[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-pianca-01-progetti-di-design-philippetabet":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":133},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":128,"matched_pages":129,"match_count":130,"two_pages":131,"show_text":132},15480,"01 Progetti di Design PhilippeTabet","pianca-01-progetti-di-design-philippetabet","\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Ffd\u002Fef99942e0284d138a9c1223a5c18ab-285d0c9f94.pdf","Pianca",863,"pianca","4.8 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125],{"image":7,"text":15,"number":16},"PROGETTI DI DESIGN \n01\nPhilippe Tabet\nRada letto \u002F bed\nNota contenitori \u002F drawers\nFushimi poltrona \u002F armchair\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.2.png","Thinking, Loving, Living\nPhilippe Tabet\nRada\nNota\nFushimi Lounge\nInfo tecniche \u002F Technical info\n2\n4\n12\n26\n38\n50\nPROGETTI DI DESIGN \n01\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.3.png","DESIGN NOTES 01\nThinking,\nLoving,\nLiving\n2 — 3\nIT \nPianca crea sistemi e complementi \nd’arredo per il residenziale – zona notte e \ngiorno – e per il contract. Il nostro approc-\ncio al design è orientato alla personaliz-\nzazione dei prodotti e degli ambienti, così \nda soddisfare i bisogni di uno stile di vita \nimprontato alla flessibilità, alla mobilità \ne al cambiamento, ma con il desiderio di \n“sentirsi a proprio agio come a casa”.  \nIl rispetto per la storia e i valori identitari \ndel marchio – territorio, italianità, famiglia, \ningegno – e il perseguimento di una reale \nsostenibilità di prodotti e processi, ci \npermettono di valorizzare il lato umano \ndell’azienda: capace di sposare la sua \nparte razionale (thinking) con quella più \nemozionale ed empatica (loving).\nEN \nPianca creates furniture systems \nand occasional furniture for residential \ncontexts – bedrooms and living rooms \n– and for the contract market. Our ap-\nproach to design aims at customising \nproducts and places to meet the needs \nof people whose lifestyles are based on \nflexibility, mobility and change but who \nstill want to feel at home no matter what. \nOur respect for the history and founding \nvalues of our brand – our territory, our \nItalian culture, family and genius – and our \ndesire to make authentically sustainable \nproducts, make appreciating the human \naspects of our company second nature \nto us, resulting in our ability to blend our \nrational side (thinking) with our more \nemotional and empathic side (loving).\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.4.png","DESIGN NOTES 01\nIT \nPhilippe Tabet è un designer  \nche ama più le immagini che le parole.  \nIl suo modo di comunicare è asciutto  \ned essenziale, come i suoi oggetti,  \nche sembrano non poter essere diversi  \nda come sono. “Quando disegno, mi  \npiace togliere tutto quello che può  \nessere considerato di troppo”, racconta \nTabet, che ha una passione genuina  \nper il disegno. Disegna a mano e con  \nla matita, su un pezzo di carta, riesce a  \ndare un’anima ai suoi oggetti. È capace  \ndi tratteggiare il carattere di una sedia,  \ne di raccontarne, attraverso la forma,  \nuna storia che la renda unica. È nato  \na Versailles e ha studiato in Francia, ma  \nha scelto Milano per fondare nel 2015  \nil proprio studio di design industriale.  \nLa sua capacità d’immaginare qualcosa \nche non c’era, unita a un profondo rispetto \nper la sincerità dei materiali, ha guidato \nPhilippe Tabet nelle nuove collezioni \ndisegnate per Pianca.