[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-petite-friture-villa-pf-2017":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":158},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":153,"matched_pages":154,"match_count":155,"two_pages":156,"show_text":157},5404,"Villa PF 2017","petite-friture-villa-pf-2017","\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F1f\u002F2a67a3ad6c8c6e24b4465a09239e78.pdf","Petite Friture",1828,"petite-friture","6.4 MB",[14,17,20,24,28,32,36,40,44,48,52,56,60,64,68,71,74,78,82,86,90,94,98,102,106,110,114,118,122,126,130,134,138,142,146,150],{"image":7,"text":15,"number":16},"01 \u002F 2017\n",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.3.png","",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.4.png","9\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.5.png","10\n11\n«Entrez… !»\nLa Villa P.F. vous est ouverte.\nCette maison n’existe pas.\nEt pourtant nous savons qu’elle vous sera \nfamilière, que vous vous y sentirez bien. \nChez PETITE FRITURE, éditeur de design , \nnous l’avons fondée dans cette intention. \nComme une invitation à vivre, rire, se \ndélecter. Et s’étonner.\nCette maison est imaginaire, à sa manière. \nFaçonnée \npar \nune \nalchimie \nmagique \nd’inspirations et de créations. Celle de \nl’architecture \nmoderniste, \nsi \ngénéreuse \ndans sa précision.\nCelles de designers – CONSTANCE GUISSET, \nMORTEN & JONAS, studio vit et POOL – \ninvités en résidence et qui l’ont habillée de \nleurs miroirs, lumières et mobilier.\nCelles \nde \ngraphistes \n– \nTIPHAINE \nDE \nBODMAN et SHELLEY STEER – qui l’ont \nparée de motifs redessinant les perspectives.\nCelles \nd’une \nartiste \ngéniale, \nANA \nMONTIEL, qui a croqué cette villa en \nexclamation et en couleurs.\nLe résultat : des lignes que l’on a envie \nde suivre dans leur fuite. Des aplats \naux reliefs qui intriguent. Une nature \nsi veloutée qu’elle en pique les yeux. \nEt un espace‑temps unique qui laisse le \nchamp libre aux émotions les plus intimes.\nVous êtes ici chez vous.\n«Come in… !»\nVilla P.F. is open.\nThis house does not exist.\nAnd yet we know how familiar it is to you, \nand that you feel comfortable there. At \nPETITE FRITURE, éditeur de design , we \nfounded it with that intention. \nLike an invitation to live, to laugh, to revel in \nit. And to be surprised.\nThis house is imaginary, in its way. Moulded \nfrom a magical alchemy of inspiration and \ncreation. That of modernist architecture, so \nlavish in its precision.\nThat of designers – CONSTANCE GUISSET, \nMORTEN & JONAS, studio vit and POOL \n– guest artists in residence to adorn it with \ntheir mirrors, lamps and furniture.\nThat of graphic designers – TIPHAINE DE \nBODMAN and SHELLEY STEER – who have \ndecorated it with patterns that redesign the \nperspectives.\nThat of an amazing artist, ANA MONTIEL, \nwho depicted this villa in exclamations \nand colours.\nThe result: Lines you want to follow to their \nvanishing point. Flat surface with intriguing \ndepth. Nature so velvety it will make your \neyes sting.\nAnd a unique space time that gives free rein \nto the most intimate of emotions.\nYou are at home here.\nÉDITO\n  V i l l a  P.F. \u002F Grand Petit Salon \u002F PANACHE (miroir moyen \u002F medium mirror) \u002F HOFF (grand fauteuil \u002F large armchair) \n\u002F CAST (lampe à poser \u002F table lamp) \u002F DOTS (papier peint, blanc sur noir \u002F wallpaper, White on black \u002F Plante en feutre \u002F Feltplant: WANDSCHAPPEN \n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.6.png","12\n13\nPETITE FRITURE is an éditeur de design , founded in 2009 and \nrun by Amelie du Passage. Through its original collaborations with \ndesigners coming from various fields PETITE FRITURE thrives on \nthe need to give new life to products, places and moments that \nare beautiful, light and delicate. All of this is tempered with the \nsame spirit and created with the same demanding levels of results.\nAt PETITE FRITURE we have a taste for emerging and audacious \ncreation that bypasses frontiers and arouses emotion. And a \nconviction: creation has no worth unless it is shared. In order \nfor you to discover the talents that we are so passionate about, \nPETITE FRITURE invites you into a surprising experience with the \nwill to make you smile.\nMake Good Things Happen.