[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-venini-artlight-2024-classici-dautore":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":277},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":272,"matched_pages":273,"match_count":274,"two_pages":275,"show_text":276},23063,"Artlight 2024 Classici dAutore","venini-artlight-2024-classici-dautore","\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F36\u002Fc3db6532dbfe5f8b9bb80dc292c0e5-28e8837194.pdf","Venini",925,"venini","36.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269],{"image":7,"text":15,"number":16},"ARTLIGHT CLASSICI D’AUTORE\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.2.png","Artlight\nClassici d’Autore\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.3.png","",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.4.png","Alessandro Mendini, architetto \ne designer di fama mondiale , \nracconta così la magia del Vetro \nnella Fornace Venini.\nAlessandro Mendini, world-renowned \narchitect and designer, tells about the \nmagic of glass made at Venini’s furnace.\nNella mia memoria, sono da sempre \ndepositati i fantasmi della inconfondibile \nidentità della Venini.\nThe spirits of  Venini’s unmistakable \nidentity have always been imprinted upon \nmy memory.\n“Nella mia memoria, sono da sempre \ndepositati i fantasmi della inconfondibile \nidentità della Venini. Quando lavoro per questa \nnobile azienda cerco sempre di collegarmi al \nmistero degli archetipi che hanno condotto \na un così preciso stile, lungo una così lunga \nstoria, e cerco di provarne una interpretazione.\nMi sembra che il gusto Venini sia frutto di \nun magico dosaggio creatosi nel tempo, fra \nalcune tecniche esclusive, alcuni eccezionali \nartisti inventori di forme, e la scelta di certi \ncolori.\nQuesta tradizione e questi confini sono la \nmagica formula di Venini. L’hortus conclusus \nVenini fa parte delle meraviglie dell’umanità.\nCalma e saggezza di un chiaro artigianato, \npuro e intatto nel tempo, incorruttibile dalla \nviolenza delle mode, un esempio e una \ntestimonianza di perfezione”.\n“The spirits of Venini’s unmistakable identity \nhave always been imprinted upon my memory. \nWhen I work for this noble company, I always \ntry to connect to the mystery of archetypes \nthat led to such a precise style with such a \nlong history, and I seek to interpret that.\nI believe that the Venini taste is the fruit of \nan enchanted mix, created over time, of a few \nexclusive techniques, a handful of exceptional \nartists who were inventors of forms, and a \npredilection for certain colors.\nThis tradition and these boundaries are \nVenini’s magic formula.\nIts hortus conclusus (enclosed garden) is \none of humanity’s wonders. It contains the \ncalmness and skill of clear craftsmanship \nthat has remained pure and intact throughout \ntime, incorruptible by the violence of fashion, \nan example and proof of perfection”.\n7\nVENINI\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.5.png","Artlight\n8\nVENINI\nFondata nel 1921 a Murano dall’avvocato\nmilanese \nPaolo \nVenini \ne \ndall’antiquario\nveneziano Giacomo Cappellin, VENINI è nota\nin tutto il mondo per l’eccellenza artistica e\nculturale delle proprie creazioni.\nFin dalla sua fondazione, i maestri vetrai\nsono sempre stati il cuore, la memoria e la\nforza della fornace: nel mondo del vetro\nnon esistono scuole, solo insegnamenti\nche si tramandano a parole, a gesti e con i\nmovimenti. Questi nobili artigiani dedicano\nall’arte del vetro gran parte della propria\nvita, perfezionando sempre di più le proprie\nabilità, competenze e capacità: le loro\ntecniche esprimono l’anima razionale delle\nopere, l’insieme di regole che rendono\npossibile la trasformazione di un’idea o di\nun disegno in realtà. \nUno degli elementi distintivi di VENINI è la \nsua prestigiosa palette cromatica composta \nda oltre 125 affascinanti e raffinati colori che \nsono frutto di studi e riflessioni, prove e ricer-\nche volte a dar vita a nuove miscele.\nNel corso di cento anni di storia, VENINI\nè riuscita a far dialogare questa cultura\nmillenaria con l’estro creativo di artisti e\ndesigner come Vittorio Zecchin, Napoleone\nMartinuzzi, Tomaso Buzzi, Tyra Lundgren,\nCarlo Scarpa, Gio Ponti, Paolo Venini, Fulvio\nBianconi, Tapio Wirkkala, Timo Sarpaneva,\nThomas Stearns, Ludovico e Alessandro\nDiaz de Santillana, Laura de Santillana,\nTobia Scarpa, Benjamin Moore, Dan Dailey,\nToots Zinsky, Toni Zuccheri, Gae Aulenti,\nEttore Sottsass, Mimmo Rotella, Alessandro\nMendini, Monica Guggisberg e Philip Baldwin,\nEmmanuel Babled, Doriana e Massimiliano\nFuksas, Cini Boeri, Rodolfo Dordoni, Giorgio\nVigna, Tadao Ando, Fernando e Humberto\nCampana, Flo Perkins, Fabio Novembre,\nMichela Cattai, Mario Bellini, Studio Job,\nBarber & Osgerby, Ron Arad e Peter Marino\nsolo per citarne alcuni. Come si può ben\ncomprendere, il fascino della fornace ha\nsempre attratto talenti e creativi da tutto il\nmondo dando loro la voglia e la libertà di\nesprimersi e raccontarsi: questo incontro\nd’eccellenza ha dato vita ad una produzione\nartistica particolarmente ricca nello stile,\nnelle forme e nei linguaggi espressivi.\nDall’esigenza \ndi \nrendere \nomaggio \nalla\nmaestria e al percorso artistico dell’azienda,\noltre \nal \nsorprendente \narchivio \nstorico,\nnel 2008 è nata l’idea del Museo VENINI.\nLocalizzato a Murano, nella sede storica\ndell’azienda, lo spazio, va oltre la mera\nesposizione cronologica, ma accompagna il\nvisitatore in un cammino libero da strutture\ntemporali e spaziali nel quale immergersi,\nriflettere \ned \nemozionarsi. \nFanno \nparte\ndell’archivio storico, più di 45.000 disegni\noriginali, 10.000 foto d’epoca raffiguranti\ninstallazioni architettoniche ed esposizioni\ndel passato ma anche eventi e personaggi\nche hanno collaborato con l’azienda ed\noltre 5.000 opere, tra le quali prove d’autore\nmolto rare, spesso prestate con i disegni\nai più importanti musei internazionali per\nFondata nel 1921 \ndall’avvocato milanese \nPaolo Venini  \ne dall’antiquario \nveneziano Giacomo \nCappellin\nmostre dedicate alla storia dell’azienda e\nal vetro di Murano. Proprio grazie a questo\nValore storico inestimabile, le creazioni\nfirmate Venini sono entrate a far parte\ndelle collezioni di prestigiosi musei come il\nMetropolitan Museum e il MOMA di New York,\nla Fondazione Cartier e il Centre Georges-\nPompidou di Parigi, il Victoria and Albert\nMuseum di Londra, lo Stedelijk Museum di\nAmsterdam, l’Österreichisches Museum für\nangewandte Kunst di Viennna, il Musée des\nBeaux Arts di Montréal, l’Eretz Museum di Tel\nAviv il Watari Museum of Contemporary Art\ndi Tokyo e lo Shanghai Museum of Glass ma\nanche la Triennale di Milano e il Museo del\nVetro di Murano.\nDa sempre, VENINI realizza oggetti dal design\nintramontabile che si rivalutano nel tempo.\nGrazie \nall’eccellenza \nqualitativa, \nall’alto\ncontenuto artistico e al valore manifatturiero\nle creazioni VENINI vengono battute ad\naste importanti: appartiene a VENINI, infatti,\nl’opera di vetro di Murano tra le più pagate\ndella storia che con “La Sentinella di Venezia”\nfirmata da Thomas Stearns nel 1962 ha\nraggiunto ben 737mila dollari.\nDal 2016, la storica società è controllata dal\nGruppo DAMIANI, già a capo dell’omonimo\nbrand internazionale di alta gioielleria, che\nha definito una serie di piani di sviluppo volti\na valorizzare a livello internazionale questa\neccellenza del Made in Italy.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.6.png","Artlight\n10\nVENINI\nFounded in 1921 in Murano by the Milanese\nlawyer Paolo Venini and the Venetian\nantique dealer Giacomo Cappellin, VENINI\nis renowned around the world for its artistic\nand cultural excellence and its fine creations.\nSince the company was founded, the master\nglass-makers have always been the heart and\nstrength of the glass company; in the world\nof glass, there are no schools, only lessons\nthat are passed down with words, gestures\nand \nmovements. \nThese \nnoble \nartisans\ndedicate most of their lives to the art of glass,\nevermore perfecting their abilities and skills.\nTheir techniques express the rational soul of\nthe works, the sum of the rules that make\nthe transformation of an idea or a design into\nreality possible. One of the distinctive elements\nof VENINI is its prestigious chromatic palette\ncomposed of over 125 fascinating and refined\ncolours that are the result of reflections,\nexperiments and detailed research aimed at\ncreating new combinations.\nThrough its one hundred year history,\nVENINI has succeeded in establishing a\ndialogue between this millenary history and\nthe creativity of designers such as Vittorio\nZecchin, Napoleone Martinuzzi, Tomaso\nBuzzi, Tyra Lungren, Carlo Scarpa, Gio Ponti,\nPaolo Venini, Fulvio Bianconi, Tapio Wirkkala,\nTimo Sarpaneva, Thomas Stearns, Ludovico\nand Alessandro Diaz de Santillana, Laura de\nSantillana, Tobia Scarpa, Benjamin Moore,\nDan Dailey, Toots Zinsky, Toni Zuccheri,\nGae Aulenti, Ettore Sottsass, Mimmo Rotella,\nAlessandro Mendini, Monica Guggisberg\nand Philip Baldwin, Emmanuel Babled,\nDoriana and Massimiliano Fuksas, Cini Boeri,\nRodolfo Dordoni, Giorgio Vigna, Tadao\nAndo, Fernando and Humberto Campana,\nFlo Perkins, Fabio Novembre, Michela Cattai,\nMario Bellini, Studio Job, Barber & Osgerby,\nRon Arad and Peter Marino, among others.\nThe company’s appeal has always attracted\ntalents and creative individuals from around\nthe world, giving them the desire and freedom\nto express themselves and tell their stories.\nThis encounter has given life to particularly\nrich artistic production in terms of style,\nshape, and expressive languages.\nPaying homage to the company’s mastery and\nartistic journey, in addition to the surprising\nhistorical archive, in 2008 the idea of the\nVENINI Museum was born. Located in Murano,\nin the company’s historic facilities, the space\ngoes beyond that of a mere chronological\nexposition, to accompany enthusiasts on a\njourney free of temporal and spatial structures,\nwhere visitors can immerse, reflect and feel\nmoved. The historical archive contains more\nthan 45,000 original drawings, 10,000 old\npictures depicting architectural installations\nand exhibits from the past, but also events\nand figures who have collaborated with the\ncompany, and over 5,000 works, among\nwhich are very rare drawings by famous\nauthors, often loaned to the most important\ninternational museums for exhibits dedicated\nto the history of the company and Murano\nFounded in 1921\nby the Milanese lawyer\nPaolo Venini and Venetian\nantique dealer\nGiacomo Cappellin\nglass. Thanks to this priceless historical\nvalue, VENINI creations have become a part\nof the collections of prestigious museums\nsuch as the Metropolitan Museum and the\nMOMA of New York, the Fondazione Cartier\nand the Centre Georges-Pompidou in Paris,\nthe Victoria and Albert Museum in London,\nthe Stedelijk Museum in Amsterdam, the\nÖsterreichisches Museum für angewandte\nKunst of Vienna, the Musée des Beaux Arts\nof Montreal, the Eretz Museum of Tel Aviv,\nthe Watari Museum of Contemporary Art of\nTokyo and the Shanghai Museum of Glass,\nbut also the Triennale of Milan and the Museo\ndel Vetro of Murano.