[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-nemo-general-2023-2024":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":1715},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":1710,"matched_pages":1711,"match_count":1712,"two_pages":1713,"show_text":1714},13712,"General 2023-2024","nemo-general-2023-2024","\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fab\u002F29f7da9db08bf0ca569f74296c36b1-2775387a7f.pdf","Nemo",179,"nemo","33.2 MB",[14,17,21,25,29,32,36,40,44,48,51,55,59,63,67,71,75,79,83,87,91,95,99,103,107,111,115,119,123,127,131,135,139,143,147,151,155,159,163,167,171,175,179,183,187,190,194,198,202,206,210,214,218,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,404,408,412,416,420,424,428,432,436,440,444,448,452,456,460,464,468,472,476,480,484,488,492,496,500,504,508,512,516,520,524,528,532,536,540,544,548,552,556,560,564,568,572,576,580,584,588,592,596,600,604,608,612,616,620,624,628,632,636,640,644,648,652,656,660,664,668,672,676,680,684,688,692,696,700,704,708,712,716,720,723,727,731,735,739,743,747,751,755,759,763,767,771,775,779,783,787,791,795,799,803,807,811,815,819,823,827,831,835,839,843,847,851,855,858,862,866,870,874,878,882,886,890,894,898,902,906,910,914,918,922,926,930,934,938,942,946,950,954,958,962,966,970,974,978,982,986,990,994,998,1002,1006,1010,1014,1018,1022,1026,1030,1034,1038,1042,1046,1050,1054,1058,1062,1066,1070,1074,1078,1082,1086,1089,1093,1097,1101,1105,1109,1113,1117,1121,1124,1127,1130,1133,1136,1139,1142,1145,1148,1151,1154,1157,1160,1163,1166,1169,1172,1175,1178,1181,1185,1188,1192,1196,1200,1204,1208,1212,1216,1220,1224,1228,1232,1236,1240,1244,1248,1252,1256,1260,1264,1268,1272,1276,1280,1284,1288,1292,1296,1300,1304,1308,1312,1316,1320,1324,1328,1332,1336,1340,1344,1348,1352,1356,1360,1364,1368,1371,1375,1379,1383,1387,1391,1395,1399,1403,1407,1411,1415,1419,1423,1427,1431,1435,1439,1443,1447,1451,1455,1459,1463,1467,1471,1475,1479,1483,1487,1491,1495,1499,1503,1507,1511,1515,1519,1523,1527,1531,1535,1539,1543,1547,1551,1555,1559,1563,1567,1571,1575,1579,1583,1587,1591,1595,1599,1603,1607,1611,1615,1619,1623,1627,1631,1635,1639,1643,1647,1651,1655,1659,1663,1667,1671,1675,1679,1683,1687,1691,1695,1699,1703,1707],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.2.png","“Nemo emerges as an outsider with \nits unique collection from outstanding architects \nof the 20th century (Le Corbusier, Mario Bellini, etc...) \nand today’s designers, each determined to bring \nthe poetry and technique of their own time, \nas exemplified by the Bird lamp of Bernhard Osann.”\nMarie Godfrain, Le Monde\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.3.png","04\nEDITORIAL \n \n46\nCONTEMPORARY \n \n302\nMASTERS \n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.4.png","Fondation \nLe Corbusier\nMaison La Roche, Paris\n",4,{"image":30,"text":15,"number":31},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.5.png",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.6.png","6\nThe Le Corbusier Foundation, created in \n1968 in Paris, was born and implemented \ndown to its smallest detail by the great \nFrench architect of the twentieth century, Le \nCorbu, as he signed himself and was \naffectionately referred to by his admirers. \nAware of the need to preserve his work and \nprotect it from being wrongfully scattered, \nfor more than half a century the Foundation \ncontinues to disseminate the work as well as \nto preserve the rich materials in his \npossession, which includes most of his \noriginal drawings, studies and projects, a \ncollection of works of art, and written and \nphotographic archives. Also protected by the \nFoundation are Le Corbusier’s architectures, \nincluding the seventeen additions to the \nUNESCO World Heritage Site, as a \n«testimony to the invention of a new \narchitectural language that marked a break \nwith the past.\nThis conversation took place in early 2023 \nbetween Brigitte Bouvier and Federico \nPalazzari, CEO of NEMO Lighting.\nQ  We note a constant development \nof the Foundation’s \ninternational activity.\nHow has your international professional \nexperience in the French cultural service \ncontributed to this evolution?\nA Le Corbusier is the first «globalized» \narchitect, that is, he traveled and gave \nlectures all over the world to convince of his \nideas. He also welcomed in his studio young \narchitects who revolutionized the \narchitecture of their country, DOSHI in India, \nKIM CHUNG UP in Korea, MAEKAWA in \nJapan. The 17 works inscribed on the \nUNESCO World Heritage List since 2016 \ninclude 7 countries, so it is not surprising \nthat the Foundation’s international activity is \nso rich and lively.\nIn my career within the French cultural \nnetwork internationally, I learned to work in \nvery different cultural contexts and \ndeveloped the taste to create partnerships \nwith cultural institutions, local actors to \ndevelop artistic or academic exchanges \nbetween France and the countries where I \nworked (USA, Morocco and Poland).\nAt the Le Corbusier Foundation, I found this \ndynamic of partnerships and collaborations, \nfor example, with the City of Chandigarh on \nrestoration issues, with the American artists, \nGerard and Kelly, for danced performances \nin the architecture of Le Corbusier, or with \nJapan for the safeguarding of the Floating \nAsylum, a barge built by Le Corbusier to \nwelcome the homeless after the flood of 2018.\nThis year the Suzhou Biennale of Design and \nArchitecture in partnership with the \nFoundation is organizing an architectural \ncompetition on Le Corbusier’s shed as a model \nof minimal and sustainable housing. This \ninfluence of LC’s work internationally is also the \nresult of partnerships developed in recent years.\nMaison La Roche-Jeanneret, 1924, Rue Doctor Blanche, Paris.\nProjecteur 365 pendant, whitesand finish.\nConversation with Brigitte Bouvier, Director of the Fondation Le Corbusier.\nFondation Le Corbusier\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.7.png","7\nEscargot at La Luce Exhibition in Geneva, 2015\nQ  The Maison La Roche, headquarters of the \nFoundation, has become in recent years a \nmust-see destination for architecture lovers \npassing through Paris. \nDuring the visit, it happens to meet great \narchitects, important designers, writers, \nactors. What was the recipe for achieving this \nconsolidated and unique position in such a \nshort time?\nA No recipe, except the genius of Le \nCorbusier can be a more effective \ncommunication and diversification of our \npartnerships and actions beyond the world \nof architecture.\nQ  Your many international activities are \nhaving a significant impact on emerging \nmarkets, particularly in Asia. The cultural \nrole of the Foundation goes beyond Le \nCorbusier’s message and, in fact, transfers a \nset of values and experiences in a global way.\nWhat kind of interest do you see in these \ninitiatives?\nA The mission of the Foundation, which Le \nCorbusier created during his lifetime, is to \npreserve, make known and transmit a work that \nhas revolutionized the discipline and \narchitectural practice. Today we can see its \nability to bring together across borders, its \nuniversal and profoundly humanist value. LC’s \nwork and research find an echo that can be \namplified after the COVID crisis that has made \nus rediscover our interiors. \nIn 1925, when he imagined the Pavillon de \nl’Esprit Nouveau, LC was already anticipating \ncurrent expectations for architecture: more \ngreenery, more outdoor space, more comfort for \nthe development of each and to live better \ntogether.\nThe relationship with nature and ecological \nawareness were at the heart of his work.\nIn a 1961 lecture at the Faculty of Medicine in \nParis, he said:\n«Urban planning is a word that is wrong \nbecause it does not concern itself only with \nthe city; we all have to take care of \nsomething else, the Earth itself!»\nQ  When it comes to Le Corbusier’s lighting \nprograms, the partnership with Nemo has \nindeed revealed to the world projects that \nhave remained hidden for many years and \nimmediately became icons.\nWhat is the functional recipe for a research \nand product development activity between \nthe Foundation and Nemo?\nA Nemo contributes to the Foundation’s \nmissions: to make known and transmit \naspects of Le Corbusier’s work, such as the \ncreation of lighting and lighting systems for \narchitecture. Le Corbusier liked to say that:  \n«Architecture is the correct and \nmagnificent clever play of volumes \nassembled under the light.» \nIt is therefore not surprising that he also \ndesigned lighting for our interiors as well as \nfor public space as in Chandigarh.\nOur partnership with Nemo is based on trust, \na shared love for innovation and research, \nand also the desire to share the beauty of \nform and design. Our collaboration is also \nbased on the desire to transmit the history of \nobjects that remain as faithful as possible to \nthe first prototypes imagined by Le Corbusier. \nFondation Le Corbusier\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.8.png","8\nLe Corbusier at his Paris rue N.C. apartment \n© ph. Robert Doisneau - FLC\u002FADAGP.\nThe heritage dimension is as important as \nthe innovation dimension for works that \nremain timeless.\nQ  The Le Corbusier Foundation  is unique in \nthe world of architecture and in the context \nof institutions that are intended to transmit \nand perpetuate a certain type of values. \nIt is an organization of French law, whose \ncorporate purpose and operating rules were \ndictated by Le Corbusier himself.\nIn this context, how do you see the \ndevelopment of the Foundation and what do \nyou hope in general for the institutions that \ndeal with the conservation and dissemination \nin the world of architecture and design?\nA During his lifetime, Le Corbusier created \nthe Foundation that bears his name, and also \ndesigned its statutes and missions. Our role is \nalso to think about the future and to ensure that \nLe Corbusier’s work does not become a heritage \nobject but rather continues to inspire \nresearchers and creators, and is also discovered \nand rediscovered by younger generations.\nQ  Your offices and the Foundation are \nlocated in the splendid Maison La Roche \nbuilding, designed and built by Le Corbusier \nand a prestigious example of modern \narchitecture where we find for the first time \nthe architectural expression of the five points \nfor a new architecture. \nHow does it feel to work on a daily basis \ninside a building whose project so solidly \nrepresents Le Corbusier’s work?\nA Experiencing working in a Le Corbusier \nbuilding on a daily basis is both a great \nprivilege and a great joy. Living from day to \nday the research of Le Corbusier on light, \ncolor, openness to nature, is a source of \nemotion but also of responsibility for the \npreservation and transmission of this work. \nThis is a feeling shared by the entire \nFoundation team!\nQ  From what we can see, the link between \nthe Le Corbusier Foundation and the Italian \ncompanies, Cassina for furniture and Nemo \nfor lighting, is a link of success.\nWhat are the aspects of the Italian companies \nwith which you collaborate, especially Nemo, \nthat contribute to valuing Le Corbusier’s work?\nA We have a special relationship with \nItalian companies, Cassina and Nemo.\nCassina and Nemo are the historical \npublishers of Le Corbusier’s furniture and \nlighting and I believe we share not only an \nattachment to heritage but also a concern for \ninnovation and modernity. I am thinking of \nCassina’s ecological concern with its \nsustainable collection and Nemo’s constant \nsearch to make LC’s luminaires accessible \nworldwide and to transmit their history \nthrough exhibitions such as LUCE.