[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-pianca-05-progetti-di-design-federica-biasi-cristina-celestino":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":153},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":148,"matched_pages":149,"match_count":150,"two_pages":151,"show_text":152},15482,"05 Progetti di Design Federica Biasi Cristina Celestino","pianca-05-progetti-di-design-federica-biasi-cristina-celestino","\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F33\u002Fb1ea2e87e21f66c38688529a4e4476-285d0c9f9c.pdf","Pianca",863,"pianca","10.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145],{"image":7,"text":15,"number":16}," \nPROGETTI DI DESIGN \n05\nFederica Biasi \nCristina Celestino\nNaan poltrona \u002F armchair\nPeonia collezione \u002F collection\nCalatea collezione \u002F collection\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.2.png","Thinking, Loving, Living\nFederica Biasi \nNaan \nCristina Celestino\nPeonia\nCalatea\nInfo tecniche \u002F Technical info\n2\n4\n12\n24\n32\n52\n62\nPROGETTI DI DESIGN \n05\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.3.png","PROGETTI DI DESIGN 05\nThinking,\nLoving,\nLiving\nIT \nPianca crea sistemi e complementi \nd’arredo per il residenziale – zona notte e \ngiorno – e per il contract. Il nostro approc-\ncio al design è orientato alla personaliz-\nzazione dei prodotti e degli ambienti, così \nda soddisfare i bisogni di uno stile di vita \nimprontato alla flessibilità, alla mobilità \ne al cambiamento, ma con il desiderio di \n“sentirsi a proprio agio come a casa”.  \nIl rispetto per la storia e i valori identitari \ndel marchio – territorio, italianità, famiglia, \ningegno – e il perseguimento di una reale \nsostenibilità di prodotti e processi, ci \npermettono di valorizzare il lato umano \ndell’azienda: capace di sposare la sua \nparte razionale (thinking) con quella più \nemozionale ed empatica (loving).\n2 — 3\nEN \nPianca creates furniture systems \nand occasional furniture for residential \ncontexts – bedrooms and living rooms \n– and for the contract market. Our ap-\nproach to design aims at customising \nproducts and places to meet the needs \nof people whose lifestyles are based on \nflexibility, mobility and change but who \nstill want to feel at home no matter what. \nOur respect for the history and founding \nvalues of our brand – our territory, our \nItalian culture, family and genius – and our \ndesire to make authentically sustainable \nproducts, make appreciating the human \naspects of our company second nature \nto us, resulting in our ability to blend our \nrational side (thinking) with our more \nemotional and empathic side (loving).\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.4.png","PROGETTI DI DESIGN 05\nIT \nConcreta e determinata, Federica \nBiasi ha una visione molto chiara del ruolo \ndel designer. Nata nel 1989 a Saronno, una \ncittadina alle porte di Milano, si è laureata \nallo IED nel 2011, dove oggi insegna. \nAll’inizio della sua carriera ha vissuto ad \nAmsterdam per due anni, lavorando come \ntrend forecaster e maturando competenze \ndi mercato che le sono state utili quando \nha aperto il suo studio nel 2015.\nDa quando si è fatta notare, insieme a \nuna generazione di nuovi designer italiani, \nFederica Biasi ha eccelso nella sintesi \ndella forma, senza inutili ostentazioni, \ne nella coerenza dell’uso dei materiali. \n“Cerco sempre di progettare oggetti \nche siano sostenibili a livello produttivo”, \nracconta. “Per questo, la mia scelta ricade \nspesso su materie di origine naturale, \ncome il legno.” Anche quando si cimenta \ncon altri materiali, la leggerezza del tratto\ne la tensione alla semplicità formale, \ndi gusto vagamente orientale, \ncontraddistinguono il suo lavoro.