[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-visionnaire-collection-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":535},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":530,"matched_pages":531,"match_count":532,"two_pages":533,"show_text":534},23692,"Collection 2025","visionnaire-collection-2025","\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F03\u002F8020a8fa9fd829aa984207330964f8-28ef488959.pdf","Visionnaire",372,"visionnaire","55.6 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473,477,481,485,489,493,497,501,505,509,513,517,521,525,528],{"image":7,"text":15,"number":16},"COLLECTION\n2025\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.3.png","“Each piece gains \nautonomy, seamlessly \nintegrating into \nversatile interior \ndesign projects and \nadapting to diverse \ncontexts. \nVisionnaire fosters \nan open-ended \nnarrative. \nThis approach \nenhances the \nuniqueness and at \nthe same time the \nadaptability of each \ncreation, as part of \nprojects of different \nscales and identities.”\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.4.png","INDEX\nDOLMEN\nBABYLON RACK CIRCLE\nC-SQUARE\nWALKER\nVORTEX\nBOYD\nMYSTIC\n07\n13\n31\n41\n63\n83\n99\nLOVING F.\nNEOLITO \nEPHIR\nBASTIAN\nEIDOS\nWORKING AREA\nTECHNICAL BOOK\n109\n133\n153\n169\n177\n185\n193\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.5.png","07\nDOL M EN\nENTRA NCE\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.6.png","09\nDolmen desk by Studiopepe\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.7.png","11\nVoluptas stool by Studiopepe\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.8.png","13\nBA BYLON R ACK CI R CL E\nL I VI NG ROOM\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.9.png","15\nBabylon Rack Circle rappresenta \nun’evoluzione del divano Babylon \nRack, di cui conserva il rigore del \ndisegno geometrico che ne ha sempre \ncontraddistinto lo stile. Anche in \nquesto nuovo progetto è stato \nconservato il main concept di questo \nimbottito con elementi funzionali allo \nstudio, al lavoro e al relax. Legato ai \ndiversi utilizzi nell’arco della giornata, \nil divano modulare è quindi perfetto \nanche come area di lavoro - grazie \nagli scomparti attrezzati ottenuti \nda un arretramento del suo back \nimbottito - che creano mensolature e \nvani porta oggetti illuminati con luci \na led. Il divano è inoltre dotato di un \nsistema wireless - inserito all’interno \ndei braccioli - che permette la ricarica \ndi luci e smartphone. \nBabylon Rack Circle is an evolution \nof the Babylon Rack sofa, retaining \nthe geometric design rigor that has \nalways distinguished its style. In \nthis new project as well, the main \nconcept of this upholstered piece \nhas been preserved, incorporating \nfunctional elements for study, \nwork and relaxation. Adapted to \nvarious uses throughout the day, \nthe modular sofa is also perfect \nas a workspace—thanks to the \nequipped compartments created by \nthe recessed padded back—which \nform shelves and storage spaces \nilluminated with LED lights. The \nsofa is also equipped with a wireless \nsystem, integrated into the armrests, \nthat allows for charging lights and \nsmartphones.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.10.png","17\nBabylon Rack Circle modular sofa - Barnaby table lamp\nby Alessandro La Spada\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.11.png","19\nBabylon Rack Circle modular sofa\nby Alessandro La Spada\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.12.png","21\nBaliset low table - Polaris chandelier\nby Alessandro La Spada\nImperium carpet\nby La Conca\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.13.png","23\nWatch the video\nUna poltrona tutta per sé, dedicata \nalla lettura o al lavoro, è l’ispirazione \nche ha guidato il progetto della chaise \nlongue Selfless: la scocca rigida \nricorda la forma di una conchiglia \ndalle linee avvolgenti, organiche ed \nestremamente ergonomiche. Selfless \nè infatti pensata per essere una \nseduta che accoglie e asseconda le \nforme del corpo, invitando la persona \nad un momento di intimo benessere.\nA chair of one’s own, for reading or \nwork, is the inspiration behind the \ndesign of the Selfless chaise longue: \nthe rigid chassis suggests the form of \na seashell, with enveloping, organic \nand extremely ergonomic lines. \nSelfless has been envisioned as a \nseat that welcomes and supports \nthe forms of the human body, an \ninvitation to enjoy moments of \npersonal wellbeing. \nSelfless chaise longue by Alessandro La Spada\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.14.png","25\nButton low tables - Akira floor lamp\nby Alessandro La Spada\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.15.png","27\nWatch the video\nLa poltrona Shibari è caratterizzata \ndalla presenza di un nodo che \ncompone lo schienale; nodo significa \nunire, collegare due oggetti, metterli \nvicini e farli procedere insieme. La \nparola nodo venne associata alla \nparola amore, proprio per sottolineare \nla natura del legame. \nQuesto simbolo veicola i significati \ndi eternità e fedeltà. Un nodo ben \nfatto non si scioglie, non si apre e \nnon separa i due oggetti che unisce, \nquindi un nodo d’amore lega due \npersone per sempre. Esso non è \nperò un cappio o una corda stretta, \nbensì un intreccio, un dare e avere, \nun aiuto nel momento del bisogno. \nE’ un nodo morbido che lega ma \nnon costringe. Inoltre declinato nella \nsua forma orizzontale, ricorda un \ninfinito: quale migliore collegamento \nper una raffigurazione che vuole \nsimboleggiare un amore eterno? \nThe Shibari armchair is characterized \nby the presence of a knot that forms \nits backrest; a knot represents union, \nthe act of connecting two objects, \nbringing them close together and \nallowing them to move forward \nas one. The word “knot” has been \nassociated with “love” precisely to \nhighlight the nature of the bond it \nsymbolizes.\nThis symbol conveys meanings of \neternity and loyalty. A well-tied knot \ndoes not come undone, it does not \nopen, and it does not separate the \ntwo objects it joins—thus, a love knot \nbinds two people together forever. \nHowever, it is not a noose or a tight \nrope, but rather an interweaving—a \ngive and take, a support in times \nof need. It is a soft knot that binds \nbut does not constrain. Moreover, \nwhen laid horizontally, it resembles \nthe infinity symbol: what better \nrepresentation for something meant \nto symbolize eternal love?\nShibari armchair by Studiopepe\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.16.png","29\nFregio H - Fregio L vases by Tipstudio\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.17.png","31\nC-S QUA R E\nDAY SYSTEM\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.18.png","33\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.19.png","35\nIl sistema C-Square è una libreria \nmodulare “see through” che nasce \ndal desiderio di innovare attraverso \nla scelta di non utilizzare più il legno \ncome materia prima di riferimento. \nAl suo posto, l’alluminio,  materiale \nsostenibile e riciclabile infinite volte, \nche permette strutture portanti \nfino a 9 metri di altezza in soli 10 \nmm di spessore; strutture pulite \ne sottilissime che “portano” ed \nintegrano la luce. \nSi tratta di una complessa architettura \nluminosa che nasce dal brevetto \nNex-S e che rende la luce “viva”, \ndinamica e controllabile ogni 30 \nmm, secondo le esigenze del cliente, \npermettendo movimenti luminosi. \nQuesta tecnologia ci permette \ndi percepire l’oggetto come se \n“respirasse” la luce; una luce che \npuò “danzare” e che nasce da una \nfonte nascosta e regolabile, integrata \nall’interno delle mensole sottilissime \nrealizzate in HYLEtech. \nC-Square system is a modular \n“see-through” bookcase born from \nthe desire to innovate by moving \naway from wood as the primary \nmaterial. Instead, it uses aluminum, \na sustainable material that can \nbe infinitely recycled. This choice \nenables the creation of load-bearing \nstructures up to 9 meters high with \nonly 10 mm of thickness, resulting \nin clean, ultra-thin forms that \nintegrate light seamlessly. This \ncomplex luminous architecture, \npatented under Nex-S, brings light \nto life—it becomes dynamic and \nadjustable every 30 mm, according \nto the customer’s needs, enabling \nlight movements. This technology \nmakes the object appear as if it \n“breathes” light—a light that can \n“dance,” emerging from a concealed, \nadjustable source embedded within \nthe ultra-thin HYLEtech shelves.\nC-Square day system by Stefano Maria Pozzi \nReal Estate sculpture by Roberto Renzi\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.20.png","37\nC-Square day system by Stefano Maria Pozzi\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.21.png","39\nC-Square day system by Stefano Maria Pozzi\nScreen sculpture by Roberto Renzi\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.22.png","41\nWA L K ER\nL I VI NG ROOM\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.23.png","43\nWatch the video\nIl divano Walker si distingue per le \nsue forme morbide e avvolgenti, che \nregalano un’esperienza di comfort \nassoluto. Le sue linee fluide e sinuose \ncreano un equilibrio armonioso tra \ndesign contemporaneo e accoglienza, \ntrasformando ogni ambiente in uno \nspazio di puro relax. La sua forma \nsuper morbida è pensata per i diversi \nusi durante la giornata e, grazie alle \nsue dimensioni contenute, si presta \nanche a spazi metropolitani.\nThe Walker sofa stands out for its \nsoft, enveloping shapes, offering \nan experience of absolute comfort. \nIts fluid and sinuous lines create \na harmonious balance between \ncontemporary design and coziness, \ntransforming any space into a haven \nof pure relaxation. Its ultra-soft \nshape is designed for various uses \nthroughout the day and, thanks to its \ncompact size, it is also well-suited for \nmetropolitan spaces.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.24.png","45\nWalker modular sofa by Fabio Bonfà\nChimera carpet by Alessandro La Spada\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.25.png","47\nWatch the video\nLa poltrona Aura si distingue per le \nsue forme avvolgenti e le proporzioni \ngenerose, che le conferiscono un \ncarattere unico, capace di coniugare \nraffinatezza e personalità in modo \narmonioso. Il rivestimento in pelle, \nmorbido al tatto, ne esalta le forme \ned il comfort, rendendo ogni seduta \nun’esperienza sensoriale. La seduta \nbassa e profonda invita a lasciarsi \nandare, trasformando Aura in un \ncomplemento d’arredo ideale per chi \ndesidera concedersi un momento di \nrelax.\nThe Aura armchair stands out \nfor its enveloping shapes and \ngenerous proportions, giving it a \nunique character that harmoniously \ncombines refinement and personality. \nThe soft leather upholstery enhances \nits form and comfort, making each \nsitting a sensory experience. The \nlow and deep seat invites relaxation, \nturning Aura into the ideal piece \nof furniture for those who wish to \nindulge in a moment of relaxation.