\nQ  In your role as Director, which projects \nhave the Foundation carried out in recent \nyears that you are most proud of?\nFondation Le Corbusier\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.9.png","9\nMaison La Roche-Jeanneret, 1924, Rue Doctor Blanche, Paris.\nLa Roche, wall, grey finish.\nA Our work is a team effort and the most \nimportant project for the Foundation is not \nthe most visible and the most spectacular: it \nis the creation of a database that will allow all \naudiences around the world to have access to \nall the Foundation’s resources, archives, and \ncollections.\nThe project to create a Le Corbusier museum \nalso mobilizes us a lot because our collection \nof 8,000 drawings, 35,000 plans, paintings, \ntapestries, models, sculptures as well as the \narchives of the agency of 35 Rue de Sevres \nand Le Corbusier is not exhibited, nor \naccessible but kept in warehouses.\nQ  Can you tell us about the most important \nprojects for the near future that the \nFoundation is following?\nThe Foundation must think about the future, \nand we have been working for several years \non a project: the creation of a Le Corbusier \nMuseum. We have a considerable collection \nthat is kept in storage and that we would like \nto make available to the public.\nWe also think of this museum as a research \ncenter on architecture and the city, which \nalso raises the question of the social and \nenvironmental responsibility of the architect.\nFondation Le Corbusier\n",9,{"image":49,"text":15,"number":50},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.10.png",10,{"image":52,"text":53,"number":54},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.11.png","Perriand\nArchives\nRefuge Tonneau, mock-up \n© AChP\u002FADAGP\n",11,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.12.png","12\nConversation with Pernette Perriand-Barsac, \ndaughter of Charlotte.\nQ  As a result of your many international \nactivities, Charlotte Perriand has become, in \na way, an ambassador of architecture and \ndesign in the world as well as a charismatic \nand unique feminine symbol.\nWhat are the elements that make Charlotte \nPerriand’s work and personality so much of \nher era and yet still contemporary?\nA For 70 years, Charlotte Perriand created \ntimeless designs. Since the 1930s her \nfurniture and lighting designs still continue \nto fit any contemporary home.\nWhether it be her profession or her \nmountaineering, a sport she practiced since \nthe age of 20, Charlotte Perriand always \nmaintained an equal standing with men. \nWhen climbing to the top of a 4,000 m \nmountain, men and women are equal. \nLike today’s young women, from the age of 18 (in \n1921), she traveled alone to Italy, then to Switzerland, \nEngland, Germany, Greece, and Russia. \nIn 1940, at the age of 37, she went to work in \nJapan, with the mission of guiding the \ncountry in the field of design. She had a \nsalary equivalent to that of the Japanese \nPrime Minister. For a patriarchal country, \nthat was an indisputable sign of recognition. \nCharlotte Perriand had always been a free \nwoman. Her relationship to the body, to life, \nand to art always represented a deep sense \nof freedom. \nShe divorced in 1932, left her studio in Place \nSaint-Sulpice with two plates, cutlery, a pair \nof skis, and remarried under bombs in \nVietnam in 1945. \nQ  Your many international activities are \nhaving a significant impact on emerging \nmarkets, particularly in Asia. The cultural \nrole of the Charlotte Perriand Archives goes \nbeyond Charlotte Perriand’s message and, in \nfact, transfers a set of values and experiences \nin a global way.\nWhat kind of interest do you see in these \ninitiatives?\nA The Charlotte Perriand Archives reflect \nCharlotte Perriand’s philosophy: to enrich \noneself with the differences, the know-how of \nothers, and to blend the riches of cultures, \nimproving each, without copying the other.\nCultures advance by enriching each other. \nWhat would the art of ancient Rome be \nwithout Greek art? What would French art \nbe without the Italian Renaissance? \nWhen Charlotte Perriand arrived in Japan, \nshe immediately understood the enrichment \nshe could derive from the religion of Tea \n(Zen) and Japanese civilization that knew \nneither tables, nor beds, nor chairs, nor \ncutlery except chopsticks. She often said the \nvoid is all-powerful because it can contain all \nof them. Interior architecture is also about \norganizing the emptiness of the home.\nIn exchange, it brought the Japanese a new \nvision of the world.\nYesterday as today, the meeting of Asia and \nthe West is immensely rich. This is not new. \nThink of Marco Polo. Italian cuisine would \nnot be what it is without him. The Silk Road \nhas nourished the West and vice versa. \nPerriand Archives\n",12,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.13.png","13\nPerriand Archives      Original Pivotante à Poser sketch by Charlotte Perriand. © FLC\u002FADAGP.\n",13,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.14.png","14\nQ  Regarding Charlotte Perriand’s lighting \nprograms, the partnership with Nemo has \nindeed revealed to the world projects that \nhave remained hidden for many years and \nimmediately became icons.\nWhat is the functional recipe for a research \nand product development activity between \nthe Archives and Nemo?\nA Every year we look for new drawings in \nthe Archives, and then we discuss them with \nFederico Palazzari, who jumps on the \nprojects like a great chef grabs a recipe that \nhe had forgotten. \nIt is always a pleasure to work with Nemo \nbecause we do current publishing, using the \nconstraints of contemporary standards and \ntechniques. Charlotte Perriand’s creations \nedited by Nemo are not dead, frozen in time. \nCharlotte loved technical innovation. \nIntroducing LEDs that did not exist in the \n50s or 60s is natural, because Charlotte \nPerriand’s approach was also to adapt to the \nrealities of the present.\nQ  From what can be seen, the link between \nthe Charlotte Perriand Archives and Italian \ncompanies, Cassina for furniture and Nemo \nfor lighting, is a link of success.\nWhat aspects of the Italian companies with \nwhich you collaborate, especially Nemo, \ncontribute to valuing Charlotte Perriand’s \nwork?\nA Nemo and Cassina always work with an \ninternational perspective. They are \nindustrialists on a human scale who think of \nthe greater number, and who establish a \nbalance between an author’s projects (as we \nsay auteur cinema) and the general public.\nCassina or Nemo immediately understand the \nprojects when presented to them. We choose \ntogether and go directly to the prototype. \nNemo has a sense of showcasing projects \nwith simple means, like Charlotte’s lighting.\nQ  Can you tell us about the most important \nprojects for the near future that the \nArchives follow?\nA We are looking forward to the prototype \nof the next luminaire. \nAnd especially the next Charlotte Perriand \nexhibition in a major Italian museum. For  \nnow, it is a secret!\nQ  In your opinion, is there a project, an \nobject, or a lamp from Charlotte Perriand’s \ncollection that summarizes and synthesizes \nher values in one way or another? \nA The Applique à Volet Pivotant wall lamp is \na masterpiece of design. It is available in \nseveral variations and adapts to all \nconstraints. It is a butterfly on the wall that \nilluminates the world close to the gaze. \nSometimes it is downright a multicolored \nand joyful sculpture as if a flight of \nbutterflies had landed by good fortune.  \nPortrait of Charlotte Perriand. © FLC\u002FADAGP.\nPerriand Archives\n",14,{"image":68,"text":69,"number":70},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.15.png","15\nPerriand Archives      Original Applique a volet pivotant sketch by Charlotte Perriand. © FLC\u002FADAGP.\n",15,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.16.png","Le Corbusier, Picasso and Lampe de Marseille at Unité d’Habitation, Marseille France\n",16,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.17.png","Conversations with\nRudy Ricciotti\nArihiro Miyake\nBernhard Osann\nGuillaume Bloget\nCharles Kalpakian\nValerio Sommella\n",17,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.18.png","18\nRudy Ricciotti\nQ What does drawing light \nmeans for you?\n \nR.R. Either derision, Christian \nguilt, paranoia, or existential \ndifficulty are the necessary \ndrivers of research and development work.\nQ What is the most complicated aspect in \ndesigning a lamp?\n \nR.R. To run the exception one runs the \nridiculous, said a philosopher of the \nEnlightenment. The trap is there! Originality \nhas become the kitsch of pornography.\nQ Where does the inspiration for your Nemo \nlamps come from?\n \nR.R. The economy of material, recycling, \nresistance to destruction were the \ndoctrinaire basis of this creation.\nQ The ideal place where you would like to \nsee your work installed?\n \nR.R. I don’t have that fantasy!\nQ The future of lighting design from your \npoint of view?\nR.R. The less we enlighten, the better we’ll be!\nThe cultivation of artificial light must not \nbecome exhibitionism.\nMais Plus Que Cela Je Ne Peux Pas. Designed by Rudy Ricciotti.\nConversation with Rudy Ricciotti\n",18,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.19.png","19\nArihiro Miyake\nQ What does drawing light \nmeans for you?\n \nA.M. Lighting always presents \ntwo different purposes: one of \ncourse is to create light, which \nis necessary, but at the same \ntime there is also the function of creating space, \natmosphere. \nSo, I would say that there are two ways of \ndesigning that: either a light just disappearing \ninto the space or becoming a character and \ndefining the room. I personally believe that in \nmost of the cases independent designers should \ndesign objects with a character, a strong one.\nQ What is the most complicated aspect in \ndesigning a lamp?\n \nA.M. Lighting has dramatically changed \nbecause of LED. Before you designed just \nthe shade, and today you can even design the \nlighting source itself. We have more freedom \nbut, at the same time, I need to go beyond \nthe conventional idea of lighting objects.\nQ Where does the inspiration for your Nemo \nlamps come from?\n \nA.M. I am inspired by everything. It is not \na linear process, one day after the other: \nsometimes an idea stays in my mind for years \nuntil it matches with another. I am constantly \ninterested in new technologies and when \nI find something special, I try to understand \nhow it works. I am fascinated with bridges \nas well, their construction and their \nstructures. I am putting these things together.\nQ The ideal place where you would like to \nsee your work installed?\n \nA.M. Places where peoples likes it! And can \nappreciate it at its best. Other than that, in \nmy career I designed several restaurants. \nSo, when I design a lamp, I always consider \nthese kinds of locations. Nemo lights, for \ndimensions and not only for that, are suitable \nfor community places like restaurants.\nQ The future of lighting design from your \npoint of view?\n \nA.M. I don’t know if my believes and reality \nwill match but I think that lighting in our lives \nwill be more sophisticated, more than now. \nJust think about the electricity costs and \nthe impact of that consumption. It will be \nmore and more crucial, and the designers’ \ncontribution will be interesting because we \ndon’t stuck with one technology or one \npossibility. What I mean is that a table is \nalways a table, with four legs. Same for a chair. \nThe lighting could be dramatically \ntransformed, I don’t know how and I am \nlooking forward it. It has already happened \nwhen we started using the LED instead of \nlight bulbs, and it may continue furthermore.