[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-new-design-porte-collezione-300-400-600-700":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":481},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":476,"matched_pages":477,"match_count":478,"two_pages":479,"show_text":480},5014,"Collezione 300, 400, 600, 700","new-design-porte-collezione-300-400-600-700","\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F32\u002F08d13c65bf0bb36731d45749ac5590.pdf","New Design Porte",1347,"new-design-porte","64.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473],{"image":7,"text":15,"number":16},"�\nLa passione, il gusto e la ricchezza d’idee che ci animano uniti alla \nconoscenza del legno tipica del mobiliere, alla maestria delle lavorazioni \neseguite secondo canoni artigianali, seppur su scala industriale dal nostro \npersonale altamente specializzato: sono queste le caratteristiche che \ncontraddistinguono la produzione di New Design Porte, nata nel 1996 e \nspecializzata nella produzione di porte per interni e complementi d’arredo, \ntutti di altissima qualità e destinati ad una clientela dai gusti raffi nati.\nGrazie all’ispirazione alle varie epoche storiche, la produzione si arricchisce \ncontinuamente di nuove proposte, tutte all’insegna dell’eleganza e del buon \ngusto. Nelle varie collezioni si combinano materiali pregiati e lavorazioni \nartigianali; le fi niture sono realizzate utilizzando i prodotti tipici di una volta: \ncera d’api, gommalacca, patine e tecniche di decoro eseguite rigorosamente \na mano da esperti maestri d’arte.\nNew Design è in grado di realizzare progettazioni in stretta collaborazione \ncon il cliente offrendogli un servizio di consulenza di architettura d’interni, \nper soddisfare al meglio le esigenze. Inoltre realizza ogni tipo di lavorazione, \nanche su misura e  personalizzata per esaudire ogni richiesta, anche \nla più particolare. Un servizio che è reso possibile dall’organizzazione \nestremamente fl essibile dell’azienda. \nIl prodotto New Design, unico nel suo genere è facilmente distinguibile \ndalle numerose e spesso approssimative imitazioni che stanno invadendo \nil mercato.\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.2.png","3\n2\nUn po’ di storia.........................................................................   Il Trecento\nNumerose città europee conservano ancora un’immagine viva dell’ambiente medievale.  Siena è un esempio \nparticolarmente interessante perché ci da un’idea di come lo stile gotico fu interpretato in Italia, il paese in cui \nnacque l’urbanistica medievale. È una città gotica che grazie a particolari circostanze storiche, ha conservato il suo \ncarattere fi no ad oggi. Data la considerevole importanza politica raggiunta, i suoi cittadini dicevano di possedere un \nvivissimo orgoglio civico. Erano convinti che nessuna altra città italiana possedesse edifi ci, strade e piazze più belle \ndi Siena (1).\nNel 1339 ebbe inizio la realizzazione del più ambizioso progetto italiano per una cattedrale; ma nel 1348 l’epoca \ngloriosa giunse alla fi ne, quando l’epidemia di peste distrusse tre quarti della popolazione. Siena possedeva il più \nperfetto codice edilizio del Medioevo. A Siena c’era perfi no un uffi cio specializzato per l’abbellimento della città. Gli \nuffi ciali dell’ornato controllavano ogni strada e ogni casa e facevano rispettare i regolamenti e l’ordine. Nel 1297, per \nesempio, fu imposto che tutte le case antistanti la piazza principale avessero le stesse fi nestre (2).\nA bit of history........................................................      The Thirteen hundreds\nNumerous European cities still retain an image of medieval life which is very much alive. Sienna is a particularly \ninteresting example because it gives us an idea of how gothic style was interpreted in Italy, the country in which \nmedieval urban design was born. It is a gothic town which, thanks to particular historical circumstances, has conserved \nits character up to the present day.  Given the considerable political importance achieved, the townspeople were \nsaid to possess a very strong feeling of civic pride. They were convinced that no other Italian town could possibly \npossess buildings, roads and squares of greater beauty than those of Sienna (1).\nIn 1339 the most ambitious Italian project for a cathedral began to take shape; but in 1348 the golden age came to \nan end, when the plague wiped out three quarters of the population. Sienna had the most perfect building code \nof the Middle Ages. In Sienna there was even a special offi ce for the embellishment of the town. The offi cers of the \nornamental department checked every road and every house and enforced rules and order. In 1297, for example, it \nwas declared that all the houses which stood on the main square had to have the same windows (2).