 4 \n262\n 346\n Collezione di lampade componibili con anelli di \nvetro di diversi colori e textures. È una soluzione \nd'illuminazione che offre grandissima possibilità di \npersonalizzazione in termini di forme e misure. \n A system made with multiple glass rings, available \nin different colours and textures, which offers a high \nlevel of customization in terms of shape and size. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts\n ECOS \n design Renato Toso, Noti Massari & \nAssociati 2007 \n BC\u002FRI  \n CR\u002FRI  \nBS\nCR\n237\nLOREM IPSUM SP\n",239,{"image":966,"text":967,"number":968},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.240.png","238\ndesign Angelo Mangiarotti 1967\nGIOGALI\nGIOGALI\nGiogali PL CA1\n",240,{"image":970,"text":971,"number":972},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.241.png","239\nGiogali PL CA3\n",241,{"image":974,"text":975,"number":976},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.242.png","240\nGiogali PL 65Q\n",242,{"image":978,"text":979,"number":980},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.243.png"," GIOGALI PL 35 \n 2×60W E14 \n \n \n \n \n  \n 2×40W E12 \n \nø cm 35\nø 14”\ncm 35\n14”\nUSA & CANADA\n GIOGALI PL 50 \n 4×77W E27 \n \n \n \n \n  \n 4×60W E26 \n \nø cm 50\nø 20”\ncm 35\n14”\nUSA & CANADA\n GIOGALI PL 60 \n 4×77W E27 \n \n \n \n \n  \n  4×60W E26 \n \nø cm 60\nø 24”\ncm 40\n16”\nUSA & CANADA\n GIOGALI PL 65Q \n 4×77W E27 \n \n \n \n \n  \n 4×60W E26 \n \ncm 65\n26”\ncm 47\n19”\nUSA & CANADA\n GIOGALI PL 80 \n 5×77W E27 \n \n \n \n \n  \n 5×60W E26 \n \nø cm 80\nø 31”\ncm 50\n20”\nUSA & CANADA\n GIOGALI PL CA3 \n 7×77W E27 \n \n \n \n \n  \n  7×60W E26 \n \nø cm 80\nø 31”\n~ cm 150\n~ 59”\n~ cm 50\n~ 20”\n~ cm 50\n~ 20”\n~ cm 50\n~ 20”\nUSA & CANADA\n GIOGALI PL CA2 \n 10×77W E27 \n \n \n \n \n  \n 10×60W E26 \n \nø cm 100\nø 39”\n~ cm 120\n~ 47”\n~ cm 120\n~ 47”\n~ cm 240\n~ 94”\nUSA & CANADA\n GIOGALI PL CA1 \n 10×77W E27 \n \n \n \n \n  \n 10×60W E26 \n \nø cm 100\nø 39”\n~ cm 115\n~ 45”\n~ cm 350\n~ 138”\nUSA & CANADA\n Collezione \u002F Collection \n 172\n 268\n 342\n Un sistema decorativo d’illuminazione basato \nsull’elemento del gancio di cristallo componibile. \nDisponibile in diversi colori, montabile in versione \nda tavolo, da soffi tto, sospensione, da parete e da \nterra. Può essere impiegato in grandi lampadari e \nstrutture di qualsiasi dimensione. \nA decorative lighting system based on a single \nelement, the handmade glass hook. It is available \nin different colours, as standard table, ceiling, \npendant, wall fi xture and fl oor. It can also be \narranged to offer chandeliers and structures of any \ndimension. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n GIOGALI \n design Angelo Mangiarotti 1967 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n BR  \n CR  \n241\nLOREM IPSUM SP\n",243,{"image":982,"text":983,"number":984},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.244.png","242\nMinigiogali PL 50 \u002F 35\ndesign Angelo Mangiarotti 1967 - restyling 2009\nMINIGIOGALI\nMinigiogali\n",244,{"image":986,"text":987,"number":988},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.245.png","243\nMinigiogali PL 65Q \u002F 60\n",245,{"image":990,"text":991,"number":992},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.246.png","244\nMinigiogali PL CA3\n",246,{"image":994,"text":995,"number":996},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.247.png"," MINIGIOGALI PL 35 \n 2×60W E14 \n \n \n \n \n  \n 2×40W E12 \n \nø cm 35\nø 14”\ncm 30\n12”\nUSA & CANADA\n MINIGIOGALI PL 50 \n 4×77W E27 \n \n \n \n \n  \n 4×60W E26 \n \nø cm 50\nø 20”\ncm 35\n14”\nUSA & CANADA\n MINIGIOGALI PL 60 \n 4×77W E27 \n \n \n \n \n  \n  4×60W E26 \n \nø cm 60\nø 24”\ncm 35\n14”\nUSA & CANADA\n MINIGIOGALI PL 65Q  \n 4×77W E27 \n \n \n \n \n  \n 4×60W E26 \n \ncm 65\n26”\ncm 47\n19”\nUSA & CANADA\n MINIGIOGALI PL 80 \n 5×77W E27 \n \n \n \n \n  \n 5×60W E26 \n \nø cm 80\nø 31”\ncm 45\n18”\nUSA & CANADA\n MINIGIOGALI PL CA3  \n 7×77W E27 \n \n \n \n \n  \n  7×60W E26 \n \nø cm 80\nø 31”\n~ cm 150\n~ 59”\n~ cm 50\n~ 20”\n~ cm 50\n~ 20”\n~ cm 50\n~ 20”\nUSA & CANADA\n Collezione \u002F Collection \n 180\n 266 \n 299 \n 344 \n La versione ridotta di Giogali, che permette \ndi impiegare i ganci in cristallo per installazioni a \nparete di minori dimensioni, standard o su misura. \n The reduced version of Giogali uses glass \nhooks for smaller wall installations, standard \nor custom-made.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n MINIGIOGALI \n design Angelo Mangiarotti 1967 - \nrestyling 2009 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n BR  \n CR  \n245\nLOREM IPSUM SP\n",247,{"image":998,"text":19,"number":999},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.248.png",248,{"image":1001,"text":1002,"number":1003},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.249.png","247\nParete \u002F Wall\n  Sospensioni \u002F Suspension\n23\n  Plafoniere \u002F Ceiling\n189\n  Tavolo \u002F Table\n287\n  Terra \u002F Floor\n327\n",249,{"image":1005,"text":19,"number":1006},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.250.png",250,{"image":1008,"text":1009,"number":1010},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.251.png","Parete \u002F Wall\nBalance \n254\nCloth \n252\nCorner \n280\nDamasco \n264\nDafne \n282\nDiadema \n256\nFutura \n271\nGiogali \n268\nVega \n270\nLio \n274\nLucciola \n260\nMinigiogali \n266\nOvalina \n284\nNeochic \n250\nPeggy \n278\nPuppet \n276\nStardust \n272\nEcos \n262\nGoccia \n277\n249\n",251,{"image":1012,"text":1013,"number":1014},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.252.png","NEOCHIC\n250\nNeochic PP  R \u002F G \u002F P \u002F M\ndesign Chiaramonte & Marin 2013\nNEOCHIC\n",252,{"image":1016,"text":1017,"number":1018},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.253.png"," NEOCHIC PP P \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \ncm 17\n7”\ncm 17\n7”\ncm 27\n11”\ncm 36\n14”\nUSA & CANADA\n NEOCHIC PP M \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \ncm 15\n6”\ncm 47\n19”\ncm 45\n18”\ncm 15\n6”\nUSA & CANADA\n NEOCHIC PP G \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \ncm 16\n6”\ncm 16\n6”\ncm 54\n21”\ncm 50\n20”\nUSA & CANADA\n NEOCHIC PP R \n2×77W E27 \n J  G  \n \n \n \n \n  \n2×60W E26 \n J  G  \ncm 15\n6”\ncm 15\n6”\ncm 54\n21”\ncm 41\n16”\nUSA & CANADA\n Collezione \u002F Collection \n 130 \n 210 \n Trae ispirazione dall’effetto di acqua e vento \nsulla pietra il design di questa collezione di \nlampade. Le curve morbide e la superfi cie levigata \nincontrano il vetro soffi ato in un modello di \nestrema semplicità, adatto a qualsiasi contesto \nd’arredo. \n The design of this collection is inspired by \nthe effect that water and wind make on a stone. \nThe versatility of this lamp, ideal for any kind \nof decoration, comes from a recognizable \nand simple form.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n NEOCHIC \n design Chiaramonte & Marin 2013 \n BC\u002FST  \n BC  \n251\nLED I\n",253,{"image":1020,"text":1021,"number":1022},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.254.png","252\n252\nCloth AP G\ndesign Romani Saccani Architetti Associati 2009\nCLOTH\n",254,{"image":1024,"text":1025,"number":1026},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.255.png"," CLOTH AP G \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \n�����\n���\n�����\n���\n�����\n��\n�����\n��\nUSA & CANADA\n Collezione \u002F Collection \n 150\n 315 \n 335 \n La complessa soffi atura di Cloth trasforma il vetro \nin un tessuto increspato, di grande effetto. Nella \nversione cromata, grazie ad un'esclusiva fi nitura \nesterna, Cloth è metallizzata quando è spenta, e \nassume un tono caldo beige scuro quando viene \naccesa. \n Unique blown glass that seems to turn into pleated \nfabric, making this collection a real eye catcher. \nThe chrome version has an exclusive outer chrome \ncoating that looks metallic when the lamp is off, \nbut turns to dark beige when the lamp is on. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n CLOTH \n design Romani Saccani Architetti \nAssociati 2009 \n BC\u002FST  \n BC\u002FCM  \n CR  \nOFF\nON\n253\nLOREM IPSUM SP\n",255,{"image":1028,"text":1029,"number":10},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.256.png"," BALANCE PP 24 \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \n�����\n��\n�����\n��\n�����\n��\n�����\n��\nUSA & CANADA\n BALANCE PP M \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \n�����\n���\n�����\n��\n�����\n���\n�����\n��\nUSA & CANADA\n BALANCE PP G \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \ncm 56\n22”\ncm 48\n19”\ncm 18\n7”\ncm 18\n7”\nUSA & CANADA\n Collezione \u002F Collection \n 118 \n 206 \n La traiettoria delle orbite planetarie intorno al sole \nispira questa collezione, che ripropone il \nmovimento creato dall'armonia e dall'equilibrio di \nforze invisibili con vetro e luce. \n Inspired by the elliptic orbit of a planet around the \nsun, a motion that is created by the harmony and \nbalance of unseen forces represented with the \nglass and the light. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n BALANCE \n design Pio e Tito Toso 2011 \n BC\u002FLU  \n BC  \n254\n254\ndesign Pio e Tito Toso 2011\nBALANCE\nBalance PP M\nBALANCE\n",{"image":1031,"text":1032,"number":1033},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.257.png"," BALANCE PP 24 \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \n�����\n��\n�����\n��\n�����\n��\n�����\n��\nUSA & CANADA\n BALANCE PP M \n 2×77W E27 \n J  G  \n \n \n \n \n  \n 2×60W E26 \n J  G  \n�����\n���\n�����\n��\n�����\n���\n�����\n��\nUSA & CANADA\n BALANCE PP G \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \ncm 56\n22”\ncm 48\n19”\ncm 18\n7”\ncm 18\n7”\nUSA & CANADA\n Collezione \u002F Collection \n 118 \n 206 \n La traiettoria delle orbite planetarie intorno al sole \nispira questa collezione, che ripropone il \nmovimento creato dall'armonia e dall'equilibrio di \nforze invisibili con vetro e luce. \n Inspired by the elliptic orbit of a planet around the \nsun, a motion that is created by the harmony and \nbalance of unseen forces represented with the \nglass and the light. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  LED  Europe \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n BALANCE \n design Pio e Tito Toso 2011 \n BC\u002FLU  \n BC  \n255\n",257,{"image":1035,"text":1036,"number":1037},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.258.png","256\n256\nDIADEMA\nDiadema AP G E27\ndesign Romani Saccani Architetti Associati 2015\nDIADEMA\n",258,{"image":1039,"text":1040,"number":1041},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.259.png","257\nDiadema AP P G9\n",259,{"image":1043,"text":1044,"number":1045},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.260.png","258\nDiadema AP L\n",260,{"image":1047,"text":1048,"number":1049},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.261.png"," DIADEMA AP P \n 2×60W G9 \n \n \n \n \n  \n 2×60W G9 \n \ncm 18\n7”\ncm 11\n4”\ncm 35\n14”\nUSA & CANADA\n DIADEMA AP L\n 2×80W R7s \n \n \n \n \n \n  \n 2×80W R7s \n \ncm 80\n31”\ncm 10\n4”\ncm 13\n5”\nUSA & CANADA\n DIADEMA AP G \n 2×77W E27 \n \n \n \n \n  \n  2×60W E26 \n \ncm 30\n12”\ncm 48\n19”\ncm 17\n7”\nUSA & CANADA\n DIADEMA AP K3 \n 4×60W G9 \n \n \n \n \n  \n 4×60W G9 \n \ncm 48\n19”\ncm 97\n38”\ncm 13\n5”\nUSA & CANADA\n Collezione \u002F Collection \n 26\n 232\n 319 \n 345 \n Diadema è un sistema di illuminazione basato sul \nsingolo elemento della canna in puro vetro. \nCombinando canne di diverse dimensioni, la luce \nsi rifl ette e si trasmette in una sensazione di \nmovimento. La montatura metallica permette \nnumerose varianti e ampi margini per versioni su \nmisura, sempre a scomparsa, grazie al sistema di \nfi ssaggio ideato appositamente per questo \nmodello. \n Diadema is a lighting system based on a single \nelement, the rod of pure glass. It takes advantage \nof the way it refl ects and transmits the light, while \noffering a sense of movement by using rods of \ndifferent sizes. The metal body allows to offer \nmultiple variations and ample space for custom-\nmade versions with concea led  metal body, thanks \nto the fi xing system developed for this collection. