[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-pataviumart-classic-volume-2":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":1012},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":1007,"matched_pages":1008,"match_count":1009,"two_pages":1010,"show_text":1011},25543,"Classic Volume 2","pataviumart-classic-volume-2","\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F69\u002Ff9627e12d1fa134ec2289c4d39996c-290363a22e.pdf","Pataviumart",198,"pataviumart","142.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473,477,481,485,489,493,497,501,505,509,513,517,521,525,529,533,537,541,545,549,553,557,561,565,569,573,577,581,585,589,593,597,601,605,609,613,617,621,625,629,633,637,641,645,649,653,657,661,665,669,673,677,681,685,689,693,697,701,705,709,713,717,721,725,729,733,737,741,745,749,753,757,761,765,769,773,777,781,785,789,793,797,801,804,808,812,816,820,824,828,832,836,840,844,848,852,856,860,864,868,872,876,880,884,888,892,896,900,904,908,912,916,920,924,928,932,936,940,944,948,952,956,960,964,968,972,976,980,984,988,992,996,1000,1004],{"image":7,"text":15,"number":16},"107351_Vol_02_M.indd   1\n21\u002F06\u002F10   10:56\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.2.png","Collezioni \nAppliques \n \n \n \n4\nChandeliers \n \n \n \n50\nCeiling lamps \n \n \n \n172\nFloor lamps \n \n \n \n192\nTable lamps \n \n \n \n222\nGioielli di Luce \n \n \n \n350\nLed  \n \n \n \n \n428\nAccessori \n \n \n \n438\nIndice \n \n \n \n \n478\nLeggere i codici  \n \n \n486\nColori & finiture  \n \n \n488\nLegende \n \n \n \n489\n \nCondizioni di Vendita \n \n \n491\n \nRedazionale & Contatti  \n \n496\nCollections \nAppliques \n \n \n \n4\nChandeliers \n \n \n \n50\nCeiling lamps \n \n \n \n172\nFloor lamps \n \n \n \n192\nTable lamps \n \n \n \n222\nGioielli di Luce \n \n \n \n350\nLed  \n \n \n \n \n428\nAccessories \n \n \n \n438\n \nIndex \n \n \n \n \n478\nRead the code \n486\n \nFinishes & Codes \n \n \n488\n \nTables  \n \n \n \n489\nTerms & Conditions of Sales & Trading \n493\nAcknowledgments and Editorial  \n496\nIndice\nIndex\n2\n107351_Vol_02_M.indd   2\n21\u002F06\u002F10   10:56\n3\n107351_Vol_02_M.indd   3\n21\u002F06\u002F10   10:56\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.3.png","107351_Vol_02_M.indd   4\n21\u002F06\u002F10   10:57\nAPPLIQUES\n107351_Vol_02_M.indd   5\n21\u002F06\u002F10   10:57\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.4.png","TYPE\nCODE \nSIZE\nAP0215\u002F02 \ncm 38xh55x13 sx\nAP0216\u002F02 \ncm 38xh55x13 dx\n6\n107351_Vol_02_M.indd   6\n21\u002F06\u002F10   10:57\nAP0216\u002F02AG\nVSN001711619\n7\n107351_Vol_02_M.indd   7\n21\u002F06\u002F10   10:57\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.5.png","CODE \nSIZE\nAP0350\u002F06 \ncm 80xh98x8\nAP0351\u002F01 \ncm 33xh31x15\nCH1350\u002F06 \ncm 75xh75\nCL0350\u002F04 \ncm 55xh50x12\nFL0350\u002F07 \ncm 85xh180x70\n8\n107351_Vol_02_M.indd   8\n21\u002F06\u002F10   10:57\nAP0350\u002F06NG\n9\n107351_Vol_02_M.indd   9\n21\u002F06\u002F10   10:57\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.6.png","CODE \nSIZE\nAP0350\u002F06 \ncm 80xh98x8\nAP0351\u002F01 \ncm 33xh31x15\nCH1350\u002F06 \ncm 75xh75\nCL0350\u002F04 \ncm 55xh50x12\nFL0350\u002F07 \ncm 85xh180x70\n10\n10\n107351_Vol_02_M.indd   10\n21\u002F06\u002F10   10:57\nAP0351\u002F01NG\n11\n107351_Vol_02_M.indd   11\n21\u002F06\u002F10   10:57\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.7.png","TYPE\nCODE \nSIZE\nAP1050\u002F02 \ncm 47xh39x21\nAP1050\u002F03 \ncm 52xh43x23\nAP1050\u002F07 \ncm 65xh112x26\nCH1050\u002F05 \ncm 50xh65\nG0=A0&D0\nG1=A0&D1\nG3=A0&D3\nG4=A0&D4\nG5=A1&D0\nG8=A1&D3\nH2=A2&D2\nH4=A2&D4\nH6=A3&D1\nH7=A3&D2\nH9=A3&D4\nI0=A4&D0\nI1=A4&D1\nI3=A4&D3\nI5=A5&D0\nI6=A5&D1\nI7=A5&D2\nI8=A5&D3\nI9=A5&D4\nA0\nD0\nA1\nD1\nA2\nD2\nA3\nD3\nA4\nD4\nA5\nD5\nB0\nD7\n12\n12\n107351_Vol_02_M.indd   12\n21\u002F06\u002F10   10:57\nAP1050\u002F03NAB0\nVDS002833\n13\n107351_Vol_02_M.indd   13\n21\u002F06\u002F10   10:57\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.8.png","25\n32\nTYPE\nCODE \nSIZE\nAP1222\u002F03 \ncm 65xh105x39\n14\n14\n107351_Vol_02_M.indd   14\n21\u002F06\u002F10   10:57\nAP1222\u002F0325\nVSN001711619\n15\n107351_Vol_02_M.indd   15\n21\u002F06\u002F10   10:57\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.9.png","TYPE\nCODE \nSIZE\nAP1850\u002F02 \ncm 42xh50x20\nAP1850\u002F03 \ncm 50xh52x26\nCH1850\u002F06 \ncm 60xh75\nCH1850\u002F08 \ncm 80xh85\nCH1850\u002F10 \ncm 85xh90\nCH1850\u002F12 \ncm 95xh120\nCH1850\u002F18 \ncm 110xh130\nCH1850\u002FM3 \ncm 32xh56\nCH1850\u002FM6 \ncm 47xh55\nCL1850\u002F04 \ncm 55xh50\nCL1850\u002F08 \ncm 80xh65\nFL1850\u002F06 \ncm 50xh180\nTL1850\u002F06 \ncm 47xh79\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n16\n16\n107351_Vol_02_M.indd   16\n21\u002F06\u002F10   10:58\nAP1850\u002F02AS13\nCOP002869\n17\n107351_Vol_02_M.indd   17\n21\u002F06\u002F10   10:58\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.10.png","TYPE\nCODE \nSIZE\nAP1883\u002F02 \ncm 42xh50x20\nAP1883\u002F03 \ncm 50xh52x26\nCH1883\u002F06 \ncm 65xh90\nCH1883\u002F08 \ncm 80xh100\nCH1883\u002F10 \ncm 85xh110\nCH1883\u002F12 \ncm 95xh120\nCH1883\u002F18 \ncm 110xh150\nCL1883\u002F04 \ncm 55xh50\nCL1883\u002F08 \ncm 80xh65\nFL1883\u002F06 \ncm 50xh180\nTL1883\u002F06 \ncm 47xh79\n01\n30\n02\n32\n08\n65\n25\n28\n29\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n18\n18\nAP1883\u002F03AI28\nCOP002102\n19\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.11.png","TYPE\nCODE \nSIZE\nAP2230\u002F01 \ncm 30xh60x24\nCH2230\u002F06 \ncm 88xh100\nCH2230\u002F08 \ncm 105xh120\nCH2230\u002F10 \ncm 108xh123\nCH2230\u002F12 \ncm 115xh140\n20\n107351_Vol_02_M.indd   20\n21\u002F06\u002F10   10:58\nAP2230\u002F01NJ\nCOS002506\n21\n107351_Vol_02_M.indd   21\n21\u002F06\u002F10   10:58\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.12.png","TYPE\nCODE \nSIZE\nAP2310\u002F02 \ncm 40xh55x22\nCH2310\u002F06 \ncm 60xh60\nCH2310\u002F08 \ncm 80xh80\nCH2310\u002F10 \ncm 83xh83\nCH2310\u002F12 \ncm 94xh97\nCL2310\u002F04 \ncm 55xh50\nCL2310\u002F05 \ncm 80xh60\nFL2310\u002F06 \ncm 50xh180\nTL2310\u002F06 \ncm 55xh92\n22\n22\n107351_Vol_02_M.indd   22\n21\u002F06\u002F10   10:58\nAP2310\u002F02RC\nCOS002863\n23\n107351_Vol_02_M.indd   23\n21\u002F06\u002F10   10:58\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.13.png","TYPE\nCODE \nSIZE\nAP3100\u002F03 \ncm 34xh42x20\nCH3100\u002F18 \ncm 75xh93\n02\n22\n23\n25\n30\n38\n24\n107351_Vol_02_M.indd   24\n21\u002F06\u002F10   10:59\nAP3100\u002F03NF25\n25\n107351_Vol_02_M.indd   25\n21\u002F06\u002F10   10:59\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.14.png","TYPE\nCODE \nSIZE\nAP3300\u002F03 \ncm 52xh80x30\nCH3300\u002F12 \ncm 128xh130\nCH3300\u002F20 \ncm 180xh170\nCH3300\u002F40 \ncm 250xh285\nFL3300\u002F06 \ncm 55xh190\nTL3300\u002F07 \ncm 54xh102\n01\n02\n08\n25\n28\n29\n30\n32\n65\nCH3380\nCH3382\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n71=25+65\n26\nAP3300\u002F03NA01\nCOS004906\n27\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.15.png","TYPE\nCODE \nSIZE\nAP3500\u002F05 \ncm 82xh80x44\nCH3500\u002F10 \ncm 85xh80\nF2\nF1\n28\n107351_Vol_02_M.indd   28\n21\u002F06\u002F10   10:59\nAP3500\u002F05NJF1\nCOP002818101\n29\n107351_Vol_02_M.indd   29\n21\u002F06\u002F10   10:59\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.16.png","TYPE\nCODE \nSIZE\nAP3700\u002F05 \ncm 60xh90x14\n58=25+30\n71=20+25\n83=29+38\n01\n20\n02\n22\n08\n29\n16\n30\n19\n38\n30\n107351_Vol_02_M.indd   30\n21\u002F06\u002F10   10:59\nAP3700\u002F05NJ01\n31\n107351_Vol_02_M.indd   31\n21\u002F06\u002F10   10:59\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.17.png","TYPE\nCODE \nSIZE\nAP3700\u002F05 \ncm 60xh90x14\n58=25+30\n71=20+25\n83=29+38\n01\n20\n02\n22\n08\n29\n16\n30\n19\n38\n32\n107351_Vol_02_M.indd   32\n21\u002F06\u002F10   11:00\nAP3700\u002F05NJ83\n33\n107351_Vol_02_M.indd   33\n21\u002F06\u002F10   11:00\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.18.png","TYPE\nCODE \nSIZE\nAP3701\u002F48 \ncm 70xh95x12\n01\n20\n02\n22\n08\n29\n16\n30\n19\n38\n58=25+30\n71=20+25\n83=29+38\n34\n107351_Vol_02_M.indd   34\n21\u002F06\u002F10   11:00\nAP3701\u002F48NF58L\n35\n35\n107351_Vol_02_M.indd   35\n21\u002F06\u002F10   11:00\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.19.png","TYPE\nCODE \nSIZE\nAP5000\u002F01 \ncm 22xh186x20\n36\n107351_Vol_02_M.indd   36\n21\u002F06\u002F10   11:00\nAP5000\u002F01JA\n37\n107351_Vol_02_M.indd   37\n21\u002F06\u002F10   11:00\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.20.png","TYPE\nCODE \nSIZE\nAP5003\u002F04 \ncm 65xh101x32\n38\n107351_Vol_02_M.indd   38\n21\u002F06\u002F10   11:00\nAP5003\u002F04JA\nCOP003752102\n39\n107351_Vol_02_M.indd   39\n21\u002F06\u002F10   11:00\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.21.png","TYPE\nCODE \nSIZE\nAP5005\u002F10 \ncm 58xh95x18\n40\n107351_Vol_02_M.indd   40\n21\u002F06\u002F10   11:00\nAP5005\u002F10JA\n41\n107351_Vol_02_M.indd   41\n21\u002F06\u002F10   11:06\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.22.png","TYPE\nCODE \nSIZE\nAP5007\u002F02 \ncm 35xh56x26 dx\nAP5008\u002F02 \ncm 35xh56x26 sx\n42\n107351_Vol_02_M.indd   42\n21\u002F06\u002F10   11:06\nAP5007\u002F02JA\n43\n107351_Vol_02_M.indd   43\n21\u002F06\u002F10   11:06\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.23.png","TYPE\nCODE \nSIZE\nAP5100\u002F02 \ncm 27xh42x8\nAP5100\u002F05 \ncm 48xh60x18\nCH5100\u002F12 \ncm 75xh90\nCH5100\u002F16 \ncm 105xh125\n23\n55\n54\n44\n107351_Vol_02_M.indd   44\n21\u002F06\u002F10   11:06\nAP5100\u002F02JA23\n45\n107351_Vol_02_M.indd   45\n21\u002F06\u002F10   11:06\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.24.png","TYPE\nCODE \nSIZE\nAP5100\u002F02 \ncm 27xh42x8\nAP5100\u002F05 \ncm 48xh60x18\nCH5100\u002F12 \ncm 75xh90\nCH5100\u002F16 \ncm 105xh125\n23\n55\n54\n46\n107351_Vol_02_M.indd   46\n21\u002F06\u002F10   11:06\nAP5100\u002F05JA55\n47\n107351_Vol_02_M.indd   47\n21\u002F06\u002F10   11:06\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.25.png","TYPE\nCODE \nSIZE\nAPM350\u002F03 \ncm 60xh35x40\n48\n107351_Vol_02_M.indd   48\n21\u002F06\u002F10   11:06\nAPM350\u002F03\n49\n107351_Vol_02_M.indd   49\n21\u002F06\u002F10   11:06\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.26.png","107351_Vol_02_M.indd   50\n21\u002F06\u002F10   11:06\nchandeliers\n107351_Vol_02_M.indd   51\n21\u002F06\u002F10   11:07\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.27.png","TYPE\nCODE \nSIZE\nCH0550\u002F02 \ncm 55xh75x20\n52\n52\n107351_Vol_02_M.indd   52\n21\u002F06\u002F10   11:07\nCH0550\u002F02\n53\n107351_Vol_02_M.indd   53\n21\u002F06\u002F10   11:07\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.28.png","TYPE\nCODE \nSIZE\nCH0570\u002F04 \ncm 50xh60x15\n54\n107351_Vol_02_M.indd   54\n21\u002F06\u002F10   11:07\nCH0570\u002F04\n55\n107351_Vol_02_M.indd   55\n21\u002F06\u002F10   11:07\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.29.png","TYPE\nCODE \nSIZE\nCH0900\u002F01 \ncm 40xh160\n56\n107351_Vol_02_M.indd   56\n21\u002F06\u002F10   11:07\nCH0900\u002F01\n57\n107351_Vol_02_M.indd   57\n21\u002F06\u002F10   11:07\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.30.png","24\n25\n32\n35\n57\nTYPE\nCODE \nSIZE\nAP1020\u002F02 \ncm 45xh58x33\nAP1020\u002F03 \ncm 56xh58x40\nCH1020\u002F12 \ncm 110xh120\nCH1020\u002F26 \ncm 106xh225\n58\n107351_Vol_02_M.indd   58\n21\u002F06\u002F10   11:07\nCH1020\u002F1225\nCOP074752105\n59\n107351_Vol_02_M.indd   59\n21\u002F06\u002F10   11:07\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.31.png","TYPE\nCODE \nSIZE\nAP1020\u002F02 \ncm 45xh58x33\nAP1020\u002F03 \ncm 56xh58x40\nCH1020\u002F12 \ncm 110xh120\nCH1020\u002F26 \ncm 106xh225\n24\n25\n32\n35\n57\n60\n107351_Vol_02_M.indd   60\n21\u002F06\u002F10   11:07\nCH1020\u002F2625\n61\n107351_Vol_02_M.indd   61\n21\u002F06\u002F10   11:08\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.32.png","24\n25\n32\n35\n57\nTYPE\nCODE \nSIZE\nAP1022\u002F02 \ncm 45xh58x33\nCH1022\u002F12 \ncm 125xh105x90\nTL1022\u002F06 \ncm 65xh95\n62\n107351_Vol_02_M.indd   62\n21\u002F06\u002F10   11:08\nCH1022\u002F1257\nCOP074918105\n63\n107351_Vol_02_M.indd   63\n21\u002F06\u002F10   11:08\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.33.png","CODE \nSIZE\nAP0350\u002F06 \ncm 80xh98x8\nAP0351\u002F01 \ncm 33xh31x15\nCH1350\u002F06 \ncm 75xh75\nCL0350\u002F04 \ncm 55xh50x12\nFL0350\u002F07 \ncm 85xh180x70\n64\n107351_Vol_02_M.indd   64\n21\u002F06\u002F10   11:08\nCH1350\u002F06NG\nCOS003751807\n65\n107351_Vol_02_M.indd   65\n21\u002F06\u002F10   11:08\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.34.png","TYPE\nCODE \nSIZE\nCH1583\u002F12 \ncm 150xh125x85\n01\n30\n02\n32\n08\n65\n25\n28\nCH1580\n29\nCH1582 \n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n66\nCH1583\u002F12AI02\nOBP012907\n67\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.35.png","TYPE\nCODE \nSIZE\nAP1810\u002F02 \ncm 42xh50x20\nAP1810\u002F03 \ncm 50xh52x26\nCH1810\u002F06 \ncm 65xh90\nCH1810\u002F08 \ncm 80xh100\nCH1810\u002F10 \ncm 85xh110\nCH1810\u002F12 \ncm 95xh120\nCH1810\u002F18 \ncm 110xh150\nCL1810\u002F04 \ncm 55xh50\nCL1810\u002F08 \ncm 80xh65\nFL1810\u002F05 \ncm 50xh180\nTL1810\u002F02 \ncm 31xh65x20\nTL1810\u002F06 \ncm 60xh80\n08\n30\n16\n02\n05=02+30\n68\n107351_Vol_02_M.indd   68\n21\u002F06\u002F10   11:09\nCH1810\u002F08NC05 \nCOS003908\n69\n107351_Vol_02_M.indd   69\n21\u002F06\u002F10   11:09\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.36.png","TYPE\nCODE \nSIZE\nAP1850\u002F02 \ncm 42xh50x20\nAP1850\u002F03 \ncm 50xh52x26\nCH1850\u002F06 \ncm 60xh75\nCH1850\u002F08 \ncm 80xh85\nCH1850\u002F10 \ncm 85xh90\nCH1850\u002F12 \ncm 95xh120\nCH1850\u002F18 \ncm 110xh130\nCH1850\u002FM3 \ncm 32xh56\nCH1850\u002FM6 \ncm 47xh55\nCL1850\u002F04 \ncm 55xh50\nCL1850\u002F08 \ncm 80xh65\nFL1850\u002F06 \ncm 50xh180\nTL1850\u002F06 \ncm 47xh79\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n70\n107351_Vol_02_M.indd   70\n21\u002F06\u002F10   11:09\nCH1850\u002F08AK20  \nCOS003765850\n71\n107351_Vol_02_M.indd   71\n21\u002F06\u002F10   11:09\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.37.png","TYPE\nCODE \nSIZE\nAP1850\u002F02 \ncm 42xh50x20\nAP1850\u002F03 \ncm 50xh52x26\nCH1850\u002F06 \ncm 60xh75\nCH1850\u002F08 \ncm 80xh85\nCH1850\u002F10 \ncm 85xh90\nCH1850\u002F12 \ncm 95xh120\nCH1850\u002F18 \ncm 110xh130\nCH1850\u002FM3 \ncm 32xh56\nCH1850\u002FM6 \ncm 47xh55\nCL1850\u002F04 \ncm 55xh50\nCL1850\u002F08 \ncm 80xh65\nFL1850\u002F06 \ncm 50xh180\nTL1850\u002F06 \ncm 47xh79\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n72\n107351_Vol_02_M.indd   72\n21\u002F06\u002F10   11:10\nCH1850\u002F10AK25\nCOS003701843\n73\n107351_Vol_02_M.indd   73\n21\u002F06\u002F10   11:10\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.38.png","TYPE\nCODE \nSIZE\nAP1850\u002F02 \ncm 42xh50x20\nAP1850\u002F03 \ncm 50xh52x26\nCH1850\u002F06 \ncm 60xh75\nCH1850\u002F08 \ncm 80xh85\nCH1850\u002F10 \ncm 85xh90\nCH1850\u002F12 \ncm 95xh120\nCH1850\u002F18 \ncm 110xh130\nCH1850\u002FM3 \ncm 32xh56\nCH1850\u002FM6 \ncm 47xh55\nCL1850\u002F04 \ncm 55xh50\nCL1850\u002F08 \ncm 80xh65\nFL1850\u002F06 \ncm 50xh180\nTL1850\u002F06 \ncm 47xh79\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n74\n107351_Vol_02_M.indd   74\n21\u002F06\u002F10   11:10\nCH1850\u002F18AS13\nCOP003834854\n75\n107351_Vol_02_M.indd   75\n21\u002F06\u002F10   11:10\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.39.png","TYPE\nCODE \nSIZE\nAP1857\u002F02 \ncm 42xh50x20\nAP1857\u002F03 \ncm 50xh52x26\nCH1857\u002F06 \ncm 60xh75\nCH1857\u002F08 \ncm 80xh85\nCH1857\u002F10 \ncm 85xh90\nCH1857\u002F12 \ncm 95xh120\nCH1857\u002F18 \ncm 110xh130\nCH1857\u002FM3 \ncm 32xh56\nCH1857\u002FM6 \ncm 47xh55\nCL1857\u002F04 \ncm 55xh50\nCL1857\u002F08 \ncm 80xh65\nFL1857\u002F06 \ncm 50xh180\nTL1857\u002F06 \ncm 47xh79\n80\n76\n107351_Vol_02_M.indd   76\n21\u002F06\u002F10   11:10\nCH1857\u002F08NJ80\nCOS003849\n77\n107351_Vol_02_M.indd   77\n21\u002F06\u002F10   11:10\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.40.png","02\n22\n25\n30\nTYPE\nCODE \nSIZE\nAP1882\u002F02 \ncm 42xh50x20\nAP1882\u002F03 \ncm 50xh52x26\nCH1882\u002F06 \ncm 65xh90\nCH1882\u002F08 \ncm 80xh100\nCH1882\u002F10 \ncm 85xh110\nCH1882\u002F12 \ncm 95xh120\nCH1882\u002F18 \ncm 110xh150\nCL1882\u002F04 \ncm 55xh50\nCL1882\u002F08 \ncm 80xh65\nFL1882\u002F06 \ncm 50xh180\nTL1882\u002F06 \ncm 47xh79\n78\n107351_Vol_02_M.indd   78\n21\u002F06\u002F10   11:10\nCH1882\u002F08AP22\nCOS003919\n79\n107351_Vol_02_M.indd   79\n21\u002F06\u002F10   11:10\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.41.png","TYPE\nCODE \nSIZE\nAP1883\u002F02 \ncm 42xh50x20\nAP1883\u002F03 \ncm 50xh52x26\nCH1883\u002F06 \ncm 65xh90\nCH1883\u002F08 \ncm 80xh100\nCH1883\u002F10 \ncm 85xh110\nCH1883\u002F12 \ncm 95xh120\nCH1883\u002F18 \ncm 110xh150\nCL1883\u002F04 \ncm 55xh50\nCL1883\u002F08 \ncm 80xh65\nFL1883\u002F06 \ncm 50xh180\nTL1883\u002F06 \ncm 47xh79\n01\n30\n02\n32\n08\n65\n25\n28\n29\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n80\nCH1883\u002F08AI28\nCOS003921\n81\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.42.png","TYPE\nCODE \nSIZE\nAP1892\u002F02 \ncm 42xh50x20\nAP1892\u002F03 \ncm 50xh52x26\nCH1892\u002F06 \ncm 65xh90\nCH1892\u002F08 \ncm 80xh100\nCH1892\u002F10 \ncm 85xh110\nCH1892\u002F12 \ncm 95xh120\nCH1892\u002F18 \ncm 110xh150\nCL1892\u002F04 \ncm 55xh50\nCL1892\u002F08 \ncm 80xh65\nFL1892\u002F06 \ncm 50xh180\nTL1892\u002F06 \ncm 47xh79\n19\n20\n30\n82\nCH1892\u002F08AI20\nCOS003835\n83\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.43.png","TYPE\nCODE \nSIZE\nAP1892\u002F02 \ncm 42xh50x20\nAP1892\u002F03 \ncm 50xh52x26\nCH1892\u002F06 \ncm 65xh90\nCH1892\u002F08 \ncm 80xh100\nCH1892\u002F10 \ncm 85xh110\nCH1892\u002F12 \ncm 95xh120\nCH1892\u002F18 \ncm 110xh150\nCL1892\u002F04 \ncm 55xh50\nCL1892\u002F08 \ncm 80xh65\nFL1892\u002F06 \ncm 50xh180\nTL1892\u002F06 \ncm 47xh79\n19\n20\n30\n84\nCH1892\u002F08AV30 \nCOS003821\n85\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.44.png","02\nD0\n08\nD1\n25\nD2\n29\nD3\n30\nD4\n63\nTYPE\nCODE \nSIZE\nAP1921\u002F02 \ncm 35xh48x19\nCH1921\u002F05 \ncm 52xh60\nCH1921\u002F08 \ncm 78xh84\nCH1921\u002F12 \ncm 110xh120\nCL1921\u002F04 \ncm 55xh50\nCL1921\u002F05 \ncm 80xh65\nFL1921\u002F05 \ncm 52xh18\nTL1921\u002F02 \ncm 31xh65x20\nTL1921\u002F06 \ncm 45xh83\nD7\nD5=D1+D3\nD6=D1+D4\n86\n107351_Vol_02_M.indd   86\n21\u002F06\u002F10   11:12\nCH1921\u002F08NJ63D1 \nCOS003765924\n87\n107351_Vol_02_M.indd   87\n21\u002F06\u002F10   11:12\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.45.png","02\nD0\n08\nD1\n25\nD2\n29\nD3\n30\nD4\n63\nD5=D1+D3\nD6=D1+D4\nD7\nTYPE\nCODE \nSIZE\nAP1921\u002F02 \ncm 35xh48x19\nCH1921\u002F05 \ncm 52xh60\nCH1921\u002F08 \ncm 78xh84\nCH1921\u002F12 \ncm 110xh120\nCL1921\u002F04 \ncm 55xh50\nCL1921\u002F05 \ncm 80xh65\nFL1921\u002F05 \ncm 52xh18\nTL1921\u002F02 \ncm 31xh65x20\nTL1921\u002F06 \ncm 45xh83\n88\n107351_Vol_02_M.indd   88\n21\u002F06\u002F10   11:12\nCH1921\u002F08NJ63D7 \nCOP003107\n89\n107351_Vol_02_M.indd   89\n21\u002F06\u002F10   11:12\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.46.png","TYPE\nCODE \nSIZE\nAP1922\u002F02 \ncm 42xh50x20\nCH1922\u002F05 \ncm 52xh60\nCH1922\u002F08 \ncm 78xh84\nCH1922\u002F12 \ncm 110xh120\nCL1922\u002F04 \ncm 55xh55\nCL1922\u002F05 \ncm 80xh65\nFL1922\u002F05 \ncm 50xh180\nTL1922\u002F02 \ncm 31xh65x20\nTL1922\u002F05 \ncm 45xh83\n30\n32\n25\n56=30+32\n58=25+30\n90\n107351_Vol_02_M.indd   90\n21\u002F06\u002F10   11:13\nCH1922\u002F08NJ30 \nCOS003757002821\n91\n107351_Vol_02_M.indd   91\n21\u002F06\u002F10   11:13\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.47.png","32\n25\nTYPE\nCODE \nSIZE\nAP1923\u002F02 \ncm 42xh50x20\nCH1923\u002F05 \ncm 52xh60\nCH1923\u002F08 \ncm 78xh84\nCH1923\u002F12 \ncm 110xh120\nCL1923\u002F04 \ncm 55xh55\nCL1923\u002F05 \ncm 80xh65\nFL1923\u002F05 \ncm 50xh180\nTL1923\u002F02 \ncm 31xh65x20\nTL1923\u002F05 \ncm 45xh83\n34=25+32\n56=30+32\n92\n107351_Vol_02_M.indd   92\n21\u002F06\u002F10   11:13\nCH1923\u002F08NA34 \nCOS003513\n93\n107351_Vol_02_M.indd   93\n21\u002F06\u002F10   11:13\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.48.png","30\n32\n34=25+32\n56=30+32\n58=25+30\n25\nTYPE\nCODE \nSIZE\nAP1924\u002F02 \ncm 42xh50x20\nCH1924\u002F05 \ncm 52xh60\nCH1924\u002F08 \ncm 78xh84\nCH1924\u002F12 \ncm 110xh120\nCL1924\u002F04 \ncm 55xh55\nCL1924\u002F05 \ncm 80xh65\nFL1924\u002F05 \ncm 50xh180\nTL1924\u002F02 \ncm 31xh65x20\nTL1924\u002F05 \ncm 45xh83\n94\n107351_Vol_02_M.indd   94\n21\u002F06\u002F10   11:13\nCH1924\u002F08NA58 \nCOS003752511\n95\n107351_Vol_02_M.indd   95\n21\u002F06\u002F10   11:13\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.49.png","TYPE\nCODE \nSIZE\nAP1951\u002F02 \ncm 42xh50x20\nAP1951\u002F03 \ncm 50xh52x26\nCH1951\u002F06 \ncm 60xh75\nCH1951\u002F08 \ncm 80xh90\nCH1951\u002F10 \ncm 85xh95\nCH1951\u002F12 \ncm 95xh125\nCH1951\u002F18 \ncm 110xh135\nCH1951\u002FM6 \ncm 47xh55\nCL1951\u002F04 \ncm 55xh55\nCL1951\u002F08 \ncm 80xh65\nFL1951\u002F05 \ncm 50xh180\nTL1951\u002F02 \ncm 31xh65x20\nTL1951\u002F06 \ncm 60xh80\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n96\n107351_Vol_02_M.indd   96\n21\u002F06\u002F10   11:13\nCH1951\u002F08AK20 \nCOS003765850\n97\n107351_Vol_02_M.indd   97\n21\u002F06\u002F10   11:13\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.50.png","TYPE\nCODE \nSIZE\nAP1952\u002F02 \ncm 42xh50x20\nAP1952\u002F03 \ncm 50xh52x26\nCH1952\u002F06 \ncm 65xh90\nCH1952\u002F08 \ncm 80xh100\nCH1952\u002F10 \ncm 85xh110\nCH1952\u002F12 \ncm 95xh120\nCH1952\u002F18 \ncm 110xh150\nCL1952\u002F04 \ncm 55xh55\nCL1952\u002F08 \ncm 80xh65\nFL1952\u002F05 \ncm 50xh180\nTL1952\u002F02 \ncm 31xh65x20\nTL1952\u002F06 \ncm 60xh80\n98\n107351_Vol_02_M.indd   98\n21\u002F06\u002F10   11:13\nCH1952\u002F08NZ \nCOS003916\n99\n107351_Vol_02_M.indd   99\n21\u002F06\u002F10   11:13\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.51.png","TYPE\nCODE \nSIZE\nAP1953\u002F02 \ncm 42xh50x20\nAP1953\u002F03 \ncm 50xh52x26\nCH1953\u002F06 \ncm 60xh70\nCH1953\u002F08 \ncm 80xh85\nCH1953\u002F10 \ncm 85xh90\nCH1953\u002F12 \ncm 95xh120\nCH1953\u002F18 \ncm 110xh130\nCH1953\u002FM6 \ncm 47xh55\nCL1953\u002F04 \ncm 55xh50\nFL1953\u002F05 \ncm 50xh180\nTL1953\u002F02 \ncm 31xh65x20\nTL1953\u002F06 \ncm 60xh80\n100\n107351_Vol_02_M.indd   100\n21\u002F06\u002F10   11:13\nCH1953\u002F06MG \nCOS003765835\n101\n107351_Vol_02_M.indd   101\n21\u002F06\u002F10   11:14\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.52.png","TYPE\nCODE \nSIZE\nCH2223\u002F06 \ncm 88xh110\nCH2223\u002F08 \ncm 94xh130\nCH2223\u002F10 \ncm 105xh135\nCH2223\u002F12 \ncm 115xh150\n01\n30\n02\n32\n08\n65\n25\n28\n29\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n102\nCH2223\u002F08NJ08 \nCOS005765910\n103\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.53.png","TYPE\nCODE \nSIZE\nCH2227\u002F06 \ncm 88xh110\nCH2227\u002F08 \ncm 94xh130\nCH2227\u002F10 \ncm 105xh135\nCH2227\u002F12 \ncm 115xh150\n104\n107351_Vol_02_M.indd   104\n21\u002F06\u002F10   11:15\nCH2227\u002F08AS \nCOP005752505101\n105\n107351_Vol_02_M.indd   105\n21\u002F06\u002F10   11:15\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.54.png","TYPE\nCODE \nSIZE\nCH2227\u002F06 \ncm 88xh110\nCH2227\u002F08 \ncm 94xh130\nCH2227\u002F10 \ncm 105xh135\nCH2227\u002F12 \ncm 115xh150\n106\n107351_Vol_02_M.indd   106\n21\u002F06\u002F10   11:15\nCH2227\u002F12NJ\nCOP005101\n107\n107351_Vol_02_M.indd   107\n21\u002F06\u002F10   11:15\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.55.png","TYPE\nCODE \nSIZE\nAP2230\u002F01 \ncm 30xh60x24\nCH2230\u002F06 \ncm 88xh100\nCH2230\u002F08 \ncm 105xh120\nCH2230\u002F10 \ncm 108xh123\nCH2230\u002F12 \ncm 115xh140\n108\n107351_Vol_02_M.indd   108\n21\u002F06\u002F10   11:15\nCH2230\u002F08NJ \nSTS003506\n109\n107351_Vol_02_M.indd   109\n21\u002F06\u002F10   11:15\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.56.png","TYPE\nCODE \nSIZE\nAP2309\u002F02 \ncm 40xh55x22\nCH2309\u002F06 \ncm 60xh60\nCH2309\u002F08 \ncm 80xh80\nCH2309\u002F10 \ncm 83xh83\nCH2309\u002F12 \ncm 94xh97\nCL2309\u002F04 \ncm 55xh50\nCL2309\u002F05 \ncm 80xh60\nFL2309\u002F06 \ncm 50xh180\nTL2309\u002F06 \ncm 55xh92\n01\n19\n06\n22\n30\n08\n25\n32\n10\n28\n38\n12\n29\n65\n110\n107351_Vol_02_M.indd   110\n21\u002F06\u002F10   11:16\nCH2309\u002F08NS65 \nCOP003101\n111\n107351_Vol_02_M.indd   111\n21\u002F06\u002F10   11:16\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.57.png","TYPE\nCODE \nSIZE\nAP2309\u002F02 \ncm 40xh55x22\nCH2309\u002F06 \ncm 60xh60\nCH2309\u002F08 \ncm 80xh80\nCH2309\u002F10 \ncm 83xh83\nCH2309\u002F12 \ncm 94xh97\nCL2309\u002F04 \ncm 55xh50\nCL2309\u002F05 \ncm 80xh60\nFL2309\u002F06 \ncm 50xh180\nTL2309\u002F06 \ncm 55xh92\n01\n19\n06\n22\n30\n08\n25\n32\n10\n28\n38\n12\n29\n65\n112\n107351_Vol_02_M.indd   112\n21\u002F06\u002F10   11:17\nCH2309\u002F12NS65\nCOP003101\n113\n107351_Vol_02_M.indd   113\n21\u002F06\u002F10   11:17\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.58.png","TYPE\nCODE \nSIZE\nAP2310\u002F02 \ncm 40xh55x22\nCH2310\u002F06 \ncm 60xh60\nCH2310\u002F08 \ncm 80xh80\nCH2310\u002F10 \ncm 83xh83\nCH2310\u002F12 \ncm 94xh97\nCL2310\u002F04 \ncm 55xh50\nCL2310\u002F05 \ncm 80xh60\nFL2310\u002F06 \ncm 50xh180\nTL2310\u002F06 \ncm 55xh92\n114\n107351_Vol_02_M.indd   114\n21\u002F06\u002F10   11:17\nCH2310\u002F08RC \nCOP003104\n115\n107351_Vol_02_M.indd   115\n21\u002F06\u002F10   11:17\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.59.png","TYPE\nCODE \nSIZE\nAP2311\u002F02 \ncm 40xh55x22\nCH2311\u002F06 \ncm 60xh60\nCH2311\u002F08 \ncm 80xh80\nCH2311\u002F10 \ncm 83xh83\nCH2311\u002F12 \ncm 94xh97\nCL2311\u002F04 \ncm 55xh50\nCL2311\u002F05 \ncm 80xh60\nFL2311\u002F06 \ncm 50xh180\nTL2311\u002F06 \ncm 55xh92\n116\n107351_Vol_02_M.indd   116\n21\u002F06\u002F10   11:17\nCH2311\u002F08RS \nCOS003779910\n117\n107351_Vol_02_M.indd   117\n21\u002F06\u002F10   11:18\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.60.png","TYPE\nCODE \nSIZE\nAP2315\u002F02 \ncm 40xh55x22\nCH2315\u002F06 \ncm 60xh60\nCH2315\u002F08 \ncm 80xh80\nCH2315\u002F10 \ncm 83xh83\nCH2315\u002F12 \ncm 94xh97\nCL2315\u002F04 \ncm 55xh50\nCL2315\u002F05 \ncm 80xh60\nFL2315\u002F06 \ncm 50xh180\nTL2315\u002F06 \ncm 55xh92\n118\n107351_Vol_02_M.indd   118\n21\u002F06\u002F10   11:18\nCH2315\u002F08NF\nCOS003903\n119\n107351_Vol_02_M.indd   119\n21\u002F06\u002F10   11:18\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.61.png","TYPE\nCODE \nSIZE\nAP2850\u002F02 \ncm 29xh49x12\nCH2850\u002F06 \ncm 82xh120\nCL2850\u002F06 \ncm 65xh40\nFL2850\u002F06 \ncm 30xh194\nTL2850\u002F03 \ncm 45xh89\n01\n13\n19\n06\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n120\n107351_Vol_02_M.indd   120\n21\u002F06\u002F10   11:18\nCH2850\u002F06NG24\nSTS003922\n121\n107351_Vol_02_M.indd   121\n21\u002F06\u002F10   11:18\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.62.png","01\n13\n19\n06\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\nTYPE\nCODE \nSIZE\nAP2850\u002F02 \ncm 29xh49x12\nCH2850\u002F06 \ncm 82xh120\nCL2850\u002F06 \ncm 65xh40\nFL2850\u002F06 \ncm 30xh194\nTL2850\u002F03 \ncm 45xh89\n122\n107351_Vol_02_M.indd   122\n21\u002F06\u002F10   11:18\nCH2850\u002F06NG30\nSTS003701602\n123\n107351_Vol_02_M.indd   123\n21\u002F06\u002F10   11:18\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.63.png","01\n13\n19\n06\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\nTYPE\nCODE \nSIZE\nAP2851\u002F02 \ncm 29xh49x12\nCH2851\u002F06 \ncm 82xh120\nCL2851\u002F06 \ncm 65xh40\nFL2851\u002F06 \ncm 30xh194\nTL2851\u002F03 \ncm 45xh89\n124\n107351_Vol_02_M.indd   124\n21\u002F06\u002F10   11:19\nCH2851\u002F06NF25\nSTS003701843\n125\n107351_Vol_02_M.indd   125\n21\u002F06\u002F10   11:19\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.64.png","TYPE\nCODE \nSIZE\nCH2921\u002F05 \ncm 58xh73\nD0\nD1\nD2\nD3\nD4\nD7\n126\n107351_Vol_02_M.indd   126\n21\u002F06\u002F10   11:19\nCH2921\u002F05AID3\nCOP062105\n127\n107351_Vol_02_M.indd   127\n21\u002F06\u002F10   11:19\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.65.png","TYPE\nCODE \nSIZE\nCH2933\u002F05 \ncm 58xh73\nF3\nF4\n128\n107351_Vol_02_M.indd   128\n21\u002F06\u002F10   11:20\nCH2933\u002F05RHF3\nCOS062825A01\n129\n107351_Vol_02_M.indd   129\n21\u002F06\u002F10   11:20\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.66.png","TYPE\nCODE \nSIZE\nAP3100\u002F03 \ncm 34xh42x20\nCH3100\u002F18 \ncm 75xh93\n02\n22\n23\n25\n30\n38\nModello disponibile anche non elettrificato\nModel available also in non-electrified version\n130\n107351_Vol_02_M.indd   130\n21\u002F06\u002F10   11:20\nCH3100\u002F18NG23\n131\n107351_Vol_02_M.indd   131\n21\u002F06\u002F10   11:20\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.67.png","TYPE\nCODE \nSIZE\nCH3103\u002F08 \ncm 52xh80\n132\n107351_Vol_02_M.indd   132\n21\u002F06\u002F10   11:20\nCH3103\u002F08RG\n133\n107351_Vol_02_M.indd   133\n21\u002F06\u002F10   11:20\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.68.png","TYPE\nCODE \nSIZE\nCH3105\u002F08 \ncm 52xh80\n134\n107351_Vol_02_M.indd   134\n21\u002F06\u002F10   11:20\nCH3105\u002F08RF\n135\n107351_Vol_02_M.indd   135\n21\u002F06\u002F10   11:20\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.69.png","TYPE\nCODE \nSIZE\nCH3200\u002F06 \n63xh67\n136\n107351_Vol_02_M.indd   136\n21\u002F06\u002F10   11:20\nCH3200\u002F06MP\nCOP062103\n137\n107351_Vol_02_M.indd   137\n21\u002F06\u002F10   11:20\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.70.png","TYPE\nCODE \nSIZE\nAP3300\u002F03 \ncm 52xh80x30\nCH3300\u002F12 \ncm 128xh130\nCH3300\u002F20 \ncm 180xh170\nCH3300\u002F40 \ncm 250xh285\nFL3300\u002F06 \ncm 55xh190\nTL3300\u002F07 \ncm 54xh102\n01\n02\n08\n25\n28\n29\n30\n32\n65\nCH3380\nCH3382\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n71=25+65\n138\nCH3300\u002F12AS28\nCOS009504\n139\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.71.png","TYPE\nCODE \nSIZE\nAP3300\u002F03 \ncm 52xh80x30\nCH3300\u002F12 \ncm 128xh130\nCH3300\u002F20 \ncm 180xh170\nCH3300\u002F40 \ncm 250xh285\nFL3300\u002F06 \ncm 55xh190\nTL3300\u002F07 \ncm 54xh102\n01\n02\n08\n25\n28\n29\n30\n32\n65\nCH3380\nCH3382\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n71=25+65\n140\nCH3300\u002F12MB01\nCOS009512\n141\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.72.png","TYPE\nCODE \nSIZE\nAP3300\u002F03 \ncm 52xh80x30\nCH3300\u002F12 \ncm 128xh130\nCH3300\u002F20 \ncm 180xh170\nCH3300\u002F40 \ncm 250xh285\nFL3300\u002F06 \ncm 55xh190\nTL3300\u002F07 \ncm 54xh102\n01\n02\n08\n25\n28\n29\n30\n32\n65\nCH3380\nCH3382\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n71=25+65\n142\nCH3300\u002F20AI05\nCOS009001\n143\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.73.png","TYPE\nCODE \nSIZE\nAP3300\u002F03 \ncm 52xh80x30\nCH3300\u002F12 \ncm 128xh130\nCH3300\u002F20 \ncm 180xh170\nCH3300\u002F40 \ncm 250xh285\nFL3300\u002F06 \ncm 55xh190\nTL3300\u002F07 \ncm 54xh102\n01\n02\n08\n25\n28\n29\n30\n32\n65\nCH3380\nCH3382\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n71=25+65\n144\nCH3300\u002F20AZ71\nCOS009513\n145\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.74.png","TYPE\nCODE \nSIZE\nAP3300\u002F03 \ncm 52xh80x30\nCH3300\u002F12 \ncm 128xh130\nCH3300\u002F20 \ncm 180xh170\nCH3300\u002F40 \ncm 250xh285\nFL3300\u002F06 \ncm 55xh190\nTL3300\u002F07 \ncm 54xh102\n01\n02\n08\n25\n28\n29\n30\n32\n65\nCH3380\nCH3382\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n71=25+65\n146\nCH3300\u002F40AT25\nCOS010602\n147\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.75.png","P1\n32\nTYPE\nCODE \nSIZE\nAP3330\u002F03 \ncm 52xh80x30\nCH3330\u002F12 \ncm 128xh130\nCH3330\u002F20 \ncm 180xh170\nCH3330\u002F40 \ncm 250xh285\nFL3330\u002F06 \ncm 55xh190\nTL3330\u002F07 \ncm 54xh102\n148\n107351_Vol_02_M.indd   148\n21\u002F06\u002F10   11:22\nCH3330\u002F12NU32P1\nCOS009908\n149\n107351_Vol_02_M.indd   149\n21\u002F06\u002F10   11:22\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.76.png","C1\nTYPE\nCODE \nSIZE\nAP3333\u002F03 \ncm 52xh80x30\nCH3333\u002F12 \ncm 128xh130\nCH3333\u002F20 \ncm 180xh170\nCH3333\u002F40 \ncm 250xh285\nFL3333\u002F06 \ncm 55xh190\nTL3333\u002F07 \ncm 54xh102\n01\n30\n02\n32\n08\n65\n25\n28\n29\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\nParticolare\nDetail\n150\nCH3333\u002F20AS32C1\nCOP009103\n151\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.77.png","TYPE\nCODE \nSIZE\nAP3500\u002F05 \ncm 82xh80x44\nCH3500\u002F10 \ncm 85xh80\nF2\nF1\n152\n107351_Vol_02_M.indd   152\n21\u002F06\u002F10   11:26\nCH3500\u002F10NJF1\nCOP002818101\n153\n107351_Vol_02_M.indd   153\n21\u002F06\u002F10   11:27\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.78.png","TYPE\nCODE \nSIZE\nCH3510\u002F05 \ncm 60xh78\nF3\nF4\n154\n107351_Vol_02_M.indd   154\n21\u002F06\u002F10   11:27\nCH3510\u002F05NJF3\n155\n107351_Vol_02_M.indd   155\n21\u002F06\u002F10   11:27\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.79.png","TYPE\nCODE \nSIZE\nCH3510\u002F05 \ncm 60xh78\nF3\nF4\n156\n107351_Vol_02_M.indd   156\n21\u002F06\u002F10   11:27\nCH3510\u002F05NJF4\n157\n107351_Vol_02_M.indd   157\n21\u002F06\u002F10   11:27\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.80.png","TYPE\nCODE \nSIZE\nAP3850\u002F02 \ncm 42xh50x20\nCH3850\u002F08 \ncm 74xh60\nCH3850\u002F12 \ncm 105xh70\nTL3850\u002F02 \ncm 31xh65x20\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n158\n107351_Vol_02_M.indd   158\n21\u002F06\u002F10   11:28\nCH3850\u002F12AK30\nCOS003701602\n159\n107351_Vol_02_M.indd   159\n21\u002F06\u002F10   11:28\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.81.png","TYPE\nCODE \nSIZE\nAP3850\u002F02 \ncm 42xh50x20\nCH3850\u002F08 \ncm 74xh60\nCH3850\u002F12 \ncm 105xh70\nTL3850\u002F02 \ncm 31xh65x20\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n160\n107351_Vol_02_M.indd   160\n21\u002F06\u002F10   11:28\nCH3850\u002F12MP25\nCOS003701843\n161\n107351_Vol_02_M.indd   161\n21\u002F06\u002F10   11:28\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.82.png","TYPE\nCODE \nSIZE\nAP5100\u002F02 \ncm 27xh42x8\nAP5100\u002F05 \ncm 48xh60x18\nCH5100\u002F12 \ncm 75xh90\nCH5100\u002F16 \ncm 105xh125\n23\n55\n54\n162\n107351_Vol_02_M.indd   162\n21\u002F06\u002F10   11:28\nCH5100\u002F12JA23\nCOP003751855\n163\n107351_Vol_02_M.indd   163\n21\u002F06\u002F10   11:28\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.83.png","TYPE\nCODE \nSIZE\nAP5100\u002F02 \ncm 27xh42x8\nAP5100\u002F05 \ncm 48xh60x18\nCH5100\u002F12 \ncm 75xh90\nCH5100\u002F16 \ncm 105xh125\n23\n55\n54\n164\n107351_Vol_02_M.indd   164\n21\u002F06\u002F10   11:28\nCH5100\u002F16JA55\nCOP005856\n165\n107351_Vol_02_M.indd   165\n21\u002F06\u002F10   11:28\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.84.png","TYPE\nCODE \nSIZE\nCH5200\u002F12 \ncm 90xh100\nTL5200\u002F02 \ncm 35xh62\n166\n107351_Vol_02_M.indd   166\n21\u002F06\u002F10   11:28\nCH5200\u002F12JA\nCIP006860A01\n167\n107351_Vol_02_M.indd   167\n21\u002F06\u002F10   11:28\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.85.png","TYPE\nCODE \nSIZE\nCH5550\u002F12 \ncm 105xh70\nCH5550\u002F20 \ncm 105xh78\nTL5550\u002F05 \ncm 44xh68\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n168\n107351_Vol_02_M.indd   168\n21\u002F06\u002F10   11:29\nCH5550\u002F12JB12\nCOS003514\n169\n107351_Vol_02_M.indd   169\n21\u002F06\u002F10   11:29\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.86.png","TYPE\nCODE \nSIZE\nCH5550\u002F12 \ncm 105xh70\nCH5550\u002F20 \ncm 105xh78\nTL5550\u002F05 \ncm 44xh68\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n170\n107351_Vol_02_M.indd   170\n21\u002F06\u002F10   11:29\nCH5550\u002F20JA28\nCOP002104A01\n171\n107351_Vol_02_M.indd   171\n21\u002F06\u002F10   11:29\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.87.png","107351_Vol_02_M.indd   172\n21\u002F06\u002F10   11:29\nceiling lamps\n107351_Vol_02_M.indd   173\n21\u002F06\u002F10   11:29\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.88.png","TYPE\nCODE \nSIZE\nAP0350\u002F06 \ncm 80xh98x8\nAP0351\u002F01 \ncm 33xh31x15\nCH1350\u002F06 \ncm 75xh75\nCL0350\u002F04 \ncm 55xh50x12\nFL0350\u002F07 \ncm 85xh180x70\n174\n107351_Vol_02_M.indd   174\n21\u002F06\u002F10   11:29\nCL0350\u002F04NG\n175\n107351_Vol_02_M.indd   175\n21\u002F06\u002F10   11:29\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.89.png","01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\nTYPE\nCODE \nSIZE\nAP1850\u002F02 \ncm 42xh50x20\nAP1850\u002F03 \ncm 50xh52x26\nCH1850\u002F06 \ncm 65xh75\nCH1850\u002F08 \ncm 80xh85\nCH1850\u002F10 \ncm 85xh90\nCH1850\u002F12 \ncm 95xh120\nCH1850\u002F18 \ncm 110xh130\nCH1850\u002FM3 \ncm 32xh56\nCH1850\u002FM6 \ncm 47xh55\nCL1850\u002F04 \ncm 55xh50\nFL1850\u002F06 \ncm 50xh180\nTL1850\u002F06 \ncm 47xh79\n176\n107351_Vol_02_M.indd   176\n21\u002F06\u002F10   11:29\nCL1850\u002F04AK12\n177\n107351_Vol_02_M.indd   177\n21\u002F06\u002F10   11:29\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.90.png","TYPE\nCODE \nSIZE\nAP1880\u002F02 \ncm 42xh50x20\nAP1880\u002F03 \ncm 50xh52x26\nCH1880\u002F06 \ncm 65xh90\nCH1880\u002F08 \ncm 80xh100\nCH1880\u002F10 \ncm 85xh110\nCH1880\u002F12 \ncm 95xh120\nCH1880\u002F18 \ncm 110xh150\nCL1880\u002F04 \ncm 55xh50\nCL1880\u002F08 \ncm 80xh65\nFL1880\u002F06 \ncm 50xh180\nTL1880\u002F06 \ncm 47xh79\n178\n107351_Vol_02_M.indd   178\n21\u002F06\u002F10   11:29\nCL1880\u002F08NJ\n179\n107351_Vol_02_M.indd   179\n21\u002F06\u002F10   11:29\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.91.png","02\nD0\n08\nD1\n25\nD2\n29\nD3\n30\nD4\n63\nD5=D1+D3\nD6=D1+D4\nD7\nTYPE\nCODE \nSIZE\nAP1921\u002F02 \ncm 35xh48x19\nCH1921\u002F05 \ncm 52xh60\nCH1921\u002F08 \ncm 78xh84\nCH1921\u002F12 \ncm 110xh120\nCL1921\u002F04 \ncm 55xh50\nCL1921\u002F05 \ncm 80xh65\nFL1921\u002F05 \ncm 52xh18\nTL1921\u002F02 \ncm 31xh65x20\nTL1921\u002F06 \ncm 45xh83\n180\n107351_Vol_02_M.indd   180\n21\u002F06\u002F10   11:30\nCL1921\u002F05NJ63D7\n181\n107351_Vol_02_M.indd   181\n21\u002F06\u002F10   11:30\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.92.png","TYPE\nCODE \nSIZE\nCL8108\u002F18 \ncm 95xh140\nCL8008\u002F18 \ncm 120xh140\nCL8108\u002F32 \ncm 95xh140\nCL8008\u002F32 \ncm 120xh140\n01\n19\n06\n22\n30\n08\n25\n32\n10\n28\n38\n12\n29\n65\nAltezza standard di 140 cm personalizzabile in qualsiasi altezza\nStandard height of 140 cm customizable in any height\n182\n107351_Vol_02_M.indd   182\n21\u002F06\u002F10   11:31\nCL8008\u002F32MP65\n183\n107351_Vol_02_M.indd   183\n21\u002F06\u002F10   11:31\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.93.png","TYPE\nCODE \nSIZE\nCL8150\u002F18 \ncm 95xh120\nCL8050\u002F18 \ncm 120xh120\nCL8150\u002F32 \ncm 95xh120\nCL8050\u002F32 \ncm 120xh120\n184\nAltezza standard di 120 cm personalizzabile in qualsiasi altezza\nStandard height of 120 cm customizable in any height\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n184\n184\n107351_Vol_02_M.indd   184\n21\u002F06\u002F10   11:31\nCL8050\u002F18NB19\n185\n185\n107351_Vol_02_M.indd   185\n21\u002F06\u002F10   11:31\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.94.png","TYPE\nCODE \nSIZE\nCL8108\u002F32 \ncm 95xh80\n01\n19\n06\n22\n30\n08\n25\n32\n10\n28\n38\n12\n29\n65\n186\n107351_Vol_02_M.indd   186\n21\u002F06\u002F10   11:32\nCL8108\u002F32NJ65H80\n187\n107351_Vol_02_M.indd   187\n21\u002F06\u002F10   11:32\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.95.png","TYPE\nCODE \nSIZE\nCL8183\u002F18 \ncm 95xh120\nCL8083\u002F18 \ncm 120xh120\nCL8183\u002F32 \ncm 95xh120\nCL8083\u002F32 \ncm 120xh120\n05=02+30\n33=01+32\n35=28+32\n36=29+32\n40=01+29+32\n41=08+29\n44=08+32\n01\n02\n30\n32\nCL8182\n08\n25\n28\n29\nCL8180\nAltezza standard di 120 cm personalizzabile in qualsiasi altezza\nStandard height of 120 cm customizable in any height\n65\n188\nCL8183\u002F32NJ25\n189\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.96.png","TYPE\nCODE \nSIZE\nCL8183\u002F18 \ncm 95xh120\nCL8083\u002F18 \ncm 120xh120\nCL8183\u002F32 \ncm 95xh120\nCL8083\u002F32 \ncm 120xh120\n05=02+30\n33=01+32\n35=28+32\n36=29+32\n40=01+29+32\n41=08+29\n44=08+32\n01\n02\n30\n32\nCL8182\n08\n25\n28\n29\nCL8180\nAltezza standard di 120 cm personalizzabile in qualsiasi altezza\nStandard height of 120 cm customizable in any height\n65\n190\nCL8183\u002F32NA65\n191\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.97.png","107351_Vol_02_M.indd   192\n21\u002F06\u002F10   11:33\nfloor lamps\n107351_Vol_02_M.indd   193\n21\u002F06\u002F10   11:33\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.98.png","TYPE\nCODE \nSIZE\nFL0200\u002F01 \ncm 30Xh185\n194\n107351_Vol_02_M.indd   194\n21\u002F06\u002F10   11:33\nFL0200\u002F01NL\nSTS002752908\n195\n107351_Vol_02_M.indd   195\n21\u002F06\u002F10   11:34\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.99.png","CODE \nSIZE\nAP0350\u002F06 \ncm 80xh98x8\nAP0351\u002F01 \ncm 33xh31x15\nCH1350\u002F06 \ncm 75xh75\nCL0350\u002F04 \ncm 55xh50x12\nFL0350\u002F07 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11:36\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.102.png","TYPE\nCODE \nSIZE\nFL1100\u002F01 \ncm 70xh176\nTL1100\u002F01 \ncm 50xh75\n42\n202\n107351_Vol_02_M.indd   202\n21\u002F06\u002F10   11:36\nFL1100\u002F01AB42\nPAS006816002\n203\n107351_Vol_02_M.indd   203\n21\u002F06\u002F10   11:36\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.103.png","TYPE\nCODE \nSIZE\nFL1200\u002F01 \ncm 45xh170\nTL1200\u002F01 \ncm 42xh72\n204\n107351_Vol_02_M.indd   204\n21\u002F06\u002F10   11:36\nFL1200\u002F01MO\nCOP058752834\n205\n107351_Vol_02_M.indd   205\n21\u002F06\u002F10   11:36\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.104.png","02\nD0\n08\nD1\n25\nD2\n29\nD3\n30\nD4\n63\nTYPE\nCODE \nSIZE\nAP1921\u002F02 \ncm 35xh48x19\nCH1921\u002F05 \ncm 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11:42\n",135,{"image":554,"text":555,"number":556},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.136.png","42\nTYPE\nCODE \nSIZE\nFL1100\u002F01 \ncm 70xh176\nTL1100\u002F01 \ncm 50xh75\n270\n107351_Vol_02_M.indd   270\n21\u002F06\u002F10   11:42\nTL1100\u002F01AG42\nPAS004711764309\n271\n107351_Vol_02_M.indd   271\n21\u002F06\u002F10   11:42\n",136,{"image":558,"text":559,"number":560},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.137.png","TYPE\nCODE \nSIZE\nTL1105\u002F01 \ncm 48xh80\n272\n107351_Vol_02_M.indd   272\n21\u002F06\u002F10   11:42\nTL1105\u002F02AK\nSPC001756835A01\n273\n107351_Vol_02_M.indd   273\n21\u002F06\u002F10   11:42\n",137,{"image":562,"text":563,"number":564},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.138.png","TYPE\nCODE \nSIZE\nTL1118\u002F01 \ncm 42xh72\n274\n107351_Vol_02_M.indd   274\n21\u002F06\u002F10   11:42\nTL1118\u002F01AK\nPAS004752602\n275\n107351_Vol_02_M.indd   275\n21\u002F06\u002F10   11:42\n",138,{"image":566,"text":567,"number":568},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.139.png","TYPE\nCODE \nSIZE\nTL1150\u002F01 \ncm 30xh106\nTL1151\u002F01 \ncm 26xh78\nTL1152\u002F01 \ncm 20xh50\n276\n107351_Vol_02_M.indd   276\n21\u002F06\u002F10   11:42\nTL1151\u002F01AK\nCIS057756816843\n277\n107351_Vol_02_M.indd   277\n21\u002F06\u002F10   11:42\n",139,{"image":570,"text":571,"number":572},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.140.png","TYPE\nCODE \nSIZE\nFL1200\u002F01 \ncm 45xh170\nTL1200\u002F01 \ncm 42xh72\n278\n107351_Vol_02_M.indd   278\n21\u002F06\u002F10   11:42\nTL1200\u002F01MO\nCTA040772850505\n279\n107351_Vol_02_M.indd   279\n21\u002F06\u002F10   11:42\n",140,{"image":574,"text":575,"number":576},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.141.png","TYPE\nCODE \nSIZE\nTL1205\u002F01 \ncm 32xh60\n280\n107351_Vol_02_M.indd   280\n21\u002F06\u002F10   11:42\nTL1205\u002F01AI\nCTA023505903\n281\n107351_Vol_02_M.indd   281\n21\u002F06\u002F10   11:42\n",141,{"image":578,"text":579,"number":580},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.142.png","TYPE\nCODE \nSIZE\nTL1207\u002F01 \ncm 35xh72\n282\n107351_Vol_02_M.indd   282\n21\u002F06\u002F10   11:42\nTL1207\u002F01AK\nCOP026853\n283\n107351_Vol_02_M.indd   283\n21\u002F06\u002F10   11:42\n",142,{"image":582,"text":583,"number":584},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.143.png","TYPE\nCODE \nSIZE\nTL1209\u002F03 \ncm 28xh60\n284\n107351_Vol_02_M.indd   284\n21\u002F06\u002F10   11:42\nTL1209\u002F03AK\nCOP002752516\n285\n107351_Vol_02_M.indd   285\n21\u002F06\u002F10   11:42\n",143,{"image":586,"text":587,"number":588},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.144.png","TYPE\nCODE \nSIZE\nAP1810\u002F02 \ncm 42xh50x20\nAP1810\u002F03 \ncm 50xh52x26\nCH1810\u002F06 \ncm 65xh90\nCH1810\u002F08 \ncm 80xh100\nCH1810\u002F10 \ncm 85xh110\nCH1810\u002F12 \ncm 95xh120\nCH1810\u002F18 \ncm 110xh150\nCL1810\u002F04 \ncm 55xh50\nCL1810\u002F08 \ncm 80xh65\nFL1810\u002F05 \ncm 50xh180\nTL1810\u002F02 \ncm 31xh65x20\nTL1810\u002F06 \ncm 60xh80\n08\n30\n16\n02\n05=02+30\n286\n107351_Vol_02_M.indd   286\n21\u002F06\u002F10   11:43\nTL1810\u002F02NC16\nCIS001849\n287\n107351_Vol_02_M.indd   287\n21\u002F06\u002F10   11:43\n",144,{"image":590,"text":591,"number":592},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.145.png","TYPE\nCODE \nSIZE\nAP1810\u002F02 \ncm 42xh50x20\nAP1810\u002F03 \ncm 50xh52x26\nCH1810\u002F06 \ncm 65xh90\nCH1810\u002F08 \ncm 80xh100\nCH1810\u002F10 \ncm 85xh110\nCH1810\u002F12 \ncm 95xh120\nCH1810\u002F18 \ncm 110xh150\nCL1810\u002F04 \ncm 55xh50\nCL1810\u002F08 \ncm 80xh65\nFL1810\u002F05 \ncm 50xh180\nTL1810\u002F02 \ncm 31xh65x20\nTL1810\u002F06 \ncm 60xh80\n08\n30\n16\n02\n05=02+30\n288\n107351_Vol_02_M.indd   288\n21\u002F06\u002F10   11:43\nTL1810\u002F06AK05\nCOP003853104\naggiungere rifili\n289\n107351_Vol_02_M.indd   289\n21\u002F06\u002F10   11:43\n",145,{"image":594,"text":595,"number":596},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.146.png","TYPE\nCODE \nSIZE\nAP1810\u002F02 \ncm 42xh50x20\nAP1810\u002F03 \ncm 50xh52x26\nCH1810\u002F06 \ncm 65xh90\nCH1810\u002F08 \ncm 80xh100\nCH1810\u002F10 \ncm 85xh110\nCH1810\u002F12 \ncm 95xh120\nCH1810\u002F18 \ncm 110xh150\nCL1810\u002F04 \ncm 55xh50\nCL1810\u002F08 \ncm 80xh65\nFL1810\u002F05 \ncm 50xh180\nTL1810\u002F02 \ncm 31xh65x20\nTL1810\u002F06 \ncm 60xh80\n08\n30\n16\n02\n05=02+30\n290\n107351_Vol_02_M.indd   290\n21\u002F06\u002F10   11:44\nTL1810\u002F06NC16\nCOS003765849\n291\n107351_Vol_02_M.indd   291\n21\u002F06\u002F10   11:44\n",146,{"image":598,"text":599,"number":600},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.147.png","TYPE\nCODE \nSIZE\nAP1843\u002F02 \ncm 42xh50x20\nAP1843\u002F03 \ncm 50xh52x26\nCH1843\u002F06 \ncm 64xh80\nCH1843\u002F08 \ncm 78xh108\nCH1843\u002F10 \ncm 84xh108\nCH1843\u002F12 \ncm 88xh115\nCH1843\u002F18 \ncm 105xh125\nCL1843\u002F04 \ncm 55xh50\nFL1843\u002F06 \ncm 50xh180\nTL1843\u002F06 \ncm 47xh79\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n292\n107351_Vol_02_M.indd   292\n21\u002F06\u002F10   11:44\nTL1843\u002F06NC28\nCOS003765835\n293\n107351_Vol_02_M.indd   293\n21\u002F06\u002F10   11:44\n",147,{"image":602,"text":603,"number":604},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.148.png","TYPE\nCODE \nSIZE\nAP1882\u002F02 \ncm 42xh50x20\nAP1882\u002F03 \ncm 50xh52x26\nCH1882\u002F06 \ncm 64xh80\nCH1882\u002F08 \ncm 78xh108\nCH1882\u002F10 \ncm 84xh108\nCH1882\u002F12 \ncm 88xh115\nCH1882\u002F18 \ncm 105xh125\nCL1882\u002F04 \ncm 55xh50\nCL1882\u002F08 \ncm 80xh65\nFL1882\u002F06 \ncm 50xh180\nTL1882\u002F06 \ncm 47xh79\n02\n22\n25\n30\n294\n107351_Vol_02_M.indd   294\n21\u002F06\u002F10   11:44\nTL1882\u002F06AM22\nCOS003919\n295\n107351_Vol_02_M.indd   295\n21\u002F06\u002F10   11:44\n",148,{"image":606,"text":607,"number":608},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.149.png","02\nD0\n08\nD1\n25\nD2\n29\nD3\n30\nD4\n63\nD5=D1+D3\nD6=D1+D4\nD7\nTYPE\nCODE \nSIZE\nAP1921\u002F02 \ncm 35xh48x19\nCH1921\u002F05 \ncm 52xh60\nCH1921\u002F08 \ncm 78xh84\nCH1921\u002F12 \ncm 110xh120\nCL1921\u002F04 \ncm 55xh50\nCL1921\u002F05 \ncm 80xh65\nFL1921\u002F05 \ncm 52xh18\nTL1921\u002F02 \ncm 31xh65x20\nTL1921\u002F06 \ncm 45xh83\n296\n107351_Vol_02_M.indd   296\n21\u002F06\u002F10   11:45\nTL1921\u002F02NJ63D7 \nPAS007868507A01\n297\n107351_Vol_02_M.indd   297\n21\u002F06\u002F10   11:45\n",149,{"image":610,"text":611,"number":612},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.150.png","TYPE\nCODE \nSIZE\nAP1922\u002F02 \ncm 42xh50x20\nCH1922\u002F05 \ncm 52xh60\nCH1922\u002F08 \ncm 78xh84\nCH1922\u002F12 \ncm 110xh120\nCL1922\u002F04 \ncm 55xh55\nCL1922\u002F05 \ncm 80xh65\nFL1922\u002F05 \ncm 50xh180\nTL1922\u002F02 \ncm 31xh65x20\nTL1922\u002F05 \ncm 45xh83\n30\n32\n25\n56=30+32\n58=25+30\n298\n107351_Vol_02_M.indd   298\n21\u002F06\u002F10   11:45\nTL1922\u002F05AS30\nCOS003757002821\n299\n107351_Vol_02_M.indd   299\n21\u002F06\u002F10   11:45\n",150,{"image":614,"text":615,"number":616},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.151.png","TYPE\nCODE \nSIZE\nAP1925\u002F02 \ncm 42xh50x20\nCH1925\u002F05 \ncm 52xh60\nCH1925\u002F08 \ncm 78xh84\nCH1925\u002F12 \ncm 110xh120\nCL1925\u002F04 \ncm 55xh55\nCL1925\u002F05 \ncm 80xh65\nFL1925\u002F05 \ncm 50xh180\nTL1925\u002F02 \ncm 31xh65x20\nTL1925\u002F05 \ncm 45xh83\n32\n25\n34=25+32\n56=30+32\n300\n107351_Vol_02_M.indd   300\n21\u002F06\u002F10   11:45\nTL1925\u002F05AK73\nCOS003513\n301\n107351_Vol_02_M.indd   301\n21\u002F06\u002F10   11:48\n",151,{"image":618,"text":619,"number":620},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.152.png","TYPE\nCODE \nSIZE\nAP1951\u002F02 \ncm 42xh50x20\nAP1951\u002F03 \ncm 50xh52x26\nCH1951\u002F06 \ncm 60xh75\nCH1951\u002F08 \ncm 80xh90\nCH1951\u002F10 \ncm 85xh95\nCH1951\u002F12 \ncm 95xh125\nCH1951\u002F18 \ncm 110xh135\nCH1951\u002FM6 \ncm 47xh55\nCL1951\u002F04 \ncm 55xh55\nCL1951\u002F08 \ncm 80xh65\nFL1951\u002F05 \ncm 50xh180\nTL1951\u002F02 \ncm 31xh65x20\nTL1951\u002F06 \ncm 60xh80\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n302\n302\n107351_Vol_02_M.indd   302\n21\u002F06\u002F10   11:48\nTL1951\u002F06AK20\nCOS003765850\n303\n107351_Vol_02_M.indd   303\n21\u002F06\u002F10   11:48\n",152,{"image":622,"text":623,"number":624},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.153.png","TYPE\nCODE \nSIZE\nAP1951\u002F02 \ncm 42xh50x20\nAP1951\u002F03 \ncm 50xh52x26\nCH1951\u002F06 \ncm 60xh75\nCH1951\u002F08 \ncm 80xh90\nCH1951\u002F10 \ncm 85xh95\nCH1951\u002F12 \ncm 95xh125\nCH1951\u002F18 \ncm 110xh135\nCH1951\u002FM6 \ncm 47xh55\nCL1951\u002F04 \ncm 55xh55\nCL1951\u002F08 \ncm 80xh65\nFL1951\u002F05 \ncm 50xh180\nTL1951\u002F02 \ncm 31xh65x20\nTL1951\u002F06 \ncm 