\n‘300\n‘300\n‘300\n‘300\n‘300\n‘300\n‘300\n‘300\n‘300\n‘300\n‘300\n‘300\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.3.png","4\nMod. CARRACCI 2016\u002FQQ\nToulipier Arte Povera senza tarlo fi n. cera\nCF. storico con slarghi\ne tozzetti inferiori\nMod. CARRACCI 2016\u002FQQ\nToulipier Arte Povera senza tarlo fi n. cera\nCF. storico con slarghi\nsenza tozzetti inferiori\nMod. CARRACCI 2016\u002FQQ\nPatinato Invecchiato\nCF. storico con slarghi e tozzetti inferiori\n5\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.4.png","7\n6\nin evidenza la fi nitura “Antico Decoro Fiorentino D-24”\nMod. CARRACCI 2016\u002FQQ\u002FD\nAntico Decoro Fiorentino D-24\nCF. storico senza slarghi con tozzetti inferiori\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.5.png","9\n8\nMod. CARRACCI 2016\u002FQQ\u002FD\nPatinato oro antico D-21\nCF. storico con slarghi senza tozzetti inferiori\nin evidenza la finitura Patinato oro antico D-21\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.6.png","11\n10\nMod. CARRACCI 2016\u002FQQ\u002FD\nPatinato invecchiato rosa con argento anticato\nDecoro Melfi  - con Portale Giustiniano\nIn evidenza la fi nitura Patinato invecchiato rosa con argento anticato\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.7.png","13\n12\nMod. CARRACCI 2016\u002FQQ\nBianco crosta nero lavagna\nCF. storico con slarghi e tozzetti inferiori\nIn evidenza la finitura bianco crosta nero lavagna\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.8.png","15\n14\nMod. CARRACCI 2016\u002FQQ\nCastagno fi nitura antiquariato \ncon Portale Rinascimento intagliato\nIn evidenza la fi nitura antiquariato\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.9.png","16\n17\n17\n16\nMod. CARRACCI 2016 NEW\u002FQQ\nNoce siberiano finitura antiquariato\nCF. Lory con tozzetti inferiori e superiori\nIn evidenza la finitura antiquariato\ne la bozza “New”\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.10.png","18\n19\nMod. CARRACCI  2016\u002FQQ\nNero toscano e oro antico\nCF. storico con slarghi e tozzetti inferiori\nMod. CARRACCI  2016\u002FQQ\u002FAF\nPatinato invecchiato con riproduzione affreschi su malta\nCF. storico con slarghi e tozzetti inferiori\nMod. CARRACCI 2016\u002FQQ\u002FV\nin toulipier fi nitura antiquariato.\nCon boiserie sul telaio e a parete - CF. storico con slarghi e tozzetti inferiori.\nVetri con decoro a grisaglia VA-12 trittico\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.11.png","Dettaglio del raccordo dello zoccolo alla boiserie\nMod. CARRACCI 2016\u002FQQ\nin toulipier fi nitura antiquariato.\nCon boiserie sul telaio - CF. storico con slarghi e tozzetti inferiori\n20\n21\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.12.png","22\n23\n23\n22\nMod. CARRACCI 2016 M\u002FQQ\nToulipier fi nitura noce-oro antiquariato\nCF. 8\u002F10\nin evidenza la fi nitura noce-oro antiquariato e bozza “M”\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.13.png","25\n24\nMod. PIA DE’  TOLOMEI 2044\u002FQQ\nNoce nazionale con intarsio fi nitura antiquariato\nCF. Lory\nin evidenza l’intarsio e la fi nitura antiquariato\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.14.png","27\nMod.  A. DI CAMBIO 1035\u002FQQ\u002FD\nAntico Decoro Fiorentino D-10\nCF. 1\u002F9 cimasa Lory\n27\n26\nin evidenza la finitura\nAntico Decoro Fiorentino D-10\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.15.png","29\n28\n29\nMod.  A. DI CAMBIO 1035\u002FQQ\u002FSD\nAntico Decoro Fiorentino D-10, (senza decoro)\nCF. 1\u002F9 con cimasa Lory\nMod.  A. DI CAMBIO 1035\u002FQQ\u002FD\nCraquelé Antico Decoro D-14\nCF. 8\u002F7 con cimasa Bilux\nin evidenza:\nCraquelé\nAntico Decoro D-14\nin evidenza la finitura\nAntico Decoro Fiorentino D-10\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.16.png","31\n30\nMod. LORENZETTO 1031\u002FQQ\u002FD\nVeneziano puntinato decoro Tralcio\nCF. Barocco\nMod. LORENZETTO 1031\u002FQQ\u002FD\nVeneziano puntinato decoro Flora\nCF. barocco\nMod. LORENZETTO 1031\u002FQQ\u002FSD\nVeneziano puntinato Flora (senza decoro)\nCF. Barocco\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.17.png","Mod. LORENZETTO 1031\u002FQQ\u002FD\nAntico Decoro Fiorentino D-30 - CF. Barocco\nMod. LORENZETTO 1031\u002FQQ\u002FV\nVeneziano puntinato\nCF. 5 con piramidi e tozzetto inferiore\ncon vetro LD-05\nMod. LORENZETTO 1031\u002FQQ\u002FSD\nAntico Decoro Fiorentino D-30 (senza decoro)\nCF. Barocco\nMod.  A. DI CAMBIO 1035\u002FQQ\u002FD\nCraquelé decoro Foglie - CF. storico con slarghi\n32\n33\nin evidenza la finitura Craquelé decoro Foglie\nin evidenza:\nantico decoro\nfiorentino D-30\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.18.png","35\n34\nMod. LORENZETTO 1031\u002FQQ\u002FD\nInvecchiato decoro D-45 - CF. Barocco\nin evidenza la fi nitura Invecchiato - decoro D-45\nIn evidenza la fi nitura Invecchiato decoro D-45\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.19.png","37\nMod. N. PISANO 1045\u002FQQ\u002FSD\nVeneziano patinato anticato\nLe rose (senza decoro) CF. 1\u002F7\n37\n36\nMod. LORENZETTO 1031\u002FQQ\u002FD\nPatinato D-41\nCF. Pimpi con fregi\nMod. LORENZETTO 1031\u002FQQ\u002FD\nPatinato D-40\nCF. Pimpi con fregi\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.20.png","Mod. N. PISANO 1045\u002FQQ\u002FSD\nVeneziano patinato anticato Le Rose (senza decoro)\nCF. 1\u002F7 - cimasa Bilux\nMod. A. DI CAMBIO 1035\u002FQQ\u002FD \nVeneziano patinato anticato I Pavoni\nCF. 1\u002F7 - cimasa Bilux\nMod.  A. DI CAMBIO 1035\u002FQQ\u002FSD\nVeneziano patinato anticato I Pavoni\n(senza decoro)\n38\n39\nMod. N. PISANO 1045\u002FQQ\u002FD\nVeneziano patinato anticato Le Rose\nCF. 1\u002F7 - cimasa Bilux\nMod.  