[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-veneta-cucine-milano-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":220},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":215,"matched_pages":216,"match_count":217,"two_pages":218,"show_text":219},26067,"Milano 2019","veneta-cucine-milano-2019","\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F37\u002Fa958b55a6bdd43e0b904e85f6a5c59-290a9ed3ec.pdf","Veneta Cucine",2457,"veneta-cucine","5.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.2.png","Milano è espressione di uno stile che affonda le \nradici nella tradizione del design Made in Italy e \ndella grande architettura.\nUn vero e proprio “nuovo stile italiano”, artefice di \nuna qualità dello spazio che si traduce in decora-\nzione chiara, nitida ed espressiva, senza eccessi o \nridondanze. \nA raccontare questa nuova tendenza, otto interni \nmilanesi, legati da un unico denominatore: l’ele-\nganza del gusto puramente italiano. \nMilano expresses a style whose roots lie in the \ntradition of Made in Italy and the country’s great \narchitecture.\nA truly “new Italian style” that helps to create real \nquality, a quality which is expressed in the form of \nclear, expressive and clean lines, without excess or \nexaggeration.\nThis new trend is today expressed in these eight \nnew Milan-inspired interiors, all linked by a com-\nmon denominator: the elegance of pure Italian \nstylishness.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.3.png","2\nMilano\nMilano\n3\nNavigli\nPorta\nRomana\nPorta\nVenezia\nBicocca\nSempione\nBrera\nPagano\nFiniture\u002FFinishes\npag. 93\nNavigli\npag. 28\nRovere Nodoso Chiaro 799\nBianco Bicocca 873\nBrenta\npag. 40\nRovere Nodoso Chiaro 799\nMarrone Brera 876\nPagano\npag. 56\nRovere Nodoso Chiaro 799 \nMarrone Brera 876\nSempione\npag. 80\nRovere Nodoso Chiaro 799 \nBeige Ticinese 874\nPorta Romana\npag. 8\nRovere Nodoso Chiaro 799 \nBianco Bicocca 873\nBrera\npag. 20\nRovere Nodoso Chiaro 799 \nGrigio Navigli 877\nBicocca\npag. 46\nGrigio Navigli 877 \nBianco Bicocca 873\nPorta Venezia\npag. 68\nRovere Nodoso Chiaro 799 \nBeige Ticinese 874\nBrenta\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.4.png","4\nMilano\nMilano\n5\nPorta Romana\nPiazza Medaglie D’Oro\nBicocca \nPiazza della Scienza - Università\nBrenta \nLa Torre - Fondazione Prada\nSempione \nForo Buonaparte\nBrera \nChiesa Santa Maria del Carmine\nNavigli\nAlzaia Naviglio Grande\nPorta Venezia\nVia Malpighi - Palazzo Galimberti\nPagano\nVia Grancini\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.5.png","6\nMilano\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.6.png","8\nMilano\nMilano\n9\nPorta Romana\nIl quartiere di Porta Romana è una vasta \narea della città che sembra difficile \nabbracciare tutta attraverso un unico \nsguardo. Si estende dal centro fino quasi \nalla zone più esterne e il nome rimanda \nalla sua storia antica. Oggi il quartiere si \npresenta esteticamente come risultato \ndi una stratificazione avvenuta nei secoli, \nun agglomerato di innesti in cui epoche e \nstili si allineano, si fronteggiano in modo \na volte casuale ma naturale dando un \nrisultato di grande fascino. Le strade, da \nquelle piccole fino ai grandi viali, sono il \nteatro di una scenografia architettonica \ndi cui forse solo Milano può dare testimo-\nnianza: antichi palazzi nobiliari e fabbriche \ndismesse, severi edifici di epoca déco \ne architetture dei grandi maestri della \nricostruzione, mura seicentesche e resti di \nantiche cascine di quando parte della zona \nera un’area rurale, parchi, teatri, musei e \nuniversità. Dietro ai portoni un proscenio \ndi spazi nascosti, vecchie officine, giardini, \ncase private, circoli culturali, case di moda, \nfondazioni e laboratori che ne mostrano \nl’aspetto riservato fatto di lavoro e creati-\nvità che non si arresta mai.\nMILANO\nThe Porta Romana district is a vast area of \nthe city which it seems cannot be taken in \nat first glance. It extends from the centre \nof the city almost to the outer area, and its \nname denotes its ancient history. Today, \nthis quarter comprises many different \nbuilding styles that have evolved over the \ncenturies, a blend of architectural creations \nin which epochs and styles come together, \nsometimes in an unplanned manner, culmi-\nnating today in a fascinating architectural \ntapestry. The roads, from the narrowest \nstreets to the widest boulevards, create an \nextraordinary architectural setting which \nis perhaps unique to Milan: ancient noble-\nmen’s palaces next to abandoned factories, \nstern-looking buildings from the deco era \nalongside magnificent architecture by the \nmasters of the reconstruction of the city, \nseventeenth-century walls and the remains \nof old farms dating from the era when the \narea was a rural backwater, parks, theatres, \nmuseums and universities. And, behind the \nimposing doors, so many hidden spaces \n– old workshops, gardens, private homes, \ncultural groups, fashion houses and foun-\ndations, all with the more reserved look of \nplaces of work and creativity that never \ncease. \n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.7.png","10\nMilano\nMilano\n11\nRovere Nodoso Chiaro 799 e Laccato \nOpaco liscio Bianco Bicocca 873.\nTop e schienale Caranto Ker City Argento \nC12.  Zoccolo finitura Titanio.\nRovere Nodoso Chiaro 799 and Matt \nLacquered plain door Bianco Bicocca 873. \nTop and rear panel Caranto Ker City \nArgento C12.  Plinth in Titanio finish.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.8.png","12\nMilano\nMilano\n13\nTavolo Sache.\nSedia Tondina\nGrigio Mandorla. \nStepsystem Reverse in \nRovere Nodoso Chiaro \n799 con ripiani in alluminio \nfinitura Champagne.\nTable: Sache.\nChair: Tondina \nGrigio Mandorla. \nStepsystem Reverse in \nRovere Nodoso Chiaro 799 \nwith aluminium shelves in \nChampagne finish.