\nFederica \nBiasi\n4 — 5\nEN \nPragmatic and determined, Federica Biasi has a very clear vision of the \nrole of a designer. Born in 1989 in Saronno, a town on the outskirts of Milan, she \ngraduated from the IED in 2011, where she now teaches. At the start of her career, \nshe lived in Amsterdam for two years, working as a trend forecaster and developing \nmarket skills that served her well when she opened her design studio in 2015. Since \nshe was discovered, along with a generation of new Italian designers, Federica Biasi \nhas excelled in capturing the essence of form, without superfluous ostentatious \ndetails, and in the coherent use of materials. “I always try to design objects that \noffer sustainable manufacturing”, she states. “That’s why I often go for materials of \nnatural origins, like wood.” Even when she is working with other materials, her style \nis distinctively light and tends towards simple forms with a slightly Oriental influence.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.5.png","PROGETTI DI DESIGN 05\nForme \nsemplici  \n— Q&A\nL’attenzione per i materiali e per i processi \nproduttivi è fondamentale nel lavoro \ndi Federica Biasi. Questa particolare \nfisionomia della pratica della giovane \ndesigner ha trovato in Pianca terreno \nfertile. Pur avendo, infatti, sviluppato una \ntecnologia adeguata ai grandi numeri, \nPianca mantiene un approccio legato al \nsaper fare, scegliendo finiture pregiate \ne usando tecniche difficilmente ripetibili. \nCon la poltrona Naan e la sua linea \niconica che contiene un volume compatto \nin appoggio su una base in legno, Biasi \nha interpretato bene lo stile senza \ntempo che caratterizza l’azienda veneta. \nCurata nei dettagli ed essenziale, questa \npoltroncina entra facilmente in dialogo \ncon le altre famiglie d’arredo del mondo \nPianca perché, proprio come il naan, il \ntradizionale pane che accompagna tutti i \nprincipali piatti della cucina asiatica, è una \nseduta complementare che manifesta la \nsua presenza con discrezione, sapendosi \ndistinguere anche come pezzo d’accento.  \n6 — 7\n— Cosa ti rende felice come progettista? \nQuando un mio oggetto viene realizzato \nproprio come l’ho disegnato.\n— Qual è la tua più grande paura come \nprogettista?\nMi fa molta paura che un oggetto venga \ndistorto dall’idea iniziale e si trasformi in \nqualcosa che non mi appartiene.\n— Quali sono le tre qualità fondamentali \nche deve avere un buon oggetto? \nChe sia funzionale e confortevole, che \nabbia uno stile senza tempo e che abbia \ncarattere, senza evadere nel superfluo.\n— C’è un designer che ammiri?\nAmmiro il lavoro che tutti riescono a \nfare perché so quanto è difficile. Se \ninvece penso al passato, guardo con \nammirazione allo stile di Charlotte \nPerriand e di quel periodo storico.\n— Cosa avresti fatto se non avessi fatto  \nla designer?\nLa naturopata. I miei libri sul comodino \nsono tutti di piante officinali.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.6.png","PROGETTI DI DESIGN 05\n8 — 9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.7.png","A keen focus on materials and production \nprocesses is a fundamental feature \nof Federica Biasi’s work. The young \ndesigner’s particular style traits in \nher designs have found fertile terrain \nin Pianca. Despite having developed \nthe technology for mass production, \nPianca still retains a close bond with \ncraftsmanship, choosing high end finishes \nand using techniques that are hard to \nrepeat. With the iconic design of the Naan \narmchair which has a compact volume \nresting on a wooden base, Biasi has \ndeftly interpreted the Veneto company’s \ncharacteristic timeless style. Precisely \ndetailed and simple, this armchair is the \nperfect partner for the other Pianca \nfurniture collections because, just like the \ntraditional naan bread that accompanies \nall the main dishes in Asian cuisine,\nit is a complementary chair that asserts \nits presence discreetly, also making an \nexcellent accent piece.\nSimple \nforms  \n— Q&A\nPROGETTI DI DESIGN 05\n10 — 11\n— What makes you happy as a designer?\nWhen one of my objects is produced \nexactly as I designed it.