\n  V i l l a  P.F. \u002F Conversation de Vestibule \u002F GRID (fauteuil sans accoudoir \u002F armchair without armrest) \u002F CAST (suspension \u002F pendant lamp) \n\u002F VOLUTES (papier peint, noir \u002F wallpaper, black)\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.7.png","14\n15\n  V i l l a  P.F. \u002F Conversation de Vestibule \u002F CAST (lampe à poser \u002F table lamp) \u002F PANACHE (miroir moyen \u002F medium mirror) \n\u002F HOFF (pouf moyen \u002F small stool) \u002F MINERALS  (papiers peints \u002F wallpapers : sur le mur du fond : violet-rose \u002F on the back wall: purple-black – sur le \nmur de devant : turquoise-corail \u002F on the front wall: turquoise-Coral) \u002F Plante en feutre \u002F Feltplant: WANDSCHAPPEN \n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.8.png","17\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.9.png","18\n19\n  V i l l a  P.F. \u002F Grand Petit Salon, détail majeur \u002F HOFF (grand fauteuil \u002F large armchair)\n  V i l l a  P.F. \u002F Détail majeur \u002F HOFF (sélection tissus V i l l a  P.F.\u002F V i l l a  P.F. fabrics selection)\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.10.png","20\n21\n  V i l l a  P.F. \u002F Grand Petit Salon, détail majeur \u002F PANACHE (miroir moyen \u002F medium mirror)\n  V i l l a  P.F. \u002F Grand Petit Salon, détail majeur \u002F GRID (fauteuil sans accoudoirs \u002F armchair without armrests) \n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.11.png","22\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.12.png","24\n25\n  V i l l a  P.F. \u002F Mur Porteur de Sens, perspective \u002F DOTS (papier peint - Blanc sur noir \u002F wallpaper - White on black)\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.13.png","V i l l a  P.F.\nI l l u s t r a t i o n s\nAna Montiel\nx\nP E T I T E  F R I T U R E\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.14.png","ANA VOIT LE MONDE \nEN DESSINS.\nEspagnole de naissance, elle a vécu à \nLondres, puis à Mexico.\nAna ne met d’étiquette ni sur son \nidentité, ni sur son travail, qui touche le \nréel, l’imaginaire, la mode et le design. \nQuand elle entre dans une maison, elle \naime l’habiller, de couleurs et de papiers.\nElle nous a étonné, et c’est tout \nspontanément que nous lui avons confié \nla réalisation des plans de la Villa P.F.\nNe comptez pas à vous y retrouver. \nVous aimerez vous y perdre. Et trouver, \npour sûr, votre inspiration.\nAna sees the world through drawings.\nBorn in Spain, she has lived in London \nand subsequently in Mexico.\nAna accepts no labels, whether on her \nidentity or her work which touches the \nreal, the imaginary, fashion and design.\nWhen she enters a house, she likes to \ndress it up with colours and papers.\nShe astonished us, and the idea to \nentrust her with the design of the plans \nfor Villa P.F came to us spontaneously. \nExpect the unexpected. You will love \ngetting lost here. And will surely find \nyour inspiration.\n",14,{"image":69,"text":22,"number":70},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.15.png",15,{"image":72,"text":22,"number":73},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.16.png",16,{"image":75,"text":76,"number":77},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.17.png"," V i l l a  P.F.\nI l l u s t r a t i o n s\nAna Montiel\nx\nP E T I T E  F R I T U R E\n",17,{"image":79,"text":80,"number":81},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.18.png","ANA MONTIEL\nANA \nMONTIEL\nest à la fois illustratrice, \ndirectrice artistique et designer. \nElle est née et a fait ses études en \nEspagne (à l’École d’Arts de Logroño \net à l’Université de Barcelone) puis a \nvécu à Londres et ensuite à Mexico.\nAna maîtrise aussi bien les techniques \nde la sérigraphie, de la céramique, \nde la conception de motifs que la \nvidéo et le collage. Ses influences \nsont multiples et singulières : David \nLynch et son approche holistique de \nla créativité, le Livre rouge de Jung, \nle mouvement Bauhaus, l’architecture \nutopiste, les illustrations botaniques \nanciennes, la physique quantique, les \nphilosophies orientales.\nAu‑delà de sa collaboration avec \nPETITE FRITURE, Ana a collaboré \navec des marques telles que Nina \nRicci, Jo Malone, Clinique, etc.\nEn 2008, elle crée sa propre marque \nde papier peint : Pattern Tales.