\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.9.png","14\nMilano\nMilano\n15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.10.png","16\nMilano\nMilano\n17\nUn ambiente intimo ed accogliente, in \ncostante equilibrio tra innovazione e tra-\ndizione. \nIl progetto prevede una soluzione lineare \nben separata dalla zona living, attraverso \naccostamenti di volumi diversi che rendono \nquesto progetto unico ma ripetibile.\nL’equilibrio stilistico è dato dalla presenza \ndegli spazi pieni in finitura Bianco Bicocca \ne Rovere Nodoso Chiaro e degli spazi vuoti, \nparticolarmente capienti, sempre in legno.\nUn modo creativo e innovativo per ripensare \nuna composizione lineare.\nContenitori Freebox \nagganciati alla barra \nluminosa con apposito \nvassoio appendibile.\nCappa Quantum.\nDiscover the new tops and rear \npanels in Ceramic Stoneware \nCARANTO KER\nScopri i nuovi top e schienale\nin Ceramica CARANTO KER\nA comfortable and intimate composition \nwhich finds a perfect balance between \ninnovation and tradition. This project \ncomprises a linear solution which is \nseparated from the living-room by a series \nof side-by-side units which make the \ncomposition unique but at the same time \nversatile. Its stylistic harmony stems from \nthe use of cabinets in Bianco Bicocca and \nRovere Nodoso Chiaro finishes mixed with \nopen compartments – all spacious and built \nusing real wood. A creative and innovative \napproach to a linear composition.\nFreebox containers attached \nto illuminated bar with \nspecial wall-mount tray. \nQuantum cooker hood.\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.11.png","18\nMilano\nMilano\n19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.12.png","20\nMilano\nMilano\n21\nIl quartiere di Brera, prende nome dalla \nvia omonima che attraversa in direzione \nnord il settore del centro storico esterno \na piazza della Scala. La sua vocazione cul-\nturale ed artistica nasce con l’Accademia \ndi Brera, fondata nel 1776 con Decreto di \nMaria Teresa d’Austria nell’incolta terra \n“braida” (termine di origine germanica \nper indicare uno spiazzo erboso, da cui il \nnome di Brera). Nel secondo dopoguerra \nil \nquartiere, \ngravemente \ndanneggiato \ndai bombardamenti, diventò oggetto di \nun piano di ricostruzione che rischiava \ndi cancellare del tutto il tessuto urbano \ntradizionale. Grazie alla ferma opposizione \ndegli abitanti della zona, i danni furono \ncontenuti e gli interventi successivi si \nmossero nel rispetto dei manufatti storici \ne in difesa della sua anima originaria. Nel \n2001, il quartiere entra a far parte di un \nprogetto di riqualificazione urbana che ha \ntrasformato Corso Garibaldi e Corso Como \nin zone a traffico limitato; si tratta di un \nintervento che ha valorizzato sia lo spazio \npubblico che le attività commerciali; oggi \nle strade eleganti sono dominate dalla vista \ndei nuovi grattacieli del Centro Direzionale, \nsimbolo della Milano moderna.\nBrera\nMILANO\nBrera district takes its name from the \nstreet of the same name, which runs from \nnorth to south through the historical city \ncentre surrounding Piazza della Scala. \nThe cultural and artistic history of the \narea began with the founding of the Brera \nAcademy in 1776 by Decree of Empress \nof Austria Maria Teresa, which was built \nin the so-called “braida” (a German term \ndenoting a grassy, uncultivated piece of \nland, which in time became “Brera”). After \nthe second World War, the authorities \nbegan a major reconstruction of this \narea of the city, which had been severely \ndamaged by bombing; however, since \nit was feared that this would irrevocably \ndestroy the traditional urban fabric, the \nlocal inhabitants strongly opposed the \nplan, which was modified to take into \naccount the importance of the historical \ninfrastructure and to defend the original \nspirit of the area. Starting in 2001, the area \nwas included in an urban development \nproject which designated Corso Garibaldi \nand Corso Como as a restricted traffic \narea. This modification not only improved \nthe aesthetic appearance of the area, but \nalso revitalized its stores and shops; today \nthe elegant streets are dominated by \nbreathtaking views of the new skyscrapers \nof the business quarter, the symbol of \nmodern Milan.\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.13.png","22\nMilano\nMilano\n23\nRovere Nodoso Chiaro 799 e Laccato \nOpaco a telaio Grigio Navigli 877. \nTop Caranto Quartz Bianco Perlato Q55. \nZoccolo Laccato Opaco Grigio Navigli 877. \nTavolo Brosc con struttura in Rovere \nNodoso Chiaro 799 e piano in Fenix Grigio \nLondra  713. \nSedie Spring Grigio Piombo.\nRovere Nodoso Chiaro 799 and Matt \nLacquered frame door in Grigio Navigli 877. \nTop in Caranto Quartz Bianco Perlato Q55. \nPlinth in Matt Lacquered Grigio Navigli 877. \nBrosc table with structure in Rovere \nNodoso Chiaro 799 and top in Fenix Grigio \nLondra  713.\nSpring chairs in Grigio Piombo.\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.14.png","24\nMilano\nMilano\n25\nLa soluzione ideata per questo ambiente \nrisolve in modo interessante la progetta-\nzione dello spazio angolare utilizzando dei \npensili di profondità maggiore per allinearli \nalle colonne e inserendo uno Stepsystem \nReverse nello stesso colore, laccato Grigio \nNavigli, per dare volume e funzionalità alla \nzona lavoro.\nSulla parete vicino al tavolo è stato po-\nsizionato uno Stepsystem Reverse con \nstruttura in legno Rovere Nodoso Chiaro e \nripiani in alluminio.\nUna tendenza che valorizza le scelte dei \nmateriali, la loro lavorazione e la cura dei \ndettagli.