\n— What is your biggest fear as a designer?\nI get really afraid if an object is distorted \nfrom the initial idea and turns into \nsomething that really doesn’t belong to me.\n— What three essential qualities must a \ngood object possess?\nIt has to be functional and comfortable, \nhave timeless style and personality, \nwithout escaping into the superfluous.\n— Is there a designer who you admire?\nI admire the work that everyone manages \nto do because I know how difficult it is.\nIf I think about the past, I really admire the \nstyle of Charlotte Perriand and that period \nof history.\n— If you hadn’t become a designer,  \nwhat would you have done in life?\nI’d have been a naturopath. The books\non my bedside table are all about \nmedicinal plants.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.8.png","PROGETTI DI DESIGN 05\nNaan by Federica Biasi\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.9.png","PROGETTI DI DESIGN 05\nNaan by Federica Biasi\nIT \nÈ nella semplicità che, a volte, è racchiuso il \nsegreto. Lo è per il rinomato pane indiano naan, come \nper l’omonima poltrona disegnata da Federica Biasi: \nun volume compatto, avvolgente, dai profili morbidi e \ndelicati. La struttura si sviluppa come un unico blocco \na partire da una base quadrata con angoli arrotondati: \nla proietta nello spazio, senza soluzione di continuità, \ngenerando un volume accogliente. I braccioli e lo \nschienale, slanciati e affusolati, racchiudono al loro \ninterno un’ampia seduta. L’assenza di vuoti conferisce \nalla poltrona rigore ed eleganza, in un delicato equilibrio \ntra forma e geometria, visibile e invisibile. La poltrona \nNaan, disponibile anche in versione girevole, è un \nprodotto everyspace, pensato per i living domestici, \ngli spazi pubblici e hospitality. Un complemento adatto \na molteplici abbinamenti grazie alla sua semplicità \nintrinseca.\nEN \nSometimes, the secret lies in simplicity. That is how it is for the renowned \nIndian naan bread, and so it is for the armchair of the same name, designed by \nFederica Biasi: a compact, embracing volume with soft, gentle contours.\nThe structure develops from a square base with rounded corners into one single \nblock form, projecting it into the space, with no interruption, creating an inviting \nvolume. Slim, tapered armrests and backrest enclose a generous seat. The absence \nof voids gives the armchair a precise, elegant look of balanced form and geometry, \nboth visible and invisible. The Naan armchair is also available as a swivel chair and\nis a product that suits any space, conceived for home living areas, public spaces\nand hospitality venues. Its intrinsic simplicity makes it a piece of furniture that \nmatches a wealth of decor styles.\n14 — 15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.10.png","PROGETTI DI DESIGN 05\nNaan by Federica Biasi\n16 — 17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.11.png","PROGETTI DI DESIGN 05\nNaan by Federica Biasi\n18 — 19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.12.png","PROGETTI DI DESIGN 05\nNaan by Federica Biasi\n20 — 21\nStill in tessuto Rella 01 \n(Boucle bianco)\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.13.png","IT \nUna seduta classica ed elegante, ma anche morbida \ne avvolgente. Naan, realizzata in poliuretano flessibile \nstampato, può essere rivestita in pelle naturale, sintetica, \no tessuto sfoderabile. L’ampia gamma di tessuti Pianca, \nche include anche le nuove proposte Green, offre \nmolteplici possibilità di personalizzazione, rendendo \nNaan perfetta per ogni ambiente e stile. Lo zoccolo alla \nbase è realizzato in laccato opaco Nero.\nEN \nA classic, elegant, yet soft and inviting chair.\nMade of flexible polyurethane, Naan can have natural\nor synthetic leather covers or removable fabric covers. \nThe wide range of Pianca fabrics, which includes \nthe new Green range, offers plenty of custom design \noptions, making Naan perfect for any room and style. \nThe base plinth comes in Nero matt lacquer.