\nVENINI has always created objects with a\ntimeless design that increase in value over\ntime. Thanks to their elevated quality, high\nartistic aesthetic and manufacturing value,\nVENINI creations are sold at important\nauctions. Indeed, the work of Murano glass\nthat has fetched the highest price in history\nwas created by VENINI: “La Sentinella di\nVenezia” by Thomas Stearns brought the\nprice of 737,000 dollars in 1962.\nSince 2016, the company has been managed\nby the DAMIANI Group that also controls the\ninternational high jewellery brand of the same\nname. The company has set out a series of\nplans for growth aimed at generating global\nvalue of Made in Italy production.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.7.png","Artlight\n12\n13\n \nVENINI\nVENINI\nArte e Colore\nInnumerevoli sono gli artisti e designer che\nstoricamente hanno contribuito e continuano\na consolidare il prestigio di Venini dando vita\nad opere insieme al “soffio” dei maestri vetrai.\n125 colori - VENINI vanta una palette\ncromatica senza eguali che, insieme alle\ntecniche di lavorazione del vetro fanno parte\ndel patrimonio culturale.\nOgni colore è costruito su una ricetta specifica e \nla gamma VENINI comprende una grande varietà \ndi sfumature in continua espansione e ricerca. \nRosso Sangue di Bue, Pagliesco, Ametista, \nOrizzonte, Acquamare, Viola, Rosa Cipria, Verde\nMela e Ambra sono solo alcuni dei nomi dei colori \ndi  Venini.\nArt and Colour\nCountless artists and designers have historically \ncontributed to Venini’s prestige and continue to \nconsolidate it, helped by the “breath” of the \nmaster glassmakers, bringing works to life. \n125 colours – VENINI boasts an unmatched \ncolour \npalette \nthat, \ntogether \nwith \nthe \nglassworking techniques make up part of our \ncultural heritage.\nEvery colour is built on a specific recipe, and the \nVENINI colour range includes a great variety of \nshades in continuous expansion and research \nOxblood red, Straw yellow, Amethyst, Horizon, \nAquamarine, Violet, Cipria-Pink, Apple-green, \nand Amber are just a few of the names of \nVenini’s colours.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.8.png","Artlight\n14\n15\n \nVENINI\nVENINI\nUnicità e\nArtigianalità\nIn VENINI esiste un “Genius Loci” che permette\ndi evidenziare un diverso modo di vedere il vetro\ne la sua lavorazione, interessante alternativa\nalla consolidata tradizione muranese che fa di\nVENINI un esempio di unicità.\nVENINI dal 1921 realizza oggetti e lampade in\nvetro soffiato e lavorato a mano, creando un\nperfetto equilibrio tra tecniche tradizionali e\ndesign contemporaneo.\nUniqueness and\nCraftsmanship\nThere is a “Genius Loci” in VENINI that \nspotlights a different way of seeing glass and \nhow it is processed, an interesting alternative \nto the consolidated tradition in Murano that \nhas made VENINI a paragon of uniqueness.\nSince 1921, VENINI has made objects and \nlamps in blown glass finished by hand, creating \na perfect equilibrium between traditional \ntechniques and\ncontemporary design.\nphoto:\nIvano Mercanzin\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.9.png","Artlight\n16\n17\n \nVENINI\nVENINI\n99.50.01.20\n99.50.01.32\n99.32.01.06\n99.32.01.10\n99.32.01.12\n99.32.02.02\n99.32.02.03\n99.18.01.09\n99.18.05.09\n99.18.02.03\n99.43.01.20\n99.43.01.36\n99.56.01.20\nMartinengo\nVenini, 1930\nAlbrici\nVenini, 1932\nAlbrici\nVenini, 1932\nPergolesi\nVenini,1930\nPergolesi\nVenini,1930\nPergolesi\nVenini,1930\nMarcello\nVenini, 1930\nMarcello\nVenini, 1930\nMalipiero\nVenini, 1930\n84\n90\n96\n98\n102\n104 \n108\n110\n114\nClassici d’Autore\u002F Author Classics\n99.80.01.08\n99.80.01.12\n99.80.02.02\n99.80.02.03\n99.81.01.08\n99.81.01.12\n99.81.02.02\n99.37.01.08\n99.37.01.12\n99.37.01.16\n99.37.02.02\n99.37.03.05\n99.37.03.09\n99.37.04.09\n99.60.01.06\n99.60.01.12\n99.60.02.03\n839.00\n839.02\n839.10\n839.12\n99.20.01.07\n99.20.01.09\n99.20.01.12\n99.20.02.02\n99.20.02.03\n99.19.01.06\n99.19.01.08\n99.19.01.12\n99.19.02.02\n99.19.02.03\n99.29.01.06\n99.29.01.09\n99.29.01.12\n99.29.01.21\nGio Ponti\nGio Ponti, 1946\nGio Ponti\nGio Ponti, 1946\nGio Ponti\nGio Ponti, 1946\nGio Ponti\nGio Ponti, 1946\nCarlo Scarpa\nCarlo Scarpa, 1940\nCarlo Scarpa\nCarlo Scarpa, 1940\nCarlo Scarpa\nCarlo Scarpa, 1940\nVittoriale\nNapoleone Martinuzzi, 1926\nVittoriale\nNapoleone Martinuzzi, 1926\nDoge\nNapoleone Martinuzzi, 1927\nDoge\nNapoleone Martinuzzi, 1927\nDoge\nNapoleone Martinuzzi, 1927\nDoge\nNapoleone Martinuzzi,1927\nPorpora\nVenini, 1920\nPorpora\nVenini, 1920\nScarlatti\nVenini, 1924\nScarlatti\nVenini, 1924\nDiamantei\nVenini\nDiamantei\nVenini\n20\n26\n28 \n34\n38\n 44\n46\n50\n54\n56\n60\n58 \n60\n62\n66 \n70\n72\n74\n78\nIndex\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.10.png","Artlight\n18\n19\n \nVENINI\nVENINI\n99.20.01.07\nVenini, 1920\n99.20.01.09\nVenini, 1920\n99.20.01.12\nVenini, 1920\n99.20.02.02\nVenini, 1920\n99.20.02.03\nVenini, 1920\n64\n64\n64\n66 \n66 \nPorpora 99.20\nScarlatti 99.19\n99.19.01.06\nVenini, 1924\n99.19.01.08\nVenini, 1924\n99.19.01.12\nVenini, 1924\n99.19.02.02\nVenini, 1924\n70\n70\n70 \n72 \nDiamantei 99.29\n99.29.01.06\nVenini\n99.29.01.09\nVenini\n99.29.01.12\nVenini\n99.29.01.21\nVenini\n76\n76\n78\n78\n839.00\nN. Martinuzzi, 1925-30\n839.10\nN.Martinuzzi, 1925 -30\n58\n58 \nDoge 839\n839.02\nN.Martinuzzi, 1925 - 30\n839.12\nN. Martinuzzi, 1925 - 30\n60\n60\nGio Ponti 99.80\n99.80.01.08\nGio Ponti, 1946\n99.81.01.08\nGio Ponti, 1946\n99.80.01.12\nGio Ponti, 1946\n99.81.01.12\nGio Ponti, 1946\n99.80.02.02\nGio Ponti, 1946\n99.81.02.02\nGio Ponti, 1946\n99.80.02.03\nGio Ponti, 1946\n22\n30\n22\n30\n26\n34\n26\nGio Ponti 99.81\n99.37.01.08\nCarlo Scarpa, 1940\n99.37.01.12\nCarlo Scarpa, 1940\n99.37.01.16\nCarlo Scarpa, 1940\n99.37.02.03\nCarlo Scarpa, 1940\n99.37.03.05 - 99.37.03.09\nCarlo Scarpa, 1940\n99.37.04.09\nCarlo Scarpa, 1940\n40\n40\n40\n44\n46\n46\nCarlo Scarpa 99.37\n99.60.01.06\nN.Martinuzzi, 1926\n99.60.01.12\nN. Martinuzzi, 1926\n99.60.02.03\nN. Martinuzzi, 1926\n52\n52\n54\nVittoriale 99.60\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.11.png","Artlight\n20\n21\n \nVENINI\nVENINI\n99.43.01.20\nVenini, 1930\n99.43.01.36\nVenini, 1930\n108\n110\nMarcello 99.43\n99.56.01.18\nVenini, 1930\n114\nMalipiero 99.56\n99.18.01.08\nVenini, 1930\n99.18.05.09\nVenini, 1930\n99.18.02.03\nVenini, 1930\n102\n100\n104 \nPergolesi 99.18\n99.32.01.06\nVenini, 1932\n99.32.01.12\nVenini, 1932\n92\n92\nAlbrici 99.32\n99.32.01.10\nVenini, 1932\n92\n99.32.02.02\nVenini, 1932\n96\n99.32.02.03\nVenini, 1932\n96\nMartinengo 99.50\n99.50.01.20 - 99.50.01.32\nVenini, 1930\n86\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.12.png","23\n \nVENINI\nGIO PONTI\nLa volontà di apportare un rinnovamento stilistico, pur rimanendo \nfedeli all’alta artigianalità della tradizione italiana, costituisce la \nsolida base su cui si fonda l’azzeccatissima collaborazione tra \nl’azienda Venini ed il progettista Gio Ponti. Ed è da questa sinergia \nche nel 1946 nasce la serie Gio Ponti 99.80: l’accostamento di \nlinee pulite e tinte vivaci ne fanno tutt’oggi un’icona apprezzata \ndagli intenditori di tutto il mondo. La sua assoluta originalità deriva \ndall’alternanza di bracci modellati, ciascuno, in vetro di colore \ndifferente.\n“Tutto al mondo deve essere coloratissimo” - Gio Ponti\nThe desire to make a stylistic renewal, while remaining faithful \nto the fine craftsmanship of the Italian tradition, constitutes the \nsolid basis on which the perfect collaboration between the Venini \ncompany and the designer Gio Ponti is founded And it is from \nthis synergy that the Gio Ponti 99.80 series was created in 1946: \nthe combination of clean lines and bright colours still make it a \nclassic appreciated by connoisseurs all over the world Its absolute \noriginality derives from the alternation of curved arms, each in \nglass of  a different colour.\n“Everything in the world must be full of colour” - Gio Ponti\nGIO PONTI\n99.80\nGio Ponti | 1946 \n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.13.png","Artlight\n24\n25\n \nVENINI\nVENINI\nØ 90  cm (35,43”)\nLampadario in vetro soffiato composto da \ndue elementi a sfera di colore zaffiro e rosso, \nbracci in vetro colorato trasparente e fondino \nverde. Le tazzine, dal bordo ondulato, sono \nin vetro cristallo. Struttura e catena sono \nrealizzate in metallo dorato.  Questo modello \nè concepito nelle varianti a otto e a dodici luci.\nBlown glass chandelier consisting of two \nspherical elements coloured red and sapphire, \ntransparent coloured glass arms and green \nbottom. The wavy-edged cups are in cristallo \nglass. The structure and chain are gold-plated \nmetal. This model is conceived in versions \nwith eight or twelve lights.\nØ 90  cm (35,43”)\nH 83 cm (32,67”)\nGio Ponti\n99.80\nGio Ponti\n1946\n99.80.01.08\nCaratteristiche tecniche\u002FTechnical details:\nØ 90 x H 83 cm - H max 197 cm\n8 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 12\n(35,43”- 32,67” - 77,55”)\n8 x max 8W  LED DIM 110V (E12)\nLb ~ 26,46\nColori\u002FColors\nMulticolore - Multicoloured\nMetallo\u002FMetal\nDorato - Gold plated\nNote\u002FNotes\nCatena L=100 cm - Chain L=100 cm.\nEdizione Numerata per Anno\nNumbered Edition For Year\n99.80.01.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 90 x H 83 cm - H max 197 cm\n12 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 15\n(35,43”- 32,67” - 77,55”)\n12 x max 8W  LED DIM 110V  (E12)\nLb ~ 33\nColori\u002FColors\nMulticolore - Multicoloured\nMetallo\u002FMetal\nDorato - Gold plated\nNote\u002FNotes\nCatena L=100 cm - Chain L=100 cm.\nEdizione Numerata per Anno\nNumbered Edition For Year\nH 197 cm (77,55”)\nH 83 cm (32,67”)\nH 197 cm (77,55”)\n99.80.01.12\n99.80.02.03\nMulticolore\nMulticoloured\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.14.png","99.80.01.12\nMulticolore\nMulticoloured\nArtlight\n26\n27\n \nVENINI\nVENINI\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.15.png","Artlight\n28\n29\n \nVENINI\nVENINI\nApplique composta da due elementi a sfera\nsoffiati di colore zaffiro e rosso, bracci in \nvetro colorato trasparente e fondino verde.\nLe tazzine, dal bordo ondulato, sono in vetro\ncristallo. Struttura e catena sono realizzate in\nmetallo dorato. Questo modello è concepito\nnelle versioni a due e a tre luci.\nWall light consisting of two blown glass spherical\nelements coloured red and sapphire, with\ntransparent coloured glass arms and green\nbottom. The wavy-edged cups are cristallo\nglass. The structure and chain are gold-plated\nmetal. This model is conceived in versions\nwith two or three lights.\n26 cm (10,23”)\nH 33 cm (12,99”)\nGio Ponti\n99.80\nGio Ponti\n1946\n99.80.02.02\nCaratteristiche tecniche\u002FTechnical details:\n52 x 26 H 33 cm \n2 x max 8W LED DIM 220 - 12,99”)\nKg ~3\n(20,47”- 10,23”- 1’ 63\u002F64)\n2 x max 8W  LED DIM 110V (E12)\nLb ~ 6,62\nColori\u002FColors\n•Multicolore - Multicoloured\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\n99.80.02.03\nCaratteristiche tecniche\u002FTechnical details:\n58 x 37 H 33 cm\n3 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 4\n(22,83”- 14,56”- 12,99”)\n3 x max 8W  LED DIM 110V  (E12)\nLb ~ 8,82\nColori\u002FColors\n•Multicolore - Multicoloured\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\n52 cm (20,47”)\n37 cm (14,56”)\n58  cm (22,83”)\nH 33 cm (12,99”) \n99.80.02.03\nMulticolore\nMulticoloured\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.16.png","Gio Ponti 99.81.