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Each volume contains \nhotel, residential or resort units that form an \nindependent universe overlooking the water, \nwhich surrounds the entire project.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.6.png","6\n7\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.7.png","8\n9\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.8.png","10\n11\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.9.png","12\n13\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.10.png","14\n15\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.11.png","16\n17\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.12.png","18\n19\n“Between the desert and the \ndiaphanous ocean, I felt the \nenormous drive of the water \nunder a scorching sun”.\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.13.png","20\n21\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.14.png","22\n23\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.15.png","24\n25\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.16.png","26\n27\n“The greatest virtue of \narchitecture is that it generates \nsensations through space, on a \nseries of planes that belong to \nthe realm of sensitivity”.\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.17.png","28\n29\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.18.png","30\n31\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.19.png","32\n33\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.20.png","34\n35\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.21.png","36\n37\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.22.png","38\n39\n“Poliform Contract has huge \npotential, it can produce almost all \ncomponents of a house, even the \nones it doesn’t usually deal with”. \n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.23.png","40\n41\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.24.png","42\n43\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.25.png","44\n45\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.26.png","46\n47\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.27.png","48\n49\nMIGUEL ÁNGEL ARAGONÉS \nMexican architect Miguel Ángel Aragonés is known worldwide \nfor his style, combining the purity of minimalism with decorative \nlighting and the beauty of natural landscapes. Self-taught and \nindependent, unconnected to architecture circles, schools and \nassociations, he started working in 1984, at only twenty years of \nage. Since then he has completed hundreds of projects, both in \nthe residential and hospitality sectors. He took part in the first \nArchitecture Biennale organized by the Conaculta and Instituto \nNacional de Bellas Artes in Mexico City, and his work has been \nexhibited in Mexico and abroad, garnering international attention. \nAragonés believes that although it is very tempting for architects \nto feel as if they were artists, they are in fact a hybrid figure that \nmust stay grounded and take into account the specific needs of \nthe people who will inhabit the spaces they create. Much more \nthan beautiful buildings, his projects are constructions on a human \nscale, focused on their inhabitants and respectful of nature and \nthe landscape.    \nHis latest projects – the Encanto Hotel in Acapulco, Rombo IV \nvilla in Mexico City and Mar Adentro in San José del Cabo – all \nfeature a perfect harmony between minimalism and a strong \nsense of light.\nWe talk about Mar Adentro, a complex that combines 198 hotel \nrooms with exclusive private homes on the gulf separating the \nBaja California Peninsula from the Mexican mainland. A stun-\nning archipelago of white volumes floating on the water around \na cocoon that looks like the nest of a giant seabird, all connected \nby walkways from which a glimpse of the ocean can be caught \nin the background.\nWhat was your impression when you first visited San José \ndel Cabo, one of the most densely populated areas of Baja \nCalifornia?\nThe first time I visited this site and took in the desert and the diaph-\nanous, clear sea running along a horizontal line in the background, \nI felt the enormous drive of the water under a scorching sun. It was \nthe purest, most minimalist landscape a horizon could have drawn.\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.28.png","50\n51\nHow did you come up with the idea of a floating architecture?\nThis dreamlike scenery collided with the unaesthetic all-inclusive \nresorts dotting the coastline. I decided to draw my own version, \nthat stood apart from the rest. Given the happy circumstance \nthat the universe had created a desert joined to the sea along a \nhorizontal line, I had the idea of a box that contains its own water \nand its own air.\nHow did you go about establishing a dialogue between archi-\ntecture and landscape?\nI believe that the greatest virtue of architecture is that it generates \nsensations through space, on a series of planes that belong to the \nrealm of sensitivity. I believe this capacity further increases when \nyour surroundings allow you to meld into them and become a part \nof your own space. I wanted to take that horizon and bring it into \nthe foreground. The horizon, the dawn, and the water are inherent \nto the body of the project. It was our duty to integrate them and \nmake them an extension of the building.\nMar Adentro is both a hotel and a residential project: how did \nyou combine these aspects?\nThe water is the event that surrounds the entire project; all of the \nvolumes open up toward the sea and turn their backs on the city, \nwhich is all that remains of the original surroundings, burdened \nby noise.\nWhat is the difference between designing for hospitality and \nfor living?\nAny hotel must be a house, it is exactly the same thing with a \ndifferent name. And architecture has always the same purpose: \nto give at least a little peace to whom inhabits it.\nYou also designed the interiors: what was your purpose?\nThe concept behind the design is that the furniture is part of the \narchitecture, or maybe the architecture is part of the furniture. \nSo each floating volume contains interiors that form independent \nuniverses and each room visually contains a piece of the sea: no \none can resist gazing out at it.\nHow did you successfully manage a project of such com- \nplexity?\nWe employed a module, whose versatility allows it to be divided or \nadded onto, thus becoming autonomous or dependent on another \nstructure. Our main module is a kind of loft divided in half in order \nto create two rooms, so a house can be formed by adding on two \nor four more modules: it’s as simple as that. This structure can be \nentirely factory-made and then raised on site in a straightforward \nmanner. In order to make possible on-site assembly, “modular” \nbecame one of the essential keys to the project. This made us \ngo further and look into how we could have a 100% prefabricated \nhouse that could be built anywhere in the simplest possible way. \nWhat was Poliform’s contribution to the overall project?\nPoliform Contract was our ally. We discovered that the company \nhas huge potential, it can produce almost all the components \nof a house, even the ones it doesn’t usually deal with. Together \nwith Poliform Contract, we adapted some systems to give them \nanother use. It supplied coverings and fixtures, created the fur-\nnishings for the rooms, bathrooms and kitchens of the residential \narea, relaxation areas and the restaurant. Each room was built in \nBrianza and shipped in boxes across the sea to its destination, \nwhere it was assembled on site by local hands. In a few days the \nfirst room was ready. The sophisticated production and the wis-\ndom of hands with a lifetime’s experience were evident from its \nquality. The room was fashioned with intelligence, imagination, \nand dedication.\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fed\u002Fc6e0b0b57378019954c7a2f8ef1692-285d698cba.29.png","Poliform Spa\nContract Division\nvia Trento 2 - ang. via Magni\nCasella postale n. 1\n22044 Inverigo (CO) Italy\nt +39 031 695601\nf +39 031 695354\ninfo.contract@poliform.it\npoliform.it\nAll the Poliform collections are  \nmanufactured 100% in Italy  \nusing top-class components  \nand materials.  \nCreative Direction\nApartamento Studios\nGraphic Design\nApartamento Studios\nText\nLisa Cadamuro\nInteriors Photography\nJoe Fletcher\nPortrait Photography\nGuillermo Khalo\n1st edition November 2019\ncod. 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