\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.26.png","49\nAura armchair by Fabio Bonfà\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.27.png","51\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.28.png","53\nWatch the video\nLa parola “Lego” ha una doppia \nvalenza: significa unire, legare \nma ricorda anche il famoso gioco \nche ha accomunato l’infanzia di \ninnumerevoli bambini, tra cui quella \ndei designer, donando la gioia di \npoter costruire qualcosa di concreto, \nda una torre a un trenino. Da qui la \nscelta di questo nome per i tavolini \ne la consolle che sono il risultato \ndell’abbraccio di forme geometriche, \nperfette insieme ma armoniose e \nsolide anche separate. I materiali \nprotagonisti per questi pezzi sono il \ncemento corroso con il sale marino e \nle fusioni in metallo. \nThe word “Lego” has a double \nmeaning in Italian: it means to \njoin, to link but it also recalls the \nfamous game that brought together \nthe childhood of countless children, \nincluding that of the designers, \ngiving the joy of being able to build \nsomething real, from a tower to a \ntrain. Hence the choice of this name \nfor the low tables and the console \nwhich are the result of the embrace \nof geometric shapes, perfect together \nbut harmonious and solid even \nseparated. The main materials for \nthese pieces are concrete eroded by \nsea salt and metal elements. \nLego low table by Draga & Aurel\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.29.png","55\nDoble - Inconsueto sculptures \nby Silvia Garau\nC-Square day system \nby Stefano Maria Pozzi\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.30.png","57\nWalker sofa by Fabio Bonfà\nVixen low tables by La Conca\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.31.png","59\nUn equilibrio tra matericità e rigore \nformale, il tavolo basso Vixen \ninterpreta il design contemporaneo \ncon un gesto deciso e scultoreo. Il \ntop in marmo, proposto nelle versioni \nlucida o con “leather finishing”, è \ndefinito da una bisellatura negativa \nche ne esalta la profondità visiva e \nla tattilità. La struttura, abbina un \ncuore in acciaio inox lucido a spalle \nin alluminio testurizzato, generando \nun contrasto sofisticato tra superfici \nlisce e materiche. Questo doppio \ntrattamento conferisce al tavolo \nun’identità visiva stratificata, ricca \ndi dettagli e riflessi. Parte di una \nfamiglia di tavoli bassi, Vixen si \ndistingue come elemento centrale \nin ogni ambiente, coniugando forza \nespressiva e raffinatezza costruttiva. \nUn classico contemporaneo \ndove la cura artigianale incontra \nl’innovazione progettuale.\nA balance between material richness \nand formal precision, the Vixen low \ntable embodies contemporary design \nwith a bold, sculptural gesture. The \nmarble top, available in polished or \n“leather finish” versions, is defined \nby a negative bevel that enhances \nits visual depth and tactile appeal.\nThe structure combines a polished \nstainless steel core with textured \naluminum side elements, creating a \nrefined contrast between smooth and \nraw surfaces. This dual treatment \ngives the table a layered visual \nidentity, rich in detail and reflections.\nPart of a family of low tables, Vixen \nstands out as a central piece in any \nspace, blending expressive strength \nwith refined craftsmanship. A \ncontemporary classic where artisanal \ncare meets design innovation.\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.32.png","61\nWatch the video\nAura armchair by Fabio Bonfà\nLa poltrona Aura si distingue per le \nsue forme avvolgenti e le proporzioni \ngenerose, che le conferiscono un \ncarattere unico, capace di coniugare \nraffinatezza e personalità in modo \narmonioso. Il rivestimento in pelle, \nmorbido al tatto, ne esalta le forme \ned il comfort, rendendo ogni seduta \nun’esperienza sensoriale. La seduta \nbassa e profonda invita a lasciarsi \nandare, trasformando Aura in un \ncomplemento d’arredo ideale per chi \ndesidera concedersi un momento di \nrelax.\nThe Aura armchair stands out \nfor its enveloping shapes and \ngenerous proportions, giving it a \nunique character that harmoniously \ncombines refinement and personality. \nThe soft leather upholstery enhances \nits form and comfort, making each \nsitting a sensory experience. The \nlow and deep seat invites relaxation, \nturning Aura into the ideal piece \nof furniture for those who wish to \nindulge in a moment of relaxation.\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.33.png","63\nVORTEX\nDI NI NG ROOM\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.34.png","65\nWatch the video\nVortex nasce dall’idea di dare forma \na un concetto dinamico, fatto di \nesplosione e implosione, di unione \ndi ciò che è separato e, come \nnella filosofia Kintsugi, di preziosa \nricostruzione. Il marmo e la pelle \ndividono lo spazio del top come \nelementi segnaposto e sono arricchiti \ndalla lavorazione delle cuciture \nribattute. Il basamento sostiene forma \ne sostanza di questa sintesi materica, \ntrasformando l’acciaio inossidabile \nsatinato in un monolite fluido. Il top \nin marmo Sahara Roots è lavorato \ncon una spazzolatura che ne esalta la \nvenatura in un leggero bassorilievo.\nVortex is born from the idea of giving \nshape to a dynamic concept,\none of explosion and implosion, of \nuniting what is separate and like \nin the philosophy of Kintsugi, of \nprecious reconstruction. Marble \nand leather divide the surface of \nthe top as placeholder elements \nand are enriched by the detailing \nof double-stitched seams. The base \nsupports both form and substance in \nthis material synthesis, transforming \nbrushed stainless steel into a fluid \nmonolith. The Sahara Roots marble \ntop is finished with a brushing \ntechnique that enhances its veining in \na subtle bas-relief.\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.35.png","67\nVortex dining table - Opus chair - Rock carpet by La Conca\nEkos console by Alessandro La Spada\nRawmorph vases by Tipstudio\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.36.png","69\nVortex nasce dall’idea di dare forma \na un concetto dinamico, fatto di \nesplosione e implosione, di unione \ndi ciò che è separato. Il basamento \nsostiene forma e sostanza di questa \nsintesi materica, trasformando \nl’acciaio inossidabile satinato in un \nmonolite fluido. Il top in marmo \nSahara Roots è lavorato con una \nspazzolatura che ne esalta la venatura \nin un leggero bassorilievo.\nVortex was born from the idea of \ngiving shape to a dynamic concept, \nmade of explosion and implosion, of \nuniting what is separate. The base \nsupports both form and substance of \nthis material synthesis, transforming \nbrushed stainless steel into a fluid \nmonolith. The Sahara Roots marble \ntop is finished with a brushing \ntechnique that enhances the veining in \na subtle bas-relief.\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.37.png","71\nVortex nasce dall’idea di dare forma \na un concetto dinamico, fatto di \nesplosione e implosione, di unione \ndi ciò che è separato e, come \nnella filosofia Kintsugi, di preziosa \nricostruzione.  La pietra e la pelle \ndividono lo spazio del top come \nelementi segnaposto e sono arricchiti \ndalla lavorazione delle cuciture \nribattute. Il basamento, rivestito \nin pelle, sostiene forma e sostanza \ndi questa sintesi materica. Il top in \nmarmo Sahara Roots è lavorato con \nuna spazzolatura che ne esalta la \nvenatura in un leggero bassorilievo.\nVortex is born from the idea of giving \nshape to a dynamic concept,\none of explosion and implosion, of \nuniting what is separate, and, like \nin the philosophy of Kintsugi, of \nprecious reconstruction. Stone and \nleather divide the surface of the top \nas placeholder elements and are \nenriched by the detailing of double-\nstitched seams. The base, covered \nin leather, supports the form and \nessence of this material synthesis. \nThe Sahara Roots marble top is \nfinished with a brushing technique \nthat enhances its veining in a subtle \nlow relief.\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.38.png","73\nEkos console\nGiano chandelier - table lamp \nby Alessandro La Spada\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.39.png","75\nWatch the video\nUnire il comfort di superfici morbide \ne arrotondate all’eleganza delle \nlavorazioni di selleria ha portato il \nprogetto Opus ad una sintesi naturale \ne spontanea. La sfera è la forma \ndominante, sia delle parti rigide che \ndi quelle morbide, tradotte dalla \nmaestria artigiana nel linguaggio \ndella tappezzeria. Le parti rigide \nsono completamente celate da \nrivestimenti in pelle, con l’alternanza \ndi superfici lisce e ricamate a pattern \n“v”, che trasmettono la firma tattile \ndel bassorilievo. La pelle antimacchia \nGlitch riveste il guscio esterno ed \nè abbinata internamente al tessuto \nMacy. Le gambe in legno, anch’esse \nrivestite in pelle, accolgono la scocca \ndalla forma arrotondata, lavorata \ne trattata a mano per una finitura \nmonomaterica.\nCombining the comfort of soft, \nrounded surfaces with the elegance \nof fine leather craftsmanship, the \nOpus project achieves a natural \nand effortless synthesis. The sphere \nis the dominant shape, present \nin both rigid and soft elements, \nskillfully translated into the language \nof upholstery. The rigid parts are \nentirely concealed by leather \ncoverings, alternating between \nsmooth surfaces and embroidered \n“v” pattern textures, creating a tactile \nbas-relief effect. The stain-resistant \nGlitch leather wraps the outer shell, \nwhile the interior is lined with Macy \nfabric. The wooden legs, also covered \nin leather, support the rounded shell, \nwhich is handcrafted and finished to \nachieve a seamless, monomaterial \naesthetic.\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.40.png","Opus chair by La Conca\nRawmorph vases by Tipstudio\n77\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.41.png","79\nCa’ Foscari high unit\nby Alessandro La Spada\nOscillazione 3-4 artworks\nby CaCO3\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.42.png","81\nCa’ Foscari high unit\nby Alessandro La Spada\nOscillazione 3-4 artworks\nby CaCO3\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.43.png","83\nBOYD\nL I VI NG ROOM\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.44.png","85\nBoyd è un sistema d’arredo modulare \naperto a infinite configurazioni, \nche introduce nuove e generose \nproporzioni: il divano è basso e \nprofondo, pensato per favorire una \nseduta più rilassata ed informale. \nRappresenta la quintessenza della \ncomodità, ed è particolarmente \ninvitante ed accogliente grazie alle \nampie cuscinature in piuma d’oca. \nÈ stato progettato per un’ideale \ncollocazione al centro dello spazio \nliving. Ad essere enfatizzati sono \ninfatti lo schienale e i fianchi, che \nrivelano un’attenzione assoluta al \ndettaglio: una preziosa e rigorosa \ncornice in legno racchiude le superfici \nscultoree del guscio esterno, creando \nun contrasto interessante con la \nmorbidezza delle forme. \nBoyd is a modular furniture system \nopen to infinite configurations, \nintroducing new and generous \nproportions: the sofa is low and \ndeep, designed to encourage a \nmore relaxed and informal seating \nexperience. It represents the epitome \nof comfort and is particularly inviting \nand welcoming thanks to the large \ndown- filled cushions. It has been \ndesigned for an ideal placement in \nthe center of the living space. The \nbackrest and the sides are in fact \nemphasized revealing an absolute \nattention to detail: a precious and \nrigorous wooden frame enclosing the \nsculptural surfaces of the outer shell, \ncreating an interesting contrast with \nthe softness of the