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n  \n \n \n DIADEMA \n design Romani Saccani Architetti \nAssociati 2005 \n CR  \n BS  \n CR  \n259\n",261,{"image":1051,"text":1052,"number":1053},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.262.png","260\n260\nLUCCIOLA\nLucciola PP 27\narchivio storico Vetreria Vistosi 1981\nLUCCIOLA\n",262,{"image":1055,"text":1056,"number":1057},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.263.png"," LUCCIOLA FA 18 \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \ncm 13\n5”\nø cm 18\nø 7”\ncm 13\n5”\nUSA & CANADA\n LUCCIOLA PP 27 \n 1×46W E14 \n E  \n \n \n \n \n  \n 1×40W E12 \n E  \ncm 21\n8”\nø cm 27\nø 11”\ncm 21\n8”\nUSA & CANADA\n LUCCIOLA PP P \n  1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 36\nø 14”\ncm 27\n11”\ncm 27\n11”\nUSA & CANADA\n LUCCIOLA PP M \n 3×77W E27 \n I\n F  \n \n \n \n \n  \n 3×60W E26 \n I\n F  \nø cm 41\nø 16”\ncm 30\n12”\ncm 30\n12”\nUSA & CANADA\n Collezione \u002F Collection \n 132 \n224 \n 312 \n 332 \n Una delle più versatili collezioni. La sua forma \novale in vetro soffi ato satinato è disponibile in \ndiverse dimensioni, che si prestano a innumerevoli \ncombinazioni d’installazione. \n One of our most versatile series. Its oval, \nmouth-blown matt glass shape is available \nin different sizes, which can be combined \nto offer multiple possibilities.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n LED  Europe \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  E   6 W - 12 V - 850 lm - 3.000 K  \n \n  \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n LUCCIOLA \n archivio storico Vetreria Vistosi 1981 \n BC\u002FST  \n BC  \n261\n",263,{"image":1059,"text":1060,"number":1061},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.264.png","262\n262\nECOS\nEcos AP 35\ndesign Renato Toso, Noti Massari & Ass.ti 2007\nECOS\n",264,{"image":1063,"text":1064,"number":1065},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.265.png"," ECOS AP 35 \n 2×60W G9 \n \n \n \n \n  \n 2×60W G9 \n \ncm 35\n14”\ncm 23\n9”\ncm 18\n7”\nUSA & CANADA\n Collezione \u002F Collection \n 34 \n 236 \n 346 \n Collezione di lampade componibili con anelli di \nvetro di diversi colori e textures. È una soluzione \nd'illuminazione che offre grandissima possibilità di \npersonalizzazione in termini di forme e misure. \n A system made with multiple glass rings, available \nin different colours and textures, which offers a high \nlevel of customization in terms of shape and size. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts\n ECOS \n design Renato Toso, Noti Massari & \nAssociati 2007 \n BC\u002FRI  \n CR\u002FRI  \nBS\nCR\n263\n",265,{"image":1067,"text":1068,"number":1069},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.266.png","264\nDamasco AP G\ndesign Paolo Crepax 2003\nDAMASCO\nDAMASCO\n",266,{"image":1071,"text":1072,"number":1073},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.267.png"," DAMASCO AP 1A P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \ncm 7\n3”\ncm 10\n4”\ncm 15\n6”\nUSA & CANADA\n DAMASCO AP 2A P \n 2×60W G9 \n \n \n \n \n  \n 2×60W G9 \n \ncm 10\n4”\ncm 18\n7”\ncm 15\n6”\nUSA & CANADA\n DAMASCO AP G \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 37\n15”\ncm 20\n8”\ncm 25\n10”\nUSA & CANADA\n Collezione \u002F Collection \n 66\n 226 \n 306 \n 340 \n Collezione realizzata con la tecnica bozzolo, in cui \nl’originale decoro diventa un vero e proprio \nmateriale: la sovrapposizione di fi li di vetro fuso a \ncreare una texture in rilievo. Damasco è una delle \ncreazioni di più lungo successo, che vede nel \ntempo versioni sempre nuove. \n It is produced with the bozzolo technique, which \nconsists in applying threads of molten glass that \ncreate an organic texture. Due to its versatility, it is \none of our most successful series which has been \ndeveloped and extended during the years with new \nversions.   \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n DAMASCO \n design Paolo Crepax 2003 \n DAMASCO \n design Paolo Crepax 2003 \n CR\u002FAM  \n CR\u002FCR  \n NI  \n265\n",267,{"image":1075,"text":1076,"number":1077},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.268.png","266\nMinigiogali AP\ndesign Angelo Mangiarotti 1967 - restyling 2009\nMINIGIOGALI\nMINIGIOGALI\n",268,{"image":1079,"text":1080,"number":1081},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.269.png"," MINIGIOGALI AP \n 1×60W E14 \n \n \n \n \n  \n 1×40W E12 \n \ncm 35\n14”\ncm 19\n7”\ncm 35\n14”\nUSA & CANADA\n MINIGIOGALI AP 2 \n 2×77W E27 \n \n \n \n \n  \n 2×60W E26 \n \ncm 50\n20”\ncm 23\n9”\ncm 23\n9”\ncm 23\n9”\nUSA & CANADA\n Collezione \u002F Collection \n 180\n 242 \n 299 \n 344 \n La versione ridotta di Giogali, che permette \ndi impiegare i ganci in cristallo per installazioni a \nparete di minori dimensioni, standard o su misura. \n The reduced version of Giogali uses glass \nhooks for smaller wall installations, standard \nor custom-made.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n MINIGIOGALI \n design Angelo Mangiarotti 1967 - \nrestyling 2009 \n MINIGIOGALI \n design Angelo Mangiarotti 1967 - \nrestyling 2009 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n BR  \n CR  \n267\n",269,{"image":1083,"text":1084,"number":1085},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.270.png","268\ndesign Angelo Mangiarotti 1967\nGIOGALI\nGIOGALI\n268\nGiogali AP 2\n",270,{"image":1087,"text":1088,"number":1089},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.271.png","269\n GIOGALI AP \n 1×60W E14 \n \n \n \n \n  \n 1×40W E12 \n \ncm 36\n14”\ncm 19\n7”\ncm 56\n22”\nUSA & CANADA\n GIOGALI AP 2 \n 2×77W E27 \n \n \n \n \n  \n 2×60W E26 \n \ncm 50\n20”\ncm 25\n10”\ncm 25\n10”\ncm 25\n10”\nUSA & CANADA\n Collezione \u002F Collection \n172 \n 238 \n 342 \n Un sistema decorativo d’illuminazione basato \nsull’elemento del gancio di cristallo componibile. \nDisponibile in diversi colori, montabile in versione \nda tavolo, da soffi tto, sospensione, da parete e da \nterra. Può essere impiegato in grandi lampadari e \nstrutture di qualsiasi dimensione. \n A decorative lighting system based on a single \nelement, the handmade glass hook. It is available \nin different colours, as standard table, ceiling, \npendant, wall fi xture and fl oor. It can also be \narranged to offer chandeliers and structures of any \ndimension. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n GIOGALI \n design Angelo Mangiarotti 1967 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n BR  \n CR  \n",271,{"image":1091,"text":1092,"number":1093},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.272.png"," VEGA AP \n 1×50W GY6.35 \n \n \n \n \n 1×50W GY6.35 \n \ncm 20\n8”\ncm 13\n5”\nUSA & CANADA\n Collezione \u002F Collection \n 308 \n347 \n VEGA \n design Michele De Lucchi 1982 \n \n Una creazione storica del design italiano, \nrecentemente rivisitata in una collezione che \nall'originale lampada da tavolo unisce i modelli da \nparete e a pavimento. \n A piece of Italian design history that has recently \nbeen extended from the original table lamp to wall \nand fl oor fi xtures. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC  \n MC\u002F1  \n MC\u002F2  \n BC  \nVEGA\n270\nVega AP\n",272,{"image":1095,"text":1096,"number":1097},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.273.png"," FUTURA AP P \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 22\n9”\ncm 20\n8”\ncm 35\n18”\nUSA & CANADA\n Collezione \u002F Collection \n 92\n 234 \n 311 \n 339 \n FUTURA \n design Hangar Design Group 2015 \nCollezione di lampade in vetro soffi ato disponibile \nin cristallo e tre esclusive colorazioni abbinate a \ndifferenti fi niture dell’anello metallico. Il vetro \nsoffi ato è in pezzo unico ma la particolare \nlavorazione lo rende di colore trasparente nella \nparte superiore e di colore diffusore nella parte \ninferiore.\nCollection of lamps in blown glass available in \ntransparent and three exclusive colors combined \nwith different fi nishes of the metal ring. The glass \nis blown in one piece but the particular handcraft \nprocess makes the colour transparent in the upper \npart and diffuser in the bottom part.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FNE  \n FU\u002FMA  \n AM\u002FOT  \n CR\u002FRA  \n NE  \nBEST of  CATEGORY\n2016\n VEGA AP \n 1×50W GY6.35 \n \n \n \n \n 1×50W GY6.35 \n \ncm 20\n8”\ncm 13\n5”\nUSA & CANADA\n Collezione \u002F Collection \n 308 \n347 \n VEGA \n design Michele De Lucchi 1982 \n \n Una creazione storica del design italiano, \nrecentemente rivisitata in una collezione che \nall'originale lampada da tavolo unisce i modelli da \nparete e a pavimento. \n A piece of Italian design history that has recently \nbeen extended from the original table lamp to wall \nand fl oor fi xtures. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC  \n MC\u002F1  \n MC\u002F2  \n BC  \nFUTURA\n271\nFutura AP\n",273,{"image":1099,"text":1100,"number":1101},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.274.png","272\nStardust AP 3\n",274,{"image":1103,"text":1104,"number":1105},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.275.png"," STARDUST AP 1 \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \ncm 7\n3”\ncm 18\n7”\ncm 50\n20”\nUSA & CANADA\n STARDUST AP 3 \n 3×60W G9 \n \n \n \n \n  \n 3×60W G9 \n \ncm 32\n13”\ncm 20\n8”\ncm 50\n20”\nUSA & CANADA\n Collezione \u002F Collection \n 54 \n 301 \n STARDUST \n design Francesco Lucchese 2015 \n Collezioni di lampade con braccia in vetro soffi ato \ne lavorato a mano. Le strutture in metallo \nnascondono un originale sistema di fi ssaggio dei \nbracci e del sistema di cablaggio. \n Collections of lamps with arms made of blown and \nhandcrafted crystal glass. The metal frames hide \nan original fastening system of the arms and of the \ncabling system. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n CR\u002FRI  \n NN  \n273\nStardust AP 1\n",275,{"image":1107,"text":1108,"number":1109},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.276.png","274\nLio AP 48\narchivio storico Vetreria Vistosi 1972\nLIO\nLIO\n",276,{"image":1111,"text":1112,"number":1113},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.277.png"," LIO PP 30 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 30\nø 12”\ncm 9\n4”\ncm 9\n4”\nUSA & CANADA\n LIO PP 40 \n 1×77W E27 \n I\n F  \n \n \n \n \n  \n 1×60W E26 \n I\n F  \nø cm 40\nø 16”\ncm 10\n4”\ncm 10\n4”\nUSA & CANADA\n LIO PP 50 \n 2×77W E27 \n J  G  \n \n \n \n \n  \n  2×60W E26 \n J  G  \nø cm 50\nø 20”\ncm 14\n6”\ncm 14\n6”\nUSA & CANADA\n LIO AP L1 P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \ncm 24\n9”\ncm 7\n3”\ncm 10\n4”\nUSA & CANADA\n LIO AP 48 \n 1×100W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 49\n19”\ncm 8\n3”\ncm 12\n5”\nUSA & CANADA\n LIO AP L2 P \n 2×60W G9 \n \n \n \n \n  \n  2×60W G9 \n \ncm 24\n9”\ncm 10\n4”\ncm 18\n7”\nUSA & CANADA\n Collezione \u002F Collection \n10 0 \n 200 \n 296 \n 333 \n Ampia gamma di lampade che in un design \nminimalista e discreto esaltano la sorgente \nluminosa, grazie alla fascia di vetro traslucida \nimprigionata tra gli strati del cristallo. \n A comprehensive range of lamps that share a \nminimal, unobtrusive design that makes the most \nof the light source, which to the traslucid white \nband inserted in the glass.  \n Tonalità del vetro \u002F Glass colour tone \n \n  LED  Europe \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n  J   10 W - 230 V - 1120 lm - 3.000 K   \n \n  \n \n  LED  USA & Canada \n  F   12,5 W - 25 V - 1650 lm - 3.000 K   \n  \n  G   19,5 W - 39 V - 2850 lm - 3.000 K   \n  \n \n I   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n  J   17,5 W - 120 V - 1300 lm - 3.000 K   \n  \n \n LIO \n archivio storico Vetreria Vistosi 1972 \n LIO \n archivio storico Vetreria Vistosi 1972 \n CR\u002FBC  \n BC  \n NI  \n275\n",277,{"image":1115,"text":1116,"number":1117},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.278.png"," PUPPET AP P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \n�����\n���\n�����\n��\n�����\n��\nUSA & CANADA\n Collezione \u002F Collection \n74 \n 297 \n PUPPET \n design Romani Saccani Architetti 2015 \n Collezione di lampade con diffusori in vetro \nsoffi ato sfumato e rigato irregolarmente. \nLe braccia del lampadario sono appese \nsingolarmente a piacere del cliente. \n Collection of lamps with blown glass diffuser with \nan original irregularly lined ‘dégradé’ fi nish. The \narms of the chandelier are hung individually to \ncustomer demand.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n PUPPET \n design Romani Saccani Architetti \nAssociati 2015 \n BC\u002FSF  \n CR\u002FTR  \n FU\u002FTR  \n AM\u002FTR  \n CR  \n NE  \nPUPPET\n276\nPuppet AP P\n",278,{"image":1119,"text":1120,"number":1121},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.279.png"," GOCCIA AP \n 1×77W E27 \n \n \n \n \n  \n 1×60W E27 \n \ncm 24\n9”\ncm 38\n15”\ncm 12\n5”\nUSA & CANADA\nLa delicata combinazione dell’inconfondibile linea \ndel paralume e del gambo realizzato a mano \nin vetro con scaglie d’oro a 24k, fa di Goccia il \nmodello perfetto per ambientazioni sia eleganti \nche moderne.  \nThe recognizable shape of the diffuser and the \nbeauty of the stem of handmade glass with 24k \ngold fl akes combine to make this sconce suitable \nfor modern and elegant ambiances. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FCR  \nBC\n GOCCIA \nstudio tecnico Vetreria Vistosi 2002 \nGOCCIA\n277\nGoccia AP\n",279,{"image":1123,"text":1124,"number":1125},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.280.png","278\n278\ndesign Hangar Design Group 2017\nPEGGY\nPeggy AP\nPEGGY\n",280,{"image":1127,"text":1128,"number":1129},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.281.png"," PEGGY AP \n1×60W E14 \n \n \n \n \n  \n 1×40W E12 \n \nø cm 20\nø 8”\ncm 28\n11”\ncm 23\n9”\ncm 55\n22”\nUSA & CANADA\n Collezione \u002F Collection \n 58\n Il vetro soffi ato bianco lavorato a mano insieme al \nmetallo lucido color piombo, interpretano la \npolarità cromatica del black&white con la \nleggerezza di un segno razionale ed elegante. Con \nun’installazione di grande effetto, il lighting system \nPeggy illumina il Cafè del Peggy Guggenheim \nMuseum di Venezia. \n The white, blown handmade glass together \nwith the glossy black metal, with a lead-effect \ntreatment, interpret the polarity between \nblack&white with the lightness of a rational and \nelegant design. With an impressive installation \nthe lighting system lights up the Museum Café at \nPeggy Guggenheim Museum in Venice. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n PEGGY \n design Hangar Design Group 2014 - \nrestyling 2017 \n BC\u002FLU  \n NEL  \n OT  \n279\n",281,{"image":1131,"text":1132,"number":1133},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.282.png","CORNER\n280\nstudio tecnico Vetreria Vistosi 1993\nCORNER\nCorner AP\n",282,{"image":1135,"text":1136,"number":1137},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.283.png"," CORNER AP \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 20\n8”\ncm 18\n7”\nUSA & CANADA\n Il vetro lucido o satinato e la forma ideata per uno \nspazio angolare rendono Corner perfetta per \nambienti dalla luce intima, come le stanze da letto. \n The glossy or matt blown glass and the shape that \nadapts to a corner help to create an intimimate \nambient light, which is ideal for a bedroom. \n Tonalità del vetro \u002F Glass colour tone \n \n \n CORNER \n studio tecnico Vetreria Vistosi 1993 \n BC\u002FLU  \n BC\u002FST  \n AM\u002FLU  \n AM\u002FST  \n FU\u002FLU  \n FU\u002FST  \n SB\u002FLU  \n SB\u002FST  \n TB\u002FLU  \n TB\u002FST  \n281\nTB\u002FLU\nTB\u002FST\n",283,{"image":1139,"text":1140,"number":1141},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.284.png","282\nstudio tecnico Vetreria Vistosi 1993\nDAFNE\nDAFNE\nDafne AP\n",284,{"image":1143,"text":1144,"number":1145},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.285.png"," DAFNE AP E27 \n 1×77W E27 \n \n \n \n \n \n  \n 1×60W E26 \n \n�����\n��\n�����\n��\n�����\n��\nUSA & CANADA\n DAFNE AP R7S \n 1×80W R7s \n \n \n \n \n \n  \n 1×80W R7s \n \n�����\n��\n�����\n��\n�����\n��\nUSA & CANADA\n Le linee eleganti e discrete di Dafne ne fanno una \nlampada da parete adatta ai più vari stili \nd'arredamento. \n This wall lamp offers an elegant and unobtrusive \ndesign that makes it suitable for any decoration. \n Tonalità del vetro \u002F Glass colour tone \n \n  \n DAFNE \n studio tecnico Vetreria Vistosi 1993 \n BC\u002FST  \n BC\u002FLU  \n AM\u002FST  \n AM\u002FLU  \n SB\u002FST  \n SB\u002FLU  \n FU\u002FST  \n FU\u002FLU  \n TB\u002FST  \n TB\u002FLU  \n283\nSB\u002FLU\nSB\u002FST\n",285,{"image":1147,"text":1148,"number":1149},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.286.png","284\nOvalina AP\nstudio tecnico Vetreria Vistosi 1993\nOVALINA\nOVALINA\n",286,{"image":1151,"text":1152,"number":1153},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.287.png"," OVALINA AP E27 \n 1×77W E27 \n \n \n \n \n \n  \n 1×60W E26 \n \ncm 24\n10”\ncm 27\n11”\ncm 10\n4”\nUSA & CANADA\n OVALINA AP R7S \n 1×80W R7S \n \n \n \n \n \n  \n 1×80W R7S \n \ncm 24\n10”\ncm 27\n11”\ncm 10\n4”\nUSA & CANADA\n Design discreto ed essenziale per esaltare la resa \ndel vetro soffi ato satinato sono le caratteristiche di \nOvalina. \n A clean, unobtrusive design that maximizes the \nquality of the matt-fi nish blown glass. \n Tonalità del vetro \u002F Glass colour tone \n \n \n OVALINA \n studio tecnico Vetreria Vistosi 1993 \n BC\u002FST  \n BC\u002FLU  \n AM\u002FST  \n AM\u002FLU  \n FU\u002FST  \n FU\u002FLU  \nVA \u002FST  \n VA\u002FLU  \n285\nFU\u002FLU\nFU\u002FST\n",287,{"image":1155,"text":19,"number":1156},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.288.png",288,{"image":1158,"text":1159,"number":1160},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.289.png","287\nTavolo \u002F Table\n  Sospensioni \u002F Suspension\n23\n  Plafoniere \u002F Ceiling\n189\n  Parete \u002F Wall\n247\n  Terra \u002F Floor\n327\n",289,{"image":1162,"text":19,"number":1163},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.290.png",290,{"image":1165,"text":1166,"number":1167},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.291.png","Alega \n290\nNessa \n292\nBissona \n295\nCloth \n315\nBolle \n324\nDamasco \n306\nDiadema \n319\nAssiba \n300\nFutura \n311\nGoto \n304\nImplode \n314\nJo \n310\nLio \n296\nLucciola \n312\nMinigiogali \n299\nMunega \n298\nNovecento \n318\nPuppet \n297\nRina \n316\nStardust \n301\nVega \n308\nSata \n302\nNaxos \n320\nFerea \n294\nSpirit \n305\n289\nTavolo \u002F Table\n",291,{"image":1169,"text":1170,"number":1171},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.292.png","ALEGA\n290\ndesign Vico Magistretti 1970\nALEGA\nAlega LT\n",292,{"image":1173,"text":1174,"number":1175},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.293.png"," ALEGA LT \n 3×60W E14 \n \n \n \n \n 3×40W E12 \n \ncm 46\n18”\nø cm 45\nø 18”\nUSA & CANADA\n Ispirazione retrò e idea del classico nello stesso \ndesign. La combinazione della base trasparente \ncon il diffusore bianco dona un tono caldo alla \nluce. \n A design that combines a classical concept with \na retro inspiration. The transparent base and the \nwhite diffuser give a warm accent to the light. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n ALEGA \n design Vico Magistretti 1970 \n BC\u002FCR  \n CR  \n291\nLOREM IPSUM SP\n",293,{"image":1177,"text":1178,"number":1179},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.294.png","NESSA\n292\nNessa LT\narchivio storico Vetreri Vistosi 1972\nNESSA\n",294,{"image":1181,"text":1182,"number":1183},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.295.png"," NESSA LT \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 38\n15”\nø cm 40\nø 16”\nUSA & CANADA\n Una lampada da tavolo prodotta a mano, molto \npiù che funzionale. La fascia inferiore trasparente \nsfrutta al massimo la sorgente luminosa, mentre il \nresto del corpo in vetro bianco lascia fi ltrare una \nluce perfetta per ambienti soft. \n A freehand made table lamp that goes beyond \nfunctionality. The bottom transparent band makes \nthe most of the light source, while the upper white \nband creates a soft ambient light. \n Tonalità del vetro \u002F Glass colour tone \n \n \n NESSA \n archivio storico Vetreria Vistosi 1972 \n CR\u002FBC  \n293\nLOREM IPSUM SP\n",295,{"image":1185,"text":1186,"number":1187},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.296.png"," FEREA LT \n 1×205W E27 \n \n \n \n \n 1×60W E26 \n \ncm 49\n19”\nø cm 45\nø 18”\nø cm 16\nø 6”\nUSA & CANADA\n FEREA \n design Babled  & Co. 2009 \n Le linee uniche di Ferea sono rese possibili \ndall'impiego del taglio waterjet, che permette al \ndesigner di esplorare e plasmare forme inedite \nnella tradizione del vetro muranese. \n A unique design made possible by the use of the \nwaterjet cut, which allows the designer to explore \nand create shapes that give a new direction to the \ntradition of Murano glass. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FST  \n BC  \n294\nFerea LT\n",296,{"image":1189,"text":1190,"number":1191},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.297.png"," BISSONA LT \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \ncm 24\n9”\ncm 42\n17”\nUSA & CANADA\n BISSONA \n archivio storico Vetreria Vistosi 1968  \n Oggetto decorativo più che lampada da tavolo, \nrifl ette le linee semplici del design vintage nella \nqualità e unicità del suo vetro artigianale. \nDisponibile in due misure. \n More a decorative object than a table lamp as it \nrefl ects the simplicity of the vintage design, the \nquality of the glass and the uniqueness of its \nhandmade production. Available in two sizes. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FLU  \n BC  \nBISSONA\n295\nBissona LT\n",297,{"image":1193,"text":1194,"number":1195},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.298.png"," LIO LT P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 7\nø 3”\ncm 23\n9”\nUSA & CANADA\n LIO LT 40 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 37\n15”\nø cm 14\nø 6”\nUSA & CANADA\n LIO LT 50 \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 50\n20”\nø cm 18\nø 7”\nUSA & CANADA\n Collezione \u002F Collection \n 100 \n20 0 \n 274 \n 333 \n LIO \n archivio storico Vetreria Vistosi 1972 \n Ampia gamma di lampade che in un design \nminimalista e discreto esaltano la sorgente \nluminosa, grazie alla fascia di vetro traslucida \nimprigionata tra gli strati del cristallo. \n A comprehensive range of lamps that share a \nminimal, unobtrusive design that makes the most \nof the light source, which to the traslucid white \nband inserted in the glass.  \n Tonalità del vetro \u002F Glass colour tone \n \n \n LIO \n archivio storico Vetreria Vistosi 1972 \n CR\u002FBC  \nLIO\n296\nLio LT 40\n",298,{"image":1197,"text":1198,"number":1199},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.299.png"," PUPPET LT P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \n�����\n���\n�������\n����\n�\nUSA & CANADA\n Collezione \u002F Collection \n74 \n 276 \n PUPPET \n design Romani Saccani Architetti 2015 \n Collezione di lampade con diffusori in vetro \nsoffi ato sfumato e rigato irregolarmente. \nLe braccia del lampadario sono appese \nsingolarmente a piacere del cliente. \n Collection of lamps with blown glass diffuser with \nan original irregularly lined ‘dégradé’ fi nish. \nThe arms of the chandelier are hung individually \nto customer demand.   \nTonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n PUPPET \n design Romani Saccani Architetti \nAssociati 2015 \n BC\u002FSF  \n CR\u002FTR  \n FU\u002FTR  \n AM\u002FTR  \n CR  \n NE  \n297\nPuppet LT P\n",299,{"image":1201,"text":1202,"number":1203},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.300.png"," MUNEGA LT P \n 1×60W E14 \n \n \n \n \n  \n 1×40W E12 \n \ncm ~ 27\n~ 11”\ncm ~ 20\n~ 8”\nUSA & CANADA\n MUNEGA LT G \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm ~ 55\n~ 22”\ncm ~ 48\n~ 19”\nUSA & CANADA\n MUNEGA \n design Luciano Vistosi 1978 \n Collezione di lampade in vetro soffi ato e modellato \na mano libera per creare una forma iconica di \nVistosi. \n Collection of blown glass, freehand-modelled \nlamps that create an iconic Vistosi shape. \n Tonalità del vetro \u002F Glass colour tone \n \n \n BC  \nMUNEGA\n298\nMunega LT P \u002F G\n",300,{"image":1205,"text":1206,"number":1207},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.301.png"," MINIGIOGALI LT \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 30\nø 12”\ncm 25\n10”\ncm 18\n7”\nUSA & CANADA\n Collezione \u002F Collection \n180 \n 242 \n 266 \n 344 \n MINIGIOGALI \n design Angelo Mangiarotti 1967  \n La versione ridotta di Giogali, che permette \ndi impiegare i ganci in cristallo per installazioni a \nparete di minori dimensioni, standard o su misura. \n The reduced version of Giogali uses glass \nhooks for smaller wall installations, standard \nor custom-made.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n MINIGIOGALI \n design Angelo Mangiarotti 1967 - \nrestyling 2009 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n BR  \n CR  \n299\nMinigiogali LT\n",301,{"image":1209,"text":1210,"number":1211},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.302.png"," ASSIBA LT \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \n�����\n���\n�����\n���\nUSA & CANADA\n Collezione \u002F Collection \n52 \n ASSIBA \n design Mauro Olivieri 2011 \n Collezione ispirata a forme, colori e texture \ndell’oceano. Permette infi nite combinazioni grazie \nai componenti rotanti, realizzati in vetro soffi ato \nlucido. È disponibile in due misure, collocabili in \nposizioni diverse.\nA collection inspired by the ocean life in its \ncolours, shapes and textures. It allows infi nite \ncombinations thanks to the rotating components, \nmade of glossy blown glass and available in two \nsizes, which can be arranged in different positions.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FBT  \n CR\u002FBT  \n MC2  \n MC3  \n CR  \nASSIBA\n300\nAssiba LT\n",302,{"image":1213,"text":1214,"number":1215},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.303.png"," STARDUST LT \n 1×48W G9 \n \n \n \n \n  \n 1×48W G9 \n \ncm 8\n3”\ncm 39\n15”\nUSA & CANADA\n Collezione \u002F Collection \n 54 \n 272 \n STARDUST \n design Francesco Lucchese 2015 \n Collezioni di lampade con braccia in vetro soffi ato \ne lavorato a mano. Le strutture in metallo \nnascondono un originale sistema di fi ssaggio dei \nbracci e del sistema di cablaggio. \n Collections of lamps with arms made of blown and \nhandcrafted crystal glass. The metal frames hide \nan original fastening system of the arms and of the \ncabling system. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n CR\u002FRI  \n NN  \n301\nStardust LT\n",303,{"image":1217,"text":1218,"number":1219},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.304.png","302\ndesign Favaretto& Partners 2017\nSATA\nSata LT\n",304,{"image":1221,"text":1222,"number":1223},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.305.png"," SATA LT \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 23\n9”\ncm 20\n8”\nø cm 35\nø 14”\nø cm 33\nø 13”\nUSA & CANADA\n Collezione \u002F Collection \n 336 \n Questo sistema di illuminazione prosegue la \nrifl essione stilistica di Trepai, mettendo ancora più \nin risalto il legno di frassino, sulla cui struttura \nrigorosa e geometrica poggia il corpo illuminante \nin vetro soffi ato. La collezione è declinata in più \nversioni per adattarsi a diversi contesti, sia classici \nsia moderni. \n This lighting system carries on with the stylistic \nrefl ection of Trepai, and gives even more emphasis \nto ash wood, which forms the rigorous and \ngeometric structure where the blown glass light \nsource rests. The collection is available in several \nversions to suit different contexts, both classic and \nmodern. \n Tonalità del vetro \u002F Glass colour tone \n Struttura \u002F Structure \n \n SATA \n design Favaretto&Partners 2017 \n SATA \n design Favaretto&Partners 2017 \n AM\u002FSF  \n BC\u002FSF  \n LFN  \n LFR  \nred dot \ndesign \naward\n2017\n303\nLOREM IPSUM SP\n",305,{"image":1225,"text":1226,"number":1227},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.306.png"," GOTO LT P \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 20\nø 8”\ncm 46\n18”\nUSA & CANADA\n GOTO LT G \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 25\nø 10”\ncm 70\n28”\nUSA & CANADA\n GOTO \n studio tecnico Vetreria Vistosi 2002 \n Ideale per gli ambienti d'impronta classica, questa \ncollezione di applique prende ispirazione dalle \nforme della botanica, riprodotte in vetro soffi ato \nbianco. \n A collection of fi xtures with a delicate shape of \nbotanical inspiration, made with blown glass and \navailable in white for classic style rooms. \n Tonalità del vetro \u002F Glass colour tone \n \n \n BC\u002FLU  \nGOTO\n304\nGoto LT P \u002F G\n",306,{"image":1229,"text":1230,"number":1231},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.307.png"," SPIRIT LT 37 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 35\n14”\nø cm 42\nø 17”\nUSA & CANADA\n Collezione \u002F Collection \n 114 \n 198 \n SPIRIT \n design Marco Acerbis 2013 \n Spirit è la forma del diamante soffi ata nel vetro. \nLe particolari rigature, frutto di una lunga ricerca, \ncatturano la luce e la rifl ettono, nascondendo la \nsorgente luminosa anche nella versione in cristallo \ntrasparente. \n The shape of a diamond blown into glass. \nThe folds are the result of a long process of \ndevelopment that creates a unique light refl ection \nwhile, even in the transparent crystal version, the \nsource of light is concea led.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n SPIRIT \n design Marco Acerbis 2013 \n BC\u002FLU  \n CR\u002FTR  \n NI  \n305\nSpirit LT 37\n",307,{"image":1233,"text":1234,"number":1235},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.308.png","DAMASCO\n306\ndesign Paolo Crepax 2003\nDAMASCO\nDamasco LT P \u002F M \u002F G\n",308,{"image":1237,"text":1238,"number":1239},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.309.png"," DAMASCO LT P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \ncm 15\n6”\nø cm 7\nø 2,75”\nUSA & CANADA\n DAMASCO LT M \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 28\n11”\nø cm 20\nø 8”\nUSA & CANADA\n DAMASCO LT G \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 38\n15”\nø cm 20\nø 8”\nUSA & CANADA\n Collezione \u002F Collection \n 66\n 226 \n 264 \n 340 \n Collezione realizzata con la tecnica bozzolo, in cui \nl’originale decoro diventa un vero e proprio \nmateriale: la sovrapposizione di fi li di vetro fuso a \ncreare una texture in rilievo. Damasco è una delle \ncreazioni di più lungo successo, che vede nel \ntempo versioni sempre nuove. \nIt is produced with the bozzolo technique, which \nconsists in applying threads of molten glass that \ncreate an organic texture. Due to its versatility, it is \none of our most successful series which has been \ndeveloped and extended during the years with new \nversions.   \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n DAMASCO \n design Paolo Crepax 2003 \n CR\u002FAM  \n CR\u002FCR  \n NI  \n307\n",309,{"image":1241,"text":1242,"number":1243},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.310.png","308\nVega LT\n",310,{"image":1245,"text":1246,"number":1247},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.311.png"," VEGA LT \n 1×50W GY6.35 \n \n \n \n \n 1×50W GY6.35 \n \ncm 57\n22”\ncm 60\n24”\nUSA & CANADA\n Collezione \u002F Collection \n 270 \n 347 \n VEGA \n design Michele De Lucchi 1982 \n Una creazione storica del design italiano, \nrecentemente rivisitata in una collezione che \nall'originale lampada da tavolo unisce i modelli da \nparete e a pavimento. \n A piece of Italian design history that has recently \nbeen extended from the original table lamp to wall \nand fl oor fi xtures. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC  \n MC1  \n MC2  \n BC  \nVega LT\n309\nLOREM IPSUM SP\n",311,{"image":1249,"text":1250,"number":1251},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.312.png"," JO LT \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 44\n17”\nø cm 17\nø 7”\ncm 34\n13”\nø cm 17\nø 7”\ncm 34\n13”\nUSA & CANADA\n JO \n design Pio e Tito Toso 2011 \n JO, nella versione tavolo, è composta da due \nmetà di vetro soffi ato di forma ovale. Il paralume \ndiffonde in modo incantevole la luce mentre la \nbase lo rifl ette. \n JO table lamp consists of two oval shape \nmouthblown glasses. The lampshade charmingly \ndiffuses the light while the base refl ects it. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FDI  \n FU\u002FDI  \n SB\u002FDI  \n CR  \nJO\n310\nJo LT\n",312,{"image":1253,"text":1254,"number":1255},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.313.png"," FUTURA LT P \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 20\nø 8”\ncm 29\n11”\nUSA & CANADA\n FUTURA LT M \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 23\nø 9”\ncm 48\n19”\nUSA & CANADA\n Collezione \u002F Collection \n92\n 234 \n 271 \n 339 \n FUTURA \n design Hangar Design Group 2015 \n Collezione di lampade in vetro soffi ato disponibile \nin cristallo e tre esclusive colorazioni abbinate \na differenti fi niture dell’anello metallico. Il vetro \nsoffi ato è in pezzo unico ma la particolare \nlavorazione lo rende di colore trasparente nella \nparte superiore e di colore diffusore nella parte \ninferiore.\nCollection of lamps in blown glass available in \ntransparent and three exclusive colors combined \nwith different fi nishes of the metal ring. The glass \nis blown in one piece but the particular handcraft \nprocess makes the colour transparent in the upper \npart and diffuser in the bottom part.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FNE  \n FU\u002FMA  \n AM\u002FOT  \n CR\u002FRA  \n NE  \nFUTURA\n311\nFutura LT P \u002F G\n",313,{"image":1257,"text":1258,"number":1259},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.314.png","312\narchivio storico Vetreria Vistosi 1981\nLUCCIOLA\nLucciola LT 30 P\nLUCCIOLA\n",314,{"image":1261,"text":1262,"number":1263},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.315.png"," LUCCIOLA LT 18 \n 1×46W E14 \n \n \n \n \n  \n 1×40W E12 \n \nø cm 18\nø 7”\ncm 13\n5”\nUSA & CANADA\n LUCCIOLA LT 27 \n 1×46W E14 \n \n \n \n \n  \n 1×40W E12 \n \ncm 21\n8”\nø cm 27\nø 11”\nUSA & CANADA\n LUCCIOLA LT P \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 36\nø 14”\ncm 27\n11”\nUSA & CANADA\n LUCCIOLA LT M \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 41\nø 16”\ncm 30\n12”\nUSA & CANADA\n LUCCIOLA LT G \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 48\nø 19”\ncm 36\n14”\nUSA & CANADA\n LUCCIOLA LT 30 P \n  1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 20\nø 8”\ncm 27\n11”\ncm 32\n13”\nUSA & CANADA\n Collezione \u002F Collection \n 132 \n 224 \n 260\n 332 \n Una delle più versatili collezioni. La sua forma \novale in vetro soffi ato satinato è disponibile in \ndiverse dimensioni, che si prestano a innumerevoli \ncombinazioni d’installazione. \n One of our most versatile series. Its oval, \nmouth-blown matt glass shape is available \nin different sizes, which can be combined \nto offer multiple possibilities.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n LUCCIOLA \n archivio storico Vetreria Vistosi 1981 \n BC\u002FST  \n BC  \n NI  \n*\n*\n* LT 18, LT 27 solo BC \u002F LT 18, LT 27 only BC\n313\nLOREM IPSUM SP\n",315,{"image":1265,"text":1266,"number":1267},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.316.png"," IMPLODE LT 16 \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \n�����\n��\n�������\n����\nUSA & CANADA\n IMPLODE LT 38 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \n�����\n���\n�������\n�����\nUSA & CANADA\n Collezione \u002F Collection \n 108 \n 194 \n IMPLODE \n design Gregorio Spini 2011 \n Questa linea rappresenta l’illusione di una \nsuperfi cie creatasi dall’implosione di un volume. Il \nvetro, grazie alla sua densità, lascia trasparire le \ngradazioni di strati multipli di cristallo bianco e \ntrasparente. \n A collection that represents the illusion of a surface \ncreated by the implosion of a volume. The glass, \ndue to the thickness, shows a gradation of multiple \nlayers of white and transparent crystal. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FCR  \n BC  \nIMPLODE\n314\nImplode LT 16 \u002F 38\n",316,{"image":1269,"text":1270,"number":1271},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.317.png"," CLOTH LT G \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \nø cm 30\nø 12”\ncm 25\n9”\ncm 25\n9”\nø cm 40\nø 16”\nUSA & CANADA\n Collezione \u002F Collection \n 150\n 252 \n 335 \n CLOTH \n design Romani Saccani Architetti 2009 \n La complessa soffi atura di Cloth trasforma il vetro \nin un tessuto increspato, di grande effetto. Nella \nversione cromata, grazie ad un'esclusiva fi nitura \nesterna, Cloth è metallizzata quando è spenta, e \nassume un tono caldo beige scuro quando viene \naccesa. \n Unique blown glass that seems to turn into pleated \nfabric, making this collection a real eye catcher. \nThe chrome version has an exclusive outer chrome \ncoating that looks metallic when the lamp is off, \nbut turns to dark beige when the lamp is on. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FST  \n BC\u002FCM  \n CR  \n315\nCloth LT G\nOFF\nON\n",317,{"image":1273,"text":1274,"number":1275},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.318.png"," RINA LT 16 \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 16\nø 6”\ncm 19\n7”\nUSA & CANADA\n RINA LT 25 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 25\n10”\nø cm 25\nø 10”\nUSA & CANADA\n Collezione \u002F Collection \n 168 \n 220 \n RINA \n design Barbara Maggiolo 2009 \n Si ispira al tarassaco, del quale ricorda il pappo, \ngrazie alla leggera texture della superfi cie, \nrealizzata con la tradizionale tecnica delle murrine. \nRina è disponibile in cinque misure che si possono \ncombinare in un'ampia gamma di installazioni a \nsospensione, applique e da soffi tto. \nInspired by the dandelion fl ower and using the \ntraditional murrina technique, which creates an \norganic light texture, Rina is available in fi ve sizes \nthat can be combined in a wide range of pendant, \nceiling and wall lights.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FMU  \n NI  \n RINA LT 35 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 35\n14”\nø cm 35\nø 14”\nUSA & CANADA\n RINA LT 45 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 45\n18”\nø cm 45\nø 18”\nUSA & CANADA\n RINA LT 60 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 60\n24”\nø cm 60\nø 24”\nUSA & CANADA\n Collezione \u002F Collection \n 168 \n 220 \n RINA \n design Barbara Maggiolo 2009 \n Si ispira al tarassaco, del quale ricorda il pappo, \ngrazie alla leggera texture della superfi cie, \nrealizzata con la tradizionale tecnica delle murrine. \nRina è disponibile in cinque misure che si possono \ncombinare in un'ampia gamma di installazioni a \nsospensione, applique e da soffi tto. \n Inspired by the dandelion fl ower and using the \ntraditional murrina technique, which creates an \norganic light texture, Rina is available in fi ve sizes \nthat can be combined in a wide range of pendant, \nceiling and wall lights. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FMU  \n NI  \n316\nRina LT 25 \u002F 35 \u002F 45 \u002F 60\n",318,{"image":1277,"text":1278,"number":1279},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.319.png"," RINA LT 16 \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 16\nø 6”\ncm 19\n7”\nUSA & CANADA\n RINA LT 25 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 25\n10”\nø cm 25\nø 10”\nUSA & CANADA\n Collezione \u002F Collection \n 168 \n 220 \n RINA \n design Barbara Maggiolo 2009 \n Si ispira al tarassaco, del quale ricorda il pappo, \ngrazie alla leggera texture della superfi cie, \nrealizzata con la tradizionale tecnica delle murrine. \nRina è disponibile in cinque misure che si possono \ncombinare in un'ampia gamma di installazioni a \nsospensione, applique e da soffi tto. \nInspired by the dandelion fl ower and using the \ntraditional murrina technique, which creates an \norganic light texture, Rina is available in fi ve sizes \nthat can be combined in a wide range of pendant, \nceiling and wall lights. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FMU  \n NI  \n317\nRina LT 16\n",319,{"image":1281,"text":1282,"number":1283},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.320.png"," NOVECENTO LT \n 1×60W E14 \n \n \n \n \n  \n 1×40W E12 \n \nø cm 20\nø 8”\ncm 30\n 12”\ncm 18\n7”\nø cm 27\nø 11”\nUSA & CANADA\n Collezione \u002F Collection \n 46 \n 229 \n 348 \n NOVECENTO \n design Romani Saccani Architetti 2013 \n La chiave di lettura della collezione Novecento \nè la volontà di sintetizzare la tradizione muranese \ndel lampadario, nel suo elemento più riconoscibile: \nil profi lo. Lo riproduce un guscio di cristallo che è \nil prodotto della rotazione a 360° della silhouette \ndel lampadario, mantenendo così le caratteristiche \ndelle forme originali, e risultando perfetto \nper atmosfere sia classiche che contemporanee.\n The idea behind the collection Novecento is to \nreduce the traditional Murano chandelier to its \nmost recognizable element, its profi le. This shape \nis then reconstructed in a 360º glass outline, \nwhich keeps the same characteristics of the \noriginal design and is therefore suitable for both \nclassic and contemporary ambiences.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FRI  \n CR\u002FRI  \n CR  \nNOVECENTO\n318\nNovecento LT\n",320,{"image":1285,"text":1286,"number":1287},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.321.png"," DIADEMA LT P A \n 1×60W E14 \n \n \n \n \n  \n 1×40W E12 \n \nø cm 15\nø 6”\ncm 15\n6”\ncm 35\n14”\nUSA & CANADA\n DIADEMA LT G B \n 1×60W E14 \n \n \n \n \n  \n 1×40W E12 \n \nø cm 18\nø 7”\ncm 19\n7”\ncm 48\n19”\nUSA & CANADA\n Collezione \u002F Collection \n 26\n232 \n 256 \n 345 \n DIADEMA \n design Romani Saccani Architetti 2005 \n \n Diadema è un sistema di illuminazione basato sul \nsingolo elemento della canna in puro vetro. \nCombinando canne di diverse dimensioni, la luce \nsi rifl ette e si trasmette in una sensazione di \nmovimento. La montatura metallica permette \nnumerose varianti e ampi margini per versioni su \nmisura, sempre a scomparsa, grazie al sistema di \nfi ssaggio ideato appositamente per questo \nmodello. \n Diadema is a lighting system based on a single \nelement, the rod of pure glass. It takes advantage \nof the way it refl ects and transmits the light, while \noffering a sense of movement by using rods of \ndifferent sizes. The metal body allows to offer \nmultiple variations and ample space for custom-\nmade versions with concea led  metal body, thanks \nto the fi xing system developed for this collection. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n CR  \n BS  \n CR  \n319\nDiadema LT G B\n",321,{"image":1289,"text":1290,"number":1291},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.322.png","320\nNaxox LT 76 \u002F MN\narchivio storico Vetreria Vistosi 1988\nNAXOS\nNAXOS\n",322,{"image":1293,"text":1294,"number":1295},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.323.png","321\nNaxox LT 33 \u002F 50\n",323,{"image":1297,"text":1298,"number":1299},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.324.png","322\nNaxos LT 50\n",324,{"image":1301,"text":1302,"number":1303},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.325.png"," NAXOS LT MN \n 1×60W E14 \n \n \n \n \n  \n 1×40W E12 \n \nø cm 16\nø 6”\ncm 26\n10”\nUSA & CANADA\n NAXOS LT 33 \n 1×60W E14 + 1×40W E14 \n \n \n \n \n  \n 1×40W E12 + 1×25W E12 \n \nø cm 20\nø 8”\ncm 33\n13”\nUSA & CANADA\n NAXOS LT 50 \n  1×77W E27 + 1×40W E14 \n \n \n \n \n  \n 1×60W E26 + 1×40W E12 \n \nø cm 32\nø 13”\ncm 50\n20”\nUSA & CANADA\n NAXOS LT 76 \n 1×77W E27 + 3×60W E14 \n+ 1×46W E27 \n \n \n \n \n  \n 1×60W E26 + 3×60W E12 \n+ 1×43W E26 \n \nø cm 48\nø 19”\ncm 76\n30”\nUSA & CANADA\n Collezione \u002F Collection \n 136 \n 334 \n Collezione di lampade da tavolo, sospensioni e \npiantane dal design riconoscibile, che esalta la \nqualità del vetro satinato. La versione da tavolo \nsfrutta il vantaggio di due sorgenti luminose: la \nbase e il paralume. \n A collection of table lamps, pendants and fl oor \nlamps with a recognizable design that maximizes \nthe quality of the matt-fi nish glass. The table \nversions have the advantage of lighting both the \nshade and the base. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n NAXOS \n archivio storico Vetreria Vistosi 1988 \n BC\u002FST  \n BC  \n323\n",325,{"image":1305,"text":1306,"number":1307},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.326.png","324\nBolle LT P\ndesign Barbara Maggiolo 2003\nBOLLE\n",326,{"image":1309,"text":1310,"number":1311},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.327.png"," BOLLE LT P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 16\nø 6”\ncm 19\n7”\nUSA & CANADA\n Collezione \u002F Collection \n 162 \n 222 \n La caratteristica texture di questa collezione viene \ndalla tecnica baloton, che consiste nell'inserimento \ndi bolle d'aria nel vetro durante la lavorazione. \nL'effetto \"tessuto\" che si ottiene moltiplica i rifl essi \nsulla superfi cie della sfera. \n The main characteristic of this collection of lamps \nproduced with the baloton technique is the \ninsertion of bubbles of air in the glass during its \nproduction, that create multiple refl ections and add \nan organic texture on the surface of the sphere. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BOLLE \n design Barbara Maggiolo 2003 \n BC\u002FBO  \n CR\u002FBO  \n NI  \n325\n",327,{"image":1313,"text":19,"number":1314},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.328.png",328,{"image":1316,"text":1317,"number":1318},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.329.png","327\nTerra \u002F Floor\n  Sospensioni \u002F Suspension\n23\n  Plafoniere \u002F Ceiling\n189\n  Parete \u002F Wall\n247\n  Tavolo \u002F Table\n287\n",329,{"image":1320,"text":19,"number":1321},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.330.png",330,{"image":1323,"text":1324,"number":1325},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.331.png","Damasco\n340  \nLucciola\n332  \nMinigiogali\n344  \nCloth\n335  \nDiadema\n345 \nEcos\n346 \nNaxos\n334 \nFutura\n339\nSata\n336  \nNovecento\n348  \nGiogali\n342  \nSmoking\n331  \nLepanto\n330  \nGloria\n349  \nTrepai\n338  \nLio\n333  \nVega\n347  \n329\nTerra \u002F Floor\n",331,{"image":1327,"text":1328,"number":1329},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.332.png"," LEPANTO PT \n 1×35W G5 + 1×205W E27 \n \n \n \n \n 1×35W G5 + 1×150W E26 \n \nø cm 34\nø 13”\ncm 180\n71”\nUSA & CANADA\n Collezione \u002F Collection \n 138 \n LEPANTO \n design Luciano Vistosi 1968 \n Lepanto è una vera scultura in vetro di Murano, \nche richiede grande abilità tecnica nella \nrealizzazione. La fi nitura del vetro ‘pulegoso’ che \nla caratterizza, trasforma la superfi cie in una \nraffi nata texture naturale. \n A light sculpture of classical inspiration made of \nMurano glass, which requires a high degree of \ntechnical skill. The ‘pulegoso’ fi nish adds a unique \norganic texture to the surface of the glass.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n LEPANTO \n design Luciano Vistosi 1968 \n BC\u002FPU  \n NI  \nLEPANTO\n330\nLepanto PT\n",332,{"image":1331,"text":1332,"number":1333},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.333.png"," SMOKING PT \n 1×205W E27 \n \n \n \n \n 1×60W E26 \n \nø cm 25\nø 10”\ncm 12\n5”\ncm 180\n71”\nUSA & CANADA\n SMOKING \n design Paolo Crepax 2003 \n L'effetto d'impatto di questa creazione viene dal \ncontrasto tra due elementi: il diffusore lavorato a \nmano che crea intricati effetti di luce, e l'elegante \ncorpo in vetro soffi ato bianco semitrasparente che \nne marca l'eleganza. \n A contrast between the two glass elements, the \nhandworked transparent diffuser, which creates \nintricate effects of light, and the semitransparent \nbody in white mounthblown glass, which defi nes \nits elegant character. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FCR  \n NI  \nSMOKING\n331\nSmoking PT\n",333,{"image":1335,"text":1336,"number":1337},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.334.png"," LUCCIOLA PT P \n 1×205W E27 \n \n \n \n \n  \n 1×150W E26 \n \ncm 27\n11”\ncm 160\n63”\nø cm 28\nø 11”\nUSA & CANADA\n LUCCIOLA PT M \n 1×205W E27 \n \n \n \n \n  \n 1×150W E26 \n \ncm 160\n63”\nø cm 28\nø 11”\ncm 30\n12”\nUSA & CANADA\n Collezione \u002F Collection \n 132 \n 224 \n260\n 312 \n LUCCIOLA \n archivio storico Vetreria Vistosi 1981 \n U na delle più versatili collezioni. La sua forma \novale in vetro soffi ato satinato è disponibile in \ndiverse dimensioni, che si prestano a innumerevoli \ncombinazioni d’installazione. \n One of our most versatile series. Its oval, \nmouth-blown matt glass shape is available \nin different sizes, which can be combined \nto offer multiple possibilities.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n LUCCIOLA \n archivio storico Vetreria Vistosi 1981 \n BC\u002FST  \n NI  \n332\nLucciola PT M\n",334,{"image":1339,"text":1340,"number":1341},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.335.png"," LIO PT \n 1×205W E27 \n \n \n \n \n  \n 1×150W E26 \n \ncm 50\n20”\ncm 125\n49”\ncm 60\n24”\nUSA & CANADA\n Collezione \u002F Collection \n10 0 \n20 0 \n 274 \n 296 \n LIO \n archivio storico Vetreria Vistosi 1972 \n Ampia gamma di lampade che in un design \nminimalista e discreto esaltano la sorgente \nluminosa, grazie alla fascia di vetro traslucida \nimprigionata tra gli strati del cristallo. \n A comprehensive range of lamps that share a \nminimal, unobtrusive design, which makes the \nmost of the light source, thanks to the traslucid \nwhite band inserted in the glass. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n CR\u002FBC  \n NI  \nLIO\n333\nLio PT\n",335,{"image":1343,"text":1344,"number":1345},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.336.png"," NAXOS PT 50 \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 150\n59”\ncm 30\n12”\nø cm 32\nø 13”\nUSA & CANADA\n Collezione \u002F Collection \n 136 \n 320 \n NAXOS \n archivio storico Vetreria Vistosi 1988 \n Collezione di lampade da tavolo, sospensioni e \npiantane dal design riconoscibile, che esalta la \nqualità del vetro satinato. La versione da tavolo \nsfrutta il vantaggio di due sorgenti luminose: la \nbase e il paralume. \n A collection of table lamps, pendants and fl oor \nlamps with a recognizable design that maximizes \nthe quality of the matt-fi nish glass. The table \nversions have the advantage of lighting both the \nshade and the base. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FST  \n NI  \n334\nNaxos PT 50\n",336,{"image":1347,"text":1348,"number":1349},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.337.png"," CLOTH PT G \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \ncm 104\n41”\ncm 21\n8”\ncm 25\n10”\nø cm 40\nø 16”\nUSA & CANADA\n Collezione \u002F Collection \n150 \n 252 \n 315 \n CLOTH \n Romani Saccani Architetti 2009 \n La complessa soffi atura di Cloth trasforma il vetro \nin un tessuto increspato, di grande effetto. Nella \nversione cromata, grazie ad un'esclusiva fi nitura \nesterna, Cloth è metallizzata quando è spenta, e \nassume un tono caldo beige scuro quando viene \naccesa. \n Unique blown glass that seems to turn into pleated \nfabric, making this collection a real eye catcher. \nThe chrome version has an exclusive outer chrome \ncoating that looks metallic when the lamp is off, \nbut turns to dark beige when the lamp is on. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FST  \n BC\u002FCM  \n CR  \nOFF\nON\n335\nCloth PT G\n",337,{"image":1351,"text":1352,"number":1353},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.338.png","336\nSata PT\ndesign Favaretto&Partners 2017\nSATA\nSATA\n",338,{"image":1355,"text":1356,"number":1357},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.339.png"," SATA PT \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 107\n42”\ncm 23\n9”\nø cm 35\nø 14”\nUSA & CANADA\n Collezione \u002F Collection \n 302 \n Questo sistema di illuminazione prosegue la \nrifl essione stilistica di Trepai, mettendo ancora più \nin risalto il legno di frassino, sulla cui struttura \nrigorosa e geometrica poggia il corpo illuminante \nin vetro soffi ato. La collezione è declinata in più \nversioni per adattarsi a diversi contesti, sia classici \nsia moderni. \n This lighting system carries on with the stylistic \nrefl ection of Trepai, and gives even more emphasis \nto ash wood, which forms the rigorous and \ngeometric structure where the blown glass light \nsource rests. The collection is available in several \nversions to suit different contexts, both classic and \nmodern. \n Tonalità del vetro \u002F Glass colour tone \nStruttura \u002F Structure \n \n SATA \n design Favaretto&Partners 2017 \n AM\u002FSF  \n BC\u002FSF  \n LFN  \n LFR  \n337\nred dot \ndesign \naward\n2017\n",339,{"image":1359,"text":1360,"number":1361},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.340.png"," TREPAI PT \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 43\n17”\ncm 25\n10”\ncm 106\n42”\nø cm 26\nø 10”\nUSA & CANADA\n TREPAI \n design Favaretto&Partners 2013 \n La versatilità è la chiave di questa collezione di \nlampade: Trepai è perfetta in contesti sia classici \nche moderni, grazie al supporto in legno di noce \nnella versione da terra. All'origine dialettale \nveneziana del nome si unisce l'eco della fonetica \ngiapponese. \n The main characteristic of this collection is the \nversatility: it can be inserted in a variety of contexts \nboth classical and modern, thanks to the use of a \nstand made with walnut wood. The name comes \nfrom 'three sticks' in Venetian dialect and it has an \necho of Japanese phonetics. \n Tonalità del vetro \u002F Glass colour tone \nStruttura \u002F Structure \n \n BC  \n FU\u002FDI  \n LNO  \nTREPAI\n338\nTrepai PT\n",340,{"image":1363,"text":1364,"number":1365},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.341.png"," FUTURA PT P \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 30\n12”\ncm 24\n9”\ncm 166\n65”\nUSA & CANADA\n Collezione \u002F Collection \n 92\n 234 \n 271 \n 311 \n FUTURA \n design Hangar Design Group 2015 \n Collezione di lampade in vetro soffi ato disponibile \nin cristallo e tre esclusive colorazioni abbinate a \ndifferenti fi niture dell’anello metallico. Il vetro \nsoffi ato è in pezzo unico ma la particolare \nlavorazione lo rende di colore trasparente nella \nparte superiore e di colore diffusore nella parte \ninferiore.