[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-tacchini-highlights-2017":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":69},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":64,"matched_pages":65,"match_count":66,"two_pages":67,"show_text":68},25941,"Highlights 2017","tacchini-highlights-2017","\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fab\u002F4aaeb1ada49432402cb44716d77478-29091092e7.pdf","Tacchini",602,"tacchini","5.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61],{"image":7,"text":15,"number":16},"T’Highlights\n2017\nT’Highlights, 6.2017 — Designing Being\nPress Kit\nDesigning Being\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.2.png","Designing Being\nDesigning Being\n03\nImages that speak of discreet, almost intimate moments: the secret rooms are revealed, \nas are their inhabitants. The great Tacchini house opens its doors, exposing instants stolen \nfrom an everyday life built on care and attention for materials and tools, but also for \nthe people that handle them with such dedication. A place where everyone has a role, \nand everyone is part of a unique story.\nTacchini Design Center\nTacchini Highlights\nTacchini Design Center\nCh. A \nThe design is Italian, the rest\nis production. And in Italy, design \ncompanies bear the names of the \nfamilies that founded the brands. \nLike Tacchini, created in 1965 by \nAntonio, when production, too, was \nalmost entirely Italian, and the most \npoetic and soul-stirring passages \nin the story of design were written. \nNaturally in time the children \nbecome the heirs, and the new \nfounders, in a rationale of continuous \nupdating and redefinition of the \nunderlying idea, and that is what \nis actually handed down. Equally \nnaturally, those who frequent the \nfamily become a part of it: team \nmembers, consultants, suppliers, \nemployees, workers and clients. \n \nStill today, in this family,  \nthe strength of the idea is central \nto every creative process, in a \nlogical process of evolution, from \nthe analysis of the idea to the three \ndimensions of the object, before \nultimately becoming the essence \nof living. This ongoing process \nensures a sense of connection with \ncontemporary style, which is then \nfurther enhanced by the choice of \nquality materials and leading-edge \ntechnology, and always referencing \nan all-important tradition, so as to \navoid the danger of confusing style \nwith fleeting fashions and design \nwith simple mass production. \nInevitably, the story of a family is \nreflected in the places they inhabit: \nthe headquarters of a company \nmirrors the people who work there \nand the philosophy to which they \naspire.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.3.png","Designing Being\nDesigning Being\n03\nImages that speak of discreet, almost intimate moments: the secret rooms are revealed, \nas are their inhabitants. The great Tacchini house opens its doors, exposing instants stolen \nfrom an everyday life built on care and attention for materials and tools, but also for \nthe people that handle them with such dedication. A place where everyone has a role, \nand everyone is part of a unique story.\nTacchini Design Center\nTacchini Highlights\n \nThe Tacchini building features \nan architecture structured\ninto two storeys, a fusion of \nmaterials and spaces that blend \ninto a complete whole, expressing \nits ethos and essence. In the \nbackground, Brianza, between \nComo and Milan, too blindingly \ngreen in summer, too grey and \ninward- looking in winter; these \nplaces with their extremes form \nthe backdrop to this story, the very \nbirthplace of design, where people \nand ideas merge with the design \nculture. Each object, each piece of \nfurniture created in this building \ncarries within it the hallmark of \nItalian design: the ability to give any \nspace a sense of place, be it public \nor private, domestic or communal, \nfilling it with presence.\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.4.png","Giving space to ideas\nGiving space to ideas\n05\nNatural warmth and technological innovation, manufacturing and care for details, safety and \nwellbeing. Concrete values you can find in every product and space. Quality represents a key \nelement in design for Tacchini, it takes shape with materials selection and care for the \nmanufacturing process. It goes on beyond the product, through trade and after-sales services \nreliability.