\nPhilippe\nTabet\n4 — 5\nEN \nPhilippe Tabet is a designer who loves images more than words. His style \nof communication is dry and essential, like his objects, which seem unable to be \ndifferent from the way they are. “When I’m designing, I like to remove everything  \nthat can be considered superfluous”, says Tabet, who fosters a genuine passion  \nfor design. He sketches freehand and manages to makes his objects come alive  \non a piece of paper with a pencil. He has the ability to trace out the character of a \nchair, and describe, through its shape, the story that makes it unique. He was born  \nin Versailles and studied in France, but chose to set up his own industrial design \nstudio in Milan in 2015. Philippe Tabet’s ability to imagine something that was not \nthere, combined with a deep respect for the authenticity of the materials, guided  \nhim in the new collections he designed for Pianca.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.5.png","DESIGN NOTES 01\n6 — 7\nL’ossessione \nper i dettagli  \n— Q&A\nGrazie alla padronanza tecnica e alla \nconoscenza dei processi di produzione, \nTabet sa trasformare un’intuizione in un \nvocabolario formale che sfida ed esalta  \nle competenze artigianali di Pianca.  \nLa sua ambizione è che ogni oggetto \npossa raccontare una storia del proprio \ntempo. I suoi pezzi, infatti, non potevano \nessere realizzati nel passato: c’è sempre \nuna chiave formale o un’ispirazione \nlegata al mondo di oggi che fa sì che \nquel prodotto non avrebbe potuto essere \ndisegnato nel passato. L’attenzione ai \nparticolari, alla percezione della qualità di \nun arredo e la cura dei dettagli sono quasi \nun’ossessione per lui. Tabet riconosce  \nal designer un ruolo di responsabilità nei \nconfronti del proprio lavoro che è evidente \nquando dice che: “Disegnare un oggetto \nha un peso. Mettere al mondo un oggetto \nnuovo è una scelta attiva. Questa scelta \nvoglio che sia fatta nel modo migliore”.\n— Cosa ti rende felice come progettista? \nIl primo prototipo: la magia che si spri-\ngiona quando un altro prende per la prima \nvolta in mano il mio lavoro e mi fa vedere, \ncon un prototipo, come potrebbe essere \nprodotto in serie. Significa che finalmente \nsiamo riusciti a raggiungere un livello di \ncura dei dettagli che mi soddisfa.\n— Qual è la tua più grande paura?\nPensare che ci siano in circolazione dei \nprodotti miei di cui non sono convinto.\n— Quali sono le tre qualità fondamentali \nche deve avere un buon oggetto?\nDeve avere una fisionomia riconoscibile. \nDeve essere comodo. E deve avere le \ngiuste proporzioni.\n— C’è un designer che ammiri?\nMi piace molto il lavoro di Jasper Morrison,\npenso che mi abbia influenzato molto la \nsua ricerca della semplicità e la sua capa-\ncità di proporre oggetti non invadenti che \nabbiano un carattere forte e distintivo.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.6.png","DESIGN NOTES 01\n8 — 9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.7.png","DESIGN NOTES 01\n10 — 11\nTabet’s extensive technical skills and \nknowledge of production processes help \nhim to turn intuition into a style lexicon \nthat both challenges and enhances the \nexcellent craftsmanship of Pianca.  \nHis ambition is for every object to tell a \nstory about its particular moment in time. \nIn fact, his pieces could not be produced \nin the past. There is always a key form  \nor inspiration linked to the world of today  \nwhich confirms that the product in \nquestion could not have been designed \nin the past. Attention to finer elements, \nto the perception of the quality of a piece \nof furniture and the care dedicated to \ndetails are almost an obsession for him. \nTabet evidently feels a designer has a role \nof responsibility towards his or her work \nwhen he says, “Designing an object bears \nresponsibility. Bringing a new object into \nthe world is an active choice. I want this \nchoice to be made in the best way”.\nObsession  \nfor details  \n— Q&A\n— What makes you happy as a designer?\nThe first prototype: the magic that is \nreleased when someone else takes \nmy work for the first time and, with a \nprototype, shows me how it could be \nmass-produced. It means we have finally \nmanaged to achieve a level of attention  \nto detail that satisfies me.\n— What is your biggest fear?