60xh80\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n76\n72=20+76\n304\n107351_Vol_02_M.indd   304\n21\u002F06\u002F10   11:48\nTL1951\u002F06RB72\nCOS003765925\n305\n107351_Vol_02_M.indd   305\n21\u002F06\u002F10   11:48\n",153,{"image":626,"text":627,"number":628},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.154.png","TYPE\nCODE \nSIZE\nAP1953\u002F02 \ncm 42xh50x20\nAP1953\u002F03 \ncm 50xh52x26\nCH1953\u002F06 \ncm 60xh70\nCH1953\u002F08 \ncm 80xh85\nCH1953\u002F10 \ncm 85xh90\nCH1953\u002F12 \ncm 95xh120\nCH1953\u002F18 \ncm 110xh130\nCH1953\u002FM6 \ncm 47xh55\nCL1953\u002F04 \ncm 55xh50\nFL1953\u002F05 \ncm 50xh180\nTL1953\u002F02 \ncm 31xh65x20\nTL1953\u002F06 \ncm 60xh80\n306\n107351_Vol_02_M.indd   306\n21\u002F06\u002F10   11:48\nTL1953\u002F06MG\nCOS003765835\n307\n107351_Vol_02_M.indd   307\n21\u002F06\u002F10   11:48\n",154,{"image":630,"text":631,"number":632},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.155.png","TYPE\nCODE \nSIZE\nAP2309\u002F02 \ncm 40xh55x22\nCH2309\u002F06 \ncm 60xh60\nCH2309\u002F08 \ncm 80xh80\nCH2309\u002F10 \ncm 83xh83\nCH2309\u002F12 \ncm 94xh97\nCL2309\u002F04 \ncm 55xh50\nCL2309\u002F05 \ncm 80xh60\nFL2309\u002F06 \ncm 50xh180\nTL2309\u002F06 \ncm 55xh92\n01\n19\n06\n22\n30\n08\n25\n32\n10\n28\n38\n12\n29\n65\n308\n107351_Vol_02_M.indd   308\n21\u002F06\u002F10   11:50\nTL2309\u002F06MP65\nCOS003779910\n309\n107351_Vol_02_M.indd   309\n21\u002F06\u002F10   11:50\n",155,{"image":634,"text":635,"number":636},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.156.png","TYPE\nCODE \nSIZE\nAP2311\u002F02 \ncm 40xh55x22\nCH2311\u002F06 \ncm 60xh60\nCH2311\u002F08 \ncm 80xh80\nCH2311\u002F10 \ncm 83xh83\nCH2311\u002F12 \ncm 94xh97\nCL2311\u002F04 \ncm 55xh50\nCL2311\u002F05 \ncm 80xh60\nFL2311\u002F06 \ncm 50xh180\nTL2311\u002F06 \ncm 55xh92\n310\n107351_Vol_02_M.indd   310\n21\u002F06\u002F10   11:50\nTL2311\u002F06RC\nCOS003779910\n311\n107351_Vol_02_M.indd   311\n21\u002F06\u002F10   11:50\n",156,{"image":638,"text":639,"number":640},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.157.png","TYPE\nCODE \nSIZE\nAP2850\u002F02 \ncm 29xh49x12\nCH2850\u002F06 \ncm 82xh120\nCL2850\u002F06 \ncm 65xh40\nFL2850\u002F06 \ncm 30xh194\nTL2850\u002F03 \ncm 45xh89\n01\n13\n19\n06\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n312\n107351_Vol_02_M.indd   312\n21\u002F06\u002F10   11:50\nTL2850\u002F03NG30\nSPC001821\n313\n107351_Vol_02_M.indd   313\n21\u002F06\u002F10   11:50\n",157,{"image":642,"text":643,"number":644},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.158.png","01\n22\n02\n08\n11\n30\n19\n20\n24\nmulti-colour mix\n28\n29\n32\n38\nTYPE\nCODE \nSIZE\nTL2860\u002F03 \ncm 50xh88\n74=20+29\n314\n107351_Vol_02_M.indd   314\n21\u002F06\u002F10   11:50\nTL2860\u002F03NC74\nSPI007102103\n315\n107351_Vol_02_M.indd   315\n21\u002F06\u002F10   11:50\n",158,{"image":646,"text":647,"number":648},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.159.png","TYPE\nCODE \nSIZE\nAP3300\u002F03 \ncm 52xh80x30\nCH3300\u002F20 \ncm 180xh170\nCH3300\u002F40 \ncm 250xh285\nFL3300\u002F06 \ncm 55xh190\nTL3300\u002F07 \ncm 54xh102\n01\n02\n08\n25\n28\n29\n30\n32\n65\nCH3380\nCH3382\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\n71=25+65\n316\nTL3300\u002F07AI30\nCOS005001\n317\n",159,{"image":650,"text":651,"number":652},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.160.png","TYPE\nCODE \nSIZE\nAP3850\u002F02 \ncm 42xh50x20\nCH3850\u002F08 \ncm 74xh60\nCH3850\u002F12 \ncm 105xh70\nTL3850\u002F02 \ncm 31xh65x20\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n318\n107351_Vol_02_M.indd   318\n21\u002F06\u002F10   11:51\nTL3850\u002F02AI30\nCIP061108\n319\n107351_Vol_02_M.indd   319\n21\u002F06\u002F10   11:51\n",160,{"image":654,"text":655,"number":656},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.161.png","TYPE\nCODE \nSIZE\nCH5200\u002F12 \ncm 90xh100\nTL5200\u002F02 \ncm 35xh62\n320\n107351_Vol_02_M.indd   320\n21\u002F06\u002F10   11:51\nTL5200\u002F02AI\nCIP006860A01\n321\n107351_Vol_02_M.indd   321\n21\u002F06\u002F10   11:51\n",161,{"image":658,"text":659,"number":660},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.162.png","TYPE\nCODE \nSIZE\nCH5550\u002F12 \ncm 102xh78\nCH5550\u002F20 \ncm 102xh78\nTL5550\u002F05 \ncm 44xh68\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n322\n107351_Vol_02_M.indd   322\n21\u002F06\u002F10   11:51\nTL5550\u002F05JA28\nCOP044821\n323\n107351_Vol_02_M.indd   323\n21\u002F06\u002F10   11:51\n",162,{"image":662,"text":663,"number":664},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.163.png","TYPE\nCODE \nSIZE\nTLM105\u002F01 \ncm 50xh77\n26\n31\n324\n107351_Vol_02_M.indd   324\n21\u002F06\u002F10   11:52\nTLM105\u002F01AG31\nPAS004764020\n325\n107351_Vol_02_M.indd   325\n21\u002F06\u002F10   11:52\n",163,{"image":666,"text":667,"number":668},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.164.png","TYPE\nCODE \nSIZE\nTLM107\u002F01 \ncm 52xh78\n26\n31\n326\n107351_Vol_02_M.indd   326\n21\u002F06\u002F10   11:52\nTLM107\u002F01AG31\nPAS004777602\n327\n107351_Vol_02_M.indd   327\n21\u002F06\u002F10   11:52\n",164,{"image":670,"text":671,"number":672},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.165.png","TYPE\nCODE \nSIZE\nTLM160\u002F01 \ncm 48xh80\nTLM161\u002F01 \ncm 36xh62\n16\n26\n328\n107351_Vol_02_M.indd   328\n21\u002F06\u002F10   11:52\nTLM160\u002F01AG16\nGOP003764853002\n329\n107351_Vol_02_M.indd   329\n21\u002F06\u002F10   11:52\n",165,{"image":674,"text":675,"number":676},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.166.png","TYPE\nCODE \nSIZE\nTLM225\u002F05 \ncm 60xh80\n330\n107351_Vol_02_M.indd   330\n21\u002F06\u002F10   11:52\nTLM225\u002F05AG\nPAS007601\n331\n107351_Vol_02_M.indd   331\n21\u002F06\u002F10   11:52\n",166,{"image":678,"text":679,"number":680},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.167.png","TYPE\nCODE \nSIZE\nTLM243\u002F01 \ncm 45xh65\n332\n107351_Vol_02_M.indd   332\n21\u002F06\u002F10   11:52\nTLM243\u002F01AI\nCOS054902\n333\n107351_Vol_02_M.indd   333\n21\u002F06\u002F10   11:52\n",167,{"image":682,"text":683,"number":684},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.168.png","TYPE\nCODE \nSIZE\nTLM255\u002F01 \ncm 46xh92\n334\n107351_Vol_02_M.indd   334\n21\u002F06\u002F10   11:52\nTLM255\u002F01AG\nCTA064771005\n335\n107351_Vol_02_M.indd   335\n21\u002F06\u002F10   11:52\n",168,{"image":686,"text":687,"number":688},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.169.png","TYPE\nCODE \nSIZE\nTLM259\u002F01 \ncm 18xh58\n336\n107351_Vol_02_M.indd   336\n21\u002F06\u002F10   11:52\nTLM259\u002F01AG\nFRS001835A01\n337\n107351_Vol_02_M.indd   337\n21\u002F06\u002F10   11:52\n",169,{"image":690,"text":691,"number":692},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.170.png","TYPE\nCODE \nSIZE\nTLM303\u002F01 \ncm 45xh78\n338\n107351_Vol_02_M.indd   338\n21\u002F06\u002F10   11:52\nTLM303\u002F01AG\nSPI002766853851\n339\n107351_Vol_02_M.indd   339\n21\u002F06\u002F10   11:52\n",170,{"image":694,"text":695,"number":696},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.171.png","TYPE\nCODE \nSIZE\nTLM304\u002F01 \ncm 44xh87x15\n340\n107351_Vol_02_M.indd   340\n21\u002F06\u002F10   11:52\nTLM304\u002F01AG\nWAS009612\n341\n107351_Vol_02_M.indd   341\n21\u002F06\u002F10   11:53\n",171,{"image":698,"text":699,"number":700},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.172.png","TYPE\nCODE \nSIZE\nTLM305\u002F01 \ncm 45xh84\n342\n107351_Vol_02_M.indd   342\n21\u002F06\u002F10   11:53\nTLM305\u002F01AG\nCOS057918\n343\n107351_Vol_02_M.indd   343\n21\u002F06\u002F10   11:53\n",172,{"image":702,"text":703,"number":704},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.173.png","TYPE\nCODE \nSIZE\nTLM307\u002F01 \ncm 38xh76\n45\n51\n344\n107351_Vol_02_M.indd   344\n21\u002F06\u002F10   11:53\nTLM307\u002F01AK45\nCOS036924\n345\n107351_Vol_02_M.indd   345\n21\u002F06\u002F10   11:53\n",173,{"image":706,"text":707,"number":708},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.174.png","TYPE\nCODE \nSIZE\nTLM343\u002F01 \ncm 44xh77\n346\n107351_Vol_02_M.indd   346\n21\u002F06\u002F10   11:53\nTLM343\u002F01AV\nCOP049839855\n347\n107351_Vol_02_M.indd   347\n21\u002F06\u002F10   11:53\n",174,{"image":710,"text":711,"number":712},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.175.png","TYPE\nCODE \nSIZE\nTLM350\u002F01 \ncm 31xh65\n348\n107351_Vol_02_M.indd   348\n21\u002F06\u002F10   11:53\nTLM350\u002F01RD\nCIS059919\ntogliere interruttore\n349\n107351_Vol_02_M.indd   349\n21\u002F06\u002F10   11:53\n",175,{"image":714,"text":715,"number":716},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.176.png","Materiali preziosi. Gemme naturali. Linee sofisticate.\nOggetti dalla sensualità voluttuosa e dalla delicatezza impal-\npabile che riscoprono un nuovo modo di guardare la luce, di \nammirarla, di viverla.\nPataviumart crea la nuova linea Gioielli di Luce: una linea di \ncomplementi di illuminazione in cui colore, emozioni e senso \ndell’eleganza si intrecciano in un prezioso connubio tra mo-\ndernità e ricercatezza, tra tradizione e innovazione, tra design \ne artigianato.  Lo sguardo non può fare a meno di stupirsi di-\nnanzi alle sfumature cangianti e iridescenti delle pietre prezio-\nse, e si lascia catturare estasiato dalle tonalità calde e soffuse \ndell’ambra, dal carattere grintoso e raffinato dell’onice, dalla \ntrasparenza luminosa e lieve dei cristalli di rocca, dalla purezza \nopalescente delle perle, dall’intensa vitalità scarlatta dei rubini. \nGioielli di Luce è la collezione che fonde la più raffinata ricerca \ndi un design sontuoso con le più antiche tecniche di lavorazio-\nne: argento, oro o platino rivestono le strutture di ogni singolo \nmanufatto, creando un turbinio di incantevoli suggestioni ed \nelevando la praticità degli oggetti ad un’armonia in cui si dif-\nfonde con grazia il concetto più profondo di bellezza.  Una \nnuova linea che trae ispirazione da sogni e favole orientali, e \nche riverbera l’atmosfera di paesaggi dalle note speziate e dai \ncolori vivaci. Una linea che vuole incantare, stupire, ammaliare \ni sensi. Una linea che si erge regale oltre il tempo. \nLa luce assume un nuovo ruolo. \nUnica, pregiata ed immortale. \nLa luce diventa opera d’arte.\nLasciati emozionare.\nPrecious materials. Natural stones. Sophisticated lines.\nA voluptuous sensuality and an impalpable delicacy define \nobjects that rediscover a new way to conceive light, to admire \nit, to live it.\nPataviumart creates its new collection Gioielli di Luce: a collec-\ntion of lighting objects in which colour, emotion and sense of \nelegance converge in a precious union of modernity and refi-\nnement, tradition and innovation, design and craftsmanship.\nThe eyes of the observer are caught by constantly changing, \niridescent colours of precious stones. Get enchanted by the \nsuffused tones of amber or the fierce character of onyx. Admire \nthe light and brilliance of rock crystal or the opalescent purity of \nriver pearls. Experience the scarlet vitality of rubies.\nThe Gioielli di Luce collection interlaces a delicate search for a \nmajestic and elegant design with the most antique processes \nof workmanship: silver, gold or platinum recover the structu-\nres of every single artefact. This collection stimulates vivid and \nenchanting suggestions ennobling a practical object of design \ninto harmony where Beauty is reflected in its most gracious \nform. A new collection which takes its inspiration from dreams \nand oriental fairy-tales, which sheds the atmosphere of fabu-\nlous and imaginary landscapes. A collection whose aim is to \nenchant, to astonish, to bewitch the eye and the senses. A \ncollection which lasts stately over time.\nLight raises to a new role.\nUnique, rare, immortal.\nLight becomes a piece of art.\nFeel the enchantment.\n107351_Vol_02_M.indd   350\n21\u002F06\u002F10   11:53\ngioielli di luce\n107351_Vol_02_M.indd   351\n21\u002F06\u002F10   11:54\n",176,{"image":718,"text":719,"number":720},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.177.png","01\nOgni Perla è una concrezione più o meno sferica di sotti-\nli strati di madreperla, prodotti da una secrezione del \nguscio di ostriche perlifere marine o di acqua dolce. \nLa mitologia greca associava le perle alle lacrime di \nVenere; per i romani le perle erano lacrime versate dagli \nangeli. In Giappone erano considerate lacrime d’inna-\nmorati raggelate e cadute nel mare o nei fiumi. Nel mondo \nislamico si riferivano alle lacrime versate da Adamo ed Eva sul \nloro peccato. Per questo le perle simboleggiano da sempre \nl’amore e la purezza.\nDurezza: 3\nOrigine: Giappone, Australia, Polinesia, Tahiti e altri.\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others.\n22\n02\n08\n11\n19\n28\n29\n30\n32\n38\n35=32+28\n41=08+29\n66=08+12\nTYPE\nCODE \nSIZE\nAP2461\u002F02 \ncm 28xh50x20\nAP2461\u002F03 \ncm 31xh50x23\nCH2461\u002F03 \ncm 34xh56\nCH2461\u002F06 \ncm 62xh74\nCH2461\u002F08 \ncm 76xh90\nCH2461\u002F10 \ncm 80xh90\nCH2461\u002F12 \ncm 85xh105\nCL2461\u002F04 \ncm 55xh50\nFL2461\u002F06 \ncm 52xh180\nTL2461\u002F02 \ncm 31xh65x20\nTL2461\u002F06 \ncm 45xh94\nPerla\nPearl\n352\n107351_Vol_02_M.indd   352\n21\u002F06\u002F10   11:54\nAP2461\u002F02NJ41\nCOS002701619\n353\n107351_Vol_02_M.indd   353\n21\u002F06\u002F10   11:54\n",177,{"image":722,"text":723,"number":724},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.178.png","TYPE\nCODE \nSIZE\nAP2550\u002F02 \ncm 42xh50x20\nCH2550\u002F03 \ncm 50xh68\nCH2550\u002F06 \ncm 80xh98\nCL2550\u002F04 \ncm 55xh50\nCL2550\u002F05 \ncm 80xh60\nL’ambra è amata da sempre per la sua bel-\nlezza, ma anche per il suo mistero. Le sue \ninclusioni d’insetti non hanno mai smesso \ndi affascinare. Poiché proteggeva i vegetali \ne gli animali si pensava che l’ambra doves-\nse preservare anche gli uomini. Perciò le sono \nstate attribuite per molto tempo qualità protettrici e curative: \nla si riduceva in polvere o la si bruciava per il profumo. L’ambra \nè una resina fossile di colore giallo dorato che a volte presenta \nanche sfumature arancione. Una diffusa superstizione attribu-\nisce all’ambra il potere di far passare il mal di testa e di scac-\nciare gli incubi.\nDurezza: 2,5-3 \nOrigine: Mar Baltico, Santo Domingo.\nThe Amber, a fossil resin of a yellow-gold colour sometimes \nwith orange shades, has been appreciated for its beauty and \nmystery since ancient times. Its inclusions and preservation of \ninsects and plants have always generated fascination and cau-\nsed its reputation to preserve man, too. Therefore, it is said to \nbe protective and curative; often it is pulverized or burnt for its \nfragrance. A wide-spread superstition attributes to the Amber \nthe power to cure headache or to protect from nightmares.\nHardness: 2,5-3\nOrigin: Baltic Sea, Santo Domingo.\nAmbra\nAmber\n354\n107351_Vol_02_M.indd   354\n21\u002F06\u002F10   11:54\nAP2550\u002F02AI\nCOS002850\n355\n107351_Vol_02_M.indd   355\n21\u002F06\u002F10   11:54\n",178,{"image":726,"text":727,"number":728},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.179.png","TYPE\nCODE \nSIZE\nAP2585\u002F02 \ncm 42xh50x20\nCH2585\u002F03 \ncm 50xh68\nCH2585\u002F06 \ncm 80xh98\nCL2585\u002F04 \ncm 55xh50\nCL2585\u002F05 \ncm 80xh60\nL’Agata del Botswana è una traslucida va-\nrietà cripto-cristallina di quarzo che mostra \nsfumature rossastre causate dall’agata \ncornalina che essa contiene. Questo tipo di \nagata si trova esclusivamente nel Botswana e, \ncome tutti i tipi di agata, costituisce una sotto-varietà dei cal-\ncedoni. La sua struttura chimica è identica a quella del diaspro, \ndella selce e dell’occhio di tigre. L’agata è spesso rinvenuta \ninsieme con l’opale ed è per questo motivo che può presen-\ntare strati o pezzi di opali, diaspri o quarzi cristallini a secondo \ndelle condizioni in cui si è formata. Già nell’antichità all’agata si \nattribuiva il potere di proteggere dai morsi dei serpenti o degli \nscorpioni, di distendere la mente e persino di fermare i tuoni ed \ni fulmini; coloro che indossano l’agata avrebbero conquistato \nl’eloquenza, si sarebbero liberati dalla solitudine, assicurati i \nfavori di principi e regnanti e avrebbero ottenuto la vittoria in \nbattaglia grazie al potere straordinario della gemma.\nDurezza: 7 \nOrigine: Botswana\nBotswana Agate is a translucent, cryptocrystalline variety of \nquartz that exhibits reddish hues caused by the included car-\nnelian agate. It is found exclusively in Botswana and, as all \nagates, forms a sub-variety of chalcedony. Its chemical struc-\nture is identical to Jasper, Flint or Tiger’s Eye. Agates  are of-\nten found in association with Opal and, therefore, coexist with \nlayers or masses of opal, jasper or crystalline quartz due to \nambient conditions during the formation process. According \nto ancient traditions, this precious stone protects against the \nbiting of scorpions or serpents, soothes the mind, drives away \ncontagion and puts a stop to thunder and lightning. It is also \nsaid to dispose the wearer of solitude, promote eloquence \nand secure the favours of princes. It gives victory over enemies \nto those who wear it.\nHardness: 7\nOrigin: Botswana\nAgata Botswana\nBotswana Agate\n356\n107351_Vol_02_M.indd   356\n21\u002F06\u002F10   11:55\nAP2585\u002F02AK\nVSS001850\n357\n107351_Vol_02_M.indd   357\n21\u002F06\u002F10   11:55\n",179,{"image":730,"text":731,"number":732},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.180.png","TYPE\nCODE \nSIZE\nAP2590\u002F02 \ncm 42xh50x20\nCH2590\u002F03 \ncm 50xh68\nCH2590\u002F06 \ncm 80xh98\nCL2590\u002F04 \ncm 55xh50\nCL2590\u002F05 \ncm 80xh60\nL’Occhio di tigre è un quarzo contenente limonite, \nche produce dei tipici riflessi gialli che rendono \nquesto cristallo somigliante agli occhi della ti-\ngre. È antica credenza che esso abbia un ef-\nfetto protettivo sugli occhi e contro ogni tipo \ndi sortilegio. In India le madri ponevano nelle ta-\nsche dei propri figli alcuni cristalli di questo minerale \nper proteggerli da ogni pericolo. Nei momenti di difficolà dona \ntranquillità, fiducia in sé, coscienza del proprio potere.\nDurezza: 6,5 - 7 \nOrigine: Brasile, India, Australia, Zambia, Uruguay\nThe Tiger’s Eye is a limonite containing quartz which produ-\nces typical yellow reflections which make this crystal similar to \nthe eyes of a tiger. It is an ancient believe that the Tiger’s Eye \ndefends eyesight and protects against sortileges and sorcery. \nIn India mothers used to put a few crystals into their sons’ \npockets in order to protect them from any risk and peril. In \nmoments of stress and difficulties, it is said to give tranquillity \nand self-confidence.\nHardness: 6,5 - 7\nOrigin: Brazil, India, Australia, Zambia, Uruguay, and many \nmore\nOcchio di Tigre\nTiger’s Eye\n358\n107351_Vol_02_M.indd   358\n21\u002F06\u002F10   11:55\nAP2590\u002F02AI\nCOS002850\n359\n107351_Vol_02_M.indd   359\n21\u002F06\u002F10   11:55\n",180,{"image":734,"text":735,"number":736},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.181.png","TYPE\nCODE \nSIZE\nCH1850\u002F08LE \ncm 80xh85\nL’oro, oggi metallo-simbolo della ricchezza, da \nsempre stimolava la fantasia degli alchimisti \ne degli orafi; insime al rame, veniva lavorato \ndall’uomo fin dai tempi più remoti. In Egitto era \nconsiderato sacro perché ritenuto una materia-\nlizzazione del dio Sole e per questo ricopriva le \ncime delle piramidi e degli obelischi. Essendo considerato il \nmetallo prezioso per eccellenza, l’oro comunque ha conqui-\nstato il mondo non solo per la sua bellezza, ma anche perché \nè inalterabile; neanche gli acidi riescono a corroderlo.\nOggetti d’Arte unici, numerati e preziosi. Per creare gli articoli \ndella collezione “Limited Edition”, Pataviumart utilizza questo \nmetallo nobile in una quantità che varia da un minimo di 150 g \nsino a 1.100 g circa.\nDurezza: 2,5. L’Oro è simbolo di purezza, valore, lealtà. \nGold and copper have been used by man since remote times. \nIn ancient Egypt, considered sacred because regarded as a \nmaterialization of deity Sun, it became the precious metal par \nexcellence; gold covered the tops of the pyramids and obeli-\nsks. As a symbol of luxury, Gold has always stimulated fantasy \nof alchemists and goldsmiths. But it has conquered the world \nnot only for its beauty. Gold is inalterable; even acids do not \ncorrode it.\nUnique Objects of Art, singularly numbered, extremely pre-\ncious. For their creation Pataviumart uses this noble metal in \nquantities that vary between 150 and 1.100 g approximatively.\nHardness: 2,5. Gold is a symbol of purity, value and loyalty. \nOro\nGold\n360\n107351_Vol_02_M.indd   360\n21\u002F06\u002F10   11:55\nCH1850\u002F08LE  \nCOS003735619\n361\n107351_Vol_02_M.indd   361\n21\u002F06\u002F10   11:55\n",181,{"image":738,"text":739,"number":740},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.182.png","L’Opalite spesso viene chiamato anche quar-\nzo di pietra lunare, quarzo opalizzato, Geri-\nsol oppure Opale marino. L’Opalite è anche \nil nome di una preziosa imitazione del raro \nopale realizzata tramite resine particolari nelle \nquali il gioco dei colori viene simulato tramite \nle inclusioni di una varietà di materiali. Ha un colore bianco \nlatte con sfumature bluastre tipiche di certe lingue di fuoco. \nPolverizzata, l’Opalite può essere usata come componente \nnobilitante per la produzione di vetri prestigiosi, riproducendo \nin essi la rifrazione della luce tipica dei preziosi e per questo \nestremamente costosi opali. Alcuni rivenditori di pietre prezio-\nse definiscono impropriamente gli opali naturali, senza gioco \ndi colori, ‘Opalite’.  Mentre le pietre naturali di quarzo o vetro \ncome Goldstone o Quarzo ciliegino racchiudono le caratteristi-\nche fisiche (ed, a volte, anche salutari) dei vetri naturali come i \nquarzi, dell’Opalite finora non sono note simili proprietà.\nOpalite is as well often referred to as Moonstone Quartz, Opa-\nlized Quartz, Gerisol, Lunar Quartz or Sea Opal.  It is also a \nname for precious opal imitations made mainly of particular \nresins in which the play-of-colour is simulated through the in-\nclusions of a variety of materials. It has a milky colour with a \ndistinct blue fire tone. Held against a white background, it has \na yellowish tinge. Powdered Opalite may be used as a compo-\nnent for the production of precious glasses reproducing and si-\nmulating the refraction of light typical of precious and, therefo-\nre, extremely expensive opal stones. Some gemstone dealers \nmistakenly call natural opals with no play of colour ‘Opalite’. \nWhile glass stones like Goldstone or Cherry Quartz carry the \nphysical (and sometimes health) properties of natural glasses \nsuch as pure Quartz, Opalite has no known healing properties.\nOpalite\nOpalite\nTYPE\nCODE \nSIZE\nAP1855\u002F02 \ncm 42xh50x20\nAP1855\u002F03 \ncm 50xh52x26\nCH1855\u002F06 \ncm 60xh75\nCH1855\u002F08 \ncm 80xh85\nCH1855\u002F10 \ncm 85xh90\nCH1855\u002F12 \ncm 95xh120\nCH1855\u002F18 \ncm 110xh130\nCH1855\u002FM3 \ncm 32xh56\nCH1855\u002FM6 \ncm 47xh55\nCL1855\u002F04 \ncm 55xh50\nFL1855\u002F06 \ncm 50xh180\nTL1855\u002F06 \ncm 47xh79\n362\n107351_Vol_02_M.indd   362\n21\u002F06\u002F10   11:55\nCH1855\u002F08AI\nCOS003835A01\n363\n107351_Vol_02_M.indd   363\n21\u002F06\u002F10   11:55\n",182,{"image":742,"text":743,"number":744},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.183.png","TYPE\nCODE \nSIZE\nCH2007\u002F10LE \ncm 72xh102\nL’oro, oggi metallo-simbolo della ricchezza, da \nsempre stimolava la fantasia degli alchimisti \ne degli orafi; insime al rame, veniva lavorato \ndall’uomo fin dai tempi più remoti. In Egitto era \nconsiderato sacro perché ritenuto una materia-\nlizzazione del dio Sole e per questo ricopriva le \ncime delle piramidi e degli obelischi. Essendo considerato il \nmetallo prezioso per eccellenza, l’oro comunque ha conqui-\nstato il mondo non solo per la sua bellezza, ma anche perché \nè inalterabile; neanche gli acidi riescono a corroderlo.\nOggetti d’Arte unici, numerati e preziosi. Per creare gli articoli \ndella collezione “Limited Edition”, Pataviumart utilizza questo \nmetallo nobile in una quantità che varia da un minimo di 150 g \nsino a 1.100 g circa.\nDurezza: 2,5. L’Oro è simbolo di purezza, valore, lealtà. \nGold and copper have been used by man since remote times. \nIn ancient Egypt, considered sacred because regarded as a \nmaterialization of deity Sun, it became the precious metal par \nexcellence; gold covered the tops of the pyramids and obeli-\nsks. As a symbol of luxury, Gold has always stimulated fantasy \nof alchemists and goldsmiths. But it has conquered the world \nnot only for its beauty. Gold is inalterable; even acids do not \ncorrode it.\nUnique Objects of Art, singularly numbered, extremely pre-\ncious. For their creation Pataviumart uses this noble metal in \nquantities that vary between 150 and 1.100 g approximatively.