\nDisegno Storico\nHistorical drawing\n31\n \nVENINI\nGIO PONTI\nGIO PONTI\n99.81\nGio Ponti | 1946 \nI modelli della collezione 99.81 sono ideati da Gio Ponti, che nel \n1946 piegò allo stile contemporaneo le raffinate colorazioni \nintrodotte nella palette Venini dai grandi designer che avevano \ncollaborato con l’azienda nei due decenni precedenti (come \nMartinuzzi, Buzzi e Scarpa).\nThe models in the 99.81 collection were designed by Gio Ponti, \nwho in 1946 applied to the contemporary style the refined colours \nintroduced in the Venini palette by the great designers who had \npartnered with the company in the previous two decades (such as \nMartinuzzi, Buzzi and Scarpa).\n \n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.17.png","99.81.01.12\nVerde \u002FTalpa Trasparente\nGreen\u002FTransparent Grey\nArtlight\n32\n33\n \nVENINI\nVENINI\nLampadario composto da sfera, fusto, \nfondino e bracci in vetro soffiato declinato \nnei colori verde e talpa trasparente, corallo, \nlattimo, talpa opalino. \nLe tazzine e il finalino sono in vetro cristallo.\nLa montatura è in metallo dorato. \nChandelier composed of blown glass sphere,\nstem, bottom and arms offered in the colour\ncombinations transparent green and grey,\ncoral, milk-white, opaline grey. \nThe cups and the finial are crystal glass.\nThe structure is gold-plated metal. \nØ 77  cm (30,31”)\nH 73 cm (28,74”)\nGio Ponti\n99.81\nGio Ponti\n1946\n99.81.01.08\nCaratteristiche tecniche\u002FTechnical details:\nØ 77 x H 73 cm - H max 187 cm\n8 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 12\n(30,31”- 28,74”- 73,62”)\n8 x max 8W  LED DIM 110V (E12)\nLb ~ 26,46\nColori\u002FColors\nCorallo\u002FCristallo Con Foglia Oro - Coral\u002FCrystal With Gold Leaf\nLattimo\u002FCristallo - Milk-White\u002FCrystal\nTalpa Opalino\u002FCristallo - Opaline Grey\u002FCrystal\nVerde \u002FTalpa Trasparente - Green\u002FTransparent Grey\nMetallo\u002FMetal\nDorato - Gold plated\nNote\u002FNotes\nCatena L=100 cm - Chain L=100 cm\n99.81.01.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 77 x H 73 cm - H max 187 cm\n12 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 15\n(30,31”- 28,74”- 73,62”)\n12 x max 8W  LED DIM 110V  (E12)\nLb ~ 33\nColori\u002FColors\nCorallo\u002FCristallo Con Foglia Oro - Coral\u002FCrystal With Gold Leaf\nLattimo\u002FCristallo - Milk-White\u002FCrystal\nTalpa Opalino\u002FCristallo - Opaline Grey\u002FCrystal\nVerde \u002FTalpa Trasparente - Green\u002FTransparent Grey\nMetallo\u002FMetal\nDorato - Gold plated\nNote\u002FNotes\nCatena L=100 cm - Chain L=100 cm\nH 187 cm (73,62”)\nEdizione Numerata per Anno\nNumbered Edition For Year\nØ 77  cm (30,31”)\nH 73 cm (28,74”)\nH 187 cm (73,62”)\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.18.png","Artlight\n34\n35\n \nVENINI\nVENINI\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.19.png","99.81.02.02\nLattimo\u002FCristallo \nMilk-White\u002FCrystal\nArtlight\n36\n37\n \nVENINI\nVENINI\nApplique a due luci composto da un fondino \ne due bracci in vetro soffiato, declinata nei \ncolori verde e talpa trasparente, corallo, \nlattimo, talpa opalino. Le tazzine e il finalino \nsono in vetro cristallo. La montatura è in \nmetallo dorato.\nTwo-light wall light consisting of a bottom and\ntwo arms in blown glass, offered in the colour\ncombinations transparent green and grey, \ncoral, milk-white, opaline grey. The cups and \nthe finial are crystal glass. The structure is \ngold-plated metal.\n42 cm (16,53”)\nH 27 cm (10,62”)\nGio Ponti\n99.81\nGio Ponti\n1946\n99.81.02.02\nCaratteristiche tecniche\u002FTechnical details:\n42 x 19  H 27 cm \n2 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 3\n(16,53”- 7,48”-10,62”)\n2 x max 8W  LED DIM 110V (E12)\nLb ~ 6,61\nColori\u002FColors\nCorallo\u002FCristallo Con Foglia Oro - Coral\u002FCrystal With Gold Leaf\nLattimo\u002FCristallo - Milk-White\u002FCrystal\nTalpa Opalino\u002FCristallo - Opaline Grey\u002FCrystal\nVerde \u002FTalpa Trasparente - Green\u002FTransparent Grey\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\n19  cm (7,48”)\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.20.png","Artlight\n38\n39\n \nVENINI\nVENINI\nGio Ponti 99.81\n99.81.01.08\n99.81.01.12\n99.81.02.02\nVERDE \u002FTALPA TRASPARENTE\nGREEN\u002FTRANSPARENT GREY\nVERDE \u002FTALPA TRASPARENTE\nGREEN\u002FTRANSPARENT GREY\nVERDE \u002FTALPA TRASPARENTE\nGREEN\u002FTRANSPARENT GREY\nLATTIMO OPALINO\nOPALINE MILK-WHITE\nLATTIMO OPALINO\nOPALINE MILK-WHITE\nLATTIMO OPALINO\nOPALINE MILK-WHITE\nTALPA OPALINO\nOPALINE GREY\nTALPA OPALINO\nOPALINE GREY\nTALPA OPALINO\nOPALINE GREY\nCORALLO CON FOGLIA ORO\nRED CORAL WITH GOLD LEAF\nCORALLO CON FOGLIA ORO\nRED CORAL WITH GOLD LEAF\nCORALLO CON FOGLIA ORO\nRED CORAL WITH GOLD LEAF\nGio Ponti 99.80\n99.80.01.08\n99.80.01.12\n99.80.02.02\n99.80.02.03\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.21.png","99.37.01.12\nCristallo foglia oro\nCrystal with gold leaf\nCARLO SCARPA\nCARLO SCARPA\n99.37\nCarlo Scarpa | 1940 \nDirettore artistico di Venini per oltre un decennio, Carlo \nScarpa ha profondamente influenzato la produzione artistica \ndell’azienda, riuscendo a coniugare la propria visione intellettuale \ncon le più raffinate tecniche della tradizione muranese.  \nDa questa collaborazione sono nati degli oggetti che restano \ntutt’oggi modelli di eleganza senza tempo come questo \nlampadario, essenziale negli elementi che lo compongono, \neppure sontuoso.\nVenini’s artistic director for more than a decade, Carlo Scarpa \ndeeply influenced the company’s production, managing to merge \nhis own intellectual vision with the highly refined techniques of the \nMurano glass tradition. \nThis collaboration gave rise to objects that still today remain \nmodels of timeless elegance; for example, this chandelier is \nessential in the elements that make it up, yet opulent in its \noverall effect.\n41\n \nVENINI\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.22.png","99.37.01.12\nCarlo Scarpa \nCristallo con foglia oro \nMetallo Dorato \nCrystal with gold leaf \nGold-plated\nArtlight\n42\n43\n \nVENINI\nVENINI\nØ 100 cm (39,37”)\nCarlo Scarpa\n99.37\nLampadario in vetro cristallo soffiato, puro o \ncon foglia d’oro, composto da bracci e ricci, \ndai quali scendono i pendenti con lavorazione \na “balloton” e a “rigadin” dritto e ritorto. La \nmontatura è in metallo cromato o dorato. \nQuesto modello è disponibile nelle varianti a \notto, dodici e sedici luci.\nChandelier in blown crystal glass, pure or with \ngold leaf, consisting of arms and scroll elements, \nfrom which hang pendants made using both the \n“balloton” and the straight and twisted “rigadin” \ntechniques. The structure is chrome- or gold-\nplated metal. This model is conceived in versions \nwith eight, twelve or sixteen lights.\nØ 82  cm (32,28”)\nH 107 cm (42,12”)\nCarlo Scarpa\n1940\n99.37.01.08\nCaratteristiche tecniche\u002FTechnical details:\nØ 82 x H 107 cm \n8 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 16\n(32,28”- 42,12”)\n8 x max 8W  LED DIM 110V (E12)\nLb ~ 35,27\nColori\u002FColors\nCristallo - Crystal\nMetallo\u002FMetal\nCromato - Chrome plated \nColori\u002FColors\nCristallo con foglia oro - Crystal with gold leaf\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\n99.37.01.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 100 x H 107  cm\n12 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 24\n(39,37”- 42,12”)\n12 x max 8W  LED DIM 110V  (E12)\nLb ~ 52,91\nColori\u002FColors\nCristallo - Crystal\nMetallo\u002FMetal\nCromato - Chrome plated \nColori\u002FColors\nCristallo con foglia oro - Crystal with gold leaf\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\n99.37.01.16\nCaratteristiche tecniche\u002FTechnical details:\nØ 120 x H 140  cm\n16 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 32\n(47,24”- 55,11”)\n12 x max 8W  LED DIM 110V  (E12)\nLb ~ 70,54\nColori\u002FColors\nCristallo - Crystal\nMetallo\u002FMetal\nCromato - Chrome plated \nColori\u002FColors\nCristallo con foglia oro - Crystal with gold leaf\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\nH 107 cm (42,12”)\nØ 120  cm (47,24”)\nH 140 cm (55,11”)\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.23.png","99.37.01.16\nCarlo Scarpa \nCristallo - Crystal\nMetallo Cromato - Chrome-plated\nArtlight\n44\n45\n \nVENINI\nVENINI\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.24.png","Artlight\n46\n47\n \nVENINI\nVENINI\n59 cm (23,22”)\nCarlo Scarpa\n99.37\nApplique in vetro cristallo soffiato, puro o con\nfoglia d’oro, a tre luci. È composta da bracci\ne ricci, dai quali scendono i pendenti con\nlavorazione a “balloton” e a “rigadin” dritto e\nritorto. La montatura è in metallo cromato o\ndorato.\nThree-light wall light in blown cristallo glass, \npure or with gold leaf. It is composed of \narms and scroll elements, from which hang \npendants made using both the “balloton” and \nthe straight and twisted “rigadin” techniques.\nThe structure is chrome- or gold-plated metal.\nH 71 cm (27,95”)\nCarlo Scarpa\n1940\n99.37.02.03\nCaratteristiche tecniche\u002FTechnical details:\n59 x 38 H 71 cm \n3 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 6\n(23,22”- 14,96”- 27,95”)\n3 x max 8W  LED DIM 110V (E12)\nLb ~13,22\nColori\u002FColors\nCristallo - Crystal\nMetallo\u002FMetal\nCromato - Chrome plated \nColori\u002FColors\nCristallo con foglia oro -  Crystal with gold leaf\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\n99.37.02.03\nColori\u002FColors\nCristallo - Crystal\nMetallo\u002FMetal\nCromato - Chrome plated \n38 cm (14,96”)\n99.37.02.03\nCristallo con foglia oro\nCrystal with gold leaf\nMetallo Dorato - Gold plated\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.25.png","Artlight\n48\n49\n \nVENINI\nVENINI\n51  cm (20,07”)\nCarlo Scarpa\n99.37\nLampada da tavolo composta da fusto, bracci \ne coppette in vetro soffiato cristallo o cristallo \ncon foglia d’oro. La struttura è realizzata in\nmetallo cromato o dorato. Questo modello è\nconcepito nelle varianti a cinque e nove luci.\nTorcera a nove luci composta da fusto, bracci\ne coppette in vetro soffiato cristallo o cristallo\ncon foglia d’oro. La struttura è realizzata in\nmetallo cromato o dorato.\nTable lamp consisting of blown cristallo glass\nor cristallo glass with gold leaf stem, arms, and \ncups The structure is chrome-or goldplated \nmetal. This model is conceived in versions with \nfive or nine lights. Nine-light torcera\\standing \ncandelabra consisting of stem, arms, and cups \nin blown cristallo glass or cristallo glass with \ngold leaf. The structure is chrome- or gold-\nplated metal.