\nThinking that there might be products  \nof mine out there that I just wasn’t happy \nabout.\n— What are the three essential qualities \nthat a good object must have?\nIt has to have a recognisable design.  \nIt has to be comfortable. And it has  \nto have the right proportions.\n— Is there a designer who you admire?\nI really like the work of Jasper Morrison. \nI think he’s influenced me a lot with his \nstudy of simplicity and his ability to create \nobjects that are not invasive yet have  \na strong, distinctive character.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.8.png","15 — 15\nDESIGN NOTES 01\nRada by Philippe Tabet\n12 — 13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.9.png","Rada by Philippe Tabet\nIT \nDiscreto nell’atteggiamento estetico, avvolgente \nnelle linee, morbido nella dolcezza d’insieme. Rada  \nè un letto dal profilo fluido, intimo e delicato. La testiera \ndolcemente si incurva all’indietro, come un invito ad \nabbandonarsi, a lasciarsi andare al suo richiamo. Il letto \nsembra nascere da un unico tratto di penna: le curve \nsi risolvono in continuità nei piedini di metallo, in un \ncontrasto di materiali tanto delicato quanto naturale. \nL’imbottito è leggero e misurato, frutto del pensiero  \ndi Philippe Tabet come della mano dell’artigiano che  \nl’ha forgiato. Un’anima di metallo si unisce al basamento \nin fusione di alluminio, in finitura metallizzata o opaca, \nbianca e nera. La testiera, disponibile in due diverse \naltezze, è in poliuretano schiumato, con rivestimento \nfisso in tessuto e pelle.\nEN \nUnderstated style, inviting contours, softly combined. Rada is a bed with \na flowing, intimate and delicate profile. The headboard curves backwards gently, \ninviting total relaxation, yielding to its form. The bed appears to derive from a single \npen-stroke, its curves flowing seamlessly into metal feet, in a supremely delicate  \nyet natural contrast of materials. The upholstery is light and carefully measured,  \nthe product of Philippe Tabet’s design style and the skilled hand of the master \ncraftsman who created it. A metal frame combines with an aluminium alloy base, \nwith a metallic or matt finish, in black and white. The headboard, available in two \ndifferent heights, is made of polyurethane foam with a fixed fabric or leather cover.\n14 — 15\nDESIGN NOTES 01\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.10.png","DESIGN NOTES 01\n16 — 17\nRada by Philippe Tabet\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.11.png","DESIGN NOTES 01\n18 — 19\nRada by Philippe Tabet\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.12.png","20 — 21\nRada by Philippe Tabet\nDESIGN NOTES 01\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.13.png","DESIGN NOTES 01\n22 — 23\nRada by Philippe Tabet\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.14.png","Rada by Philippe Tabet\n1 — Cromo lucido \u002F Glossy Chromo\n2 — Tessuto Fenice \u002F Fenice fabric\n3 — Pelle Doge \u002F Doge leather\n4 — Bronzo opaco \u002F Matt Bronzo\n1\n3\n2\n4\n24 — 25\nDESIGN NOTES 01\nIT \nIl letto Rada è proposto in molteplici finiture che  \nlo rendono un prodotto versatile, perfetto per incontrare \ngusti e culture differenti. La struttura con finitura in \ncromo lucido e il rivestimento in tessuto chiaro Fenice  \nne fanno un letto contemporaneo, mentre l’abbinamento \nin finitura bronzo con pelle sostenibile Doge color  \nverde, rendono Rada un pezzo d’arredo prestigioso  \ned esclusivo.\nEN \nThe Rada bed comes in a wide range of finishes \nthat make it a versatile product, perfectly suited to \nsatisfy different tastes and cultures. The structure \nfinished with polished chrome and light Fenice fabric \nupholstery creates a contemporary bed, whereas the \ncombination of bronze finish with the green shade of \nDoge sustainable leather turns Rada into a prestigious, \nluxurious piece of furniture.