\nThe composition used for this room is an \ninteresting solution for furnishing a corner \nspace using extra-deep wall units positio-\nned in alignment with the column units, as \nwell as a Stepsystem Reverse in a matching \ncolour, a Grigio Navigli lacquer finish, which \ngives the work area greater volume.\nThe wall next to the table features a \nStepsystem Reverse with a structure in \nRovere Nodoso Chiaro wood and shelves in \naluminium.\nA new trend that highlights the choice of \nmaterials, the excellent workmanship, and \nclose attention to detail.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.15.png","26\nMilano\nMilano\n27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.16.png","28\nMilano\nMilano\n29\nIl quartiere dei Navigli di Milano prende il \nnome dal sistema di canali navigabili che \ncollegava il lago Maggiore, il lago di Como \ne il basso Ticino. I canali hanno avuto nel \ncorso dei secoli diverse funzioni cruciali: \nd’irrigazione, difensiva, di alimentazione \ndei mulini e infine di trasporto di merci \ne persone. Oggi dell’antico sistema dei \nNavigli ne rimangono solamente tre: il \nNaviglio Grande, Il Naviglio Pavese e il \nNaviglio Martesana. \nLa zona operaia di un tempo, ricca di \nbotteghe artigiane lungo le alzaie, si è \nriconvertita lasciando spazio a molte nuove \nattività commerciali di grande richiamo. \nNell’ultimo decennio sul quartiere si sono \nconcentrati numerosi investimenti; la sua \nrivalutazione lo ha trasformato in una delle \npiù affascinanti aree residenziali della città \ngrazie anche ai rinati palazzi di ringhiera \ndei dintorni che ricordano la Milano di un \ntempo. Il quartiere è molto frequentato: \ndi giorno, in quanto sede di numerosi \nmercatini, gallerie d’arte e botteghe di \nartigiani; di sera, grazie ai locali e ristoranti \nche lo rendono uno dei più divertenti ed \nattrattivi quartieri della città.\nNavigli\nMILANO\nThe Navigli quarter of Milan takes its \nname from the system of navigable canals \nlinking Lake Maggiore, Lake Como and the \nsouthern Ticino region. Over the centuries, \nthe canals have served a number of crucial \nfunctions: irrigation, defence, providing \npower to the flour mills and for the tran-\nsport of goods and people. Only three of \nthe original Navigli channels remain today: \nNaviglio Grande,  Naviglio Pavese and Navi-\nglio Martesana.\nWhat was once a working-class area, with \nartisan workshops lining the towpaths, has \ntoday been renovated and converted into \na business area with numerous high-end \nstores and shops. Over the last ten years, \nthe quarter has seen a massive rise in \ninvestments, and this has resulted in a \ntransformation into one of the most fasci-\nnating residential areas of the city, thanks \nin part to the renovation of the so-called \n‘balustrade’ buildings reminiscent of the \nMilan of yesteryear. The quarter is almost \nalways teeming with people: during the day, \nthere are numerous markets and craft wor-\nkshops; in the evening, the local restaurants \nand bars make Navigli one of the city’s most \nattractive areas.\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.17.png","30\nMilano\nMilano\n31\nRovere Nodoso Chiaro 799 e Laccato \nOpaco liscio Bianco Bicocca 873. \nTop Caranto Quartz Orione Q72. \nManiglia Milano. Zoccolo finitura Titanio. \nProfilo Shellsystem verticale per colonne \nLaccato Opaco Bianco Bicocca 873.\nRovere Nodoso Chiaro 799 and Matt \nLacquered plain door in Bianco Bicocca \n873. Top: Caranto Quartz Orione Q72. \nHandle: Milano. Plinth in Titanio finish.\nShellsystem vertical profile for column \nunits Matt Lacquered Bianco Bicocca 873.\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.18.png","32\nMilano\nMilano\n33\nTavolo Brosc struttura \nRovere Nodoso Chiaro 799 \ne piano in Fenix Bianco Kos \n714. Sedia Spring Bianca. \nDettaglio del pannello \nRovere Nodoso Chiaro 799 \nche incornicia le colonne.\nBrosc table with structure in \nRovere Nodoso Chiaro 799 and \ntop in Fenix Bianco Kos 714.\nSpring chair in Bianco finish.\nDetail of panel in Rovere \nNodoso Chiaro 799 used to \nframe the column units. \n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.19.png","34\nMilano\nMilano\n35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.20.png","36\nMilano\nMilano\n37\nUno spazio aperto dai contrasti forti e \ndecisi con molti richiami allo “Scandi Cool”. \nColori vibranti e preziosi si mischiano in \nstili, materiali e suggestioni.\nL’ambiente pieno di luce esalta il mix sapiente \ndi tonalità, tra le quali spicca il Bianco \nBicocca, mentre gli accenti di grigio vengono \nriscaldati dal Rovere Nodoso Chiaro.\nLa \ncucina \nsi \nintegra \nperfettamente \nnell’ambiente nel quale l’attenzione al \ndettaglio di stile diventa il filo conduttore \ndell’intero progetto.\nLo studio dei particolari, dell’uso dei volumi \ne dei materiali pone questo progetto fuori \nda un tempo definito. \nManiglia Milano Rovere \nNodoso Chiaro 799 con \ninserto tinto Bianco \nBicocca 873.\nA spacious room with strong, decisive con-\ntrasts reminiscent of Scandi Cool. Bright, \nvibrant colours are blended in a variety of \nstyles, materials and ideas.\nThis bright room highlights a skilful blend of \ncolours, in which Bianco Bicocca stands out, \nwhile the grey hues are rendered warmer by \nthe Rovere Nodoso Chiaro.\nThe kitchen composition blends perfectly \ninto the room in which attention to stylish \ndetail becomes the central theme of the \nentire composition. Close attention to de-\ntail, as well as skilful disposition of volumes \nand materials, take this composition ahead \nof its time.\nMilano handle in Rovere \nNodoso Chiaro 799 with \ninsert in Bianco \nBicocca 873.