\nH 62 cm (24,40”)\nCarlo Scarpa\n1940\n99.37.03.05\nCaratteristiche tecniche\u002FTechnical details:\nØ 51 x H 62 cm \n5 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 14\n(20,07”- 24,40”)\n5 x max 8W  LED DIM 110V (E12)\nLb ~30,86\nColori\u002FColors\nCristallo - Crystal\nMetallo\u002FMetal\nCromato - Chrome plated \nColori\u002FColors\nCristallo con foglia oro - Crystal with gold leaf\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\n99.37.04.09\nCristallo \nCrystal\nMetallo Cromato \nChrome-plated\n99.37.03.09\nCaratteristiche tecniche\u002FTechnical details:\nØ 60 x H 76 cm \n9 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 35\n(23,62”- 29,92”)\n9 x max 8W  LED DIM 110V (E12)\nLb ~77,16\nColori\u002FColors\nCristallo - Crystal\nMetallo\u002FMetal\nCromato - Chrome plated \nColori\u002FColors\nCristallo con foglia oro - Crystal with gold leaf\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\n99.37.04.09\nCaratteristiche tecniche\u002FTechnical details:\nØ 62 x H 181 cm \n9 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 35\n(24,40”- 71,25”)\n9 x max 8W  LED DIM 110V (E12)\nLb ~77,16\nColori\u002FColors\nCristallo - Crystal\nMetallo\u002FMetal\nCromato - Chrome plated \nColori\u002FColors\nCristallo con foglia oro - Crystal with gold leaf\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\n60  cm (23,62”)\nH 76 cm (29,92”)\n62 cm (24,40”)\nH 181 cm (71,25”)\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.26.png","99.37.03.09\nCristallo  - Crystal\nMetallo Cromato  - Chrome-plated\nArtlight\n50\n51\n \nVENINI\nVENINI\nCarlo Scarpa 99.37\n97.37.01.08\n97.37.03.05\n97.37.01.12\n97.37.03.09\n97.37.01.16\n97.37.04.09\n97.37.02.03\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.27.png","53\n \nVENINI\nVITTORIALE\nVITTORIALE\n99.60\nNapoleone Martinuzzi | 1926 \nMentre, negli anni venti, Gabriele d’Annunzio concepiva il vasto \ne originale complesso del Vittoriale degli Italiani, Napoleone \nMartinuzzi disegnava questo modello di lampadario che del \nVittoriale porta il nome. All’interno della villa, alloggiato nella \nstanza del Mappamondo, è visibile tutt’oggi. È arricchito da \ndiversi elementi decorativi, pur restando allineato con la volontà \ndi semplificazione che portò Venini a stravolgere la tradizione \nmuranese fin dagli anni venti.\nIn the twenties, when Gabriele d’Annunzio was creating his vast \nand original Vittoriale degli Italiani complex, Napoleone Martinuzzi \ndesigned this chandelier model that bears the name of the \nVittoriale. It can still be seen today inside the villa, installed in the \n“Globe Room”. It is enriched by various decorative elements, while \nremaining true to the ideal of simplification that already in the \ntwenties had induced Venini to revolutionise the Murano tradition.\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.28.png","Artlight\n54\n55\n \nVENINI\nVENINI\nØ 126 cm (49,60”)\nVittoriale\n99.60\nLampadario in vetro cristallo soffiato, puro o \ncon foglia d’oro, composto da bracci e ricci, \ndai quali scendono i pendenti con lavorazione \na “balloton” e a “rigadin” dritto e ritorto. \nLa montatura è in metallo dorato. \nChandelier in blown cristallo glass, pure or with \ngold leaf, consisting of arms and scroll elements, \nfrom which hang pendants made using both the \n“balloton” and the straight and twisted “rigadin” \ntechniques. The structure is in gold-plated metal. \nØ 103  cm (40,55”)\nH 108 cm (42,5”)\nNapoleone Martinuzzi\n1926\n99.60.01.06\nCaratteristiche tecniche\u002FTechnical details:\nØ 103 x H 108 cm - H  max 187 cm\n6 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 18\n(40,55”- 42,51”- 73,62”)\n6 x max 8W  LED DIM 110V (E12)\nLb ~ 39,68\nColori\u002FColors\nCristallo con foglia oro - Crystal with gold \nleaf\nMetallo\u002FMetal\nDorato - Gold plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nEdizione Numerata per Anno\nNumbered Edition For Year\n99.60.01.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 126 x H 136  cm - H max 216 cm\n12 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 28\n(49,60”- 53,54” - 85,03”)\n12 x max 8W  LED DIM 110V  (E12)\nLb ~ 61,72\nColori\u002FColors\nCristallo con foglia oro - Crystal with gold leaf\nMetallo\u002FMetal\nDorato - Gold plated\nNote\u002FNotes\nCatena L=60 cm - Chain L= 60cm.\nEdizione Numerata per Anno\nNumbered Edition For Year\nH 136 cm (53,54”)\n99.60.01.06\nCristallo con foglia oro\nCrystal with gold leaf\nH 187 cm (73,62”)\nH 216 cm (85,03”)\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.29.png","Artlight\n56\n57\n \nVENINI\nVENINI\nVittoriale\n99.60\nApplique in vetro soffiato cristallo composta\nda bracci e ricci, impreziositi da pendagli in\ncristallo con foglia d’oro. La struttura è in\nmetallo dorato.\nWall light in blown cristallo glass consisting\nof arms and scroll elements embellished with\nin cristallo glass pendants with gold leaf.\nThe structure is gold-plated metal.\n56  cm (22,04”)\nH 70  cm  (27,55”)\nNapoleone Martinuzzi\n1926\n99.60.02.03\nCaratteristiche tecniche\u002FTechnical details:\n56 x 35 H 70 cm \n3 x max 8W LED DIM 220 - 240V (E14)\nKg ~ 7\n(22,04”-13,77”- 27,55”)\n3 x max 8W  LED DIM 110V (E12)\nLb ~ 15,43\nColori\u002FColors\nCristallo con foglia oro -  Crystal with gold leaf\nMetallo\u002FMetal\nDorato - Gold plated\nEdizione Numerata per Anno\nNumbered Edition For Year\n99.60.02.03\nCristallo con foglia oro\nCrystal with gold leaf\n35  cm (13,77”)\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.30.png","59\n \nVENINI\nDOGE\nDOGE\n839\nNapoleone Martinuzzi | 1927 \nElaborazioni del cesendello o tipica lampada ad olio del rinascimento \nveneziano, le sospensioni della collezione Doge, ideate da \nNapoleone Martinuzzi nel 1927, si adattano perfettamente sia ad \ninterni storici che ad ambienti contemporanei.\nElaborations of the cesendello, or a typical oil lamp of Renaissance \nVenice, the pendant lamps of the Doge collection, conceived by \nNapoleone Martinuzzi in 1927, are perfectly suited to traditional \ninteriors as well as contemporary settings.\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.31.png","Artlight\n60\n61\n \nVENINI\nVENINI\nDoge\n839.00 - 839.10\n \nSospensione in vetro soffiato lavorato con \nla tecnica a “rigadin”. “Bossette” sferoidali, \n“cappello” e coppa arrotondata scendono dal \nrosone a soffitto. La parte inferiore è sagomata \ncon un piccolo finalino sferico. La montatura è \nin metallo dorato. Questo modello è concepito \nanche nella variante accorciata, con un’unica \n“bossetta” di rivestimento dello stelo. \nBlown glass pendant lamp made using the \n“rigadin”technique. Oval “Bossette”, the \n“cappello” and a round bowl hang from the \nceiling rosette. The lower part tapers down to \na small spherical finial. The structure is gold-\nplated metal. This model is also conceived in \nthe shortened version, with a single “bossetta” \nencasing the stem.\nØ 47  cm (18,50”)\nH 124 cm (48,81”)\nNapoleone Martinuzzi\n1926\n839.00\nCaratteristiche tecniche\u002FTechnical details:\nØ 47 x H 124 cm - H  max 201 cm\n1 x max 12W LED DIM 220 - 240V (E27)\nKg ~ 7\n(18,50”- 48,81”- 79,13”)\n1 x max 12W  LED DIM 110V (E26)\nLb ~ 15,43\nColori\u002FColors\nCristallo - Crystal\nPagliesco - Straw-Yellow\nAmetista - Amethyst\nTalpa - Grey\nMetallo\u002FMetal\nDorato - Gold plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nEdizione Numerata per Anno\nNumbered Edition For Year\n839.10\nCaratteristiche tecniche\u002FTechnical details:\nØ 47 x H 85 cm - H  max 162 cm\n1 x max 12W LED DIM 220 - 240V (E27)\nKg ~ 6\n(18,50”- 33,46”- 63,77”)\n1  x max 12W  LED DIM 110V  (E26)\nLb ~ 13,22\nColori\u002FColors\nCristallo - Crystal\nPagliesco - Straw-Yellow\nAmetista - Amethyst\nTalpa - Grey\nMetallo\u002FMetal\nDorato - Gold plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nEdizione Numerata per Anno\nNumbered Edition For Year\nH 201 cm (79,13”)\nØ 47  cm (18,50”)\nH 85 cm (33,46”)\nH 162 cm (63,77”)\n839.10\nPagliesco - Straw-Yellow\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.32.png","Artlight\n62\n63\n \nVENINI\nVENINI\nDoge\n839.02 - 839.12\n \nSospensione in vetro soffiato lavorato con \nla tecnica a “rigadin”. “Bossette” sferoidali, \n“cappello” e coppa piriforme scendono dal \nrosone a soffitto. Nella parte inferiore si trova \nun piccolo finalino sferico. La montatura è in \nmetallo dorato. Questo modello è concepito \nanche nella variante accorciata, con un’unica \n“bossetta” di rivestimento dello stelo.\nBlown glass pendant lamp made using \nthe “rigadin” technique. Oval “Bossette”, \n“cappello” and pear-shaped bowl hang from \nthe ceiling rosette.The lower part has a small \nspherical finial. The structure is gold-plated \nmetal. This model is also conceived in the \nshortened version, with a single “bossetta” \nencasing the stem.\nNapoleone Martinuzzi\n1926\n839.02\nCaratteristiche tecniche\u002FTechnical details:\nØ 46 x H 122 cm - H  max 198 cm\n1 x max 12W LED DIM 220 - 240V (E27)\nKg ~ 7\n(18,11”- 48,03” - 77,95”)\n1 x max 12W  LED DIM 110V (E26)\nLb ~ 15,43\nColori\u002FColors\nCristallo - Crystal\nPagliesco - Straw-Yellow\nAmetista - Amethyst\nTalpa - Grey\nMetallo\u002FMetal\nDorato \nGold plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nEdizione Numerata per Anno \nNumbered Edition For Year\n839.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 46 x H 87 cm - H  max 163 cm\n1 x max 12W LED DIM 220 - 240V (E27)\nKg ~ 6\n(18,11”- 34,25”- 64,17”)\n1  x max 12W  LED DIM 110V  (E26)\nLb ~ 13,22\nColori\u002FColors\nCristallo - Crystal\nPagliesco - Straw-Yellow\nAmetista - Amethyst\nTalpa - Grey\nMetallo\u002FMetal\nDorato \nGold plated\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nEdizione Numerata per Anno\nNumbered Edition For Year\n839.00\nTalpa - Grey\n839.02\nAmetista - Amethyst\nØ 46  cm (18,11”)\nH 122  cm (48,03”)\nH198 cm (77,95”)\nØ 46  cm (18,11”)\nH 87  cm (34,25”)\nH 163 cm (64,17”)\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.33.png","65\n \nVENINI\nPORPORA\nPORPORA\n99.20\nVenini | 1924 \nLa purezza formale e la leggerezza del vetro cristallo hanno reso \nintramontabile il lampadario Porpora disegnato negli anni venti, il \ncui design venne caratterizzato da forme squadrate e angoli retti, \ndallo spiccato stile modernista, distaccandosi provocatoriamente \ndalle tradizionali linee sinuose di tutta la produzione precedente.\nThe formal purity and the lightness of cristallo glass have made the \nPorpora chandelier, designed in the 1920s, eternal. Characterised \nby square forms and right angles, with a marked modern style, it \nstands provocatively apart from the traditional sinuous lines of all \nthe prior production.\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.34.png","Artlight\n66\n67\n \nVENINI\nVENINI\nPorpora\n99.20\nLampadario in vetro cristallo, soffiato e lavorato \na mano con la tecnica “rigadin”, concepito nelle \nvarianti a sette, nove e dodici luci. \nSono disponibili anche nella versione con i \nparalumi in tessuto. La montatura è in metallo \nverniciato.\nChandelier in blown cristallo glass, e hand-\ncrafted using the “rigadin” technique, conceived \nin versions with seven, nine, or twelve lights. \nFabric lampshades are also available. Varnished \nmetal structure.\nØ 80 cm (31,49”)\nH 92 cm (36,22”)\nPorpora - Venini \n1924\n99.20.01.07\nCaratteristiche tecniche\u002FTechnical details:\nØ 80 x H 92 cm - H  max 171 cm\n7 x max 8W LED DIM 220 - 240V (E14)\nKg ~10\n(31,49”- 36,22”- 67,32”)\n7  x max 8W  LED DIM 110V (E12)\nLb ~ 22\nColori\u002FColors\nCristallo - Crystal \nMetallo\u002FMetal\nVerniciato grigio -  Grey painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nH 107 cm (42,12”)\n99.20.01.12\nCristallo con paralumi\nCrystal with fabric lampshades\n99.20.01.09\nCaratteristiche tecniche\u002FTechnical details:\nØ 100 x H 107 cm - H  max 186 cm\n9  x max 8W LED DIM 220 - 240V (E14)\nKg ~11\n(39,37”- 42,12”- 73,22”)\n9  x max 8W  LED DIM 110V (E12)\nLb ~ 24,25\nColori\u002FColors\nCristallo - Crystal \nMetallo\u002FMetal\nVerniciato grigio -  Grey painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\n99.20.01.