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.15.png","Nota by Philippe Tabet\n26 — 27\nDESIGN NOTES 01\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.16.png","Nota by Philippe Tabet\nIT \nForza e flessibilità, solidità e leggerezza, rigore  \ne fantasia. Philippe Tabet disegna una collezione  \ndi contenitori per la zona notte che abitano la linea di \nconfine tra opposte nature, trovando espressione nel \ngioco sapiente delle line, nell’incontro tra legno e vetro. \nIl piano superiore, come un vassoio apparentemente \nsospeso, si espande rispetto alla struttura, che per \nsostenerlo si allarga creando due docili curve. Uno \nspazio vuoto separa il piano dai cassetti sottostanti, \ndiventando insieme gesto estetico e funzionale. \nI contenitori Nota sono realizzati in legno multistrato, \ncon piano superiore in vetro trasparente Piombo.  \nI fianchi sono disponibili nelle essenze Larice Carbone \ne Ambra, Borgogna e Canaletto; i cassetti nelle finiture \nlaccato opaco e lucido, nei colori della collezione.\nEN \nStrength and flexibility, solidity and lightness, simplicity and creativity. \nPhilippe Tabet has designed a collection of casegoods for the bedroom which \ninhabits the overlap between opposing natures, with distinctively crafted contours \nand a combination of wood and glass. The top extends over the structure, which \ncurves gently outwards on both sides to support it, like a tray that appears to float.  \nA stylish and functional open shelf detaches from the top of the drawers below.  \nThe Nota casegoods are created in plywood, with a Piombo trasparent glass top.  \nThe side panels are available in Carbone and Ambra Larice, Borgogna and Canaletto \nwood, drawers in matt and gloss lacquered finish, in the colours of the collection.\n28 — 29\nDESIGN NOTES 01\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.17.png","Nota by Philippe Tabet\n30 — 31\nDESIGN NOTES 01\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.18.png","DESIGN NOTES 01\n32 — 33\nNota by Philippe Tabet\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.19.png","DESIGN NOTES 01\n34 — 35\nNota by Philippe Tabet\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.20.png","1\n3\n5\n2\n4\nNota by Philippe Tabet\n36 — 37\n1 — Larice Carbone \u002F Carbone Larice wood\n2 — Oceano laccato opaco \u002F Oceano matt lacquered\n3 — Lavagna laccato opaco \u002F Lavagna matt lacquered\n4 — Larice Ambra \u002F Ambra Larice wood\n5 — Vetro trasparente Piombo \u002F Piombo trasparent glass\nDESIGN NOTES 01\nIT \nIl gruppo di contenitori Nota è disponibile anche \nnelle nuove finiture della gamma Pianca, il Larice \nCarbone e il Larice Ambra. Se il primo suggerisce \naccostamenti più forti e marcati, il secondo è un rimando \nal calore, alla naturalezza e alla gentilezza del legno.  \nLa lavorazione delle superfici di Nota esalta la matericità \ne l’irregolarità del legno, reso dinamico e vibrante \ndall’incontro con la luce.\nEN \nThe Nota casegoods set is also available in the new \nfinishes of the Pianca range, Carbone and Ambra Larice. \nThe first one offers bolder, more striking combinations. \nThe second is all about warmth, the natural feel and \nelegance of wood. The surface finish in Nota shows off \nthe texture and irregularity of wood, becoming dynamic \nand vibrant when it encounters light.\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.21.png","41 — 41\nFushimi Lounge by Philippe Tabet\n22 — 23\n38 — 39\nDESIGN NOTES 01\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.22.png","16 — 17\nFushimi Lounge by Philippe Tabet\nIT \nIl savoir-faire italiano incontra l’estetica giapponese \nin una poltrona carica di memorie e di esperienze tattili, \nun nuovo complemento si aggiunge alla collezione \nFushimi. Una storia di attese si risolve nel rapporto di \ntangenza tra i giunti. La pelle cinge il legno, rinnovando \nuna antica collaborazione: evocazione di nuove relazioni \ntra materia e colore. Nata dalla reinterpretazione del \nletto Fushimi, la poltrona Fushimi Lounge valorizza  \ngli aspetti principali della propria origine, a partire dalla \nsezione e dalle tecniche di lavorazione del massello di \nlegno pregiato. Disegnata con semplicità, verità e misura, \nFushimi Lounge si compone di una struttura in legno \nche si nasconde e si manifesta in simbiosi con l’anima  \ndi pelle che sa accogliere con sapiente cura. \nDisponibile in massello di noce Canaletto come nel \nfrassino tinto Rovere Naturale, Borgogna e Canaletto \no Nero poro aperto; il cuoio naturale nei colori Hermes, \nMoro e Nero.