A. DI CAMBIO 1035\u002FQQ\u002FSD\nVeneziano patinato anticato I Pavoni (senza decoro)\nCF. 1\u002F7 - cimasa Bilux\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.21.png","40\n41\nin evidenza la fi nitura\nnoce oro-antiquariato\ncon decoro liberty e gli intagli oro\nMod. NICCOLO’ PISANO 1045\u002FQQ\u002FD\nNoce oro-antiquariato con decoro Liberty\ncon Portale Giustiniano con intagli oro\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.22.png","42\n43\nMod. C.MARCOVALDO 1025\u002FQQ\nVeneziano Patinato bucciato - CF. Lory\nMod. D. BONINSEGNA 1025\u002FTT\nLaccato patinato con oro\nCF. 8\u002F7\nin evidenza Veneziano Patinato bucciato\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.23.png","45\nMod. M. FAVI 1024\u002FTT\nPennellato Anticato a rilievo\nCF. Lory\n44\nin evidenza la finitura pennellato Anticato a rilievo\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.24.png","47\n46\nMod. GUARIENTO 1013\u002FQQ\nNoce nazionale\nCF.  8\u002F7\nMod. TALENTI 1013\u002FTT\u002FVI\nLaccato opaco verde\nCF. Barocco\ninglese con vetri satinati molatura satinata\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.25.png","49\n48\nMod. ORCAGNA 1015\u002FQQ\u002FV\nNoce arte povera finitura cera\nCF. 8\u002F7 - vetro rilegato a piombo 37M\nMod. GIOTTO 1015\u002FTT\nNoce nazionale\nCF. Barocco\nMod. STARNINA 1015\u002FTQ\nToulipier arte povera con tarlo \nfinitura cera\nCF. 8\u002F7\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.26.png","Mod. STARNINA 1015\u002FTQ\u002FV\nNoce nazionale\ncon vetri rilegati a piombo 57M\nCF. 8\u002F7\nMod. STARNINA 1015\u002FTQ\u002FVSC\nToulipier arte povera finitura cera \ncon vetri rilegati a piombo 37M\nCF.  8\u002F7\n51\n50\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.27.png","53\n52\nMod. CIMABUE 1017\u002FQQ\nNoce nazionale medio\nCF.  8\u002F7 con cimasa Rombi\nMod. DADDI 1014\u002FTT\nNoce scuro\nCF. Barocco\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.28.png","55\n54\nMod. GIOTTINO 1016\u002FQQ\nCiliegio\nCF. Rigato “CF5” con tozz. inferiori e pir. superiori\nMod. LORENZETTI 1016\u002FTT\nVeneziano\nCF. Rigato “CF3” con tozz. inferiori, superiori e centrali\nMod. LORENZETTI 1016\u002FTT\nCiliegio\nCF. Liscio\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.29.png","‘400\n‘400\n‘400\n‘400\n‘400\n‘400\n‘400\n‘400\n‘400\n‘400\n‘400\n‘400\nUn po’ di storia....................................................................   Il Quattrocento\nLuogo di nascita del mobile italiano, come tutte le nuove correnti Rinascimentali, è Firenze. Il modo in cui \nsi dovevano costruire i mobili in Firenze non era lasciato interamente all’arbitrio dei falegnami, ma era \ndeterminato da una serie di disposizioni registrate negli Statuti dell’Arte dei Legnaioli, che venivano fatte \nrispettare dai Consoli dell’Arte.\nGli statuti obbligavano che si costruisse il manufatto in tutte le sue parti con una sola quantità di legname. \nLe tavole che lo componevano dovevano avere il massimo spessore in ogni elemento ed essere prive di \ncornici e fregi perché questi non mascherassero connettiture o impiallacciature illecite. La tassa degli arredi \nsu disegno serviva poi a rifornire di fondi le casse dell’Arte, che in quei tempi aveva gli stessi scopi delle \nnostre associazioni assistenziali.\nA bit of history........................................................      The Fourteen hundreds\nThe birthplace of Italian furniture, like all the new Renaissance currents, was Florence. The way in which \nfurniture was made in Florence wasn’t left entirely up to the carpenters, but was established by a series \nof instructions registered in the “Statuti dell’Arte dei Legnaioli”, which were enforced by the “Consoli \ndell’Arte”.\nThe statutes obliged the creation of the whole piece of furniture with just one kind of wood. The planks \nfrom which it was made had to be of the same thickness in every part, with no cornices or friezes which \nwould disguise illegal joints or veneers. The tax on furniture made to design went to fi ll the coffers of the \n“Arte”, which served the same purpose as today’s welfare associations. \n57\n56\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.30.png","58\nMod.  J. DELLA QUERCIA 1114\u002FQ\nToulipier finitura legnovecchio - CF. Carlo con tozz. inferiori\nin evidenza la finitura legnovecchio\n58\n59\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.31.png","60\n61\nMod. J. DELLA QUERCIA 1114\u002FQ\u002FV\nToulipier fi nitura legnovecchio \nCF. Carlo con tozzetti inferiori\nVetro VA-12\nin evidenza il vetro rilegato a piombo con decori a grisaglia VA-12\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.32.png","63\nMod. BOTTICELLI 1105\u002FQ \nCastagno anticato fin. Gommalacca\nCF. Carlo con tozzetti inferiori e superiori\n62\nalternativa con bozza centrale intagliata 1105\u002FQ\u002FINT\ncastagno anticato finitura gommalacca.