\nKepler minor, pendant. Designed by Arihiro Miyake.\nConversation with Arihiro Miyake\n",19,{"image":88,"text":89,"number":90},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.20.png","20\nBernhard Osann\nQ What does drawing light \nmeans for you?\n \nB.O. Light is immaterial, \nkind of magic. It strongly \ninfluences how we perceive \nour environment. I use light purposefully \nand selectively. For me it is important to \nallow you to dose the intensity of light and \nto spread light within a room in different \nways. The flexibility of the lamp plays a \nparticular role. It helps to apply the light \nprecisely where it’s needed.\nQ What is the most complicated aspect in \ndesigning a lamp?\n \nB.O. A new lamp should have a certain \neligibility, should offer something new, \nsomething better regarding to its technology, \nfunction, and design. The starting point is \na strong basic idea, a concept. It determines \nthe design. I try to find the right balance \nbetween the lamp as a sculpture and a tool. \nDepending on its application, the design \ntends more to one of these poles.\nQ Where does the inspiration for your Nemo \nlamps come from?\n \nB.O. Essentially inspiration is everywhere. \nCreativity is like an inner pool of impressions \nwhich you can access and combine with no \nlimits. For me, essential impressions come \nfrom nature, physics, and geometry. I like the \ndesign process \nto be playful and experimental. I am eager to \ntry something new and push the limits.\nQ The ideal place where you would like to \nsee your work installed?\n \nB.O. My lights are filigree and graphic in their \nappearance. The ideal location would be a spot \nwhich leaves enough space for the lamp to \nenrich the room with its light and shape and \ncreate a good atmosphere in the room. I like to \nsee my lamps together with beautiful natural \nmaterials such as wood which accentuates the \ncontrast to their graphic appearance.\nQ The future of lighting design from your \npoint of view?\nB.O. The fusion of different areas of life \nrequires increasingly flexible lighting options. \nIn the future, luminaires must meet these \nrequirements both technically and \naesthetically.\nAt the same time, responsible resource \nmanagement will also come into focus, as in all \nother areas. I believe that durable, high-quality \nproducts will prevail in the long run.\nSwan plus, wall. Designed by Bernhard Osann.\nConversation with Bernhard Osann\n",20,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.21.png","21\nGuillaume Bloget\nQ What does drawing light \nmeans for you?\n \nG.B. A lamp is designed \naround a technology: the \nlight source. It’s a playground \nfor design where you have to link light effects, \ntechnology and interaction. Since the subject \nis the light itself, what is the status of the \nobject that produces it? From this point of \nview, Type lamp is a tool, the search for the \neffect ends up determining the shape.\nQ What is the most complicated aspect in \ndesigning a lamp?\n \nG.B. As with all objects: the hardest part is \nmaking a product that deserves to exist in a \ncontext saturated with objects. It’s a real \nresponsibility for designers today. You must \ntake a step back and be able to ask yourself \nthe question: Is this object innovative \nenough? Not only technically, but also \naesthetically. What are the benefits of this \nnew piece compared to the existing ones?\nQ Where does the inspiration for your Nemo \nlamps come from?\n \nG.B. It is an uninspired lamp! I mean, there \nwas no vision or click. It results from a pure \nreflection on the modularity of light. How to \noffer a great possibility of lighting with the \nmost economical gesture. The Type lamp is \nthe interface between these two goals.\nQ The ideal place where you would like to \nsee your work installed?\n \nG.B. Everywhere, except on a sidewalk…\nQ The future of lighting design from your \npoint of view?\n \nG.B. As with any object that depends directly on \na technology, lamps will be more and more \nimmaterial, efficient, intuitive, and integrated \ninto the environment. A futuristic glimpse of \nlight in our spaces could be a stage by Robert \nWilson. His projects are brilliant choreographic \nsyntheses between bodies, lights, objects and \nmusic. Nothing can be taken away or added, \neverything is balanced. And that is what makes \nthe emotional power of his work. Coming back \nto lighting, I think that an overview - the body \nin space - associated with a choreographic \ndimension can nourish the reflection. Ideally, \nthe light of the future should be a kind of \nluminescent gaseous cloud in levitation, that \nyou can’t dissociate clearly from the space. \nMaybe I should talk to Federico Palazzari about \nthat: he has a very good engineering team.\nType, floor. Designed by Guillaume Bloget.\nConversation with Guillaume Bloget\n",21,{"image":96,"text":97,"number":98},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.22.png","22\nCharles Kalpakian\nQ What does drawing light \nmeans for you?\n \nC.K. Drawing light on paper is \nvery interesting because you \nhave to express light without \nreally seeing it. Light is a source of \nimagination in my daily life. When I draw a \nlight, i know exactly what effect I’m trying to \nexpress. Light is above all a personal \nexpression, but in the same time connected \nto collective memory. Light gives a frame in a \nscene, it’s what I define first when I start to \ncreate a lamp.\nQ What is the most complicated aspect in \ndesigning a lamp?\n \nC.K. It’s to create nice shadows ;) The light \nand the shadow are connected.\nThe most challenging part is around this \nlight source. Every light has its own story, \nbecause designing lamps is designing \nfunction and application in and for a space, \nwhich requires research into the interaction \nof light in our daily lives. How people will \nuse them and in what context. It takes time \nand patience to move from a concept to the \nreality of a product. To be convinced of a \nconcept is to take the time.\nQ Where does the inspiration for your Nemo \nlamps come from?\n \nC.K. I admire the light coming from Chiaro-\nscuro, which has fascinated me since I \nstarted working with Nemo. I like to work \nwith the contrast of geometrics volumes. My \nreference in this discipline are Brancusi, \nEdouardo Chillida. My approach is both \nplastic and sculptural, because the object has \nto live both off and on, it has to fit into the \narchitecture without hiding it, on the \ncontrary it contributes to its perception. I’m \nalways to bring function for a light but a \ntheatrical dimension.\nQ The ideal place where you would like to \nsee your work installed?\n \nC.K. It will be at La Fabrica of Ricardo Bofill, \nan architectural masterpiece where shadows, \nluminosity and concrete create endless \nmutation and stories. Every space, corners, \nwindows and walls of this building is a \njourney for the visitor.\nQ The future of lighting design from your \npoint of view?\nC.K. I think the future of lighting is the \nmutation. Light has always moved society \nforward; it reflects its modernity. Research \nhas shown that lighting has a significant \nimpact on our circadian rhythms, mood, and \noverall health, so maybe the future is more \nHuman Centric Lighting.\nWall Shadows Grand, wall. Designed by Charles Kalpakian.\nConversation with Charles Kalpakian\n",22,{"image":100,"text":101,"number":102},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.23.png","23\nValerio Sommella\nQ What does drawing light \nmeans for you?\n \nV.S. Designing light has \nalways been one of the most \nfascinating aspects of my \nwork, which over the years has allowed me to \ndesign everything, for the simple fact that \nnothing like light can transform the space \naround us. Light has immense power, it can \nmake the ugly beautiful and vice versa, and I \nfind that designing the objects that convey it \nis a great privilege.\nQ What is the most complicated aspect in \ndesigning a lamp?\n \nV.S. One of the most complex aspects is to \nimagine the behaviour of the light and its \ninteraction with the other materials that \nmake up the lamp, as well as the transition \nfrom the rough idea to the final product... as \nsimple as it may seem, a lamp is almost \nalways a complex object.\nQ Where does the inspiration for your Nemo \nlamps come from?\n \nV.S. The Portofino lamp is the result of a \nstudy on portable lamps and the desire to \ncreate a slim, slender and elegant object. A \npresence on the table that would not obstruct \nthe eye while offering excellent illumination. \nFrom these considerations comes the tapered \nstem, the slender wide head, counterbalanced \nby the marble base, a strongly characterising \nand distinctive element.\nQ The ideal place where you would like to \nsee your work installed?\n \nV.S. I would start in some restaurant in \nPortofino, on some terrace by the sea, \nalthough I imagine it would be just as well in \ncontract contexts as in residential settings \nsuch as the long table in my house where I \nnever wanted a pendant lamp.\nQ The future of lighting design from your \npoint of view?\nV.S. The lighting sector is technologically very \nmuch alive and evolving in many respects. \nOne example is what we have done today \nwith Portofino, unthinkable 10 or 15 years \nago. I expect the same from the future, to be \nable to think and do things that would seem \ncrazy today.\nPortofino, table, black, sahara noir marble. Designed by Valerio Sommella.\nConversation with Valerio Sommella\n",23,{"image":104,"text":105,"number":106},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.24.png","01\n",24,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.25.png","02\n",25,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.26.png","03\n",26,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.27.png","04\n",27,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.28.png","05\n",28,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.29.png","06\n",29,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.30.png","07\n",30,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.31.png","08\n",31,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.32.png","09\n",32,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.33.png","10\n",33,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.34.png","11\n",34,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.35.png","12\n",35,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.36.png","13\n",36,{"image":156,"text":157,"number":158},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.37.png","14\n",37,{"image":160,"text":161,"number":162},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.38.png","15\n",38,{"image":164,"text":165,"number":166},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.39.png","16\n",39,{"image":168,"text":169,"number":170},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.40.png","17\n",40,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.41.png","18\n",41,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.42.png","19\n",42,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.43.png","20\n",43,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.44.png","44\n01 On Lines white, colored diffuser by Jean \nNouvel.\n02 La Fondation Cartier pour l’art \ncontemporain, Paris, by Jean Nouvel.\n03 Musée des civilisations de l’Europe et de la \nMéditerranée (MuCEM) by Rudy Ricciotti\n04 Portrait of Rudy Ricciotti.