[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-porcellane-principe-ars-sacra":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":208},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":203,"matched_pages":204,"match_count":205,"two_pages":206,"show_text":207},25535,"Ars Sacra","porcellane-principe-ars-sacra","\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fb2\u002F0bcebdcecf90abc87eaa6d9903fff5-290363a1d1.pdf","Porcellane Principe",2070,"porcellane-principe","11.0 MB",[14,17,20,24,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.3.png","principe\np O r c e L L A n e\nL’incAntO deLLA pOrceLLAnA\nErede di una scuola che da più di 200 anni \nporta nel mondo il gusto e la creatività della \nporcellana \nitaliana, \nPrincipe \nha \nsaputo \nfondere, anche nella creazione dei soggetti \ndi arte sacra, la fantasia creativa della scuola \ndi Capodimonte con l’originalità formale e \ncromatica veneta, rappresentando oggi un \nesempio d continuità, ricerca e innovazione \ndella tradizione.\nPrincipe è un’azienda che mantiene alta \nla manualità e l’intelligenza creativa. Essa \nrinnova il copione iniziale di una propria \nstoria personale che affonda le radici in una \nterra carica di cultura e tradizione, fondendo \narmonicamente la puntualità dei particolare \nalla calda morbidezza dei colori.\nIl marchio di fabbrica, la firma dello scultore \ne uno speciale certificato accompagnano ogni \ncreazione che esce dai laboratori Principe \nper attestare l’origine e la realizzazione \ninteramente manuale.\nthe chArm Of pOrceLAin\nAs heiress of a school that from over 200 \nyears is bringing to the world the taste and \ninventiveness of Italian porcelain, Principe is \nrepresenting today an example of continuity, \nsearch and innovation in the tradition, having \nmelted the creative Capodimonte fantasy \ntogether with the formal and chromatic \noriginality of Veneto.\nPrincipe \nhas \nsucceeded \nin \nblending \nharmoniously \nthese \ntwo \nexperiences \nrecreating, in fact, a rich new trend which \nmelts together the precise descriptiveness of \nthe details and the warm softness of the colors.\nEach and every art piece is individually hand \ncrafted and is the result of many hours of the \nartist craftsmanship. \nThe factory mark and the sculptor signature \nare in every piece ensuring its authenticity.\nthe charme of porcelain\n",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.4.png","espressiOni deLL’AnimA\nL’approccio all’espressione religiosa, come il \ncanto, la meditazione o la preghiera, tende a \ncoinvolgere il senso percettivo e comunicativo \ndelle persone che ad essa si rivolgono.\nNon fa eccezione la statuaria sacra con la \nriproduzione realistica di temi o personaggi \ncentrali della vita del credente, che cerca in \nloro un messaggio di forte intensità.\nQuesti oggetti figurativi, proposti da Principe, \ndevono intendersi come sostegno di un \nmodello di sincera pietà popolare che, sorto \nai primi tempi del cristianesimo e sviluppatosi \npoi nei secoli, segna l’alleanza tra la parola \nannunciata e la loro presa sull’individuo.\nDalla raffigurazione della Natività fino all’Ultima \nCena o alle varie figure ispirate alla Vergine e ai \nSanti, questo particolare filone della statuaria \nè stato oggetto delle più svariate tendenze \nartistiche e ha coinvolto i più grandi scultori, \nda Donatello a Michelangelo, radicandosi \nnella cultura italiana ed europea, e rendendo \npraticabile una universale famigliarità con il \nnucleo portante della fede.\nreLigiOus subjects\nThe approach to the religious expression, like \nsinging, meditation of prayers, tends to involve \nthe perceptive and communicative sense of \nthose people who turn to it.