\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.21.png","38\nMilano\nMilano\n39\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.22.png","40\nMilano\nMilano\n41\nIl quartiere di Brenta è caratterizzato \nda un’anima popolare e da un passato \nindustriale che ne ha definito la morfologia \ne il tessuto sociale. La zona è delimitata a \nnord-ovest dallo scalo di Porta Romana, \nrecentemente \nportato \nall’attenzione \npolitica e mediatica grazie al grande \nprogetto di riqualificazione degli scali \nferroviari milanesi dismessi; a nord-est \ndal tracciato di corso Lodi (la via Emilia), \ne l’ex insediamento industriale del TIBB \n(Tecnomasio Italiano Brown Boveri); a \nsud dalla campagna nella quale hanno \ninizio i tracciamenti delle nuove strade \nche caratterizzano l’espansione urbana \ndi Milano. La dismissione delle realtà \nindustriali attive fine agli anni ’70  si è \ntradotta nella riappropriazione di alcuni \nspazi che oggi ospitano numerose attività \nterziarie, artigianali e realtà associative \noperanti sul territorio. Negli ultimi tempi, \nil quartiere ha subito una trasformazione \nancor più profonda. La prima a investire \nnella zona, è stata la Fondazione Prada che \nha aperto una grande sede espositiva in \nLargo Isarco recuperando un ex distilleria. \nMostre permanenti, installazioni ed eventi \nculturali si inseriscono in un contesto \nurbano in cui hanno sede numerosi uffici, \nmultinazionali e loft in costruzione.\nBrenta\nMILANO\nThe district of Brenta is fundamentally \nworking-class in origin, with an industrial \npast \nwhich \nhas \nlargely \ndefined \nits \nmorphology and social fabric. To the \nnorth-west lies the old goods yard of Porta \nRomana, which recently came into the \npolitical and media spotlight thanks to the \nmajor project for the renovation of the \nMilan’s abandoned rail yards; to the north-\neast, Corso Lodi (via Emilia) and the former \nindustrial complex which once housed \nTIBB (Tecnomasio Italiano Brown Boveri); \nto the south, the open countryside where \nthe new access roads were built as part of \nthe urbanization of the city of Milan.\nThe decommissioning of the old industrial \nfactories, which were in operation until \nthe 1970s, led to their re-structuring so \nthat today they house numerous service \ncompanies, artisan industries and various \nassociations which operate in the region.\nIn recent years, the district has undergone \nan even more radical transformation. The \nfirst to invest in the area was Fondazione \nPrada, which opened a spacious exhibition \nhall in Largo Isarco after renovating a \nformer distillery. Permanent exhibitions, \ninstallations and cultural events are now \nan integral part of the urban fabric, where \nnumerous \nmulti-national \noffices \nand \nresidential lofts are under construction. \n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.23.png","42\nMilano\nMilano\n43\nLaccato Opaco liscio e a telaio Marrone \nBrera 876 e Rovere Nodoso Chiaro 799. \nTop e schienale Caranto Ker Calacatta \nC25.  Stepsystem Reverse Laccato Opaco \nMarrone Brera 876 e Rovere Nodoso \nChiaro 799. Zoccolo finitura Titanio. \nMatt Lacquered plain and frame door \nMarrone Brera 876 frame and Rovere \nNodoso Chiaro 799.  Top and rear panel: \nCaranto Ker Calacatta C25.  Stepsystem \nReverse in Matt Lacquered Marrone Brera \n876 and Rovere Nodoso Chiaro 799. Plinth \nin Titanio finish.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.24.png","44\nMilano\nMilano\n45\nUna composizione semplice che sfrutta \ntutto lo spazio a disposizione. Il legno \nRovere Nodoso Chiaro e il laccato opaco \nMarrone Brera si accordano perfettamen-\nte al top e allo schienale in ceramica lucida \nfinitura Calacatta. Lo Stepsystem Reverse \noffre ancora maggiore funzionalità ad una \ncucina studiata appositamente per avere le \nzone cottura, lavaggio e conservazione di-\nstribuite in maniera razionale ed efficiente. \nA composition which is simple and makes \nthe best use of all available space. The \nRovere Nodoso Chiaro wood and the \nMarrone Brera semi-matt lacquer finish are \nthe perfect match for the worktop and rear \npanel in polished ceramics in a Calacatta \nfinish. The Stepsystem Reverse offers even \ngreater functionality to this kitchen, which \nis specially designed with the cooking, \nwashing and storage areas all positioned in \na rational and efficient manner. \nTavolo Parigi struttura in \nmetallo verniciato finitura \nBrunito e piano in Fenix \nCastoro Ottawa 712.\nSedia Babila Legno \nstruttura Frassino \nSbiancato e seduta Sabbia.\nParigi table with painted \nmetal frame in a Brunito \nfinish, and top in Fenix \nCastoro Ottawa 712.\nBabila Legno chair \nwith frame in  Frassino \nSbiancato and Sabbia seat.\nDiscover the new tops and rear \npanels in Ceramic Stoneware \nCARANTO KER\nScopri i nuovi top e schienale\nin Ceramica CARANTO KER\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.25.png","46\nMilano\nMilano\n47\nLa Bicocca, localizzata sull’asse nord-est \nuscente dal centro, è ricca di trame stori-\nche sovrapposte. Il tracciato più antico è \nquello composto dal complesso sistema \ndi campi-rogge-filari d’alberi e cascine, \ncaratteristico della campagna milanese, di \ncui oggi rimane traccia nell’edificio della \nBicocca degli Arcimboldi, sorto all’inizio \ndel 1400 con la duplice destinazione di \nabitazione signorile di campagna e di \ncascina padronale. Alla prima trama si \nsovrappone nel tempo, quella dei villaggi, \nche per rispondere alle nuove esigenze, si \nespandono via via fino a compenetrarsi. \nAll’inizio del 1900 Milano, satura al suo \ninterno, comincia a cercare nuovi spazi \nper favorire lo sviluppo dei primi grandi \ninsediamenti industriali. Dopo la metà de-\ngli anni ‘70, il destino della periferia ormai \nfortemente urbanizzata si divide da quello \ndell’industria. E’ proprio a partire dalla \nconstatazione che molte aree industriali \nsi trovano ormai al centro di un grande \npieno abitato, che Pirelli nel 1985 indice \nun Concorso per il risanamento della \nzona; una vasta area