\n05 Original Drop sketch by Arihiro Miyake.\n06 The helical shape of In the Wind achieved \nthrough a technique developed specifically by \nNemo.\n07 ‘Pianeta Ufficio’ presentation \nby MARCATRE - 1974 - ph. Gabriele Basilico.\n08 © C&T_tHEcUBE in the Nemo Virtual \nMuseum, Luca Baldocchi.\n09 Portrait of Javier Mariscal - ph. Elena \nClaverol.\n10 Original Mr. Light sketch by Javier Mariscal.\n11 Etching from «Architettura povera» by \nAndrea Branzi - 2018.\n12 Portrait of Andrea Branzi - ph. Kai \nJuenemann. \n13 Portrait of Charles Kalpakian. \n14 Original Tubes sketches by Charles \nKalpakian.\n15 Original Neo sketches by Bernhard Osann.\n16 Portrait of Bernhard Osann.\n17 Type reading lamp by Guillaume Bloget.\n18 Original Type sketches by Guillaume \nBloget.\n19 Ellisse sketches by Federico Palazzari.\n20 Nemo Lighting catalogue cover, 1997.\n",44,{"image":188,"text":133,"number":189},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.45.png",45,{"image":191,"text":192,"number":193},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.46.png","46\n48 \nDrop \nArihiro Miyake\n56 \nFox \nBernhard Osann\n60 \nOn Lines \nJean Nouvel\n66 \nNeo \nBernhard Osann\n70 \nNuvola \nMario Bellini\n78 \nSwan \nBernhard Osann\n84 \nTitia \nArihiro Miyake\n88 \nUntitled \nBernhard Osann \n100 \nCrown \nJehs+Laub \n116 \nBird \nBernhard Osann\n120 \nKepler \nArihiro Miyake\n126 \nIn The Wind \nArihiro Miyake\n134 \nNewton \nAndrea Branzi\n138 \nTru \nRoberto Paoli\n144 \nEllisse \nFederico Palazzari\n154 \nFix \nNemo\n158 \nMais plus que cela je ne peux pas \nRudy Ricciotti\n164 \nTubes \nCharles Kalpakian\n174 \nFlaca \nRoberto Paoli\n178 \nWall Shadows \nCharles Kalpakian\n184 \nPanama \nEuga Design\n190 \nAra \nIlaria Marelli\n196 \nType \nGuillaume Bloget\n200 \nLogo \nMario Barbaglia\n204 \nCanna Nuda \nPiero Castiglioni, Roberto Menghi\n210 \nMr. Light \nJavier Mariscal\n214 \nIlium \nFoster + Partners\n218 \nZena \nRoberto Paoli\n222 \nPortofino \nValerio Sommella\n226 \nLinescapes System \nNemo\n240 \nAsteroide \nNemo\n244 \nDabliu \nNemo\n248 \nSpigolo \nStudiocharlie\n254 \nMaga \nNemo\n260 \nLinescapes \nNemo\n268 \nSirius \nCarlo Colombo\n272 \nNorma \nMario Barbaglia\n276 \nAnita \nMario Barbaglia\n",46,{"image":195,"text":196,"number":197},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.47.png","CONTEMPORARY\n",47,{"image":199,"text":200,"number":201},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.48.png","48\n“A soft echo of strong, diffuse light”\nArihiro Miyake\nDrop 7 \nsatin silver\n",48,{"image":203,"text":204,"number":205},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.49.png","49\nDrop\nArihiro Miyake\nDrop 9\n",49,{"image":207,"text":208,"number":209},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.50.png","50\nDrop 5 \nblack\n",50,{"image":211,"text":212,"number":213},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.51.png","51\nDrop 9 \nsatin gold\n",51,{"image":215,"text":216,"number":217},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.52.png","52\nDrop 9 \nblack\n",52,{"image":219,"text":15,"number":220},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.53.png",53,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.54.png","54\nInstinct and constant design diligence in a \ncollection that is the outcome of a sophisticated \nlighting engineering. A clear lines chandelier \ncombined with an extremely slim aluminium \nstructure for a soft echo of strong and diffused \nlight. Each profile and connector is linked \nthrough a miniaturised connection for a unique \nresult of suspended lightness.\nIstinto e costante diligenza progettuale in una collezione che è il \nrisultato di una sofisticata ricerca di ingegneria illuminotecnica. \nDrop è un chandelier dalle linee pulite, abbinate a una struttura in \nalluminio estremamente sottile per un'eco morbido di luce decisa e \ndiffusa. Ogni profilo e giunzione è collegato attraverso una struttura \nminiaturizzata per un risultato unico di leggerezza sospesa.\nIT\nFR\nDE\nInstinct et constante attention de conception, c’est le résultat \nd’une recherche sophistiquée de l’ingénierie de l’éclairage. Drop \nest un lustre aux lignes épurées, associées à une structure en \naluminium extrêmement fine pour un écho soft de lumière intense \net diffuse. Chaque profilé et jonction est relié par une structure \nminiaturisée pour un résultat unique de légèreté suspendue.\nGespür und konsequente Sorgfalt beim Design einer Kollektion, \nderen Ergebnis eine anspruchsvolle Lichtgestaltung ist. Ein \nKronleuchter mit klaren Linien, kombiniert mit einer extrem \nschlanken Aluminiumstruktur für ein sanftes und zugleich \nstrahlendes Licht. Jedes Modul und jedes Verbindungsstück ist \ndurch eine minimale Konstruktion miteinander verbunden, was zu \neiner einzigartigen schwebenden Leichtigkeit führt. \nSatin gold\nSatin silver\nBlack\nDrop finishes\nDrop\n",54,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.55.png","55\nDrop 5 Pendant\nTechnical information\nLinear LED\n35W\nDiffused emission\nDimmable 1-10V\n110-240V\nCCT 2700K\n3350lm (nominal flux)\nCRI 90\nIP20\nCable length 2,5m\nVersions\nBlack DRP LNN 51\nSatin gold DRP LGG 51\nSatin silver DRP LDD 51\nDrop 7 Pendant\nTechnical information\nLinear LED\n60W\nDiffused emission\nDimmable 1-10V\n110-240V\nCCT 2700K\n5700lm (nominal flux)\nCRI 90\nIP20\nCable length 2,5m\nVersions\nBlack DRP LNN 52\nSatin gold DRP LGG 52\nSatin silver DRP LDD 52\nDrop 9 Pendant\nTechnical information\nLinear LED\n90W\nDiffused emission\nDimmable 1-10V\n110-240V\nCCT 2700K\n8700lm (nominal flux)\nCRI 90\nIP20\nCable length 2,5m\nVersions\nBlack DRP LNN 53\nSatin gold DRP LGG 53\nSatin silver DRP LDD 53\n90\n50 ± 2\nØ22\n4,5\n33 ± 2\n70\nØ22\n4,5\nDrop\n110\n66 ± 2\nØ22\n4,5\n",55,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.56.png","56\nBernhard Osann\n“As in nature, a minimal of energy and material can fulfil a function at its best”\nFox \nwall\n",56,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.57.png","57\nFox\nBernhard Osann\nFox \nfloor\n",57,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.58.png","58\nFox \nfloor\n",58,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.59.png","59\nEssential aesthetics and pure functionality. \nThe swivelling arc in matte black painted steel \nallows wide movement, and gives the \nopportunity to both interact and decorate the \nspace. The cylindrical spot, with optional \nanti-glare filter, allows the light to be directed \nas required. The light beam is warm and diffuse.\nEstetica essenziale e funzionalità pura. L’arco orientabile in acciaio \nverniciato nero opaco consente ampi movimenti, consentendo di \ninteragire e allo stesso tempo decorare lo spazio. Lo spot \ncilindrico, con filtro antiriflesso opzionale, permette di orientare la \nluce in base all’esigenza. Il fascio di luce è caldo e diffuso.\nEsthétique essentielle et fonctionnalité pure. L’arche réglable en \nacier peint noir mat permet de larges mouvements, permettant \nd’interagir et en même temps de décorer l’espace. Le spot \ncylindrique, avec filtre antireflet en option, permet de diriger la \nlumière en fonction des besoins. Le faisceau lumineux est chaud \net diffus.\nWesentliche Ästhetik und reine Funktionalität. Der schwenkbare \nBogen aus mattschwarz lackiertem Aluminium erlaubt viel \nBewegung, ermöglicht Interaktion und dekoriert gleichzeitig den \nRaum. Der zylindrische Strahler mit optionalem Blendschutzfilter \nerlaubt es, das Licht nach Bedarf zu lenken. Der Lichtstrahl ist \nwarm und diffus.\nIT\nFR\nDE\nFloor\n \nTechnical information\nLED board\n15W\nDirect emission\nDimmable on cable\n110-240V\nCCT 2700K\n839lm\nCRI 90\nIP20\nCable length 3,5m\nHoneycomb accessory included, \n90° (-35° +55°) orientable spot \n40° (-20° +20°) orientable body\n60° optic\nVersions\nBlack FOX LN2 21\nWall\nTechnical information\nLED board\n15W\nDirect emission\nDimmable on board\n110-240V\nCCT 2700K\n839lm\nCRI 90\nIP20\nCable length 3,5m\nHoneycomb accessory included, \n90° (-35° +55°) orientable spot \n180° (-90° +90°) orientable body\n60° optic\nVersions\nBlack FOX LN2 31\n100 ± 3\n75 ± 3\n10\nØ0,8\n18\n3\n150\n4\n190 ± 3\n225 ± 3\n12\n10\nØ0,8\nØ1\nØ5\nØ5\n□28\n180\nFox\n",59,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.60.png","60\nJean Nouvel\n“A simple and precise game. A game of coloured surfaces. On a bright line, everybody imagines his \nown skyline and his coloured lights”\nOn Lines \nwhite\n",60,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.61.png","61\nOn Lines\nJean Nouvel\nOn Lines\n",61,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.62.png","62\nOn Lines \nblack\n",62,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.63.png","63\nOn Lines \nwhite\n",63,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.64.png","64\nOn Lines \nwhite\n",64,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.65.png","65\nTable\nTechnical information\nLinear LED\n15W\nDiffused emission \nDimmable on board\n110-240V\nCCT 2700K\n1700lm \nCRI 85\nIP20\nCable length 2m\nColored diffusers\nVersions\nWhite ONL LWW 11\nBlack ONL LNW 12 \nA four-track base offers the possibility to freely \ninstall diffusers of different sizes and finishes, \ncreating a unique, playful and infinitely \npersonalised lamp every time.\nUnica, giocosa e infinitamente modulabile. On Lines prevede una \nbase a quattro binari su cui si possono installare liberamente \ndiffusori di diverse dimensioni e finiture, creando un gioco di \nsuperfici colorate e di configurazioni luminose. \nAvec l’idée de concevoir une lampe unique, ludique et modulable à \nl’infini, On Lines fournit une base à quatre pistes sur lesquelles des \ndiffuseurs de différentes tailles et finitions sont installés librement, \ncréant un jeu de surfaces colorées et de configurations lumineuses. \nMit der Idee, eine einzigartige, spielerische und unendlich \nmodulare Leuchte zu entwerfen, verfügt On Lines über einen \nSockel mit vier Schienen, auf dem Diffusoren in verschiedenen \nGrößen und Ausführungen frei platziert werden können, wodurch \nein Wechselspiel von farbigen Oberflächen und leuchtenden \nKonfigurationen entsteht.\nIT\nFR\nDE\nRed\nOrange\nYellow\nBlue\nClear\nMatte\nOn Lines diffusers finishes\n31\n30,5\n12,5\n2,5\nOn Lines\n",65,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.66.png","66\nBernhard Osann\n“If you include the conditions of a room in the design of a floor lamp, you see completely new \npossibilities: the luminaire can lean against the wall, it does not need a base. At the same time, the \nwall can be used to create pleasant, indirect light. Designing Neo, I sought the perfect shape for \nthis interaction”\nNeo \nwall \ngold\n",66,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.67.png","67\nNeo\nBernhard Osann\nNeo \nfloor\n",67,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.68.png","68\nNeo \nfloor \nblack\n",68,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.69.png","69\nFloor\u002Fwall\nTechnical information\nLinear LED\n11W\nDiffused emission\nDimmable on cable\n110-240V\nCCT 2700K\n600lm \nCRI 95\nIP20\nCable length 3,5m\n180° orientable\nwall fixing accessory included\nVersions\nBlack NEO LNN 21\nGold NEO LGN 21\nNeo is inspired by the aesthetic reduction of \narticulated arms. Clean design and \nfunctionality interact with the space: the lamp \nadds movement to the room by leaning \nagainst the wall, which both supports it and \nspreads the light.  \nDesign leggero, essenziale e funzionalità interagiscono con lo \nspazio. Neo ha origine dalla semplificazione estetica dei bracci \narticolati. La lampada crea movimento nell’ambiente \nappoggiandosi alla parete che, la sostiene e al tempo stesso ne \ndiffonde la luce.  \nDesign léger, essentiel et fonctionnalité interagissent avec \nl’espace. Neo provient de la simplification esthétique des bras \narticulés. La lampe crée du mouvement dans l’espace en \ns’appuyant contre le mur qui la soutient et en même temps diffuse \nsa lumière.  \nLeichtes, elementares Design und Funktionalität interagieren mit \ndem Raum. Neo hat ihren Ursprung in der ästhetischen \nVereinfachung des Gelenkarms. Die Leuchte schafft Bewegung \nim Raum, indem sie sich gegen die Wand lehnt, die sie stützt und \ngleichzeitig das Licht streut.\nIT\nFR\nDE\n24\n33\n205\nNeo\n",69,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.70.png","70\nMario Bellini\n“My ‘cloud’ designed to illuminate the office (and, why not, the home too) might today be thought of \nas a prescient allusion to Steve Jobs’ vision of the cloud”\nNuvola \nminor \npendant\n",70,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.71.png","71\nNuvola\nMario Bellini\nNuvola \nwall\u002Fceiling\n",71,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.72.png","72\nNuvola \npendant\n",72,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.73.png","73\n",73,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.74.png","74\nNuvola \npendant\n",74,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.75.png","75\nNuvola minor wall\n",75,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.76.png","76\nMario Bellini designed Nuvola in 1974 \nfor ‘Pianeta Ufficio’. A metaphysical collection \nof strong visual impact, made in rotational \nmoulding for a 360° light diffusion.\nMario Bellini progetta Nuvola nel 1974 per ‘Pianeta Ufficio’. \nUna collezione metafisica di grande impatto visivo, realizzata \nin stampaggio rotazionale per una diffusione della luce a 360°.\nMario Bellini a conçu Nuvola en 1974 pour ‘Pianeta Ufficio’. \nUne collection métaphysique d’un grand impact visuel, réalisée \nen rotomoulage pour une diffusion de la lumière à 360°.\nMario Bellini entwarf Nuvola 1974 für ‘Pianeta Ufficio’. \nEine metaphysische Kollektion mit großer ästhetischer Wirkung, \nhergestellt im Rotationsgussverfahren für eine \n360°-Lichtstreuung.\nIT\nFR\nDE\nNuvola\n",76,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.77.png","77\nPendant\nTechnical information\nLinear LED\n132W\nDiffused emission\nDimmable 1-10V\n110-240V\nCCT 2700K\n9000lm\nCRI 85\nIP20\nCable length 3m\nVersions\nWhite NUV LWW 51\nPendant Minor\nTechnical information\nLinear LED\n90W \nDiffused\nDimmable 1-10V\n110-240V\nCCT 2700K\n6000lm \nCRI 85\nIP20\nCable length 3m\nVersions\nWhite NUM LWW 51\nWall\u002Fceiling\nTechnical information\nLinear LED\n66W \nDiffused emission\nDimmable 1-10V\n110-240V\nCCT 2700K\n4500lm\nCRI 85\nIP20\nVersions\nWhite H20 NUV LWW 33\nWhite H37 NUV LWW 34\nWall\u002Fceiling Minor\nTechnical information\nLinear LED\n45W\nDiffused emission\nDimmable 1-10V\n110-240V\nCCT 2700K\n3000lm\nCRI 85\nIP20\nVersions\nWhite H14 NUM LWW 32\nWhite H25 NUM LWW 31\n56\n154x87\nØ11\n3\n37\n100x58\nØ11\n3\n14\n58\n100\n58\n25\n20\n87\n154\n87\n37\nNuvola\n",77,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.78.png","78\nBernhard Osann\n“I am fascinated by kinetic objects and thus searched for a new way to get a wall lamp moving”\nSwan\n",78,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.79.png","79\nSwan\nBernhard Osann\nSwan\n",79,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.80.png","80\nSwan \nplus\n",80,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.81.png","81\nSwan\n",81,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.82.png","82\n50\n10\n50\n57\nmin 165\n7\n184\nØ5\n30\n10\n70\n57\nmin 165\n7\nmin 134 - max 184\nØ5\n10cm steps\n±90°\n±90°\nSwan\nSwan\nSwan Plus\n",82,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.83.png","83\nA graphic symbol, essential lines that \naccentuate the Swan lamp’s great flexibility of \nmovement and functionality. A productive \nintuition and a sophisticated mechanism make \nthe lamp arm extendable from 134 cm to 184 \ncm while preserving the linearity and \ncomposure of the design. The adjustable light \nsource offers precise and punctual illumination. \nThe counterweight, an essential part of the \ndesign, is covered in Testa di Moro leather.\nUn segno grafico, linee essenziali che accentuano la grande \nflessibilità di movimento e la funzionalità della lampada Swan. \nUn’intuizione produttiva e un meccanismo sofisticato rendono il \nbraccio della lampada estensibile da 134 cm a 184 cm, \nconservando la linearità e la compostezza del design. La sorgente \nluminosa regolabile offre un’illuminazione precisa e puntuale. Il \ncontrappeso, parte essenziale del design, è rivestito in pelle Testa \ndi Moro.\nUn symbole graphique, des lignes essentielles qui accentuent la \ngrande flexibilité de mouvement et la fonctionnalité de la lampe \nSwan. Une intuition productive et un mécanisme sophistiqué \nrendent le bras de la lampe extensible de 134 cm à 184 cm tout en \npréservant la linéarité et la sobriété du design. La source \nlumineuse réglable offre un éclairage précis et ponctuel. Le \ncontrepoids, élément essentiel du design, est recouvert de cuir \nTesta di Moro.\nEin grafisches Symbol, wesentliche Linien, die die große \nBewegungsflexibilität und Funktionalität der Swan-Leuchte \nbetonen. Eine produktive Intuition und ein ausgeklügelter \nMechanismus machen den Lampenarm von 134 cm auf 184 cm \nausziehbar, wobei die Linearität und die Ruhe des Designs erhalten \nbleiben. Die verstellbare Lichtquelle bietet eine präzise und \npunktgenaue Beleuchtung. Das Gegengewicht, ein wesentlicher \nBestandteil des Designs, ist mit Testa di Moro-Leder bezogen.\nIT\nFR\nDE\nWall\nTechnical information\nLED board \n15W\nDirect emission\nDimmable on cable\n110-240V\nCCT 2700K\n839lm\nCRI 90\nIP20\nCable length 3,5m\nHoneycomb accessory included\n60° optics\nVersions\nBlack SWA LN2 31\nWall Plus\nTechnical information\nLED board \n15W\nDirect emission\nDimmable on cable\n110-240V\nCCT 2700K\n839lm\nCRI 90\nIP20\nCable length 3,5m\nHoneycomb accessory included\n60° optics\nAdjustable from 134cm to 184cm in \nsix 10cm steps\nVersions\nBlack SWA LN2 32\n-120° +15°\n184\n7\n57\n70\nØ2,5\n±20°\n□1\nMIN 165\n30\n184\n7\n57\n50\nØ2,5\n-120° +15°\n180°\n□1\nMIN 165\n50\n±20°\nSwan\n",83,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.84.png","84\nArihiro Miyake\n“Titia is a vortex of suspended lights. Why Titia? When I close my eyes thinking of Titia, I see \na smiling, happy and free girl whose name is Titia”\n“\nTitia \nminor \nblack\n",84,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.85.png","85\nTitia\nArihiro Miyake\nTitia minor\n",85,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.86.png","86\nTitia \nwhite\n",86,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.87.png","87\nPendant\nTechnical information\nLinear LED\n90W\nDiffused emission\nDimmable 1-10V\n110-240V\nCCT 2700K\n3850lm\nCRI 85\nIP20\nCable length 3m\nVersions\nBlack TIT LNN 51\nWhite TIT LWW 51\nMinor pendant\nTechnical information\nLinear LED\n65W\nDiffused emission\nDimmable 1-10V\n110-240V\nCCT 2700K\n2452lm\nCRI 85\nIP20\nCable length 3m\nVersions\nBlack TIT LNN 52\nMoving into the future in the dematerialisation \nand miniaturisation of light sources. Titia is the \nresult of a remarkable piece of light engineering \nthat becomes part of the structure itself: the \nvacuum is filled by the light of the structure. The \nidentical modules in recycled polymer are \ninjection-moulded and equipped with quick \ncouplings, allowing a practical and fast \nassembly and creating a discreet silhouette.\nUn salto nel futuro nella smaterializzazione e miniaturizzazione \ndelle sorgenti luminose. Titia è il risultato di un notevole lavoro di \ningegneria luminosa che diventa parte della lampada stessa: \nil vuoto è riempito dalla luce della struttura; i moduli identici in \npolimero riciclato sono stampati a iniezione e dotati di giunture \nche consentono un montaggio pratico e veloce e creano una \nsilhouette discreta.\nTitia est le résultat d’un travail d’ingénierie considérable et \nreprésente un saut dans le futur dans la dématérialisation et la \nminiaturisation des sources lumineuses, qui font partie de la \nstructure elle-même: le vide est comblé par la lumière de la \nstructure. Les modules identiques en polymère recyclé sont \nmoulés par injection et équipés de jonctions pour un assemblage \npratique et rapide et une silhouette discrète.\nTitia ist das Ergebnis umfangreicher Ingenieursarbeit und stellt \neinen Sprung in die Zukunft der Dematerialisierung und \nMiniaturisierung von Lichtquellen dar, die Teil der Struktur selbst \nwerden: Der Hohlraum wird durch das Licht der Struktur \nausgefüllt; identische Module aus recyceltem Polymer werden im \nSpritzgussverfahren hergestellt und mit Verbindungen versehen, \ndie eine effiziente Fertigung ermöglichen und eine diskrete \nSilhouette schaffen.\nIT\nFR\nDE\nØ22\n4,5\n60\nØ22\n70\n4,5\nØ70\n31\nTitia\n",87,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.88.png","88\n“I was inspired by the sculptural and kinetic aesthetics of articulated arms. Radical simplification \nbrings these aesthetics into focus. As the joints work without visible wires or rope hoists the \nUntitled is reduced to a few precise lines. The result is a graphically appearing, timeless desk lamp, \ncharacterized by its flexibility”\nUntitled mini \ntable \nlinear\nBernhard Osann\n",88,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.89.png","89\nUntitled\nBernhard Osann\nUntitled table linear\n",89,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.90.png","90\nUntitled \ntable \nlinear\n",90,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.91.png","91\nUntitled reading spot\n",91,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.92.png","92\nUntitled \nreading \nlinear\n",92,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.93.png","93\nUntitled mini table spot\n",93,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.94.png","94\nUntitled \nreading \ncone, gold diffuser\n",94,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.95.png","95\nUntitled wall linear\n",95,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.96.png","96\nUntitled mini \ntable \nspot\n",96,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.97.png","97\nA definitive synthesis of mechanics and \nlighting technology, this design is clean and \nessential, with miniaturized joints that allow for \nextreme flexibility of movement. The Linear \nversion has been designed explicitly with \noptics to ensure maximum visual comfort in \nwork environments.\nProgetto di sintesi vincente di meccanica e illuminotecnica. Un \ndesign pulito ed essenziale, con snodi miniaturizzati che \nconsentono un’estrema versatilità di movimento. La versione \nLinear è stata progettata con un’ottica specifica per garantire il \nmassimo comfort visivo negli ambienti di lavoro.\nProjet de synthèse réussie de mécanique et de technologie de \nl’éclairage, ce design est épuré et essentiel, avec des articulations \nminiaturisées qui permettent une flexibilité extrême de \nmouvement. La version Linear a été conçue avec une optique \nspécifique pour assurer un confort visuel maximal dans les lieux \nde travail.\nEine definitive Synthese aus Mechanik und Lichttechnik, ein \nklares und essentielles Design mit miniaturisierten Gelenken, die \neine extreme Bewegungsflexibilität ermöglichen. Die Linear-\nVersion wurde explizit mit Optik entworfen, um maximalen \nSehkomfort in Arbeitsumgebungen zu gewährleisten.