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 103 x H 115 cm - H  max 194 cm\n12  x max 8W LED DIM 220 - 240V (E14)\nKg ~14\n(40,55”- 45,27”- 76,37”)\n12  x max 8W  LED DIM 110V (E12)\nLb ~ 30,86\nColori\u002FColors\nCristallo - Crystal \nMetallo\u002FMetal\nVerniciato grigio -  Grey painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nØ 100 cm (39,37”)\nØ 103 cm (40,55”)\nH 115 cm (45,27”)\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.35.png","Artlight\n68\n69\n \nVENINI\nVENINI\nPorpora\n99.20\nApplique in vetro cristallo, soffiato e lavorato \na mano con la tecnica “rigadin”, concepito \nnelle varianti a due e a tre luci.\nDisponibile anche con paralumi in tessuto\nbianco. La montatura è in metallo verniciato.\nWall light in blown cristallo glass, and \nhandcrafted using the “rigadin” technique, \nconceived in versions with two or three lights. \nAlso available with white fabric lampshades.\nVarnished metal structure.\n41 x 20 cm (16,14” - 7,87”)\nH  34 cm (13,38”)\nPorpora - Venini \n1924\n99.20.02.02\nCaratteristiche tecniche\u002FTechnical details:\n41 x 20 x H 34 cm \n2 x max 8W LED DIM 220 - 240V (E14)\nKg ~2\n(16,14”- 7,87”- 13,38”)\n2  x max 8W  LED DIM 110V (E12)\nLb ~ 4,4\nColori\u002FColors\nCristallo - Crystal \nMetallo\u002FMetal\nVerniciato grigio -  Grey painted\n99.20.02.03\nCristallo \nCrystal\n99.20.02.03\nCaratteristiche tecniche\u002FTechnical details:\n44 x 28 x H 30 cm \n3 x max 8W LED DIM 220 - 240V (E14)\nKg ~3\n(17,32”- 11,02”- 13,38”)\n3  x max 8W  LED DIM 110V (E12)\nLb ~ 6,6\nColori\u002FColors\nCristallo -  Crystal \nMetallo\u002FMetal\nVerniciato grigio -  Grey painted\n44 x 28 cm (17,32”- 11,02”)\nH  34 cm (13,38”)\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.36.png","71\n \nVENINI\n71\nVENINI\nSCARLATTI\nSCARLATTI\n99.19\nVenini | 1924 \nDisegnata nei primi anni venti, la serie Scarlatti colpisce per \nl’assoluta leggerezza formale, esaltata dal puro cristallo ed \nimpreziosita da delicatissime gocce soffiate.\nDesigned in the early twenties, the Scarlatti series is striking for \nits pure formal weightlessness heightened by the clear cristallo \ntone and embellished by delicate blown drop ornaments.\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.37.png","Artlight\n72\n73\n \nVENINI\nVENINI\nScarlatti\n99.19\nLampadario in vetro soffiato composto da \nbracci e piattini in puro cristallo. Particolari i \npendagli a forma di goccia, di colore pagliesco, \nche adornano anche il rosone a soffitto. Questo \nmodello è concepito nelle varianti a sei, otto \ne dodici luci. Disponibile anche con paralumi \nin tessuto bianco.La montatura è in metallo \ndorato o cromata.\nBlown glass chandelier composed of arms \nand bobèches in pure cristallo glass.\nThe straw yellow, drop-shaped pendants are \nquite distinctive, and they also decorate the \nceiling canopy. This model is conceived in \nversions with six, eight, or twelve lights. The \nstructure is gold-plated metal or cromium-\nplated.\nØ 78  cm (30,70”)\nScarlatti - Venini \n1924\n99.19.01.06\nCaratteristiche tecniche\u002FTechnical details:\nØ 78 x H 70 - H  max 150 cm\n6 x max 8W LED DIM 220 - 240V (E14) Kg ~10\n(30,70”- 30,31”- 59,05”)\n6  x max 8W  LED DIM 110V (E12) Lb ~ 22\nColori\u002FColors\nCristallo gocce Pagliesco - Crystal  with Straw-Yel-\nlow drops\nMetallo\u002FMetal\nDorato - Gold painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nColori\u002FColors\nCristallo - Crystal  \nMetallo\u002FMetal\nCromato - Cromium painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nH 77 cm (30,31”)\n99.19.01.12\nCristallo gocce Pagliesco\nCrystal with Straw-yellow drops\n99.19.01.08\n99.19.01.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 78 x H 70 cm - H max 150 cm\n8 x max 8W LED DIM 220 - 240V (E14) Kg ~11\n(30,70”- 30,31”- 59,05”)\n8  x max 8W  LED DIM 110V (E12) Lb ~ 24,25\nColori\u002FColors\nCristallo gocce Pagliesco - Crystal  with \nStraw-Yellow drops\nMetallo\u002FMetal\nDorato - Gold painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nColori\u002FColors\nCristallo - Crystal  \nMetallo\u002FMetal\nCromato - Cromium painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nCaratteristiche tecniche\u002FTechnical details:\nØ 100 x H 92 cm  - H max 166 cm\n12 x max 8W LED DIM 220 - 240V (E14) Kg ~20\n(39,37”- 36,22”- 65,35”)\n12  x max 8W  LED DIM 110V (E12) Lb ~ 44\nColori\u002FColors\nCristallo gocce Pagliesco - Crystal  with \nStraw-Yellow drops\nMetallo\u002FMetal\nDorato - Gold painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nColori\u002FColors\nCristallo - Crystal  \nMetallo\u002FMetal\nCromato - Cromium painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm\nØ 78  cm (30,70”)\nH 77 cm (30,31”)\nØ 100  cm (39,37”)\nH 92 cm (36,22”)\nH 150 cm (59,05”)\nH 150 cm (59,05”)\nH 166 cm (65,35”)\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.38.png","Artlight\n74\n75\n \nVENINI\nVENINI\nScarlatti\n99.19\nApplique in vetro soffiato a due luci composta\nda bracci e piattini in puro cristallo. I pendenti\na forma di goccia sono disponibili in colore \ncristallo o pagliesco.\nLa montatura è in metallo dorato o cromata.\nDisponibile anche con paralumi in tessuto\nbianco.\nTwo-light blown glass wall lamp composed of \narms and bobèches in pure cristallo glass.\nThe drop-shaped pendants are  available in \ncrystal or straw yellow. The structure is gold-\nplated metal or  cromium-plated.  \nWall lamp also available with white fabric \nlampshades.\n48  cm (18,89”)\nH 40 cm (15,74”)\nScarlatti - Venini \n1924\n99.19.02.02\nCaratteristiche tecniche\u002FTechnical details:\n48 x 22 H 40 cm \n2 x max 8W LED DIM 220 - 240V (E14)\nKg ~5\n(18,89”- 8,66”- 15,74”)\n2  x max 8W  LED DIM 110V (E12)\nLb ~ 11\nColori\u002FColors\nCristallo gocce Pagliesco - Crystal  with Straw-Yellow \ndrops\nMetallo\u002FMetal\nDorato - Gold painted\nColori\u002FColors\nCristallo - Crystal  \nMetallo\u002FMetal\nCromato - Chorme-plated  \n99.19.02.02\nCristallo gocce Pagliesco\nCrystal with Straw-yellow drops\n99.19.02.02\nColori\u002FColors\nCristallo con paralumi bianco - Crystal with white fabric lampsha-\nde\nMetallo\u002FMetal\nCromato - Chrome plated \n22  cm (8,66”)\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.39.png","77\n \nVENINI\nDIAMANTEI\nDIAMANTEI\n99.29\nVenini  \nNati per arredare i saloni dei palazzi e dei teatri veneziani, gli \nelaborati lampadari inventati a Murano nel settecento sono \ntra i prodotti di fornace che hanno goduto di maggiore fortuna \ne longevità. La serie Diamantei nasce come omaggio a questa \nicona della tradizione: sontuoso e dalle dimensioni imponenti, \nfinemente decorato e ricco di minuziosi dettagli, si propone come \nun elemento scenografico nell’arredo degli interni.\nCreated to decorate the halls of Venetian palaces and theatres, \nthe elaborate chandeliers invented in Murano in the 18th century are \namong the glassworks’ products that have enjoyed the greatest \nand longest lasting success. The Diamantei series originated as \na tribute to this icon of tradition: opulent and impressive in size, \nfinely decorated and rich in meticulous details, it is proposed as a \nspectacular element of interior decoration.\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.40.png","Artlight\n78\n79\n \nVENINI\nVENINI\nDiamantei\n99.29\n79\n \nVENINI\nLampadario in vetro soffiato e lavorato a \nmano. Ogni braccio è composto da numerosi \nelementi in vetro, perfettamente connessi gli \nuni agli altri. Da ogni braccio e riccio scende \nun pendente in vetro cristallo molato a mano. \nQuesto modello è concepito nelle varianti a \nsei, nove, dodici e ventuno luci. La struttura è \nrealizzata in metallo dorato.\nHandcrafted, blown glass chandelier. Each \narm is composed of numerous glass elements, \nperfectly fitted together. From each arm and \nscroll element hangs a hand-cut cristallo \nglass pendant. This model is conceived in \nversions with six, nine, twelve, or twenty-one \nlights. The structure is gold-plated metal.\nDiamantei - Venini \n99.29.01.12\nCristallo foglia oro\u002FCristallo\nCrystal with gold leaf\u002FCrystal\n99.29.01.06\nCaratteristiche tecniche\u002FTechnical details:\nØ 100 H 110 cm \n6 x max 8W LED DIM 220 - 240V (E14)\nKg ~29\n(39,37”- 43,30”)\n6  x max 8W  LED DIM 110V (E12)\nLb ~63,93\nColori\u002FColors\nTalpa sabbiato\u002FCristallo - Grey Satin\u002F Crystal\nGiallo-ambra\u002FVerde erba - Amber Yellow\u002FGrass Green\nLattimo\u002FCristallo - Milk-White\u002FCrystal\nAmetista\u002FRosso - Amethyst\u002FRed\nCristallo\u002FFoglia oro\u002FCristallo - Crystal\u002FGold Leaf\u002FCrystal\nMetallo\u002FMetal\nDorato  - Gold painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\n99.29.01.09\nCaratteristiche tecniche\u002FTechnical details:\nØ 125 H 135 cm \n9 x max 8W LED DIM 220 - 240V (E14)\nKg ~35\n(49,21”- 53,14”)\n9  x max 8W  LED DIM 110V (E12)\nLb ~77,16\nColori\u002FColors\nTalpa sabbiato\u002FCristallo - Grey Satin\u002F Crystal\nGiallo-ambra\u002FVerde erba - Amber Yellow\u002FGrass Green\nLattimo\u002FCristallo - Milk-White\u002FCrystal\nAmetista\u002FRosso - Amethyst\u002FRed\nCristallo\u002FFoglia oro\u002FCristallo - Crystal\u002FGold Leaf\u002FCrystal\nMetallo\u002FMetal\nDorato - Gold painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nØ 100 cm (39,37”)\nH 110 cm (43,30”)\nØ 125 cm (49,21”)\nH 135 cm (53,14”)\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.41.png","Artlight\n80\n81\n \nVENINI\nVENINI\nCaratteristiche tecniche\u002FTechnical details:\nØ 200 H 180 cm \n21 x max 8W LED DIM 220 - 240V (E14)\nKg ~72\n(78,74”- 70,86”)\n21  x max 8W  LED DIM 110V (E12)\nLb ~158\nColori\u002FColors\nTalpa sabbiato\u002FCristallo - Grey Satin\u002F Crystal\nGiallo-ambra\u002FVerde erba - Amber Yellow\u002FGrass Green\nLattimo\u002FCristallo - Milk-White\u002FCrystal\nAmetista\u002FRosso - Amethyst\u002FRed\nCristallo\u002FFoglia oro\u002FCristallo - Crystal\u002FGold Leaf\u002FCrystal\nMetallo\u002FMetal\nDorato  - Gold painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nDiamantei - Venini \n99.29.01.21\n99.29.01.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 140 H 150 cm \n12 x max 8W LED DIM 220 - 240V (E14)\nKg ~45\n(55,11”- 59,05”)\n12  x max 8W  LED DIM 110V (E12)\nLb ~99\nColori\u002FColors\nTalpa sabbiato\u002FCristallo - Grey Satin\u002F Crystal\nGiallo-ambra\u002FVerde erba - Amber Yellow\u002FGrass Green\nLattimo\u002FCristallo - Milk-White\u002FCrystal\nAmetista\u002FRosso - Amethyst\u002FRed\nCristallo\u002FFoglia oro\u002FCristallo - Crystal\u002FGold Leaf\u002FCrystal\nMetallo\u002FMetal\nDorato  - Gold painted\nNote\u002FNotes\nCatena L=60 cm - Chain L=60 cm.\nØ 140 cm (55,11”)\nH 150 cm (59,05”)\nØ 200 cm (78,74”)\nH 180 cm (70,86”)\nDiamantei\n99.29\n \nLampadario in vetro soffiato e lavorato a \nmano. Ogni braccio è composto da numerosi \nelementi in vetro, perfettamente connessi gli \nuni agli altri. Da ogni braccio e riccio scende \nun pendente in vetro cristallo molato a mano. \nQuesto modello è concepito nelle varianti a \nsei, nove, dodici e ventuno luci. La struttura è \nrealizzata in metallo dorato.\nHandcrafted, blown glass chandelier. Each \narm is composed of numerous glass elements, \nperfectly fitted together. From each arm and \nscroll element hangs a hand-cut cristallo \nglass pendant. This model is conceived in \nversions with six, nine, twelve, or twenty-one \nlights. The structure is gold-plated metal.