\nANA MONTIEL is an illustrator, artistic \ndirector and designer. She was born \nand studied in Spain (at the School of \nArts of Logroño and the University of \nBarcelona) and then lived in London \nand in Mexico City. \nAna has mastered the techniques \nof screen printing, ceramics and \npattern design as well as video and \ncollage. Her influences are many and \nunique: David Lynch and his holistic \napproach to creativity, the Jung \nRed Book, the Bauhaus movement, \nUtopian architecture, antique botanical \nillustrations, \nquantum \nphysics \nand \noriental philosophies. \nApart from her association with PETITE \nFRITURE, Ana has collaborated with \nbrands such as Nina Ricci, Jo Malone \nand Clinique.\nIn 2008, she created her \nown wallpaper brand: \nPattern Tales.\n",18,{"image":83,"text":84,"number":85},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.19.png","39\n  V i l l a  P.F. \u002F Cabinet de Curieuses Idées \u002F MINERALS (papier peint – Turquoise-Corail \u002F wallpaper – Turquoise-Coral)\n",19,{"image":87,"text":88,"number":89},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.20.png","40\n  V i l l a  P.F. \u002F Grand Petit Salon, détail majeur \u002F Cast (lampe à poser \u002F table lamp) \n",20,{"image":91,"text":92,"number":93},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.21.png","43\n",21,{"image":95,"text":96,"number":97},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.22.png","44\n  V i l l a  P.F. \u002F Conversation de Vestibule, perspective \u002F HOFF (petit pouf \u002F small stool)\n",22,{"image":99,"text":100,"number":101},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.23.png","47\nPour cette collection, notre imagination \nnous a conduit jusque dans une maison : \nla Villa P.F.\nNous l’avons créée comme un espace, \npensée comme un parcours, et embellie \ncomme un moment. Comme une jolie \nparenthèse où des inspirations, les jeux et \nles rencontres prennent libre cours.\nSur \nles \nmurs, \nd’étranges \nmiroirs \nde \nCONSTANCE GUISSET, des papiers peints \ntroublants de TIPHAINE DE BODMAN et de \nSHELLEY STEER et des dessins vertigineux \nd’ANA MONTIEL.\nDans les salles : des assises aux lignes \ngéométriques des POOL, des fauteuils‑\nillusions d’optiques de MORTEN & JONAS, \net des lampes posées comme des bulles et \nprêtes à s’envoler par studio vit.\nEt dans les yeux du visiteur, le sourire, la \nsurprise, qui ressurgissent de pièce en pièce.\nOur imagination led us all the way to a \nhouse for this collection: Villa P.F.\n \nWe designed it like a space, thought of it like \na process and beautified it like an instant. \nLike a pretty digression in which inspiration, \ninterplay and encounters are free to roam.\nOn the walls, strange mirrors by CONSTANCE \nGUISSET, unsettling wallpaper by TIPHAINE \nDE BODMAN and SHELLEY STEER and \nvertiginous drawings by ANA MONTIEL.\nIn the rooms: chairs with geometric lines by \nPOOL, optical illusion armchairs by MORTEN \n& JONAS, and table lamps by studio vit \nthat are like bubbles about to float upwards.\nAnd in the eyes of the visitor, the smile, the \nsurprise that lights up from room to room.\nLES RÉSIDENTS\nThe residents\n",23,{"image":103,"text":104,"number":105},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.24.png","48\n49\nMORTEN & JONAS\nHOFF \nFauteuils, poufs \nMORTEN & JONAS\nHOFF créé par le duo de designers MORTEN \n& JONAS est une collection de deux poufs \net deux fauteuils modulaires permettant de \ncomposer un canapé comme un espace \nsalon entier. Les qualités visuelles et tactiles \ndes surfaces constituent son caractère prin‑\ncipal. MORTEN & JONAS aiment à créer des \nobjets porteurs d’émotions.\n \nArmchairs, stools \nHOFF, created by designer duo MORTEN \n& JONAS, is a collection of two modular \nstools and two modular armchairs. They can \ncombine to make a sofa as well an entire \nliving room area. They are characterised \nby the visual and tactile qualities of the \nsurfaces. MORTEN & JONAS like to create \nobjects that arouse emotions.\nHOFF est une collection constituée de 4 modules.\nPetit pouf – L : 50 cm; W : 68 cm; H : 40 cm  \nPouf moyen – L : 68 cm; W : 68 cm; H :40 cm  \nFauteuil moyen – L : 68 cm; W :68 cm; H : 72.5 cm (back); H : 40 cm (seat)  \nGrand Fauteuil – L : 99.5 cm; W :68 cm; H : 72.5 cm (back); H : 40 cm (seat) \nHOFF is a collection of 4 modules.\nSmall stool – L:50cm; W:68cm; H:40cm  \nMedium stool – L:68cm; W:68cm; H:40cm  \nMedium armchair – L:68cm; W:68cm; H: 72.5cm (back); H: 40cm (seat)  \nLarge armchair – L:99.5cm; W:68cm; H: 72.5cm (back); H: 40cm (seat) \nMORTEN & JONAS est un studio de design \nbasé à Bergen en Norvège.