forms. \n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.45.png","87\nWatch the video\nBoyd modular sofa - Spectre armchair\nby Fabio Bonfà\nGranger low table - Polaris chandelier - wall lamp\nby Alessandro La Spada\nLuxor carpet  \nby La Conca\n87\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.46.png","89\nWatch the video\nLa poltrona Spectre ha ispirazioni \norganiche e tecniche allo stesso \ntempo, definita da tratti aerodinamici \ne materici che sottolineano \nl’esclusività del prodotto anche \nattraverso un’attenta selezione di \nmateriali e finiture. \nLa scocca presenta una forma \norganica in legno curvato con una \nseduta interamente rivestita in pelle, \nche troviamo anche nel bracciolo ad \nimpreziosirlo. \nThe Spectre armchair has organic \nand technical inspirations at the \nsame time, defined by aerodynamic \nand material features that underline \nthe exclusivity of the product also \nthrough a careful selection of \nmaterials and finishes. \nThe body has an organic shape in \ncurved wood with a seat entirely \ncovered in leather, which we also find \nin the armrest to embellish it. \n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.47.png","91\nOscillazione 1-2 artworks by CaCO3\nSpectre armchair by Fabio Bonfà\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.48.png","93\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.49.png","95\nSoffio N.10 artwork by CaCO3\nSospensore di grigi sculptures by Silvia Garau\nSpectre armchair by Fabio Bonfà\nEgmont low tables by Alessandro La Spada\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.50.png","97\nWatch the video\nLa famiglia di luci Polaris Steel, \ncomposta da lampadario, applique \ne lampada da tavolo, si distingue da \nuna struttura affusolata. Le lampade \nPolaris Steel emanano un fascio di \nluce che viene enfatizzato dal gioco \ndi riflessi creato dall’acciaio lavorato \nin doppia finitura: lucido e satinato.  \nQuesta combinazione di superfici \nnon solo ne esalta la luminosità, ma \ncontribuisce anche a creare un effetto \nvisivo sofisticato e dinamico.\nThe Polaris Steel lighting family, \nconsisting of a chandelier, wall lamp, \nand table lamp, stands out for its sleek \nstructure. The Polaris Steel lamps emit \na beam of light that is enhanced by \nthe interplay of reflections created \nby the steel, finished in both polished \nand satin finishes. This combination \nof surfaces not only enhances its \nbrightness, but also contributes to \ncreating a sophisticated and dynamic \nvisual effect.\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.51.png","99\nM YSTI C\nDI NI NG ROOM\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.52.png","101\nWatch the video\nll tavolo Mystic è una celebrazione \ndella natura nella sua forma \nessenziale e scultorea, unisce \neleganza e matericità. Il top in \nTravertino spesso 4 cm presenta linee \nmorbide ed è lavorato nei perimetri \ncon finitura “a toro”. \nLe gambe, realizzate con uno \nstampo in fusione, giocano con \nil contrasto tra pieno e vuoto. La \ndoppia finitura – lucida all’interno \ne spazzolata all’esterno – aggiunge \nprofondità e dinamismo alla struttura, \nenfatizzando la tridimensionalità del \ntavolo e conferendogli un carattere \ndistintivo.\nThe Mystic table is a celebration \nof nature in its purest and most \nsculptural form, combining elegance \nand materiality. The 4 cm thick \nTravertine top features soft lines and \nis finished with a “bullnose” edge.\nThe legs, created using a die-mold, \nplay with the contrast between solid \nand void. The dual finish – glossy on \nthe inside and brushed on the outside \n– adds depth and dynamism to the \nstructure, emphasizing the table’s \nthree-dimensionality and giving it a \ndistinctive character.\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.53.png","103\nWatch the video\nLa sedia Elixir incarna l’armonia tra \ndesign e comfort. La sua struttura \nin metallo, dalla linea fluida e \navvolgente, ha sul retro un leggera \ntorsione e abbraccia delicatamente \nl’imbottitura, creando un contrasto \nsensoriale tra i diversi  materiali. \nLo schienale sospeso rende Elixir\nleggera e aerea. A completare, il\nbracciolo in metallo, che richiama la \nstruttura e crea continuità visiva.\nThe Elixir chair embodies the \nharmony between design and \ncomfort. Its metal frame, with a fluid \nand enveloping line, features a subtle \ntwist at the back, gently embracing \nthe padding and creating a sensory \ncontrast between different materials. \nThe suspended backrest gives Elixir \na light and airy feel. Completing the \ndesign is the metal armrest, which \nechoes the structure and creates \nvisual continuity.\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.54.png","105\nElixir chair - Mystic dining table by Alessandro La Spada\nSablé carpet by La Conca\nSMK17_F01 artwork by Aurel K. Basedow\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.55.png","107\nMonolite 1 - Monolite 2 vases\nby Roberto Renzi\n \nAkira chandelier\nby Alessandro La Spada\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.56.png","109\nLOVI NG F.\nL I VI NG ROOM\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.57.png","111\nWatch the video\nIl divano modulare Loving F.\nsi sviluppa come una mini architettura\nche travalica gli attuali\nsistemi di componibile. Mauro\nLipparini ha trovato ispirazione\nnei gesti progettuali che si rifanno\ne reinterpretano il Movimento\nModerno, tra l’architettura\nrazionalista e quella organica nel\nsegno dell’armonia. Loving F.\nè una costruzione di elementi\nche dialogano realmente con lo\nspazio poiché il sistema stesso è\ncostituito di “spazi nello spazio”,\npieni e vuoti, morbidezze e materie\nrigide, luci e ombre. Loving F.\nsi sviluppa in due versioni: una,\nessenziale e rigorosa, dal solo\nrivestimento imbottito arricchito\nda cuciture doppiate che ritmano\nle superfici. Una seconda, che\nprevede l’inserimento di contenitori\na giorno, rivestiti con materiali a\ncontrasto: essenza di frassino cenere,\nmarmo Arabescato Orobico Grigio e\nmetalli canna di fucile. Questi\nelementi di personalizzazione hanno\nla possibilità di più combinazioni:\nla prima abbinando il marmo del\ncontenitore con la pelle della scocca,\nla seconda abbinando l’essenza in\nlegno delle mensole alla pelle della\nscocca e del contenitore.\nThe modular sofa Loving F. unfolds \nlike a miniature architecture \nthat goes beyond traditional \nmodularsystems. Mauro Lipparini \ndrew inspiration from design gestures \nthat reference and reinterpret \ntheModern Movement, blending \nrationalist and organic architecture \nin the name of harmony. Loving \nF. is a composition of elements \nthat genuinely interact with the \nsurrounding space, as the system \nitself ismade up of “spaces within \nspace” — solids and voids, soft and \nrigid materials, light and shadow. \nLoving F. is available in two versions: \none, essential and rigorous, features \nonly upholstered surfacesenhanced \nby double stitching that creates a \nrhythmic pattern. The second version \nincludes open storageelements, clad \nin contrasting materials such as ash \nwood in a charcoal finish, Arabescato \nOrobico Grigiomarble and gunmetal-\ncolored metals. These customizable \nelements offer various combinations: \noneoption pairs the marble storage \nunit with the leather frame; another \ncombines the wooden shelves withthe \nleather of both the frame and the \nstorage unit.\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.58.png","113\nLoving F. modular sofa by Mauro Lipparini\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.59.png","Alya armchair by Steve Leung\nCaelum carpet by La Conca\n115\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.60.png","117\nMilano wall lamp by Armando Bruno - Alberto Torres\nCubic artwork by Michele Astolfi\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.61.png","121\nSolis low table by Marco Piva\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.62.png","121\nMauro Lipparini ha trovato ispirazione\nnei gesti progettuali che si rifanno\ne reinterpretano il Movimento\nModerno, tra l’architettura\nrazionalista e quella organica nel\nsegno dell’armonia. Loving F.\nè una costruzione di elementi\nche dialogano realmente con lo\nspazio poiché il sistema stesso è\ncostituito di “spazi nello spazio”,\npieni e vuoti, morbidezze e materie\nrigide, luci e ombre. La poltrona \nLoving F. è caratterizzata da una forma \nessenziale e rigorosa, dal solo\nrivestimento imbottito arricchito\nda cuciture doppiate che ritmano\nle superfici. \nMauro Lipparini found inspiration \nin the design gestures that reference \nand reinterpret the Modern \nMovement, between rationalist \nand organic architecture, all in the \nname of harmony. Loving F. is a \ncomposition of elements that truly \nengage with the surrounding space, \nas the system itself is made up of \n“spaces within space” — solids and \nvoids, softness and rigid materials, \nlight and shadow. The Loving F. \narmchair is defined by its essential \nand rigorous form, with a fully \nupholstered cover enriched by double \nstitching that gives rhythm to the \nsurfaces.\nLoving F. sofa - armchair by Mauro Lipparini\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.63.png","123\nLoving F. sofa - armchair by Mauro Lipparini\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.64.png","Solis low table by Marco Piva\n125\nWatch the video\nSolis è un tavolino che trae \nispirazione dal fenomeno dell’eclisse \nsolare, in cui luce e ombra si fondono \nin un gioco armonico. Come \nun’eclisse che svela e nasconde, Solis \ngioca con il contrasto tra materia \ne assenza, tra luce e ombra, tra la \nsolidità della pietra e del legno e \nla morbidezza del tessuto. Solis è \nrealizzato con una base rettangolare \nstondata in metallo satinato e un \npiano che alterna marmo e tessuto.\nIl marmo, con la sua texture profonda \ne mutevole, richiama la superficie \nlunare, mentre la morbidezza \ndel tessuto crea un’inaspettata \ninterruzione tattile e visiva. Il risultato \nè un equilibrio raffinato tra forza e \ndelicatezza, tra geometria e fluidità. \nSolis è caratterizzato da estrema \nmodularità, può essere utilizzato \ncome seduta aggiuntiva ad una zona \nliving ed essere usato come elemento \nsingolo o composto, andando a \ncreare un tavolo basso dalle misure \npersonalizzabili. \nSolis is a coffee table inspired by \nthe phenomenon of a solar eclipse, \nwhere light and shadow merge in \na harmonious interplay. Like an \neclipse that reveals and conceals, \nSolis explores the contrast between \npresence and absence, light and \nshadow, the solidity of stone and \nwood, and the softness of fabric. Solis \nfeatures a rounded rectangular base \nin satin-finished metal and a tabletop \nthat alternates between marble and \nfabric. The marble, with its deep and \never-changing texture, evokes the \nlunar surface, while the softness of \nthe fabric introduces an unexpected \ntactile and visual contrast. \nThe result is a refined balance \nbetween strength and delicacy, \ngeometry and fluidity. Highly \nmodular, Solis can serve as \nadditional seating in a living space \nand be used as a single unit or \ncombined to create a customizable \nlow table.