\n99.29.01.12\nCristallo foglia oro\u002FCristallo\nCrystal with gold leaf\u002FCrystal\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.42.png","Artlight\n82\n83\n \nVENINI\nVENINI\nDiamantei 99.29\n99.29.01.06 - 99.29.01.09 - 99.29.01.21\nAMETISTA \u002FROSSO\nAMETHYST \u002FRED\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.43.png","Artlight\n84\n85\n \nVENINI\nVENINI\nDiamantei 99.29\n99.29.01.09 - 99.29.01.12 - 99.29.01.21\nGIALLO AMBRA \u002F VERDE ERBA\nAMBER YELLOW \u002F GRASS GREEN\nDiamantei 99.29\n99.29.01.09 - 99.29.01.21\n99.29.01.09 - 99.29.01.12\nCRISTALLO FOGLIA ORO\nCRYSTAL WITH GOLD LEAF\nTALPA SABBIATO \u002F CRISTALLO\nSATIN GREY \u002F CRYSTAL\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.44.png","87\n \nVENINI\nMARTINENGO\nMARTINENGO\n99.50\nVenini | 1930 \nPur organizzato su tre livelli, il lampadario Martinengo, tra i più \ngrandi che la Fornace abbia mai prodotto, si presenta come una \nstruttura organica e compatta. È realizzato in raffinato vetro \ncristallo, cui la lavorazione a “rigadin” conferisce spessore e \nvisibilità.\nAlthough organised on three levels, the Martinengo chandelier, \none of the largest the glassworks has ever produced, appears as \nan organic and compact structure. It is made of refined cristallo \nglass processed according to the “rigadin” technique, which lends \nit density and visibility.\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.45.png","Artlight\n88\n89\n \nVENINI\nVENINI\nØ 107 cm (3’ 6” 1\u002F8)\nMartinengo\n99.50\nLampadario in vetro soffiato e lavorato a \nmano con la tecnica “rigadin” composto da \n“bossette” ellittiche di rivestimento del fusto, \nbracci e coppette in puro cristallo. Questo \nmodello si sviluppa su tre livelli, tra cui è quello \ncentrale ad ospitare eccezionalmente il numero \nmaggiore di bracci. È concepito nelle versioni a \nventi e a trentadue luci. La struttura è in metallo \ncromato.\nBlown glass chandelier, handcrafted using the \n“rigadin” technique. It is composed of oval \n“bossette” encasing the stem, arms and cups in \npure cristallo glass. This model develops on three \ntiers, among which the central one, exceptionally, \nholds the greatest number of arms. It is conceived \nin versions with twenty or thirty-two lights. The \nstructure is chrome-plated metal.\nØ 143  cm (56,29”)\nH 233 cm (91,73”)\nMartinengo - Venini \n1930\n99.50.01.20\nCaratteristiche tecniche\u002FTechnical details:\nØ 107 x H 180 cm \n20 x max 8W LED DIM 220 - 240V (E14)\nKg ~60\n(42,12”- 70,86”)\n20  x max 8W  LED DIM 110V (E12)\nLb ~ 132\nColori\u002FColors\nCristallo - Crystal  \nMetallo\u002FMetal\nCromato - Chrome-plated\nH 180 cm (70,86”)\n99.50.01.20\nCristallo - Crystal\n99.50.01.32\nCaratteristiche tecniche\u002FTechnical details:\nØ 143 x H 233 cm \n32 x max 8W LED DIM 220 - 240V (E14)\nKg ~80\n(56,29” - 91,73”)\n32 x max 8W  LED DIM 110V (E12)\nLb ~ 176\nColori\u002FColors\nCristallo - Crystal  \nMetallo\u002FMetal\nCromato- Chrome-plated\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.46.png","Artlight\n90\n91\n \nVENINI\nVENINI\nMartinengo 99.50\n99.50.01.20\n99.50.01.32\nCRISTALLO\nCRYSTAL\nCRISTALLO\nCRYSTAL\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.47.png","93\n \nVENINI\nALBRICI\nALBRICI\n99.32\nVenini | 1932 \nSontuoso lampadario che racchiude il gusto classico italiano. \nI suoi ricci, fittamente disposti intorno allo stelo centrale, senza \nappesantirlo, catturano e riflettono la luce.\nOpulent chandelier embodying classic Italian elegance. Its scroll \nelements, closely arranged around the central stem without \nencumbering it, capture and reflect the light.\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.48.png","Artlight\n94\n95\n \nVENINI\nVENINI\nØ 68 cm (26,77”)\nAlbrici\n99.32\nLampadario in vetro soffiato e lavorato a \nmano con la tecnica “rigadin” che si compone \ndi fusto, bracci e ricci in colore pagliesco con \nprofili corallo o in cristallo con foglia d’oro. \nQuesto modello è declinato nelle versioni a \nsei, dieci e dodici luci. \nLa struttura è in metallo verniciato grigio.\nBlown glass chandelier, handcrafted using the \n“rigadin” technique. It is composed of stem, \narms, and scroll elements in straw yellow \noutlined in coral, or in cristallo glass with gold \nleaf. This model is offered in versions with six, \nten, or twelve lights. Varnished grey metal \nstructure.\nØ 85  cm (33,46”)\nH 95 cm (37,40”)\nAlbrici - Venini \n1932\n99.32.01.06\nCaratteristiche tecniche\u002FTechnical details:\nØ 68 x H 70 - H max 135 cm \n6 x max 8W LED DIM 220 - 240V (E14)\nKg ~8\n(26,77” - 27,55”- 53,14”)\n6  x max 8W  LED DIM 110V (E12)\nLb ~ 17,63\nColori\u002FColors\nPagliesco\u002FCorallo - Straw-Yellow\u002FCoral\nCristallo foglia oro - Crystal   with gold leaf\nMetallo\u002FMetal\nVerniciato grigio - Grey painted\nNote\u002FNotes\nCatena L=50 cm - Chain L=50 cm.\nH 70 cm (27,55”)\n99.32.01.12\nPagliesco\u002FCorallo\nStraw-Yellow\u002FCoral\n99.32.01.10\nCaratteristiche tecniche\u002FTechnical details:\nØ 85 x H 95 - H max 160 cm\n10 x max 8W LED DIM 220 - 240V (E14)\nKg ~12\n(33,46”- 37,40”- 62,99”)\n10  x max 8W  LED DIM 110V (E12)\nLb ~ 26,45\nColori\u002FColors\nPagliesco\u002FCorallo - Straw-Yellow\u002FCoral\nCristallo foglia oro - Crystal   with gold leaf\nMetallo\u002FMetal\nVerniciato grigio - Grey painted\nNote\u002FNotes\nCatena L=50 cm - Chain L=50 cm\n99.32.01.12\nCaratteristiche tecniche\u002FTechnical details:\nØ 105 x H 105 - H max 172 cm\n12 x max 8W LED DIM 220 - 240V (E14)\nKg ~14\n(43,30”- 41,33”- 67,71”)\n12  x max 8W  LED DIM 110V (E12)\nLb ~ 30,86\nColori\u002FColors\nPagliesco\u002FCorallo - Straw-Yellow\u002FCoral\nCristallo foglia oro - Crystal   with gold leaf\nMetallo\u002FMetal\nVerniciato grigio - Grey painted\nNote\u002FNotes\nCatena L=50 cm - Chain L=50 cm\nØ 110 cm (43,30”)\nH 105 cm (41,33”)\nH 135  cm (53,14”)\nH 160 cm (62,99”)\nH 172  cm (67,71”)\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.49.png","Artlight\n96\n97\n \nVENINI\nVENINI\n99.32.01.10\nPagliesco\u002FCorallo\nStraw-Yellow\u002FCoral\n99.32.01.12\nCristallo foglia oro\nCrystal with gold leaf\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.50.png","Artlight\n98\n99\n \nVENINI\nVENINI\n38 cm (14,96”)\nAlbrici\n99.32\nApplique in vetro soffiato e lavorato a mano \ncon la tecnica “rigadin” che si compone di \nbracci e ricci in colore pagliesco con profili \ncorallo o in cristallo con foglia d’oro. \nQuesto modello è declinato nelle versioni \na due e a tre luci. La struttura è in metallo \nverniciato grigio.\nBlown glass wall light, handcrafted using the \n“rigadin” technique. It is composed of stem, \narms, and scroll elements in straw yellow \noutlined in coral, or in cristallo glass with gold \nleaf .\nThis model is offered in versions with two and \nthree lights. Varnished grey metal structure.\nAlbrici - Venini \n1932\n99.32.02.02\nCaratteristiche tecniche\u002FTechnical details:\n38 X 30 H 46 cm \n2 x max 8W LED DIM 220 - 240V (E14)\nKg ~3\n(14,96”- 11,81”- 18,11”)\n2 x max 8W  LED DIM 110V (E12)\nLb ~ 6,61\nColori\u002FColors\nPagliesco\u002FCorallo - Straw-Yellow\u002FCoral\nCristallo foglia oro -  Crystal  with gold leaf\nMetallo\u002FMetal\nVerniciato grigio - Grey painted\nH 46 cm (18,11”)\n99.32.02.03\nPagliesco\u002FCorallo\nStraw-Yellow\u002FCoral\n99.32.02.03\nCaratteristiche tecniche\u002FTechnical details:\n55 x 30 H 46 cm \n3 x max 8W LED DIM 220 - 240V (E14)\nKg ~3\n(21,65”- 11,81”- 18,11”)\n3 x max 8W  LED DIM 110V (E12)\nLb ~ 6,61\nColori\u002FColors\nPagliesco\u002FCorallo - Straw-Yellow\u002FCoral\nCristallo foglia oro - Crystal   with gold leaf\nMetallo\u002FMetal\nVerniciato grigio - Grey painted\n30 cm (11,81”)\n55 cm (21,65”)\n30 cm (11,81”)\nH 46 cm(18,11”)\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.51.png","101\n \nVENINI\nPERGOLESI\nPERGOLESI\n99.18\nVenini | 1930 \nLa particolarità di questa collezione è data dalla foggia dei suoi \nbracci che si allargano, con una lieve curvatura, dirottando la luce \nverso il basso.\nThe distinctive feature of this collection lies in the line of its arms, \nwhich curve slightly as they open out, directing the light downwards.\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.52.png","Artlight\n102\n103\n \nVENINI\nVENINI\nØ 123 cm (48,42”)\nPergolesi\n99.18\nLampadario a nove luci in vetro cristallo, \nsoffiato e lavorato a mano con la tecnica \n“rigadin”. I caratteristici bracci si protendono \nverso il basso, aprendosi a campana. La \nstruttura è in metallo cromato.\nNine-light \nchandelier \nin \ncristallo \nglass, \nhandblown and hand-crafted using the \n“rigadin” technique. The distinctive arms \nextend downwards, opening out in a bell \nshape. Plated chrome metal structure.\nPergolesi - Venini \n1930\n99.18.01.09\nCaratteristiche tecniche\u002FTechnical details:\nØ123  H 88 cm \n9 x max 8W LED DIM 220 - 240V (E14)\nKg ~12\n(48,42”- 34,64”)\n9  x max 8W  LED DIM 110V (E12)\nLb ~ 26,45\nColori\u002FColors\nCristallo  - Crystal   \nMetallo\u002FMetal\nCromato  - Plated chrome\nH 88 cm (34,64”)\n99.18.01.09\nCristallo\nCrystal\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.53.png","Artlight\n104\n105\n \nVENINI\nVENINI\nØ 123 cm (48,42”)\nPergolesi\n99.18\nPlafoniera a nove luci in vetro cristallo, soffiato \ne lavorato a mano con la tecnica “rigadin”. \nI caratteristici bracci si protendono verso il \nbasso, aprendosi a campana.La struttura è in \nmetallo cromato.\nNine-light ceiling lamp in cristallo glass, hand- \nblown and hand-crafted using the “rigadin” \ntechnique. The distinctive arms extend \ndownwards, opening out in a bell shape. \nPlated chrome metal structure.\nPergolesi - Venini \n1930\n99.18.05.09\nCaratteristiche tecniche\u002FTechnical details:\nØ123 x H 43 cm \n9 x max 8W LED DIM 220 - 240V (E14)\nKg ~12\n(48,42”- 16,92”)\n9  x max 8W  LED DIM 110V (E12)\nLb ~ 26,45\nColori\u002FColors\nCristallo - Crystal   \nMetallo\u002FMetal\nCromato  - Plated chrome\nH 43 cm (16,92”)\n99.18.05.09\nCristallo\nCrystal\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.54.png","Artlight\n106\n107\n \nVENINI\nVENINI\n40 cm (15,74”)\nPergolesi\n99.18\nApplique a tre luci in vetro cristallo, soffiato e \nlavorato a mano con la tecnica “rigadin”.\nLa parte finale è sagomata e impreziosita da \nun pendente color cristallo. \nI bracci si aprono a campana. La struttura è in \nmetallo cromato.\nThree-light wall lamp in cristallo glass, \nhandblown and hand-crafted using the \n“rigadin” technique. The lower part tapers \ndown to a small finial, embellished with a \ncristallo glass pendant. The arms open out \nin a bell shape and the structure is plated \nchrome metal.\nPergolesi - Venini \n1930\n99.18.02.03\nCaratteristiche tecniche\u002FTechnical details:\n40 x 24,5 H 75 cm \n3 x max 8W LED DIM 220 - 240V (E14)\nKg ~4\n(15,74”- 9,64”- 29,52”)\n3 x max 8W  LED DIM 110V (E12)\nLb ~ 8,81\nColori\u002FColors\nCristallo - Crystal   \nMetallo\u002FMetal\nCromato  - Plated chrome\nH 75 cm (29,52”)\n99.18.02.03\nCristallo\nCrystal\n24,5 cm (9,64”)\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.55.png","109\n \nVENINI\nMARCELLO\nMARCELLO\n99.43\nVenini | 1930 \nUn trionfo di ricci, pendenti e coppe in vetro soffiato e lavorato \na mano, arricchisce il lampadario Marcello, ulteriormente \nimpreziosito dall’utilizzo della foglia d’oro. È una sospensione \ndalle dimensioni importanti, che si caratterizza per un peculiare \nsviluppo in orizzontale e che si adatta perfettamente ad ambienti \ndall’eleganza signorile e raffinata.