di città, fino ad allora \nisolata, viene raccordata al tessuto urbano \ncircostante: le mura di cinta vengono \nabbattute e lungo il perimetro vengono \npreviste aree verdi e percorsi pedonali. \nNasce il nuovo quartiere Bicocca. \nBicocca\nMILANO\nLocated along the north-east route from \nthe centre of Milan, Bicocca has retained \nmany and varied historical ties to the old \ncity. The oldest of its streets was once a \ncomplex mix of fields, streams, trees and \nfarmhouses, as was typical of the country-\nside in Milan; one of the most distinctive \nlandmarks remaining in the area is the villa \nBicocca degli Arcimboldi, which was built \nin the early 1400s to serve a dual function, \nas a stately home and as a  manor farm. \nOver time, a number of villages grew up \naround the villa, and soon these melded \ntogether. By the early 1900s, the develop-\nment of central Milan had already reached \nsaturation point, and the search began for \nnew free areas in which to build the first \nlarge-scale industrial plants. After the mid-\n1970s, the periphery, which had already \nbeen fully developed, began to abandon \nits industrial heritage. Milan soon realized \nthat many industrial plants were located in \nthe centre of residential areas, and in 1985 \nPirelli introduced a competition aimed \nat improving the area: a huge part of the \ncity, which until now had been isolated, \nwas linked to the surrounding urban land-\nscape: the old city walls were demolished, \nand the perimeter was given over to parks \nand pedestrian promenades. And thus the \nnew Bicocca district was born.\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.26.png","48\nMilano\nMilano\n49\nLaccato Opaco a telaio Grigio Navigli 877 \ne  liscio Bianco Bicocca 873; Stepsystem \nReverse Rovere Nodoso Chiaro 799. \nTop Caranto Quartz Andromeda Q73. \nZoccolo finitura Titanio. \nLiving Laccato Bianco Bicocca 873.\nMatt Lacquered frame door in Grigio \nNavigli 877 and plain door in Bianco \nBicocca 873; Stepsystem Reverse Rovere \nNodoso Chiaro 799. Top: Caranto Quartz \nAndromeda Q73. Plinth in Titanio finish.\nLiving-area in Matt Lacquered Bicocca 873.\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.27.png","50\nMilano\nMilano\n51\nEndam si ex mo num nem \nta sa pri tilin sultuspernin \ntaberra esilicaes.\nEndam si ex mo num nem \nta sa pri tilin sultuspernin \ntaberra esilicaes.\nLa necessità di definire gli spazi, porta ad \nuna soluzione che utilizza la parete e il living \nper chiudere in maniera parziale lo spazio \ncucina e per creare l’area in cui sono colloca-\nte la colonna forno e la colonna frigorifero. \nLa zona operativa si sviluppa ad angolo; le \nzone cottura e lavaggio sono intervallate \nda uno Stepsystem Reverse laccato Bianco \nBicocca con ripiani in alluminio; la presenza \ndel legno Rovere Nodoso Chiaro armonizza \ne valorizza i toni presenti nell’ambiente.\nUn progetto che nasce da una visione tra-\ndizionale della cucina ad angolo, ripensata \ne attualizzata attraverso un uso più attento \ndei materiali e delle sue combinazioni.\nTavolo Maè struttura \nRovere Nodoso Chiaro 799.\nSedia Daisy Nera.\nThe need to define spaces results in a \nsolution which uses the wall and the living \narea to partially close the kitchen area, \ncreating space for the oven and refrigera-\ntor columns. The work area is angular: the \ncooking and washing areas are divided by \na Stepsystem Reverse in lacquered Bianco \nBicocca  with shelves in aluminium, while \nthe use of Rovere Nodoso Chiaro wood \nhighlights the colours in the entire room.\nA project based on a traditional interpre-\ntation of the corner kitchen, but rendered \nmore modern by a more focused use of \nmaterials and the way in which they are \nblended.\nMaè table with frame in \nRovere Nodoso Chiaro 799. \nDaisy Nera chair.\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.28.png","52\nMilano\nMilano\n53\nDOLORIO TO ILLANDUNT MAGNAT FUGA. LORECAE CUSCIDU SANTECTUR ACCAECTUR, QUAM IS SAM ET, \nQUATIST VOLUPTATIA VENIM EA EST QUI QUI UT INVENIM DIS SIMPORAE. \n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.29.png","54\nMilano\nMilano\n55\nCestone con cassetto \ninterno e barra luminosa \ninterna Detroit.\nPortaposate Go-Out nero.\nCappa “No- Steam” \nintegrata, dedicata ai piani \ncottura ad induzione.\nLarge pan drawer with internal \ndrawer and Detroit internal \nilluminated bar.\nGo-Out cutlery-holder\nin black.\n“No- Steam” built-in \nhood for induction hobs.\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.30.png","56\nMilano\nMilano\n57\nDove oggi si trova il quartiere Pagano, \nfino a metà Ottocento c’erano campi colti-\nvati, poche case e qualche fontanile. Il lato \nmeridionale confinava coi Bastioni quat-\ntrocenteschi che separavano la campagna \ndal borgo delle Grazie dove troneggiava la \nmole possente di Santa Maria delle Grazie \ncol suo prezioso contributo artistico. Il \nquartiere storico che sorge attorno all’at-\ntuale Via XX Settembre non ha un vero \nnome e di solito lo si identifica col nome \ndelle vie che lo disegnano. L’area intorno \na Via Mario Pagano comincia a svilupparsi \nall’inizio del 900. Nella zona dove oggi \nsono ubicati i giardini che costeggiano \nvia Pallavicino, si estendeva un tempo \nl’immenso scalo ferroviario Sempione. \nCollegato verso sud alla stazione di porta \nGenova e alla cintura Sud mediante la \nscomparsa cintura Ovest, e verso nord \nalla stazione centrale, era un importante \nsnodo per le merci in arrivo e in partenza, \nal servizio della città. La sua dismissione \niniziò nel 1931, quando fu inaugurata la \nnuova stazione Centrale. Con la program-\nmazione urbanistica del dopoguerra lo \nspazio dell’ex scalo venne destinato ad \nedificazione residenziale ma in realtà una \nbuona parte fu riservata, fortunatamente, \na verde