\nIT\nFR\nDE\nReading linear\nTechnical information\nLinear LED\n7W\nDirect emission\nDimmable on board\n110-240V\n485lm\nCRI 90\nIP20\nCable length 2m\n155° joint rotation\nVersions\n2700K\nBlack UNT LN2 2A\n3000K\nBlack UNT LNN 2A\nReading spot\nTechnical information\nLED spot\n6,5W\nDirect emission\nDimmable on board\n110-240V\n395lm\nCRI 90\nIP20\nCable length 2m\n40° optic\n155° joint rotation\nVersions\n2700K\nBlack UNT LN2 2B\n3000K\nBlack UNT LNN 2B\nReading cone\nTechnical information\nLED spot\n6,5W\nDirect emission\nDimmable on board\n110-240V\n395lm\nCRI 90\nIP20\nCable length 2m\n40° optic\n155° joint rotation\nVersions\nblack\u002Fgold cone\n2700K UNT LN2 2C \n3000K UNT LNN 2C\nblack\u002Fblack cone\n2700K UNT LN2 2D \n3000K UNT LNN 2D\n□1,2\n□1,2\n□1,2\n60\n4,5\n8\n114\n15\n2\n360°\n65\n8\n114\n15\n2 \n10,5\n360°\n360°\n73\n114\n20\n15\n2\nUntitled\n330°\n",97,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.98.png","98\nTable\u002Fwall mini linear\nTechnical information\nLinear LED\n7W\nDirect emission\nDimmable on board\n110-240V\n485lm\nCRI 90\nCable length 2m\n155° joint rotation\nAccessories (base, desk clamp, \nwall fixing) sold separately\nVersions\nCCT 2700K\nBlack UNT LN2 15\nCCT 3000K\nBlack UNT LNN 15\nTable\u002Fwall mini spot\nTechnical information\nLED spot\n6,5W\nDirect emission\nDimmable on board\n110-240V\n395lm\nCRI 90\nCable length 2m\n40° optic\n155° joint rotation\nAccessories (base, desk clamp, \nwall fixing) sold separately\nVersions\nCCT 2700K\nBlack UNT LN2 16\nCCT 3000K\nBlack UNT LNN 16\nTable\u002Fwall linear\nTechnical information\nLinear LED\n7W\nDirect emission\nDimmable on board\n110-240V\n485lm\nCRI 90\nIP20\nCable length 2m\n155° joint rotation\nAccessories (base, desk clamp, \nwall fixing) sold separately\nVersions\nCCT 2700K\nBlack UNT LNN 11\nCCT 3000K\nBlack UNT LNN 13\nTable\u002Fwall spot\nTechnical information\nLED spot\n6,5W\nDirect emission\nDimmable on board\n110-240V\n395lm\nCRI 90\nIP20\nCable length 2m\n40° optic\n155° joint rotation\nAccessories (base, desk clamp, \nwall fixing) sold separately\nVersions\nCCT 2700K\nBlack UNT LNN 12\nCCT 3000K\nBlack UNT LNN 14\n4,5\n1,5\n6\n1,5\n2\n15\n15\n4\n8,5\n1,5\nWall fixing\nBlack UNT ATN 31\nBase\nBlack UNT BAN 11\nDesk clamp\nBlack UNT ATN 11\nAccessories\n□1,2\n66\n360°\n20\n330°\n50\n□1,2\n54\n330°\n360°\n50\n4,5\n8\n□1,2\n4,5\n8\n57\n10\n360°\n□1,2\n20\n57\n22\n360°\nUntitled\n",98,{"image":402,"text":15,"number":403},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.99.png",99,{"image":405,"text":406,"number":407},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.100.png","100\n“Nature, again and again, inspires us to design - like the ‘crown’, which comes from a snowflake”\nCrown \nmajor \npolished\nJehs+Laub\n",100,{"image":409,"text":410,"number":411},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.101.png","101\nCrown\nJehs+Laub\nCrown major\n",101,{"image":413,"text":414,"number":415},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.102.png","102\nCrown \nmajor \ngold plated\n",102,{"image":417,"text":418,"number":419},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.103.png","103\nCrown major gold painted\n",103,{"image":421,"text":422,"number":423},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.104.png","104\nCrown \nmajor \ngold painted\n",104,{"image":425,"text":426,"number":427},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.105.png","105\nCrown plana mega gold painted\n",105,{"image":429,"text":430,"number":431},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.106.png","106\nCrown \nroyal \ngold painted\n",106,{"image":433,"text":434,"number":435},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.107.png","107\nCrown wall 4 gold painted\n",107,{"image":437,"text":438,"number":439},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.108.png","108\nCrown \nwall \nblack\n",108,{"image":441,"text":442,"number":443},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.109.png","109\nCrown summa gold painted\n",109,{"image":445,"text":446,"number":447},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.110.png","110\nA contemporary design icon reminiscent of \nancient chandeliers: Crown, inspired by the \nshape of snowflakes, is characterised by a \nversatile design with a strong visual appeal, \nenhanced by a modular structure that allows \ncountless possible combinations of colours \nand sizes.\nIcona del design contemporaneo che rievoca gli antichi chandelier: \nCrown, ispirato alla forma dei fiocchi di neve, si contraddistingue \nper il suo design versatile e dal forte impatto scenico, interpretato \ndalla struttura modulare che consente innumerevoli possibili \ncombinazioni di colori e dimensioni.\nIcône du design contemporain qui évoque les lustres anciens: \nCrown, inspiré par la forme des flocons de neige, se distingue par \nson design polyvalent et un fort impact scénique, interprété par la \nstructure modulaire qui permet d’innombrables combinaisons \npossibles de couleurs et de tailles.\nEine zeitgenössische Designikone, die an antike Kronleuchter \nerinnert: Crown, inspiriert von der Form von Schneeflocken, zeichnet \nsich durch sein vielseitiges Design mit starker szenischer Wirkung \naus, interpretiert durch seine modulare Struktur, die unzählige \nKombinationsmöglichkeiten von Farben und Größen ermöglicht.\nIT\nFR\nDE\nGold \nplated\nBlack \nplated\nPolished\naluminium\nBlack \nWhite\nGold \npainted\nSatin \nglass\nRibbed transparent \nglass\nGlass finishes\nCrown finishes\nCrown\n",110,{"image":449,"text":450,"number":451},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.111.png","111\n4 Wall\n16\n30\n8\n48\n8\nTechnical information\nG9\n4 × 60W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 32\nBlack CRO HNW 32 \nGold painted CRO HGW 32\nPolished aluminium CRO HLW 32\nGold plated  CRO HOW 32\nBlack plated CRO HPW 32\n2 Wall\nTechnical information\nG9 \n2 × 60W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 31\nBlack CRO HNW 31 \nGold painted CRO HGW 31 \nPolished aluminium CRO HLW 31\nGold plated CRO HOW 31\nBlack plated CRO HPW 31\nApplique Wall\nTechnical information\nG9 LED \n2 × 4W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 33\nBlack CRO HNW 33 \nGold painted CRO HGW 33 \nPolished aluminium CRO HLW 33\nGold plated CRO HOW 33\nBlack plated CRO HPW 33\n8\n12\n21\nMajor Pendant\nTechnical information\nG9\n30 × 25W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nCable length 3,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWT 52\nBlack CRO HNT 52 \nGold painted CRO HGW 52 \nPolished aluminium CRO HLT 52\nGold plated CRO HOW 52\nBlack plated CRO HPW 52\nØ11\n3\nMinor Pendant\n50\n67\n77\nTechnical information\nG9\n12 × 25W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nCable length 2,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWT 51\nBlack CRO HNT 51\nGold painted CRO HGW 51 \nPolished aluminium CRO HLT 51\nGold plated CRO HOW 51\nBlack plated CRO HPW 51\nØ11\n3\n87\n113\n109\nCrown\n8\n16\n18\n26\n8\n",111,{"image":453,"text":454,"number":455},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.112.png","112\nMagnum Pendant\n124\n151\n150\nØ13\n4\nTechnical information\nG9\n42 × 25W\nDiffused emission\nDouble switch\nDimmable according to bulb\n110-240V\nIP20\nCable length 3,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 5A\nBlack CRO HNW 5A \nGold painted CRO HGW 5A \nPolished aluminium CRO HLW 5A\nGold plated CRO HOW 5A\nBlack plated CRO HPW 5A\nSumma Pendant\n109\n113\n157\nØ13\n4\n \nTechnical information\nG9\n48 × 25W\nDiffused emission\nDouble switch\nDimmable according to bulb\n110-240V\nIP20\nCable length 3,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 59\nBlack CRO HNW 59 \nGold painted CRO HGW 59\n \nPolished aluminium CRO HLW 59\nGold plated CRO HOW 59\nBlack plated CRO HPW 59\nMulti Pendant\n87\n46\n41\nTechnical information\nG9\n15 × 25W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nCable length 2,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 58\nBlack CRO HNW 58 \nGold painted CRO HGW 58\n \nPolished aluminium CRO HLW \n58Gold plated CRO HOW 58\nBlack plated CRO HPW 58\nØ11\n3\nCrown\n",112,{"image":457,"text":458,"number":459},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.113.png","113\nRoyal Pendant\nTechnical information\nG9 LED\n120 × 3W\nDiffused emission\nDouble switch\ndimmable according to bulb\n110-240V\nIP20\nCable length 3,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 5B\nBlack CRO HNW 5B \nGold painted CRO HGW 5B \nPolished aluminium CRO HLW 5B\nGold plated CRO HOW 5B\nBlack plated CRO HPW 5B\n280\nØ13\n4\nØ150\nCrown\n",113,{"image":461,"text":462,"number":463},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.114.png","114\nPlana Major Pendant\nTechnical information\nG9\n12 × 25W\nDiffused emission \nDimmable according to bulb\n110-240V\nIP20\nCable length 2,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 53\nBlack CRO HNW 53 \nGold painted CRO HGW 53 \nPolished aluminium CRO HLW 53\nGold plated CRO HOW 53\nBlack plated CRO HPW 53\nPlana Pendant\n150\n88\n16\nTechnical information\nG9\n10 × 25W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nCable length 2,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 56\nBlack CRO HNW 56\nGold painted CRO HGW 56\nPolished aluminium CRO HLW 56\nGold plated CRO HOW 56\nBlack plated CRO HPW 56\nØ11\n3\nØ11\n3\nPlana Minor Pendant\n16\n109\nTechnical information\nG9\n12 × 25W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nCable length 2,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 55\nBlack CRO HNW 55\nGold painted CRO HGW 55 \nPolished aluminium CRO HLW 55\nGold plated CRO HOW 55\nBlack plated CRO HPW 55\nØ11\n3\nCrown\n16\n88\n186\n",114,{"image":465,"text":466,"number":467},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.115.png","115\nØ11\n3\nØ11\n3\nPlana Mega Pendant\n \n16\n113\n172\nTechnical information\nG9\n12 × 25W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nCable length 2,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 57\nBlack CRO HNW 57 \nGold painted CRO HGW 57 \nPolished aluminium CRO HLW 57\nGold plated CRO HOW 57\nBlack plated CRO HPW 57\nPlana Linea Pendant\n16\n57\n168\nTechnical information\nG9\n10 × 25W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nCable length 2,5m\nSatin glass diffuser\nBulb H max: 6cm\nLED version with kit G9 LED NEMO\nVersions\nWhite CRO HWW 54\nBlack CRO HNW 54 \nGold painted CRO HGW 54 \nPolished aluminium CRO HLW 54\nGold plated  CRO HOW 54\nBlack plated CRO HPW 54\nglass diffusers kit for crown\n6 pieces\nSatin glass CRO 000 20\n6 pieces\nTransparent ribbed glass CRO 000 10\nAccessories\nØ4\n7\nØ4\n7\nCrown\n",115,{"image":469,"text":470,"number":471},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.116.png","116\n“The lamp was born from the bold attempt to overcome the laws of nature. It almost seems as if \nthis succeeded. It balances at the limits of the impossible, like a bird. While the vertical element \nkeeps the balance, the horizontal element emits the light”\nBird\nBernhard Osann\n",116,{"image":473,"text":474,"number":475},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.117.png","117\nBird\nBernhard Osann\nBird\n",117,{"image":477,"text":478,"number":479},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.118.png","118\nBird\n",118,{"image":481,"text":482,"number":483},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.119.png","119\nTable\nTechnical information\nLinear LED\n10W\nDiffused emission\nDimmable on board\n110-240V\nCCT 2700K\n715lm\nCRI 85\nIP20\nCable length 2m\n345° orientable head\nVersions\nBlack BIR LNO 11\nBird is a unique project, a synthesis of \nconstant ambition, design awareness and \nengineering. An object that rests - and \nbalances - on the edge of any surface: the \nbody oscillates and moves, but always returns \nto a horizontal position thanks to a vertical \nbrass counterweight. The light source, \nincorporated in the arm, rotates around its \nown axis, for diffused direct and indirect \nlighting of great impact.