\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.33.png","65\n64\nMod. LORENZO DE’ MEDICI 1065\u002FTQ \nCastagno arte povera con tarlo finitura a cera\nCF. Carlo con tozzetti inferiori e superiori\nin evidenza la finitura castagno arte povera con tarlo\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.34.png","66\n67\nIn evidenza toulipier arte povera con tarlo e bugne decorate D-1\nMod. DONATELLO 1114\u002FQ\u002FBD\nToulipier arte povera con tarlo finitura a cera bugne decorate D1\nCF. Carlo con tozzetti inferiori\nMod. DONATELLO 1114\u002FQ\u002FBD\nToulipier finitura legnovecchio bugne decorate D2\nCF. Carlo con tozzetti inferiori\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.35.png","69\n68\nIn evidenza toulipier arte povera con tarlo e bugne decoro “Pratoline”\nIn evidenza toulipier arte povera con tarlo e bugne decoro “Iris Bianco”\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.36.png","71\n70\nIn evidenza toulipier arte povera con tarlo e bugne decoro “Primule”\nIn evidenza toulipier arte povera con tarlo e bugne decoro “Glicine”\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.37.png","73\n72\nMod. DONATELLO 1114\u002FQ\u002FD\nAntico Decoro Fiorentino D-28 - CF. 3\nin evidenza antico Decoro Fiorentino D-28\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.38.png","Mod. DONATELLO 1114\u002FQ\u002FD\nToulipier verniciato anticato decoro Lira\nCF. Carlo con tozzetti inferiori\n74\n75\nIn evidenza la finitura toulipier verniciato anticato con decoro Lira\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.39.png","77\n76\nMod. DONATELLO 1114\u002FQ\u002FD\nPatinato spugnato con ornato D-17 - CF. Carlo\nIn evidenza la finitura patinato spugnato con ornato D-17\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.40.png","79\n78\nMod. DONATELLO 1114\u002FQ\u002FD\nPatinato spugnato con ornato D-17 - CF. Barocco\nMod. DONATELLO 1114\u002FQ\u002FSD\nPatinato spugnato con ornato D-18 - CF. Carlo\nIn evidenza il patinato spugnato con ornato D-17\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.41.png","81\n80\nMod. DONATELLO 1114\u002FQ\u002FD\nPatinato spugnato con ornato D-11\nCF. Carlino\nIn evidenza il patinato spugnato con ornato D-11\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.42.png","83\n82\nMod. DONATELLO 1114\u002FQ\u002FD\nFinitura Invecchiato D-4\nCF. 3\nIn evidenza la fi nitura Invecchiato D-4\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.43.png","85\n84\nMod. BRUNELLESCHI 1054\u002FTT\u002FNEW\nToulipier fin. Gommalacca\nCF. New\nMod. DONATELLO 1114\u002FQ\nToulipier fin. Gommalacca\nCF. New \nin evidenza la finitura Gommalacca\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.44.png","87\nMod. DONATELLO 1114\u002FQ\nFrassino tinto castagno medio\nCF. Liscio\nin evidenza frassino tinto castagno medio\n86\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.45.png","Mod. DONATELLO 1114\u002FQ\nNoce Paulownia\narte povera con tarlo\nCF. Liscio\n89\n88\nin evidenza fi nitura arte povera con tarlo\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.46.png","90\nMod.  DONATELLO 1114\u002FQ\nAbete anticato “Vecchioborgo”\nCF. 1\u002F7\n91\nin evidenza abete anticato “Vecchioborgo”\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.47.png","93\n92\nMod. DONATELLO 1114\u002FQ\u002FD\nPatinato anticato “trompe l’oeil”\nCF. Carlo con tozz. inferiori e superiori\nIn evidenza tozz. superiori\nIn evidenza il decoro a “trompe l’oeil”\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.48.png","Mod. DONATELLO 1114\u002FQ\u002FNEW\nToulipier fin. antiquariato con tarlo \nCF. Carlino con tozz. inferiori\n95\n94\nin evidenza la finitura antiquariato con tarlo e la bozza New\nMod. DONATELLO 1114\u002FQ\u002FVI\nCastagno chiaro - CF. 1\u002F7\ninglese con vetri trasparenti \nmolatura trasparente\nMod. BRUNELLESCHI 1054\u002FTT\nCiliegio\nCF. Liscio\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.49.png","97\n96\nMod. ALBERTI 1053\u002FTT\nNoce nazionale\nCF. Liscio\nMod. MASACCIO 1055\u002FTQ\nToulipier medio con vetro\nrilegatura a piombo 37M\nC.F. New\nMod. LEONARDO 1115\u002FQ\nCastagno arte povera senza tarlo\nCF.  1\u002F7\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.50.png","99\n98\nMod. LIPPI 1055\u002FTT\nNoce nazionale\nCF. Liscio\nMod. LEONARDO 1115\u002FQ\u002FV\nNoce nazionale con vetri rilegati piombo 37M\nCF. 1\u002F7\nMod. MASACCIO 1055\u002FTQ\u002FV\nToulipier arte povera senza tarlo\ncon vetri rilegati piombo 37M\nCF. 1\u002F7\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.51.png","100\nINSERIRE\nPARTICOLARE\nCILIEGIO\nDA\nFOTOGRAFARE\nMod. MANTEGNA 1116\u002FQ\nCastagno scuro\nCF. 1\u002F7\nMod. MANTEGNA 1116\u002FQ\nCiliegio\nCF. 1\u002F7\n101\nIn evidenza Ciliegio\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.52.png","Mod.  VERROCCHIO 1112\u002FQ \nCastagno Antico Spazzolato\nCF. 1\u002F9 cimasa Verrocchio\n102\n103\nIn evidenza il Castagno Antico \nSpazzolato\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.53.png","105\n104\nMod. VERROCCHIO 1112\u002FQ\nPioppo finitura Cuoio\nCF. Carlino con tozz. inferiori\nMod. DELLA ROBBIA 1052\u002FTT\nToulipier arte povera con tarlo finitura cera\nCF. Carlo con tozz. inferiori\nin evidenza la finitura Cuoio\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.54.png","Mod. VERROCCHIO 1112\u002FQ\nDecapée anticato Azzurro fin. Cera \nCF. 1\u002F9 e cimasa Verrocchio\nMod.  