\nA sumptuous display of hand-blown and hand-crafted glass scroll \nelements, pendants, and bowls enriches the Marcello chandelier, \nfurther embellished by the use of gold leaf. It is a suspended light \nfixture of imposing size distinguished by an unusual horizontal \ndevelopment that is perfectly suited to upscale, elegant settings.\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.56.png","Artlight\n110\n111\n \nVENINI\nVENINI\nØ  175 cm (68,89”)\nMarcello\n99.43\nLampadario in vetro cristallo con foglia d’oro,\nsoffiato e lavorato a mano. Un gran numero \ntra ricci, pendenti, coppe e tazzine compongo \nquesta \nsospensione. \nQuesto \nmodello \nè \nconcepito nelle varianti a venti e a trentasei luci.\nChandelier in cristallo glass with gold leaf, hand- \nblown and hand-crafted. A profusion of scroll \nelements, pendants, bowls, and cups make \nup this chandelier. This model is conceived in \nversions with twenty or thirty-six lights.\nMarcello - Venini \n1930\n99.43.01.20\nCaratteristiche tecniche\u002FTechnical details:\nØ175  H 140 cm \n20 x max 8W LED DIM 220 - 240V (E14)\nKg ~55\n(68,89”- 55,11”)\n20 x max 8W  LED DIM 110V (E12)\nLb ~ 121,25\nColori\u002FColors\nCristallo con foglia oro - Crystal  with gold leaf\nMetallo\u002FMetal\nDorato - Gold-plated\nH 140 cm (55,11”)\n99.43.01.20\nCristallo foglia oro\nCrystal with gold leaf\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.57.png","Artlight\n112\n113\n \nVENINI\nVENINI\nØ  280 cm (110,23”)\nMarcello\n99.43\nLampadario in vetro cristallo con foglia d’oro,\nsoffiato e lavorato a mano. Un gran numero \ntra ricci, pendenti, coppe e tazzine compongo \nquesta sospensione. \nQuesto modello è concepito nelle varianti a \nventi e a trentasei luci.\nChandelier in cristallo glass with gold leaf, \nhand- blown and hand-crafted. A profusion \nof scroll elements, pendants, bowls, and cups \nmake up this chandelier. \nThis model is conceived in versions with \ntwenty or thirty-six lights.\nMarcello - Venini \n1930\n99.43.01.36\nCaratteristiche tecniche\u002FTechnical details:\nØ 280 x H 300 cm \n36 x max 8W LED DIM 220 - 240V (E14)\nKg ~120\n(110,23”- 118,11”)\n36 x max 8W  LED DIM 110V (E12)\nLb ~ 264,55\nColori\u002FColors\nCristallo con foglia oro - Crystal  with gold leaf\nMetallo\u002FMetal\nDorato - Gold-plated\nH 300  cm (118,11”)\n99.43.01.36\nCristallo foglia oro\nCrystal with gold leaf\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.58.png","115\n \nVENINI\nMALIPIERO\nMALIPIERO\n99.56\nVenini | 1930 \nDa secoli nei palazzi veneziani la funzione dei preziosi lampadari \nrealizzati a Murano è quella di essere degli elementi d’arredo di \nprimo piano, di stupire e meravigliare grazie alla grandiosità delle \ndimensioni e alla raffinatezza delle lavorazioni. \nIl lampadario Malipiero, ideato nel 1930, porta avanti egregiamente \nquesta tradizione. Colpiscono i bracci, il cui design riprende, \nestremizzandola, la foggia tipica dei rivestimenti dei lampadari \nveneziani. È peculiare il contrasto tra il raffinatissimo color talpa \ndei bracci e il cristallo dei diffusori, simili a lanterne.\nFor centuries, in Venetian palazzi the function of the exquisite \nchandeliers made in Murano was to be an impressive furnishing \ncomponent, their sheer size and the refinement of their \nworkmanship amazing and striking wonder in whoever saw them. \nThe Malipiero chandelier, conceived in 1930, carries on this \ntradition admirably. The design of the arms is striking, taking to an \nextreme the traditional style of Venetian chandeliers. \nThe contrast between the very elegant colour grey of the arms and \nthe cristallo of the glass shades, is distinctive, recalling lanterns.\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.59.png","Artlight\n116\n117\n \nVENINI\nVENINI\nØ 256 cm (100,78”)\nMalipiero\n99.56\nLampadario in vetro soffiato a diciotto luci. \nI caratteristici bracci color talpa si compongono \nda numerosi elementi in vetro, perfettamente \nconnessi. Gli elementi che costituiscono i \ndiffusori sono in vetro cristallo, soffiati e lavorati a \nmano utilizzando la tecnica “rigadin”, così come \nil rosone a soffitto e le “bossette” sferoidali.\nEighteen-light, blown glass chandelier. \nThe distinctive, grey-coloured arms are made \nup of many glass elements, perfectly joined. \nThe elements making up the diffusers are in \ncristallo glass, hand- blown and hand-crafted \nusing the “rigadin” technique, like the ceiling \ncanopy and the oval “bossette” .\nMalipiero - Venini \n1930\n99.56.01.18\nCaratteristiche tecniche\u002FTechnical details:\nØ 256 H 200 cm \n18 x max 8W LED DIM 220 - 240V (E14)\nKg ~170\n(100,78”- 78,74”)\n18 x max 8W  LED DIM 110V (E12)\nLb ~ 374,78\nColori\u002FColors\nTalpa\u002FCristallo - Grey\u002FCrystal\nMetallo\u002FMetal\nNichel nero - Black- nickel\nH 200  cm (78,74”)\n99.56.01.18\nTalpa\u002FCristallo\nGrey\u002FCrystal\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.60.png","Artlight\n118\n119\n \nVENINI\nVENINI\nColore\u002FColour\nCR\nCristallo\nCrystal\nRS\nRosato\nLight- Pink\nUV\nUva\nGrape\nTP\nTalpa\nGrey\nAM\nAmetista\nAmethyst\nVT\nVerde Menta\nMint Green\nNE\nNero\nBlack\nLA\nLattimo\nMilk-white\nIN\nIndaco\nIndigo\nAQ\nAcquamare\nAquamarine\nVB\nVerde Erba\nGrass- Green\nZA\nZaffiro\nSapphire\nPG\nPagliesco\nStraw-yellow\nBL\nBluino\nLight-Blue\nVE\nVerde\nGreen\nVI\nViola\nViolet\nOZ\nOrizzonte\nHorizon\nVM\nVerde Mela\nApple Green\nBM\nBlu Mare\nMarine  Blue\nAA\nAmbra\nAmber\nAR\nArancio\nOrange\nTE\nTè\nTea\nRV\nRosso\nRed\nRB\nRosso Sangue di Bue\nOx  Blood Red\nTavola colori indicativa\nIndicative colour chart\nVR\nVerde Rio\nRio Green\nRC\nRosa Cipria\nCipria Pink\nVENINI vanta una palette cromatica \nsenza eguali che, insieme alle tecniche \ndi lavorazione del vetro, è parte di un \npatrimonio \nculturale \ntramandato \ndi \ngenerazione in generazione.  \nLa fornace di VENINI è infatti l’unica \nin grado di realizzare 125 colorazioni di \nvetro, frutto di una lunga e appassionata \nformulazione \nalla \nricerca \ndi \nnuove \ncombinazioni. La struttura è organizzata \ninoltre per lavorare con una tavolozza \ndi 12 colori, attraverso 12 forni attivi \nnello stesso momento. Questa tavola \nriepilogativa è solo una piccola parte \ndella vasta palette di colori VENINI. \nL’unicità dei prodotti VENINI è data dai \nprocedimenti artigianali seguiti per tutte \nle fasi della lavorazione.\nVENINI boasts an unmatched colour \npalette \nthat, \ntogether \nwith \nthe \nglassworking techniques, is part of a \ncultural heritage handed down from \ngeneration to generation. \nThe VENINI furnace is, in fact, the only \none capable of producing 125 colours of \nglass, the fruit of a long and passionate \nsearch \nfor \nformulae \nyielding \nnew \ncombinations. Furthermore, the structure \nis organized to work with a palette of 12 \ncolours, using 12 ovens simultaneously \nfired up. This colour chart shows just a \nsmall portion of VENINI’s vast palette \nof colours. The uniqueness of VENINI’s \nproducts springs from the craftsmanship \nrequired at every phase of the process.\nColore - Colour\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.61.png","Artlight\n120\n121\n \nVENINI\nVENINI\nGio Ponti\nGio Ponti (1891-1979), dopo aver conseguito la laurea al \nPolitecnico di Milano, aprì il suo primo studio nel 1927 con \nl’architetto Emilio Lancia. Parallelamente alla carriera in \ncampo architettonico, di cui il grattacielo Pirelli (1956-1960) \na Milano è forse la più celebre testimonianza, Ponti esordì \nnel ruolo di designer avviando, nel 1923, la collaborazione\ncon la manifattura ceramica Richard-Ginori, di cui rinnovò \nradicalmente la produzione, che lo portò a vincere il \nGrand Prix alla parigina Exposition des Arts Décoratifs.\nIl sodalizio tra Gio Ponti e Paolo Venini risale agli anni \nVenti, quando assieme diedero vita al gruppo del \nLabirinto che, formatosi a Milano attorno alla figura \ndi Carla Visconti di Modrone, unì industrie d’arte ed \narchitetti (in quel momento Buzzi, Lancia, Morelli, Ponti). \nNel 1927 il gruppo presentò i propri lavori alla Biennale \ndelle Arti Decorative di Monza. Lo stesso Ponti, inoltre, \nricorse alla vetreria Venini in occasione dell’allestimento \ndella \nRotonda \nalla \nXVI \nBiennale \ndi \nVenezia\n(1928) per la realizzazione di quattro grandi specchi. Nel 1931 \negli iniziò la collaborazione con la “Luigi Fontana”, dall’anno \nsuccessivo “Fontana Arte”, di cui assumerà la direzione\nartistica. Esordì nel ruolo di progettista per Venini nel \n1946, anno in cui disegnò le iconiche sospensioni Gio \nPonti 99.80 e Gio Ponti 99.81. Tra il ‘46 e il ‘53 progettò \nsvariati oggetti, dalle celebri bottiglie Crinoline, alle \nMorandiane, presentate alla mostra itinerante “Italy \nat Work”, ad alcuni originali servizi da tavola. Nel 1957 \nVenini espose alla Triennale le coloratissime vetrate \nideate da Ponti, che si distinsero per il notevole effetto \ndecorativo. Negli anni sessanta, assieme all’artista e \ndesigner Toni Zuccheri, Ponti disegnò per Venini le celebri \n“Vetrate Grosse”. Convinto sostenitore della tradizione\nartigianale italiana, che intendeva valorizzare alla luce del \ndesign contemporaneo, Ponti appoggiò costantemente il \nlavoro della vetreria Venini anche attraverso le pagine di\n“Domus”, rivista che fondò nel 1928 e che divenne una \nsorta di vetrina privilegiata per la produzione muranese.\nAfter graduating from Milan Politecnico, Gio Ponti (1891-\n1979) opened his first studio in 1927, in partnership with \nthe architect Emilio Lancia. Parallel to his career in the \narchitectural field, of which the Pirelli Tower (1956-1960) \nis perhaps his most famous achievement, Ponti made his \ndebut in the world of design in 1923 when he assumed \nthe artistic direction of the Richard-Ginori porcelain \nmanufacturing company. While there, he introduced radical \ninnovations to the product line, leading to the Grand Prix \nwin at the Paris Exposition des Arts Décoratifs.\nThe partnership between Gio Ponti and Paolo Venini \ndates to the 1920s, when they founded the Labirinto \ngroup, formed in Milan around the figure of Carla Visconti \ndi Modrone, creating a bridge between the art industries \nand architects (at that time, the architects were Buzzi, \nLancia, Morelli, Ponti). In 1927 the group presented their \nworks at the Monza Biennial International Exhibition of \nDecorative Arts. Ponti himself, moreover, engaged the \nVenini glassworks for the construction of four large mirrors \nto be installed in the Rotonda at the XVI Venice Biennale \n(1928). In 1931 he began his collaboration as artistic \ndirector with “Luigi Fontana”, known from the following \nyear as “Fontana Arte”. He made his debut as designer \nfor Venini in 1946, the year in which he designed the iconic \nGio Ponti 99.80 and Gio Ponti 99.81 chandeliers. Between \n‘46 and ‘53 he designed various objects, from the famous \nCrinoline bottles, to the Morandiane, presented at the \n“Italy at Work” traveling exhibition, and some tableware. \nIn 1957 Venini showed some brightly coloured Vetrate \n(stained glass tiles) conceived by Ponti at the Triennale, \nwhich stood out for their remarkable decorative effect. \nIn the 1960s, together with the artist and designer Toni \nZuccheri, Ponti designed the celebrated “Vetrate Grosse” \nfor Venini. A strong advocate of the Italian crafts tradition, \nwhich he aimed to advance in the light of contemporary \ndesign, Ponti constantly supported the work of the Venini \nglassworks also through the pages of Domus, a magazine \nhe founded in 1928 and which became a sort of privileged \nshowcase for Murano production.