\nMORTEN & JONAS est la contraction des \nnoms de deux designers norvégiens, Morten \net Jonas, qui travaillent en duo depuis qu’ils \nont obtenu leur Master’s Degree en design \nde mobilier et d’espace à l’Académie d’Art \net de Design de Bergen en 2011. \nDepuis 2011, ils ont participé à \ndes expositions et salons dans \nle monde entier. Ils visent à \ncréer des objets et des projets \navec une approche personnelle \nen \ntermes \nd’expression, \nde \nmatériaux \net \nde \nperception \nvisuelle.\nIls \nsont \ninspirés \npar \nleurs \nrencontres, la culture et par la \nforme. Ils expriment leur approche de \nla manière suivante :\n«Nous aimons faire et créer des objets qui rendent \nles gens heureux. Nous sommes animés par la \njoie de créer des objets beaux et intéressants \nqui, nous l’espérons, retiendront l’attention. Nous \napprécions aussi d’explorer les qualités visuelles \ndes matériaux et les techniques industrielles.»\nMORTEN & JONAS is a design studio based \nin Bergen, Norway.\nMORTEN & JONAS, consists of two Norwegian \ndesigners, Morten and Jonas, who have \nbeen working together as a design duo \nsince receiving their Master’s Degree in \nfurniture and spatial design from the \nBergen Academy of Art and Design \nin \n2011. \nSince \nstarting \nup \nin \n2011, they have participated in \nexhibitions and shows all over \nthe world. They aim to create \nobjects and projects with a \npersonal approach in terms \nof expression, materials and \nhuman visual perception.\nThey \nare \ndriven \nby \ntheir \nencounters with people, cultures \nand shapes.This is how they express \ntheir approach:\n“We like to make and create objects that make people \nhappy. We are driven by the joy of creating interesting \nand beautiful objects that we hope will catch people’s \nattention. Challenging both the physical and visual \nqualities of materials and industrial techniques is also \nsomething that we value.”\n",24,{"image":107,"text":108,"number":109},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.25.png","50\n51\nPOOL\nPOOL est un duo composé de Léa Padovani \n(1981), française d’origine iranienne et \nitalienne \net \nSébastien \nKieffer \n(1982), \nfrançais, basé à Paris. En 2010, ils créent \nensemble POOL, espace de création dont le \nbut est de constituer des associations autour \nd’objets, d’architectures ou d’images.\nAu‑delà de l’évidence de l’objet, sa beauté \nou sa fonction, ils recherchent la polysémie \ndes \nœuvres \net \ninterpellent \nl’affectivité \net le référent. En 2012, ils sont nommés \n«Talents à la Carte» pour le salon M&O, \n«Jeunes Nouveaux Talents» pour le prix \nAD et recoivent un LABEL VIA pour leur \nsystème de plafond lumineux encastré \nédité par ALTER. Ils ont depuis édité \nchez La Chance, Habitat et réalisé \nde nombreuses scénographies ou \nprojets d’aménagement: Cassina, \nCafé Craft, Biennale de \nKortrijk …\nPOOL is a duo composed of Léa Padovani \n(1981) French of Iranian‑Italian heritage \nand \nSébastien \nKieffer \n(1982), \nFrench, \nbased in Paris. In 2010, POOL created a \ncollective concept, whose goal is to explore \nassociations between objects, architecture \nand images.\nBeyond the obvious presence of an object, its \nbeauty and function, the designers search for \na multiplicity of meanings and highlight the \nemotions and reference points. In 2012 they \nwere nominated “Talents à la carte”during \nMaison&Objet, “Young New Talent” for the \nprice AD and received the LABEL VIA for the \nW&W lighting ceiling system manufactured \nby ALTER. They have since been edited \nby La Chance, Habitat and have \ncreated numerous scenographies \nand \nprojects \nfor \nCassina, \nCafé Craft, Biennale de \nKortrijk...\nGRID \nCanapés \u002F Daybed \u002F Fauteuils \u002F Table basse \nPOOL\nEn 2015 POOL signe le daybed GRID, clin d’œil \naux codes du Bauhaus qui met en valeur le \ntalent graphique du duo. \nEn 2016 POOL développe le concept et trans‑\nforme GRID en un système totalement modu‑\nlaire. Plusieurs modules se combinent entre eux \npour créer des configurations : canapé 3 places, \nméridienne, canapé d’angle, … \nChaque élément a le même langage : une struc‑\nture en bois rythmée d’une sangle et soutenue \npar un piétement tubulaire en acier noir ; le tout \nest surmonté de coussins géométriques, ronds \nou carrés, en textile ou en cuir.\n \nSofas \u002F Daybed \u002F Armchairs \u002F Coffee table \nIn 2015 POOL designed the GRID daybed, \nin reference to the Bauhaus style and in \nhonour of the duo’s graphic talents.