VERROCCHIO 1112\u002FQ\nDecapèe Anticato Bianco fin. Cera \nCF. 1\u002F9 e cimasa Verrocchio\nMod. VERROCCHIO 1112\u002FQ\nDecapée anticato RAL.1015 fin. Cera \nCF. 1\u002F9 e cimasa Verrocchio\nMod.  VERROCCHIO 1112\u002FQ\nDecapèe Anticato Verde fin. Cera\nCF. 1\u002F9 e cimasa Verrocchio\n107\n106\nin evidenza Decapèe Anticato RAL 1015\nfin. Cera - CF. 1\u002F9 e cimasa Verrocchio\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.55.png","109\n108\nMod. DUCALE 1112\u002FQ\u002FD\nCraquelé D-15\nCF. 1\u002F9 e cimasa Verrocchio\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.56.png","111\n110\nMod. DUCALE 1112\u002FQ\u002FD \nCraquelé D-15\nCF. 1\u002F9 e cimasa Verrocchio\nIn evidenza la Cimasa fi n. Craquelé D-15\nIn evidenza fi n. Craquelé D-15\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.57.png","Mod.  DUCALE 1112\u002FQ\u002FD \nFin. Craquelé decoro Foglie\nCF. 3\n113\n112\nin evidenza Craquelé decoro Foglie - CF. 3\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.58.png","115\n114\nMod. DUCALE 1112\u002FQ\u002FD \nFin. Invecchiato D-44\nCF. 1\u002F9 e cimasa Verrocchio\nIn evidenza finitura Invecchiato D-44\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.59.png","117\n116\nMod. DUCALE 1112\u002FQ\u002FD\nFin. Craquelé D-16\nCF. 3\nin evidenza la fi nitura craquelé D-16\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.60.png","Mod. DUCALE 1112\u002FQ\nPatinato Leggero\nCF. Ducale e cimasa Ducale\nIn evidenza Patinato Leggero\n119\n118\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.61.png","Mod.  MONTEVERDI 404\u002FQ\u002FTM\nAbete Vecchio\ntelaio a madonna e cimasa Monteverdi\nIn evidenza l’Abete Vecchio\n120\n121\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.62.png","Mod. MONTEVERDI 404\u002FQ\nAbete “Miele” Spazzolato Tarlato\nCF. Monteverdi e cimasa Monteverdi\nIn evidenza Abete “Miele” Spazzolato Tarlato\n122\n123\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.63.png","124\nIn evidenza abete spazzolato tarlato fin. cera\nMod. MONTE OLIVETO 402\u002FQ\nAbete spazzolato tarlato fin. cera,\nCF. Monte Oliveto\n125\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.64.png","127\nMod. TANCREDI 408\u002FQ\nCastagno Spazzolato Anticato\nCF. Tancredi e cimasa Tancredi\n126\n127\nIn evidenza la finitura Castagno Spazzolato Anticato\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.65.png","129\n128\nMod.  SAN GALGANO 405\u002FQ\u002FTM\nPioppo Vecchio - Telaio a madonna S. Galgano\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.66.png","131\n130\nMod.  MAGIONE 412\u002FQ\nPioppo spazzolato invecchiato\nCF. Magione\nin evidenza Pioppo spazzolato invecchiato\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.67.png","133\n132\nMod. PALAZZO VECCHIO 1011\u002FQQ\u002FD\nFin. Invecchiato D-48\nCF. 8\u002F7\nIn evidenza la finitura\nInvecchiato D-48\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.68.png","Un po’ di storia…………………………………….    Il Seicento\nIl Seicento ha un’importanza estrema nella storia dell’arte del nostro paese perché durante questo secolo nasce, \nsi manifesta e trionfa il Barocco. Va ricordato che nel Seicento venga completamente rivoluzionata la tecnica \ndella lavorazione del legno. L’incastro (in uso nei secoli precedenti) per congiungere le varie parti dei mobili \nviene soppiantato dall’incollaggio. Sempre durante questo periodo si costruirono i primi mobili impiallacciati. A \ndifferenza del mobile massiccio, fabbricato con un unico legno, quello impiallacciato ha lo scheletro in legno più \ncorrente rivestito da lamine sottilissime di legni più pregiati. \nUn’altra importante rivoluzione nel campo del processo costruttivo dei prodotti  avvenuta nel Seicento è la \nspecializzazione. Nei secoli precedenti, l’artigiano – mobiliere realizzava il pezzo in tutte le sue parti. Nel Seicento \nla parte decorativa assume una tale importanza da richiedere l’opera di esperti per realizzarla. Un porta di un \ncerto pregio veniva costruita  dal mobiliere, intagliato dallo scultore e, se c’erano decorazioni dorate, sbalzata dal \nbronzista.\n‘600\n‘600\n‘600\n‘600\n‘600\n‘600\n‘600\n‘600\n‘600\n‘600\n‘600\n‘600\n134\n135\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.69.png","Mod. TORRI 312\u002FQ\nAbete massello spazzolato cipria\nCF. 1\u002F7\n136\n137\nIn evidenza l’Abete massello spazzolato cipria\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.70.png","138\n139\nMod. BERNINI 323\u002FD\ncon bugna liscia\nToulipier finitura noce vecchio decoro “CORDA”\nCF.8\u002F7\nIn evidenza la finitura ed il decoro “CORDA”\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.71.png","140\n141\nMod. GUARINI 324\u002FD\nBozza liscia - CF. 8\u002F7\nToulipier finitura noce vecchio\ndecoro Vienna\nIn evidenza la finitura ed il decoro “Vienna”\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.72.png","143\n142\nMod. GUARINI 324\nBugna liscia - CF. 8\u002F7\ndecapèe anticato RAL 1013 finitura cera\nin evidenza la finitura\ndecapèe anticato RAL 1013 fin. Cera\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.73.png","144\n145\nMod. BERNINI 313\nToulipier arte povera con tarlo fin. cera\nCF. 8\u002F7\nMod. GUARINI 314\nCastagno\nCF. 8\u002F7\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.74.png","147\n146\nMod. GUARINI 