\nChapter B\n04\nDesigning Being\nThere are stories that are told through the immediacy of an object: domesticated materials \nspeak of the hands that have shaped them, the shape suggests technological innovation \nand a culture of experience, while the function reveals the poetry of the design’s beau geste. \nTacchini Design Center\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.5.png","Giving space to ideas\n07\nFamily portraits\nLike snapshots of real life, there are key players who make the stories they tell unique:  \nin the house of Tacchini, designers are honoured guests who dress its secret rooms.  \nGreat masters who narrate their stories to their disciples, like parents who enable  \ntheir children to dream before they even fall asleep: all gathered around a hearth that  \nburns with passion and creativity. Designs become places to be explored and missions  \nto be accomplished, moments to be experienced, and remembered forever.\nDesigners\n1  Achille Castiglioni \n2 Gianfranco Frattini\n3 Franco Albini \n4 Patrick Norguet\n5 Christophe Pillet\n6 Claesson Koivisto Rune\n7 Jonas Wagell\n1 \n5\n6\n4\n2\n7\n3\n06\nQuality\nTacchini is concretely committed to environment respect, sustainable development and \nclever consumption. Materials and manufacturing quality guarantees long lasting products, \nreducing energy consumption, emissions into the atmosphere and environmental impact \nwhen their use is over. The company uses wood from sustainable cultivations, favours \nrecyclable materials and highly reduces waste during both production and packing steps.\nTacchini’s Quality Management System guarantees rigorous testing in every process’ step, \nstaff involvement at all levels, satisfaction and transparency with suppliers and customers. \nTacchini’s products are created in compliance with most recent and widespread International \nstandards, in a safe and healthy work environment, using Italian or European materials and \npatented technologies.\nCertifications\nQuality Management \nSystem\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.6.png","Design Classics\n13\nToday, half a century after their creation, the projects realized by these great masters  \nof the past continue to keep alive the soul of the Italian line through a series of revivals  \nmade by Tacchini. Castiglioni brothers’ Babela and Sancarlo, Franco Albini’s Bianca  \nand Monzino and Gianfranco Frattini’s Agnese, Gio, Giulia and Sesann, Umberto Riva’s E63 \nrepresent the result of a meticulous collaboration among designers, artisans and producers.  \nTacchini proposes these pieces with the desire to preserve and communicate the ideals  \nthat have guided their creation. Maintaining the integrity of the original projects, Tacchini  \nhas adapted the designer’s drawings to modern production. In this way, it has transferred  \nthe past design culture to the present.\nLa Linea Italiana\nSancarlo (Tacchini, 2010)\nBianca (Tacchini, 2012)\nGio (Tacchini, 2016)\nSesann (Tacchini, 2015)\nSesann (Tacchini, 2015)\nOliver (Tacchini, 2017)\nE63 (Tacchini, 2017)\nAgnese (Tacchini, 2014)\nBabela (Tacchini, 2010)\nMonzino (Tacchini, 2010)\nGiulia (Tacchini, 2016)\n08\nTacchini Collection\n8 Pearson Lloyd \n9 Roberto Grossi\n10 Monica Förster\n11 Pietro Arosio\n12 Gordon Guillaumier\n13 Luca Nichetto\n14 Lievore Altherr Molina\n15 Barazzuol ⁄ Malisan\n8\n9\n10\n11\n12\n13\n14\n15\nTacchini \nDesign Classics\nMaestri or “masters” are those charismatic figures capable of  \nteaching and handing down an art through their direct actions and also \nthrough the inheritance of their actual works. In design the maestri \ncommunicate through the classics, timeless designs far from any idea \nof fashions and trends yet so powerful as to produce a style naturally. \nTacchini has set aside some rooms in its living environment for  \nthe classics and the masters who have designed them, in a process of \nrevivals which are a challenge and a lesson on contemporary style.