\nBird è un progetto unico, una sintesi di costante ambizione, \nsensibilità progettuale e meccanica. Un oggetto che si appoggia - e \nsi bilancia - sul bordo di qualsiasi superficie: il corpo oscilla e si \nmuove, ma torna sempre in posizione orizzontale grazie a un \ncontrappeso verticale in ottone. La sorgente luminosa, incorporata \nnel braccio, ruota attorno al proprio asse, per un’illuminazione \ndiffusa diretta e indiretta di grande impatto.\nBird est un projet unique, synthèse d’une ambition constante, \nd’une conscience du design et de l’ingénierie. Un objet qui repose \n- et s’équilibre - sur le bord de n’importe quelle surface : le corps \noscille et bouge, mais revient toujours à l’horizontale grâce à un \ncontrepoids vertical en laiton. La source lumineuse, incorporée \ndans le bras, tourne autour de son propre axe, pour un éclairage \ndirect et indirect diffus de grand impact.\nBird ist ein einzigartiges Projekt, eine Synthese aus konstantem \nEhrgeiz, Designbewusstsein und Technik. Ein Objekt, das auf der \nKante einer beliebigen Oberfläche ruht - und balanciert: Der \nKörper schwingt und bewegt sich, kehrt aber dank eines \nvertikalen Gegengewichts aus Messing immer in eine horizontale \nPosition zurück. Das in den Arm integrierte LED-Modul dreht sich \num seine eigene Achse und sorgt für eine diffuse direkte und \nindirekte Beleuchtung.\nIT\nFR\nDE\n1,2\n86\n94\nBird\n345°\n",119,{"image":485,"text":486,"number":487},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.120.png","120\n“Kepler is the lighting sculpture with many faces. It would be one of the new appearances resulted \nby the developments of industrial technique and design methods”\nKepler \nwhite\nArihiro Miyake\n",120,{"image":489,"text":490,"number":491},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.121.png","121\nKepler\nArihiro Miyake\nKepler\n",121,{"image":493,"text":494,"number":495},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.122.png","122\nKepler \ngold\n",122,{"image":497,"text":498,"number":499},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.123.png","123\nKepler minor white\n",123,{"image":501,"text":502,"number":503},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.124.png","124\nThe Kepler collection is made of painted \nextruded aluminium, whose continuous line is \nobtained through a three-dimensional \nmanufacturing process developed by Nemo. \nDesigned on the basis of the mathematical \nprinciple of the Möbius strip. Diffuser in \nopaque technopolymer.\nLa collezione Kepler è realizzata in estruso di alluminio verniciato, \nla cui linea continua è ottenuta attraverso un processo di \nlavorazione tridimensionale sviluppato da Nemo. Disegnata alla \nbase del principio matematico del nastro di Möbius. Diffusore in \ntecnopolimero opaco.\nLa collection Kepler est réalisée en aluminium extrudé peint, dont \nla ligne continue est obtenue grâce à un processus de fabrication \ntridimensionnel développé par Nemo. Conçue sur la base du \nprincipe mathématique de la bande de Möbius. Diffuseur en \ntechnopolymère opaque.\nDie Kepler-Kollektion besteht aus lackiertem, extrudiertem \nAluminium, dessen durchgehende Linie durch ein von Nemo \nentwickeltes dreidimensionales Herstellungsverfahren erzielt \nwird. Entworfen auf der Grundlage des mathematischen Prinzips \ndes Möbiusbandes. Diffusor aus undurchsichtigem \ntechnopolymer.\nIT\nFR\nDE\nBlack\nGold\nWhite\nKepler finishes\n110\n38-40\nKepler\n84\n32-35\nKepler minor\n19-22\n50\nKepler petite\nKepler\n",124,{"image":505,"text":506,"number":507},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.125.png","125\nKepler petite\nTechnical informationy\nLinear LED\n55W\nDownlight: diffused emission\nDimmable 1-10V\n110-240V\n1954lm \nCRI 85\nIP20\nAdjustable cable length \nfrom 2,5m to 0,4m\nVersions\nDownlight 2700K\nWhite KES LWW 54\nBlack KES LNN 54\nGold KES LOW 54\nDownlight 3000K\nWhite KES LWW 52\nBlack KES LNN 52\nGold KES LOW 52\nKepler minor\nTechnical information\nLinear LED\n69W\nDownlight: diffused emission\nUplight: diffused indirect emission\nDimmable 1-10V\n110-240V\n4000lm\nCRI 85\nIP20\nAdjustable cable length \nfrom 2,5m to 0,4m \nVersions\nDownlight 2700K\nWhite KEM LWW 54\nBlack KEM LNN 54\nGold KEM LOW 54\nDownlight 3000K\nWhite KEM LWW 52\nBlack KEM LNN 52\nGold KEM LOW 52\nUplight 2700K\nWhite KEM LWW 53\nBlack KEM LNN 53\nGold KEM LOW 53\nUplight 3000K\nWhite KEM LWW 51\nBlack KEM LNN 51\nGold KEM LOW 51\nKepler\nTechnical information\nLinear LED\n83W\nDownlight: diffused emission\nUplight: diffused indirect emission\nDimmable 1-10V\n110-240V\n4800lm\nCRI 85\nIP20\nAdjustable cable length \nfrom 2,5m to 0,4m\nVersions\nDownlight 2700K\nWhite KEP LWW 54\nBlack KEP LNN 54\nGold KEP LOW 54\nDownlight 3000K\nWhite KEP LWW 52\nBlack KEP LNN 52\nGold KEP LOW 52\nUplight 2700K\nWhite KEP LWW 53\nBlack KEP LNN 53\nGold KEP LOW 53\nUplight 3000K\nWhite KEP LWW 51\nBlack KEP LNN 51\nGold KEP LOW 51\n110\nØ22\n4,5\n38-40\n84\n4,5\n32-35\nØ22\n4,5\n19-22\nØ22\n50\nKepler\n",125,{"image":509,"text":510,"number":511},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.126.png","126\n“In a time in which the light source itself can even be designed according to each object, \nthe question would be how the lighting design should meet technology and how the light should \nlook like. My answer is a simple, yet very fresh attempt, free from ready-made ideas, and rules \nbased on classic lighting sources. In The Wind is a way to the future”\nIn The Wind \npendant horizontal \nwhite\nArihiro Miyake\n",126,{"image":513,"text":514,"number":515},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.127.png","127\nIn The Wind\nArihiro Miyake\nIn The Wind pendant vertical\n",127,{"image":517,"text":518,"number":519},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.128.png","128\nIn The Wind \npendant vertical gold\n",128,{"image":521,"text":522,"number":523},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.129.png","129\nIn The Wind floor black\n",129,{"image":525,"text":526,"number":527},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.130.png","130\nIn The Wind \npendant horizontal \nwhite\n",130,{"image":529,"text":530,"number":531},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.131.png","131\nIn The Wind pendant vertical \nwhite\n",131,{"image":533,"text":534,"number":535},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.132.png","132\nThe In The Wind collection is made of \nextruded aluminium whose off-axis twisting \nallows diffuse 360° lighting. The helical shape \nis achieved through a technique developed \nspecifically by Nemo. The diffusers are made \nof opaline methacrylate while the extremities \nare made of die-cast aluminium.\nLa collezione In The Wind è realizzata con estruso di alluminio la \ncui torsione fuori asse permette un’illuminazione diffusa a 360°. \nLa forma elicoidale è ottenuta attraverso una tecnica sviluppata \nappositamente da Nemo. I diffusori sono in metacrilato opalino \nmentre le parti terminali sono in alluminio pressofuso.\nLa collection In The Wind est réalisée en aluminium extrudé dont la \ntorsion hors axe permet un éclairage diffus à 360°. La forme hélicoïdale \nest obtenue grâce à une technique développée spécifiquement par \nNemo. Les diffuseurs sont en méthacrylate opalin tandis que les \nextrémités sont en aluminium moulé sous pression.\nDie Kollektion In The Wind besteht aus fließgepresstem \nAluminium, dessen außermittige Verdrehung eine diffuse \nBeleuchtung von 360° ermöglicht. Die spiralförmige Form wird \ndurch eine speziell von Nemo entwickelte Technik erreicht. Die \nDiffusoren bestehen aus opalem Methacrylat, während die \nEndstücke aus Aluminiumdruckguss hergestellt sind.\nIT\nFR\nDE\nTitan grey\nGold\nBlack\nWhite\nIn The Wind finishes\nIn The Wind\n",132,{"image":537,"text":538,"number":539},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.133.png","133\nFloor\nTechnical information\nLinear LED\n58W\nDiffused 360° emission\nDimmable on cable\n110-240V\nCRI 85\nIP20\nCable length 2m\nVersions\n2700K (2570lm)\nWhite ITW LWW 22\nBlack ITW LNW 22\nTitan grey ITW LDW 22\nGold ITW LGW 22\n3000K (2850lm)\nWhite ITW LWW 21\nBlack ITW LNW 21\nTitan grey ITW LDW 21\nGold ITW LGW 21\nPendant vertical\nTechnical information\nLinear LED\n58W\nDiffused 360° emission\nDimmable, DALI push\n230V\nCRI 85\nIP20\nCable length 3m\nAlso available in 120V\nVersions\n2700K (2570lm)\nWhite ITW LWW 55\nBlack ITW LNW 55\nTitan grey ITW LDW 55\nGold ITW LGW 55\n3000K (2850lm)\nWhite ITW LWW 58\nBlack ITW LNW 58\nTitan grey ITW LDW 58\nGold ITW LGW 58\nPendant horizontal\nTechnical information\nLinear LED\n58W\nDiffused 360° emission\nDimmable, DALI push\n230V\nCRI 85\nIP20\nMetal cable length 3m \nElectrical cable length 5m\nAlso available in 120V\nVersions\n2700K (2570lm)\nWhite IITW LWW 56\nBlack ITW LNW 56\nTitan grey ITW LDW 56\nGold ITW LGW 56 \n3000K (2850lm)\nWhite ITW LWW 57\nBlack ITW LNW 57\nTitan grey ITW LDW 57\nGold ITW LGW 57\n19\nØ26\n183\n183\n22\nØ7,5\n183\nØ7,5\n22\n19\nIn The Wind\n",133,{"image":541,"text":542,"number":543},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.134.png","134\nAndrea Branzi\n“A first Newton prototype was made in 2002. As a tribute to the discoverer of the gravity field, an \napple reflects the light that passes through the diffuser disk. After seventeen years the lamp is \nnow put back into production with Nemo. It is not the first time that my projects are appreciated \nafter many years”\nNewton \nblack glossy\n",134,{"image":545,"text":546,"number":547},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.135.png","135\nNewton\nAndrea Branzi\nNewton\n",135,{"image":549,"text":550,"number":551},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.136.png","136\nNewton \nchrome, black glossy\n",136,{"image":553,"text":554,"number":555},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.137.png","137\nFloor\nTechnical information\nLED board\n16W\nDiffused indirect emission\nDimmable on cable\n110-240V\nCCT 2700K\n1150lm \nCRI 95\nIP20\nCable length 3,5m\nOrientable diffuser\nVersions\nBlack glossy NEW LNW 21 \nChrome NEW LHW 21\nWith direct reference to the anecdote of the \napple falling on Isaac Newton’s head, \nsuggesting the existence of gravity, Newton’s \nmetal diffuser rotates and enlightens the \nnatural element in a mix of direct and diffused \nlight. A high-performance LED source \nenhances the fruit’s colors.\nCon un diretto riferimento all’aneddoto della mela che cadde sulla \ntesta di Isaac Newton, suggerendo l’esistenza della forza di \ngravità, il diffusore metallico della Newton ruota e illumina \nl’elemento naturale in un mix di luce diretta e diffusa. Una \nsorgente LED ad alte prestazioni esalta i colori del frutto.\nEn référence directe à l’anecdote de la pomme tombée sur la tête \nd’Isaac Newton, suggérant l’existence de la gravité, le diffuseur \nmétallique de Newton tourne et éclaire l’élément naturel dans un \nmélange de lumière directe et diffuse. Une source LED haute \nperformance rehausse les couleurs du fruit.\nMit direktem Bezug auf die Anekdote des Apfels, der Isaac \nNewton auf den Kopf fiel und die Existenz der Schwerkraft \nandeutete, dreht sich der Metalldiffusor von Newton und \nbeleuchtet das natürliche Element in einer Mischung aus \ndirektem und diffusem Licht. Eine leistungsstarke LED-\nLichtquelle bringt die Farben der Früchte zur Geltung.