\nIn 2016 POOL developed the concept and \ntransformed \nGRID \ninto \nan \nall‑modular \nsystem by creating basic modules. They are \na number of configurations: a 3 seater sofa, \na corner sofa...\nEach element retains the identity of the \noriginal daybed: a strapped wooden struc‑\nture held up by a black tubular steel leg; all \ntopped with geometrically patterned square \nor round fabric or leather cushions.\nGRID est une collection constituée de :\n- pièces individuelles : Daybed, canapé 2 places, fauteuil \n- modules avec ou sans accoudoirs : Canapé 2 places, fauteuil \n- autres modules : Pouf, table d’appoint \nGRID existe avec une structure en chêne ou noyer, avec \ndes coussins ronds ou rectangulaires. Choix du tissu et du \ncuir parmi les sélections tissus de PETITE FRITURE.\nGRID is a collection of :\n- individual elements: Daybed, 2 seater sofa, armchair. \n- modules with or without armrests: 2 seater sofa, armchair. \n- other modules: stool, occasional table.\nGRID comes with an oak or walnut frame, and round or \nrectangular cushions. Choice of fabric and leather from \nthe PETITE FRITURE fabric selection.\n",25,{"image":111,"text":112,"number":113},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.26.png","52\n53\nCONSTANCE GUISSET\nPANACHE \nMiroirs \nCONSTANCE GUISSET\nPANACHE est un miroir à l’élégance espiègle \net aux formes exacerbées. Clin d’oeil à un \nintemporel de nos intérieurs, le miroir se pare \nde pompons colorés.\nTrois duos de pompons sont inclus : noir, bleu \net doré. Ils invitent à transformer l’objet au gré \ndes envies. Délicat rond aux bords pincés, le \nmiroir existe en trois tailles.\n \nMirrors \nPANACHE is a mirror that is mischievously \nelegant with an exaggerated shape. In a new \ntwist on a timeless element of our interiors, \nthe mirror is adorned with colourful tassels. \nThree sets of two tassels are included: black, \nblue and gold. They invite you to transform this \nobject to suit you. A delicate circle with pinched \nedges, the mirror is available in three sizes.\nPANACHE est une collection de 3 miroirs.\nPetit – W : 42 cm; H : 37 cm  \nMoyen – W : 50 cm; H : 58 cm  \nGrand – W : 37cm; H : 112cm\nPANACHE is a collection of 3 mirrors.\nSmall – W:42cm; H:37cm  \nMedium – W:50cm; H:58cm  \nLarge – W:37cm; H:112cm\nNée en 1976, \nCONSTANCE \nGUISSET \nvit \net \ntravaille \nà \nParis. \nCONSTANCE GUISSET est une \ndesigner \nfrançaise \nau \nparcours \noriginal. Après des études économiques \net commerciales à l’ESSEC et à l’IEP \nParis, puis une année au parlement de \nTokyo, elle choisit de se tourner vers la \ncréation. Elle est diplômée en 2007 de l’ENSCI \n‑ Les Ateliers et fonde son studio. Elle obtient \nrapidement différentes reconnaissances telles \nque le Grand Prix du Design de la Ville de Paris \nen 2008, le Prix du Public à la Design Parade de \nla Villa Noailles en 2009, le titre de «Designer \nde l’année» au Salon Maison & Objet et le Audi \nTalents Awards en 2010.\nSes différents champs de recherche l’amènent \nà travailler avec PETITE FRITURE, Fontana \nArte, Molteni... pour le design produit ; avec \nAngelin Preljocaj, Established & Sons et \nles Galeries Lafayette notamment en \nscénographie ; et avec le musée des \narts décoratifs et la Biennale du \ndesign de Saint‑Étienne dans \nle  domaine de la vidéo.\nBorn in 1976, \nCONSTANCE \nGUISSET \nlives \nand \nworks \nin \nParis. \nCONSTANCE GUISSET is a French \ndesigner with an original story. After \nstudying economics and business at \nESSEC and IEP in Paris, followed by a \nyear in the parliament in Tokyo she chose to \nfocus on design. In 2007 she graduated from \nENSCI ‑ Les Ateliers and founded her studio. \nShe quickly earned recognition through winning \nprizes such as the Grand Prix du Design de la \nville de Paris in 2008, the public prize at the \nDesign Parade in Villa Noailles 2009, and finally \nin 2010 both the designer of the year at Maison \net Objet, and the Audi Talent Awards.\nHer different research paths have led her to \nwork with PETITE FRITURE, Fontana Arte and \nMolenti amongst others for product design. \nIn addition she has worked with Angelin \nPreljocaj, Established & Sons and Les \nGaleries Lafayette notably working with \nthe latter on scenography, and has \nworked with video for Le Musée des \narts décoratifs and the design \nBiennale in Saint‑Étienne.