\nThe holy statuary is not an exception, with its \nrealistic reproduction of central themes and \ncharacters of the believer’s life, who searches \nin them a message of strong intensity. These \nfigurative objects, proposed by Principe, \nmust be considered as a support of a model \nof sincere popular devotion which, born at \nthe beginning of Christianity and developed \nlater on throughout the centuries, marks the \nalliance between the heralded word and their \ninfluence on the individual.\nFrom the  depiction of the Nativity up to the Last \nSupper or to the various figures inspired by the \nVirgin and the Saints, this particular statuary \ntrend has been object of the most varied artistic \ntendencies and has involved the greatest \nsculptors, from Donatello to Michelangelo, \ntaking root in the Italian and European culture, \nand making feasible a universal familiarity with \nthe fundamental nucleus of faith.\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.5.png","cOme nAsce unA \nstAtuinA\nUna statuina in porcellana richiede un \nlungo tempo per realizzarla partendo dal \ndisegno o dall’idea originale. Prima di tutto \nviene abbozzata dallo scultore in ceramica. \nSolo questo lavoro può richiedere giorni o \nsettimane e al termine di questo processo la \nstatuina viene sezionata in diverse parti (testa \nmani, dita, piedi, base ecc …). Vengono quindi \nrealizzati degli stampi in gesso per ognuna \ndelle parti sezionate.\nQueste prime forme in gesso serviranno \nper creare le madre-forme che dureranno \nnel tempo e che serviranno per creare gli \nstampi per il colaggio che però, essendo in \ngesso, si deteriorano molto rapidamente e di \nconseguenza devono essere costantemente \nrinnovati. Quando gli stampi sono asciutti, \nviene versata porcellana liquida al loro \ninterno e, dopo un certo tempo, i pezzi che \ncompongono la statuina vengono estratti dopo \ndi che comincia la fase dell’assemblaggio dei \nvari pezzi per far tornare la statuina simile al \nmodello originale. Tutti i particolari, come i \ncapelli, la barba, le unghie delle mani, i fiori, le \nfoglie, l’erba, la frutta ecc… sono fatti a mano.\nhOw is A figurine \nmAnufActured\nA completed figurine may take a year’s \nproduction time from its original sketch or \nidea. It is first shaped by sculptor in clay or \nceramic. This alone may take days or weeks. \nAt completion of the master modelling, the \nfigure goes through the delicate phase of \nbeing cut into several pieces or components \n(hands, arms, feet, base, etc.). From each of \nthe individual pieces that were cut, a plaster \ncast is then made.\nThis plaster cast will serve to make the \npermanent mother-forms which will last \nindefinitely. The mother-forms, in turn, will be \nused to produce the pouring casts (working \nmoulds). These pouring casts deteriorate very \nquickly and have to be constantly renewed. \nLiquid porcelain is then poured into the casts \nand, after drying, the pieces are removed and \nassembled to return them to their original \ndesign. All the details, such as hair, beards, \neyelids, part of the dress, as well as leaves, \nflowers, grass, fruits, and so on, are shaped by \nhand.\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.6.png","M A D O N N E\nOUR LADIES\nLa Vergine Maria, madre di Gesù, generalmente conosciuta \ncon il titolo di Madonna (mia Signora), è venerata fin dai primi \nsecoli del Cristianesimo e si ritiene che sia apparsa molte volte \ndurante i secoli in varie parti del mondo. La Chiesa Cattolica \nha, nell’arco dei secoli, definito per Lei diversi dogmi quali \nMadre di Dio, Immacolata Concezione, la sua verginità, la sua \nAssunzione in cielo. \nVirgin Mary, mother of Jesus and Mother of God and usually \nknown as Madonna (Our Lady), has been venerated since \nearly Christianity and she is claimed to have appeared many \ntimes over the centuries. The Catholic Church holds distinctive \nMarian dogmas, namely her status of the Mother of God, \nher Immaculate Conception, her perpetual Virginity, and her \nAssumption into heaven. \nART. 736\nmAdonnA del giglio - ouR lAdy\n22x27 