\nHardness: 2,5. Gold is a symbol of purity, value and loyalty. \nOro\nGold\n364\n107351_Vol_02_M.indd   364\n21\u002F06\u002F10   11:55\nCH2007\u002F10LE\n365\n107351_Vol_02_M.indd   365\n21\u002F06\u002F10   11:55\n",183,{"image":746,"text":747,"number":748},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.184.png","TYPE\nCODE \nSIZE\nCH2225\u002F06 \ncm 94xh130\nCH2225\u002F08 \ncm 94xh130\nCH2225\u002F10 \ncm 94xh130\nCH2225\u002F12 \ncm 115xh150\n01\n30\n02\n32\n08\n65\n25\n28\n29\n05=02+30\n33=01+32\n35=28+32\n36=29+32 \n40=01+29+32\n41=08+29\n44=08+32\nOgni Perla è una concrezione più o meno sferica di sotti-\nli strati di madreperla, prodotti da una secrezione del \nguscio di ostriche perlifere marine o di acqua dolce. \nLa mitologia greca associava le perle alle lacrime di \nVenere; per i romani le perle erano lacrime versate dagli \nangeli. In Giappone erano considerate lacrime d’inna-\nmorati raggelate e cadute nel mare o nei fiumi. Nel mondo \nislamico si riferivano alle lacrime versate da Adamo ed Eva sul \nloro peccato. Per questo le perle simboleggiano da sempre \nl’amore e la purezza.\nDurezza: 3\nOrigine: Giappone, Australia, Polinesia, Tahiti e altri.\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others.\nPerla\nPearl\n366\nCH2225\u002F08NG28\nCOP005751101A01\n367\n",184,{"image":750,"text":751,"number":752},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.185.png","L’Opalite spesso viene chiamato anche quar-\nzo di pietra lunare, quarzo opalizzato, Geri-\nsol oppure Opale marino. L’Opalite è anche \nil nome di una preziosa imitazione del raro \nopale realizzata tramite resine particolari nelle \nquali il gioco dei colori viene simulato tramite \nle inclusioni di una varietà di materiali. Ha un colore bianco \nlatte con sfumature bluastre tipiche di certe lingue di fuoco. \nPolverizzata, l’Opalite può essere usata come componente \nnobilitante per la produzione di vetri prestigiosi, riproducendo \nin essi la rifrazione della luce tipica dei preziosi e per questo \nestremamente costosi opali. Alcuni rivenditori di pietre prezio-\nse definiscono impropriamente gli opali naturali, senza gioco \ndi colori, ‘Opalite’.  Mentre le pietre naturali di quarzo o vetro \ncome Goldstone o Quarzo ciliegino racchiudono le caratteristi-\nche fisiche (ed, a volte, anche salutari) dei vetri naturali come i \nquarzi, dell’Opalite finora non sono note simili proprietà.\nOpalite is as well often referred to as Moonstone Quartz, Opa-\nlized Quartz, Gerisol, Lunar Quartz or Sea Opal.  It is also a \nname for precious opal imitations made mainly of particular \nresins in which the play-of-colour is simulated through the in-\nclusions of a variety of materials. It has a milky colour with a \ndistinct blue fire tone. Held against a white background, it has \na yellowish tinge. Powdered Opalite may be used as a compo-\nnent for the production of precious glasses reproducing and si-\nmulating the refraction of light typical of precious and, therefo-\nre, extremely expensive opal stones. Some gemstone dealers \nmistakenly call natural opals with no play of colour ‘Opalite’. \nWhile glass stones like Goldstone or Cherry Quartz carry the \nphysical (and sometimes health) properties of natural glasses \nsuch as pure Quartz, Opalite has no known healing properties.\nOpalite\nOpalite\nTYPE\nCODE \nSIZE\nAP2301\u002F02 \ncm 40xh55x22\nCH2301\u002F06 \ncm 60xh60\nCH2301\u002F08 \ncm 80xh80\nCH2301\u002F10 \ncm 83xh83\nCH2301\u002F12 \ncm 94xh97\nCL2301\u002F04 \ncm 55xh50\nCL2301\u002F05 \ncm 80xh60\nFL2301\u002F05 \ncm 50xh180\nTL2301\u002F06 \ncm 55xh92\n368\n107351_Vol_02_M.indd   368\n21\u002F06\u002F10   11:55\nCH2301\u002F08NF\nCOP003105\n369\n107351_Vol_02_M.indd   369\n21\u002F06\u002F10   11:55\n",185,{"image":754,"text":755,"number":756},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.186.png","01\n22\n02\n08\n11\n19\n28\n29\n30\n32\n38\n35=32+28\n41=08+29\n66=08+12\nTYPE\nCODE \nSIZE\nAP2461\u002F02 \ncm 28xh50x20\nAP2461\u002F03 \ncm 31xh50x23\nCH2461\u002F03 \ncm 34xh56\nCH2461\u002F06 \ncm 62xh74\nCH2461\u002F08 \ncm 76xh90\nCH2461\u002F10 \ncm 80xh90\nCH2461\u002F12 \ncm 85xh105\nCL2461\u002F04 \ncm 55xh50\nFL2461\u002F06 \ncm 52xh180\nTL2461\u002F02 \ncm 31xh65x20\nTL2461\u002F06 \ncm 45xh94\nOgni Perla è una concrezione più o meno sferica di sotti-\nli strati di madreperla, prodotti da una secrezione del \nguscio di ostriche perlifere marine o di acqua dolce. \nLa mitologia greca associava le perle alle lacrime di \nVenere; per i romani le perle erano lacrime versate dagli \nangeli. In Giappone erano considerate lacrime d’inna-\nmorati raggelate e cadute nel mare o nei fiumi. Nel mondo \nislamico si riferivano alle lacrime versate da Adamo ed Eva sul \nloro peccato. Per questo le perle simboleggiano da sempre \nl’amore e la purezza.\nDurezza: 3\nOrigine: Giappone, Australia, Polinesia, Tahiti e altri.\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others.\nPerla\nPearl\n370\n107351_Vol_02_M.indd   370\n21\u002F06\u002F10   11:55\nCH2461\u002F08NJ41\nCOS003701619A02\n371\n107351_Vol_02_M.indd   371\n21\u002F06\u002F10   11:55\n",186,{"image":758,"text":759,"number":760},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.187.png","L’Ametista è una forma di quarzo color porpora \nnella quale tracce di manganese creano il co-\nlore mentre tracce di ferro ne determinano la \nprofondità. La parola “ametista” ha origine \ndal Greco ‘amethystos’, cioè dal prefisso \n‘a’ (anti) e da ‘methyein’ (ubriaco) o ’methy ’ \n(vino). Alla pietra si attribuisce la capacità di calma-\nre la mente, di facilitare e approfondire stati di meditazione o \nsonno e di rilassare il corpo. L’ametista viene considerata  una \n‘pietra tranquillizzante’ che calma coloro che sono in costante \nattività mentale ed è per questo spesso chiamata “Il Tranquiliz-\nzante della Natura”.\nDurezza: 7\nOrigine: Bolivia, Australia, Brasile, Sud Corea, Russia, India.\nAmethyst is a purple form of Quartz in which traces of manga-\nnese create the purple colour, while traces of iron are responsi-\nble for its depth. The word “amethyst” derives from the Greek \n‘amethystos’, thus, from ‘a’ (anti) plus ‘methyein’ (to be drunk) \nor ’methy ’ (wine).  This stone is purported to calm the mind, \nto enhance meditation or dream state and to relax the body. \nIt is said to be a calming stone that soothes those in constant \nmental activity, and, therefore,  it has earned the nickname of \n“Nature’s Tranquilizer.\nHardness: 7\nOrigin: Bolivia, Australia, Brazil, South Korea, Russia, India.\nAmetista\nAmethyst\nTYPE\nCODE \nSIZE\nAP2500\u002F02 \ncm 42xh50x20\nCH2500\u002F03 \ncm 50xh68\nCH2500\u002F06 \ncm 80xh98\nCL2500\u002F04 \ncm 55xh50\nCL2500\u002F05 \ncm 80xh60\n372\n107351_Vol_02_M.indd   372\n21\u002F06\u002F10   11:55\nCH2500\u002F06AK\nCOS003776905A01\n373\n107351_Vol_02_M.indd   373\n21\u002F06\u002F10   11:55\n",187,{"image":762,"text":763,"number":764},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.188.png","Il Quarzo Rosa è una variante di quarzo nel quale \nil colore può variare a causa della sua fotosen-\nsibilità. Il naturale colore del Quarzo Rosa è \npiuttosto raro tra i minerali. Esso viene cau-\nsato dalle impurità di ferro, titanio oppure \noro colloidale. Grazie al suo colore rosa, questo \nquarzo da sempre è stato considerato un simbolo \ndell’amore e della bellezza. È conosciuto anche come \n“gemma dell’amore” o “pietra del cuore”, e gli viene attribuita la \ncapacità di aumentare la sensibilità verso la bellezza, l’arte e la \nmusica di colui che lo indossa. Si pensa che il Quarzo Rosa rin-\nforzi la capacità di amare e, anche per questo, viene conside-\nrato un regalo perfetto all’inizio di una relazione sentimentale.\nDurezza: 7\nOrigine: Brasile, India, Australia, Zambia, Uruguay ed altri.\nRose quartz is a pink photo-sensitive variety of Quartz in which \nthe colour can fade in sunlight. Its natural pink colour is rather \nrare among minerals. It is caused by impurities of iron, titanium \nand colloidal gold. For its pink colour Rose Quartz has histo-\nrically been a symbol of love & beauty. It is also known as the \n“Love Stone” or the “Heart Stone” and is often said to enhance \nthe wearer’s sensitivity to beauty, art and music. It strengthens \nthe capacity to love and is regarded a perfect  present at the \nbeginning of a relationship.\nHardness: 7\nOrigin: Brazil, India, Australia, Zambia, Uruguay and others.\nQuarzo Rosa\nRose Quartz\nTYPE\nCODE \nSIZE\nAP2510\u002F02 \ncm 42xh50x20\nCH2510\u002F03 \ncm 50xh68\nCH2510\u002F06 \ncm 80xh98\nCL2510\u002F04 \ncm 55xh50\nCL2510\u002F05 \ncm 80xh60\n374\n107351_Vol_02_M.indd   374\n21\u002F06\u002F10   11:56\nCH2510\u002F06NS\nCOS003776904A01\n375\n107351_Vol_02_M.indd   375\n21\u002F06\u002F10   11:56\n",188,{"image":766,"text":767,"number":768},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.189.png","TYPE\nCODE \nSIZE\nAP2550\u002F02 \ncm 42xh50x20\nCH2550\u002F03 \ncm 50xh68\nCH2550\u002F06 \ncm 80xh98\nCL2550\u002F04 \ncm 55xh50\nCL2550\u002F05 \ncm 80xh60\nL’ambra è amata da sempre per la sua bel-\nlezza, ma anche per il suo mistero. Le sue \ninclusioni d’insetti non hanno mai smesso \ndi affascinare. Poiché proteggeva i vegetali \ne gli animali si pensava che l’ambra doves-\nse preservare anche gli uomini. Perciò le sono \nstate attribuite per molto tempo qualità protettrici e curative: \nla si riduceva in polvere o la si bruciava per il profumo. L’ambra \nè una resina fossile di colore giallo dorato che a volte presenta \nanche sfumature arancione. Una diffusa superstizione attribu-\nisce all’ambra il potere di far passare il mal di testa e di scac-\nciare gli incubi.\nDurezza: 2,5-3 \nOrigine: Mar Baltico, Santo Domingo.\nThe Amber, a fossil resin of a yellow-gold colour sometimes \nwith orange shades, has been appreciated for its beauty and \nmystery since ancient times. Its inclusions and preservation of \ninsects and plants have always generated fascination and cau-\nsed its reputation to preserve man, too. Therefore, it is said to \nbe protective and curative; often it is pulverized or burnt for its \nfragrance. A wide-spread superstition attributes to the Amber \nthe power to cure headache or to protect from nightmares.\nHardness: 2,5-3\nOrigin: Baltic Sea, Santo Domingo.\nAmbra\nAmber\n376\n107351_Vol_02_M.indd   376\n21\u002F06\u002F10   11:56\nCH2550\u002F06AI\nCOP003752101A01\n377\n107351_Vol_02_M.indd   377\n21\u002F06\u002F10   11:56\n",189,{"image":770,"text":771,"number":772},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.190.png","Spesso accostato all’onice per ottenere un ele-\ngante contrasto, il cristallo di rocca come quarzo \ntrasparente noto ed apprezzato in tutte le an-\ntiche civiltà, non ha mai smesso di essere im-\npiegato in gioielleria. Il suo nome deriva dal greco \n‘krustallos’, ghiaccio, poiché ricorda l’acqua ghiacciata. \nOssido di silicio. Gemma dei nati sotto il segno del Leone. Sim-\nbolo di eternità.\nDurezza: 7 \nOrigine: U.S.A., Brasile, Francia\nThis transparent quartz, known and appreciated in all ancient \ncivilizations has always been used in jewellery. Its name derives \nfrom Greek ‘krustallos’, ice, for its resemblance to frozen water. \nThe Rock Crystal had a great vogue in the Art Déco period \nwhich emphasized and privileged purity. It is often combined \nwith Onyxes for the superb contrast. Silicon oxide. As the gem \nfor those born in Leo it symbolizes eternity.\nHardness: 7\nOrigin: U.S.A., Brazil, France\nCristallo di Rocca\nRock Crystal\nTYPE\nCODE \nSIZE\nAP2560\u002F02 \ncm 42xh50x20\nCH2560\u002F03 \ncm 50xh68\nCH2560\u002F06 \ncm 80xh98\nCL2560\u002F04 \ncm 55xh50\nCL2560\u002F05 \ncm 80xh60\n378\n107351_Vol_02_M.indd   378\n21\u002F06\u002F10   11:56\nCH2560\u002F06AK\nCOS003701602A01\n379\n107351_Vol_02_M.indd   379\n21\u002F06\u002F10   11:56\n",190,{"image":774,"text":775,"number":776},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.191.png","Nell’India e nell’antico Egitto si usava l’acquamarina \nper farne degli amuleti. I greci raccontavano che \nqueste gemme acquatiche erano state sottratte \ndagli ippocampi al tesero delle ninfe e in seguito, \ndepositati sulle rive abitate dagli uomini. Il nome \ndi questa pietra, un silicato di alluminio e di berillio, \ncome nel caso dello smeraldo, è dovuto al suo colore, \nche sfuma dal verde-azzurro all’azzurro del cielo. L’acquamari-\nna è considerata da sempre la protettrice di chi va per mare. E’ \nla gemma dei nati nel mese di marzo. Il suo pianeta è Saturno. \nSimboleggia la protezione in mare e la fedeltà.\nDurezza: 7,5 \nOrigine: Brasile, Madagascar, Afganistan, Pakistan\nThe name of this gem, as the Emerald a silicate of aluminium \nand beryllium, derives from its colour which gradates from \ngreen-azure to sky-blue. In India and ancient Egypt the Aqua-\nmarine was often used in amulets; the Grecians narrated that \nthese aquatic gems had been taken by the Hippocampi from \nthe Nympha’s treasures for being later on deposited along the \nshores settled by man. The Aquamarine is said to protect tho-\nse who goes to sea. It is considered the gem for those who \nwere born in March. Its planet is Saturn and it symbolizes fide-\nlity and protection on the sea.\nHardness: 7,5\nOrigin: Brazil, Madagascar, Afganistan, Pakistan\nAcquamarina\nAquamarine\nTYPE\nCODE \nSIZE\nAP2570\u002F02 \ncm 42xh50x20\nCH2570\u002F03 \ncm 50xh68\nCH2570\u002F06 \ncm 80xh98\nCL2570\u002F04 \ncm 55xh50\nCL2570\u002F05 \ncm 80xh60\n380\n107351_Vol_02_M.indd   380\n21\u002F06\u002F10   11:56\nCH2570\u002F06AK\nCOP003752832A01\n381\n107351_Vol_02_M.indd   381\n21\u002F06\u002F10   11:56\n",191,{"image":778,"text":779,"number":780},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.192.png","Secondo la leggenda l’onice ha avuto origine \nda un’unghia della Dea Venere spezzata da \nuna freccia di Cupido. Il suo nome provie-\nne dal greco ‘ónux’, unghia. L’onice è un \ncalcedonio nero leggermente traslucido che \nsi può anche presentare con una struttura a strati alternati neri \ne bianchi. La maggior parte dell’onice oggi in commercio è \nnero opaco. L’onice era usata anticamente nei riti di fertilità e \nper incrementare le energie fisiche e sessuali.\nDurezza: 6,5 \nOrigine: Brasile, Argentina, Uruguay, Madagascar, Messico, \nU.S.A\nThe Onyx is a slightly translucent, sometimes black sometimes \nalternatively black and white layered chalcedony. According to \nmythology its origin lies in goddess’ Venus finger-nails split by \none of Cupid’s arrows. Its name derives from Greek ‘ónux’, \nfinger-nail. Most of the Onyx today available is mat and black. \nIn ancient times the Onyx was used in fertility rituals. It is said \nto improve physical and sexual energies.\nHardness: 6,5\nOrigin: Brazil, Argentina, Uruguay, Madagascar, Mexico, \nU.S.A\nOnice\nOnix\nTYPE\nCODE \nSIZE\nAP2580\u002F02 \ncm 42xh50x20\nCH2580\u002F03 \ncm 50xh68\nCH2580\u002F06 \ncm 80xh98\nCL2580\u002F04 \ncm 55xh50\nCL2580\u002F05 \ncm 80xh60\n382\n107351_Vol_02_M.indd   382\n21\u002F06\u002F10   11:56\nCH2580\u002F06AK\nCOP003816105A01\n383\n107351_Vol_02_M.indd   383\n21\u002F06\u002F10   11:56\n",192,{"image":782,"text":783,"number":784},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.193.png","TYPE\nCODE \nSIZE\nAP2585\u002F02 \ncm 42xh50x20\nCH2585\u002F03 \ncm 50xh68\nCH2585\u002F06 \ncm 80xh98\nCL2585\u002F04 \ncm 55xh50\nCL2585\u002F05 \ncm 80xh60\nL’Agata del Botswana è una traslucida va-\nrietà cripto-cristallina di quarzo che mostra \nsfumature rossastre causate dall’agata \ncornalina che essa contiene. Questo tipo di \nagata si trova esclusivamente nel Botswana e, \ncome tutti i tipi di agata, costituisce una sotto-varietà dei cal-\ncedoni. La sua struttura chimica è identica a quella del diaspro, \ndella selce e dell’occhio di tigre. L’agata è spesso rinvenuta \ninsieme con l’opale ed è per questo motivo che può presen-\ntare strati o pezzi di opali, diaspri o quarzi cristallini a secondo \ndelle condizioni in cui si è formata. Già nell’antichità all’agata si \nattribuiva il potere di proteggere dai morsi dei serpenti o degli \nscorpioni, di distendere la mente e persino di fermare i tuoni ed \ni fulmini; coloro che indossano l’agata avrebbero conquistato \nl’eloquenza, si sarebbero liberati dalla solitudine, assicurati i \nfavori di principi e regnanti e avrebbero ottenuto la vittoria in \nbattaglia grazie al potere straordinario della gemma.\nDurezza: 7 \nOrigine: Botswana\nBotswana Agate is a translucent, cryptocrystalline variety of \nquartz that exhibits reddish hues caused by the included car-\nnelian agate. It is found exclusively in Botswana and, as all \nagates, forms a sub-variety of chalcedony. Its chemical struc-\nture is identical to Jasper, Flint or Tiger’s Eye. Agates  are of-\nten found in association with Opal and, therefore, coexist with \nlayers or masses of opal, jasper or crystalline quartz due to \nambient conditions during the formation process. According \nto ancient traditions, this precious stone protects against the \nbiting of scorpions or serpents, soothes the mind, drives away \ncontagion and puts a stop to thunder and lightning. It is also \nsaid to dispose the wearer of solitude, promote eloquence \nand secure the favours of princes. It gives victory over enemies \nto those who wear it.\nHardness: 7\nOrigin: Botswana\nAgata Botswana\nBotswana Agate\n384\n107351_Vol_02_M.indd   384\n21\u002F06\u002F10   11:56\nCH2585\u002F03AK\nCOP003826\n385\n107351_Vol_02_M.indd   385\n21\u002F06\u002F10   11:56\n",193,{"image":786,"text":787,"number":788},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.194.png","TYPE\nCODE \nSIZE\nAP2585\u002F02 \ncm 42xh50x20\nCH2585\u002F03 \ncm 50xh68\nCH2585\u002F06 \ncm 80xh98\nCL2585\u002F04 \ncm 55xh50\nCL2585\u002F05 \ncm 80xh60\nL’Agata del Botswana è una traslucida va-\nrietà cripto-cristallina di quarzo che mostra \nsfumature rossastre causate dall’agata \ncornalina che essa contiene. Questo tipo di \nagata si trova esclusivamente nel Botswana e, \ncome tutti i tipi di agata, costituisce una sotto-varietà dei cal-\ncedoni. La sua struttura chimica è identica a quella del diaspro, \ndella selce e dell’occhio di tigre. L’agata è spesso rinvenuta \ninsieme con l’opale ed è per questo motivo che può presen-\ntare strati o pezzi di opali, diaspri o quarzi cristallini a secondo \ndelle condizioni in cui si è formata. Già nell’antichità all’agata si \nattribuiva il potere di proteggere dai morsi dei serpenti o degli \nscorpioni, di distendere la mente e persino di fermare i tuoni ed \ni fulmini; coloro che indossano l’agata avrebbero conquistato \nl’eloquenza, si sarebbero liberati dalla solitudine, assicurati i \nfavori di principi e regnanti e avrebbero ottenuto la vittoria in \nbattaglia grazie al potere straordinario della gemma.\nDurezza: 7 \nOrigine: Botswana\nBotswana Agate is a translucent, cryptocrystalline variety of \nquartz that exhibits reddish hues caused by the included car-\nnelian agate. It is found exclusively in Botswana and, as all \nagates, forms a sub-variety of chalcedony. Its chemical struc-\nture is identical to Jasper, Flint or Tiger’s Eye. Agates  are of-\nten found in association with Opal and, therefore, coexist with \nlayers or masses of opal, jasper or crystalline quartz due to \nambient conditions during the formation process. According \nto ancient traditions, this precious stone protects against the \nbiting of scorpions or serpents, soothes the mind, drives away \ncontagion and puts a stop to thunder and lightning. It is also \nsaid to dispose the wearer of solitude, promote eloquence \nand secure the favours of princes. It gives victory over enemies \nto those who wear it.\nHardness: 7\nOrigin: Botswana\nAgata Botswana\nBotswana Agate\n386\n107351_Vol_02_M.indd   386\n21\u002F06\u002F10   11:56\nCH2585\u002F06AK\nCOS003701619A01\npresa da catalogo emozionale\n387\n107351_Vol_02_M.indd   387\n21\u002F06\u002F10   11:56\n",194,{"image":790,"text":791,"number":792},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.195.png","L’Occhio di tigre è un quarzo contenente limonite, \nche produce dei tipici riflessi gialli che rendono \nquesto cristallo somigliante agli occhi della ti-\ngre. È antica credenza che esso abbia un ef-\nfetto protettivo sugli occhi e contro ogni tipo \ndi sortilegio. In India le madri ponevano nelle ta-\nsche dei propri figli alcuni cristalli di questo minerale \nper proteggerli da ogni pericolo. Nei momenti di difficolà dona \ntranquillità, fiducia in sé, coscienza del proprio potere.\nDurezza: 6,5 - 7 \nOrigine: Brasile, India, Australia, Zambia, Uruguay\nThe Tiger’s Eye is a limonite containing quartz which produ-\nces typical yellow reflections which make this crystal similar to \nthe eyes of a tiger. It is an ancient believe that the Tiger’s Eye \ndefends eyesight and protects against sortileges and sorcery. \nIn India mothers used to put a few crystals into their sons’ \npockets in order to protect them from any risk and peril. In \nmoments of stress and difficulties, it is said to give tranquillity \nand self-confidence.\nHardness: 6,5 - 7\nOrigin: Brazil, India, Australia, Zambia, Uruguay, and many \nmore\nOcchio di Tigre\nTiger’s Eye\nTYPE\nCODE \nSIZE\nAP2590\u002F02 \ncm 42xh50x20\nCH2590\u002F03 \ncm 50xh68\nCH2590\u002F06 \ncm 80xh98\nCL2590\u002F04 \ncm 55xh50\nCL2590\u002F05 \ncm 80xh60\n388\n107351_Vol_02_M.indd   388\n21\u002F06\u002F10   11:56\nCH2590\u002F06AI\nCOP003104A01\n389\n107351_Vol_02_M.indd   389\n21\u002F06\u002F10   11:56\n",195,{"image":794,"text":795,"number":796},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.196.png","TYPE\nCODE \nSIZE\nCH2598\u002F03 \ncm 50xh68\nCH2598\u002F06 \ncm 80xh98\nOgni Perla è una concrezione più o meno sfe-\nrica di sottili strati di madreperla, prodotti da \nuna secrezione del guscio di ostriche perlifere \nmarine o di acqua dolce. La mitologia greca \nassociava le perle alle lacrime di Venere; per i \nromani le perle erano lacrime versate dagli angeli. \nIn Giappone erano considerate lacrime d’innamorati \nraggelate e cadute nel mare o nei fiumi. Nel mondo islamico si \nriferivano alle lacrime versate da Adamo ed Eva sul loro pec-\ncato. Per questo le perle simboleggiano da sempre l’amore e \nla purezza.\nDurezza: 3 \nOrigine: Giappone, Australia, Polinesia, Tahiti e altri\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others\nPerla\nPearl\n32\n25\n34=25+32\n56=30+32\n390\n107351_Vol_02_M.indd   390\n21\u002F06\u002F10   11:56\nCH2598\u002F06NF25\nCOS003757835002\n391\n107351_Vol_02_M.indd   391\n21\u002F06\u002F10   11:56\n",196,{"image":798,"text":799,"number":800},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.197.png","Ogni Perla è una concrezione più o meno sferica \ndi sottili strati di madreperla, prodotti da una se-\ncrezione del guscio di ostriche perlifere marine o \ndi acqua dolce. La mitologia greca associava le \nperle alle lacrime di Venere; per i romani le perle \nerano lacrime versate dagli angeli. In Giappone \nerano considerate lacrime d’innamorati raggelate e \ncadute nel mare o nei fiumi. Nel mondo islamico si riferivano \nalle lacrime versate da Adamo ed Eva sul loro peccato. Per \nquesto le perle simboleggiano da sempre l’amore e la purezza.\nDurezza: 3 \nOrigine: Giappone, Australia, Polinesia, Tahiti e altri\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others\nPerla\nPearl\nTYPE\nCODE \nSIZE\nAP2853\u002F02 \ncm 29xh49x12\nCH2853\u002F06 \ncm 95xh110\nCL2853\u002F06 \ncm 65xh40\nFL2853\u002F06 \ncm 30xh194\nTL2853\u002F06 \ncm 48xh90\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n392\n107351_Vol_02_M.indd   392\n21\u002F06\u002F10   11:56\nCH2853\u002F06NG32\nSTS003701619A01\n393\n107351_Vol_02_M.indd   393\n21\u002F06\u002F10   11:56\n",197,{"image":802,"text":803,"number":10},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.198.png","L’Opalite spesso viene chiamato anche quar-\nzo di pietra lunare, quarzo opalizzato, Geri-\nsol oppure Opale marino. L’Opalite è anche \nil nome di una preziosa imitazione del raro \nopale realizzata tramite resine particolari nelle \nquali il gioco dei colori viene simulato tramite \nle inclusioni di una varietà di materiali. Ha un colore bianco \nlatte con sfumature bluastre tipiche di certe lingue di fuoco. \nPolverizzata, l’Opalite può essere usata come componente \nnobilitante per la produzione di vetri prestigiosi, riproducendo \nin essi la rifrazione della luce tipica dei preziosi e per questo \nestremamente costosi opali. Alcuni rivenditori di pietre prezio-\nse definiscono impropriamente gli opali naturali, senza gioco \ndi colori, ‘Opalite’.  Mentre le pietre naturali di quarzo o vetro \ncome Goldstone o Quarzo ciliegino racchiudono le caratteristi-\nche fisiche (ed, a volte, anche salutari) dei vetri naturali come i \nquarzi, dell’Opalite finora non sono note simili proprietà.\nOpalite is as well often referred to as Moonstone Quartz, Opa-\nlized Quartz, Gerisol, Lunar Quartz or Sea Opal.  It is also a \nname for precious opal imitations made mainly of particular \nresins in which the play-of-colour is simulated through the in-\nclusions of a variety of materials. It has a milky colour with a \ndistinct blue fire tone. Held against a white background, it has \na yellowish tinge. Powdered Opalite may be used as a compo-\nnent for the production of precious glasses reproducing and si-\nmulating the refraction of light typical of precious and, therefo-\nre, extremely expensive opal stones. Some gemstone dealers \nmistakenly call natural opals with no play of colour ‘Opalite’. \nWhile glass stones like Goldstone or Cherry Quartz carry the \nphysical (and sometimes health) properties of natural glasses \nsuch as pure Quartz, Opalite has no known healing properties.