\nPROGETTI DI DESIGN 05\nNaan by Federica Biasi\n1 — Pelle Doge 23 \u002F Doge 23 leather\n2 — Tessuto Rella 01 \u002F Rella 01 fabric\n3 — Tessuto Zea 08 \u002F Zea 08 fabric\n22 — 23\n1\n2\n3\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.14.png","IT \nIl suo approccio al progetto è sempre \npreciso e rigoroso, privo di sbavature \ne divagazioni. “Tendo a tenere tutto \nsotto controllo”, dice Cristina Celestino, \n“quando mi trovo dentro al progetto sento \nla necessità che tutto sia coerente”. \nDietro l’apparente leggerezza del suo \nlinguaggio, c’è sempre un disegno \npuntuale. Forme, materiali e colori non \nsono mai solo elementi decorativi, ma \nesistono e nascono in relazione allo \nspazio e al contesto. Nata nel 1980 \na Pordenone ha studiato allo IUAV di \nVenezia. Quando la designer, nel 2009, si \nè trasferita a Milano ha portato con sé il \nverde rigoglioso della campagna friulana \ne l’estetica della città lagunare, con la \nsua stratificazione di materiali. A Milano, \npoi, è entrata in contatto con il lavoro di \nOsvaldo Borsani, i volumi puliti di Caccia \nDominioni, il colore delle ceramiche \ndi Sottsass e la luce in movimento di \nGino Sarfatti. Questi riferimenti si sono \nstratificati nel suo vocabolario espressivo.\nCristina\nCelestino\nPROGETTI DI DESIGN 05\n24 — 25\nEN \nHer design style is always precise and sleek, flawless and unswerving.\n“I tend to keep everything under tight control”, says Cristina Celestino, “When \nI get into the design I feel the need for everything to be coherent”. Behind the \napparent lightness of her design language, there is always a meticulously precise \ndesign. Forms, materials, and colours are never merely decorative elements. They \nexist and are devised in relation to the space and context. Born in Pordenone in \n1980, she studied at IUAV in Venice. When the designer moved to Milan in 2009, \nshe brought the lush greenery of the Friuli countryside with her, and the stunning \nbeauty of Venice, with its layering of materials. In Milan, she discovered the work \nof Osvaldo Borsani, the clean volumes of Caccia Dominioni, the colour of Sottsass \nceramics and the light in motion of Gino Sarfatti. These references are layered in her \nexpressive lexicon.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.15.png","Decoro \ncontrollato  \n— Q&A\nDelicati ma al contempo espressivi,\ni suoi oggetti derivano spesso da una \nsovrapposizione di forme, immagini\ne richiami ad atmosfere o a momenti \nstorici. Il mix dei riferimenti è sempre \ncalibrato, ma rimanda più o meno \nchiaramente a un universo semantico: \nuna grande foglia, come per l’iconica \npoltrona Calatea che Cristina Celestino \nha disegnato per Pianca nel 2017, o una \ncorolla di petali come nel caso della nuova \npoltroncina Peonia. I riferimenti non sono \nmai diretti: è l’insieme dei materiali, della \npalette cromatica e delle forme che crea \nuna sensazione che rimanda al mondo \ndelle piante. Peonia è un imbottito che\nè stato pensato come elemento singolo,\nma che è in grado di evolversi anche \nverso una modularità componibile.\nIl carattere della poltroncina è dato dalla \nlavorazione dello schienale, formato da \nuna serie di petali stratificati l’uno sull’altro \nche danno ergonomia alla seduta e, al \ntempo stesso, ne definiscono il disegno.\nPROGETTI DI DESIGN 05\n26 — 27\n— Cosa ti rende felice come progettista? \nDiverse cose, a partire dalla fase iniziale, \ncreativa. E, poi, il primo prototipo: il primo \npassaggio dal foglio di carta al prodotto \nfisico.\n— Quali sono le tre qualità fondamentali \nche deve avere un buon oggetto? \nOltre agli aspetti funzionali ed ergonomici, \nil prodotto deve portare innovazione sul \npiano dei materiali, o dell’attitudine all’uso. \nÈ importante il rapporto con i materiali \nutilizzati e la coerenza tra il lavoro del \ndesigner e il DNA dell’azienda.