cm\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.7.png","7\nM A D O N N E\nMADONNE\nART. 861\nimmAcolATA - ouR lAdy of gRAce\n28x62 cm\nART. 823\nmAdonnA di louRdes - ouR lAdy of louRdes\n13x26 cm\nART. 804\nimmAcolATA - ouR lAdy of gRAce\n25x64 cm\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.8.png","8\nM A D O N N E\nMADONNE\nART. 879\nmAdonnA dellA RosA - ouR lAdy of The Rose\n72x76 cm\nART. 696 sc\nmAdonnA con colomBe - ouR lAdy WiTh doVes\n38x38 cm\nART. 696\nmAdonnA con colomBe - ouR lAdy WiTh doVes\n55x65 cm\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.9.png","9\nM A D O N N E\nMADONNE\nART. 1032 BP\nmAdonnA con BAmBino - ouR lAdy WiTh child\n30x32 cm\nART. 1032\nmAdonnA con BAmBino - ouR lAdy WiTh child\n27x26 cm\nART. 806\nmAdonnA di medJugoRJe- ouR lAdy of medJugoRJe\n14x38 cm\nART. 778\nmAdonnA con BAmBino - ouR lAdy WiTh child\n14x33 cm\nART. 748\nmAdonnA di fATimA - ouR lAdy of fATimA\n20x50 cm\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.10.png","10\nM A D O N N E\nMADONNE\nART. n300\nmAdonnA e gesu’ BAmBino Re - ouR lAdy And child Jesus As king\n23x35 cm\nART. 300\nmAdonnA e gesu’ BAmBino Re - ouR lAdy And child Jesus As king\n23x35 cm\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.11.png","11\nM A D O N N E\nMADONNE\nART. n350\nmAdonnA che scioglie i nodi - ouR lAdy unTying knoTs\n18x38 cm\nART. 350\nmAdonnA che scioglie i nodi - ouR lAdy unTying knoTs\n18x38 cm\nART. 333B\nmAdonnA con Angeli - ouR lAdy WiTh Angels\n13x29 cm\nART. 333\nmAdonnA - ouR lAdy\n13x29 cm\nART. n333\nmAdonnA - ouR lAdy\n13x29 cm\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.12.png","12\nM A D O N N E\nMADONNE\nART. n347\nAnnunciAzione - AnnunciATion\n33x33 cm\nART. 347\nAnnunciAzione - AnnunciATion\n33x33 cm\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.13.png","13\nM A D O N N E\nMADONNE\nART. 351\nmAdonnA con BAmBino - ouR lAdy WiTh child\n27x31 cm\nART. n351\nmAdonnA con BAmBino - ouR lAdy WiTh child\n27x31 cm\nART. n348\nmAdonnA AnnunciATA - ouR lAdy of AnnunciATion\n18x33 cm\nART. 348\nmAdonnA AnnunciATA - ouR lAdy of AnnunciATion\n18x35 cm\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.14.png","S A N T I\nSAINTS\nIl santo è una persona che in vita si è distinto per l’esercizio \neroico delle virtù cristiane o per aver dato la vita a causa della \nfede. Alcuni di loro sono considerati degni di maggiore onore \ne di conseguenza alcuni santi sono oggetto di particolare \nvenerazione riservata loro o con la spontanea venerazione \npopolare o per mezzo della canonizzazione ufficiale.\nA saint is a person who is recognized as having an exceptional \ndegree of holiness or likeness or closeness to God. \nSome of them are considered worthy of greater honor so \nconsequently veneration is given to some saints through \npopular acclamation or official glorification and canonization. \n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.15.png","15\nS A N T I\nSAINTS\nART. 840\nsAn gioRgio - sAinT geoRge\n44x65 cm\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.16.png","16\nS A N T I\nSAINTS\nART. 840 Bo\nsAn gioRgio - sAinT geoRge\n44x65 cm\nART. n 302\nsAn gioRgio - sAinT geoRge\n36x34 cm\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.17.png","17\nS A N T I\nSAINTS\nART. 349B\nfRAncesco d’Assisi - fRAncis of Assisi\n19x37 cm\nART. 349\nfRAncesco d’Assisi - fRAncis of Assisi\n19x37 cm\nART. 785\nsAn AnTonio dA PAdoVA - sAinT AnThony of PAduA\n14x42 cm\nART. 773\nsAn fRAncesco e il luPo - sAinT fRAncis And Wolf\n16x32 cm\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.18.png","C r O C I F I S S I\nCRUCIFIXES\nIl Crocifisso è il simbolo principale della religione cristiana. \nEsso è diffusamente rappresentato nella pittura, nella scultura \ne in ogni altra forma di arte nei più diversi materiali. E’ posto \ncome simbolo di fede in ogni luogo religioso, chiesa e casa. E’ \nsimbolo e fonte di ispirazione per ogni cristiano,  ricordo della \nvita terrena di Cristo, della sua condanna e morte in croce per \nla salvezza dell’ umanità e della sua vittoria sulla morte.