\nOpalite\nOpalite\nTYPE\nCODE \nSIZE\nCH5550\u002F12 \ncm 102xh78\nCH5550\u002F20 \ncm 102xh78\nCL5500\u002F04 \ncm 55xh50\nCL5500\u002F05 \ncm 80xh60\nTL5500\u002F05 \ncm 45xh68\n394\n107351_Vol_02_M.indd   394\n21\u002F06\u002F10   11:56\nCH5500\u002F20JA\nCOP002104A01\n395\n107351_Vol_02_M.indd   395\n21\u002F06\u002F10   11:57\n",{"image":805,"text":806,"number":807},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.199.png","TYPE\nCODE \nSIZE\nAP2550\u002F02 \ncm 42xh50x20\nCH2550\u002F03 \ncm 50xh68\nCH2550\u002F06 \ncm 80xh98\nCL2550\u002F04 \ncm 55xh50\nCL2550\u002F05 \ncm 80xh60\nL’ambra è amata da sempre per la sua bel-\nlezza, ma anche per il suo mistero. Le sue \ninclusioni d’insetti non hanno mai smesso \ndi affascinare. Poiché proteggeva i vegetali \ne gli animali si pensava che l’ambra doves-\nse preservare anche gli uomini. Perciò le sono \nstate attribuite per molto tempo qualità protettrici e curative: \nla si riduceva in polvere o la si bruciava per il profumo. L’ambra \nè una resina fossile di colore giallo dorato che a volte presenta \nanche sfumature arancione. Una diffusa superstizione attribu-\nisce all’ambra il potere di far passare il mal di testa e di scac-\nciare gli incubi.\nDurezza: 2,5-3 \nOrigine: Mar Baltico, Santo Domingo.\nThe Amber, a fossil resin of a yellow-gold colour sometimes \nwith orange shades, has been appreciated for its beauty and \nmystery since ancient times. Its inclusions and preservation of \ninsects and plants have always generated fascination and cau-\nsed its reputation to preserve man, too. Therefore, it is said to \nbe protective and curative; often it is pulverized or burnt for its \nfragrance. A wide-spread superstition attributes to the Amber \nthe power to cure headache or to protect from nightmares.\nHardness: 2,5-3\nOrigin: Baltic Sea, Santo Domingo.\nAmbra\nAmber\n396\n107351_Vol_02_M.indd   396\n21\u002F06\u002F10   11:57\nCL2550\u002F05AI\n397\n107351_Vol_02_M.indd   397\n21\u002F06\u002F10   11:57\n",199,{"image":809,"text":810,"number":811},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.200.png","TYPE\nCODE \nSIZE\nAP2590\u002F02 \ncm 42xh50x20\nCH2590\u002F03 \ncm 50xh68\nCH2590\u002F06 \ncm 80xh98\nCL2590\u002F04 \ncm 55xh50\nCL2590\u002F05 \ncm 80xh60\nL’Occhio di tigre è un quarzo contenente limonite, \nche produce dei tipici riflessi gialli che rendono \nquesto cristallo somigliante agli occhi della ti-\ngre. È antica credenza che esso abbia un ef-\nfetto protettivo sugli occhi e contro ogni tipo \ndi sortilegio. In India le madri ponevano nelle ta-\nsche dei propri figli alcuni cristalli di questo minerale \nper proteggerli da ogni pericolo. Nei momenti di difficolà dona \ntranquillità, fiducia in sé, coscienza del proprio potere.\nDurezza: 6,5 - 7 \nOrigine: Brasile, India, Australia, Zambia, Uruguay\nThe Tiger’s Eye is a limonite containing quartz which produ-\nces typical yellow reflections which make this crystal similar to \nthe eyes of a tiger. It is an ancient believe that the Tiger’s Eye \ndefends eyesight and protects against sortileges and sorcery. \nIn India mothers used to put a few crystals into their sons’ \npockets in order to protect them from any risk and peril. In \nmoments of stress and difficulties, it is said to give tranquillity \nand self-confidence.\nHardness: 6,5 - 7\nOrigin: Brazil, India, Australia, Zambia, Uruguay, and many \nmore\nOcchio di Tigre\nTiger’s Eye\n398\n107351_Vol_02_M.indd   398\n21\u002F06\u002F10   11:57\nCL2590\u002F05AI\n399\n107351_Vol_02_M.indd   399\n21\u002F06\u002F10   11:57\n",200,{"image":813,"text":814,"number":815},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.201.png","Ogni Perla è una concrezione più o meno sferica \ndi sottili strati di madreperla, prodotti da una se-\ncrezione del guscio di ostriche perlifere marine o \ndi acqua dolce. La mitologia greca associava le \nperle alle lacrime di Venere; per i romani le perle \nerano lacrime versate dagli angeli. In Giappone \nerano considerate lacrime d’innamorati raggelate e \ncadute nel mare o nei fiumi. Nel mondo islamico si riferivano \nalle lacrime versate da Adamo ed Eva sul loro peccato. Per \nquesto le perle simboleggiano da sempre l’amore e la purezza.\nDurezza: 3 \nOrigine: Giappone, Australia, Polinesia, Tahiti e altri\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others\nPerla\nPearl\nTYPE\nCODE \nSIZE\nAP2853\u002F02 \ncm 29xh49x12\nCH2853\u002F06 \ncm 95xh110\nCL2853\u002F04 \ncm 65xh40\nFL2853\u002F06 \ncm 30xh194\nTL2853\u002F06 \ncm 48xh90\n01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\n13=12+28\n400\n107351_Vol_02_M.indd   400\n21\u002F06\u002F10   11:57\nCL2853\u002F06NG32\n401\n107351_Vol_02_M.indd   401\n21\u002F06\u002F10   11:58\n",201,{"image":817,"text":818,"number":819},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.202.png","TYPE\nCODE \nSIZE\nCH5500\u002F12 \ncm 102xh78\nCH5500\u002F20 \ncm 102xh78\nCL5500\u002F04 \ncm 55xh50\nCL5500\u002F05 \ncm 80xh60\nTL5500\u002F05 \ncm 45xh68\nL’Opalite spesso viene chiamato anche quar-\nzo di pietra lunare, quarzo opalizzato, Geri-\nsol oppure Opale marino. L’Opalite è anche \nil nome di una preziosa imitazione del raro \nopale realizzata tramite resine particolari nelle \nquali il gioco dei colori viene simulato tramite \nle inclusioni di una varietà di materiali. Ha un colore bianco \nlatte con sfumature bluastre tipiche di certe lingue di fuoco. \nPolverizzata, l’Opalite può essere usata come componente \nnobilitante per la produzione di vetri prestigiosi, riproducendo \nin essi la rifrazione della luce tipica dei preziosi e per questo \nestremamente costosi opali. Alcuni rivenditori di pietre prezio-\nse definiscono impropriamente gli opali naturali, senza gioco \ndi colori, ‘Opalite’.  Mentre le pietre naturali di quarzo o vetro \ncome Goldstone o Quarzo ciliegino racchiudono le caratteristi-\nche fisiche (ed, a volte, anche salutari) dei vetri naturali come i \nquarzi, dell’Opalite finora non sono note simili proprietà.\nOpalite is as well often referred to as Moonstone Quartz, Opa-\nlized Quartz, Gerisol, Lunar Quartz or Sea Opal.  It is also a \nname for precious opal imitations made mainly of particular \nresins in which the play-of-colour is simulated through the in-\nclusions of a variety of materials. It has a milky colour with a \ndistinct blue fire tone. Held against a white background, it has \na yellowish tinge. Powdered Opalite may be used as a compo-\nnent for the production of precious glasses reproducing and si-\nmulating the refraction of light typical of precious and, therefo-\nre, extremely expensive opal stones. Some gemstone dealers \nmistakenly call natural opals with no play of colour ‘Opalite’. \nWhile glass stones like Goldstone or Cherry Quartz carry the \nphysical (and sometimes health) properties of natural glasses \nsuch as pure Quartz, Opalite has no known healing properties.\nOpalite\nOpalite\n402\n107351_Vol_02_M.indd   402\n21\u002F06\u002F10   11:58\nCL5500\u002F05AI\n403\n107351_Vol_02_M.indd   403\n21\u002F06\u002F10   11:58\n",202,{"image":821,"text":822,"number":823},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.203.png","01\n22\n02\n08\n11\n19\n28\n29\n30\n32\n38\n35=32+28\n41=08+29\n66=08+12\nTYPE\nCODE \nSIZE\nAP2461\u002F02 \ncm 28xh50x20\nAP2461\u002F03 \ncm 31xh50x23\nCH2461\u002F06 \ncm 62xh74\nCH2461\u002F08 \ncm 76xh90\nCH2461\u002F10 \ncm 80xh90\nCH2461\u002F12 \ncm 85xh105\nCL2461\u002F04 \ncm 55xh50\nFL2461\u002F06 \ncm 52xh180\nTL2461\u002F02 \ncm 31xh65x20\nTL2461\u002F06 \ncm 45xh94\nOgni Perla è una concrezione più o meno sferica di sotti-\nli strati di madreperla, prodotti da una secrezione del \nguscio di ostriche perlifere marine o di acqua dolce. \nLa mitologia greca associava le perle alle lacrime di \nVenere; per i romani le perle erano lacrime versate dagli \nangeli. In Giappone erano considerate lacrime d’inna-\nmorati raggelate e cadute nel mare o nei fiumi. Nel mondo \nislamico si riferivano alle lacrime versate da Adamo ed Eva sul \nloro peccato. Per questo le perle simboleggiano da sempre \nl’amore e la purezza.\nDurezza: 3\nOrigine: Giappone, Australia, Polinesia, Tahiti e altri.\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others.\nPerla\nPearl\n404\n107351_Vol_02_M.indd   404\n21\u002F06\u002F10   11:58\nFL2461\u002F06NJ41\nCOS003701619A01\n405\n107351_Vol_02_M.indd   405\n21\u002F06\u002F10   11:58\n",203,{"image":825,"text":826,"number":827},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.204.png","TYPE\nCODE \nSIZE\nTL0727\u002F05 \ncm 34xh54\nL’Opalite spesso viene chiamato anche quar-\nzo di pietra lunare, quarzo opalizzato, Geri-\nsol oppure Opale marino. L’Opalite è anche \nil nome di una preziosa imitazione del raro \nopale realizzata tramite resine particolari nelle \nquali il gioco dei colori viene simulato tramite \nle inclusioni di una varietà di materiali. Ha un colore bianco \nlatte con sfumature bluastre tipiche di certe lingue di fuoco. \nPolverizzata, l’Opalite può essere usata come componente \nnobilitante per la produzione di vetri prestigiosi, riproducendo \nin essi la rifrazione della luce tipica dei preziosi e per questo \nestremamente costosi opali. Alcuni rivenditori di pietre prezio-\nse definiscono impropriamente gli opali naturali, senza gioco \ndi colori, ‘Opalite’.  Mentre le pietre naturali di quarzo o vetro \ncome Goldstone o Quarzo ciliegino racchiudono le caratteristi-\nche fisiche (ed, a volte, anche salutari) dei vetri naturali come i \nquarzi, dell’Opalite finora non sono note simili proprietà.\nOpalite is as well often referred to as Moonstone Quartz, Opa-\nlized Quartz, Gerisol, Lunar Quartz or Sea Opal.  It is also a \nname for precious opal imitations made mainly of particular \nresins in which the play-of-colour is simulated through the in-\nclusions of a variety of materials. It has a milky colour with a \ndistinct blue fire tone. Held against a white background, it has \na yellowish tinge. Powdered Opalite may be used as a compo-\nnent for the production of precious glasses reproducing and si-\nmulating the refraction of light typical of precious and, therefo-\nre, extremely expensive opal stones. Some gemstone dealers \nmistakenly call natural opals with no play of colour ‘Opalite’. \nWhile glass stones like Goldstone or Cherry Quartz carry the \nphysical (and sometimes health) properties of natural glasses \nsuch as pure Quartz, Opalite has no known healing properties.\nOpalite\nOpalite\n406\n107351_Vol_02_M.indd   406\n21\u002F06\u002F10   11:58\nTL0727\u002F05AIOP\nCOP029853104\n407\n107351_Vol_02_M.indd   407\n21\u002F06\u002F10   11:58\n",204,{"image":829,"text":830,"number":831},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.205.png","01\n22\n02\n08\n11\n19\n28\n29\n30\n32\n38\n35=32+28\n41=08+29\n66=08+12\nTYPE\nCODE \nSIZE\nTL1461\u002F02 \ncm 30xh57\nOgni Perla è una concrezione più o meno sferica \ndi sottili strati di madreperla, prodotti da una se-\ncrezione del guscio di ostriche perlifere marine o \ndi acqua dolce. La mitologia greca associava le \nperle alle lacrime di Venere; per i romani le perle \nerano lacrime versate dagli angeli. In Giappone \nerano considerate lacrime d’innamorati raggelate e \ncadute nel mare o nei fiumi. Nel mondo islamico si riferivano \nalle lacrime versate da Adamo ed Eva sul loro peccato. Per \nquesto le perle simboleggiano da sempre l’amore e la purezza.\nDurezza: 3 \nOrigine: Giappone, Australia, Polinesia, Tahiti e altri\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others\nPerla\nPearl\n408\n107351_Vol_02_M.indd   408\n21\u002F06\u002F10   11:58\nTL1461\u002F02AG66\nCOS003701619\n409\n107351_Vol_02_M.indd   409\n21\u002F06\u002F10   11:58\n",205,{"image":833,"text":834,"number":835},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.206.png","01\n22\n02\n08\n11\n19\n28\n29\n30\n32\n38\n35=32+28\n41=08+29\n66=08+12\nTYPE\nCODE \nSIZE\nTL1462\u002F02 \ncm 32xh50\nOgni Perla è una concrezione più o meno sferica \ndi sottili strati di madreperla, prodotti da una se-\ncrezione del guscio di ostriche perlifere marine o \ndi acqua dolce. La mitologia greca associava le \nperle alle lacrime di Venere; per i romani le perle \nerano lacrime versate dagli angeli. In Giappone \nerano considerate lacrime d’innamorati raggelate e \ncadute nel mare o nei fiumi. Nel mondo islamico si riferivano \nalle lacrime versate da Adamo ed Eva sul loro peccato. Per \nquesto le perle simboleggiano da sempre l’amore e la purezza.\nDurezza: 3 \nOrigine: Giappone, Australia, Polinesia, Tahiti e altri\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others\nPerla\nPearl\n410\n107351_Vol_02_M.indd   410\n21\u002F06\u002F10   11:59\nTL1462\u002F02AG66\nOCT001701601101\n411\n107351_Vol_02_M.indd   411\n21\u002F06\u002F10   11:59\n",206,{"image":837,"text":838,"number":839},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.207.png","01\n22\n02\n08\n11\n19\n28\n29\n30\n32\n38\n35=32+28\n41=08+29\n66=08+12\nTYPE\nCODE \nSIZE\nAP2461\u002F02 \ncm 28xh50x20\nAP2461\u002F03 \ncm 28xh50x23\nCH2461\u002F03 \ncm 34xh56\nCH2461\u002F06 \ncm 62xh74\nCH2461\u002F08 \ncm 76xh90\nCH2461\u002F10 \ncm 80xh90\nCH2461\u002F12 \ncm 85xh105\nCL2461\u002F04 \ncm 55xh50\nFL2461\u002F06 \ncm 52xh180\nTL2461\u002F02 \ncm 31xh65x20\nTL2461\u002F06 \ncm 45xh94\nOgni Perla è una concrezione più o meno sferica di sotti-\nli strati di madreperla, prodotti da una secrezione del \nguscio di ostriche perlifere marine o di acqua dolce. \nLa mitologia greca associava le perle alle lacrime di \nVenere; per i romani le perle erano lacrime versate dagli \nangeli. In Giappone erano considerate lacrime d’inna-\nmorati raggelate e cadute nel mare o nei fiumi. Nel mondo \nislamico si riferivano alle lacrime versate da Adamo ed Eva sul \nloro peccato. Per questo le perle simboleggiano da sempre \nl’amore e la purezza.\nDurezza: 3\nOrigine: Giappone, Australia, Polinesia, Tahiti e altri.\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others.\nPerla\nPearl\n412\n107351_Vol_02_M.indd   412\n21\u002F06\u002F10   11:59\nTL2461\u002F02NJ41\nPAS007868618A01\n413\n107351_Vol_02_M.indd   413\n21\u002F06\u002F10   11:59\n",207,{"image":841,"text":842,"number":843},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.208.png","01\n22\n02\n08\n11\n19\n28\n29\n30\n32\n38\n35=32+28\n41=08+29\n66=08+12\nTYPE\nCODE \nSIZE\nAP2461\u002F02 \ncm 28xh50x20\nAP2461\u002F03 \ncm 28xh50x23\nCH2461\u002F03 \ncm 34xh56\nCH2461\u002F06 \ncm 62xh74\nCH2461\u002F08 \ncm 76xh90\nCH2461\u002F10 \ncm 80xh90\nCH2461\u002F12 \ncm 85xh105\nCL2461\u002F04 \ncm 55xh50\nFL2461\u002F06 \ncm 52xh180\nTL2461\u002F02 \ncm 31xh65x20\nTL2461\u002F06 \ncm 45xh94\nOgni Perla è una concrezione più o meno sferica di sotti-\nli strati di madreperla, prodotti da una secrezione del \nguscio di ostriche perlifere marine o di acqua dolce. \nLa mitologia greca associava le perle alle lacrime di \nVenere; per i romani le perle erano lacrime versate dagli \nangeli. In Giappone erano considerate lacrime d’inna-\nmorati raggelate e cadute nel mare o nei fiumi. Nel mondo \nislamico si riferivano alle lacrime versate da Adamo ed Eva sul \nloro peccato. Per questo le perle simboleggiano da sempre \nl’amore e la purezza.\nDurezza: 3\nOrigine: Giappone, Australia, Polinesia, Tahiti e altri.\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others.\nPerla\nPearl\n414\n107351_Vol_02_M.indd   414\n21\u002F06\u002F10   11:59\nTL2461\u002F06NJ41\nCOS003701619\n415\n107351_Vol_02_M.indd   415\n21\u002F06\u002F10   11:59\n",208,{"image":845,"text":846,"number":847},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.209.png","01\n22\n02\n08\n11\n19\n28\n29\n30\n32\n38\n35=32+28\n41=08+29\n66=08+12\nTYPE\nCODE \nSIZE\nAP2462\u002F02 \ncm 28xh50x20\nAP2462\u002F03 \ncm 28xh50x23\nCH2462\u002F03 \ncm 34xh56\nCH2462\u002F06 \ncm 62xh74\nCH2462\u002F08 \ncm 76xh90\nCH2462\u002F10 \ncm 80xh90\nCH2462\u002F12 \ncm 85xh105\nCL2462\u002F04 \ncm 55xh50\nFL2462\u002F06 \ncm 52xh180\nTL2462\u002F02 \ncm 31xh65x20\nTL2462\u002F06 \ncm 45xh94\nOgni Perla è una concrezione più o meno sferica \ndi sottili strati di madreperla, prodotti da una se-\ncrezione del guscio di ostriche perlifere marine o \ndi acqua dolce. La mitologia greca associava le \nperle alle lacrime di Venere; per i romani le perle \nerano lacrime versate dagli angeli. In Giappone \nerano considerate lacrime d’innamorati raggelate e \ncadute nel mare o nei fiumi. Nel mondo islamico si riferivano \nalle lacrime versate da Adamo ed Eva sul loro peccato. Per \nquesto le perle simboleggiano da sempre l’amore e la purezza.\nDurezza: 3 \nOrigine: Giappone, Australia, Polinesia, Tahiti e altri\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others\nPerla\nPearl\n416\n107351_Vol_02_M.indd   416\n21\u002F06\u002F10   11:59\nTL2462\u002F06NC28\nCOS003701619\n417\n107351_Vol_02_M.indd   417\n21\u002F06\u002F10   11:59\n",209,{"image":849,"text":850,"number":851},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.210.png","TYPE\nCODE \nSIZE\nTL2600\u002F03 \ncm 54xh82\nSecondo la leggenda l’onice ha avuto origine \nda un’unghia della Dea Venere spezzata da \nuna freccia di Cupido. Il suo nome provie-\nne dal greco ‘ónux’, unghia. L’onice è un \ncalcedonio nero leggermente traslucido che \nsi può anche presentare con una struttura a strati alternati neri \ne bianchi. La maggior parte dell’onice oggi in commercio è \nnero opaco. L’onice era usata anticamente nei riti di fertilità e \nper incrementare le energie fisiche e sessuali.\nDurezza: 6,5 \nOrigine: Brasile, Argentina, Uruguay, Madagascar, Messico, \nU.S.A\nThe Onyx is a slightly translucent, sometimes black sometimes \nalternatively black and white layered chalcedony. According to \nmythology its origin lies in goddess’ Venus finger-nails split by \none of Cupid’s arrows. Its name derives from Greek ‘ónux’, \nfinger-nail. Most of the Onyx today available is mat and black. \nIn ancient times the Onyx was used in fertility rituals. It is said \nto improve physical and sexual energies.\nHardness: 6,5\nOrigin: Brazil, Argentina, Uruguay, Madagascar, Mexico, \nU.S.A\nOnice\nOnix\n418\n107351_Vol_02_M.indd   418\n21\u002F06\u002F10   11:59\nTL2600\u002F03AU\nSTS003701843A01\n419\n107351_Vol_02_M.indd   419\n21\u002F06\u002F10   11:59\n",210,{"image":853,"text":854,"number":855},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.211.png","TYPE\nCODE \nSIZE\nTL2603\u002F03 \ncm 54xh82\nL’Opalite spesso viene chiamato anche quar-\nzo di pietra lunare, quarzo opalizzato, Geri-\nsol oppure Opale marino. L’Opalite è anche \nil nome di una preziosa imitazione del raro \nopale realizzata tramite resine particolari nelle \nquali il gioco dei colori viene simulato tramite \nle inclusioni di una varietà di materiali. Ha un colore bianco \nlatte con sfumature bluastre tipiche di certe lingue di fuoco. \nPolverizzata, l’Opalite può essere usata come componente \nnobilitante per la produzione di vetri prestigiosi, riproducendo \nin essi la rifrazione della luce tipica dei preziosi e per questo \nestremamente costosi opali. Alcuni rivenditori di pietre prezio-\nse definiscono impropriamente gli opali naturali, senza gioco \ndi colori, ‘Opalite’.  Mentre le pietre naturali di quarzo o vetro \ncome Goldstone o Quarzo ciliegino racchiudono le caratteristi-\nche fisiche (ed, a volte, anche salutari) dei vetri naturali come i \nquarzi, dell’Opalite finora non sono note simili proprietà.\nOpalite is as well often referred to as Moonstone Quartz, Opa-\nlized Quartz, Gerisol, Lunar Quartz or Sea Opal.  It is also a \nname for precious opal imitations made mainly of particular \nresins in which the play-of-colour is simulated through the in-\nclusions of a variety of materials. It has a milky colour with a \ndistinct blue fire tone. Held against a white background, it has \na yellowish tinge. Powdered Opalite may be used as a compo-\nnent for the production of precious glasses reproducing and si-\nmulating the refraction of light typical of precious and, therefo-\nre, extremely expensive opal stones. Some gemstone dealers \nmistakenly call natural opals with no play of colour ‘Opalite’. \nWhile glass stones like Goldstone or Cherry Quartz carry the \nphysical (and sometimes health) properties of natural glasses \nsuch as pure Quartz, Opalite has no known healing properties.\nOpalite\nOpalite\n420\n107351_Vol_02_M.indd   420\n21\u002F06\u002F10   11:59\nTL2603\u002F03MA\nSTS003777005\n421\n107351_Vol_02_M.indd   421\n21\u002F06\u002F10   11:59\n",211,{"image":857,"text":858,"number":859},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.212.png","01\n19\n06\n20\n28\n08\n22\n29\n10\n24\nmulti-colour mix\n30\n12\n25\n32\n38\nTYPE\nCODE \nSIZE\nAP2853\u002F02 \ncm 29xh49x12\nCH2853\u002F06 \ncm 95xh110\nCL2853\u002F06 \ncm 65xh40\nFL2853\u002F06 \ncm 30xh194\nTL2853\u002F03 \ncm 48xh90\nOgni Perla è una concrezione più o meno sferica \ndi sottili strati di madreperla, prodotti da una se-\ncrezione del guscio di ostriche perlifere marine o \ndi acqua dolce. La mitologia greca associava le \nperle alle lacrime di Venere; per i romani le perle \nerano lacrime versate dagli angeli. In Giappone \nerano considerate lacrime d’innamorati raggelate e \ncadute nel mare o nei fiumi. Nel mondo islamico si riferivano \nalle lacrime versate da Adamo ed Eva sul loro peccato. Per \nquesto le perle simboleggiano da sempre l’amore e la purezza.\nDurezza: 3 \nOrigine: Giappone, Australia, Polinesia, Tahiti e altri\nEvery pearl is a more or less spherical concretion of the thin \nlayers of mother-of-pearls produced by a secretion of the shell \nof marine or sweet-water pearl-oysters. The ancient Greek my-\nthology associated pearls with goddess Venus’ tears; for the \nRomans pearls were tears shed by the angels. In Japan they \nwere said to be frozen tears of the in-loves which had fallen \ninto the sea whereas in the Islamic world pearls were referred \nto as the tears shed by Adam and Eve over their sin. For this \nreason pearls symbolize love and purity.\nHardness: 3\nOrigin: Japan, Australia, Polynesia, Tahiti and others\nPerla\nPearl\n422\n107351_Vol_02_M.indd   422\n21\u002F06\u002F10   12:00\nTL2853\u002F03AI28\nSPC001775835A01\n423\n107351_Vol_02_M.indd   423\n21\u002F06\u002F10   12:00\n",212,{"image":861,"text":862,"number":863},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.213.png","TYPE\nCODE \nSIZE\nTLM405\u002F01 \ncm 38xh81\nL’Occhio di tigre è un quarzo contenente limonite, \nche produce dei tipici riflessi gialli che rendono \nquesto cristallo somigliante agli occhi della ti-\ngre. È antica credenza che esso abbia un ef-\nfetto protettivo sugli occhi e contro ogni tipo \ndi sortilegio. In India le madri ponevano nelle ta-\nsche dei propri figli alcuni cristalli di questo minerale \nper proteggerli da ogni pericolo. Nei momenti di difficolà dona \ntranquillità, fiducia in sé, coscienza del proprio potere.\nDurezza: 6,5 - 7 \nOrigine: Brasile, India, Australia, Zambia, Uruguay\nThe Tiger’s Eye is a limonite containing quartz which produ-\nces typical yellow reflections which make this crystal similar to \nthe eyes of a tiger. It is an ancient believe that the Tiger’s Eye \ndefends eyesight and protects against sortileges and sorcery. \nIn India mothers used to put a few crystals into their sons’ \npockets in order to protect them from any risk and peril. In \nmoments of stress and difficulties, it is said to give tranquillity \nand self-confidence.