pubblico. \nPagano\nMILANO\nUntil the mid-nineteenth century, the \ndistrict now known as Pagano comprised \nagricultural land, a small number of homes \nand a few streams. The southern border lies \nadjacent to the fifteenth-century ramparts \nwhich separated the open countryside \nfrom Borgo delle Grazie, dominated by the \nimposing Santa Maria delle Grazie and its \nprecious artistic treasure. The old quarter \nsurrounding what is today Via XX Settembre \ndoes not have an actual name, and is there-\nfore generally referred to using the name \nof the local streets. Development of the \narea surrounding Via Mario Pagano began \nin the early part of the twentieth century. \nThe area which now features the gardens \nfacing via Pallavicino was once occupied by \nthe huge Sempione railway depot. Pagano \nwas linked towards the south to the Porta \nGenova station, and to the southern urban \nbelt through what was once the western \nzone, and to the north with the central sta-\ntion, and was therefore an important depot \nfor goods coming into the city and being \nshipped out. The dismantling of the station \nbegan in 1931, when the new Central station \nwas inaugurated. In the immediate post-\nwar period, the former railway depot was \nallocated to residential building projects, \nalthough, fortunately, much of the area was \nconserved and converted into public parks. \n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.31.png","58\nMilano\nMilano\n59\nLaccato Opaco liscio Marrone Brera 876 e \nRovere Nodoso Chiaro 799. \nTop Fenix Castoro Ottawa 712. \nProfilo Shellsystem verticale per colonne \nLaccato Opaco Marrone Brera 876. \nZoccolo finitura Titanio. \nMatt Lacquered plain door Marrone Brera \n876 and Rovere Nodoso Chiaro 799. \nTop: Fenix Castoro Ottawa 712. \nShellsystem vertical profile for column \nunits Matt Lacquered Marrone Brera 876. \nPlinth in Titanio finish.\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.32.png","60\nMilano\nMilano\n61\nLe grandi finestre ad angolo che accolgono \nla zona pranzo, caratterizzano questo \nappartamento in cui la cucina è stata inserita \nin uno spazio aperto che include anche la \nzona living.\nLa composizione è stata pensata per essere \nintegrata in questo ambiente; la soluzione \na penisola con zona cottura definisce \nperfettamente lo spazio. \nLa \npersonalizzazione \ndel \nprogetto \nsi \nevidenzia con la presenza di elementi a \ngiorno che si trasformano in utili contenitori \ne con la scelta di un colore di carattere come \nil Marrone Brera.\nMagic Corner\nin finitura Antracite Style.\nPensile scolapiatti con \napertura a soffietto.\nAmply-dimensioned \nwindows \naround \nthe dining area are a distinctive feature \nof this apartment, in which the kitchen is \npositioned in an open space which also \ncontains the living area.\nThe composition is designed for instal-\nlation in this setting; the peninsula unit \nwith integrated cooking area defines the \nspace to perfection.\nOpen-fronted compartments are used \nfor greater customization of the project, \nand can be transformed into handy \nstorage units in a strong colour such as \nMarrone Brera.\nWall-mount dish-dryer \nrack with folding door.\nMagic Corner in Antracite \nStyle finish.\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.33.png","62\nMilano\nMilano\n63\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.34.png","64\nMilano\nMilano\n65\nCestone con cassetto \ninterno e portaposate\nFineline Mosaiq legno.\nLarge pan drawer with \ninternal drawer and \nFineline Mosaiq wooden \ncutlery holder.\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.35.png","66\nMilano\nMilano\n67\nSedie Isu design\nElia Borgato in Rovere \nMiele 788.\nIsu chairs designed by \nElia Borgato in Rovere \nMiele 788.\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.36.png","68\nMilano\nMilano\n69\nFiore \nall’occhiello \ndell’amministrazione \nasburgica che qui realizzò i primi giardini \npubblici della città, l’area di porta Venezia \ndiventò nei primi decenni del Novecento \nil quartiere dell’alta borghesia milanese. \nGran parte di quei giardini che adornava-\nno i palazzi nobiliari settecenteschi di cor-\nso Venezia, tra cui Villa Reale Belgiojoso, \noggi sede della Galleria d’Arte Moderna, \nvennero occupati da nuove costruzioni e \nsacrificati per l’apertura di nuove strade. \nSul giardino di Palazzo Sola-Brusca, sor-\nsero tra il 1926 e il 1930 eleganti edifici \nresidenziali progettati da Aldo Andreani \ncon un linguaggio tardo-eclettico che, \nnel Palazzo Fidia, trovò la sua massima \nespressione. Ai nostri giorni l’imponente \nmole dei caselli daziari di Porta Venezia \nsorveglia orgogliosamente il fluire del \ntraffico, incanalando la frenesia di migliaia \ndi veicoli in Piazza Oberdan, dove un tem-\npo verdeggiavano gli orti. La zona, fino a \npoco tempo fa dominio di un sottobosco \npoco rassicurante, da qualche anno è \ndiventata uno dei centri della movida \nmilanese, pur mantenendo un’atmosfera \nmeno caotica di altre zone.\nPorta Venezia\nMILANO\nThis was the crowning achievement of the \nHabsburg administration, which created \nthe city’s very first public parks; the Porta \nVenezia area during the course of the \n1900s became the preferred quarter for \nMilan’s upper classes. Many of the gardens \nwhich adorned the 18th-century grand \npalaces – including Villa Reale Belgiojoso, \nwhich today houses the Gallery of Modern \nArt – were given over to construction \nand sacrificed in the name of new roads. \nBetween 1926 and 1930, a number of \nelegant residential buildings designed by \nAldo Andreani were built in the garden \nof Palazzo Sola-Brusca; these were in the \nlate-eclectic style which is best seen in the \nextraordinary Palazzo Fidia. To this day, \nthe imposing caselli daziari (toll houses) of \nPorta Venezia proudly watch over the flow \nof road traffic, channelling thousands of \nvehicles towards Piazza Oberdan, which in \nbygone days was given over to vegetable \nplots. The entire zone, which until relatively \nrecently had been depressed and depres-\nsing, has in recent years become one of \nthe centres of Milan’s night life, though \nperhaps it is less chaotic than many other \nparts. \n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.37.png","70\nMilano\nMilano\n71\nLaccato Opaco liscio Beige Ticinese 874 e \nRovere Nodoso Chiaro 799.