\nCrucifix is the principal symbol of the Christian religion. It can \nbe represented in painting, sculpture, metalwork, and other \nmaterial art forms. It is commonly referred to and displayed on \nevery religious place, church and home. Crucifix is a source \nof inspiration and serve as a symbol and a reminder of Christ’s \njourney to earth, his trials and death at the hands of humanity \nand his victory over death.\nART. 331\ncRocifisso - cRucifix WiTh cRoss\n36x50 cm\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.19.png","19\nC R O C e F I S S I\nCRUCIFIXES\nART. 794\ncRocifisso gRAnde - lARge cRucifix\n50x95 cm\nART. 820\ncRocifisso medio - medium cRucifix\n41x76 cm\nART. 821\ncRocifisso Piccolo - smAll cRucifix\n38x66 cm\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.20.png","20\nC R O C e F I S S I\nCRUCIFIXES\nART. 795\ncRocifisso gRAnde s\u002FcRoce - lARge cRucifix no\u002FcRoss\n35x55 cm\nART. 825\ncRocifisso medio s\u002FcRoce - medium cRucifix no\u002FcRoss\n28x47 cm\nART. 826\ncRocifisso Piccolo s\u002FcRoce - smAll cRucifix no\u002FcRoss\n24x40 cm\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.21.png","21\nC R O C e F I S S I\nCRUCIFIXES\nART. 739\ncRociisso - cRucifix\n35x40 cm\nART. 795 Bo\ncRocifisso gRAnde BiAnco\u002FoRo - lARge cRucifix WhiTe\u002Fgold\n35x55 cm\nART. 870\nTesTA di cRisTo - chRisT heAd\n23x30 cm\nART. 1031\nTesTA di cRisTo - chRisT heAd\n24x25 cm\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.22.png","A N G E L I\nANGELS\nGli angeli sono creature di Dio, ma hanno una natura diversa \nda quella umana. \nSvolgono la funzione di messaggeri per venire in aiuto agli \nesseri umani e così mostrare l’amore di Dio per noi che \ncerchiamo la loro protezione e preghiamo che ci guidino.\nAngels are spiritual beings created by God to serve him. \nThey are very powerful beings who function as God’s \nmessengers to serve humankind by demonstrating God’s love \nfor us. \nWe seek their protection and pray for their guidance.\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.23.png","23\nA N G E L I\nANGELS\nART. 800\nPuTTo gRAnde dA PAReTe - lARge WAll cheRuB\n32x42 cm\nART. 796 B\nPuTTo gRAnde dA PAReTe - lARge WAll cheRuB\n33x45 cm\nART. 839\nAngelo AnnunciAnTe - Angel of AnnunciATion\n30x40 cm\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.24.png","24\nA N G E L I\nANGELS\nART. 866 B\nAcquAsAnTieRA dx - WAll fonT dx\n26x30 cm\nART. 866 A\nAcquAsAnTieRA sx - WAll fonT sx\n26x30 cm\nART. 844\nAngelo cusTode - guARdiAn Angel\n55x65 cm\nART. 843\nAngelo - chRisTmAs Angel\n55x65 cm\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.25.png","25\nA N G E L I\nANGELS\nART. 756\nAngioleTTo - liTTle Angel\n16x19 cm\nART. 757\nAcquAsAnTieRA - WAll fonT\n16x19 cm\nART. 1025 B\nAcquAsAnTieRA\u002Fdx - WAll fonT\u002FRighT\n13x12 cm\nART. 1025 A\nAcquAsAnTieRA\u002Fsx - WAll fonT\u002FlefT\n13x12 cm\nART. 1024\nAcquAsAnTieRA 3 PuTTi - WAll fonT 3 cheRuBs\n17x24 cm\nART. 1024 A\nAcquAsAnTieRA\u002Fsx - WAll fonT\u002FlefT\n17x24 cm\nART. 1024B\nAcquAsAnTieRA\u002Fdx - WAll fonT\u002FRighT\n17x24 cm\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.26.png","26\nA N G E L I\nANGELS\nART. n 301\nAngelo - Angel\n20x40 cm\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.27.png","27\nA N G E L I\nANGELS\nART. n 306\nAngelo con liuTo - Angel WiTh luTe\n23x20 cm\nART. 306\nAngelo con liuTo - Angel WiTh luTe\n23x20 cm\nART. 307\nAngelo con liuTo - Angel WiTh luTe\n16x20 cm\nART. 308\nAngelo con liuTo - Angel WiTh luTe\n15x20 cm\nART. n 308\nAngelo che cAnTA - singing Angel\n15x20 cm\nART. n 307\nAngelo con ceTRA - Angel WiTh lyRe\n16x20 cm\n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.28.png","I L  P r E S E P E\nTHE NATIVITY\nIl modo che noi conosciamo di rappresentare la Natività \ndi Cristo, con i tipici criteri della variabilità e con scene \naccuratamente descritte, si sviluppò soprattutto in Italia a \npartire dal XVI secolo. In realtà la nascita e l’adorazione di Gesù \nvennero rappresentati già dal IV secolo attraverso immagini su \nsarcofaghi, oggetti liturgici e affreschi che mostrano il Bimbo \nche riposa su un giaciglio e Maria e i Magi in adorazione.