\nHardness: 6,5 - 7\nOrigin: Brazil, India, Australia, Zambia, Uruguay, and many \nmore\nOcchio di Tigre\nTiger’s Eye\n424\n107351_Vol_02_M.indd   424\n21\u002F06\u002F10   12:00\nTLM405\u002F01AI\nCIS030768402\n425\n107351_Vol_02_M.indd   425\n21\u002F06\u002F10   12:00\n",213,{"image":865,"text":866,"number":867},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.214.png","TYPE\nCODE \nSIZE\nTLM407\u002F01 \ncm 42xh81\nIl Quarzo Rutilato, conosciuto anche come \n“Gemma dei Capelli di Venere” o “Freccia \ndi Cupido”, è una pietra considerata molto \nricca di energia. Si dice che faciliti la circo-\nlazione libera delle forza attraverso il corpo e \nla concentrazione mentale. Per questo il Quarzo Rutilato può \naiutare nelle attività che richiedono un’alta e costante concen-\ntrazione mentale, nei processi decisionali, nel rafforzare l’auto-\nstima;  si presume inoltre che contribuisca a diminuire la paura \ni sensi di solitudine e di colpa. Colui che porta il Quarzo Rutilato \nincrementerebbe la propria creatività e la capacità di trovare ta-\nlenti individuali e personali. La base per il Quarzo Rutilato è una \npietra formata da quarzo cristallino con impurità di diossido di \ntitanio, il cosiddetto “Rutilato”. Il Rutilato cresce in cristalli lun-\nghi e fini somiglianti ad aghetti di colore oro oppure rossastro. \nDurezza: 6,5 - 7\nOrigine: Brasile, India, Australia, Zambia, Uruguay ed altri\nRutilated Quartz also known as “Venus Hair Stone” and “Cu-\npid’s Darts”. Rutilated Quartz is said to be a highly energetic \nstone that helps energy to move freely through the body and \nassists mental focus. Therefore, it can be helpful in uncove-\nring the causes of mental hang-ups, diminishes fears, aids in \ndecision-making, eases loneliness, enhances self-reliance and \nreduces senses of guilt. It helps the wearer to improve his or \nher creativity, to find creative potential and to concentrate on \npersonal skills and talents. The basis for Rutilated Quartz is a \nrock made from crystalline quartz embedded with impurities of \ntitanium dioxide which is called Rutile. Rutile grows in long, thin \ncrystals like tiny reddish or golden needles. \nHardness: 6,5 - 7\nOrigin: Brazil, India, Australia, Zambia, Uruguay and others\nQuarzo Rutilato Oro\nGold Rutilated \nQuartz\n426\n107351_Vol_02_M.indd   426\n21\u002F06\u002F10   12:00\nTLM407\u002F01MP\nCTA040850505\nQuarzo Rutilato Oro\nGold Rutilated \nQuartz\n427\n107351_Vol_02_M.indd   427\n21\u002F06\u002F10   12:00\n",214,{"image":869,"text":870,"number":871},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.215.png","SCULTURA DI LUCE\nDa un lato, la tradizione: vetri di Murano lattei che si rincorrono \ntra le morbide curve di spirali concentriche. Dall’altro, l’avan-\nguardia: l’utilizzo di L.E.D., tecnica di ultima generazione che, \nattraverso la trasmissione di rapidissimi impulsi luminosi, con-\nsente alla luce una cangiante variabilità di gradazioni di colo-\nre. La profonda maestria della lavorazione artigianale si fonde \nquindi con la nuova tecnologia di illuminazione, dando vita a \nprincipeschi oggetti di design. \nStrutture in vetro si ergono maestose e scultoree nello spa-\nzio, solenni nella loro immobile staticità, quasi scolpite nell’aria \nma allo stesso tempo fluidamente movimentate dai guizzi lu-\nminescenti del L.E.D. Un vivace dinamismo cromatico anima \nla plasticità regale di queste opere uniche, rendendo la luce \nprotagonista assoluta dello spazio. \nPataviumart ricerca con Scultura di Luce una nuova scenogra-\nfia inusuale, interpreta concetti antitetici in un unico linguaggio \ned un’unica forma, decodifica un nuovo stile dove vetro e luce \nsi incontrano, si amalgamano, si uniscono per esplorare per-\ncorsi di design incogniti. \nAncora una volta, la luce si impone con armoniosa eleganza. \nAncora una volta, il concetto di modernità si sposa con radici \ndel passato, tradizioni lontane, storie antiche. \nAncora una volta, l’originalità è firmata Pataviumart.\nSCULTURA DI LUCE\nOn one hand - tradition: delicate pieces of milky-white Murano \nglass re-designing smooth curves of concentric spirals. On the \nother - innovation: L.E.D. technology in its latest generation \nallowing the light to create a prismatic gradation of colours \nthrough the transmission of rapid luminous impulses. Majestic \ndesign-pieces come to life through the fusion of craftsman-\nship’s high mastery and the employment of the most recent \ndiscoveries in the lighting sector.  \nGlass structures raise as spectacular sculptures into the spa-\nce: solemnly in their static immobility, seemingly engraved in \nthe fluctuating air yet enchantingly enlivened by iridescent rays \nof the L.E.D. A vivacious chromatic dynamism gives life to the \nregal stillness of these unique pieces of art. Once again, light \nbecomes the sovereign ruler of the space.  \nWith its latest collection Scultura di Luce, Pataviumart hi-\nghlights its ability in seeking for non-conventional sceneries, in \ntranslating antithetical concepts in a single language and uni-\nque way, in decoding a new style where glass and light meet, \nmingle and merge to explore unknown paths of design. \nOnce again, light establishes itself with harmonious elegance.\nOnce again, roots of the past, ancient traditions, antique tales \nand modernity combine beautifully.\nOnce again, peculiarity is being signed by Pataviumart.\n107351_Vol_02_M.indd   428\n21\u002F06\u002F10   12:00\nLED\n107351_Vol_02_M.indd   429\n21\u002F06\u002F10   12:00\n",215,{"image":873,"text":874,"number":875},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.216.png","TYPE\nCODE \nSIZE\nCH2408\u002F12 \ncm 280xh210\nCH2408\u002F32 \ncm 500xh450\n430\n107351_Vol_02_M.indd   430\n21\u002F06\u002F10   12:01\nCH2408\u002F1220L\nCOP032816102\n431\n107351_Vol_02_M.indd   431\n21\u002F06\u002F10   12:01\n",216,{"image":877,"text":878,"number":879},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.217.png","TYPE\nCODE \nSIZE\nCH2408\u002F12 \ncm 280xh210\nCH2408\u002F32 \ncm 500xh450\n432\n107351_Vol_02_M.indd   432\n21\u002F06\u002F10   12:01\nCH2408\u002F3220L\nCOS032903\n433\n107351_Vol_02_M.indd   433\n21\u002F06\u002F10   12:01\n",217,{"image":881,"text":882,"number":883},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.218.png","TYPE\nCODE \nSIZE\nCH2409\u002F08 \ncm 100xh120\n434\n107351_Vol_02_M.indd   434\n21\u002F06\u002F10   12:02\nCH2409\u002F0820L\nCIS007903\n435\n107351_Vol_02_M.indd   435\n21\u002F06\u002F10   12:02\n",218,{"image":885,"text":886,"number":887},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.219.png","TYPE\nCODE \nSIZE\nTL0898\u002F01 \ncm 38xh78\n436\n107351_Vol_02_M.indd   436\n21\u002F06\u002F10   12:03\nTL0898\u002F01AF\nCIS060816\n437\n107351_Vol_02_M.indd   437\n21\u002F06\u002F10   12:03\n",219,{"image":889,"text":890,"number":891},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.220.png","107351_Vol_02_M.indd   438\n21\u002F06\u002F10   12:03\nACCESSORIES\n107351_Vol_02_M.indd   439\n21\u002F06\u002F10   12:03\n",220,{"image":893,"text":894,"number":895},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.221.png","TYPE\nCODE \nSIZE\nAC1270 \ncm 66xh120x70\n440\n107351_Vol_02_M.indd   440\n21\u002F06\u002F10   12:03\nAC1270\u002FAK701010\n441\n107351_Vol_02_M.indd   441\n21\u002F06\u002F10   12:03\n",221,{"image":897,"text":898,"number":899},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.222.png","TYPE\nCODE \nSIZE\nAC3005 \ncm 87xh82x80\n442\n107351_Vol_02_M.indd   442\n21\u002F06\u002F10   12:03\nAC3005\u002FAK701843\n443\n107351_Vol_02_M.indd   443\n21\u002F06\u002F10   12:04\n",222,{"image":901,"text":902,"number":903},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.223.png","TYPE\nCODE \nSIZE\nACMR07 \ncm 60xh109\nACMR08 \ncm 60xh109\nACCM02 \ncm 130xh91x56\n444\n107351_Vol_02_M.indd   444\n21\u002F06\u002F10   12:04\nACCM02\u002FAK05\nACMR08\u002F05\nACMR07\u002F05\n445\n107351_Vol_02_M.indd   445\n21\u002F06\u002F10   12:04\n",223,{"image":905,"text":906,"number":907},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.224.png","TYPE\nCODE \nSIZE\nACMR05 \ncm 48xh121\nACCM03 \ncm 52xh62x37\n446\n107351_Vol_02_M.indd   446\n21\u002F06\u002F10   12:04\nACMR05\u002F58\nACCM03\u002FAU58\n447\n107351_Vol_02_M.indd   447\n21\u002F06\u002F10   12:04\n",224,{"image":909,"text":910,"number":911},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.225.png","TYPE\nCODE \nSIZE\nACCM05 \ncm 100xh87x42\n448\n107351_Vol_02_M.indd   448\n21\u002F06\u002F10   12:04\nACCM05\u002FMB\n449\n107351_Vol_02_M.indd   449\n21\u002F06\u002F10   12:04\n",225,{"image":913,"text":914,"number":915},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.226.png","TYPE\nCODE \nSIZE\nACCM06 \ncm 100xh82x47\n450\n107351_Vol_02_M.indd   450\n21\u002F06\u002F10   12:04\nACCM06\u002FME\n451\n107351_Vol_02_M.indd   451\n21\u002F06\u002F10   12:06\n",226,{"image":917,"text":918,"number":919},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.227.png","TYPE\nCODE \nSIZE\nACCM07 \ncm 100xh82x47\n452\n107351_Vol_02_M.indd   452\n21\u002F06\u002F10   12:06\nACCM07\u002FNF\n453\n107351_Vol_02_M.indd   453\n21\u002F06\u002F10   12:06\n",227,{"image":921,"text":922,"number":923},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.228.png","TYPE\nCODE \nSIZE\nACCR01 \ncm 170xh98x60\n454\n107351_Vol_02_M.indd   454\n21\u002F06\u002F10   12:06\nACCR01\u002FAK\n455\n107351_Vol_02_M.indd   455\n21\u002F06\u002F10   12:06\n",228,{"image":925,"text":926,"number":927},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.229.png","TYPE\nCODE \nSIZE\nACCS05 \ncm 116xh83x57\n02\n08\n25\n28\n29\n30\n63\nrecuperare goccia oro \ndal mobile a lato (n. \n28)\n456\n107351_Vol_02_M.indd   456\n21\u002F06\u002F10   12:07\nACCS05\u002FAS28\n457\n107351_Vol_02_M.indd   457\n21\u002F06\u002F10   12:07\n",229,{"image":929,"text":930,"number":931},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.230.png","TYPE\nCODE \nSIZE\nACCS08 \ncm 1120xh86x40\n01\n30\n02\n32\n08\n25\n28\n29\n65\n458\nACCS08\u002FNX25\n459\n",230,{"image":933,"text":934,"number":935},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.231.png","TYPE\nCODE \nSIZE\nACMR03 \ncm 83xh168\n02\n08\n25\n28\n29\n30\n63\naggiornare goccia oro\n460\n107351_Vol_02_M.indd   460\n21\u002F06\u002F10   12:07\nACMR03\u002FAS28\n461\n107351_Vol_02_M.indd   461\n21\u002F06\u002F10   12:07\n",231,{"image":937,"text":938,"number":939},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.232.png","TYPE\nCODE \nSIZE\nACMR03 \ncm 83xh168\n02\n08\n25\n28\n29\n30\n63\naggiornare goccia oro\n462\n107351_Vol_02_M.indd   462\n21\u002F06\u002F10   12:07\nACMR03\u002FNF25\n463\n107351_Vol_02_M.indd   463\n21\u002F06\u002F10   12:07\n",232,{"image":941,"text":942,"number":943},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.233.png","TYPE\nCODE \nSIZE\nACTB08 \ncm 73xh60x57\n32\n25\n34=25+32\n56=30+32\n464\n107351_Vol_02_M.indd   464\n21\u002F06\u002F10   12:07\nACTB08\u002FMP32\n465\n107351_Vol_02_M.indd   465\n21\u002F06\u002F10   12:07\n",233,{"image":945,"text":946,"number":947},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.234.png","TYPE\nCODE \nSIZE\nACTB09 \ncm 73xh60x57\n02\n08\n25\n28\n29\n30\n63\naggiornare goccia oro\n466\n107351_Vol_02_M.indd   466\n21\u002F06\u002F10   12:07\nACTB09\u002FNR30\n467\n107351_Vol_02_M.indd   467\n21\u002F06\u002F10   12:07\n",234,{"image":949,"text":950,"number":951},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.235.png","TYPE\nCODE \nSIZE\nACTB10 \ncm 50xh60\n468\n107351_Vol_02_M.indd   468\n21\u002F06\u002F10   12:07\nACTB10\u002FRG\n469\n107351_Vol_02_M.indd   469\n21\u002F06\u002F10   12:07\n",235,{"image":953,"text":954,"number":955},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.236.png","TYPE\nCODE \nSIZE\nACTB11 \ncm 50xh60\n470\n107351_Vol_02_M.indd   470\n21\u002F06\u002F10   12:08\nACTB11\u002FAI\n471\n107351_Vol_02_M.indd   471\n21\u002F06\u002F10   12:08\n",236,{"image":957,"text":958,"number":959},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.237.png","58=25+30\n71=20+25\nRamage con fiori in vetro di Murano. Modulo componibile in \ndiversi colori e dimensioni. Elemanto ornamentale utilizzabile \ncome decoro per varie superfici.\nRamage with Murano glass flowers. Modular element customi-\nzable in various colours and dimensions. Ornament available \nas decorative part for many different surfaces.\nRamage alessandrite\nalexandrite Ramage \n01\n20\n02\n22\n08\n29\n16\n30\n19\n38\nEsempio di utilizzo\nType of use\n472\n107351_Vol_02_M.indd   472\n21\u002F06\u002F10   12:08\nRAMO 01\n473\n107351_Vol_02_M.indd   473\n21\u002F06\u002F10   12:08\n",237,{"image":961,"text":962,"number":963},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.238.png","Ramage con fiori in vetro di Murano. Modulo componibile in \ndiversi colori e dimensioni. Elemanto ornamentale utilizzabile \ncome decoro per varie superfici.\nRamage with Murano glass flowers. Modular element customi-\nzable in various colours and dimensions. Ornament available \nas decorative part for many different surfaces.\nRamage rosso e nero\nred & black Ramage\n58=25+30\n71=20+25\n01\n20\n02\n22\n08\n29\n16\n30\n19\n38\nEsempio di utilizzo\nType of use\n474\n107351_Vol_02_M.indd   474\n21\u002F06\u002F10   12:08\nRAMO 58\n475\n107351_Vol_02_M.indd   475\n21\u002F06\u002F10   12:08\n",238,{"image":965,"text":966,"number":967},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.239.png","58=25+30\n71=20+25\nRamage con fiori in vetro di Murano. Modulo componibile in \ndiversi colori e dimensioni. Elemanto ornamentale utilizzabile \ncome decoro per varie superfici.\nRamage with Murano glass flowers. Modular element customi-\nzable in various colours and dimensions. Ornament available \nas decorative part for many different surfaces.\nRamage bianco e nero\nblack & white Ramage\n01\n20\n02\n22\n08\n29\n16\n30\n19\n38\nEsempio di utilizzo\nType of use\n476\n107351_Vol_02_M.indd   476\n21\u002F06\u002F10   12:09\nRAMO 71\n477\n107351_Vol_02_M.indd   477\n21\u002F06\u002F10   12:09\n",239,{"image":969,"text":970,"number":971},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.240.png","AP0216\u002F02AG\nAP1883\u002F03AI28\nAP3700\u002F05NJ01\npage 7\npage 19\npage 31\nAP0350\u002F06NG\nAP3700\u002F05NJ83\npage 9\nAP2230\u002F01NJ\npage 21\npage 33\nAP0351\u002F01NG\nAP3701\u002F48NF58L\npage 11\npage 35\nAP5000\u002F01JA\npage 37\nAP5003\u002F04JA\npage 39\nAP5005\u002F10JA\npage 41\nAPM350\u002F03\npage 49\nCH0550\u002F02\npage 53\nCH0570\u002F04\npage 55\nCH1022\u002F1257\npage 63\nCH1350\u002F06NG\npage 65\nCH1583\u002F12AI02\npage 67\nCH1810\u002F08NC05\npage 69\nAP1050\u002F03NAB0\npage 13\nAP1222\u002F0325\npage 15\nAP1850\u002F02AS13\npage 17\nAP5007\u002F02JA\npage 43\nAP5100\u002F02JA23\npage 45\nAP5100\u002F05JA55\npage 47\nCH1857\u002F08NJ80\npage 77\nCH1882\u002F08AP22\npage 79\nAP2310\u002F02RC\npage 23\nAP3300\u002F03NA01\npage 27\nAP3500\u002F05NJF1\npage 29\nAP3100\u002F03NF25\npage 25\nIndice | Index\nCH0900\u002F01\npage 57\nCH1020\u002F1225\npage 59\nCH1020\u002F2625\npage 61\nCH1850\u002F08AK20 \npage 71\nCH1850\u002F10AK25\npage 73\nCH1850\u002F18AS13\npage 75\n478\n107351_Vol_02_M.indd   478\n21\u002F06\u002F10   12:11\nCH2309\u002F12NS65\npage 113\nCH2310\u002F08RC  \npage 115\nCH2851\u002F06NF25\npage 125\nCH2921\u002F05AID3\npage 127\nCH3200\u002F06MP\npage 137\nCH3300\u002F12AS28\npage 139\nCH3300\u002F12MB01\npage 141\nCH3300\u002F20AI05\npage 143\nCH3300\u002F20AZ71\npage 145\nCH3300\u002F40AT25\npage 147\nCH1921\u002F08NJ63D7  \npage 89\nCH1922\u002F08NJ30  \npage 91\nCH1923\u002F08NA34\npage 93\nCH1924\u002F08NA58  \npage 95\nCH1951\u002F08AK20  \npage 97\nCH1952\u002F08NZ  \npage 99\nCH1883\u002F08AI28\npage 81\nCH1892\u002F08AI20\npage 83\nCH1892\u002F08AV30 \npage 85\nCH1921\u002F08NJ63D1 \npage 87\nCH1953\u002F06MG  \npage 101\nCH2223\u002F08NJ08  \npage 103\nCH2227\u002F08AS  \npage 105\nCH2227\u002F12NJ\npage 107\nCH2230\u002F08NJ  \npage 109\nCH2309\u002F08NS65  \npage 111\nCH2311\u002F08RS  \npage 117\nCH2315\u002F08NF\npage 119\nCH2850\u002F06NG24\npage 121\nCH2850\u002F06NG30\npage 123\nCH2933\u002F05RHF3\npage 129\nCH3100\u002F18NG23\npage 131\nCH3103\u002F08RG\npage 133\nCH3105\u002F08RF\npage 135\nCH3330\u002F12NU32P1\npage 149\nCH3333\u002F20AS32C1\npage 151\n479\n107351_Vol_02_M.indd   479\n21\u002F06\u002F10   12:13\n",240,{"image":973,"text":974,"number":975},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.241.png","CL1850\u002F04AK12\npage 177\nCL8183\u002F32NJ25\npage 189\nFL1100\u002F01AB42\npage 203\nFLM240\u002F01AG26\npage 215\nCH5200\u002F12JA\npage 167\nCH5550\u002F20JA28\npage 171\nCH5550\u002F12JB12\npage 169\nCL0350\u002F04NG\npage 175\nCL1880\u002F08NJ\npage 179\nCL1921\u002F05NJ63D7\npage 181\nCL8008\u002F32MP65\npage 183\nCL8050\u002F18NB19\npage 185\nCL8108\u002F32NJ65H80\npage 187\nCL8183\u002F32NA65\npage 191\nFL0200\u002F01NL\npage 195\nFL0350\u002F07NG\npage 197\nFL0525\u002F01MP29\npage 199\nFL0826\u002F05AK\npage 201\nFL1200\u002F01MO\npage 205\nFL1921\u002F05NC29D2\npage 207\nFL2850\u002F06NG24\npage 209\nFL3300\u002F06NA01\npage 211\nFLM097\u002F01NF25\npage 213\nFLM241\u002F01AG31\npage 217\nFLM242\u002F01AG26\npage 219\nFLM408\u002F01AI\npage 221\nTL0323\u002F05AI\npage 225\nTL0525\u002F01AK29\npage 227\nTL0833\u002F01AI\npage 229\nCH5100\u002F16JA55\npage 165\nCH3500\u002F10NJF1\npage 153\nCH3510\u002F05NJF3\npage 155\nCH3510\u002F05NJF4\npage 157\nCH5100\u002F12JA23\npage 163\nCH3850\u002F12AK30\npage 159\nCH3850\u002F12MP25\npage 161\n480\n107351_Vol_02_M.indd   480\n21\u002F06\u002F10   12:16\nTL0872\u002F01AG\npage 241\nTL0875\u002F01AB23\npage 243\nTL0877\u002F01AB23\npage 245\nTL0901\u002F04AV\npage 247\nTL0902\u002F04AI\npage 249\nTL0976\u002F01\npage 251\nTL0834\u002F01AI\npage 231\nTL0836\u002F01AK\npage 233\nTL0861\u002F01AI\npage 235\nTL0865\u002F01AB\npage 237\nTL0871\u002F01AI\npage 239\nTL0977\u002F01\npage 253\nTL0979\u002F01\npage 257\nTL0978\u002F01\npage 255\nTL0984\u002F01AB\npage 259\nTL0986\u002F01AG\npage 261\nTL0987\u002F01AE\npage 263\nTL1151\u002F01AK\npage 277\nTL1810\u002F06AK05\npage 289\nTL1921\u002F02NJ63D7   \npage 297\nTL1810\u002F06NC16\npage 291\nTL1843\u002F06NC28\npage 293\nTL1882\u002F06AM22\npage 295\nTL1922\u002F05AS30\npage 299\nTL1925\u002F05AK73\npage 301\nTL0988\u002F01AE\npage 265\nTL1022\u002F0635\npage 269\nTL1100\u002F01AG42\npage 271\nTL1105\u002F01AK\npage 273\nTL1118\u002F01AK\npage 275\nTL0989\u002F01MH\npage 267\nTL1200\u002F01MO\npage 279\nTL1810\u002F02NC16\npage 287\nTL1205\u002F01AI\npage 281\nTL1209\u002F03AK\npage 285\nTL1207\u002F01AK\npage 283\n481\n107351_Vol_02_M.indd   481\n21\u002F06\u002F10   12:18\n",241,{"image":977,"text":978,"number":979},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.242.png","TLM105\u002F01AG31\npage 325\nTLM243\u002F01AI\npage 333\nTLM107\u002F01AG31\npage 327\nTLM160\u002F01AG16\npage 329\nTLM225\u002F05AG\npage 331\nTLM255\u002F01AG\npage 335\nTLM259\u002F01AG\npage 337\nTLM307\u002F01AK45\npage 345\nTLM303\u002F01AG\npage 339\nTLM304\u002F01AG\npage 341\nTLM305\u002F01AG\npage 343\nTLM343\u002F01AV\npage 347\nTLM350\u002F01RD\npage 349\nAP2461\u002F02NJ41\npage 353\nAP2550\u002F02AI\npage 355\nAP2585\u002F02AK\npage 357\nAP2590\u002F02AI\npage 359\nCH1850\u002F08LE\npage 361\nCH1855\u002F08AI\npage 363\nCH2007\u002F10LE\npage 365\nCH2225\u002F08NG28\npage 367\nCH2301\u002F08NF\npage 369\nCH2461\u002F08NJ41\npage 371\nCH2500\u002F06AK\npage 373\nCH2510\u002F06NS\npage 375\nTL2850\u002F03NG30\npage 313\nTL5550\u002F05JA28\npage 323\nTL2860\u002F03NC74\npage 315\nTL3300\u002F07AI30\npage 317\nTL3850\u002F02AI30\npage 319\nTL5200\u002F02AI\npage 321\nTL2309\u002F06MP65\npage 309\nTL1951\u002F06AK20\npage 303\nTL1951\u002F06RB72\npage 305\nTL1953\u002F06MG\npage 307\nTL2311\u002F06RC\npage 311\n482\n107351_Vol_02_M.indd   482\n21\u002F06\u002F10   12:20\nCL2590\u002F05AI\npage 399\nCH2550\u002F06AI\npage 377\nCH2560\u002F06AK\npage 379\nCH2570\u002F06AK\npage 381\nCH2580\u002F06AK\npage 383\nCH2585\u002F03AK\npage 385\nCH2598\u002F06NF25\npage 391\nCH2853\u002F06NG32\npage 393\nCH5500\u002F20JA\npage 395\nCL2550\u002F05AI\npage 397\nCH2590\u002F06AI\npage 389\nCH2585\u002F06AK\npage 387\nCL2853\u002F06AG32\npage 401\nFL2461\u002F06NJ41\npage 405\nCL5500\u002F05AI\npage 403\nTL0727\u002F05AIOP\npage 407\nTL1461\u002F02AG66\npage 409\nTL1462\u002F02AG66\npage 411\nTL2461\u002F02NJ41\npage 413\nTL2461\u002F06NJ41\npage 415\nTL2462\u002F06NC28\npage 417\nTL2600\u002F03AU\npage 419\nTL2603\u002F03MA\npage 421\nTL2853\u002F03AI28\npage 423\nTLM405\u002F01AI\npage 425\nTLM407\u002F01MP\npage 427\nCH2408\u002F1220L\npage 431\nCH2408\u002F3220L\npage 433\nCH2409\u002F0820L\npage 435\nTL0898\u002F01AF\npage 437\nACMR05\u002F58\npage 447\npage 441\nAC1270\u002FAK701010\nAC3005\u002FAK701843\npage 443\nACMR07\u002F05\npage 445\nACMR08\u002F05\npage 445\nACCM02\u002FAK05\npage 445\n483\n107351_Vol_02_M.indd   483\n21\u002F06\u002F10   12:22\n",242,{"image":981,"text":982,"number":983},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.243.png","ACTB11\u002FAI\npage 471\nRAMO 01\npage 473\nRAMO 58\npage 475\nRAMO 71\npage 477\nACTB09\u002FNR30\npage 467\nACTB10\u002FRG\npage 469\nACMR03\u002FNF25\npage 463\nACTB08\u002FMP32\npage 465\nACCS08\u002FNX25\npage 459\nACMR03\u002FAS28\npage 461\nACCM03\u002FAU58\npage 447\nACCM07\u002FNF\npage 453\nACCR01\u002FAK\npage 455\nACCS05\u002FAS28\npage 457\nACCM06\u002FME\npage 451\nACCM05\u002FMB\npage 449\n484\n107351_Vol_02_M.indd   484\n21\u002F06\u002F10   12:24\n107351_Vol_02_M.indd   485\n21\u002F06\u002F10   12:24\n",243,{"image":985,"text":986,"number":987},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.244.png","Leggere i codici\nLe misure riportate nel catalogo sono metriche. Per convertirle in Inch esse devono essere divise per 2,54. Tutte le misure sono riportate come \nsegue: Larghezza\u002FAltezza\u002FProfondità oppure Ø(Diametro)\u002FAltezza. Esse fanno riferimento alle dimensioni massime, sono approssimative e \nhanno carattere puramente indicativo.\nI colori degli articoli completi, dei loro componenti quali vetri, cristalli, marmi, alabastri ecc. e quelli relativi alle rifiniture sono soggetti a variazioni \nin relazione all’appartenenza a determinati gruppi di prodotti, secondo i materiali usati, in relazione alla loro posizione, al loro taglio, alla loro \nmisura, alla loro forma, alla naturale variazione delle materie prime e alla manifattura artigianale. \nI colori della stampa nel presente catalogo seppur di altissima qualità non possono che avvicinarsi al colore reale degli oggetti fotografati.\nPataviumart si riserva di apportare in qualsiasi momento modifiche tecniche ed estetiche ai prodotti atte al miglioramento degli stessi.\nTutti gli articoli presenti nel catalogo vengono identificati da un Codice Articolo composto da vari elementi. Ogni elemento del codice dà infor-\nmazioni riguardanti i diversi aspetti dell’articolo stesso, dei suoi dettagli o della presenza di particolari componenti. La lunghezza del codice \nvaria pertanto da articolo ad articolo. \nÈ importante riportare il Codice Articolo in maniera esatta sugli ordini e controllarne la correttezza sulle successive Fatture Proforma, Confer-\nme d’Ordine e sulle Fatture definitive. Per la Pataviumart è il Codice Articolo ad essere decisivo  su un qualsiasi ordine pervenuto; eventuali \ndescrizioni o misure aggiuntive hanno carattere puramente illustrativo e la loro concordanza con il Codice Articolo non può essere controllata \ndalla Pataviumart. \nPertanto, eventuali errori causati dalla incongruenza tra Codice Articolo e descrizione aggiuntiva su un ordine non saranno ritenuti dalla Pata-\nviumart  motivo di contestazione. Per questo motivo La invitiamo a specificare solamente il Codice Articolo ed aggiungere ulteriori descrizioni \nesclusivamente nel caso in cui esse siano strettamente indispensabili. \nNel caso in cui si trattasse di personalizzazioni, cioè di modifiche\u002Frichieste non-standard (vedi il rispettivo capitolo), queste devono essere \nsegnalate ed evidenziate in maniera tale da non dare adito a fraintendimenti.\nRead the code\nMetric measurement is used in this catalogue. To obtain the dimensions in inch, please divide by 2,54. The sizes are listed as follows: Width\u002F\nHeight\u002FDepth or Ø(Diameter)\u002FHeight. All reported sizes refer to the maximal dimensions; they are approximate and merely informative.\nThe colours of the shown articles and its components such as Murano glasses, crystals, marbles, alabasters etc. as well as the finishes are \nsubject to variation according to the product group, the used raw materials, to position, cut, size, shape and to the artisanal way of manufac-\nturing.\nThe printing of the colours of the catalogue has been made according to the highest, today available quality standards but still cannot it match \nthe original colours of the objects.    \nContent is subject to change. Pataviumart reserves the right to make any technical and aesthetical changes suitable to improve the products \nat any time. Errors and misprint excepted.\nAll articles shown in the catalogue can be identified by an Article Code composed of various elements. Each element of the code contains \ninformation of certain aspects of the article, its details or the presence or lack of certain components. Thus, the length of the code varies from \narticle to article.\nIt is very important to copy the Article Code correctly to possible orders and to cross-check its correspondence on subsequently received \nProforma Invoices, Order Confirmations or final Invoices.\nWe would like to remind you that the decisive part on any received order is the Article Code; possible additional information or dimensions will \nbe regarded as purely ‘descriptive’ as it is impossible for Pataviumart to check their correspondence with the reported article codes.\nContingent errors caused by the incongruence between Article Code and additional descriptions or dimensions on a possible order cannot be \nthe object of claims and will not be accepted as such.\nFor this reason we kindly invite you not to add additional information or descriptions unless they are absolutely necessary for a correct identi-\nfication of the ordered article. \nIn case you requested tailor-made services, i.e. modifications non-standard (see the respective chapter), these must be clearly and unconfu-\ntably marked.