314\nLaccato bianco opaco\nCF. 8\u002F7\nMod. GUARINI 314\nToulipier arte povera senza tarlo fin. cera\nCF. 8\u002F7\nMod. GUARINI 314\u002FV\nRovere arte povera senza tarlo fin. cera\nCF. 8\u002F7\ncon vetro rilegato piombo 41 ME\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.75.png","149\n148\nMod. GUARINI 314\u002FVI\nRovere arte povera senza tarlo fin. cera\nCF. 8\u002F7\nInglese 12 con vetri molati trasparenti\nMod. GUARINI 314\u002FC\nNoce medio\nCF. 8\u002F7\nMod. BORROMINI 315\nCiliegio\nCF. 8\u002F7\nMod. GUARINI 314\u002FC\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.76.png","151\n150\nMod. D.R. VELASQUEZ 304\u002F2 \nBozza incisa\nlaccato bianco opaco\nCF. 8\u002F7\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.77.png","Mod. D.R. VELASQUEZ 304\u002F2\nBozza incisa frassino anilina giallo\nCF. 8\u002F7\n153\n152\nIn evidenza la finitura anilina giallo\nMod. S. CANTARINI 304\nfrassino anilina azzurro\nCF. 8\u002F7\nMod. S. CANTARINI 304\nfrassino sbiancato\nCF. 8\u002F7\nMod. PIETRO DA CARTONA 304\u002F1\nfrassino anilina verde\nCF. 8\u002F7\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.78.png","155\n154\nIn evidenza la fi nitura Old Style - Decoro Gigli\nMod. D.R. VELASQUEZ 304\u002F2\u002FD\nFinitura “Old Style” vinaccia decoro “Gigli”\nCF. 8\u002F7 - cimasa Lory\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.79.png","157\n156\nIn evidenza la fi nitura Old Style ed il decoro Margherite\nMod. D.R. VELASQUEZ 304\u002F2\nFinitura “Old Style” cuoio\ndecoro “Margherite”\nCF. 8\u002F7 - cimasa Lory\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.80.png","159\n158\nIn evidenza la fi nitura Old Style ed il decoro “Edera”\nMod. D.R. VELASQUEZ 304\u002F2\u002FD\nFinitura Old Style rosso decoro “Edera”\nCF. 8\u002F7 - cimasa Lory\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.81.png","Mod. D.R. VELASQUEZ 304\u002F2\u002FD\nCountry Celeste decoro “Gigli”\nCF. 8\u002F7\n160\n161\nIn evidenza la finitura Country celeste decoro Gigli\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.82.png","Mod. CANTARINI 304\u002FD \nVeneziano patinato decoro Limoges\nCF. 8\u002F7 - cimasa Lory \nin evidenza la finitura Veneziano patinato decoro Limoges\n163\n162\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.83.png","165\nMod. CANTARINI 304\u002FD\nCountry toscano verde decoro Petali - CF. 14\n164\nin evidenza la finitura country toscano decoro Petali\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.84.png","167\n166\nMettere particolare di questa\n(manca)\nMod. CANTARINI 304\u002FD\nCountry toscano grigio decoro Rombo\nCF. 8\u002F7\nMettere particolare di questa\n(manca)\nin evidenza la finitura country toscano grigio\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.85.png","Mod. PIETRO DA CORTONA 304\u002F1\ndecapè anticato verde finitura cera\nCF. 8\u002F7 - cimasa LORY\n169\n168\nMod. D.R. VELAZQUEZ 304\u002F2\ndecapè anticato bianco finitura cera\nCF. 8\u002F7\nMod. PIETRO DA CORTONA 304\u002F1\ntoulipier scuro\nCF. 8\u002F7 - cimasa LORY\nMod. H. REMBRANDT 305\ntoulipier chiaro\nCF. 8\u002F7\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.86.png","Un po’ di storia....................................................................   Il Settecento\nNel Settecento lo stile Rococò subisce tutte le innovazioni maturate nel Seicento. Va ricordato che nel Seicento \nviene completamente rivoluzionata la tecnica della lavorazione del legno. L’incastro (in uso nei secoli precedenti) \nper congiungere le varie parti dei mobili viene soppiantato dall’incollaggio. Sempre durante questo periodo si \ncostruirono i primi mobili impiallacciati. A differenza del mobile massiccio, fabbricato con un unico legno, quello \nimpiallacciato ha lo scheletro in legno più corrente rivestito da lamine sottilissime di legni più pregiati. Un’altra \nimportante rivoluzione nel campo del processo costruttivo dei prodotti è la specializzazione; la parte decorativa \nassume una tale importanza da richiedere l’opera di esperti per realizzarla. Una porta di un certo pregio veniva \ncostruita dal mobiliere, intagliato dallo scultore e, se c’erano decorazioni dorate, sbalzata dal bronzista. I motivi \npredominanti del settecento sono del tipo “rocaille” (conchiglia asimmetrica) foglia d’acanto, fogliami intrecciati, \nfrutti e simboli armoniosi. Tipiche le decorazioni di carattere cinese che si trovano sugli arredi dipinti e laccati. \nEcco perché accanto ai legni tradizionali (noce quercia e faggio) vengono impiegati anche legni teneri come il \ncirmolo, il tiglio e il pioppo, di più facile lavorazione e che più si prestano a venire dipinti. \n170\n‘700\n‘700\n‘700\n‘700\n‘700\n‘700\n‘700\n‘700\n‘700\n‘700\n‘700\n‘700\nA bit of history........................................................      