\nThe representation of the birth of Christ has been created with \nregard to scenes carefully described mainly in Italian literature, \nsculpture and painting, dating back to the XVIth century. The \nbirth and adoration of Jesus have been represented through \nimages on sarcophagi, liturgical objects and frescoes as far as \nthe IVth century, often showing the Child resting on a feeding \ntrough with Mary and the three kings looking on admiringly. \n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.29.png","29\nP R E S E P I\nNATIVITY SETS\nART. 770\n25x13 cm\nART. 766\n19x30 cm\nART. 765\n20x22 cm\nART. 771\n22x10 cm\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.30.png","30\nP R E S E P I\nNATIVITY SETS\nART. 769\n15x27 cm\nART. 802\n11x12 cm\nART. 767\n13x14 cm\nART. 768\n21x20 cm\nART. 772\n12x9 cm\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.31.png","ART. 675\nlA nATiViTà - nATiViTy\n60x55 cm\nART. 815\n21x21 cm\nART. 814\n24x20 cm\nART. 813\n14x30 cm\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.32.png","32\nP R E S E P I\nNATIVITY SETS\nART. 797\nnATiViTà - nATiViTy\n36x30 cm\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.33.png","33\nP R E S E P I\nNATIVITY SETS\nART. 626\nPiccolo PResePe - smAll nATiViTy\n26x30 cm\nART. 832 \n11x9 cm\nART. 833\n12x7 cm\nART. 829\n11x14 cm\nART. 831\n9x16 cm\nART. 830 \n12x14 cm\nART. 828\n7x17 cm\nART. 827\n9x16 cm\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.34.png","34\nP R E S E P I\nNATIVITY SETS\nART. 332\nsAcRA fAmigliA - holy fAmily\n16x34 cm\nART. 332 B\nsAcRA fAmigliA - holy fAmily\n16x34 cm\nART. 699 B\nsAcRA fAmigliA - holy fAmily\n18x27 cm\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.35.png","35\nP R E S E P I\nNATIVITY SETS\nART. n 321\ngiusePPe - JosePh\n18x30 cm\nART. 322 B\nmARiA - mARy\n20x21 cm\nART. n 322\nmARiA - mARy\n20x21 cm\nART. 321\ngiusePPe - JosePh\n18x30 cm\nART. 322\nmARiA - mARy\n20x21 cm\nART. 321 B\ngiusePPe - JosePh\n18x30 cm\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.36.png","36\nP R E S E P I\nNATIVITY SETS\nART. 819 B\nulTimA cenA - The lAsT suPPeR\n100x65 cm\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.37.png","ART. 644\nlA PieTA’\n63x50 cm\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.38.png","E D I Z I O N I  L I M I T A T E\nLIMITED EDITIONS\nART. 875\nlA PieTA’\n52x63 cm\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.39.png","39\nE D I Z I O N I  L I M I T A T E\nLIMITED EDITIONS\nediZiOni LimitAte - Limited editiOns\nLA pietA’\nNel 1497, il cardinale francese Jean de \nBilhères \nLagraulas \naffidò \nal \ngiovane \nMichelangelo il progetto per la propria tomba \na Santa Petronilla in roma e che lui portò a \ntermine a soli 24 anni.\nLa raffigurazione della Madre con il corpo \ndel Figlio morto tra le braccia era di origine \nnordeuropea; il gruppo di Michelangelo \nrappresenta una sorta di summa monumentale \ndi questa antica tradizione e apice della \ntecnica della scultura in marmo.\nIl dolore è espresso dal capo reclinato della \nMadre, ma è un dolore trattenuto. Lei sorregge \nil corpo del Figlio morto e lo mostra a noi con \nun gesto di rassegnazione: l’espressività della \nmano ha un impatto superiore a quello di \nqualsiasi volto segnato dalle lacrime.\nL’effetto \nplastico \nè \naccentuato \ndalla \nstraordinaria ricchezza del panneggio che \nscende dalle ginocchia per ridurre il confronto \ntra le relativamente piccole dimensioni del \ncorpo della Vergine e il corpo del Cristo.