\n— C’è un designer che ammiri?\nGamfratesi. Perché in loro c’è rispondenza \ntra l’azienda per cui lavorano e la propria \nvisione progettuale. \n— Cosa avresti fatto se non avessi fatto  \nla designer?\nLa fiorista. Mi piacciono i fiori e le piante \nche sono combinazione di texture e \nforme.\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.16.png","PROGETTI DI DESIGN 05\n28 — 29\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.17.png","Controlled \ndecoration \n— Q&A\nPROGETTI DI DESIGN 05\nDelicate yet expressive, her objects often \nderive from layered forms and images \nand references to atmospheres or historic \nmoments. Her mix of references is always \ncalibrated but clearly refers to a semantic \nuniverse: a huge leaf, like for the iconic \nCalatea armchair that Cristina Celestino \ndesigned for Pianca in 2017 or a crown of \npetals like for the new Peonia armchair. \nThe references are never direct. It is the \nsum total of materials, the colour palette \nand the forms that create a sensory \nexperience clearly referencing the world \nof plants. Peonia is an upholstered chair \ndesigned as a single element, which can \nalso evolve into a modular arrangement. \nThe distinctive style of the armchair \nderives from the craftsmanship of the \nbackrest formed by a series of layered \npetals which give the chair its ergonomic \nvalue and also define its design.\n30 — 31\n— What makes you happy as a designer?\nDifferent things, starting from the initial, \ncreative phase. And then, the first \nprototype: the first passage from sheet of \npaper to physical product.\n— What three essential qualities must a \ngood object possess?\nApart from the functional and ergonomic \naspects, the product must bring \ninnovation in the materials , or the attitude \ntowards its use. The relationship with the \nmaterials used and coherence between \nthe designer’s work and the company \nDNA is important.\n— Is there a designer who you admire?\nGamfratesi. Because they offer \ncorrespondence between the company \nthey work for and their design vision.\n— If you hadn’t become a designer,  \nwhat would you have done in life?\nA florist. I love flowers and plants because \nthey are a combination of textures and \nforms.\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.18.png","Peonia collection by Cristina Celestino\nPROGETTI DI DESIGN 05\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.19.png","PROGETTI DI DESIGN 05\nPeonia by Cristina Celestino\nIT \nUna genesi creativa vicina all’ordine naturale delle \ncose. Scultorea e avvolgente, Peonia è la nuova seduta \ndisegnata da Cristina Celestino per Pianca. Come il fiore \nda cui prende il nome, Peonia rigogliosamente trasforma \nil suo intorno. Il guscio della poltrona si compone di piani \ndifferenti, in un crescendo evocativo che richiama i petali \ndi una corolla. Il divano, con la stessa matrice formale, \ndiventa seduta regale e ricercata. Le geometrie modulari \npermettono di creare infinite combinazioni, giocando con \ndiversi livelli e altezze, vuoti e pieni. L’intera struttura è \nrivestita in tessuto, in un continuum cromatico e materico \ntra base e seduta.\nEN \nA creative genesis close to the natural order of living things. Sculptural\nand inviting, Peonia is the new chair designed by Cristina Celestino for Pianca.\nLike the flower after which it is named, Peonia transforms its surroundings with lush \nsplendour. The shell of the armchair is composed of different surfaces, arranged \nin an evocative crescendo that recalls the petals of a corolla. The sofa of the same \ndesign becomes an elegantly regal seat. The modular geometric forms allow infinite \ncombinations to created, experimenting with various levels and heights, solids \nand voids. The entire structure is fabric upholstered in a continuum of colours and \ntextures in the base and seat.