\n486\n107351_Vol_02_M.indd   486\n21\u002F06\u002F10   12:24\nmodello                    codice articolo        dimensioni\nCH1920\u002F05\nCH1920\u002F08\n02 A0\n08 A2\n25 A5\n29 A3\n30 A1\n30 A4\n50 x 70\n74 x 88\nCH1920\u002F05NC29A3\nCH                          1920\u002F                          05                        NC                         29                                              A3\nComposizione del codice\ncodice articolo - article code \ncodice paralume - shade code\ncolori del vetro \no del cristallo\nglass or crystal \ncolour code\nTYPE                      CODE                   SIZE cm\ntipo di prodotto\nproduct type\ntipo di paralume\nhade type\ncodice misura\ndimension code\ncodici del tessuto\nFabric Code(s)\ncodice di prodotto\nrticle code\nquantità di luci\nnumber of lights\ncolore del cristallo o del vetro\nglass or crystal colour\nTYPE                      CODE                   SIZE cm\nystal colour\ndimension code\nCOS003848\nCOS \n \n 003 \n \n  848\n487\n107351_Vol_02_M.indd   487\n21\u002F06\u002F10   12:24\n",244,{"image":989,"text":990,"number":991},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.245.png","AA\nAB\nAC\nAD\nAE\nAF\nAG\nAH\nAI\nAJ\nAK\nAL\nAI\nAJ\nAK\nAL\nNA\nNB\nNC\nND\nNE\nNF\nNG\nNH\nNI\nNJ\nNL\nColori e Rifiniture\nFinishes & Codes\nColore Fusto Lampari | Chandelier Frame Finishes\nColore Fusto Lampade | Lamp Frame Finishes\n488\n107351_Vol_02_M.indd   488\n21\u002F06\u002F10   12:25\nLegende | Tables\nCodice TIPO ARTICOLO\nCode \nARTICLE TYPE\nAC \nAccessorio \u002F Accessory\nAP \nApplique \u002F Applique\nCH \nLampadario \u002F Chandelier\nCL \nPlafoniera \u002F Ceiling Lamp\nFL \nPiantana \u002F Table Lamp\nTL \nLampada da Tavolo \u002F Floor Lamp\n \nCodice COLORI VERNICIATURE LAMPADE\nCode \nLAMP FRAME FINISHES\nAA \nArgento Lucido \u002F Silver Glossy \nAB \nArgento Antico \u002F Silver Antique\nAC \nBrunito \u002F Burnished\nAD \nLucido \u002F Glossy\nAE \nNero \u002F Black\nAF \nNichel \u002F Nickel\nAG \nOro Francese \u002F French Gold\nAH \nOro Zecchino \u002F Gold\nAI \nFoglia Oro \u002F Gold Foil\nAJ \nFoglia Oro Antico \u002F Gold Foil Antique\nAK \nFoglia Argento \u002F Silver Foil\nAL \nFoglia Argento Antico \u002F Silver Foil Antique\nAM \nFgl Oro & Blu \u002F Gold Foil & Blue\nAN \nFgl Oro & Rosso \u002F Gold Foil & Red\nAP \nFgl Arg & Blu \u002F Silver Foil & Blue\nAQ \nFgl Arg & Rosso \u002F Silver Foil & Red\nAR \nFgl Oro Ricco \u002F Gold Foil “Ricco”\nAS \nFgl Oro & Arg \u002F Gold & Silver Foil\nAT \nArg Ant. & Fgl Oro & Fgl Arg\u002F Gold & Silver Foil & Silver Antique\nAU \nFgl Arg & Simil Marmo \u002F Silver Foil & Marbled\nAV \nFgl Rame \u002F Copper Foil\nAZ \nAvorio Perla & Fgl Arg \u002F Silver Foil & Pearl Ivory\nMA \nM.Perla & Fgl Arg \u002F Silver Foil & Mother-of-Pearl\nMB \nViola & Fgl Arg \u002F Silver Foil & Violet\nMC \nViola & Fgl Oro \u002F Gold Foil & Violet\nMD \nArg Antico & Fgl Rame \u002F Copper Foil and Silver Antique\nME \nAvorio & Oro & Fgl Oro \u002F Gold Foil & Ivory & Gold\nMF \nNero & Fgl Oro \u002F Gold Foil & black\nMG \nAvorio & Oro & Fgl Rame \u002F Copper Foil & Ivory & Gold\nMH \nFgl Arg & Verde \u002F Silver Foil & Green \nMI \nNero & Fgl Rame \u002F Copper Foil & Black\nMO \nM. Perla & Oro Chiaro \u002F Mother-of-Pearl & Light Gold\nMP \nMadre Perla \u002F Mother-of-Pearl\nCodice COLORI VERNICIATURE LAMPADARI\nCode \nCHANDELIER FRAME FINISHES\nAI \nFoglia Oro \u002F Gold Foil\nAJ \nFoglia Oro Antico \u002F Gold Foil Antique\nAK \nFoglia Argento \u002F Silver Foil\nAL \nFoglia Argento Antico \u002F Silver Foil Antique\nAM \nFgl Oro & Blu \u002F Blue & Gold Foil\nAN \nFgl Oro & Rosso \u002F Red & Gold Foil\nAP \nFgl Arg & Blu \u002F Blue & Silver Foil\nAQ \nFgl Arg & Rosso \u002F Red & Silver Foil\nAR \nFgl Oro Ricco \u002F Gold Foil “Ricco”\nAS \nFgl Oro & Arg \u002F Gold & Silver Foil\nAT \nArg Ant. & Fgl Oro & Fgl Arg \u002F Gold & Silver Foil & Silver Antique\nAU \nFgl Arg & Simil Marmo \u002F Silver Foil & Marbled\nAV \nFgl Rame \u002F Copper Foil\nAZ \nAvorio Perla & Fgl Arg \u002F Silver Foil & Pearl Ivory\nMA \nM. Perla & Fgl Arg \u002F Silver Foil & Mother-of-Pearl\nMB \nViola & Fgl Arg \u002F Silver Foil & Violet\nMC \nViola & Fgl Oro \u002F Gold Foil & Violet\nMD \nArg Antico & Fgl Rame \u002F Copper Foil and Silver Antique\nME \nAvorio & Oro & Fgl Oro \u002F Gold Foil & Ivory & Gold\nMF \nNero & Fgl Oro \u002F Gold Foil & black\nMG \nAvorio & Oro & Fgl Rame \u002F Copper Foil & Ivory & Gold\nMH \nFgl Arg & Verde \u002F Silver Foil & Green \nMI \nNero & Fgl Rame \u002F Copper Foil & Black\nMO \nM. Perla & Oro Chiaro \u002F Mother-of-Pearl & Light Gold\nMP \nMadre Perla \u002F Mother-of-Pearl\nNA \nArg Antico \u002F Silver Antique\nNB \nArgento \u002F Silver\nNC \nAvorio & Oro \u002F Ivory & Gold\nND \nBianco \u002F White \nNE \nBrunito & Oro \u002F Burnished & Gold\nNF \nNero \u002F Black\nNG \nOro Antico \u002F Gold Antique \nNH \nOro & Argento \u002F Gold & Silver\nNI \nOro Rosa \u002F Rose Gold\nNJ \nPlatino \u002F Platinum\nNK \nRosso & Oro \u002F Red & Gold\nNL \nRuggine & Oro \u002F Rust & Gold\nNM \nVerde & Oro \u002F Green & Gold\nNN \nCeramica Bianca \u002F White Ceramic\nNO \nOro Lucido \u002F Glossy Gold\nNP \nBianco Lucido \u002F Glossy White\nNQ \nBlu Lapis \u002F Blue Lapis\nNR \nRosso \u002F Red\nNS \nAvorio Perla \u002F Pearl Ivory\nNT \nVerde & Blu \u002F Green & Blue\nNU \nRuggine & Colori \u002F Rust & Colours\nNV \nViola \u002F Violet \nNZ \nOro Ricco \u002F Gold “Ricco”\nOC \nOro Chiaro \u002F Light Gold\nRA \nAvorio \u002F Ivory \nRB \nAvorio & Blu Ossido \u002F Blue Oxyde & Ivory\nRC \nRosa Chiaro \u002F Light Rose \nRD \nBlu Ossido \u002F Blue Oxyde\nRE \nRosso Ossido \u002F Red Oxyde\nRF \nViola Metallizzato \u002F Metallic Violet\nRG \nMarrone Metallizzato \u002F Metallic Brown\nRH \nSabbia Lucido \u002F Shiny Sand\nRS \nRosa Scuro \u002F Dark Rose\nCodice COLORI VETRO & CRISTALLO dominante\nCode \nMURANO GLASS & CRYSTAL COLOURS\n01 \nAlessandrite \u002F Alexandrite\n02 \nAmbra \u002F Amber\n03 \nAmbra & Oro \u002F Amber & Gold\n04 \nAmbra & Nero \u002F Amber & Black\n05 \nAmbra & Rosso \u002F Amber & Red\n06 \nAmbra Chiaro \u002F Light Amber\n07 \nAmbra Chiaro & Scuro \u002F Light & Dark Amber\n08 \nAmetista \u002F Amethyst      \n09 \nAmetista & Bluino \u002F Amethyst & Light Blue\u002FBluino\n10 \nAmbra Scuro \u002F Dark Amber\n11 \nArancione \u002F Orange\n12 \nArgento \u002F Silver   \n13 \nArgento & Oro \u002F Silver & Gold\n14 \nAvorio \u002F Ivory\n15 \nAvorio & Ambra \u002F Ivory & Amber\n16 \nAvorio & Oro \u002F Ivory & Gold\n17 \nAvorio & Verde Chiaro \u002F Ivory & Light Green\n18 \nAvorio & Verde Scuro \u002F Ivory & Dark Green\n19 \nAzzurro \u002F Sky-Blue\u002FAzure\n20 \nBianco \u002F White\n21 \nBluino \u002F Light Blue\u002FBluino\n22 \nBlu \u002F Blue \n23 \nCristallo Trasparente \u002F Transparent Crystal\n24 \nMulticolore \u002F Multicoloured\n25 \nNero \u002F Black \n26 \nNero & Oro \u002F Black & Gold\n27 \nOcra \u002F Ochre\n28 \nOro \u002F Gold\n29 \nRosa \u002F Rose\n30 \nRosso \u002F Red    \n31 \nRosso & Oro \u002F Red & Gold\n32 \nTrasparente (Vetro Murano) \u002F Transparent (Murano Glass)\n33 \nTrasparente & Alessandrite \u002F Transparent & Alexandrite\n34 \nTrasparente & Nero \u002F Transparent & Black\n35 \nTrasparente & Oro \u002F Transparent & Gold\n36 \nTrasparente & Rosa \u002F Transparent & Rose\n37 \nVerde Chiaro \u002F Light Green\n38 \nVerde \u002F Green\n39 \nVerde Scuro \u002F Dark Green\n40 \nAlessandrite, Rosa & Trasparente \u002F Alexandrite, Rose & Transparent\n41 \nAmetista & Rosa \u002F Amethyst & Rose\n42 \nNero & Argento \u002F Black & Silver\n43 \nBlu & Oro \u002F Blue & Gold\n44 \nAmetista & Trasp. \u002F Amethyst & Transparent\n45 \nArg. Luc. Incam. Trasp.Luc. \u002F Glossy Silver hooded by Glossy  \n \nTransparent\n46 \nArg. Luc. Incam Ross Luc. \u002F Glossy Silver hooded by Glossy Red\n47 \nArg. Luc. Incam Amb.Luc. \u002F Glossy Silver hooded by Glossy Amber\n48 \nArg. Sat. Incam. Trasp.Luc. \u002F Polished Silver hooded by Glossy  \n \nTransparent\n49 \nArg. Sat. Incam. Rosso Luc. \u002F Polished Silver hooded by Glossy Red\n50 \nArg. Sat. Incam. Amb.Luc. \u002F Polished Silver hooded by Glossy Amber\n51 \nArg. Sat. Incam. Trasp. Sat. \u002F Polished Silver hooded by Polishe  \n \nTransparent\n52 \nRosso & Oro Incam. Trasp. Luc. \u002F Red & Gold hooded by Glossy  \n \nTransaprent\n53 \nArg. Luc. & Amb Incam.Trasp.Luc. \u002F Glossy Silver \n54 \nFumè & Trasp. \u002F Fumé & Transparent\n55 \nFumè \u002F Fumé\n56 \nTrasp. & Rosso \u002F Transaprent & Red\n57 \nOro Bordi Neri \u002F Gold with Black Rims\n58 \nRosso & Nero \u002F Red & Black\n59 \nBlu & Argento \u002F Blue & Silver\n60 \nTrasp. & Blu \u002F Transparent & Blue\n61 \nAmetista & Oro \u002F Amethyst & Gold\n62 \nAmbra & Blu \u002F Amber & Blue\n489\n107351_Vol_02_M.indd   489\n21\u002F06\u002F10   12:25\n",245,{"image":993,"text":994,"number":995},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.246.png","63 \nIride \u002F Iride\n64 \nAmetista & Ambra \u002F Amethyst & Amber\n65 \nOpalino \u002F Opaline\n66 \nAmetista & Argento \u002F Amethyst & Silver\n67 \nAlessandrite & Ametista \u002F Alexandrite & Amethyst \n68 \nAzzurro & Oro \u002F Sky-Blue & Gold\n69 \nAmbra Chiaro & Argento & Trasp. \u002F Light Amber & Silver\n \n& Transparent\n70 \nNero & Avventurina \u002F Black & Avventurina\n71 \nBianco & Nero \u002F White & Black\n72 \nBianco & Celeste Opalino \u002F White & Pale Opaline Blue\n73 \nNero & Iride \u002F Black & Iride\n74 \nBianco & Rosa \u002F White & Rose\n75 \nAmbra & Iride \u002F Amber & Iride\n76 \nCeleste Opalino \u002F Pale Opaline Blue\n77 \nAlex & Oro & Rosso \u002F Alexandrite & Gold & Red\n78 \nTrasp. & Verde \u002F Transparent & Green \n79 \nAlex & Ametista & Rosa \u002F Alexandrite & Amethyst & Rose\n80 \nBlu & Verde \u002F Blue & Green \n81 \nArgento & Rosso \u002F Silver & Red\n82 \nAlex & Rosa \u002F Alexandrite & Rose\nCodice COLORI FIORI di VETRO\nCode \nMURANO GLASS FLOWER COLOURS\nA0 \nF.V. Ambra \u002F Amber G.F.\nA1 \nF.V. Ambra & F.V. Rosso \u002F Amber G.F. & Red G.F.\nA2 \nF.V. Bluino \u002F Light Blue\u002FBluino G.F.\nA3 \nF.V. Rosa \u002F Rose G.F.\nA4 \nF.V. Rosso \u002F Red G.F.\nA5 \nF.V. Trasparente \u002F Transparent G.F.\nB0 \nFV Grande Oro \u002F Rosa - Big Gold \u002F Rose GF\nC1 \nFV Edera \u002F Chicco Rosa \u002F Azzurro - Rose \u002F Sky Blue Ivy \u002F Grain GF\nC2 \nFV Edera \u002F Chicco Nero \u002F Ambra - Black \u002F Amber Ivy \u002F Grain GF\nF1 \nFV Coppo \u002F Gemma Ametista - Coppo \u002F Gem Amethyst GF\nF2 \nFV Coppo \u002F Gemma Opalino - Coppo \u002F Gem Opaline GF\nF3 \nFV Fiore Opalino - Opalite GF\nF4 \nFV Fiore Bianco e Nero - Black & White GF\nP1 \nFV Edera \u002F Peperoncino Rosso - Ivy \u002F Red Chili Pepper GF\nCodice COLORI FIORI di CONTERIA\nCode \nMURANO GLASS BEAD FLOWER COLOURS\nD0 \nF.P. Ambra \u002F Rosso \u002F Amber \u002F Rose G.B.F.\nD1 \nF.P. Nere \u002F Oro \u002F Black \u002F Gold G.B.F.\nD2 \nF.P. Rosa \u002F Oro \u002F Rose \u002F Gold G.B.F.\nD3 \nF.P. Rosso \u002F Oro \u002F Red \u002F Gold G.B.F.\nD4 \nF.P. Argento\u002FOro \u002F Silver \u002F Gold G.B.F.\nD5 \nF.P. Rosse \u002F Oro & F.P. Nere \u002F Oro \u002F Red\u002FGold G.B.F. & Black \u002F  \n \nGold G.B.F.\nD6 \nFP Nere \u002F Oro & FP Argento\u002FOro - Black \u002F Gold G.B.F. 6 Silver \u002F  \n \nGold G.B.F.\nD7 \nFP Alessandrite - Alessandrite G.B.F.\nD8 \nFP Alessandrite & FP Argento\u002FOro - Alessandrite G.B.F. & Silver \u002F  \n \nGold G.B.F.\nCodice COLORI FIORI VETRO e FIORI PERLE Combinati\nCode \nCombined MURANO GLASS & BEAD FLOWERS COLOURS\nG0 \nF.V. Ambra \u002F Amber G.F & F.P. Ambra \u002F Rosso \u002F Amber \u002F Rose G.B.F\nG1 \nF.V. Ambra \u002F Amber G.F & F.P. Nere\u002FOro \u002F Black \u002F Gold G.B.F.\nG3 \nF.V. Ambra \u002F Amber G.F & F.P. Rosso \u002F Oro \u002F Red \u002F Gold G.B.F.\nG4 \nF.V. Ambra \u002F Amber G.F & F.P. Argento \u002F Oro \u002F Silver \u002F Gold G.B.F.\nG5 \nF.V. Ambra & F.V. Rosso \u002F Amber G.F. & Red G. & F.P. Ambra \u002F \n \nRosso \u002F Amber \u002F Rose G.B.F.\nG8 \nF.V. Ambra & F.V. Rosso \u002F Amber G.F. & Red G.F. & F.P. Rosso \u002F  \n \nOro \u002F Red \u002F Gold G.B.F\nH2 \nF.V. Bluino \u002F Light Blue \u002F Bluino G.F. & F.P. Rosa \u002F Oro \u002F Rose \u002F  \n \nGold G.B.F.\nH4 \nF.V. Bluino \u002F Light Blue\u002FBluino G.F. & F.P. Argento \u002F Oro \u002F Silver \u002F  \n \nGold G.B.F.\nH6 \nF.V. Rosa \u002F Rose G.F. & F.P. Nere \u002F Oro \u002F Black \u002F Gold G.B.F.\nH7 \nF.V. Rosa \u002F Rose G.F. & F.P. Rosa \u002F Oro \u002F Rose \u002F Gold G.B.F.\nH9 \nF.V. Rosa \u002F Rose G.F. & F.P. Argento \u002F Oro \u002F Silver \u002F Gold G.B.F.\nI0 \nF.V. Rosso \u002F Red G.F. & F.P. Ambra \u002F Rosso \u002F Amber \u002F Rose G.B.F.\nI1 \nF.V. Rosso \u002F Red G.F & F.P. Nere \u002F Oro \u002F Black \u002F Gold G.B.F.\nI3 \nF.V. Rosso \u002F Red G.F & F.P. Rosso \u002F Oro \u002F Red \u002F Gold G.B.F.\nI5 \nF.V. Trasparente \u002F Transparent G.F. & F.P. Ambra \u002F Rosso \u002F   \n \nAmber \u002F Rose G.B.F.\nI6 \nF.V. Trasparente \u002F Transparent G.F. & F.P. Nere \u002F Oro \u002F Black \u002F  \n \nGold G.B.F.\nI7 \nF.V. Trasparente \u002F Transparent G.F. & F.P. Rosa \u002F Oro \u002F Rose \u002F  \n \nGold G.B.F.\nI8 \nF.V. Trasparente \u002F Transparent G.F. & F.P. Rosso \u002F Oro \u002F Red \u002F  \n \nGold G.B.F.\nI9 \nF.V. Trasparente \u002F Transparent G.F. & F.P. Argento \u002F Oro \u002F Silver \u002F  \n \nGold G.B.F.\nCodice Codifica TIPI PARALUMI\nCode \nSHADE TYPE Code \n \n \nCII \nCilindrico con Intreccio \u002F Cylindrical w \u002F Crossed Plissé\nCIP \nCilindrico Plissé \u002F Cylindrical Plissé\nCIS \nCilindrico Semplice \u002F Simple Cylindrical\nCOF \nConico Faldoncino \u002F Conical w \u002F Folds\nCOI \nConico con Intreccio \u002F Conical w \u002F Crossed Plissé \n \nCOP \nConico Plissé \u002F Conical Plissé \n \n \nCOS \nConico Semplice \u002F Simple Conical \n \n \nFIP \nFiorentina Plissé \u002F Fiorentina Plissé  \nFIS \nFiorentina Semplice \u002F Simple Fiorentina \n \nGOP \nGonnellina Plissé \u002F Gonnellina Plissé  \nOAP \nOvale Aperto Plissé \u002F Open Oval Plissé \n \nOAS \nOvale Aperto Semplice \u002F Simple Open Oval \n \nOBP \nOvale Barocco Plissé \u002F Baroque Oval Plissé \n \nOBS \nOvale Barocco Semplice \u002F Simple Baroque Oval  \nOCP \nOvale Chiuso Plissé \u002F Closed Oval Plissé \n \nOCS \nOvale Chiuso Semplice \u002F Simple Closed Oval \n \nONP \nOnda Plissé \u002F Wave Plissé \n \n \nONS \nOnda Semplice \u002F Simple Wave \n \n \nPAP \nParigi Plissé \u002F Parigi Plissé \n \n \nPAS \nParigi Semplice \u002F Simple Parigi \n \n \nPGP \nPagoda Plissé \u002F Pagoda Plissé \n \n \nPGS \nPagoda Semplice \u002F Simple Pagoda  \n \nQCP \nQuadrato Conico Plissé \u002F Square Conical Plissé \nQCS \nQuadrato Conico Semplice \u002F Simple Square Conical \nQDP \nQuadrato Diritto Plissé \u002F Straight Square Plissé \nQDS \nQuadrato Diritto Semplice \u002F Simple Straight Square \nRCP \nRettangolare Conico Plissé \u002F Rectangular Conical Plissé\nRCS \nRettangolare Conico Semplice \u002F Simple Rectangular Conical \nRDP \nRettangolare Diritto Plissé \u002F Straight Rectangular Plissé \nRDS \nRettangolare Diritto Semplice \u002F Simple Straight Rectangular \nSAG \nSagomato \u002F with Irregular Shape \n \n \nSPI  \nSpicchi \u002F Spicchi \n \n \nSTP \nStrega Plissé \u002F Strega Plissé\nSTS \nStrega \u002F Simple Strega\nVAS \nVentola Semplice con Angoli \u002F Simple Ventola w \u002F Angoli\nVDN \nVentola Diritta Plissé con Nodo \u002F Straight Ventola Plissé  \n \n \nw \u002F Knot \nVDP \nVentola Diritta Plissé \u002F Straight Ventola Plissé \nVDS \nVentola Diritta Semplice \u002F Simple Straight Ventola  \nVSN \nVentola Settecento Plissé con Nodo \u002F 17th Cent. Ventola  \n \n \nPlissé w \u002F Knot\nVSP \nVentola Settecento Plissé  \u002F 17th Cent.Ventola Plissé\nVSS \nVentola Settecento Semplice \u002F Simple 17th Cent. Ventola\nWAN \nVentola con Voluta & Angoli Plissé con Nodo \u002F Ventola w \u002F   \n \nVoluta & Angoli Plissé w \u002F Knot\nWAP \nVentola con Voluta & Angoli Plissé  \u002F Ventola w \u002F Voluta\n \n& Angoli Plissé \nWAS \nVentola con Voluta & Angoli Semplice \u002F Simple Ventola w \u002F   \n \nVoluta & Angoli\n490\n490\n107351_Vol_02_M.indd   490\n21\u002F06\u002F10   12:25\nCondizioni di Vendita\n1. Applicazione\nLe presenti Condizioni Generali di Vendita costituiscono, unita-\nmente a quelle espressamente pattuite dalle parti al momento \ndella conclusione del contratto, l’intera ed esclusiva disciplina \ndel rapporto contrattuale in essere tra Patavium srl (di seguito \n“Società”) e l’acquirente (di seguito “Cliente”) salvo quanto even-\ntualmente concordato per iscritto successivamente alla conclu-\nsione del contratto. Le stesse sono da intendersi sostitutive di \nogni diverso accordo precedentemente intercorso fra le parti e \ndunque  prevalenti su ogni termine o condizione contenuta o \nriportata nell’ordine del Cliente o nella corrispondenza, o impli-\ncite nella prassi commerciale o menzionate in corso di trattativa.\n \n2. Termine di Pagamento\nI Termini di pagamento sono perentori e vengono concordati alla \ndefinizione dell’ordine e riportati nella conferma scritta da parte \ndella Società. Il pagamento delle fatture deve essere effettuato \nper l’intero importo, senza alcuna detrazione, compensazione \no qualsiasi altra eccezione. L’eventuale esenzione dall’IVA \nda parte del Cliente deve essere espressamente specificata \nnell’ordine e deve essere adeguatamente comprovata. Qualsiasi \nproroga del credito concessa al Cliente può essere modificata \no revocata in qualsiasi momento. La Società si riserva il diritto \ndi sospendere l’evasione di ordini ancora in essere qualora \nrisultassero delle fatture scadute non saldate. Nel caso in cui i \npagamenti non siano effettuati nei tempi concordati, la Società \nsi riserva il diritto di applicare un interesse di mora pari al “Prime \nRate” pubblicato ne “Il Sole 24 Ore” del giorno di fatturazione, \nmaggiorato di 4 punti percentuali.\n3. Merce e Prezzi\nI prezzi della merce sono da intendersi pattuiti in relazione a \nquanto risultante nel listino della Società al momento del perfe-\nzionamento del contratto. La Società, fino al perfezionamento del \ncontratto, ha il diritto, in qualsiasi momento e senza preavviso, di \naggiornare e\u002Fo modificare i prezzi e\u002Fo di ritirare qualsiasi merce \ndalla gamma di prodotti offerti. Salvo diversa pattuizione scritta, \ni prezzi indicati dalla Società si intendono per spedizione franco \ndeposito della Società stessa in imballo originale, IVA esclusa. \nL’IVA sarà applicata al tasso vigente alla data di fatturazione.\n4. Ordini\nIl Cliente deve effettuare gli ordini per iscritto, su carta intestata \ndell’azienda, ed inoltrarli via fax, e-mail o posta in originale. \nL’ordine deve essere timbrato e firmato dal Cliente nella persona \nmunita di relativo potere, e sarà soggetto ad accettazione scrit-\nta da parte della Società tramite Conferma d’Ordine indicante \nprezzi e condizioni particolari di fornitura e pagamento. Non \nè necessario un quantitativo minimo di ordine. Tutta la merce \nverrà fornita e fatturata a pezzi o in misurazione metriche. Se \nl’ordine viene trasmesso a seguito ed in base a un’offerta prece-\ndentemente formulata dalla Società, i prezzi indicati nell’offerta \nsono da intendersi vincolanti per il solo periodo di efficacia della \nstessa. Al fine di assicurare una tempestiva e corretta spedizione \nè necessario utilizzare i numeri di Codice Articolo della Società \nindicati in maniera chiara nel catalogo, o su precedenti Conferme \nd’Ordine, Fatture Proforma o Fatture di Vendita. Il Cliente prov-\nvederà esplicitamente a specificare in un’eventuale conferma \nscritta la natura di mera “conferma di ordine già esistente” \nprecedentemente inoltrato in forma scritta o non scritta, ciò al \nfine di evitare duplicazioni di ordini. In caso contrario, il Cliente \nsarà ritenuto responsabile per qualsiasi conseguente duplicato \ndi detto ordine esistente e pagherà alla Società un importo per \nla transazione pari al venti per cento netto di listino della merce \ncompresa nell’ordine duplicato, oltre a tutte le spese di trasporto \nper la consegna  e la conseguente restituzione della merce alla \nSocietà.\n5. Spese di Consegna\nLa merce viene consegnata “ex-fabbrica”, pertanto la Società \nnon applica spese per la consegna. Nel caso in cui tra la \nSocietà ed il Cliente fosse stata concordata una modalità di \nconsegna diversa, la Società aggiungerà le spese del trasporto \nsulla Conferma d’Ordine, Fattura Proforma o Fattura di vendita \nemesse al Cliente. La Società non è in alcun modo responsabile \nper eventuali ritardi causati dalle imprese di trasporto rispetto \nalle previsioni di ritiro della merce e la successiva consegna al \nCliente.\n6. Consegna\nTutte le ore e date di consegna indicate in qualsiasi preventivo, \nriscontro di ordine o altro documento sono approssimative e non \npossono in ogni modo considerarsi termini essenziali.\n7. Forza Maggiore\nQualora l’esecuzione degli ordini sia ritardata o impedita da \ncausa non imputabile alla Società ivi compresa l’impossibilità \ndella stessa di procurarsi i servizi, materiali od articoli necessari \nper l’adempimento del contratto, o di procurarsi i medesimi \nsolo a prezzi maggiorati, la Società potrà recedere dagli ordini \no ritardare l’evasione degli stessi. Resta inteso che nel caso di \nritardo la Società comunicherà lo stesso al Cliente e questi potrà \nesercitare diritto di recesso dall’ordine senza null’altro pretende-\nre dalla Società. In ogni caso, l’inadempimento o il ritardo per \nle ragioni suddette ed in genere per causa non imputabile alla \nSocietà esclude qualsiasi forma di responsabilità della stessa, ivi \ncompreso ogni preteso diritto di risarcimento del danno.\n8. Rifiuto o mancata Accettazione della Consegna\nSe il Cliente rifiuta o non accetta la consegna della merce \npresentata conformemente al contratto, o non adotta le azioni \nnecessarie per rendere possibili la consegna e\u002Fo la spedizione \ndella stessa, la Società si riserva il diritto di risolvere il contratto \ncon effetto immediato e di ottenere dal Cliente il rimborso di tutte \nle perdite e dei costi addizionali nei quali sia incorsa a seguito del \nrifiuto o della mancata accettazione.\n9. Ispezione\nSarà responsabilità del Cliente ispezionare e controllare tutta \nla merce immediatamente, e comunque non oltre otto giorni, \nal momento della consegna della stessa, al fine di verificare \ncolore, rifiniture, misure, stato, precisione e, in genere, la corri-\nspondenza della merce consegnata a quella ordinata. Il Cliente \nè ritenuto responsabile per l’ispezione ed il controllo della merce \nanche nel caso in cui, su richiesta espressa dello stesso, questa \nvenga consegnata a terzi. Il Cliente è tenuto a comunicare per \niscritto alla Società, entro otto giorni dalla consegna, vizi riscon-\ntrati e riscontrabili ad un primo esame, o qualsiasi altro reclamo \nin relazione ai prodotti. Nel caso in cui il cliente non effettui la \ncomunicazione di cui sopra, i prodotti saranno considerati defi-\nnitivamente accettati e conformi a quanto stabilito dal contratto \ndi vendita.\n10. Rischio e Diritto\nLa merce rimarrà di sola ed assoluta proprietà della Società fino \na quando il Cliente non avrà pagato alla Società l’intero importo \nconcordato. Ogni rischio sulla medesima merce graverà invece \ninteramente sul Cliente dal momento del ritiro della stessa o dalla \npresa in custodia da terzi indicati per suo conto. Il Cliente dovrà \nassicurare la merce in modo adeguato. Fino al momento in cui \navverrà il pagamento, il Cliente sarà esclusivamente depositario \ndella merce per conto della  Società, in un ruolo fiduciario, e \ncustodirà la stessa in modo tale che la si possa identificare come \nproprietà della Società. La Società si riserva il diritto immediato \ndi riacquistare il possesso di qualsiasi merce sulla quale continui \nad avere il diritto come summenzionato, e successivamente di \nrivendere la stessa. A tale fine il Cliente riconosce alla Società il \ndiritto di visitare i suoi locali, con o senza veicolo, durante le nor-\nmali ore di lavoro. Questo diritto continuerà a sussistere anche \nin caso di risoluzione  del contratto dovuta a qualsiasi motivo e \nsenza costituire pregiudizio per qualsiasi altro diritto maturato \ndalla Società.\n491\n491\n107351_Vol_02_M.indd   491\n21\u002F06\u002F10   12:25\n",246,{"image":997,"text":998,"number":999},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.247.png","11. Responsabilità\nLa Società non sarà responsabile nei confronti del Cliente:\n(I) \nper una differenza di quantitativo tra merce consegnata \nrispetto a quella ordinata, salvo il tempestivo reclamo \ninviato dal Cliente entro otto giorni dalla data della conse-\ngna della merce.\n(II) \nper mancata consegna, danno o perdita della merce, o di \nqualsiasi sua parte, durante il trasporto, (quando la merce \nviene trasportata dai veicoli della Società o da un corriere \nper conto della Società) salvo il tempestivo reclamo invia-\nto dal Cliente entro otto giorni dalla data della consegna.\n(III) \nper difetti della merce causati da usura, condizioni insolite \ndi immagazzinamento, imballaggio non idoneo al traspor-\nto, uso, o applicazione di qualsiasi trattamento o pro-\ncesso dopo l’acquisto (incluso, ma non ad esso limitato, \nl’acquisto di qualsiasi tipo di spray, colore o trattamento \nanti-fiamma) o qualsiasi altro atto, modifica o negligenza \ndel Cliente o di terzi;\n(IV) \nper altri difetti della merce non comunicati alla Società \nentro otto giorni dalla consegna, ed in qualsiasi caso \nprima che detta merce venga utilizzata o venduta a terzi. \n(V) \nper qualsiasi perdita, danno o lesione diretta o indiretta \nrisultante da lavorazione difettosa del materiale o altro, \nin qualsiasi modo ciò avvenga, indipendentemente dal \nfatto che sia stata causata o  meno dalla negligenza della \nSocietà, dei suoi dipendenti o agenti.