\nLa tecnica scultorea rivela un’estrema \nraffinatezza. Ogni particolare è modellato con \ncura amorosa e abbondanza di dettagli, unica \nnell’opera di Michelangelo. Il trattamento \ndel nudo raggiunge livelli virtuosistici in \nparticolari quali il braccio abbandonato con le \nvene in rilievo.\nIn 1497, the French cardinal Jean de Bilhères \nLagraulas asked a young Michelangelo \nto create a monument for his tomb in the \nChapel of Saint Petronilla in rome. The artist \ncompleted the work at the age of just 24.\nThe sculpture shows Mary cradling the body \nof her dead Son. This was a theme whose \norigins lay in Northern Europe. Michelangelo’s \nmonument marks a high point in marble \nsculptural techniques and encapsulates the \nfinest aspects of these ancient traditions.\nThe Mother is bowing her head in grief, but she \nis restrained in her sorrow. She is supporting \nthe body of her dead Son and showing it to us \nin a resigned manner: her expressive hand \ngesture has a far greater impact than any tear-\nstained face ever could.\nThe monumental qualities of the statue are \naccentuated by the exceptional richness of \nthe drapery hanging from the knees, which \nhelps to conceal the lack of proportion \nbetween the body of Christ and that of the \nVirgin Mary, which should be much smaller.\nThe sculptural technique is extremely refined. \nEvery aspect of Michelangelo’s work is \nshaped with loving care and an unparalleled \nabundance of details. The portrayal of the \nnude is virtuosic, especially on the drooping \narm with bulging veins.\nART. 876\nlA PieTA’\n47x45 cm\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.40.png","40\nE D I Z I O N I  L I M I T A T E\nLIMITED EDITIONS\nART. 686\nulTimA cenA - lAsT suPPeR\n80x32 cm\nediZiOni LimitAte - Limited editiOns\nL’uLtimA cenA\nDette queste cose, Gesù fu profondamente turbato e dichiarò: “In \nverità, in verità io vi dico: uno di voi mi tradirà”. \nI discepoli si guardavano l’un l’altro, non sapendo bene di chi \nparlasse. \nOra uno dei discepoli, quello che Gesù amava, si trovava a tavola al \nfianco di Gesù. Simon Pietro gli fece cenno di informarsi chi fosse \nquello di cui parlava . Ed egli, chinatosi sul petto di Gesù, gli disse: \n“Signore, chi è?”. rispose Gesù: “E’ colui per il quale intingerò il \nboccone e glielo darò”. E intinto il boccone, lo prese e lo diede a \nGiuda, figlio di Simone Iscariota”.\nAfter he had said this, Jesus was troubled in spirit and testified, \n“Very truly I tell you, one of you is going to betray me.” \nHis disciples stared at one another, at a loss to know which of them \nhe meant . \nOne of them, the disciple whom Jesus loved, was reclining next to \nhim. Simon Peter motioned to this disciple and said, “Ask him which \none he means.” Leaning back against Jesus, he asked him, “Lord, \nwho is it?” Jesus answered, “It is the one to whom I will give this \npiece of bread when I have dipped it in the dish”. Then, dipping the \npiece of bread, he gave it to Judas, the son of Simon Iscariot”.\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.41.png","41\nE D I Z I O N I  L I M I T A T E\nLIMITED EDITIONS\nART. 686 WhiTe\nulTimA cenA - lAsT suPPeR\n80x32 cm\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.42.png","42\nE D I Z I O N I  L I M I T A T E\nLIMITED EDITIONS\nART. 759\nil cenAcolo - suPPeR Room\n60x39 cm\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.43.png","43\nE D I Z I O N I  L I M I T A T E\nLIMITED EDITIONS\nediZiOni LimitAte - Limited editiOns\niL cenAcOLO\nVenuta l’ora, Gesù si mise a tavola con gli \napostoli e disse loro: “Ho ardentemente \ndesiderato di mangiare questa Pasqua con voi \nprima di patire”. \nPoi prese il pane, rese grazie, lo spezzò e lo \ndiede  loro dicendo: “Questo è il mio corpo, \ndato per voi. Fate questo in mia memoria”. \nAnd when the hour came, Jesus sat down and \nthe twelve apostles with him. And he said unto \nthem: “With desire I have desired to eat this \nPassover with you  before I suffer”. \nAnd he took bread and gave thanks and brake \nit and gave them, saying: “This is my body \nwhich is given for you. This do in remembrance \nof me”.