\nTacchini Highlights\nGiving space to ideas\n09\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.7.png","Design Classics\n13\nToday, half a century after their creation, the projects realized by these great masters  \nof the past continue to keep alive the soul of the Italian line through a series of revivals  \nmade by Tacchini. Castiglioni brothers’ Babela and Sancarlo, Franco Albini’s Bianca  \nand Monzino and Gianfranco Frattini’s Agnese, Gio, Giulia and Sesann, Umberto Riva’s E63 \nrepresent the result of a meticulous collaboration among designers, artisans and producers.  \nTacchini proposes these pieces with the desire to preserve and communicate the ideals  \nthat have guided their creation. Maintaining the integrity of the original projects, Tacchini  \nhas adapted the designer’s drawings to modern production. In this way, it has transferred  \nthe past design culture to the present.\nLa Linea Italiana\nSancarlo (Tacchini, 2010)\nBianca (Tacchini, 2012)\nGio (Tacchini, 2016)\nSesann (Tacchini, 2015)\nSesann (Tacchini, 2015)\nOliver (Tacchini, 2017)\nE63 (Tacchini, 2017)\nAgnese (Tacchini, 2014)\nBabela (Tacchini, 2010)\nMonzino (Tacchini, 2010)\nGiulia (Tacchini, 2016)\n08\nTacchini Collection\n8 Pearson Lloyd \n9 Roberto Grossi\n10 Monica Förster\n11 Pietro Arosio\n12 Gordon Guillaumier\n13 Luca Nichetto\n14 Lievore Altherr Molina\n15 Barazzuol ⁄ Malisan\n8\n9\n10\n11\n12\n13\n14\n15\nTacchini Highlights\nGiving space to ideas\n11\nTacchini Highlights\nDesign Classics\n10\nThe hero of Italian design, Achille Castiglioni, along with his brothers Pier Giacomo and Livio, was able to find \nirony and beauty into the simplicity of everyday life. From the simplest electrical switches to the most iconic \nproject of modern design, Castiglioni brothers transformed their uncontrollable curiosity in a series of timeless \npieces.\nThe “complete” architect, Franco Albini, tackled the world of architectural design with the desire to create \na sense of coherence and unity among the different elements of human environment. Following the axiom \nof modern project – “from the spoon to the city” – the architect Albini took care of each project until to the \nsmallest details. He designed unique pieces of furniture, used only inside his architectural buildings.\nGianfranco Frattini is one of that skilled generation of architects and designers, who have marked the Italian \ndesign movement of the last century. Frattini’s projects are characterized by a formal elegance, which is  \nable to transmit clearly, and simply the ideas and thoughts that led to their creation. At the beginning of his \ncareer, he was a collaborator of Giò Ponti. Over the years, Gianfranco Frattini will develop a personal and \nsymptomatic approach to the design based on a careful formal and structural research.\nBabela (Chair), 1958\nMonzino (Table), 1939\nBianca (Armchair), 1939\nFranco Albini\nAchille Castiglioni\nSancarlo (Sofa, Armchair), 1970\nAgnese (Armchair), 1956\nGiulia (Armchair), 1957\nGio (Table), 1957\nOliver (Sofa), 1957\nSesann (Sofa, Armchair), 1970\nGianfranco Frattini\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.8.png","Design Classics\n13\nToday, half a century after their creation, the projects realized by these great masters  \nof the past continue to keep alive the soul of the Italian line through a series of revivals  \nmade by Tacchini. Castiglioni brothers’ Babela and Sancarlo, Franco Albini’s Bianca  \nand Monzino and Gianfranco Frattini’s Agnese, Gio, Giulia and Sesann, Umberto Riva’s E63 \nrepresent the result of a meticulous collaboration among designers, artisans and producers.  \nTacchini proposes these pieces with the desire to preserve and communicate the ideals  \nthat have guided their creation. Maintaining the integrity of the original projects, Tacchini  \nhas adapted the designer’s drawings to modern production. In this way, it has transferred  \nthe past design culture to the present.