The Seventeen hundreds\nIn the Seventeen hundreds, the Rococo style encapsulated all the innovations matured during the Sixteen \nhundreds. We ought to remember that, in the Sixteen hundreds, wood crafting techniques were completely \nrevolutionised. Interlocking joints (used in the previous centuries) were replaced by glue. This was also the \nperiod in which the fi rst veneered furniture made its debut. Unlike solid wood furniture, made from a single \npiece of wood, veneered furniture has a framework of more common wood covered by very fi ne layers of \nmore valuable wood. Another important revolution in the construction of these products was specialisation. \nThe decorative part assumed such importance as to require the talents of expert craftsmen. A door of a certain \nvalue was made by the carpenter, carved by the sculptor and, if it was decorated with gilded motifs, embossed \nby the bronze expert. The main motifs of the Seventeen hundreds were the “rocaille” (asymmetrical shell), \nthe acanthus leaf, interwoven leaves, fruit and harmonious symbols. Chinese-style decorations were typical \nand could be found on painted and lacquered furnishings. This is why in addition to traditional types of wood \n(walnut, oak and beech) soft woods such as linden and poplar were used, being easy to work with and more \nsuitable for painting.\n171\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.87.png","Mod. S. CANTOSI 712\u002FQQ\u002FA Pant. A\nfinitura veneziano patinato D-1,\nCF. 5 con tozzetti inferiori e piramidi superiori\n172\nMod. S. CANTOSI 712M\u002FQQ\u002FA Pant. A\nfinitura veneziano patinato D-2\nCF. 8\u002F7\nMod. S. CANTOSI 722\u002FQQ\u002FB Pant. B\nfinitura veneziano patinato D-1\nCF. 8\u002F7\n173\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.88.png","In evidenza: cimasa A\nIn evidenza: cimasa B\nMod. CANTOSI 712\u002FQQ\u002FA\u002FV Pant. A\nVeneziano patinato D-1 vetro LD-03\ncimasa C con decoro D-1\n CF. 5 con tozz. inferiori e piramidi superiori\n175\n174\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.89.png","177\nMod. S.CANTOSI 712M\u002FQQ\u002FA Pant. A\nveneziano patinato D-2 (senza decoro)\nCF. 8\u002F7\nMod. S.CANTOSI 712\u002FQQ\u002FA Pant. A\nPannellato anticato decoro D-70\nCF. 5 con tozzetti inferiori e piramidi superiori\nin evidenza la finitura pennellato anticato decoro D-70\n176\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.90.png","179\nMod. S.CANTOSI 712\u002FQQ\u002FA Pant. A\nfinitura pennellato anticato decoro D-90\nCF. Nuovo Barocco\nin evidenza la finitura pennellato anticato D-90\n178\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.91.png","Mod. S.CANTOSI 722C\u002FQQ\u002FB Pant. B\nPatinato Marmorizzato D-7\nCF. 5 con tozzetti inferiori e piramidi superiori\nMod. S.CANTOSI 722C\u002FQQ\u002FA Pant. A\nPennellato Anticato D-20\nCF. 5 con tozzetti inferiori e piramidi superiori\n181\n180\nIn evidenza:\npennellato Anticato D-20\nIn evidenza:\npatinato marmorizzato D-7\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.92.png","182\n183\nMod. S.CANTOSI 722C\u002FQQ\u002FB Pant. B\nveneziano patinato D-82\nCF. 5 con tozzetti inferiori e piramidi superiori\nMod. S.CANTOSI 712M\u002FQQ\u002FA\u002FCP Pant. A\nCurva in pianta - veneziano patinato D-1\nCF. 5 con tozzetti inferiori e piramidi superiori\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.93.png","185\n184\nMod. VILLA DEMIDOFF 744\u002FQQ\u002FZ Pant. Z\nveneziano patinato D-86\nCF. Lory\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.94.png","187\n186\nMod. VILLA DEMIDOFF 744\u002FQQ\u002FZ Pant. Z\nveneziano patinato D-84\nCF. Lory\nin evidenza veneziano patinato D-84\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.95.png","Mod. VILLA GRABAU 713 OV\u002FQQ\u002FA\u002FV Pant. A\nVeneziano patinato D-33 (senza decoro)\n CF. 5 con tozz. inferiori e piramidi superiori\nvetro LD-04 - cimasa B\n189\n188\nIl vetro LD-04 rilegato a piombo\ncon decoro a grisaglia\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.96.png","191\nMod. VILLA GRABAU 713 OV\u002FQQ\u002FA\u002FAP\u002FV Pant. A\nVeneziano patinato D-32 \nCF. 5 con tozz. inferiori e piramidi superiori con cimasa “B”\ncon applicazioni e vetro LD-04\n190\nIn evidenza: Veneziano patinato D-33\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.97.png","Mod. VILLA GRABAU 713 OV\u002FQQ\u002FA\u002FAP\u002FINT Pant. A\nVeneziano patinato D-33 (senza decoro) \nCF. Leo con fi ore e tozz. inferiori\nOvale con intaglio e applicazioni\n193\n192\nIn evidenza: veneziano patinato D-33\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.98.png","195\n194\nMod. BISANZIO 713RM\u002FQQ\u002FA Pant. A\nVeneziano patinato D-33\nCF. Bisanzio - cimasa Bisanzio\nIn evidenza: veneziano patinato D-33\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.99.png","Mod. POMPEIANA 755\u002FQQ\u002FP Pant. P\nPatinato Decorato D-9 CF. Pompeiana - cimasa Pompeiana\n197\nIn evidenza: patinato Decorato D-9\n196\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.100.png","199\n198\nMod. PAESTUM 755\u002FQQ\u002FP Pant. P\nPatinato spugnato con ornato D-46\nCF. Leo con fiori e tozz. inferiori\nIn evidenza: patinato spugnato con ornato D-46\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.101.png","201\n200\nMod. ERCOLANO 755\u002FQQ\u002FP Pant. P\nPatinato spugnato con ornato D-42\nCF. 5 con tozz. inferiori e piramidi superiori\nIn evidenza: patinato spugnato con ornato D-42\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.102.png","203\n202\nMod. ERCOLANO 755\u002FQQ\u002FP Pant. P\nPatinato spugnato con ornato D-42\nCF. Leo con