\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.65.png","127\nSputnik chandelier by Draga & Aurel\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.66.png","129\nSiona bar unit by Matteo Cibic\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.67.png","131\nNubia console by Hagit Pincovici\nSputnik wall lamp by Draga & Aurel\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.68.png","133\nNEOL I TO\nBEDROOM\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.69.png","135\nWatch the video\nNeolito celebra la potenza e la \nbellezza della natura, reinterpretando \nle sue geometrie primordiali in \nun rifugio avvolgente. Il letto è \ndisponibile in due versioni: Neolito \ncon rivestimento in tessuto o pelle \n(senza trapuntatura) e Neolito Bold \ncon rivestimento in pelle. Nella \nversione Bold, il letto è caratterizzato \nda trapuntature a fasce sagomate, \nimbottite e cucite singolarmente con \ncucitura doppia ribattuta a 2 aghi. \nLa trapuntatura a doppia ribattuta, \nche decora la testata e il giroletto, \nconferisce dinamismo al design, \nmentre i comodini con top in pietra \nlevigata completano il progetto, \nintrecciando fascino passato e \ncontemporaneo.\nNeolito celebrates the power and \nbeauty of nature, reinterpreting \nits primordial geometries into a \nwelcoming retreat. The bed is \navailable in two versions: Neolito, \nwith a fabric or leather cover \n(without quilting), and Neolito Bold, \nupholstered in leather.\nIn the Bold version, the bed features \nsculpted, padded bands, each \nindividually quilted and stitched \nwith a double-needle topstitch. \nThis distinctive quilting, adorning \nboth the headboard and bed frame, \nadds dynamism to the design, while \nthe bedside tables with honed \nstone tops complete the ensemble, \nweaving together past charm and \ncontemporary elegance.\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.70.png","137\nNeolito bed - Neolito bedside table\nby Alessandro La Spada\nAstralis abat jour - wall lamp\nby Alessandro La Spada\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.71.png","139\nWatch the video\nIl comodino Neolito celebra la \npotenza e la bellezza della natura, \nreinterpretando le sue geometrie \nprimordiali in una forma raffinata e \nscultorea. Il suo volume compatto, \ndefinito da linee morbide ed \nessenziali, evoca una calma solidità, \nun punto d’equilibrio nello spazio \nintimo della zona notte.\nIl top in pietra levigata, con le sue \nvenature naturali, dialoga con la \nstruttura in metallo, creando un \nequilibrio tra matericità grezza ed \neleganza contemporanea. Progettato \nper completare il sistema Neolito, il \ncomodino diventa parte integrante di \nun rifugio accogliente, dove il fascino \ndel passato e la sensibilità moderna \nconvivono in perfetta armonia.\nThe Neolito bedside table celebrates \nthe power and beauty of nature, \nreinterpreting its primordial \ngeometries in a refined, sculptural \nform. Its compact volume, defined \nby soft, essential lines, evokes a \ncalm solidity, an anchor within the \nintimate space of the bedroom.\nThe honed stone top, with its natural \nveining, engages in a dialogue \nwith the metal structure, striking a \nbalance between raw materiality and \ncontemporary elegance. Designed \nto complete the Neolito system, the \nbedside table becomes an integral \npart of a welcoming retreat, where \npast charm and modern sensibility \ncoexist in perfect harmony.\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.72.png","141\nNeolito Bold bed - Neolito Free bedside table by Alessandro La Spada\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.73.png","143\nWatch the video\nNeolito Bold celebra la potenza e la \nbellezza della natura, reinterpretando \nle sue geometrie primordiali in \nun rifugio avvolgente. Il letto è \ndisponibile in due versioni: Neolito \ncon rivestimento in tessuto o pelle \n(senza trapuntatura) e Neolito Bold \ncon rivestimento in pelle. Nella \nversione Bold, il letto è caratterizzato \nda trapuntature a fasce sagomate, \nimbottite e cucite singolarmente con \ncucitura doppia ribattuta a 2 aghi. \nLa trapuntatura a doppia ribattuta, \nche decora la testata e il giroletto, \nconferisce dinamismo al design, \nmentre i comodini con top in pietra \nlevigata completano il progetto, \nintrecciando fascino passato e \ncontemporaneo.\nNeolito Bold celebrates the power \nand beauty of nature, reinterpreting \nits primordial geometries into a \nwelcoming retreat. The bed is \navailable in two versions: Neolito, \nwith a fabric or leather cover \n(without quilting), and Neolito Bold, \nupholstered in leather.\nIn the Bold version, the bed features \nsculpted, padded bands, each \nindividually quilted and stitched \nwith a double-needle topstitch. \nThis distinctive quilting, adorning \nboth the headboard and bed frame, \nadds dynamism to the design, while \nthe bedside tables with honed \nstone tops complete the ensemble, \nweaving together past charm and \ncontemporary elegance.\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.74.png","145\nWatch the video\nAstralis si distingue per le sue forme \norganiche, ispirate alla bellezza e \nalla fluidità della natura. La famiglia \ndi lampade è composta da corpi \nilluminanti realizzati con diffusori in \nCristallo Patagonia o Onice Avorio, \nprogettati per emettere una luce \ncalda e discreta, che si diffonde \ndelicatamente nell’ambiente, \nripetendo armoniosi ritmi naturali \nattraverso le loro strutture \nben definite. Le applique della \ncollezione sono versatili e possono \nessere utilizzate singolarmente o \nraggruppate in composizioni più \ncomplesse, creando giochi di luce che \nesaltano l’ambiente circostante con \nun’atmosfera intima e accogliente.\nAstralis stands out for its organic \nforms, inspired by the beauty and \nfluidity of nature. The family of \nlamps consists of lighting elements \nmade with diffusers in Patagonia \nCrystal or Ivory Onyx, designed \nto emit a warm, subtle glow that \ngently spreads through the space, \nechoing harmonious natural rhythms \nthrough their well-defined structures. \nThe wall sconces in the collection \nare versatile and can be used \nindividually or arranged in more \ncomplex compositions, creating light \neffects that enhance the surrounding \nenvironment with an intimate and \nwelcoming atmosphere.\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.75.png","Untitled 2021  by Pieter Vermeersch\nShibari chair by Studiopepe\n147\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.76.png","149\nUntitled 2025 artworks\nby Pieter Vermeersch\nLego console\nby Draga & Aurel\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.77.png","151\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.78.png","153\nEPH I R\nOFFI CE\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.79.png","155\nWatch the video\nLa scrivania Ephir si ispira alle \nforme scolpite dalla natura, questa \nscrivania unisce la forza della pietra \nlevigata alla leggerezza delle superfici \nmetalliche. Il piano in marmo Dover \nWhite con finitura “leather” dialoga \ncon gambe asimmetriche in metallo \ncon finitura rigata, creando equilibrio \ntra materia e forma. Luci e ombre ne \nesaltano la geometria, trasformando \nlo spazio ufficio in un ambiente \nrappresentativo e senza tempo.  \nThe Ephir desk is inspired by nature’s \nsculpted forms, blending the strength \nof polished stone with the lightness \nof metallic surfaces. The Dover \nWhite marble top with a leather \nfinish interacts with asymmetrical \nmetal legs featuring a striped finish, \ncreating a balance between material \nand form. Lights and shadows \nenhance its geometry, transforming \nthe office space into a representative \nand timeless environment.\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.80.png","157\nWatch the video\nEphir writing desk - Astralis table lamp\nby Alessandro La Spada\nPlanet office chair\nby Steve Leung\nThufir carpet \nby Matteo Cibic\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.81.png","159\nEphir writing desk \nby Alessandro La Spada\nRifugio sculpture \nby Silvia Garau\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.82.png","161\nWatch the video\nAnastasia chair \nby Maurizio Manzoni - Roberto Tapinassi\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.83.png","163\nEphir writing desk \nby Alessandro La Spada\nPolaris chandelier - table lamp \nby Alessandro La Spada\nPlanet office chair \nby Steve Leung\n  \n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.84.png","165\nWatch the video\nLa scrivania Ephir si ispira alle \nforme scolpite dalla natura, unendo \nla solidità della pietra levigata alla \nmorbidezza visiva dei volumi rivestiti. \nIl piano in marmo Dover White \ndialoga con gambe asimmetriche \nrivestite in Nabuk Libeccio, creando \nun equilibrio raffinato tra matericità \ne forma. Le superfici, attraversate da \ngiochi di luce e ombra, valorizzano la \ngeometria del progetto e trasformano \nlo spazio ufficio in un ambiente \nrappresentativo e senza tempo.\nThe Ephir desk is inspired by forms \nsculpted by nature, combining \nthe solidity of polished stone with \nthe visual softness of upholstered \nvolumes. The Dover White marble \ntop interacts with asymmetrical \nlegs upholstered in Nabuk Libeccio, \ncreating a refined balance between \nmateriality and form. Surfaces \nshaped by light and shadow \nenhance the geometry of the design, \ntransforming the office space into \na timeless and representative \nenvironment.\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.85.png","167\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.86.png","169\nBASTI A N\nBEDROOM\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.87.png","171\nWatch the video\nIl letto Bastian nasce \ndall’ampliamento della gamma di \nimbottiti (divano, componibile, \npoltrone, chaise longue) che basano \nil loro design sulla costruzione a \n“elementi sospesi” di braccioli e \nschienali con lavorazione “a busta” \ne fregi metallici. Allo stesso modo \nla testata del letto, di generose \ndimensioni, risulta sollevata da \nterra, e ulteriormente alleggerita da \nuna luce di cortesia a led che sfiora \nil pavimento, con accensione soft \ntouch. Il sommier, provvisto come \ntutti i letti Visionnaire di regolazione \nin altezza del piano del materasso, \nrisulta impreziosito dalla lavorazione \n“a busta” con fettucce in pelle \nribattute e fregi metallici in alluminio \nmassiccio e acciaio inox, con logo in \nbassorilievo. \nThe Bastian bed is an extension \nof the range of upholstered \nfurniture (sofas, modular units, \narmchairs, chaise lounges) that \nbase their design on the “suspended \nelements” construction of \narmrests and backrests, featuring \nan “envelope-style” finish and \nmetallic embellishments. Similarly, \nthe bed’s headboard, despite its \ndimensions, appears to be lifted off \nthe ground and is further lightened \nby a courtesy LED light that softly \ntouches the floor, with a soft-touch \nactivation system. The bed base, \nlike all Visionnaire beds, features an \nadjustable mattress platform height \nand is enhanced by an “envelope-\nstyle” finish with stitched leather \nbands and metallic embellishments \nin solid aluminum and stainless steel, \nwith a low-relief logo.