\nCollection of lamps in blown glass available in \ntransparent and three exclusive colors combined \nwith different fi nishes of the metal ring. The glass \nis blown in one piece but the particular handcraft \nprocess makes the colour transparent in the upper \npart and diffuser in the bottom part  . \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FNE  \n FU\u002FMA  \n AM\u002FOT  \n CR\u002FRA  \n NE  \nFUTURA\n339\nBEST of  CATEGORY\n2016\nFutura PT P\n",341,{"image":1367,"text":1368,"number":1369},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.342.png","340\ndesign Paolo Crepax 2003\nDAMASCO\nDamasco PT G\n",342,{"image":1371,"text":1372,"number":1373},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.343.png"," DAMASCO PT 100 P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 22\nø 9”\ncm 12\n5”\ncm 100\n39”\nUSA & CANADA\n DAMASCO PT 140 P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \nø cm 22\nø 9”\ncm 130\n51”\ncm 12\n5”\nUSA & CANADA\n DAMASCO PT 180 P \n 1×60W G9 \n \n \n \n \n  \n 1×60W G9 \n \ncm 12\n5”\nø cm 26\nø 10”\ncm 165\n65”\nUSA & CANADA\n DAMASCO PT M \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 33\nø 13”\nmin cm 129 - max cm 180\nmin 51” - max 71”\nø cm 15\nø 6”\nUSA & CANADA\n DAMASCO PT G \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \nø cm 33\nø 13”\nmin cm 129 - max cm 180\nmin 51” - max 71”\nø cm 20\nø 8”\nUSA & CANADA\n Collezione \u002F Collection \n 66\n 226 \n 264 \n 306 \n Collezione realizzata con la tecnica bozzolo, in cui \nl’originale decoro diventa un vero e proprio \nmateriale: la sovrapposizione di fi li di vetro fuso a \ncreare una texture in rilievo. Damasco è una delle \ncreazioni di più lungo successo, che vede nel \ntempo versioni sempre nuove. \n It is produced with the bozzolo technique, which \nconsists in applying threads of molten glass that \ncreate an organic texture. Due to its versatility, it is \none of our most successful series which has been \ndeveloped and extended during the years with new \nversions. \n \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n DAMASCO \n design Paolo Crepax 2003 \n CR\u002FAM  \n CR\u002FCR  \n NI  \n* Lo stelo è regolabile in altezza \u002F The height of the base may be adjusted\n341\nLOREM IPSUM SP\n",343,{"image":1375,"text":1376,"number":1377},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.344.png","design Angelo Mangiarotti 1967\nGIOGALI\n342\nGiogali PT\n",344,{"image":1379,"text":1380,"number":1381},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.345.png"," GIOGALI PT \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \nø cm 28\nø 11”\ncm 40\n16”\ncm 140\n55”\nUSA & CANADA\n Collezione \u002F Collection \n 172\n 238 \n 268 \n Un sistema decorativo d’illuminazione basato \nsull’elemento del gancio di cristallo componibile. \nDisponibile in diversi colori, montabile in versione \nda tavolo, da soffi tto, sospensione, da parete e da \nterra. Può essere impiegato in grandi lampadari e \nstrutture di qualsiasi dimensione. \n A decorative lighting system based on a single \nelement, the handmade glass hook. It is available \nin different colours, as standard table, ceiling, \npendant, wall fi xture and fl oor. It can also be \narranged to offer chandeliers and structures of any \ndimension. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n GIOGALI \n design Angelo Mangiarotti 1967 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n BR  \n CR  \n343\n",345,{"image":1383,"text":1384,"number":1385},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.346.png"," MINIGIOGALI PT \n 3×77W E27 \n \n \n \n \n  \n 3×60W E26 \n \nø cm 35\nø 14”\ncm 30\n12”\ncm 145\n57”\nUSA & CANADA\n Collezione \u002F Collection \n180 \n 242 \n 266 \n 299 \n MINIGIOGALI \n design Angelo Mangiarotti 1967  \n La versione ridotta di Giogali, che permette \ndi impiegare i ganci in cristallo per installazioni di \nminori dimensioni, standard o su misura. \n The reduced version of Giogali uses glass \nhooks for smaller wall installations, standard \nor custom-made.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n MINIGIOGALI \n design Angelo Mangiarotti 1967 - \nrestyling 2009 \n CR\u002FTR  \n CR\u002FFU  \n CR\u002FAM  \n BC  \n NE  \n CR\u002FAG  \n CR\u002FOR  \n CR\u002FBR  \n CR\u002FRA  \n CR\u002FNN  \n BR  \n CR  \n344\nMinigiogali PT\n",346,{"image":1387,"text":1388,"number":1389},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.347.png"," DIADEMA PT M C \n 3×60W G9 \n \n \n \n \n  \n 3×60W G9 \n \nø cm 36\nø 14”\ncm 110\n43”\ncm 80\n31”\nUSA & CANADA\n DIADEMA PT G B \n 3×60W G9 \n \n \n \n \n  \n 3×60W G9 \n \nø cm 36\nø 14”\ncm 140\n55”\ncm 48\n19”\nUSA & CANADA\n Collezione \u002F Collection \n 26\n232 \n 256 \n 319 \n DIADEMA \n design Romani Saccani Architetti 2005 \n Diadema è un sistema di illuminazione basato sul \nsingolo elemento della canna in puro vetro. \nCombinando canne di diverse dimensioni, la luce \nsi rifl ette e si trasmette in una sensazione di \nmovimento. La montatura metallica permette \nnumerose varianti e ampi margini per versioni su \nmisura, sempre a scomparsa, grazie al sistema di \nfi ssaggio ideato appositamente per questo \nmodello. \n Diadema is a lighting system based on a single \nelement, the rod of pure glass. It takes advantage \nof the way it refl ects and transmits the light, while \noffering a sense of movement by using rods of \ndifferent sizes. The metal body allows to offer \nmultiple variations and ample space for custom-\nmade versions with concea led  metal body, thanks \nto the fi xing system developed for this collection. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n CR  \n BS  \n CR  \nDIADEMA\n345\nDiadema PT G B  \n",347,{"image":1391,"text":1392,"number":1393},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.348.png"," ECOS PT 35 \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 35 \n14”\ncm 157\n62”\ncm 33\n13”\nUSA & CANADA\n Collezione \u002F Collection \n3 4 \n 236 \n 262 \n ECOS \n design Renato Toso, Noti Massari 2007 \n Collezione di lampade componibili con anelli di \nvetro di diversi colori e textures. È una soluzione \nd'illuminazione che offre grandissima possibilità di \npersonalizzazione in termini di forme e misure. \n A system made with multiple glass rings, available \nin different colours and textures, which offers a high \nlevel of customization in terms of shape and size. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts\n BC\u002FRI  \n CR\u002FRI  \nBS\nCR\n346\nEcos PT 35\n",348,{"image":1395,"text":1396,"number":1397},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.349.png"," VEGA PT \n 1×50W GY6.35 \n \n \n \n \n 1×50W GY6.35 \n \ncm 160\n63”\ncm 57\n22”\nUSA & CANADA\n Collezione \u002F Collection \n 270 \n 308 \n VEGA \n design Michele De Lucchi 1982  \n Una creazione storica del design italiano, \nrecentemente rivisitata in una collezione che \nall'originale lampada da tavolo unisce i modelli da \nparete e a pavimento. \n A piece of Italian design history that has recently \nbeen extended from the original table lamp to wall \nand fl oor fi xtures. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC  \n MC\u002F1  \n MC\u002F2  \n BC  \n347\nVega PT\n",349,{"image":1399,"text":1400,"number":1401},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.350.png"," NOVECENTO PT \n 1×77W E27 \n \n \n \n \n  \n 1×60W E26 \n \ncm 140\n 55”\ncm 30\n12”\nø cm 44\nø 17”\nUSA & CANADA\n Collezione \u002F Collection \n 46 \n 229 \n 318 \n NOVECENTO \n design Romani Saccani Architetti 2013  \n La chiave di lettura della collezione Novecento è la \nvolontà di sintetizzare la tradizione muranese del \nlampadario, nel suo elemento più riconoscibile: il \nprofi lo. Lo riproduce un guscio di cristallo che è il \nprodotto della rotazione a 360° della silhouette \ndel lampadario, mantenendo così le caratteristiche \ndelle forme originali, e risultando perfetto per \natmosfere sia classiche che contemporanee.\n The idea behind the collection Novecento is to \nreduce the traditional Murano chandelier to its \nmost recognizable element, its profi le. This shape \nis then reconstructed in a 360º glass outline, \nwhich keeps the same characteristics of the \noriginal design and is therefore suitable for both \nclassic and contemporary ambiences.  \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n BC\u002FRI  \n CR\u002FRI  \n CR  \nNOVECENTO\n348\nNovecento PT\n",350,{"image":1403,"text":1404,"number":1405},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.351.png"," GLORIA PT \n 1×205W E27 \n \n \n \n \n 1×150W E26 \n \nø cm 40\nø 16”\nmax cm 180\nmax 71”\nUSA & CANADA\n GLORIA \n studio tecnico Vetreria Vistosi 2002 \n La lavorazione 'rigadin' del vetro color seta, \nimpreziosito dalle scaglie dorate a 24k, è il tratto \nidentifi cativo di quest'ampia collezione di \nsospensioni, lampade a soffi tto, a parete, da \ntavolo, piantane. \n The 'rigadin' glass from the Venetian tradition in silk \ncolour and with 24k gold fl akes is the common \ncharacteristic of this comprehensive collection of \npendants, ceiling fi xtures, sconces, table and fl oor \nlamps. \n Tonalità del vetro \u002F Glass colour tone \n Parti metalliche \u002F Metal parts \n \n SE\u002FOR  \n OR  \nGLORIA\n349\nGloria PT\n",351,{"image":1407,"text":19,"number":1408},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.352.png",352,{"image":1410,"text":1411,"number":1412},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.353.png","351\nVistosi\nIndice analitico \u002F Analytical index\n4\nIndice fotografico \u002F Photographic index\n6\nStoria \u002F History\n8\nAzienda \u002F Company\n12\nDesigner \u002F Designers\n14\nProgetti \u002F Projects\n16\nProdotti \u002F Products\nSospensioni \u002F Suspension\n23\nPlafoniere \u002F Ceiling\n189\nParete \u002F Wall\n247\nTavolo \u002F Table\n287\nTerra \u002F Floor\n327\nInformazioni \u002F Information\nCome leggere il catalogo \u002F How to read the catalog\n352\nLegenda \u002F Key\n353\nMateriali \u002F Materials\nColori vetro \u002F Glass colors\n354\nFiniture vetro \u002F Glass finishes\n354\nFiniture delle parti metalliche \u002F Finishes of metal parts\n355\nAltri materiali \u002F Other materials\n355\nVersioni LED \u002F LED versions\n356\nContenuti \u002F Contents\n",353,{"image":1414,"text":1415,"number":1416},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.354.png"," \n \n8\n1 \nP\nS\n \nA\nL\nO\nI\nC\nC\nU\nL\n    1×46W E14  \n   E  \n   \n \n     \n \n  \n  1×40W E12  \n E     \nø cm 18\nø 7”\nmax cm 140\nmax 55”\ncm 13\n5”\nUSA & CANADA\n \n \n7\n2\n \nP\nS\n \nA\nL\nO\nI\nC\nC\nU\nL\n    1×46W E14  \n E  \n   \n \n     \n \n  \n  1×40W E12  \n E     \nø cm 27\nø 11”\nmax cm 140\nmax 55”\ncm 21\n8”\nUSA & CANADA\n \n \nP\n \nP\nS\n \nA\nL\nO\nI\nC\nC\nU\nL\n    1×77W E27  \n I\n  F  \n   \n \n     \n \n  \n  1×60W E26  \n I\n  F     \nmax cm 120\nmax 47”\ncm 27\n11”\nø cm 36\nø 14”\nUSA & CANADA\n \n \nM\n \nP\nS\n \nA\nL\nO\nI\nC\nC\nU\nL\n    1×77W E27  \n I\n  F  \n   \n \n     \n \n  \n  1×60W E26  \n I\n  F     \nmax cm 120\nmax 47”\ncm 30\n12”\nø cm 41\nø 16”\nUSA & CANADA\n \n \nG\n \nP\nS\n \nA\nL\nO\nI\nC\nC\nU\nL\n    1×77W E27  \n I\n  F  \n   \n \n     \n \n  \n  1×60W E26  \n I\n  F     \nmax cm 120\nmax 47”\ncm 36\n14”\nø cm 48\nø 19”\nUSA & CANADA\n Collezione \n \nn\no\nit\nc\nell\no\nC\n \u002F\n 224 \n 260\n 312\n \n2\n3\n3\n   Una delle più versatili collezioni. La sua forma \novale in vetro soffi ato satinato è disponibile in \ndiverse dimensioni, che si prestano a innumerevoli \ncombinazioni d'installazione. \n   One of our most versatile series. Its oval and \nmouth-blown satin glass shape is available in \ndifferent sizes, which can be combined to offer \nmultiple possibilities. \n Tonalità del vetro \n \ne\nn\no\nt r\nu\no\nl\no\nc\n