\n40 — 41\nEN \nItalian craftsmanship fuses with Japanese style in an armchair deeply \ninfused with references and tactile experiences. A new complement is added to the \nFushimi collection. A tale of expectations derives from the tangential relationship \nbetween the joints. Leather wraps around wood, renewing an ancient collaboration: \nevocation of new relationships between material and colour. A reinterpretation of \nthe Fushimi bed, the Fushimi Lounge armchair builds on the dominating features \nof its own inspiration, starting with how the luxurious solid wood is machined and \nfinished. Designed with simplicity, naturalness and proportion, the Fushimi Lounge \nchair has a wooden structure that is both concealed and exposed in symbiosis with \nthe main leather section whose meticulous craftsmanship is utterly inviting. Available \nin solid walnut or ash in the Rovere Naturale, Borgogna and Canaletto shades or \nOpen-pore Nero, natural hard leather in the Hermes, Moro and Nero colours.\nDESIGN NOTES 01\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.23.png","DESIGN NOTES 01\n42 — 43\nFushimi Lounge by Philippe Tabet\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.24.png","DESIGN NOTES 01\n44 — 45\nFushimi Lounge by Philippe Tabet\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.25.png","DESIGN NOTES 01\n46 — 47\nFushimi Lounge by Philippe Tabet\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.26.png","48 — 49\nFushimi Lounge by Philippe Tabet\n1 — Frassino tinto nero \u002F Black stained ash\n2 — Cuoio naturale nero \u002F Nero natural hard leather\n3 — Canaletto massello \u002F Canaletto wood\n4 — Hermes cuoio naturale \u002F Hermes natural hard leather\n1\n3\n2\n4\nIT \nStili diversi a seconda delle combinazioni materiche: \nl’abbinamento di legno massello Canaletto con il cuoio \nnaturale dà vita a un prodotto dai forti rimandi classici. \nLa versione in legno massello frassino tinto Nero, con \neffetto poro aperto, rende invece la Fushimi Lounge \nun oggetto iconico, omaggio alla cultura nipponica e ai \npittogrammi orientali.\nEN \nDifferent styles derive from texture combinations: \nCanaletto solid wood with natural hard leather creates  \na pro-duct with a bold classical style.  \nThe version open-pore solid ash in Nero instead makes \nthe Fushimi Lounge chair an iconic object, in an \nhomage to Japanese culture and oriental pictograms.\nDESIGN NOTES 01\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F74\u002F3a595885506e23c7657af1663a20ec-285d104931.27.png","DESIGN NOTES 01\n50 — 51\nRada\nNota\nComodino\ncassetto L 50 cm\nL 62, H 47, P 49 cm\ncassetto L 60 cm\nL 72, H 47, P 49 cm\nComò\ncassetto L 120 cm\nL 132, H 77, P 59 cm\ncassetto L 150 cm\nL 162, H 77, P 59 cm\ncassetto L 70 cm \nL 82, H 107, P 49 cm\ncassetto L 90 cm \nL 102, H 107, P 49 cm\nNight table\ndrawer W 19.68”\nW 24.41”, H 18.50”, D 19.29”\ndrawer W 23.62”\nW 29.53”, H 18.50”, D 19.29”\nDresser\ndrawer W 47.24”\nW 51.97”, H 30.31”, D 23.23”\ndrawer W 59.05”\nW 63.78”, H 30.31”, D 23.23”\ndrawer W 27.56”\nW 32.28”, H 42.13”, D 19.29”\ndrawer W 35.43”\nW 40.16”, H 42.13”, D 19.29”\nFushimi Lounge\nPoltrona\nL 69, H 76, P 63 cm\nArmchair\nW 27.17”, H 29.92”, D 24.80”\nInfo tecniche \u002F Technical info\nL 120\nL 120\nL 153\nL 153\nL 160\nL 160\nL 180\nL 180\nL 193\nP 190 cm\nP 200 cm\nP 190 cm\nP 200 cm\nP 190 cm\nP 200 cm\nP 200 cm\nP 210 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