\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.88.png","173\nBastian bed - Moon-Eye table lamp\nby Mauro Lipparini\nLe Comte bedside table \nby Fabio Bonfà\nFlame armchair - Roma chandelier\nby Marco Piva\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.89.png","175\nWatch the video\nFlame armchair by Marco Piva\nLimen carpet by La Conca\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.90.png","177\nEI DOS\nWA L K-I N CLOSET\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.91.png","179\nEidos walk-in closet\nby Fabio Bonfà\nIstante - Immortale sculptures\nby Silvia Garau\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.92.png","181\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.93.png","183\nEidos walk-in closet\nby Fabio Bonfà\nOlimpia make-up unit\nby Alessandro La Spada\nAdele pouf \nby Marco Piva\nMilano table lamp\nby Armando Bruno - Alberto Torres\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.94.png","185\nDU K E\nWORKI NG A REA\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.95.png","187\nVoluptas sofa\nby Studiopepe\nAracea floor lamp\nby Gupica\nSputnik chandelier\nby Draga & Aurel\nVoluptas chair\nby Studiopepe\nOtis table\nby La Conca\nPalma Areca artwork\nby Michele Astolfi\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.96.png","189\nVoluptas, design Studiopepe, è \nuna famiglia di imbottiti composta \nda divano, panca con schienale, \nsedia e sgabello che reinterpreta \nle sofisticate forme degli arredi \nanni ‘70. Caratterizzata da linee \nmorbide e generose, questa famiglia \nè impreziosita da un rivestimento in \nmorbido tessuto bouclè che rende \nl‘imbottitura ancora più soffice \nal tatto. Voluptas si inserisce con \nnaturale eleganza in ambienti sia \nresidenziali che contract, diventando \nprotagonista dello spazio grazie alla \nsua forte identità estetica.\nVoluptas, designed by Studiopepe, \nis a family of upholstered pieces \nincluding a sofa, a bench with \nbackrest, a chair and a stool, \nreinterpreting the sophisticated \nshapes of 1970s furniture. \nCharacterized by soft, generous \nlines, the collection is enhanced by \na plush bouclé fabric that makes the \npadding even more inviting to the \ntouch. Voluptas fits naturally and \nelegantly into both residential and \ncontract settings, becoming the focal \npoint of the space thanks to its strong \naesthetic identity.\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.97.png","191\nAnthology sample rack bookshelf by La Conca\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.98.png","BABYLON RACK CIRCLE\nAlessandro La Spada\nBOYD\nFabio Bonfà\nLOVING F.\nMauro Lipparini\nLOVING F.\nMauro Lipparini\nback to INDEX\n193\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\nDIVANI \nSOFAS\nRivestimento seduta: Macy 24360\u002F02 Latte\nRivestimento schienale: Sean 5018\u002F607 Avorio\nMarmo: Silver Roots “mano leather”\nMetallo: Canna di fucile satinato \nN.2 cuscini decorativi Babylon con bordo 40x40 cm in Vellus \n24342\u002F70 Beige\nSeat upholstery: Macy 24360\u002F02 Latte\nBack upholstery: Sean 5018\u002F607 Avorio \nMarble: Silver Roots “mano leather” finishing\nMetal: Satinized gunmetal finishing\nN.2 Babylon loose cushion with band 40x40 cm in Vellus \n24342\u002F70 Beige\n550x170 H.42\u002F62 cm, composto da:\nN.1 Chaise longue sinistra con bracciolo corto 165x175 H.64\u002F90 cm  \nN.1 Elemento centrale 211x111 H.64\u002F90 cm\nN.1 Penisola sinistra 227x147 H.64\u002F90 cm\n550x170 H.42\u002F62 cm, composed by:\nN.1 Left chaise longue with short armrest 165x175 H.64\u002F90 cm \nN.1 Central element 211x111 H.64\u002F90 cm\nN.1 Left peninsula element 227x147 H.64\u002F90 cm \nRivestimento: Garland 24362\u002F04 Perla\nStruttura: MAS 02 in legno di frassino opaco (5 gloss)\nMetallo: Canna di fucile lucido \nN.5 cuscini decorativi 45x35 cm in Vellus Latte\nN.3 cuscini decorativi 45x45 cm in Dundee\n24361\u002F04 Castagna\n550x170 H.42\u002F62 cm, composto da:\nN.1 BYLCL16 Chaise longue sinistra 115x170 H.42\u002F62 cm\nN.1 BYC15 Elemento centrale singolo 93x120 H.42\u002F62 cm\nN.1 BYCOSL27 Elemento angolare sinistro 217x152 H.42\u002F62 cm\nN.1 BYR31 Elemento laterale destro 125x120 H.42\u002F62 cm;\n550x170 H.42\u002F62 cm, composed by:\nN.1 BYLCL16 Left chaise longue 115x170 H.42\u002F62 cm  \nN.1 BYC15 Single central element 93x120 H.42\u002F62 cm  \nN.1 BYCOSL27 Left corner element 217x152 H.42\u002F62 cm  \nN.1 BYR31 Right end element 125x120 H.42\u002F62 cm\nUpholstery: Garland 24362\u002F04 Perla\nStructure: MAS 02 in matte ash wood (5 gloss)\nMetal: Polished gunmetal\nNo. 5 decorative cushions 45x35 cm in Vellus Latte  \nNo. 3 decorative cushions 45x45 cm in Dundee\n24361\u002F04 Castagna\nRivestimento: Donan 24372\u002F14 Ash\nMarmo: Arabescato Orobico con finitura “leather finishing”\nMetallo: Canna di fucile satinato\nN.3 cuscini sfoderabili 40x40 cm in Donan 24372\u002F16 Grey\nN.3 cuscini sfoderabili 45x35 cm in Dundee 24361\u002F04 Castagna\n349x365 H.65 cm, composto da:\nN.1 Elemento laterale sinistro con libreria 164x108 H.65 cm \nN.1 Elemento centrale 75x108 H.65 cm \nN.1 Elemento angolare (liscio) 108x108 H.65cm\nN.1 Elemento laterale destro 255x108 H.65 cm\n349x365 H.65 cm, composed by:\nN.1 Left lateral element with bookshelf 164x108 H.65 cm\nN.1 Central element 75x108 H.65 cm\nN.1 Corner element plain 108x108 H.65cm \nN.1 Right lateral element 255x108 H.65 cm\nUpholstery: Donan Leather 24372\u002F14 Ash\nMarble: Arabescato Orobico “leather finishing”\nMetal: Satinized gunmetal\nN.3 loose cushions 40x40 cm in Donan 24372\u002F16 Grey\nN.3 loose cushions 45x35 cm in Dundee 24361\u002F04 Castagna\nRivestimento: Sean 5018\u002F616 Sabbia\nMetallo: Canna di fucile satinato\n310x108 H.65 cm\n310x108 H.65 cm\nUpholstery: Sean 5018\u002F616 Sabbia\nMetal: Satinized gunmetal\nCONFIGURE\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.99.png","WALKER\nFabio Bonfà\nRivestimento: Macy 24360\u002F01 Neve\nN.4 loose cushions 38x38 cm in Nabuk Sequoia 24314\u002F04 Sabbia  \nN.4 loose cushions 38x38 cm in Prado 24329\u002F05 Beige\nUpholstery: Macy 24360\u002F01 Neve\nN.4 loose cushions 38x38 cm in Nabuk Sequoia 24314\u002F04 Sabbia \nN.4 loose cushions 38x38 cm in Prado 24329\u002F05 Beige\n490x110 H.62 cm, composto da:\nN.1 Elemento sinistro 127x116 H.64 cm; \nN.1 Elemento centrale 99x116 H.64 cm \nN.1 Pouf 99x105 H.42 cm \nN.1 Elemento destro 162x116 H.64 cm\n490x110 H.62 cm, composed by:\nn.1 Left element 127x116 H.64 cm;\nn.1 Central element 99x116 H.64 cm\nn.1 Pouff 99x105 H.42 cm\nn.1 Right element 162x116 H.64 cm\nAURA\nFabio Bonfà\nAURA\nFabio Bonfà\nRivestimento: Macy 24360\u002F01 Neve\nRivestimento schienale: Soft Leather 1118 Canapa\nMetallo: Nickel nero\nUpholstery: Macy 24360\u002F01 Neve\nBack upholstery: Soft Leather 1118 Canapa\nMetal: Black nikel\n100x106 H.82 cm\n100x106 H.82 cm\nALYA\nSteve Leung\nback to INDEX\n195\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\nPOLTRONE \nARMCHAIRS\nRivestimento: Donan 24372\u002F16 Grey\nMetallo: Nickel nero\nUpholstery: Donan 24372\u002F16 Grey\nMetal: Black nikel\n100x106 H.82 cm\n100x106 H.82 cm\n82x82 H.75 cm\n82x82 H.75 cm\nRivestimento seduta: Trix 24365\u002F03 Ambre  \nRivestimento schienale: Soft 1160 Cuoio con cucitura a rombi  \nStruttura: Frassino massello MAS 02 con finitura a poro aperto \nopaca 5 gloss\nMetallo: Nickel nero satinato\nSeat upholstery: Trix 24365\u002F03 Ambre\nBack upholstery: Soft 1160 Cuoio with diamond stitching\nStructure: Solid ash wood MAS 02 with open pore matte finish, 5 \ngloss\nMetal: Satinized black nickel\nCONFIGURE\nBACK TO PHOTO\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.100.png","FLAME\nMarco Piva\nSHIBARI\nStudiopepe\nSPECTRE\nFabio Bonfà\nback to INDEX\n197\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\n84x80 H.80 cm\n84x80 H.80 cm\nRivestimento seduta: Brasilia 24264\u002F13 Seppia \nRivestimento base: Pray Leather 5002\u002F36 Silver  \nMetallo: Canna di fucile lucido \nSeat upholstery: Brasilia 24264\u002F13 Seppia\nBase upholstery: Pray Leather 5002\u002F36 Silver\nMetal: Polished gunmetal\nLOVING F.\nMauro Lipparini\nRivestimento: Donan Leather 24372\u002F14 Ash\nMetallo: Canna di fucile satinato\n122x108 H.65 cm\n122x108 H.65 cm\nUpholstery: Donan Leather 24372\u002F14 Ash\nMetal: Satinized gunmetal\n75x78 H.75 cm\n75x78 H.75 cm\nRivestimento: Moss 24363\u002F04 Ambre\nUpholstery: Moss 24363\u002F04 Ambre\n92x90 H.76 cm\n92x90 H.76 cm\nRivestimento seduta: Dundee 24361\u002F10 Ruggine \nRivestimento schienale: Soft leather 1134 Marrone  \nBraccioli: Frassino massello verniciato MAS 05 con finitura lucida \n100 gloss e Pelle Soft 1134 Marrone\nMetallo: Canna di fucile lucido \nSeat upholstery: Dundee 24361\u002F10 Ruggine\nBack upholstery: Soft leather 1134 Marrone\nArmrests: Solid ash wood painted MAS 05 with 100 gloss high-\ngloss finish and Soft leather 1134 Marrone\nMetal: Polished gunmetal\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.101.png","SELFLESS\nAlessandro La Spada\nELIXIR\nAlessandro La Spada\n57x59 H.82 cm\n57x59 H.82 cm\nRivestimento: Soft Leather 1280 Argilla\nMetallo: Canna di fucile satinato\nUpholstery: Soft Leather 1280 Argilla\nMetal: Satinized gunmetal\nback to INDEX\n199\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\n165x90 H.105 cm\n165x90 H.105 cm\nRivestimento: City Velvet 7832\u002F126 Terra di Siena\nMetallo: Canna di fucile satinato\nUpholstery: City Velvet 7832\u002F126 Terra di Siena\nMetal: Satinized gunmetal\nCHAISE-LONGUES \nCHAISE-LONGUES\nPANCHE \nBENCHES\nVOLUPTAS\nStudiopepe\nRivestimento: Orsetto Stretch 01 Latte\nMetallo: Acciaio satinato\nUpholstery: Orsetto Stretch 01 Latte\nMetal: Satinized steel\n285x78 H.86 cm\n285x78 H.86 cm\nANASTASIA\nMaurizio Manzoni - Roberto Tapinassi\nRivestimento: Kenya 24164\u002F02 Betulla\nUpholstery: Kenya 24164\u002F02 Betulla\n56x56 H.75 cm\n56x56 H.75 cm\nSEDIE \nCHAIRS\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.102.png","OPUS\nLa Conca\nSHIBARI\nStudiopepe\nRivestimento seduta: Macy 24360\u002F01 Neve\nGambe e rivestimento esterno: Glitch 24371\u002F04 Perla\nSeat upholstery: Macy 24360\u002F01 Neve\nBack and legs upholstery: Glitch 24371\u002F04 Perla\n56x62 H.86 cm\n56x62 H.86 cm\n61x65 H.77 cm\n61x65 H.77 cm\nRivestimento: Paddington Chalk\nUpholstery: Paddington Chalk\nVOLUPTAS\nStudiopepe\n68x54 H.73 cm\n68x54 H.73 cm\nRivestimento: Orsetto Stretch 01 Latte\nMetallo: Acciaio satinato\nUpholstery: Orsetto Stretch 01 Latte\nMetal: Satinized steel\nVOLUPTAS\nStudiopepe\n65x54 H.98\u002F107 cm\n65x54 H.98\u002F107 cm\nRivestimento: Groovi 24367\u002F01 Coton\nMetallo: Nickel nero satinato\nUpholstery: Groovi 24367\u002F01 Coton\nMetal: Satinized black nickel\nback to INDEX\n201\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nSGABELLI \nSTOOLS\nCONFIGURE\nBACK TO PHOTO\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.103.png","PLANET\nSteve Leung\nH.130\u002F138 cm\nH.130\u002F138 cm\nRivestimento: Nabuk Libeccio 24330\u002F2480 Argilla\nMetallo: Canna di fucile satinato\nUpholstery: Nabuk Libeccio 24330\u002F2480 Argilla\nMetal: Satinized gunmetal\nBASTIAN LARGE\nMauro Lipparini\nNEOLITO\nAlessandro La Spada\n320x233 H.110 cm (materasso 200x200 cm)\n322x290 H.120 cm (materasso 180x200 cm)\n320x233 H.110 cm (mattress 200x200 cm)\n322x290 H.120 cm (mattress 180x200 cm)\nRivestimento: Brasilia 24264\u002F01 Panna\nFiletto: Soft Leather 1170 Camoscio\nMetallo: Canna di fucile satinato\nRivestimento: Hugo 24358\u002F21 Latte\nUpholstery: Brasilia 24264\u002F01 Panna\nPiping: Soft Leather 1170 Camoscio\nMetal: Satinized gunmetal\nUpholstery: Hugo 24358\u002F21 Latte\nNEOLITO BOLD\nAlessandro La Spada\n342x290 H.120 cm (materasso 200x200 cm)\n342x290 H.120 cm (mattress 200x200 cm)\nRivestimento: Nabuk Libeccio 24330\u002F3411 Ecrù\nUpholstery: Nabuk Libeccio 24330\u002F3411 Ecrù\nback to INDEX\n203\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nPOLTRONE DA UFFICIO\nOFFICE