s\ns\nal\nG\n \u002F\n \ne\nh\ncilla\nt\ne\nm\n itr\na\nP \n s\ntr\na\np\n la\nt\ne\nM\n \u002F\n  LED \n \ne\np\no\nr\nu\nE\n \n     E   6 W - 12 V - 850 lm - 3.000 K    \n \n  \n   \n I \n \n \nK 0\n0\n0.3 - \nm\nl 0\n2\n1\n1 - V 0\n3\n2 - \nW 0\n1  \n  \n    F   12,5 W - 25 V - 1650 lm - 3.000 K     \n  \n   \n  LED \n \na\nd\na\nn\na\nC\n \n&\n \na\ns\nU\n \n     E   6 W - 12 V - 850 lm - 3.000 K    \n \n  \n   \n I   17,5 W - 120 V - 1300 lm - 3.000 K     \n  \n    F   12,5 W - 25 V - 1650 lm - 3.000 K     \n  \n       \n \n  \nT\nS\n\u002F\nC\nB\n   I\nN\n133\n \n \n8\n1 \nP\nS\n \nA\nL\nO\nI\nC\nC\nU\nL\n    1×46W E14  \n   E  \n   \n \n     \n \n  \n  1×40W E12  \n E     \nø cm 18\nø 7”\nmax cm 140\nmax 55”\ncm 13\n5”\nUSA & CANADA\n \n \n7\n2\n \nP\nS\n \nA\nL\nO\nI\nC\nC\nU\nL\n    1×46W E14  \n E  \n   \n \n     \n \n  \n  1×40W E12  \n E     \nø cm 27\nø 11”\nmax cm 140\nmax 55”\ncm 21\n8”\nUSA & CANADA\n \n \nP\n \nP\nS\n \nA\nL\nO\nI\nC\nC\nU\nL\n    1×77W E27  \n I\n  F  \n   \n \n     \n \n  \n  1×60W E26  \n I\n  F     \nmax cm 120\nmax 47”\ncm 27\n11”\nø cm 36\nø 14”\nUSA & CANADA\n \n \nM\n \nP\nS\n \nA\nL\nO\nI\nC\nC\nU\nL\n    1×77W E27  \n I\n  F  \n   \n \n     \n \n  \n  1×60W E26  \n I\n  F     \nmax cm 120\nmax 47”\ncm 30\n12”\nø cm 41\nø 16”\nUSA & CANADA\n \n \nG\n \nP\nS\n \nA\nL\nO\nI\nC\nC\nU\nL\n    1×77W E27  \n I\n  F  \n   \n \n     \n \n  \n  1×60W E26  \n I\n  F     \nmax cm 120\nmax 47”\ncm 36\n14”\nø cm 48\nø 19”\nUSA & CANADA\n Collezione \n \nn\no\nit\nc\nell\no\nC\n \u002F\n 224 \n 260\n 312\n \n2\n3\n3\n   Una delle più versatili collezioni. La sua forma \novale in vetro soffi ato satinato è disponibile in \ndiverse dimensioni, che si prestano a innumerevoli \ncombinazioni d'installazione. \n   One of our most versatile series. Its oval and \nmouth-blown satin glass shape is available in \ndifferent sizes, which can be combined to offer \nmultiple possibilities. \n Tonalità del vetro \n \ne\nn\no\nt r\nu\no\nl\no\nc\n s\ns\nal\nG\n \u002F\n \ne\nh\ncilla\nt\ne\nm\n itr\na\nP \n s\ntr\na\np\n la\nt\ne\nM\n \u002F\n  LED \n \ne\np\no\nr\nu\nE\n \n     E   6 W - 12 V - 850 lm - 3.000 K    \n \n  \n   \n I \n \n \nK 0\n0\n0.3 - \nm\nl 0\n2\n1\n1 - V 0\n3\n2 - \nW 0\n1  \n  \n    F   12,5 W - 25 V - 1650 lm - 3.000 K     \n  \n   \n  LED \n \na\nd\na\nn\na\nC\n \n&\n \na\ns\nU\n \n     E   6 W - 12 V - 850 lm - 3.000 K    \n \n  \n   \n I   17,5 W - 120 V - 1300 lm - 3.000 K     \n  \n    F   12,5 W - 25 V - 1650 lm - 3.000 K     \n  \n       \n \n  \nT\nS\n\u002F\nC\nB\n   I\nN\n133\n352\nCome leggere il catalogo \u002F How to read the catalog\nInformazioni \u002F Information\ndescrizione famiglia \u002Fcategory description\nfinitura vetro \u002F glass finish\nfinitura montatura \u002F finishes of metal parts\nversione LED Europa \u002F European LED versions\ncertificazioni \u002F certifications\nversione LED USA & Canada \u002F USA & Canada LED version \ntipologie alternative \u002F alternative types\ncodice prodotto \u002F product code\ndimensioni \u002F dimensions\nLED\nlampadine \u002F bulbs\ncertificazioni \u002F certifications\ncertificazioni \u002F certifications\nLED\nlampadine \u002F bulbs\ncertificazioni \u002F certifications\n",354,{"image":1418,"text":1419,"number":1420},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.355.png","353\nTipologia \u002F Type\nLegenda \u002F Key\nSP\nSospensione\nSuspension\nPL\nPlafoniera\nCeiling\nAP\nParete\nWall\nPP\nParete - Soffitto\nWall - Ceiling\nFA\nFaretto    \nSpotlight\nLT\nTavolo  \nTable   \nPT\nTerra \nFloor \nCertificazioni di prodotto \u002F Product certifications\nXX\nSP\nPL \u002F FA\nAP \u002F PP\nLT\nPT\nCertificato di “Conformità Europea”, indica che il \nprodotto è conforme alle norme di sicurezza Europee\n“European Conformity” marking, which indicates \nthat the product complies with the European safety \nstandards.\nÈ il massimo delle certificazioni di prodotto vigenti in \nEuropa. Per ottenere questo certificato, il prodotto \ndeve superare i test di sicurezza Europei, ma anche i \ntest specifici richiesti da tutti gli stati membri.\nIt is the high quality European certification for \nproducts. In order to obtain it, the product must pass \nthe European security tests as well as the specific \ntests required by each Member State.\nCertificato di conformità del prodotto alle normative \ndi sicurezza elettro-tecnica della Federazione Russa. \nCertification indicating products that conform to the \nelectro-technical safety regulations of the Russian \nFederation.\nCertificato di conformità del prodotto alle normative \ndi sicurezza elettro-tecnica della Cina. \nCertification indicating products that conform to the \nelectro-technical safety regulations of China.\nCertificato di conformità del prodotto alle normative \ndi sicurezza elettro-tecnica del Giappone. Disponibile \nsolo su richiesta e fornito da Doi&Co. Luminabella Div. \nCertification indicating products that conform to Ja-\npan’s electro-technical safety regulations. Available \nonly on request and supplied by Doi & Co. Lumina-\nbella Div.\nCertificato internazionale di sicurezza elettro-tecnica \ndi prodotto, riconosciuto da oltre 50 Paesi.\nInternational Certification of electro-technical product \nsafety, recognized by over 50 countries.\nCertificato di conformità del prodotto alle normative \ndi sicurezza elettro-tecnica degli Stati Uniti e del \nCanada. Disponibile per i mercati di riferimento.\nCertification of product conformity to the electro-\ntechnical safety regulations of the United States and \nCanada. Available for the specific markets.\nSimbolo che indica che l’apparecchio è conforme alle \nlinee guida dell’Americans with Disabilities Act (ADA).\n  Symbol indicating that the device complies with \nthe guidelines of the Americans with Disabilities Act \n(ADA).\nGrado di protezione dell’apparecchio ai solidi-liquidi. \nLevel of protection of electronic equipments against \nsolids and liquids.\n",355,{"image":1422,"text":1423,"number":1424},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.356.png","354\nAA\n     ametista chiara\n     light amethyst\nAM\n     ambra  \n     amber\nAT\n     ametista\n     amethyst\nBC\n     bianco  \n     white  \nCR\n     cristallo\n     crystal  \nFU\n     fumè     \n     smoky    \nGR\n     grigio   \n     grey     \nNE\n     nero     \n     black    \nSB\n     sabbia     \n     sand    \nSE\n     seta     \n     silk     \nTB\n     terra bruciata\n     burned earth\nVA\n     verde antico\n     old green\nColori vetro \u002F Glass colors\nFiniture vetro \u002F Glass finishes\nMateriali \u002F Materials\n.. \u002F AG\n.. \u002F argento\n.. \u002F silver\n.. \u002F BC\n.. \u002F bianco\n.. \u002F white\n.. \u002F BO \n.. \u002F \"bolle\"\n.. \u002F \"bubbles\"\n162, 222, 324\n.. \u002F BR\n.. \u002F bronzo\n.. \u002F bronze\n.. \u002F BT \n.. \u002F \"balloton\"\n.. \u002F \"balloton\"\n52, 148, 300\n.. \u002F CM\n.. \u002F metallizzato\n.. \u002F metallized\n.. \u002F DI\n.. \u002F diffusore lucido\n.. \u002F glossy diffuser\n.. \u002F FO\n.. \u002F foglia oro\n.. \u002F gold leaf\n.. \u002F LU\n.. \u002F lucido\n.. \u002F glossy\n.. \u002F MF\n.. \u002F metallizzato sfumato\n.. \u002F shaded metallized\n.. \u002F MU\n.. \u002F \"murrina\"\n.. \u002F \"murrina\"\n168, 220, 316\n.. \u002F NE\n.. \u002F nero\n.. \u002F black\n.. \u002F OR\n.. \u002F oro\n.. \u002F gold\n.. \u002F PU\n.. \u002F \"pulegoso\"\n.. \u002F \"pulegoso\"\n138, 310\n.. \u002F RA\n.. \u002F rame\n.. \u002F copper\n.. \u002F RI\n.. \u002F rigadin\n.. \u002F striped glass\n.. \u002F SF\n.. \u002F sfumato\n.. \u002F shaded\n.. \u002F ST\n.. \u002F satinato\n.. \u002F matt\n.. \u002F TR\n.. \u002F trasparente \n.. \u002F transparent\n.. \u002F PU\n.. \u002F BT\n.. \u002F BO\n.. \u002F MU\n",356,{"image":1426,"text":1427,"number":1428},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.357.png","355\nAB\nalluminio bronzo \nbronze aluminium\nAS\nacciaio specchiato\nmirrored steel\nBC\nbianco\nwhite  \nBO\nbianco opaco \nmatt white  \nBR\nbronzo\nbronze  \nBS\nbronzo satinato\nmatt bronze    \nBV\nbronzo verniciato\npainted bronze\nCR\ncromo\nchrome\nC-G\ncromo - cavo grigio\nchrome - grey cable\nGR\ngrigio\ngrey\nMA\nmarrone\nbrown\nNE\nnero opaco\nmatt black\nNEL\nnero lucido \nglossy black \nNEO\nnero opaco\nmatt black\nNI\nnickel satinato\nsatin nickel \nNL\nnickel lucido\nglossy nickel\nNN\nnickel nero\nblack nickel\nNO\nnickel opaco\nmatt nickel\nN-N\nnero - cavo nero\nblack - black cable\nOR\noro lucido\nglossy gold\nOS\noro satinato\nmatt gold\nOT\nottone verniciato\npainted brass\nRA\nrame\ncopper\nLFN\nlegno frassino nero\nblack ash wood\nLFR\nlegno frassino naturale\nnatural ash wood\nLNO\nlegno noce naturale\nnatural walnut wood\nFiniture delle parti metalliche \u002F Metal parts finishes\nAltre finiture \u002F Other materials\nLegenda codici prodotto \u002F Key of product codes\nes.\nex.\ncodice prodotto \nproduct code\ntipologia \ntype\nmodello \nmodel\ncolore vetro\nglass color\nfinitura vetro\nglass finish\nfinitura struttura\nmetal part finish\nsorgente\nlamping\n1\nASSIBA SP G BC\u002FBT CR E27\nsospensione\nsuspension\ngrande\nlarge\nbianco\nwhite\n\u002F\nballoton\nballoton\ncromo\nchrome\nE27\n2\nASSIBA SP 2 CR\u002FBT CR LED\nsospensione\nsuspension\n2 vetri\n2 glasses\ncristallo\ncrystal\n\u002F\nballoton\nballoton\ncromo\nchrome\nLED\n",357,{"image":1430,"text":1431,"number":1432},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.358.png","356\nVersioni LED \u002F LED version\ncaratteristiche \u002F features\ncaratteristiche \u002F features\nLED A\nLED B\nvita media \u002F average lifetime\nflusso luminoso \u002F luminous flux\ntemperatura colore \u002F color temperature\nCRI\nefficacia \u002F efficiency\nangolo ottico \u002F optical angle\ntensione media \u002F average tension\nconsumo \u002F power consumption @500mA\ndimmerazione \u002F dimming\nvita media \u002F average lifetime\nflusso luminoso \u002F luminous flux\ntemperatura colore \u002F color temperature\nCRI\nefficacia \u002F efficiency\nangolo ottico \u002F optical angle\ntensione media \u002F average tension\nconsumo \u002F power consumption @500mA\ndimmerazione \u002F dimming\nore \u002F h\nlm\n°K\nRa\nlm\u002FW\n°\nV\nW\nDIM\nore \u002F h\nlm\n°K\nRa\nlm\u002FW\n°\nV\nW\nDIM\n40.000\n600\n2.700\n90\n120\n120\n10\n5\n1-10 V \u002F Push\n40.000\n600\n2.700\n90\n120\n120\n10\n5\n1-10 V \u002F Push\n40.000\n600\n2.700\n90\n120\n120\n10\n5\n1-10 V \u002F Push\n40.000\n600\n2.700\n90\n120\n120\n10\n5\n1-10 V \u002F Push\n40.000\n600\n2.700\n90\n120\n120\n10\n5\n1-10 V \u002F Push\n40.000\n600\n2.700\n90\n120\n120\n10\n5\n1-10 V \u002F Push\n40.000\n600\n2.700\n90\n120\n120\n10\n5\n1-10 V \u002F Push\n40.000\n600\n2.700\n90\n120\n120\n10\n5\n1-10 V \u002F Push\nUSA & Canada\nUSA & Canada\nUSA & Canada\nUSA & Canada\nLED C\nLED D\n",358,{"image":1434,"text":1435,"number":1436},"\u002Fmedia\u002Fimages\u002F73\u002Fda3cf76c33127bf1932481ab966448.359.png","357\ncaratteristiche \u002F features\nLED E\nLED G\nLED F\nLED I\nvita media \u002F average lifetime\nflusso luminoso \u002F luminous flux\ntemperatura colore \u002F color temperature\nCRI\nefficacia \u002F efficiency\nangolo ottico \u002F optical angle\ntensione media \u002F 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