\n",26,{"image":115,"text":116,"number":117},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.27.png","54\n55\nstudio vit\nstudio vit joue de juxtaposition de formes \nélémentaires, de matériaux, volumes et \nl’espace. Pour le duo, les objets doivent \ncoexister dans un ensemble harmonieux, \ntout \nen \ntensions \net \ndéséquilibres. \nLa \nmatérialité est centrale et chaque matériau \nest apprécié pour ses caractéristiques \npropres, que ce soit pour son poids, sa \ntexture ou sa couleur.\nstudio vit’s main interest lies in the \nrelationship \nbetween \nelementary \nform, \nmaterial \nand \nvolume \nand \nhow \nthese \nelements relate to a space. Objects coexist \nharmoniously, but simultaneously recall \ntension and imbalance. Materials are a \ncentral theme and each is valued for its \ninherent \ncharacteristics, \nwhether \nit \nbe \nweight, texture or colour.\nCAST \nSuspension \u002F Lampe à poser \nstudio vit\nCAST est la première collaboration entre \nPETITE FRITURE et studio Vit, un duo de \ndesigners suédois remarqué à Londres lors \nde l’habillage lumineux événementiel de \nl’Hôtel Ace.\nAssociant la densité du béton à la légèreté du \nborosilicate travaillé comme une bulle, cette \ncollection qui comprend une suspension et \nune lampe à poser défie les lois de la gravité \net les rapports de force entre les matières. \nCAST joue sur la rencontre de formes \npures – des sphères et demi‑sphères – \net de matières traitées sans artifice – le \nbéton teinté dans la masse et le verre – \npour donner naissance à des compositions \naussi surprenantes par leur force que par la \ndouceur qu’elles dégagent.\n \nPendant lamp \u002F Table lamp \nCAST is the first association between \nPETITE FRITURE and studio vit, a duo of \nSwedish designers who made their name in \nLondon after decorating the boutique Hotel \nAce with their lights. \nCombining the weight of concrete with the \nlightness of a borosilicate glasswork ball, \nthis collection includes a pendant lamp and \na table lamp that defy the laws of gravity \nand the power ratio between materials. \nCAST plays with the encounter between \npure shapes – spheres and hemispheres – \nand materials that are handled naturally \n– cast concrete and glass – to give birth to \nthese arrangements that are as surprising \nin their strength as in the softness that they \nemit.\nCAST existe en suspension et en lampe à poser, dans un \ncoloris béton (gris).\nCAST is available in a pendant lamp and a table lamp, in \none colour of concrete (grey).\n \nstudio vit,\nstudio suédois basé \nà Londres, fondé en 2010 \npar Helena Jonasson et Veronica \nDagnert, est nourri par la vision \ncommune d’un duo venant d’univers \ndifférents : Helena est diplômée en design \nindustriel et Veronica en design de mode et \ndesign graphique (Central Saint‑Martins). \nstudio vit œuvre dans différents domaines : \ndesign d’espace, design de mobilier et \nluminaire. S’inspirant de formes et objets \narchétypaux, il est essentiel pour le \nstudio de créer des objets pérennes, \nminutieusement \npensés \net  \ntravaillés avec un attachement \ntout particulier pour le \ndétail.\n \nstudio vit\nwas founded in London \nby \nHelena \nJonasson \nand \nVeronica Dagnert in 2010. They come \nfrom diverse backgrounds, ‑ Helena with \na BA in Industrial Design and Veronica with \na BA in Fashion and an MA in Communication \nDesign from Central Saint Martins. However, \nthese diverse backgrounds complement each \nother, allowing the designers to have a wide range \nof projects, fuelled by a joint vision.\nstudio vit designs furniture, lighting and spaces. \nReferencing archetypal objects and shapes, \nit is essential for the studio to design \nlong lasting, carefully considered \nand well made products with \ngreat \nattention \nto \ndetail.\n",27,{"image":119,"text":120,"number":121},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.28.png","56\n57\n  V i l l a  P.F. \u002F Grand Petit Salon \u002F  Accessoires textile & papiers peints – Présentation de la collection pages suivantes \u002F \nTextile accessories & wallpapers – Presentation of the collection on the following pages\n",28,{"image":123,"text":124,"number":125},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.29.png","59\nDans la Villa P.F., les couleurs prennent la \nliberté de s’associer et de s’affranchir des \nlois de la perspective. \nSous \nleur \ninfluence, \nles \ndroites \nrectilignes du modernisme se courbent \ndevant des motifs minéraux, végétaux et \nhypnotiques.\nÀ la verticale, des pierres tombent et des \nfeuilles se superposent, sur des papiers \npeints plus beaux que nature.\nÀ l’horizon, la discipline des lignes se \ndissipe, et précipite le regard.