ARMCHAIRS\nLETTI\nBEDS\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.104.png","LE COMTE\nFabio Bonfà\nNEOLITO\nAlessandro La Spada\n60x45 H.51 cm\n50x50 H.36 cm (destro) - 65x51 H.36 cm (sinistro)\n60x45 H.51 cm\n50x50 H.36 cm (right) - 65x51 H.36 cm (left)\nTop: Dover White finitura “mano leather”\nRivestimento: Sean 5018\u002F103 Gesso\nRivestimento profilo: Sean 5018\u002F616 Sabbia\nParte interna: Legno laccato opaco RAL 9010\nTop: Dover White finitura “mano leather”\nStruttura: legno laccato metallizzato con effetto canna di fucile\nTop: Dover White “Leather finishing”\nUpholstery: Sean 5018\u002F103 Gesso\nFrame upholstery: Sean 5018\u002F616 Sabbia\nInternal part: Matt lacquered wood RAL 9010\nCOMODINI\nBEDSIDE TABLES\nTop: Dover White “Leather finishing”\nStructure: special metallic lacquered wood with gunmetal \nfinishing\nNEOLITO FREE\nAlessandro La Spada\n65x50 H.39 cm\n65x50 H.39 cm\nStruttura: legno laccato metallizzato con effetto canna di fucile\nStructure: special metallic lacquered wood with gunmetal \nfinishing\nMYSTIC\nAlessandro La Spada\n280x130 H.75 cm\n280x130 H 75.cm\nTop: Travertino “a poro aperto”\nMetallo: Canna di fucile lucido\nTop:  Travertino “open pore finishing”\nMetal: Polished gunmetal\nback to INDEX\n205\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nTAVOLI DA PRANZO\nDINING TABLES\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.105.png","VORTEX\nLa Conca\n285x130 H.75 cm\n285x130 H.75 cm\nTop: Sahara Roots finitura “mano leather” \nRivestimento: Glitch 24371\u002F03 Acciaio\nMetallo: Acciaio satinato\nTop: Sahara Roots “Leather finishing” \nUpholstery: Glitch 24371\u002F03 Acciaio\nMetal: Satinized steel\nVORTEX\nLa Conca\n285x130 H.75 cm\n285x130 H.75 cm\nTop: Sahara Roots finitura “mano leather” \nRivestimento: Glitch 24371\u002F03 Acciaio\nMetallo: Nickel nero satinato\nTop: Sahara Roots “Leather finishing” \nUpholstery: Glitch 24371\u002F03 Acciaio\nMetal: Satinized black nickel\nTAVOLI BASSI\nLOW TABLES\nBALISET\nAlessandro La Spada\nBUTTON\nAlessandro La Spada\n173x123 H.50 cm\n64x30 H.35 cm - Ø40 H.51 cm\n173x123 H.50 cm\n64x30 H.35 cm - Ø40 H.51 cm\nTop: Silver Roots finitura “mano leather” \nLaccatura sottotop: Acciaio lucido laccato RAL 3028 Pure Red\nRivestimento pouf: City Velvet CA7832\u002F126 Terra di Siena\nMetallo: Canna di fucile satinato\nTop e base: Silver Roots finitura “mano leather” \nMetallo: Canna di fucile lucido\nTop: Silver Roots “Leather finishing” \nUndertop lacquering: Polished steel lacquered in RAL 3028 Pure \nRed\nPouf upholstery: City Velvet CA7832\u002F126 Terra di Siena\nMetal: Satinized gunmetal\nTop and base: Silver Roots “Leather finishing” \nMetal: Lacquered gunmetal\nback to INDEX\n207\nBACK TO PHOTO\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.106.png","EGMONT\nAlessandro La Spada\nGRANGER\nAlessandro La Spada\nØ92 H.26-42 cm\nØ43 H.40 cm - Ø35 H.30 cm - Ø50 H.50 cm\nØ92 H.26-42 cm\nØ43 H.40 cm - Ø35 H.30 cm - Ø50 H.50 cm\nTop: Dover White finitura “mano leather” \nMetallo: Canna di fucile satinato (esterno) - Canna di fucile lucido \n(interno)\nTop: Dover White finitura “mano leather” \nMetallo: Canna di fucile satinato (esterno) - Canna di fucile lucido \n(interno)\nTop: Dover White “Leather finishing” \nMetal: Satinized gunmetal (external part) - Lacquered gunmetal \n(inside)\nTop: Dover White “Leather finishing” \nMetal: Satinized gunmetal (external part) - Lacquered gunmetal \n(inside)\nLEGO\nDraga & Aurel\nSOLIS\nMarco Piva\n200x80 H.36 cm\n120x75 H.40 cm (composto da 4 pezzi 30x75 H.40 cm) \n200x80 H.36 cm\n120x75 H.40 cm (composed by 4 pieces 30x75 H.40 cm)\nStruttura: 9016 white concrete e acciaio champagne lucido\nTop: Arabescato Orobico finitura “mano leather” \nRivestimento: Faber 24229\u002F35 Platino\nMetallo: Canna di fucile satinato\nStructure: 9016 white concrete and lacquered champagne steel\nTop: Arabescato Orobico “Leather finishing” \nUpholstery: Faber 24229\u002F35 Platino\nMetal: Satinized gunmetal\nback to INDEX\n209\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.107.png","SOLIS\nMarco Piva\n120x75 H.40 cm (composto da 4 pezzi 30x75 H.40 cm) \n120x75 H.40 cm (composed by 4 pieces 30x75 H.40 cm)\nTop: Legno G.029 Dune finitura opaca\nRivestimento: Faber 24229\u002F35 Platino\nMetallo: Canna di fucile satinato\nTop: Wood G.029 Dune matt finishing\nUpholstery: Faber 24229\u002F35 Platino\nMetal: Satinized gunmetal\nCONSOLLE\nCONSOLES\nEKOS\nAlessandro La Spada\n180x35 H.90 cm\n180x35 H.90 cm\nTop e fianchi: Dover White\nMensola top: Vetro fumè\nMetallo: Nickel nero lucido\nTop and sides: Dover White\nTop shelf: Smoked glass\nMetal: Polished black nickel\nLEGO\nDraga & Aurel\n183x41 H.90 cm\n183x41 H.90 cm\nStruttura: finitura in cera nera per cemento e fusione di alluminio, \nfinitura gunmetal\nStructure: concrete black wax and aluminium cast, gunmetal \nfinishing\nNUBIA\nHagit Pincovici\n163x45 H.106 cm\n163x45 H.106 cm\nTop: Arabescato Orobico finitura “mano leather” \nStruttura: Legno laccato\nPlachetta metallo: legno laccato metallizzato con effetto canna di \nfucile\nTop: Arabescato Orobico “Leather finishing” \nStructure: Lacquered wood\nMetal plaquet: special metallic lacquered wood with gunmetal \nfinishing\nback to INDEX\n211\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.108.png","MOBILI ALTI\nHIGH UNITS\nCA’ FOSCARI\nAlessandro La Spada\n240x50 H.95 cm\n240x50 H.95 cm\nTop: Sahara Roots finitura “mano leather” \nStruttura:  RAL 7048 pearl gray\nMetallo: Acciaio satinato\nTop: Sahara Roots with “Leather finishing” \nStructure: RAL 7048 pearl gray\nMetal: Satinized steel\nMOBILI BAR\nBAR UNITS\nSIONA\nMatteo Cibic\n110x50 H.188 cm\n110x50 H.188 cm\nStruttura: RAL 7048 pearl gray metallizzato\nRetro e interno: RAL 7030 grey opaco\nMensole: Soft leather 1170 Camoscio\nMetallo: Siena lucido\nCon luce led\nStructure: RAL 7048 pearl metallic gray\nBack and interior: RAL 7030 matt gray\nShelves: Soft leather 1170 Camoscio\nMetal: Polished siena\nWith LED light\nMOBILI TRUCCO\nMAKE-UP DESKS\nOLIMPIA\nAlessandro La Spada\n160x55 H.119 cm\n160x55 H.119 cm\nCassetti e pad: Sean 5018\u002F 616 Sabbia con ricamo\nStruttura: Antrax ICA\nMetallo: Canna di fucile lucido\nDrawers and pad: Sean 5018\u002F616 Sand with embroidery\nStructure: Antrax ICA\nMetal: Polished gunmetal\nSCRIVANIE\nWRITING DESKS\nEPHIR\nAlessandro La Spada\n252x110 H.75 cm\n252x110 H.75 cm\nTop: Dover White finitura “mano leather” \nMetallo: Canna di fucile satinato\nTop: Dover White “Leather finishing” \nMetal: Satinized gunmetal\nback to INDEX\n213\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.109.png","EPHIR\nAlessandro La Spada\n252x110 H.75 cm\n252x110 H.75 cm\nTop: Dover White finitura “mano leather” \nRivestimento: Nabuk Libeccio 24330\u002F3480 Argilla\nMetallo: Canna di fucile satinato\nTop: Dover White “Leather finishing” \nUpholstery: Nabuk Libeccio 24330\u002F3480 Argilla\nMetal: Satinized gunmetal\nLIBRERIE\nBOOKSHELVES\nC-SQUARE\nStefano Maria Pozzi\n60x50 H.258-278cm – 60x35 H.258 cm\n60x50 H.258-278cm – 60x35 H.258 cm\nStruttura: alluminio laccato con finitura graffiata\nPartizioni: Tender leather 24309\u002F05 Tortora - G029 Dune\nStructure: Lacquered aluminium with scratch finish\nPartitions: Tender leather 24309\u002F05 Tortora – G029 Dune\nEIDOS\nFabio Bonfà\nEIDOS\nFabio Bonfà\n300x62 H.248 cm\n300x62 H.248 cm\nStruttura: Bronzo sablè\nRipiani: Specchio fumè\nManiglie: Rivestite in Glitch 24371\u002F07 Tortora\ncon inserto in Dover White finitura “mano leather”\nMetallo: Canna di fucile satinato\nStructure: Bronze sablé\nShelves: Smoked mirror\nHandles: Upholstered in Glitch 24371\u002F07 Tortora\nwith insert in Dover White “Leather finishing”\nMetal: Satinized gunmetal\nARMADI\nWARDROBES\n180x62 H.248 cm\n180x62 H.248 cm\nStruttura: Bronzo sablè\nPannelli laterali: legno G.029 DUNE\nRivestimento interno: Sean 5018\u002F616 Sabbia con ricamo Ca’ \nFoscari\nRipiani: Specchio fumè\nRivestimento fronte cassetti: Sean 5018\u002F616 Sabbia\nManiglie: Rivestite in Glitch 24371\u002F07 Tortora\ncon inserto in Dover White finitura “mano leather”\nMetallo: Canna di fucile satinato\nStructure: Bronze sablé\nSide panels: G.029 DUNE\nInterior upholstery: Sean 5018\u002F616 Sabbia with Ca’ Foscari \nembroidery\nShelves: Smoked mirror\nDrawer fronts upholstery: Sean 5018\u002F616 Sabbia\nHandles: Upholstered in Glitch 24371\u002F07 Tortora\nwith insert in Dover White “Leather finishing”\nMetal: Satinized gunmetal\nback to INDEX\n215\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nBACK TO PHOTO\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.110.png","SPECCHI\nMIRRORS\nBARTOK\nAlessandro La Spada\n68x17 H.201 cm\n68x17 H.201 cm\nRivestimento: Sean 5018\u002F 616 Sabbia con ricamo\nInserto: Dover White finitura “mano leather”\nMetallo: Canna di fucile satinato\nCon luce led\nUpholstery: Sean 5018\u002F616 Sand with embroidery\nInsert: Dover White “Leather finishing”\nMetal: Satinized gunmetal\nWith led lighting\nLAMPADARI\nCHANDELIERS\nAKIRA\nAlessandro La Spada\nØ130 H.90 cm (16 diffusori)  \nØ130 H.90 cm (16 diffusers) \nRivestimento: Silk Kami 87212\nMetallo: Canna di fucile lucido\nUpholstery: Silk Kami 87212\nMetal: Polished gunmetal\nASTRALIS\nAlessandro La Spada\n172x44 H.35-280 regolabile \n172x44 H.35-280 adjustable\nMarmo: Patagonia Crystal finitura “mano leather”\nMetallo: Canna di fucile satinato\nMarble: Patagonia Crystal “Leather finishing”\nMetal: Satinized gunmetal\nGIANO\nAlessandro La Spada\n168x80 H.73 cm\n168x80 H.73 cm\nCorpo: Vetro smerigliato\nMetallo: Nickel nero satinato\nBody: Frosted glass\nMetal: Satinized black nickel\nback to INDEX\n217\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.111.png","PARADE\nStudiopepe\n88x4 H.34 cm\n88x4 H.34 cm\nDiffusori: Vetro fuso\nMetallo: Nickel nero satinato\nDiffusers: Fused glass\nMetal: Satinized black nickel\nPOLARIS\nAlessandro La Spada\nØ99 H.40 cm (14 diffusori)\nØ99 H.40 cm (14 diffusers)\nMarmo: Crystal Roots\nMetallo: Canna di fucile lucido\nMarble: Crystal Roots\nMetal: Polished gunmetal\nPOLARIS STEEL\nAlessandro La Spada\nParte interna: Canna di fucile satinato con effetto striato\nParte esterna: Canna di fucile satinato\nInternal part: Satinized gunmetal with striped effect\nExternal part: Satinized gunmetal\nØ99 H.40 cm (14 diffusori)\nØ99 H.40 cm (14 diffusers)\nSPUTNIK\nDraga & Aurel\nØ60 H.94 cm - 16 paralumi\nØ60 H.94 cm - 16 lampashades\nMetallo: Oro lucido\nMetal: Polished gold\nback to INDEX\n219\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\n",111,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.112.png","ROMA\nArmando Bruno - Alberto Torres\nØ22 H.90 cm\nØ22 H.90 cm\nMarmo: Dover White finitura “mano leather”\nMetallo: Canna di fucile satinato\nMarble: Dover White “Leather finishing”\nMetal: Satinized gunmetal\nSPUTNIK\nDraga & Aurel\nØ30 H.360 cm \nØ30 H.360 cm \nMetallo: Canna di fucile satinato\nMetal: Satinized gunmetal\nAPPLIQUE\nWALL LAMPS\nASTRALIS\nAlessandro La Spada\n38x15 H.90 cm \n38x15 H.90 cm \nMarmo: Patagonia Crystal finitura “mano leather”\nMetallo: Canna di fucile satinato\nMarble: Patagonia Crystal “Leather finishing”\nMetal: Satinized gunmetal\nMILANO\nArmando Bruno - Alberto Torres\n20x17 H.75 cm \n20x17 H.75 cm \nMarmo: Travertino “a poro aperto”\nMetallo: Canna di fucile satinato\nMarble: Travertino “open pore finishing”\nMetal: Satinized gunmetal\nback to INDEX\n221\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\n",112,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.113.png","POLARIS