fi ori e tozz. inferiori\nMod. ERCOLANO 755\u002FQQ\u002FP Pant. P\nPatinato spugnato con ornato D-43\nCF. 5 con tozz. inferiori e piramidi superiori\nIn evidenza il patinato spugnato con ornato\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.103.png","204\nMod. TIZIANO 714M\u002FQQ\u002FA Pant. A\nCraquelé screziato D-32\nCF. 5 con tozz. inferiori e piramidi superiori\n205\nIn evidenza: craquelé screziato D-32\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.104.png","207\n206\nMod. TIZIANO 714M\u002FQQ\u002FA Pant. A\nFinitura Bucciato invecchiato decoro Madrid\nCF. Nuovo Barocco\nIn evidenza la finitura Bucciato invecchiato ed il decoro Madrid\n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.105.png","209\n208\nMod. VILLA CARLOTTA 764\u002FQQ\u002FA Pant. A\nAntico acquerello D-60\nCF. Nuovo Barocco\nIn evidenza la finitura Antico acquerello D-60\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.106.png","211\n210\nMod. VILLA CARLOTTA 764\u002FQQ\u002FA Pant. A\nAntico acquerello D-60\nCF. 5 con tozzetti inferiori e piramidi superiori\nIn evidenza: antico acquerello D-60\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.107.png","213\n212\nMod. VILLA D’ESTE 763\u002FQQ\u002FA Pant. A\nAntiquariato decoro D-50\nCF. 5 con tozz. inferiori e piramidi superiori\nMod. VILLA D’ESTE 763\u002FQQ\u002FA Pant. A\nAntiquariato decoro D-50\nCF. Lory\nfi nitura: antiquariato decoro D-50\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.108.png","215\n214\nMod. VILLA PAOLINA 762\u002FQQ\u002FA Pant. A\nPatinato marmorizzato bianco D-34\nCF. Lory\nIn evidenza: patinato marmorizzato bianco D-34\n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.109.png","217\n216\nMod. VILLA PIOVENE 712\u002FQQ\u002FE Pant. E\nAntiquariato D-52\nCF. nuovo Barocco\nIn evidenza: antiquariato D-52\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.110.png","219\n218\nMod. VILLA PIOVENE 712\u002FQQ\u002FE Pant. E\nPergamena rigo aragosta\nCF. Barocco\nIn evidenza la fi nitura pergamena rigo aragosta\n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.111.png","221\n220\nMod. VILLA LA ROTONDA 762\u002FQQ\u002FE Pant. E\nGiotto spugnato D-61\nCF. nuovo Barocco\nIn evidenza la finitura Giotto spugnato D-61\n",111,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.112.png","223\n222\nMod. VILLA LA ROTONDA 762\u002FQQ\u002FE Pant. E\nAntiquariato D-53\nCF. 5 con tozzetti inferiori e piramidi superiori\nIn evidenza la finitura antiquariato D-53\n",112,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.113.png","Mod. VILLA LA ROTONDA 762\u002FQQ\u002FE Pant. E\nPatinato spugnato anticato D-35\nCF. nuovo Barocco\n225\n224\nParticolare della finitura\n",113,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.114.png","227\n226\nMod. VILLA LECCHI 745\u002FQQ\u002FD Pant. D\nCountry toscano bruno decoro Natura\nCF. 14\nMod. VILLA LECCHI 745\u002FQQ\u002FD Pant. D\nCountry toscano bruno (senza decoro)\nCF. 14\n",114,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.115.png","La finitura Damasco perla\nMod. VILLA MONTECCHIO 754\u002FQQ\u002FP Pant. P\nFinitura Damasco perla\nCF. 8\u002F7\n229\n228\n",115,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002Fa4\u002F4214ba56a95de737e7de58909be9fd.116.png","NEW DESIGN PORTE s.r.l.\n53035 MONTERIGGIONI (Siena)\nVia Provinciale Colligiana, 14\nTel. 0577 306075 - Fax 0577 304078\nwww.newdesignporte.com\ne-mail: newdesign@newdesignporte.com\n�\nsi ringrazia:\nBlanc Homecollection - Borgo la croce 32\u002Fr - Firenze\nCafi ssi - via Livorno, 8\u002F5 - Firenze - www.cafi ssi.com\nCasa Wolf - Borgo San Frediano 77 e 151r - Firenze\nChelini - via Don Perosi, 15 - Scandicci (Fi) - www.chelini.com\nConforma Design - Via dei Lecci, 11\u002F13 - Loc. Pian dei Peschi - Poggibonsi (Si) - www.conformadesign.com\nCrepeia - Via Pietrapiana 59\u002Fr - Firenze\nGiancarlo Zanessi  Tappeti & Manufatti - Via Maggio 74\u002Fr - Firenze - www.gzanessi.it\nIl Bronzetto - Via Romana 149\u002F151 - Firenze - www.ilbronzetto.com\nIl Piumaccio d’Oro - Borgo San frediano, 65\u002Fr - Firenze\nLeopoldi & Co - Piazza de’ Frescobaldi, 1\u002Fr - Firenze - www.leopoldoantichita.com\nSalvini - Strada Palazzuolo, 33 - Tavarnelle Val di Pesa (Fi) - www.salviniarredamenti.it\nSigma L2 - Via degli Olmi, 145 - Sesto Fiorentino (Fi) - www.sigmal2.it\nart buyer:\nAlice Parlanti\nstampa: \nFederighi Colorgrafi che - Certaldo (Fi)\nAzienda\ncertifi cata\n",116,[],0,false,true,{"success":480,"data":482,"meta":691,"count":692,"next":693,"previous":694,"results":726,"brand_chips":787},[483,496,505,514,523,532,541,551,561,572,584,597,606,619,631,641,651,660,670,682],{"id":484,"title":485,"slug":486,"image":487,"source":488,"brand_name":489,"brand":490,"brand_slug":491,"file_size":492,"pages":493,"pages_count":494,"matched_pages":495,"match_count":478,"two_pages":479,"show_text":480},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":497,"title":498,"slug":499,"image":500,"source":501,"brand_name":489,"brand":490,"brand_slug":491,"file_size":502,"pages":503,"pages_count":288,"matched_pages":504,"match_count":478,"two_pages":479,"show_text":480},26606,"Architectural Systems  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