\nPar touches, le textile vient poser comme des \nfenêtres et crée d’inattendues échappées, \nétranges et magnétiques.\nIn Villa P.F., colours are free to mingle \nand are released from the laws of perspective.\n \nUnder their influence, the rectilinear lines \nof modernism are warped by mineral, plant \nand hypnotic patterns.\nVertical – stones fall and leaves are layered \non wallpaper that is lovelier than life.\nOn the horizon – disciplined lines dissipate \nand precipitate the eye.\nBy degrees, the textile comes to rest and it \nis like a window, creating unexpected vistas \nthat are strange and magnetic.\nLES «À‑PLATS» DE MOTIFS DE LA \nVilla P.F.\n",29,{"image":127,"text":128,"number":129},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.30.png","60\n61\nMINERALS \u002F  Papier-peint & coussin 50x50 cm \nWallpaper & cushion 50x50cm\nDOTS \u002F  Papier-peint & coussin 50x50 cm \nWallpaper & cushion 50x50cm\n\u002F  Papier-peint & coussin 60x40 cm \nWallpaper & cushion 60x40cm\n\u002F  Papier-peint & coussin 60x40 cm \nWallpaper & cushion 60x40cm\nSHELLEY STEER\nCouleur motif : Noir-Rose \u002F Pattern colour: Black-Pink\nCouleur motif : Cuivre \u002F Pattern colour: Copper\nCouleur motif : Turquoise-Corail \u002F Pattern colour: Turquoise-Coral\nCouleur motif : Noir \u002F Pattern colour: Black\n \n \nSHELLEY STEER\nest une designer textile et \nillustratrice basée à Melbourne, \nen Australie.\nDepuis qu’elle a obtenu un baccalauréat \nès arts (Design textile) à RMIT, en \nAustralie, elle a continué à développer, à \nexplorer et à affiner son métier, cherchant \ntoujours à exprimer une esthétique «fresh». \nElle travaille aujourd’hui avec des clients \nd’univers variés dans le monde entier.\nElle travaille autant en design d’intérieur, \nmode ou graphisme. Elle est inspirée par la \nnature, les organismes vivants, les formes \nnaturelles, \nqu’elle \ncombine \npour \ncréer \ndes motifs et mondes complexes. Après \navoir passé deux ans à Londres, elle s’est \ninstallée dans son nouveau studio basé à \nCollingwood, Melbourne.\n \n \nSHELLEY STEER\nis a textile designer and \nillustrator based in Melbourne, \nAustralia.\nSince graduating from RMIT Australia \nwith a Bachelor of Arts degree in Textile \nDesign, she has continued to develop, \nexplore and refine her craft, always seeking \nto express a fresh aesthetic. Working with \na variety of clients worldwide, her work sits \ncomfortably within the interior, fashion and \ngraphic fields.\nA strong natural influence can be seen \nthroughout her designs in which living beings \nand natural shapes often combine to create \nintricate patterns and worlds. She recently \nreturned home after living in London for two \nyears and is happily settling into her new \nstudio in Collingwood, Melbourne.\n",30,{"image":131,"text":132,"number":133},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.31.png","62\n63\nTIPHAINE DE BODMAN\nVOLUTES \u002F  Papier-peint & coussin 50x50 cm \nWallpaper & cushion 50x50cm\nJUNGLE \u002F  Papier-peint & coussin 50x50 cm \nWallpaper & cushion 50x50cm\n\u002F  Papier-peint & coussin 60x40cm \nWallpaper & cushion 60x40cm\n\u002F  Papier-peint & coussin 60x40 cm \nWallpaper & cushion 60x40cm\nCouleur motif : Noir \u002F Pattern colour: Black \nCouleur motif : Blanc sur noir \u002F Pattern colour: White on black\nCouleur motif : Rose \u002F Pattern colour: Pink\nCouleur motif : Cuivre \u002F Pattern colour: Copper\nNée en 1983, TIPHAINE DE BODMAN vit et \ntravaille entre Milan et Paris.\nDepuis sa sortie de Central Saint Martins, en \n2007, elle aime multiplier les projets : dessins \nde chaussures pour Paul Smith, dessins \nd’imprimés pour Kenzo, réalisation de \npièces d’art pour des collectionneurs \nprivés, création de papiers peints. \nAvec une approche anglosaxonne, \nelle \ncrée \ndes \nponts \nentre \ndifférentes disciplines.\nBorn in 1983, TIPHAINE DE BODMAN \nworks and lives between Milan and Paris.\nEver since she graduated from Central Saint \nMartins in 2007, she has had numerous projects \nas a textile and graphic designer: embroidery \nfor Alexander McQueen, shoes for Paul \nSmith, patterns for Kenzo, art pieces \nfor private art collectors and also \nwallpaper creations. With her Anglo‑\nSaxon \napproach, \nshe \ncreates \nbridges between different fields.