\nQuando la responsabilità viene accettata dalla Società confor-\nmemente al paragrafo precedente l’unica obbligazione della \nSocietà sarà, a sua discrezione, rettificare qualsiasi ammanco \no mancata consegna e\u002Fo, come opportuno, sostituire o riparare \nqualsiasi merce che risulti danneggiata o difettosa e\u002Fo rifondere \nil Cliente del costo di tale merce. La responsabilità globale della \nSocietà verso il Cliente, per negligenza, violazione del contratto, \nfalse dichiarazioni o altro, non supererà in nessuna circostanza \nil costo della merce difettoso, danneggiata o non consegnata \nche darà luogo a questa responsabilità, determinata dal prezzo \nnetto fatturato al Cliente per detta merce, in qualsiasi evenienza \no serie di occorrenze. I prezzi della merce stabiliti dalla Società \ntengono conto dei limiti di responsabilità sopra indicati. Il Cliente \npuò, mediante avviso scritto, richiedere alla Società di accor-\ndarsi su un limite superiore di responsabilità a condizione che \nsi possa ottenere una copertura assicurativa. Le presenti condi-\nzioni generali delineano l’intero ambito della responsabilità della \nSocietà riguardo ai prodotti, con esclusione di qualsiasi altra \ngaranzia, condizione e termine espressi o impliciti, previsti dalla \nnormativa nozionale ed internazionale, in ordine alla qualità o alla \nidoneità per qualsiasi uso particolare dei prodotti. Rimane salva \nl’applicazione delle garanzie inderogabili per legge.\n \n12. Resi\n(I) \nPer la riconsegna dei prodotti alla Società dovranno esse-\nre applicate le specifiche condizioni indicate di volta in \nvolta e per iscritto dall’operatore della Società.\n(II) \nLa Società non accetta la restituzione di nessuna merce \nin cambio dell’ottenimento di credito, salvo un precedente \naccordo scritto intercorso fra le parti.\n(III) \nDopo aver ricevuto dalla Società l’autorizzazione alla resti-\ntuzione dalla merce, sarà cura del Cliente riconsegnare \no far riconsegnare al reparto di controllo della Società \nmedesima i prodotti perfettamente integri ed adeguata-\nmente imballati entro ventotto giorni dalla data di fattura \nin porto franco. Tutte le parti eventualmente aggiunte dal \nCliente ai prodotti dovranno essere rimosse prima della \nrestituzione. La Società sarà autorizzata, in caso contrario, \na rimuovere dal prodotto tutte le parti aggiunte senza nulla \nriconoscere e\u002Fo restituire al Cliente. \n(IV) \nI prodotti sono riconsegnati a rischio del Cliente ed è \npertanto da intendersi gravante sullo stesso ogni respon-\nsabilità per perdita o danneggiamento della merce.\n(V) \nLa Società si riserva il diritto di applicare un addebito pari \nal trenta per cento del prezzo della fattura per i resi inferiori \nal valore di 1000,00 Euro, ed un addebito pari al venti per \ncento del prezzo della fattura per i resi superiori al valore \ndi 1000,00 Euro. I resi inferiori al valore di 300,00 Euro non \nsaranno accettati.\n13. Accostamento di Colore e di Rifinitura\nLa Società non garantisce e non si assume alcuna responsabi-\nlità in merito alla conformità del colore, tonalità e rifiniture, della \nmerce consegnata al colore, tonalità e rifiniture dei campioni \nmostrati in qualsiasi pubblicità, campionario, campionatura, \ncatalogo, o altrove.\nFermo quanto stabilito al precedente capoverso, nel caso in cui il \nCliente richieda un accostamento accurato, lo stesso dovrà con-\nsegnare alla Società un campione di colore, tonalità o rifinitura \nrichiesti, oppure chiedere alla Società di fornire un campione del \nsuo stock attuale, se esistente.\n \n14. Campioni\nI campioni di merce verranno spediti dalla Società via posta  o \ncorriere previo accordo tra le parti.\nI campioni in visione restano di proprietà della Società e sono da \nrestituire entro trenta giorni salvo diversa autorizzazione scritta \ndalla Società.\nNel caso in cui il Cliente non restituisca i suddetti campioni in \nvisione entro i 30 giorni, o comunque entro la data stabilita, la \nSocietà si riserva il diritto di addebitarli al costo in vigore alla \ndata di consegna.\n15. Insolvenza e Inadempienza\nSe il Cliente si impegna in un atto di concordato o entra in ban-\ncarotta o si accorda con i suoi creditori, o se viene emesso un \nprovvedimento cautelare di sequestro del patrimonio contro di \nlui o (in veste di società) viene emesso un ordine o viene deli-\nberata una risoluzione per la liquidazione della sua azienda (per \nmotivi diversi dalla fusione o incorporazione precedentemente \napprovata per iscritto dalla Società) o se viene nominato un \ncustode giudiziario dei beni del Cliente o della sua azienda, o se \ninsorgessero le circostanze necessarie affinché il tribunale o un \ncreditore richiedano la nomina di un custode giudiziario o di un \namministratore, o conferiscano al tribunale il diritto di emettere \nun ordine di liquidazione, o se il Cliente intraprende o subisce \nun’azione simile od analoga quale conseguenza di debito o com-\nmette qualsiasi violazione di questo o qualsiasi altro contratto \ntra la Società e il Cliente, la Società può, senza pregiudicare \nnessun degli altri suoi diritti, fermare tutta la merce in transito \ne\u002Fo sospendere ulteriori consegne e\u002Fo recedere dal contratto \nmediante notifica scritta al cliente.\n16. Rinuncia di Diritti\nLa mancanza, da parte della Società, di esercizio o applicazione \ndi qualsiasi diritto previsto dal presente atto, non costituisce \nrinuncia alcuna.\n17. Notifiche\nQualsiasi notifica menzionata nel presente atto verrà considerata \ndebitamente comunicata se inviata a mezzo lettera raccoman-\ndata, fax, corriere o qualsiasi altro mezzo di comunicazione che \nassicuri la prova e la data di ricevimento della comunicazione.\n18. Legge Vigente e Giurisdizione\nIl contratto verrà regolato e interpretato conformemente alle \nleggi italiane con esclusione delle convenzioni internazionali, e le \nparti menzionate nel presente atto si sottomettono alla giurisdi-\nzione esclusiva dei tribunali italiani.\n19. Foro Competente\nIl Foro di Padova, Italia, sarà competente in via esclusiva per \nqualunque controversia nascente dall’applicazione delle condi-\nzioni generali di vendita ai rapporti commerciali intercorrenti tra \nla Società ed il Cliente.\n20. Diritti d’Autore, Diritti Industriali e Brevetti\nPataviumart® è un marchio registrato della Pataviumart srl. \nTutti i prodotti della Società sono protetti da diritti d’autore, da \ndiritti industriali, da leggi italiane, comunitarie ed internazionali. \nSono severamente vietate la parziale o completa pubblicazione, \ntrasmissione, divulgazione, copia o qualsiasi altra duplicazione \ndi prodotti, dati, testi, grafici, fotografie, immagini ecc. senza \nesplicita autorizzazione scritta rilasciata dalla Pataviumart srl.\nTutti i diritti sono riservati.\n492\n107351_Vol_02_M.indd   492\n21\u002F06\u002F10   12:25\n1. Application\nThe following Terms & Conditions of Sales & Trading constitute, \ntogether with those expressly fixed at the moment of the conclu-\nsion of the contract of sales, the entire existing contractual rela-\ntion between Pataviumart srl. (the “Company”) and any purcha-\nser (the “Customer”) and substitute divergent agreements except \nfor agreements signed by a legal representative of the company \nwhich have to be written on the Company’s letter-headed paper. \nThese conditions apply to all sales of goods by Pataviumart srl. \nto any purchaser and shall apply in place of and prevail over any \nterms or conditions contained or referred to in the Customer’s \norder or in correspondence or elsewhere or implied by trade \ncustom practice or course of dealing and any purported provi-\nsion to the contrary are hereby excluded or extinguished.\n2. Terms of Payment\nTerms are peremptory and are agreed upon when the order is \nreceived by the Company, which, however, will indicate such \nterms on its respective order confirmation. Payments of invoices \nshall unless otherwise agreed in writing by the Company be \nmade in full without any deduction, set-off or any further sort \nof request. Any exemption of V.A.T. of the Customer has to be \nexpressly indicated on the order and must be proved adequately. \nAny extension of credit allowed to the Customer may be changed \nor withdrawn at any time. If in the opinion of the Company the \ncredit-worthiness of the Customer shall have deteriorated prior to \ndelivery the Company may require full or partial payment of the \nprice prior to delivery. The Company reserves the right to hold \nback any order pending if an account is overdue for payment. In \nthe event that the payments are not made within the agreed date\u002F\ndates, the Company reserves the right to charge delay interests \ntotalling the “Prime Rate” published on “Il Sole 24 Ore” on the \ndate of invoice marked up by 4 per cent.\n3.  Goods and Prices\nThe prices payable for the goods shall be those contained in the \nCompany’s pricelists, therefore current at the time of the fulfil-\nment of the contract. The Company shall have the right at any \ntime without prior notice to up-date and\u002For change its prices, to \nmake any technical and aesthetical changes suitable to improve \nthe products and\u002For to withdraw any goods from the range of \nproducts offered. If not specified differently, all the prices are \n“ex-factory” from the Company, goods packed to be shipped. All \nprices exclude V.A.T. which will be added according to the rate \napplicable on the date of invoicing.\n4. Orders\nOrders must be sent to the Company in writing on Client’s letter-\nheaded paper by either fax, e-mail or post. The latter has to be \nan original order document; copies are not accepted by post. \nThe order must be rubber-stamped and signed by the person in \ncharge of the purchase department in the Customer’s company. \nThere is no minimum order. All orders will be supplied and invoi-\nced with metric measurements or apiece. Orders must confirmed \nin writing by the Customer and are in all cases subject to accep-\ntance by the Company, which will send a written order confirma-\ntion to the Customer. If the order refers to an offer  previously \nmade by the Company, the conditions, terms and prices of which \nare still applicable, the Company will confirm the prices of the \noffer. In case the offer is not applicable anymore, the Company \nwill charge the current prices for all goods regardless of the pri-\nces quoted on the offer. In all cases shall the Company quote on \nany order confirmation the respective prices, payment and deli-\nvery terms and conditions. In order to guarantee a prompt and \ncorrect delivery the Customer must on all orders clearly indicate \nthe Company’s Article Code which is used by the Company in its \ncatalogues, samples, order confirmations, proforma invoices or \nsales invoices. No additional information or descriptions must be \nadded by the customer unless they are absolutely necessary for \na correct identification of the ordered article. If any confirmation, \nwritten or oral, of an order by the Customer does not expressly \nand prominently state that it is a confirmation of an existing \norder, the Customer shall be responsible for any consequent \nduplication of the said existing order and shall pay the Company \na handling charge equal to twenty per cent of the net list price of \nthe goods comprised the duplicate order plus all carriage costs \narising from the delivery or consequent return of the said goods \nto the Company.\n5. Delivery Charge\nGoods are delivered “ex-factory”; therefore, there are no tran-\nsport costs. In case the Company and the Customer agreed on \ndifferent delivery terms and conditions, the Company will add \nthe transport costs to the order confirmation, proforma invoice \nor sales invoice  and charge the Customer consequently. The \nCompany and its suppliers are under no circumstances liable \nfor any delays caused by the transport agent with regard to the \nloading and the delivery of the Customer’s goods.\n6. Delivery\nAny time or date for delivery is approximate only and not of any \ncontractual effect and the Company shall not be under any lia-\nbility in respect of any failure to deliver at any particular time or \ndate. Any date and time mentioned in any acknowledgement of \norder or elsewhere can, under no circumstance, be considered \nessential.\n \n7. Force Majeure\nIn case it is impossible for the Company to carry out an order \nbecause of obstacles or hindrances  beyond any reasonable \ncontrol of the Company  including the Company’s impossibility \nto obtain the necessary services, materials or articles to carry out \nthe order, except for price increases, the Company may delay the \nproduction of the goods and, once informed the Customer about \nthe delay, the latter has the right to cancel the total or a part of his \norder without being charged any amount or compensation by the \nCompany. The Company shall in no case be liable for this delay \nor the cancellation or any other case which makes it impossible \nfor the Company to carry out the order. The Company shall under \nno circumstance be liable to compensation.\n8. Refusal or Failure to take Delivery\nIf the Customer refuses or fails to take delivery of goods tende-\nred in accordance with the contract or fails to take any action \nnecessary on its part for delivery and\u002For shipment of the goods \nthe Company shall be entitled to terminate the contract with \nimmediate effect and recover from the Customer any loss and \nadditional costs incurred as a result of such refusal or failure.\n9. Inspection\nIt shall be the responsibility of the Customer to inspect all goods \nimmediately on delivery and in any event within the subsequent \neight days. The Customer must check the colour, the finishes, \nthe dimensions, the state and accuracy of the goods and ensure \nthat the goods correspond to those ordered. The Customer’s \nsaid responsibility shall not be in any way diminished or extin-\nguished in the case of goods which are delivered to a third party \non the instruction of the Customer. The Customer must notify \nthe Company in writing within eight days after delivery noted and \nnoticeable faults and damages or any other claim regarding the \ngoods. In case the Customer does not notify as aforesaid, the \ngoods are considered definitely accepted and corresponding \nto the sales contract. Hidden or not apparent faults or damages \nmay be communicated to the Company within the first year after \ndelivery. Such hidden or not apparent faults or damages must, \nhowever, be communicated in writing to the Company within \neight days after they had been noted.\n10. Risk and Title\nThe goods shall remain the sole and absolute property of the \nCompany as legal and equitable owner until such time as the \nCustomer shall have paid in full to the Company the agreed \nTerms & Conditions of Sales & Trading\n493\n107351_Vol_02_M.indd   493\n21\u002F06\u002F10   12:25\n",247,{"image":1001,"text":1002,"number":1003},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.248.png","price therefore. Until such payment the Customer shall be in \npossession of the goods solely as bailee for the Company and \nin a fiduciary capacity and shall insure them accordingly and \nstore the goods in such a way as to enable them to be identified \nas the property of the Company. After delivery or acceptance in \ncustody of the goods even by a third party on the instruction of \nthe Customer, any risk related to such goods shall entirely be \non Customer’s side. The Company reserves the immediate right \nof re-possession of any goods to which it has retained title as \naforesaid and thereafter to re-sell the name and for this purpose \nthe Customer hereby grants an irrevocable right and license to \nthe Company’s servants and agents to enter upon all or any of its \npremises with or without vehicles during normal business hours. \nThis right shall continue to subsist not with standing the termi-\nnation of the contract for any reason and is without prejudice to \nany accrued rights of the Company thereunder or otherwise. This \naccess must be granted to allow the withdrawal of the goods for \nwhich the payment to the Company is overdue. Any withdrawal \nof goods does not entail that the Company retreats from the \nexisting contract.\n \n11. Liability\nThe Company shall not be liable to the Customer:\n(I) \nfor shortage in quantity delivered unless the Customer \nnotifies the Company of any claim for short delivery within \nfourte en days of the date of the Company’s invoice for the \ngoods;\n(II) \nfor non-delivery of the goods or damage to or loss of the \ngoods or any part thereof in transit (where the goods are \ncarried by the Company’s own transport or by a carrier on \nbehalf of the Company) unless the Customer shall notify \nthe  Company of such claim within fourteen days of the \ndate the Company’s invoice for the goods and in case \nof goods all or any part of which are received damaged, \nunless the Customer shall sign for them as damaged and \nshall immediately notify the Company of the damage in \nwriting;\n(III) \nfor defects in the goods caused by the fair wear and tear, \nabnormal coditions or storage or use or the application of \nany treatment or process whatsoever to the goods after \npurchase (including, without limitation, any spray, colou-\nring or flame proofing) or any act, neglect or default of the \nCustomer or of any third party;\n(IV) \nfor other defects in the goods unless notified to the \nCompany within fourteen days of the date of the \nCompany’s invoice for the goods and in any event before \nthe goods are passed on or sold to a third party;\n(V) \nfor any loss, damage or injury direct or indirect resulting \nfrom defective material, faulty workmanship or otherwise, \nhow  soever arising and whether or not caused by the \nnegligence of the Company its employees or agents SAVE \nTHAT the Company shall accept liability for death or per-\nsonal injury caused by the negligence of the Company. \nWhere liability is accepted by the Company the Company’s obli-\ngation shall be at its option to make good any shortage or non-\ndelivery and\u002F or as appropriate to replace or repair any goods \nfound to be damaged or defective and\u002For to refund the costs of \nsuch goods to the Customer. The Company’s aggregate liability \nto the Customer whether for negligence, breach of contract, \nmisrepresentation or otherwise shall in no circumstances exceed \nthe costs of the defective, damaged or undelivered goods which \ngive rise to such liability as determined by the net price invoiced \nto the Customer for the said goods in respect of any occurrence \nor series of occurrences.\nThe Company’s prices are determined on the basis of the limits \nof liability set out in this Condition. The Customer may by written \nnotice to the Company request the Company to agree a higher \nlimit of liability provided insurance cover can be obtained therefo-\nre. The aforesaid and following Conditions cover the entire limits \nof liability of the Company with respect to the goods and exclude \nany other liability, warranty or conditions explicit or implicit fixed \nby law referring to quality or qualification of any particular use \nof the goods, save those which by force of law cannot not be \nabrogated.\n12.  Returns\n(I) \nFor all returns of goods to the Company the specific con-\ndition of the Company must be applied.\n(II) \nNo goods can be accepted back for credit unless the \nCompany’s prior written agreement for their return has \nbeen obtained. \n(III) \nAfter having obtained the authorization for returning the \ngoods it is the Customer’s responsibility to return the \ngoods to the Company within twenty-eight days from \ninvoice date. The goods must be adequately packed, \nintact and protected for transport and returned to the con-\ntrol department of the Company on Customer’s expenses \nwithin twenty-eight days after invoice date. Any added \nparts must have been removed completely before retur-\nning the goods. Failing this the Company will be authori-\nzed to remove all added parts. \n(IV) \nThe Customer bares all risks related to the returning of the \ngoods and therefore will be liable for any loss, shortage or \ndamage of the goods or the added parts returned together \nwith such goods.\n (v) \nThe Company reserves the right to impose a thirty per \ncent handling charge on the invoice price of returns with \nan invoiced value below 1000,00 Euro and a twenty per \ncent handling charge on the invoice price of returns with \nan invoiced value above 1000,00 Euros. Returns with an \ninvoiced value below 300,00 Euros will not be accepted by \nthe Company.\n \n13. Colour and Finish Matching\nAll Conditions, warranties and representations expressed or \nimplied by statute common law or otherwise that the colours, \nshades or finishes shall match accurately the colour, shade or \nfinish of any sample or cutting or of goods shown in any adver-\ntisement, pattern book, display card, catalogue or elsewhere \nare hereby excluded. Without prejudice to paragraph (i) of this \nCondition, in the event that the Customer requires an accurate \nmatch, the Customer shall either deliver a sample or cutting of \nthe required colour, shade or finish to the Company or ask the \nCompany to supply a colour, shade or finish sample from its \ncurrent stock, if the latter is held.\n14. Samples\nSamples will be sent by post or carrier on application to the \nCompany. The samples on approval  remain Company’s pro-\nperty as per Condition 10 of these Terms & Conditions of Sales \n& Trading and not returned to the Company within thirty days or \nwithin the agreed period will be charged at the price per sample \nruling at the date of despatch.\n15. Insolvency and Default\nIf the Customer enters into a deed of arrangement or commits \nan act of bankruptcy or compounds with his creditors or if a \nreceiving order is made against him (being a company) an order \nis made or a resolution is passed for the winding up of the \nCustomer (otherwise than for the purposes of amalgamation or \nreconstruction previously approved in writing by the Company) \nor if a receiver is appointed of any of the Customer’s assets or \nundertaking or if circumstances arise which entitle the Court or \na creditor to appoint a receiver or manager or which entitle the \nCourt to make a winding-up Order or if the Customer takes or \nsuffers any similar or analogous action in consequence of debt \nor commits any breach of this or any other contract between the \nCompany and the Customer the Company may without prejudice \nto any of its other rights stop any goods in transit and\u002For suspend \nfurther deliveries and\u002For by notice in writing to the Customer \ndetermine the contract.\n16. Waiver\nFailure by the Company to exercise or enforce any rights hereu-\nnder shall not be a waiver of any such right nor operate so as \nto bar the exercise or enforcement thereof at any time or times \nthereafter.\n17. Notice\nAny notice hereunder shall be deemed to have been duly given if \n494\n107351_Vol_02_M.indd   494\n21\u002F06\u002F10   12:25\nsent by prepaid first class post, telex, fax or by any other means \nof communication to the party concerned if proof and date of \ndelivery are guaranteed.\n18. Governing Law\nThe contract shall be governed by and construed in accordance \nwith the Italian Law and the parties hereby submit to the jurisdic-\ntion of the Italian Law. Any international conventions are hereby \nexcluded.\n19. Place of Jurisdiction\nThe Court of Padova, Italy is the only and exclusive place of \njurisdiction for any dispute related to the application and interpre-\ntation of the General Terms and Conditions of Sales and Trading \nbetween the Company and the Customer.\n \n20. Trademark Laws & Copyrights\nPataviumart® is a registered trademark of Pataviumart srl. All pro-\nducts of the Company are protected under Italian & International \nCopyright Laws, trademark laws, industrial laws or otherwise. \nAny partial or complete publication, transmission, copy or any \nother duplication  of products, data, texts, graphics, photogra-\nphies, images etc. is strictly forbidden without explicit written \nconsent by Pataviumart srl. \nAll rights reserved.\n495\n107351_Vol_02_M.indd   495\n21\u002F06\u002F10   12:25\n",248,{"image":1005,"text":1006,"number":1007},"\u002Fmedia\u002Fimages\u002F53\u002F341616abb69d29838d3d3c60e0915a-2903648bde.249.png","Redazione | Editorial\nArt Direction & Design\nCristian Gomiero\nSimonetta Gomiero\nLayout & Illustrazioni\nLayout & Illustration\nCristian Gomiero\nMoreno Trisotto\nFotografia\nPhotography\nNicola Vegro\nTesti\nCalligraphy\nMayc R. Letzner\nMoreno Trisotto\nStampa & Produzione\nProduced & Printed\nGrafiche Antiga spa\nCrocetta del Montello, Treviso, Italia\nPataviumart srl\nVilla Wollemborg\nVia Aurelia 2\n35010 Loreggia (PD)\nItalia\nTel.  +39 049 5790903\nFax  +39 049 9321686\ninfo@pataviumart.it\nwww.pataviumart.it \nOrari Ufficio\nLunedì - Venerdì\n09.00 - 13.00 e 14.00 -18.00\nOffice Hours\nMonday-Friday\n09.00 - 13.00 and 14.00 - 18.00\n \nPataviumart® è un marchio registrato della Pataviumart srl, Italia.\nSwarovski® è un marchio registrato della Swarovski AG, Austria.\nPataviumart® is a registered trademark of Pataviumart srl, Italy.\nSwarovski® is a registered trademark of Swarovski AG, Austria.\n107351_Vol_02_M.indd   496\n21\u002F06\u002F10   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