\nAuthors biographical notes \nNapoleone Martinuzzi \nScultore, designer e imprenditore muranese,Napoleone \nMartinuzzi (1892-1977) si formò all’Accademia di Belle \nArti di Venezia. Discendente da un’antica famiglia di \nvetrai, coltivò l’interesse per le arti plastiche attraverso la \nfrequentazione di laboratori di ceramisti, scultori e orafi \nveneziani, fino ad approdare alla Scuola Libera del Nudo. \nA partire dall’inizio degli anni Venti l’attività scultorea di \nMartinuzzi si intersecò con la pratica dell’arte vetraria, \ncompetenza che gli procurò l’incarico per la direzione del \nMuseo del Vetro di Murano (1922-1931). Nello stesso \ndecennio, il primo giugno 1925, fondò con Paolo Venini \nla V.S.M. Venini e C., ricoprendo, fino al 1932, il ruolo \ndi direttore artistico e partecipando a tre edizioni della \nBiennale di Venezia, tra cui quella del 1926, in occasione \ndella quale Venini presentò una grande fontana in \nvetro e un grande lampadario a bracci da lui disegnati. \nPartecipò anche all’esposizione monzese del 1927 e del \n1930, contribuendo con le sue creazioni all’affermazione \ndi un gusto di transizione dagli arts déco allo «stile \nNovecento», a lui più congeniale. \nGrazie all’amicizia con il poeta Gabriele D’Annunzio, \nrealizzò su commissione alcune opere tra cui coloratissimi \nfrutti, canestri montati su colonne luminose e lampadari \nper il Vittoriale degli Italiani. Al 1928 risale l’invenzione \ndel «pulegoso», vetro caratterizzato dall’inclusione di \nmigliaia di bolle d’aria. Con questo materiale di tonalità \nverde scuro Martinuzzi realizzò un’anfora esposta alla \nBiennale del 1928, un grande vaso e una coppa per il \nVittoriale. Nello stesso anno propose i suoi primi, spiritosi, \nanimali di vetro, che vinsero il Grand Prix all’Esposicion \nInternacional \nde \nArte \nModerno \ndi \nBarcellona, \naccompagnati dai suoi raffinati vetri in forma di piante \ngrasse. \nNel 1932 lasciò la Venini e fondò una propria azienda per \npoi dedicarsi esclusivamente alla scultura in marmo. Nel \nopoguerra Martinuzzi collaborò con diverse personalità \ndell’ambiente vetrario muranese, realizzando opere di \ngrande pregio, esprimendo la sua più genuina vocazione \ndi scultore.\nMurano sculptor, designer, and entrepreneur, Napoleone \nMartinuzzi (1892-1977) got his training at the Academy \nof Fine Arts in Venice. Heir to a long line of master \nglassmakers, he cultivated his interest in the plastic \narts by frequenting the workshops of Venetian potters, \nsculptors, and goldsmiths, rising up as far as the School of \nNude Figure Drawing.\nStarting in the early 1920s, Martinuzzi’s sculptoral activity \noverlapped into the practice of glassmaking, a skill that \nhelped him to secure the position of director of the Murano \nMuseo del Vetro (1922-1931). In that same decade, on 1 \nJune 1925, together with Paolo Venini he founded V.S.M. \n(Vetri Soffiati Muranesi) Venini e C., filling, until 1932, the \nrole of artistic director and participating in three Venice \nBiennali, including the 1926 edition, when Venini presented \na large glass fountain and a large chandelier the arms \nof which he designed.He also took part in the Monza \nexpositions of 1927 and 1930, with his\ncreations contributing to the rising popularity of an \naesthetic that was shifting from art deco to the \n“Novecento style”, which was more to his liking. Thanks \nto his friendship with the poet Gabriele D’Annunzio, he \ncreated some works on commission including brightly \ncoloured fruits, baskets mounted on light columns, and \nchandeliers for the “Vittoriale degli Italiani”. The invention \nof the “pulegoso” glass characterised by its thousands of \ntiny air bubbles, dates back to 1928 With this dark green \nmaterial, Martinuzzi created an amphora exhibited at the \n1928 Biennale, a large vase and a cup for the Vittoriale.\nThat same year he proposed his first, droll glass animals, \nwhich won the Grand Prix at the Esposicion Internacional \nde Arte Moderno in Barcelona, accompanied by his refined \npieces in the form of succulent plants. In 1932 he left \nVenini to start his own company, and then devoted himself \nexclusively to the sculpting of marble.\nAfter the war, Martinuzzi partnered with various \npersonalities of the Murano glass industry creating works \nof great value, expressing his most genuine talent as \na sculptor.\nAuthors biographical notes \n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.62.png","Artlight\n122\n123\n \nVENINI\nVENINI\nCarlo Scarpa \nDopo il diploma in architettura nel 1926 presso \nl’Accademia di Belle Arti di Venezia, sua città natale, \nla carriera di Carlo Scarpa (1906 - 1978) si divise, negli \nanni successivi, tra l’insegnamento presso l’università \ndi architettura di Venezia e l’attività di progettista. La \ncollaborazione con la vetreria di Paolo Venini iniziò nel \n1932 e proseguì con la sua nomina a direttore artistico, \nruolo che ricoprì fino al 1947. Grazie alla sua creatività \ne alla conoscenza della materia vitrea, l’architetto \ndeterminò l’impostazione, anche futura, dell’azienda. Nel \n1934 disegnò i primi vasi “Sommersi” e nel 1936 furono \npresentate al pubblico le “Murrine Romane”, nate da \nun’idea di Paolo Venini ed ispirate alla vetraria antica. In \nseguito ideò i vasi in vetro Tessuto e nel 1940, insieme \na Paolo Venini, presentò, alla Biennale di Venezia e alla \nTriennale di Milano, una novità assoluta nel campo della \nproduzione: le nuove tecniche dei battuti, dei tessuti, dei \ngranulari e delle nuove murrine. Parallelamente proseguiva \nla sua carriera di architetto con interventi all’Università Ca’ \nFoscari, alle Gallerie dell’Accademia e, nel dopoguerra, \nal museo di Castelvecchio a Verona e alla Fondazione \nQuerini Stampalia. Tra i progetti architettonici spicca \nl’ampliamento della Gipsoteca Canoviana a Possagno, \nintervento con cui diede vita ad uno stile espositivo che \nrende protagonista assoluta l’opera d’arte. Nel 1956 \nvinse il Premio Nazionale Olivetti per l’architettura e \nl’azienda gli commissionò il celeberrimo spazio espositivo \nin Piazza San Marco. \nNel 1969 realizzò uno dei sui progetti più noti: la Tomba \nBrion. Si distinse per una geniale attenzione ai dettagli e \nper una spiccata sensibilità per i materiali e le tecniche \nartigianali. Collaborò anche con la Biennale, per la quale\nrealizzò allestimenti di mostre personali assolutamente \ninnovativi, tra cui quella sull’opera di Paul Klee. Ormai \nlontano dal lavoro di fornace, all’Expo di Torino “Italia ‘61”,\nCarlo Scarpa presentò una grande cascata luminosa \na poliedri componibili, realizzati da Venini, che allora \ndivenne il simbolo dell’arte vetraria italiana.\nAfter graduating in architecture in 1926 at the Academy of \nFine Arts in Venice, his hometown, in the years that followed \nthe career of Carlo Scarpa (1906 - 1978) was split between \nteaching at the University of Architecture in Venice and his \nactivity as designer. The partnership with Paolo Venini’s \nglass factory began in 1932 and continued with his \nappointment as artistic director, a role he held until 1947. \nThanks to his creativity and expertise in glass, the architect \ndetermined the company’s artistic vision, reaching far into \nthe future. \nIn 1934 he designed the first “Sommersi” vases and in \n1936 the “Murrine Romane” were presented to the public, \ndeveloped from an idea of Paolo Venini and inspired by the \nglass of antiquity. Later he conceived the “Tessuto” glass \nvases and in 1940, together with Paolo Venini, he presented \nat the Venice Biennale and the Milan Triennale an absolute \ninnovation in the field of production: the new techniques of \nthe Battuti, the Tessuti, the Granulari, and the new Murrine. \nAt the same time, he continued his career as architect \nwith projects carried out at Ca’ Foscari university, the \nGallerie dell’Accademia, and, in the postwar period, at \nthe Castelvecchio museum in Verona and Fondazione \nQuerini Stampalia. Among the architectural projects, his \nextension of the Gipsoteca Canoviana in Possagno stands \nout, a design that launched an exhibition style placing the \nartwork centre stage, in the limelight. In 1956 he won the \nOlivetti national prize for architecture, and the company \ncommissioned him to create the famous exhibition space \nin Piazza San Marco. In 1969 he realised one of his best-\nknown projects: the Brion Tomb. He distinguished himself \nfor a brilliant attention to detail and a keen sense of the \nmaterials and craftsmanship.\nHe also made contributions to the Biennale, for which he \ncreated ground-breaking installations for solo exhibitions, \namong which was the one on Paul Klee’s work. When he was \nfar from the glassworks’ activity, Carlo Scarpa presented \nat the Turin “Italy ‘61” Expo a large luminous cascade of \nmodular polyhedra produced by Venini, making it a symbol \nof Italian glass art.\nAuthors biographical notes \n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.63.png","Artlight\n124\n125\n \nVENINI\nVENINI\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F71\u002F4c21f2123c85f85e7612d304b33f99-28e89c9ecc.64.png","Artlight\n126\n127\n \nVENINI\nVENINI\nConcept and project:\nVENINI S.p.A.\nPhoto:\nIvano Mercanzin\nOrch. Orsenigo, Chemollo\nArchivio Fotografico Venini\nDisegni storici - historical drawings:\nMUSEO VENINI\n(45.000 disegni d’autore)\n(45.000 author drawings)\ncopyright notice\nIl presente catalogo è tutelato dalla legge sui diritti d’autore di esso è quindi \nproibita ogni riproduzione, totale o anche parziale. Qualora venga concessa \nla preventiva autorizzazione alla riproduzione è d’obbligo citarne la fonte.\ncopyright notice\nNo part of this catalogue may be reproduced in any form or by any means. \nWhen prior authorisation for reproduction has been given, the source must \nbe clearly stated.\nVENINI - ARTLIGHT\nMasterpieces in glass since 1921\nARTLIGHT _ CLASSICI D’AUTORE\n2024\nVenini si riserva di apportare ai propri prodotti ogni modifica estetica e \ntecnica a suo insidacabile giudizio ritenga necessaria.\nL’unicità della produzione VENINI è data dai procedimenti artigianali \nseguiti per tutte le fasi della lavorazione. Ogni Opera è realizzata a mano, \nsi possono quindi riscontrare alcune sfumature di colore, bollicine o dettagli \nproduttivi che sono la caratteristica dell’originalità.\nVenini reserves the right to modify parts of its collection range whenever \nnecessary without previous notice to the  customer.\nThe uniqueness of VENINI’s production is given by handcraft procedures \nfollowed during all working processes. Some shades or bubbles, that might \nbe found on the glass, underline that every single piece is entirely handmade \nand even if similar to the others, each single piece is unique.\nFollow VENINI at:\nwww.venini.com\nVenini S.p.A. 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