STEEL\nAlessandro La Spada\nParte interna: Canna di fucile satinato con effetto striato\nParte esterna: Canna di fucile satinato\nInternal part: Satinized gunmetal with striped effect\nExternal part: Satinized gunmetal\n15x11 H.90 cm \n15x11 H.90 cm \nSPUTNIK\nDraga & Aurel\n13x20 H.110 cm - 4 paralumi\n13,5x20 H.110 cm - 4 lampashades\nMetallo: Canna di fucile satinato\nMetal: satinized gunmetal\nLAMPADE DA TERRA\nFLOOR LAMPS\nAKIRA\nAlessandro La Spada\n60x60 H.166 cm (6 diffusori)  \n60x60 H.166 cm (6 lampshades) \nRivestimento: Arté Kamikoi\nMetallo: Canna di fucile lucido\nUpholstery: Arté Kamikoi\nMetal: Polished gunmetal\nARACEA\nGupica\n81x61 H.204 cm (4 diffusori)  \n81x61 H.204 cm (4 lampshades) \nMetallo: Canna di fucile lucido\nMetal: Polished gunmetal\nback to INDEX\n223\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\n",113,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.114.png","LAMPADE DA TAVOLO\nTABLE LAMPS\nASTRALIS\nAlessandro La Spada\n35x32 H.52 cm \n35x32 H.52 cm \nMarmo: Patagonia Crystal finitura “mano leather”\nMetallo: Canna di fucile satinato\nMarble: Patagonia Crystal “Leather finishing”\nMetal: Satinized gunmetal\nBARNABY\nAlessandro La Spada\n45x26 H.42 cm \n45x26 H.42 cm  \nBase: Sahara Roots finitura “mano leather” \nMetallo: Canna di fucile satinato\nBase: Sahara Roots “Leather finishing” \nMetal: Satinized gunmetal\nGIANO\nAlessandro La Spada\nØ20 H.51 cm\nØ20 H.51 cm\nCorpo: Vetro smerigliato\nMetallo: Nickel nero satinato\nBody: Frosted glass\nMetal: Satinized black nickel\nMILANO\nArmando Bruno - Alberto Torres\nØ29 H.70 cm \nØ29 H.70 cm  \nMarmo: Travertino “a poro aperto”\nMetallo: Canna di fucile satinato\nMarble: Travertino “open pore finishing”\nMetal: Satinized gunmetal\nback to INDEX\n225\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\n",114,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.115.png","MOON-EYE\nMauro Lipparini\n42x23 H.51 cm\n42x23 H.51 cm\nMarmo: Onice Avorio\nStruttura: Noce canaletto “a poro aperto”\nMetallo: Canna di fucile\nMarble: Ivory Onyx\nStructure: Canaletto walnut wood “open pore finishing”\nMetal: Lacquered gunmetal\nABAT-JOUR\nABAT-JOUR\nASTRALIS\nAlessandro La Spada\n28x24 H.38 cm\n28x24 H.38 cm\nMarmo: Onice Avorio finitura “mano leather”\nMetallo: Canna di fucile satinato\nMarble: Ivory Onyx “Leather finishing”\nMetal: Satinized gunmetal\nTAPPETI\nCARPETS\nCHIMERA\nAlessandro La Spada\n350x450 cm \n350x450 cm \nTappeto tessuto a mano, 100% seta di bambù. Logo Visionnaire \ninciso in bassorilievo, retro in cotone\nHand-tufted carpet, 100% bamboo silk. Visionnaire logo engraved \nin bas-relief, back in cotton\nCAELUM\nLa Conca\n350x450 cm \n350x450 cm \nTappeto tessuto a mano, 100% seta di bambù. Logo Visionnaire \ninciso in bassorilievo, retro in cotone\nHand-tufted carpet, 100% bamboo silk. Visionnaire logo engraved \nin bas-relief, back in cotton\nback to INDEX\n227\nBACK TO PHOTO\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\nCONFIGURE\nCONFIGURE\nBACK TO PHOTO\n",115,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.116.png","LIMEN\nLa Conca\n350x450 cm \n350x450 cm \nTappeto tessuto a mano, 100% seta di bambù. Logo Visionnaire \ninciso in bassorilievo, retro in cotone\nHand-tufted carpet, 100% bamboo silk. Visionnaire logo engraved \nin bas-relief, back in cotton\nIMPERIUM\nAlessandro La Spada\n300x400 cm \n300x400 cm \nTappeto tessuto a mano, 100% seta di bambù. Logo Visionnaire \ninciso in bassorilievo, retro in cotone\nHand-tufted carpet, 100% bamboo silk. Visionnaire logo engraved \nin bas-relief, back in cotton\nROCK\nAlessandro La Spada\n300x400 cm \n300x400 cm \nTappeto tuftato a mano. Pura lana vergine della Nuova Zelanda e \nseta di bambù\nHand-tufted carpet. Pure Virgin New Zealand wool and bamboo \nsilk\nLUXOR\nAlessandro La Spada\n300x400 cm \n300x400 cm \nTappeto tessuto a mano, 100% seta di bambù. Logo Visionnaire \ninciso in bassorilievo, retro in cotone\nHand-tufted carpet, 100% bamboo silk. Visionnaire logo engraved \nin bas-relief, back in cotton\nback to INDEX\n229\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\nBACK TO PHOTO\nBACK TO PHOTO\nCONFIGURE\nCONFIGURE\n",116,{"image":478,"text":479,"number":480},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.117.png","THUFIR\nMatteo Cibic\n300x220 cm \n300x220 cm \nTappeto a rilievo accentuato, tuftato a mano, con effetto ondulato \nmarcato in lana e seta di bambù.e seta di bambù\nHand tufted high relief carpet with waved heavy effect in wool \nand bamboo silk\nSABLÉ\nAlessandro La Spada\n300x400 cm \n300x400 cm \nTappeto tessuto a mano, 100% seta di bambù. Logo Visionnaire \ninciso in bassorilievo, retro in cotone\nHand-tufted carpet, 100% bamboo silk. Visionnaire logo engraved \nin bas-relief, back in cotton\nback to INDEX\n231\nCONFIGURE\nBACK TO PHOTO\nCONFIGURE\nBACK TO PHOTO\n",117,{"image":482,"text":483,"number":484},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.118.png","back to INDEX\n233\nAUREL K. BASEDOW\nNato a Monaco di Baviera nel 1963, Aurel K. Basedow ha \nconseguito una laurea in Pittura presso l’Accademia di Belle Arti di \nBrera. Nel 2007 fonda lo studio Draga & Aurel insieme alla moglie \nDraga Obradovic.\nL’arte concettuale e materica di Aurel nasce da una combinazione \ndi competenze acquisite nel corso di oltre trent’anni: falegnameria, \nartigianato, tintura e design. Ha sviluppato un ricco repertorio di \nmotivi, fortemente connessi ai temi dell’espressionismo astratto. \nLe sue opere, apparentemente spontanee e complesse, esprimono \nun’energia quasi meditativa, mantenendo un equilibrio tra caos e \ncontrollo.\nLa serie “Color Collision” appare come l’ingrandimento, su \nscala reale, di un fotogramma cinematografico sul quale siano \nintervenuti tempo, acidi e colore. Alla base di questa serie vi sono \nimmagini stampate, spesso però nascoste da molteplici strati di \nresina – la vera firma simbolica di Aurel. Grazie alla resina, le opere \nriflettono il mondo esterno, agendo come uno specchio per chi le \nosserva, e diventano una metafora dell’introspezione.\nBorn in Munich in 1963, Aurel K. Basedow completed a degree in \nPainting at the Academy of Fine Arts of Brera. In 2007 he opened \nthe Draga & Aurel studio with his wife Draga Obradovic. \nThe conceptual and material art of Aurel derives from a variety \nof skills that he has acquired over the past 30 years: carpentry, \ncrafts, dyeing, and design. He has developed awealth of motifs, \nbased upon a powerful connection to abstract expressionism’s \nthemes. Seemingly spontaneous and complex, the unique \nartworks express an almost meditative energy, maintaining a \nbalance of chaos and control.\n“Color Collision” series look like the enlargement to a real-world \nscale of a film frame on which time, acids, and color have \nintervened. And, in fact, at the foundation of this series are \nprinted images, although they are often concealed by multiple \nlayers of resin – Aurel’s true symbolic signature style. Thanks to \nresin, the works reflect the outside world, act as a mirror to those \nwho observe them, and become a metaphor for looking inward.\nSMK17_F01\n2024\n260x210 cm\nAstratto con tecnica mista su pannello in legno.\nPezzo unico\nAbstract with mixed media on wood panel.\nUnique piece\nARTE\nARTWORKS\n",118,{"image":486,"text":487,"number":488},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.119.png","back to INDEX\n235\nARTE\nARTWORKS\nPIETER VERMEERSCH\nLa pittura di Pieter Vermeersch (1973, Kortrijk, Belgio – vive e \nlavora tra Torino, IT e Anversa, BE) nasce dalla trasposizione \nsu tela di immagini fotografiche intenzionalmente astratte, \npazientemente e meticolosamente tradotte in colore e tono \nattraverso la pittura a olio. Il risultato è un’ossimorica “astrazione \niperrealista” che richiama un monocromo traslato in un’altra \ntonalità, un gradiente cromatico di luce pura che riflette la natura \nmutevole di tutte le cose.\nCon rappresentazione e astrazione come parametri, l’opera \ndi Vermeersch attiva esperienze percettive infinitesimali, \noffrendoci una percezione del colore che si riferisce allo scarto tra \napparizione e scomparsa; uno scarto in cui si confondono i confini \ntra bidimensionale e tridimensionale, immateriale e tangibile, \ntempo e spazio.\nPieter Vermeersch’s painting ( 1973, Kortrijk, Belgium, - lives \nand works between Torino, it and Antwerp, be) stems from the \ntransposition on canvas of intentionally abstract photographic \nimages, patiently and meticulously translated into color, into tone \nthrough oil painting. The result is an oxymoronic “hyperrealistic \nabstraction” that suggests a monochrome shifted to another tone, \na chromatic gradient of pure light that reflects the mutable nature \nof all things.\nWith representation and abstraction set as parameters, \nVermeersch’s oeuvre triggers infinitesimal perceptual experiences, \npresenting us with a sense of color that is referential of the gap \nbetween appearance and disappearance; the gap in which the \ndivisions between two and three dimensional, immaterial and \ntangible, time and space are blurred. \nUNTITLED\n2021\n230x170 cm\nOlio su tela.\nPezzo unico\nOil on canvas.\nUnique piece\nUNTITLED\n2025\n21x26 cm - 26x32 cm\nOlio su marmo.\nPezzo unico\nOil on marble.\nUnique piece\n",119,{"image":490,"text":491,"number":492},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.120.png","back to INDEX\n237\nARTE\nARTWORKS\nCaCO3\nCaCO3 è stato fondato nel 2006 da Âniko Ferreira da Silva \n(Ravenna, Italia, 1976), Giuseppe Donnaloia (Martina Franca, Italia, \n1976) e Pavlos Mavromatidis (Kavala, Grecia, 1979), in seguito \nalla loro formazione presso la Scuola per il Restauro del Mosaico \ndi Ravenna. La loro ricerca artistica fonde tecniche antiche e \ncontemporanee, esplorando nuove prospettive formali. Il nome \nCaCO3, che richiama il carbonato di calcio, sottolinea l’attenzione \ndel collettivo alla materialità nella creazione musiva. Il gruppo \nopera a Ravenna.\nCaCO3 was founded in 2006 by Âniko Ferreira da Silva \n(Ravenna, Italy, 1976), Giuseppe Donnaloia (Martina Franca, \nItaly, 1976) and Pavlos Mavromatidis (Kavala, Greece, 1979), \nfollowing their training at the Ravenna Mosaic Restoration \nSchool. Their artistic research blends ancient and contemporary \ntechniques, exploring new formal perspectives. The name CaCO3, \nreferring to calcium carbonate, highlights the group’s focus on \nmateriality in mosaic creation. The group operates in Ravenna.\nOSCILLAZIONE N.1-2\n2024\n60x60 cm\nTerracotta, polvere di blu egizio, ossidi coloranti e malta su \npannello di compensato, corten.\nPezzi unici\nEarthenware, Egyptian blue powder, oxide colouring and mortar \non plywood panel, corten.\nUnique pieces\nOSCILLAZIONE N.3-4\n2025\n80x80 cm\nVetro di Murano, polvere di blu egizio, malta su pannello di \ncompensato, cornice zincata.\nPezzi unici\nMurano glass, Egyptian blue powder, mortar on plywood panel, \ngalvanized frame.\nUnique pieces\n",120,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.121.png","back to INDEX\n239\nSOFFIO N.10\n2014\n160x148 cm\nPietra calcarea, terra, tè su pannello a nido d’ape.\nPezzo unico - collezione storica\nLimestone, earth, tea on honeycomb panel.\nUnique piece - hystorical collection\nCATTEDRALE N.121-122\n2024\nCattedrale N.121 110x100 cm  \nCattedrale N.122 110x78 cm\nVetro bianco avorio e malta su pannello a \nnido d’ape, cornice in ottone.