\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.44.png","44\nE D I Z I O N I  L I M I T A T E\nLIMITED EDITIONS\nediZiOni LimitAte - Limited editiOns\niL presepe\nART. 764\nnATiViTà- nATiViTy seT\n40x46 cm\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.45.png","45\nE D I Z I O N I  L I M I T A T E\nLIMITED EDITIONS\nLa rappresentazione della Natività di Cristo si sviluppò in Italia a \npartire da IV secolo arrivando alla realizzazione della grotta a cui si \naggiunse anche una mangiatoia in legno. \nLa notte di Natale del 1223 vide un evento importante: Francesco \nd’Assisi, per rendere più comprensibile a tutti la liturgia del Natale, \nfece portare una mangiatoia, un bue e un asino nel bosco di \nGreccio, nei pressi di rieti.\nGrazie a questa insolita rappresentazione, egli viene accreditato \ncome l’ideatore del Presepe, come concetto esteso a tutta la scena \ndella Natività, con le sue molteplici figure, tra loro indipendenti, \nall’interno di una scena sacra che stimola la meditazione.\nThe representation of the birth of Christ in Italy is dating back to the \n4th century. In later years the Nativity cave was added and then a \nwooden feeding manger came into the scene. \nThe Christmas eve of 1223 saw an important event. Francis of Assisi, \nIn order to give immediate visibility to the liturgy, brought into the \nwood of Greccio, near rieti, a feeding manger, a cow and a donkey. \nThanks to this unusual representation he is considered the author \nof the “Presepio”, as a nativity scene that has been widened to \ninclude several figures, independently placed inside a religious \nplay which stimulates the meditation.\nART. 803\ncenAcolo Piccolo - smAll lAsT suPPeR\n41x24 cm\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.46.png","ART. 807\nlA ResuRRezione - ResuRRecTion\n41x70 cm\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.47.png","“E se Cristo non fosse risorto, la vostra fede sarebbe vana”. \n(S. Paolo, I° Cor. 15-17)\nLa risurrezione di Gesù Cristo è il fondamento e la più grande festa \ndella Cristianità perché, se dopo la Sua morte, Gesù non fosse \nrisorto, chi avrebbe avuto fede in Lui come Il Messia promesso, Il \nredentore, Il Figlio di Dio?\n“And if Christ be not raised, your faith is vain”. \n(St. Paul, I° Cor. 15-17)\nThe resurrection of Jesus Christ is the foundation of the greatest \nChristian festival because, if after His death, Jesus had not \nresurrected, who could had faith in Him as the promised Messiah, \nThe redentor, The son of God?\nediZiOni LimitAte - Limited editiOns\nLA risurreZiOne\nDESIGN\nOficinaGrafica.it\nPHOTO\nDaamStudio.com\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F89\u002Fc36baf0c7a0393a07817653f97ff56-290370e7e3.48.png","Via dell’Industria 4\nCavazzale di Monticello C.O.\n36010 (Vicenza) Italy\nTelefono +39 0444 596443\nFax +39 0444 596175\nwww.porcellaneprincipe.com\ninfo@porcellaneprincipe.it\nFacebook: PorcellanePrincipe\n",48,[],0,false,true,{"success":207,"data":209,"meta":426,"count":427,"next":428,"previous":429,"results":467,"brand_chips":528},[210,223,233,243,253,262,272,282,292,304,316,329,339,352,365,375,385,394,404,416],{"id":211,"title":212,"slug":213,"image":214,"source":215,"brand_name":216,"brand":217,"brand_slug":218,"file_size":219,"pages":220,"pages_count":221,"matched_pages":222,"match_count":205,"two_pages":206,"show_text":207},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":224,"title":225,"slug":226,"image":227,"source":228,"brand_name":216,"brand":217,"brand_slug":218,"file_size":229,"pages":230,"pages_count":231,"matched_pages":232,"match_count":205,"two_pages":206,"show_text":207},26606,"Architectural Systems  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