\nTop Caranto Quartz Auriga Q74.\nProfilo Shellsystem verticale per colonne \nLaccato Opaco Beige Ticinese 874. \nZoccolo finitura Titanio.\nMatt Lacquered plain door in Beige \nTicinese 874 and Rovere Nodoso Chiaro 799.\nTop: Caranto Quartz Auriga Q74.\nShellsystem vertical profile for column \nunits Matt Lacquered Beige Ticinese 874. \nPlinth in Titanio finish.\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.38.png","72\nMilano\nMilano\n73\nLa cucina è il punto di raccordo tra la zona \ningresso e la zona living e si inserisce per-\nfettamente nell’architettura della casa. Il \nprogetto nasce dall’esigenza di separare in \nmodo netto le diverse funzioni: lavaggio, \ncottura, contenimento. \nIl legno diventa il segno grafico che unisce \ni diversi materiali utilizzati nella composi-\nzione offrendo una nuova prospettiva con \nrichiami alla nostra memoria e, nello stesso \ntempo, alla contemporaneità più estrema. \nIl risultato è un progetto di cucina che va \noltre le tradizionali definizioni di stile per \ncrearne uno nuovo: quello personale.\nVani a giorno con ripiani in \nvetro e cassetti a vista.\nLuce laterale a led.\nThe kitchen forms the link between the \nentrance and the living area, and blends \nperfectly with the architecture of the hou-\nse. The idea behind this project stemmed \nfrom the need to separate the various \nfunctions – washing, cooking and storage.\nWood becomes the graphic mark that \nunites the various materials used in this \ncomposition, offering a new perspective \nthat jogs the memory while at the same \ntime giving an ultra-contemporary look.\nOpen cabinet with glass \nshelves and open drawers.\nLed lateral lighting.\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.39.png","74\nMilano\nMilano\n75\nStepsystem Reverse \ncon ripiani in alluminio e \nschienali in Caranto Quartz \nAuriga Q74 e Laccato \nOpaco Beige Ticinese 874.\nBarra Led per ripiano \ncon luce naturale.\nStepsystem Reverse with \naluminium shelves and rear \npanels in Caranto Quartz \nAuriga Q74 and Matt \nLacquered Beige Ticinese \n874.\nLed natural light bar for \nshelf.\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.40.png","76\nMilano\nMilano\n77\nColonna attrezzata\nConvoy Lavido Tuning.\nFitted column unit\nConvoy Lavido Tuning.\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.41.png","78\nMilano\nMilano\n79\nBancone in Caranto Quartz \nAuriga Q74 e sgabelli \nTrinity Neri.\nCounter in Caranto Quartz \nAuriga Q74 and Trinity \nNeri stools.\nDiscover the new tops and rear panels in \nCARANTO QUARTZ\nScopri i nuovi top e schienale\nin Quarzo CARANTO QUARTZ\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.42.png","80\nMilano\nMilano\n81\nSempione\nMILANO\nIl quartiere Sempione di Milano può essere \ndefinito il cuore francese del capoluogo \nlombardo, con l’atmosfera da boulevard \nparigino che si respira nei suoi viali e con \nil verde del parco Sempione che richiama \nquello degli Champs Elysèes. L’edificio più \ncaratteristico della zona è sicuramente il \nCastello Sforzesco, costruito nel XV secolo \ndal Duca di Milano Francesco Sforza. Nelle \nimmediate vicinanze del Castello si può \ntrovare un altro elemento caratteristico \ndella zona, ovvero il Parco Sempione, zona \nverde della città realizzata alla fine del XIX \nsecolo su un’area occupata da una piazza \nd’armi. Prende il nome da corso Sempione, \nasse stradale voluto in epoca napoleonica \ne tracciato sul percorso dell’antica via del \nSeprio e fin dall’inizio è diventato uno dei \nluoghi preferiti dai milanesi per trascor-\nrere il tempo libero. Il Parco Sempione si \ndistingue anche per uno stretto legame \ncon l’arte: all’interno di questa ampia area \nverde, infatti, hanno avuto luogo molte \nesposizioni tra cui le Esposizioni Triennali a \npartire dal 1933. \nThe district of Sempione in Milan may \nbe defined as the French heart of the \nprovincial capital, with its atmosphere \nreminiscent of a Paris boulevard, with \ntree-lined avenues and the lush green of \nParco Sempione, which brings to mind the \nChamps Élysées. The most imposing and \nimpressive building in this area is without \ndoubt Castello Sforzesco, which was built \nin the XV century by Francesco Sforza, the \nDuke of Milan. In the immediate vicinity of \nthe Castle, another distinctive area is Parco \nSempione, a splendid park in the centre \nof the city, which was created towards the \nend of the XIX century in an area which had \nbeen used as a parade ground. The park \ntakes its name from Corso Sempione, a \nmajor road built in the Napoleonic era on \nthe old via del Seprio, which very quickly \nbecame a favourite leisure area for the \npeople of Milan. Parco Sempione has also \ndeveloped close links with the world of \nart, and has been the venue for numerous \ninternational expositions, including, since \nits inception in 1933, the Triennale.\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.43.png","82\nMilano\nMilano\n83\nGENERALE CENTRALE\nMILANO A\nLaccato Opaco liscio Beige Ticinese 874 e \nRovere Nodoso Chiaro 799.\nTop Caranto Ker Bianco Venato C22.\nProfilo Shellsystem verticale per colonne  \nLaccato Opaco Beige Ticinese 874. \nZoccolo finitura Titanio.\nMatt Lacquered plain door in Beige \nTicinese 874 and Rovere Nodoso Chiaro \n799. Top: Caranto Ker Bianco Venato C22.