\nThe Italian line\nSancarlo (Tacchini, 2010)\nBianca (Tacchini, 2012)\nGio (Tacchini, 2016)\nSesann (Tacchini, 2015)\nSesann (Tacchini, 2015)\nOliver (Tacchini, 2017)\nE63 (Tacchini, 2017)\nAgnese (Tacchini, 2014)\nBabela (Tacchini, 2010)\nMonzino (Tacchini, 2010)\nGiulia (Tacchini, 2016)\n08\nTacchini Collection\n8 Pearson Lloyd \n9 Roberto Grossi\n10 Monica Förster\n11 Pietro Arosio\n12 Gordon Guillaumier\n13 Luca Nichetto\n14 Lievore Altherr Molina\n15 Barazzuol ⁄ Malisan\n8\n9\n10\n11\n12\n13\n14\n15\nTacchini Highlights\nDesign Classics\n12\n“I love this lamp, and it doesn’t happen so often. I feel it as a friend. This lamp represents much of my \nprofessional history, my approach to the realization of the first projects. It was born from an open contest \nby Artemide, I was 35 years old. Initially this lamp should have been made of plastic, but with metal it \nobtained dry shapes and precision of the edges. Think about the power obtained with these rigid materials, \na result which is impossible to have with plastic. ” (Umberto Riva, “An open shape”, T’Journal 8, 4.2017)\nUmberto Riva\nE63 (Lamp), 1963\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.9.png","Giving space to ideas\n15\nWith its furniture, Tacchini wants to improve home and public spaces’ quality, in a world \ndominated by constant changing in needs, technologies and new lifestyles. That’s why \nTacchini always analyses and improves its products and services with passion, creativity \nand responsibility. The result is an uninterrupted “work in progress” of original and versatile \nsolutions, suitable for every environment and situation, able to arouse emotions day by day \nand to last in time.\nMission\n14\nTacchini Collection\nCollection\nTacchini is nowadays a reference point in furniture business, thanks to its constant stylistic \nand functional research, project and product culture, care for people and environment.\nMission\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.10.png","Out in the world\n17\nTacchini World Project\nA design cannot be considered in isolation from external constraints and stresses. This is why \nTacchini maintains a dialogue so as to grasp and interpret the thoughts of its designers and  \nof its clients. In the contract world, this enables it to express the quality of its products,  \nusing the best materials and complying with the strictest standards and certifications.  \nPlaces of work or play, hotels, stadiums, wellness centres or shopping malls, all become the \nstage on which Tacchini can express the uniqueness of its designs, their durability, comfort \nand versatility. What’s more, the constant relationship with the modern world and the \nstresses it brings makes Tacchini a veritable seismograph of the state of being: an accurate \nsensor and promoter of new possibilities, bringing better living for all. Anywhere, out of the \nworld.\nChapter C\n16\nTacchini Collection\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.11.png","18\nTacchini World Project\nHOTEL SKEPPSHOLMEN \nLocation: Stockholm (Sweden)\nCERAMIKA CAFÉ \nLocation: Matsumoto, Japan\nHOTEL SAHRAI \nLocation: Fez, Morocco\nRESTAURANT LE CAFÉ \nLocation: Paris, France\nMUSIKKENS AUS \nLocation: Aalborg, Denmark\nEF EASTBOURNE \nLocation: Eastbourne, UK\nMEDIA.COM \nLocation: London, UK\nSOMERSET HOUSE TRUST \nLocation: London, UK\nHALL ARTS \nLocation: Dallas, USA\nBDO \nLocation: Brisbane, Australia\nMARKTGASSE HOTEL \nLocation: Zurich, Switzerland\nNOBIS HOTEL \nLocation: Stockholm (Sweden)\nVILLA CAMPARI RESTAURANT \nLocation: Milan, Italy\nOKKO HOTELS \nLocation: Nantes, France\nProjects list\nHospitality\nHotel Melia \nWien (Austria)\nThe Perry \nToronto (Canada)\nBronda Restaurant \nHelsinki (Finland)\nMarriott Renaissance \nAix-en-Provence (France)\nHotel Mont Blanc \nChamonix (France)\nOkko Hotels \nGrenoble (France)\nOkko Hotels \nLyon (France)\nOkko Hotels \nNantes (France)\nRestaurant Le Café \nParis (France)\nAir France CDG \nParis (France)\nHotel de Paris \nSaint Tropez (France)\nHotel Ile de la Lagune \nSaint Cyprien (France)\nBavaria Vip Lounge Messe \nMunich (Germany)\nThe Marker Hotel \nDublin (Ireland)\nVilla Campari Restaurant \nMilan (Italy)\nCeramika Café \nMatsumoto (Japan)\nHotel Riad \nFez (Morocco)\nHotel Sahrai \nFez (Morocco)\nEpic Sana \nLisbon (Portugal)\nHotel Bairro Alto \nLisbon (Portugal)\nHi Fly \nLisbon (Portugal)\nSt. Regis Hotel \nDoha (Qatar)\nAlma Hotel \nBarcelona (Spain)\nBosco de Lobos \nMadrid (Spain)\nHotel Nobis \nStockholm (Sweden)\nHotel Skeppsholmen \nStockholm (Sweden)\nJ Hotel \nStockholm (Sweden)\nHTL Hotel \nStockholm (Sweden)\nGothia Towers Hotel \nGöteborg (Sweden)\nMarktgasse Hotel \nZurich (Switzerland)\nDoubletree by Hilton \nLondon (UK)\nGenerator London \nLondon (UK)\nSouth Place \nLondon (UK)\nNew Park Manor Hotel \nNew Forest (UK)\nCorporate\nSahmri \nAdelaide (Australia)\nBDO \nBrisbane (Australia) \nQ31 \nMelbourne (Australia)\nPerth Arena \nPerth (Australia)\nAurecon \nSidney (Australia) \nShine Group \nSidney (Australia)\nFinancetoren \nBruxelles (Belgium)\nMuntpunt Library \nBruxelles (Belgium)\nMusikkens Aus \nAalborg (Denmark)\nHotel de la Region \nLille (France)\nAxa \nParis (France)\nBatiment SFL Cloud \nParis (France)\nGaleries Lafayette \nParis (France)\nBerliner Fernsehturm \nBerlin (Germany)\nEB Group \nBerlin (Germany)\nMicrosoft \nBerlin (Germany)\nAOA Apparatebau \nGauting (Germany)\nConsultancy Firm \nMunich (Germany)\nKabek LKA \nWolfsberg (Germany)\nTownhall \nArnhem (Holland)\nIGM Resins \nWaalwijk (Holland)\nHi-Tech System \nTurin (Italy)\nViken Skog SA \nOslo (Norway)\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.12.png","18\nTacchini World Project\nHOTEL SKEPPSHOLMEN \nLocation: Stockholm (Sweden)\nCERAMIKA CAFÉ \nLocation: Matsumoto, Japan\nHOTEL SAHRAI \nLocation: Fez, Morocco\nRESTAURANT LE CAFÉ \nLocation: Paris, France\nMUSIKKENS AUS \nLocation: Aalborg, Denmark\nEF EASTBOURNE \nLocation: Eastbourne, UK\nMEDIA.COM \nLocation: London, UK\nSOMERSET HOUSE TRUST \nLocation: London, UK\nHALL ARTS \nLocation: Dallas, USA\nBDO \nLocation: Brisbane, Australia\nMARKTGASSE HOTEL \nLocation: Zurich, Switzerland\nNOBIS HOTEL \nLocation: Stockholm (Sweden)\nVILLA CAMPARI RESTAURANT \nLocation: Milan, Italy\nOKKO HOTELS \nLocation: Nantes, France\nAdidas Group \nWarsaw (Poland)\nHermitage \nSt. Petersburg (Russia)\nErnst&Young \nStockholm (Sweden)\nFeusi Bildungszentrum \nBern (Switzerland)\nYara \nGeneve (Switzerland)\nAl Tayer Motors \nSharjah (UAE)\nProperty Finder \nDubai (UAE)\nEF Eastbourne \nEastbourne (UK)\nJB Leitch \nLiverpool (UK)\nA Gentlemen’s Club \nLondon (UK)\nBNP Paribas \nLondon (UK)\nMayfair Office \nLondon (UK)\nMedia.com \nLondon (UK)\nSomerset House Trust \nLondon (UK)\nEF Hult \nBoston (USA)\nHall Arts \nDallas (USA)\nEF Butler Hall \nTarrytown (USA)\nRetail\nStroili Oro \n(Italy)\nG3 Shopping Resort \nWien (Austria)\nBreuninger Flagship Store \nDüsseldorf (Germany)\nSwarovski \nLondon (UK)\nFootball Stadiums\nStadio Meazza \nMilan (Italy)\nKing Abdullah Sports City \nJeddah (Saudi Arabia)\nHealthcare\nLimegrove Spa \nLimassol (Cyprus) \nPorto Platanias Resort \nPorto Platanias (Greece)\nHotel Belvoir \nRuschlikon (Switzerland)\nWells and More \nLondon (UK)\nShipping Line\nDisney Cruise Fantasy Nightclub \nDental Clinic\nCOB \nMeda (Italy) \n \nTacchini Italia Forniture Srl\n19, v. Domodossola, 20822 \nBaruccana di Seveso (MB), Italy\nT. +39 0362 50 41 82 \nF. +39 0362 55 24 02\nE–mail: info@tacchini.it\nwww.tacchini.it\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F93\u002F124727923d859628a98dbe0a304cee-29092c09fc.13.png","Tacchini is a philosophy. Behind every object there’s a story \nand behind every story there’s a person. We also fall in love \nwith our products, their stories and the stories of those \nwho have produced them and continue to make things by hand \nso that this story continues, is passed on by the designer  \nto the creator and from the creator to the future owner of  \nthe product. And then it continues further.\nDesigning Being \nJune 2017\nTacchini Highlights\ntacchini.it\n",13,[],0,false,true,{"success":68,"data":70,"meta":290,"count":291,"next":292,"previous":293,"results":330,"brand_chips":391},[71,84,97,110,120,133,146,156,166,176,186,199,209,219,228,238,251,261,271,281],{"id":72,"title":73,"slug":74,"image":75,"source":76,"brand_name":77,"brand":78,"brand_slug":79,"file_size":80,"pages":81,"pages_count":82,"matched_pages":83,"match_count":66,"two_pages":67,"show_text":68},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 MB",[],100,[],{"id":85,"title":86,"slug":87,"image":88,"source":89,"brand_name":90,"brand":91,"brand_slug":92,"file_size":93,"pages":94,"pages_count":95,"matched_pages":96,"match_count":66,"two_pages":67,"show_text":68},26598,"Second Life Contract 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