\nIvory white glass and mortar on \nhoneycomb panel, brass frame.\nAGGREGATO N.1-2\n2014\n150x100 cm\nCocciopesto, cera su pannello a nido \nd’ape, ferro ossidato.\nPezzi unici - collezione storica\nCocciopesto, wax on honeycomb panel, \noxidized iron.\nUnique pieces - hystorical collection\n",121,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.122.png","back to INDEX\n241\nARTE\nARTWORKS\nMICHELE ASTOLFI\nNato a Bologna, completa i suoi studi tra Italia, Svizzera, Stati \nUniti e Parigi. Appassionato di fotografia e di elaborazione digitale, \nsperimenta la combinazione tra immagine e diversi materiali come \nlegno fossile, cristalli, pietra naturale e acciaio. Dal 2008 realizza \nopere in esclusiva per Visionnaire.\nBorn in Bologna, he completes his studies through Italy, \nSwitzerland, United States and Paris. Being a fan of photography \nand of digital processing, he experiments the combination \nbetween the image and the different materials such as fossil \nwood, crystals, natural stone and steel. Since 2008 he produces \nworks exclusively for Visionnaire.\nCUBIC\n2024\n200x200 cm\nBase e intarsi in diverse essenze di legno, realizzati artigianalmente.\nBase and inlays in various wood essences, handcrafted.\nPALMA ARECA\n2019\n120x190 cm\nBase in plexiglass con inserti in vetro dipinto a mano e cornice in \nacciaio inox.\nPlexiglass base with inserts in hand-painted glass and stainless \nsteel frame.\n",122,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.123.png","back to INDEX\n243\nARTE\nARTWORKS\nROBERTO RENZI\nRoberto Renzi è un maestro ceramista che realizza straordinarie \nopere d’arte in Italia. Ha studiato architettura presso l’Università \ndi Firenze e attualmente vive e lavora nel suo studio in Veneto. \nLa sua scelta professionale nasce da una riflessione sul valore del \ntempo. «La ceramica è relativamente semplice da produrre, ma \nil processo per arrivare al prodotto finale è lungo», spiega. In un \nmondo frenetico, lavorare con la ceramica diventa un’occasione \nper rallentare e apprezzare ogni fase della creazione. Attraverso \ndedizione e pazienza, l’artigiano continua a dare nuova vita a \nun’antica tradizione, offrendo pezzi unici che uniscono maestria \nartigianale e visione contemporanea. Ha partecipato a recenti \nmostre presso il Museo della Ceramica di Pesaro, Villa Necchi \nCampiglio a Milano e Homo Faber a Venezia.\nRoberto Renzi is a master ceramist who creates extraordinary \nworks of art in Italy. He studied architecture at the University of \nFlorence and currently lives and works in his studio in Veneto. \nRenzi’s choice of profession is rooted in a reflection on the \nvalue of time. “Ceramics are relatively easy to produce, but the \nprocess to reach the final product is long,” he explains. In a fast-\npaced world, working with ceramics becomes an opportunity \nto slow down and appreciate each step of creation. Through \ndedication and patience, the artisan continues to breathe new \nlife into an ancient tradition, offering unique pieces that combine \ncraftsmanship with a contemporary vision. He has participated \nin recent exhibitions at the ceramics museum in Pesaro, the Villa \nNecchi Campiglio in Milan, and Homo Faber in Venice.\nREAL ESTATE\n2025\nTerracotta in diverse sfumature di bianco. \nL’artigianalità del processo rende ogni pezzo unico.\nDimensioni variabili\nAltezza massima: 40 cm\nTerracottas in various shades of white. \nThe craftsmanship of the process makes each piece unique.\nVariable dimensions\nMaximum height: 40 cm\nSCREEN\n2025\nTerracotta in diverse sfumature di bianco. \nL’artigianalità del processo rende ogni pezzo unico.\nDimensioni variabili\nAltezza massima: 48 cm\nTerracotta in various shades of white. \nThe craftsmanship of the process makes each piece unique.\nVariable dimensions\nMaximum height: 48 cm\nF2\n2025\nTerracotta in diverse sfumature di bianco. \nL’artigianalità del processo rende ogni pezzo unico.\nDimensioni variabili\nAltezza massima: 25 cm\nTerracotta in various shades of white. \nThe craftsmanship of the process makes each piece unique.\nVariable dimensions\nMaximum height: 25 cm\n",123,{"image":506,"text":507,"number":508},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.124.png","back to INDEX\n245\nF4\n2025\nMONOLITE 1\n2024\nMONOLITE 2\n2024\nVNVCO (VASE NO VASE CONDENSED)\n2025\nVNVP (LITTLE VASE NO VASE)\n2025\nTerracotta in diverse sfumature di bianco. \nL’artigianalità del processo rende ogni pezzo unico.\nDimensioni variabili\nAltezza massima: 40 cm\n39x35 cm\nVaso in ceramica. Finitura bronzo.\nTerracotta in diverse sfumature di bianco. \nL’artigianalità del processo rende ogni pezzo unico.\nDimensioni variabili\nAltezza massima: 40 cm\nTerracotta in diverse sfumature di bianco. \nL’artigianalità del processo rende ogni pezzo unico.\nDimensioni variabili\nAltezza massima: 40 cm\nTerracottas in various shades of white. \nThe craftsmanship of the process makes each piece unique.\nVariable dimensions\nMaximum height: 40 cm\nCeramic vase. Bronze finishing.\nTerracottas in various shades of white. \nThe craftsmanship of the process makes each piece unique.\nVariable dimensions\nMaximum height: 40 cm\nTerracottas in various shades of white. \nThe craftsmanship of the process makes each piece unique.\nVariable dimensions\nMaximum height: 40 cm\n39x25 cm\nVaso in ceramica. Finitura bronzo.\nCeramic vase. Bronze finishing.\n",124,{"image":510,"text":511,"number":512},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.125.png","back to INDEX\n247\nARTE\nARTWORKS\nTIPSTUDIO\nTIPSTUDIO è uno studio di design che esplora le possibilità \ndei materiali e dei processi attraverso un approccio critico, con \nl’obiettivo di immaginare nuovi scenari futuri. Operando dal \nproprio studio tra Firenze e Pietrasanta, la loro pratica accoglie \nle diverse influenze del territorio in un confine fluido tra design \ne arte. Il loro intento è indagare gli aspetti più complessi della \nmateria attraverso un’analisi approfondita dei territori fisici \ne immateriali, dell’antropologia e della ricerca concettuale, \ntraducendo tali riflessioni in design di prodotto, spazi e \ninstallazioni. Imma e Tommaso sono Course Leader del Master in \nInterior Design presso lo IED di Firenze.\nTIPSTUDIO is a design studio that explores the possibilities of \nmaterials and processes through a critical approach, aiming to \nenvision new future scenarios. Working from their studio based \nin Florence and Pietrasanta, their practice embraces the diverse \ninfluences of the territory in a fluid boundary between design \nand art. Their aim is to investigate the intricate aspects of matter \nthrough in-depth analysis of physical and immaterial territories, \nanthropology and conceptual analysis that translate into product \ndesign, spaces and installations. Imma and Tommaso are the \nCourse Leaders of the Interior Design Master’s Program at IED \nFlorence.\nFREGIO H - L \n2025\nRAWMORPH\n2025\nFregio-H 25x21x50 cm  \nFregio-L 23x18x38 cm\nUn frammento di memoria, una traccia di un tempo indefinito. \nLe sculture Fregio bilanciano volumi puri e materialità grezza, \nla loro presenza monolitica interrotta da fratture ruvide che \nrivelano tensione e una storia silenziosa. Colate in alluminio \ncon la tecnica della cera persa, evocano architetture erose, una \nrovina contemporanea. Fregio esplora il gioco tra artificiale e \nnaturale, permanenza e dissoluzione, dove ogni segno testimonia \nun’evoluzione inarrestabile.\nA fragment of memory, a trace of an undefined time. The Fregio \nsculptures balance pure volumes and raw materiality, their \nmonolithic presence interrupted by rough fractures that reveal \ntension and silent history. Cast in aluminum using the lost-wax \ntechnique, they evoke eroded architecture, a contemporary ruin. \nFregio explores the interplay between artificial and natural, \npermanence and dissolution, where every mark testifies to an \nunstoppable evolution.\nVaso alto 20x20x32 cm \nVaso basso 14x14x16 cm\nCentrotavola 30x30x8 cm\nRawmorph esplora il contrasto tra materialità grezza e forma \npura, ispirato all’architettura brutalista. Questa collezione di vasi e \naccessori presenta superfici scolpite e sfaccettate che richiamano \nstrutture primordiali. Le texture realizzate a mano accentuano la \nforza espressiva della fusione in alluminio, mentre le aree lucidate \nsvelano una delicatezza nascosta. Il gioco tra superfici ruvide \ne lisce crea un equilibrio dinamico di luce e ombra, solidità e \nraffinatezza.\nRawmorph explores the contrast between raw materiality and \npure form, inspired by brutalist architecture. This collection \nof vases and accessories features sculpted, faceted surfaces \nreminiscent of primordial structures. Handcrafted textures \nenhance the expressive power of aluminum casting, while \npolished areas reveal hidden delicacy. The interplay of rough and \nsmooth surfaces creates a dynamic balance of light and shadow, \nsolidity and refinement.\n",125,{"image":514,"text":515,"number":516},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.126.png","back to INDEX\n249\nARTE\nARTWORKS\nSILVIA GARAU\nSilvia Garau Liotti è cresciuta in una casa dove l’arte e il racconto \nsi mescolavano, con i racconti illustrati di suo padre e suo zio \nche accendevano la sua immaginazione. La sua passione per la \nscultura è nata durante le scuole superiori, dove ha perfezionato \nle tecniche di lavorazione del metallo, design e incisione. \nAll’Accademia di Belle Arti di Roma ha approfondito il modellato \nin cera e la fusione in gesso, per poi abbracciare l’argilla per la \nsua immediatezza. Ispirata dai viaggi in India e Cina, il suo lavoro \nriflette il movimento fluido e le superfici tattili. Sotto la guida di \nmaestri come Arnaldo Pomodoro e Giuseppe Spagnulo, le sue \nsculture incarnano un’esplorazione profonda.\nSilvia Garau Liotti grew up in a home where art and storytelling \nblended, with illustrated tales from her father and uncle sparking \nher imagination. Her passion for sculpture began in high school, \nwhere she mastered metalworking, design, and engraving. At the \nAccademia di Belle Arti di Roma, she explored wax modeling and \nplaster casting, later embracing clay for its immediacy. Inspired \nby travels to India and China, her work reflects flowing movement \nand tactile surfaces. Mentored by masters like Arnaldo Pomodoro \nand Giuseppe Spagnulo, her sculptures embody deep exploration.\nETERNA\n2024\n19x13x32 cm\nTerracotta patinata bianca.\nWhite-patinated terracotta.\nIMMORTALE\n2024\n17x15x25 cm\nTerracotta patinata bianca.\nWhite-patinated terracotta.\n39x47x40 cm\nTerracotta patinata bianca.\nWhite-patinated terracotta.\nLACRIMATOIO III\n2024\n",126,{"image":518,"text":519,"number":520},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.127.png","back to INDEX\n251\nLACRIMATOIO IV\n2024\n37x30x44 cm\nTerracotta patinata bianca.\nWhite-patinated terracotta.\nSOSPENSORE DI GRIGI\n2022\n32,5x35x41 cm\nTerracotta patinata bianca.\nWhite-patinated terracotta.\nDOBLE\n2023\n40x32x22 cm\nTerracotta patinata bianca.\nWhite-patinated terracotta.\n",127,{"image":522,"text":523,"number":524},"\u002Fmedia\u002Fimages\u002F39\u002Fd0ed0d3839e9a35da82c68edb34870-28ef4a5df1.128.png","Produced by \n©IPE SRL \nALL RIGHTS RESERVED\nPublication: May 2025 \nArt Direction: Eleonore Cavalli \nPhoto credits: Mattia Aquila - Cinestudio\nI.P.E. s.r.l. 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