\nShellsystem vertical profile for column \nunits Matt Lacquered Beige Ticinese 874. \nPlinth in Titanio finish.\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.44.png","84\nMilano\nMilano\n85\nEndam si ex mo num nem \nta sa pri tilin sultuspernin \ntaberra esilicaes.\nEndam si ex mo num nem \nta sa pri tilin sultuspernin \ntaberra esilicaes.\nUna finestra insolita, un taglio di luce che \nsi inserisce nella parete e che suggerisce \nun progetto speculare che vada a riempire \nl’angolo opposto.\nPer mantenere una continuità con la luce \nesterna, per la cucina è stato scelto un \ncolore chiaro, il Beige Ticinese.\nL‘inserimento del legno Rovere Nodoso \nChiaro dona un tocco di calore e di ca-\nrattere in un ambiente dominato dai toni \nneutri. Un perfetto mix tra architettura \nmetropolitana e gusto nordico. Uno stile \nche mescola linee pulite con eleganza \ne funzionalità creando una atmosfera \nmolto casalinga in cui dominano sobrietà \ne serenità.\nTavolo Dubai.\nSedia Mojito tinto Rovere \nNaturale Chiaro.\nAn unusual window, a shaft of light striking \nthe wall, which seems to suggest a specular \nproject which fills the opposite corner. And \nto maintain continuity with the light from \noutside, a light colour has been chosen for \nthis kitchen: Beige Ticinese.\nThe addition of wood – in this case Rovere \nNodoso Chiaro –  adds a touch of warmth \nand personality to a room dominated by \nmore neutral hues.\nA perfect mix of metropolitan architecture \nand Nordic taste. A style that blends clean \nlines with elegance and practical design to \ncreate a homely atmosphere dominated by \na sense of serenity and calm.\nDubai table.\nMojito chair in Rovere \nNaturale Chiaro finish.\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.45.png","86\nMilano\nMilano\n87\nSoluzione angolo con \nStepsystem Reverse con \nripiani in alluminio finitura \nChampagne, struttura in \nRovere Nodoso Chiaro 799 \ne schienale Laccato Opaco \nBeige Ticinese 874.\nDiscover the new tops and rear \npanels in Ceramic Stoneware \nCARANTO KER\nScopri i nuovi top e schienale\nin Ceramica CARANTO KER\nCorner composition with \nStepsystem Reverse with\naluminium shelves in \nChampagne finish, frame \nin Rovere Nodoso Chiaro \n799 and rear panel in Matt \nLacquered Beige Ticinese \n874.\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.46.png","88\nMilano\nMilano\n89\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.47.png","90\nMilano\nMilano\n91\nI contenuti di questo catalogo sono stati li-\nberamente tratti dalle fonti riportate sopra \nper offrire al lettore una visione completa del \ncontesto nel quale è stato inserito il progetto.\nSi ringrazia, inoltre, Giorgio Testa di Tem-\nporary Bookstore (temporarybookstore.\nit) per il prezioso contributo fornito nella \nricerca di informazioni sulla storia di Milano.\nstoriemilanesi.org\nurbanfile.it\nareaportaromana.com\nordinearchitetti.mi.it\nvecchiamilano.wordpress.com\nexponsor.it\nmilano.corriere.it\nzingarate.com\nFonti\nSources\nThe content of this catalogue is freely based \non the sources listed above in order to give \nthe reader a complete vision of the context \ninto which the project has been placed.\nThanks are also due to Giorgio Testa of Tem-\nporary Bookstore (temporarybookstore.it) \nfor sharing his extensive knowledge of the \nhistory of the city of Milan.\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.48.png","92\nMilano\nMilano\n93\nANTA TELAIO LEGNO\nMANIGLIA*\nFRASSINO LACCATO BIANCO\n796\nMILANO ROVERE NODOSO CHIARO 799\nCON INSERTO TINTO BIANCO BICOCCA 873.\nPASSO 160 \u002F 64\n* solo per anta liscia\nMILANO ROVERE NODOSO CHIARO 799 \nCON INSERTO FINITURA ALLUMINIO\nPASSO 160 \u002F 64\n* solo per anta liscia\nROVERE NODOSO CHIARO\n799\nFINITURE \u002F FINISHES\nDOOR WITH WOOD FINISH FRAME\nHANDLE*\nMILANO ROVERE NODOSO CHIARO 799\nWITH INSERT IN BIANCO BICOCCA 873.\nC\u002FC CENTRES 160 \u002F 64\n* only for plain door\nMILANO ROVERE NODOSO CHIARO 799 \nWITH INSERT IN  ALUMINIUM FINISH \nC\u002FC CENTRES 160 \u002F 64\n* only for plain door\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.49.png","94\nMilano\nMilano\n95\nANTA TELAIO LACCATA\nBIANCO BICOCCA\n873\nMARRONE BRERA\n876\nBEIGE TICINESE\n874\nGRIGIO NAVIGLI\n877\nCREMA TORTONA\n875\nGRIGIO LAMBRO\n878\nFINITURE \u002F FINISHES\nANTA LISCIA LACCATA\nBIANCO BICOCCA\n873\nMARRONE BRERA\n876\nBEIGE TICINESE\n874\nGRIGIO NAVIGLI\n877\nCREMA TORTONA\n875\nGRIGIO LAMBRO\n878\nFINITURE \u002F FINISHES\nDOOR WITH LACQUERED FRAME\nPLAIN LACQUERED DOOR\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F5c\u002Fa0470a5cfc7b4d375d6a1f4ed95a7d-290aa0a88b.50.png","Alberta Salotti, Amini Artemide, Astep, Aum Ceramiche, \nBitossi Home, Cecchi & Cecchi, Cc-Tapis, Danese, Draga \nObradovic, Emile Henry in vendita da Maino Carlo, Essent’ial, \nFederica Bubani, Giobagnara, Gt Design, Il Coccio, Il Fanale, Il \nGiardino di Legno, Karpeta, Kasthall, Livellara Milano, Mmairo, \nMiniforms, Noom, Oluce, Paola Zani, Pablo, Sieger, Staub, \nStories of Italy,  Tolight,  Tooy, ZP Studio, Zwilling.\nThanks to\nVeneta Cucine S.p.A.\nVia Paris Bordone, 84\n31056 Biancade (TV)\nTel. +39 0422 8471\nFax +39 0422 847501\nvenetacucine.com\nPIXABAY https:\u002F\u002Fpixabay.com\u002Fit\u002F\nUNSPLASH https:\u002F\u002Funsplash.com\u002F\nPer la location della copertina, si ringrazia\nMartina Gamboni\u002FStrategic Footprints\nOur thanks to Martina Gamboni\u002FStrategic \nFootprints for the cover location\nMarketing Veneta Cucine\nFederico Cedrone\nGianluca Bellomo\nMargherita Bonetti\nAlessandra Salaris Studio\nGrafiche GFP - Aprile 2019\nMarketing Veneta Cucine\nGraphic Design\nPhotography\nIntro\nCover\nStyling\nStampa\nContent\nNudesign\nImmagini cucina 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