\n",31,{"image":135,"text":136,"number":137},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.32.png","64\n65\nSHELLEY STEER\nSatin de coton \u002F Satin cotton\nCouleur motif : Turquoise-Corail \u002F Pattern colour: Turquoise-Coral\n\u002F  Coussin 60x40 cm \nCushion 60x40cm\nSatin de coton \u002F Satin cotton\nCouleur motif : Noir-Rose \u002F Pattern colour: Black-Pink\nMINERALS \u002F  Coussin 50x50 cm \nCushion 50x50cm\nVelours \u002F Velvet\nCouleur motif : Noir \u002F Pattern colour: Black \n\u002F  Coussin 60x40 cm \nCushion 60x40cm\nVelours \u002F Velvet\nCouleur motif : Cuivre \u002F Copper\nDOTS \u002F  Coussin 50x50 cm \nCushion 50x50cm\nTIPHAINE DE BODMAN\nVelours \u002F Velvet\nCouleur motif : Rose \u002F Pattern colour: Pink \n\u002F  Coussin 60x40 cm \nCushion 60x40cm\nVelours \u002F Velvet\nCouleur motif : Noir \u002F Pattern colour: Black \nVOLUTES \u002F  Coussin 50x50 cm \nCushion 50x50cm\nSatin de coton \u002F Satin cotton\nCouleur motif : Cuivre \u002F Pattern colour: Copper\n\u002F  Coussin 60x40 cm \nCushion 60x40cm\nSatin de coton \u002F Satin cotton\nCouleur motif : Blanc sur noir \u002F Pattern colour: White on black \nJUNGLE \u002F  Coussin 50x50 cm \nCushion 50x50cm\nCOLLECTION PAPIERS PEINTS\nWALLPAPERS COLLECTION\nTEXTILES ACCESSORIES COLLECTION\nCOLLECTION ACCESSOIRES TEXTILES\nCouleur motif : Turquoise-Corail \nPattern colour: Turquoise-Coral\nCouleur motif : Violet-Rose \nPattern colour: Purple-Pink\nCouleur motif : Noir-Rose \nPattern colour: Black-Pink\nCouleur motif : Cuivre \nPattern colour: Copper\nCouleur motif : Blanc sur noir \nPattern colour: White on black\nCouleur motif : Noir \nPattern colour: Black\nDOTS \u002F  Papiers peints intissés 0.52x10 m \nUn-woven wallpapers 0.52x10m\nSHELLEY STEER\nMINERALS \u002F  Papiers peints intissés 0.52x10 m \nUn-woven wallpapers 0.52x10m\nTIPHAINE DE BODMAN\nVOLUTES \u002F  Papiers peints intissés 0.70x10 m \nUn-woven wallpapers 0.70x10m\nJUNGLE \u002F  Papiers peints intissés 0.52x10 m \nUn-woven wallpapers 0.52x10m\nCouleur motif : Rose \nPattern colour: Pink\nCouleur motif : Cuivre \nPattern colour: Copper\nCouleur motif : Vert \nPattern colour: Green\nCouleur motif : Encre \nPattern colour: Ink\nCouleur motif : Noir \nPattern colour: Black\nCouleur motif : Blanc sur noir \nPattern colour: White on black\nCouleur motif : Noir \nPattern colour: Black\n",32,{"image":139,"text":140,"number":141},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.33.png","66\n67\nHOFF\nMORTEN & JONAS\nCURIOSITY\nSAM BARON\nBAMBOU\nCÉLINE FREBAULT\nFRANCIS\nCONSTANCE GUISSET\nPARROT\nINDIA MAHDAVI\nISO-A & ISO-B\nPOOL\nVARIATIONS WALLPAPERS\nTIPHAINE DE BODMAN\nDOTS WALLPAPERS\nSHELLEY STEER\nJUNGLE WALLPAPERS\nTIPHAINE DE BODMAN\nMINERALS WALLPAPERS\nSHELLEY STEER\nVOLUTES WALLPAPERS\nTIPHAINE DE BODMAN\nBASIL\nARTHUR LEITNER\nOBJETS 2822\nGAËLLE GABILLET & \nSTÉPHANE VILLARD\nPETSTOOLS\nHANNA EMELIE ERNSTING\nNARCISO\nECAL \u002F GIORGIA ZANELLATO\nCAST\nSTUDIO VIT\nWILD CAR\nPIERRE FAVRESSE\nHOLLO\nAMANDINE CHHOR \n& AÏSSA LOGEROT\nMOIRE\nMARC SARRAZIN\nLOOP\nAMANDINE CHHOR\nANT\nSAM BARON\nCOLLECTION\nPETITE FRITURE\nBUBBLE\nVAULOT & DYÈVRE\nWILD THINGS\nPIERRE FAVRESSE\nLANTERNA\nSAM BARON\nMASK\nFEDERICO FLORIANI\nPANACHE\nCONSTANCE GUISSET\nGRID\nPOOL\nMINERA\nSTUDIO NOCC\nSUCCESSION\nFÄRG & BLANCHE x \nPETITE FRITURE & REVOL\nÉTOILE\nCLAESSON KOIVISTO RUNE\nTIDELIGHT\nPIERRE FAVRESSE\nNUBILO\nCONSTANCE GUISSET\nAURA\nTOMAS KRAL\nCANDLE TORCH\nANDREAS ENGESVIK\nTUBERCULE\nSCMP DESIGN OFFICE\nMÉDITERRANÉA\nNOÉ DUCHAUFOUR ‑ LAWRANCE\nMARKET\nNOÉ DUCHAUFOUR ‑ LAWRANCE\nCHERRY\nDANIEL • EMMA\nSO-SAGE\nSAM BARON\nVERTIGO\nCONSTANCE GUISSET\nTRAME\nAMANDINE CHHOR \n& AÏSSA LOGEROT\nBRAILLE\nPETITE FRITURE\nGRILLO\nÉLISEV FOUIN\nGRANDISSANT\nJEAN‑CHARLES AMEY\nDOTS \u002F MINERALS CUSHIONS \nSHELLEY STEER\nVOLUTES \u002F JUNGLE CUSHIONS \nTIPHAINE DE BODMAN\nJUNGLE NAPKINS\nTIPHAINE DE BODMAN\n",33,{"image":143,"text":144,"number":145},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.34.png","Concept \u002F Art direction \nGraphic design \u002F layout \nPETITE FRITURE\nCover page illustration \nAna Montiel\nPhotography \nFlorent Tanet\nSet design \nElla Perdereau\nPrinting \nKappadue Arti Grafiche\nNos sincères remerciements pour le prêt \ndes plantes en feutre à \u002F A special thanks \nfor the lending of the feltplants to: \nIvo van den Baar & Nicole Driessens\n",34,{"image":147,"text":148,"number":149},"\u002Fmedia\u002Fimages\u002F98\u002F20fae8337e978be724c9b1bfcf31e7.35.png","PETITE FRITURE\n83 boulevard Richard Lenoir,\n75011 — Paris\nFrance\nT : +33 (0)1 44 54 13 95\nF : +33 (0)1 44 54 02 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