\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.20.png","PROGETTI DI DESIGN 05\nPeonia by Cristina Celestino\n36 — 37\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.21.png","PROGETTI DI DESIGN 05\nPeonia by Cristina Celestino\n38 — 39\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.22.png","PROGETTI DI DESIGN 05\nPeonia by Cristina Celestino\n40 — 41\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.23.png","PROGETTI DI DESIGN 05\nPeonia by Cristina Celestino\n42 — 43\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.24.png","PROGETTI DI DESIGN 05\nPeonia by Cristina Celestino\n44 — 45\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.25.png","PROGETTI DI DESIGN 05\nPeonia by Cristina Celestino\n46 — 47\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.26.png","PROGETTI DI DESIGN 05\nPeonia by Cristina Celestino\n48 — 49\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.27.png","IT \nI volumi scultorei della collezione Peonia vengono \nesaltati dai rivestimenti, avvolgenti e materici.\nLe finiture spaziano dalla pelle, naturale o sintetica, ai \ntessuti; alle collezioni classiche si affiancano inoltre le \nnuove proposte di tessuti Green di Pianca che, realizzati \na partire da filati riciclati, coniugano etica ed estetica. Lo \nzoccolo della base è disponibile in Nero opaco o negli \nstessi rivestimenti degli imbottiti.\nEN \nThe sculptural volumes of the Peonia collection are \nenhanced with comforting, textured covers. \nThe finishes include natural or synthetic leather and \nfabrics. 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Le gambe possono essere scelte \nnelle essenze e nelle finiture laccato opaco nei colori \ndella collezione o laccato lucido Nero.\nEN \nEvocative and elegant, Calatea is a versatile \ncollection, which can be custom-made in more than \none finish: leather, synthetic leather or fabric, including \nthe new Green sustainable fabric collection. With fixed \ncovers on the structure and removable covers for \nthe seat cushions and backrest, the armchair is also \navailable with the distinctive pattern of its namesake \nplant. Legs come in solid wood and matt lacquer finishes \nin the collection colours or Nero high gloss lacquer.\n1\n60 — 61\n1 — Tessuto Zea 22 \u002F Zea 22 fabric\n2 — Pelle Doge 26 \u002F Doge 26 leather\n3 — Canaletto \u002F Canaletto wood\n2\n3\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.33.png","Info tecniche \u002F Technical info\n62 — 63\nPeonia\nCalatea\nNaan\nL 83, H 69, P 76 cm \nL 75, H 94, P 91 cm \nL 64, H 44, P 53 cm \nL 200, H 81, P 90 cm \nL 230, H 81, P 90 cm\nL 290, H 81, P 146 cm \nL 100, H 81, P 90 cm \nW 32.68”, H 27.16”, D 29.92” \nW 29.53”, H 37.01”, D 35.83” \nW 25.20”, H 17.32”, D 20.87” \nW 78.74”, H 31.89”, D 35.43”\nW 90.55”, H 31.89”, D 35.43”\nW 114.17”, H 31.89”, D 57.48” \nW 39.37”, H 31.89”, D 35.43” \nPoltrona\nPoltrona\nPouf\nDivano\nDivano Penisola (Dx\u002FSx)\nPoltrona\nArmchair\nArmchair\nOttoman\nSofa\nPeninsula Sofa (Rgt\u002FLft)\nArmchair\nDX \u002F RGT\nSX \u002F LFT\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fe4\u002F9fd807c1ae60db2f30dd45f2ebf650-285d0f5f2d.34.png","Vietata la riproduzione a qualsiasi scopo.\nCampione promozionale gratuito non destinato alla vendita.\nEscluso iva art.2 comma 3D.P.R. 633\u002F72\nEsonerato da documento di trasporto art.4 punto 6 d.p.r.627\u002F78\nReproduction prohibited for any purpose.\nFree promotional sample not for sale.\nExcluding VAT Article 2 paragraph 3D.P.R. 633\u002F72\nExempted from tansport document art.4 point 6 d.p.r.627\u002F78\nArt direction\nRoberto Barazzuol \nGraphic design \n72STEPS.atelier\nSet design \nCalvi Brambilla \nStyling\nElena Caponi Studio\nInteriors Photography\nOmar Sartor  \nStill life Photography\nPhotografica Studio \nPrinted\nSincromia\n© Pianca 2022\nPianca S.p.A\nVia dei Cappellari, 20\n31018 – Gaiarine, Treviso\nItaly\nT +39 0434 756911\nF +39 0434 75330\ninfo@pianca.com\npianca.com\np. iva IT01682580269\nThanks to\nAdrian Cruz Elements 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