\nIT\nFR\nDE\n120°\n203\n30\n46\nNewton\n",137,{"image":557,"text":558,"number":559},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.138.png","138\n“Try to move while looking at the Tru and crossing an observation point. You find that you lose the \nperception of the vertical element holding the light source and the lamp will look like a very thin \nobject mysteriously lit”\nTru \nfloor \nblack\nRoberto Paoli\n",138,{"image":561,"text":562,"number":563},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.139.png","139\nTru\nRoberto Paoli\nTru\n",139,{"image":565,"text":566,"number":567},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.140.png","140\nTru \nfloor gold\n",140,{"image":569,"text":570,"number":571},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.141.png","141\nTru \npendant horizontal white\n",141,{"image":573,"text":574,"number":575},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.142.png","142\nTru \nfloor white\n",142,{"image":577,"text":578,"number":579},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.143.png","143\nSculptural, sleek, compact: two light panels \ncompose a parallelepiped, leaving space for \nan empty slot, but concealing the light source \nthrough an optical effect. Made of aluminium, \nTru provides indirect and diffuse light through \ntwo internal LED strips and an LED element \non top. Equipped with a double dimmer for \nindependent control of the two light sources.\nScultoreo, sottile, ridotto: due pannelli luminosi formano un \nparallelepipedo, lasciando spazio a una fessura vuota, ma \nnascondendo la sorgente luminosa attraverso un effetto ottico. \nRealizzata in alluminio, Tru fornisce un’illuminazione indiretta e \ndiffusa attraverso due strisce LED interne e un elemento LED \nsulla parte superiore. Dotata di una doppia dimmerazione per il \ncontrollo indipendente delle due sorgenti luminose.\nSculptural, mince, réduit : deux panneaux lumineux forment un \nparallélépipède, laissant place à une fente vide, mais cachant la \nsource lumineuse par un effet optique. En aluminium, Tru fournit \nun éclairage indirect et diffus à travers deux bandes LED internes \net un élément LED sur le dessus. Équipée d’un double gradateur \npour le contrôle indépendant des deux sources lumineuses.\nSkulptural, schlank, reduziert: Zwei leuchtende Paneele bilden \neinen Quader, der Platz für einen Zwischenraum lässt, aber die \nLichtquelle durch einen optischen Effekt verdeckt. Aus Aluminium \ngefertigt, sorgt Tru für indirekte und diffuse Beleuchtung durch \nzwei innenliegende LED-Streifen und ein LED-Element an der \nOberseite. Ausgestattet mit einem Doppeldimmer zur \nunabhängigen Steuerung der beiden Lichtquellen.\nIT\nFR\nDE\nFloor\nTechnical information\nLinear LED + LED board\n16 + 33W\nUp + back, indirect emission\nDimmable on board\nDouble switch\n110-240V\n2125lm (up) + 1765lm (back)\nCRI 85\nIP20 \nCable length 3,3m\nVersions\n2700K\nWhite TRU LWW 25\nBlack TRU LNN 25\nTitan grey TRU LDD 25\nGold TRU LGG 25\n3000K\nWhite TRU LWW 24\nBlack TRU LNN 24\nTitan grey TRU LDD 24\nGold TRU LGG 24\nPendant horizontal\n7\n5\n9\n11\n175\n25\nTechnical information\nLinear LED\n2 × 33W \nDiffused emission downlight or uplight\nDimmable on board\nSingle switch\n110-240V\n2 × 1765lm\nCRI 85\nIP20 \nMetal cable length 3m\nelectrical cable length 5m\nVersions\n2700K down+down\nWhite TRU LWW 57\nBlack TRU LNN 57\nTitan grey TRU LDD 57\n3000K down+down\nWhite TRU LWW 5C\nBlack TRU LNN 5C\nTitan grey TRU LDD 5C\n2700K up+down\nWhite TRU LWW 55\nBlack TRU LNN 55\nTitan grey TRU LDD 55\n3000K up+down\nWhite TRU LWW 5A\nBlack TRU LNN 5A\nTitan grey TRU LDD 5A\nUP+DOWN\nDOWN+DOWN\nBlack\nTitan grey\nGold\nWhite\nTru finishes\n185\n12\n10\nTru\n",143,{"image":581,"text":582,"number":583},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.144.png","144\n”We are looking for thrills. The important thing is to start from the idea of uniqueness”\nEllisse \npendant triple black\nFederico Palazzari\n",144,{"image":585,"text":586,"number":587},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.145.png","145\nEllisse\nFederico Palazzari\nEllisse \npendant double\n",145,{"image":589,"text":590,"number":591},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.146.png","146\nEllisse \nfloor gold polished anodized\n",146,{"image":593,"text":594,"number":595},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.147.png","147\nEllisse \ndouble white\n",147,{"image":597,"text":598,"number":599},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.148.png","148\nEllisse \npendant mega black\n",148,{"image":601,"text":602,"number":603},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.149.png","149\nEllisse \npendant double mega gold painted\n",149,{"image":605,"text":606,"number":607},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.150.png","150\nRealised in various versions through an \ninnovative technology developed by Nemo for \ncoupling extrusions, Ellisse guarantees \ndiffused direct and indirect lighting with the \nLED housed within the structure while \nremaining unobtrusive. The design is linear \nand contemporary, while an elegant black \nmarble base becomes a pedestal for the floor \nversion.\nRealizzata in diverse versioni attraverso un’innovativa tecnologia \nsviluppata da Nemo appositamente per l’accoppiamento degli \nestrusi, Ellisse garantisce un’illuminazione diffusa diretta e \nindiretta grazie al LED ospitato nella struttura senza risultare \ninvadente. Il design è lineare e contemporaneo, mentre un \nelegante base in marmo nero diventa piedistallo per la versione \nda terra.\nSuspensions, lampadaires et appliques fabriqués grâce à une \ntechnologie innovante développée par Nemo spécifiquement \npour le couplage d’extrusions. Le design d’Ellisse est linéaire et \ncontemporain et garantit un éclairage diffus direct et indirect \ngrâce à la LED logée dans la structure sans être intrusive. Une \nélégante base en marbre noir devient un piédestal pour la version \nau sol.\nHänge-, Steh- und Wandleuchten, die mit einer innovativen \nTechnologie hergestellt werden, die von Nemo speziell für die \nVerbindung von Formteilen entwickelt wurde. Das Design von \nEllisse ist geradlinig und zeitgemäß und garantiert dank der in der \nStruktur untergebrachten LED eine diffuse direkte und indirekte \nBeleuchtung, ohne aufdringlich zu wirken. Ein eleganter schwarzer \nMarmorsockel wird zum Sockel für die Bodenversion.\nIT\nFR\nDE\nBlack\nPolished aluminium\nGold pol. anodized\nGold painted\nWhite\nBlack Marquinia marble\nEllisse finishes\nEllisse\n",150,{"image":609,"text":610,"number":611},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.151.png","151\nFloor\u002Fwall\nTechnical information\nLinear LED\n66W\nDiffused emission \nDimmable on cable\n110-240V\nCCT 2700K \n3450lm \nCRI 85\nIP20\nCable length 5m\nBase and wall hanger sold separately\nVersions\nBlack ELP LNN 21 \nGold polished anodized ELP LGN 21\nPendant minor\nTechnical information\nLinear LED\n50W \nDiffused emission downlight or uplight \nDimmable 1-10V\n110-240V\n2250lm \nCRI 85\nIP20\nAdjustable cable length \nfrom 2,5m to 0,4m\nVersions\nDownlight 2700K\nWhite ELP LW2 52\nBlack ELP LN2 52 \nGold painted ELP LO2 52\nPolished aluminium ELP LL2 52\nGold polished anodized ELP LGW 52\nDownlight 3000K\nWhite ELP LWW 52\nBlack ELP LNW 52 \nGold painted ELP LOW 52\nPolished aluminium ELP LLW 52\nUplight 2700K\nWhite ELP LW2 51\nBlack ELP LN2 51 \nGold painted ELP LO2 51\nPolished aluminium ELP LL2 51\nGold polished anodized ELP LGW 51\nUplight 3000K\nWhite ELP LWW 51\nBlack ELP LNW 51 \nGold painted ELP LOW 51\nPolished aluminium ELP LLW 51\nBase\nBlack marquinia marble ELP BNN 21 \nHanger\nGold polished anodized ELP AGG 31 \n3°\n30\n70\n138\n12\n9\n70\n135\n12\n96\n40\nØ22\n4,5\nEllisse\n",151,{"image":613,"text":614,"number":615},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.152.png","152\nPendant major\nØ22\n4,5\n70\n135\nTechnical information\nLinear LED\n69W\nDiffused emission downlight or uplight \nDimmable 1-10V\n110-240V\n3450lm\nCRI 85\nIP20\nAdjustable cable length \nfrom 2,5m to 0,4m\nVersions\nDownlight 2700K\nWhite ELP LW2 54\nBlack ELP LN2 54\nGold painted ELP LO2 54\nPolished aluminium ELP LL2 54\nGold polished anodized ELP LGW 54\nDownlight 3000K\nWhite ELP LWW 54\nBlack ELP LNW 54\nGold painted ELP LOW 54\nPolished aluminium ELP LLW 54\nUplight 2700K\nWhite ELP LW2 53\nBlack ELP LN2 53 \nGold painted ELP LO2 53\nPolished aluminium ELP LL2 53\nGold polished anodized ELP LGW 53\nUplight 3000K\nWhite ELP LWW 53\nBlack ELP LNW 53 \nGold painted ELP LOW 53\nPolished aluminium ELP LLW 53\nPendant mega\n186\n95\nØ22\n4,5\nTechnical information\nLinear LED\n76W \nDiffused emission downlight or uplight \nDimmable 1-10V\n110-240V\n4425lm \nCRI 85\nIP20\nAdjustable cable length \nfrom 2,5m to 0,4m\nVersions\nDownlight 2700K\nWhite ELP LW2 59\nBlack ELP LN2 59\nGold painted ELP LO2 59\nDownlight 3000K\nWhite ELP LWW 59\nBlack ELP LNW 59\nGold painted ELP LOW 59\nUplight 2700K\nWhite ELP LW2 58\nBlack ELP LN2 58\nGold painted ELP LO2 58\nUplight 3000K\nWhite ELP LWW 58\nBlack ELP LNW 58\nGold painted ELP LOW 58\nEllisse\n",152,{"image":617,"text":618,"number":619},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.153.png","153\nPendant double\nØ22\n4,5\n70\n135\nTechnical information\nLinear LED\n85W\nDiffused emission downlight (major) \nand uplight (minor)\nDimmable 1-10V\n110-240V\n2825+1850lm \nCRI 85\nIP20\nAdjustable cable length \nfrom 2,5m to 0,4m\nVersions\n2700K\nWhite ELP LW2 56\nBlack ELP LN2 56 \nGold painted ELP LO2 56\nPolished aluminium ELP LL2 56\nGold polished anodized ELP LGW 56\n3000K\nWhite ELP LWW 56\nBlack ELP LNW 56 \nGold painted ELP LOW 56\nPolished aluminium ELP LLW 56\nPendant double mega\nTechnical information\nLinear LED\n90W\nDiffused emission downlight (mega) \nand uplight (major)\nDimmable 1-10V\n110-240V\n2825+1850lm \nCRI 85\nIP20\nAdjustable cable length \nfrom 2,5m to 0,4m\nVersions\n2700K\nWhite ELP LW2 5A\nBlack ELP LN2 5A \nGold painted ELP LO2 5A\n3000K\nWhite ELP LWW 5A\nBlack ELP LNW 5A \nGold painted ELP LOW 5A\nPendant triple\nTechnical information\nLinear LED\n94W \nDiffused emission downlight (major, \nminor) and uplight (minor)\nDimmable 1-10V\n110-240V\n1325+2050+1325lm \nCRI 85\nIP20\nAdjustable cable length \nfrom 2,5m to 0,4m\nVersions\n2700K\nWhite ELP LW2 57\nBlack ELP LN2 57 \nGold painted ELP LO2 57 \nPolished aluminium ELP LL2 57\nGold polished anodized ELP LGW 57\n3000K\nWhite ELP LWW 57\nBlack ELP LNW 57\nGold painted ELP LOW 57 \nPolished aluminium ELP LLW 57 \n4,5\n135\n70\nØ22\n96\n135\nØ22\n4,5\n135\n186\n95\n70\nEllisse\n",153,{"image":621,"text":622,"number":623},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.154.png","154\nFix \nblack\n",154,{"image":625,"text":626,"number":627},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.155.png","155\nFix\nNemo\nFix\n",155,{"image":629,"text":630,"number":631},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.156.png","156\nFix \ngold burnished\n",156,{"image":633,"text":634,"number":635},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.157.png","157\nResulting from a constant research on \nessential shapes and a project to miniaturise \nthe components, Fix represents the \nharmonious link between space and light: \nclean lines, compact dimensions and a new \noptical system housed in a square die-cast \naluminium silhouette. A double light beam of \n100° emphasises light control through a very \ndelicate and natural approach.\nRisultato di una costante ricerca sulle forme essenziali e di un \nprogetto di miniaturizzazione dei componenti, FIX rappresenta il \nlegame armonico tra spazio e luce: linee pulite, dimensioni \ncompatte e un nuovo sistema ottico inserito in una sagoma \nquadrata in alluminio pressofuso. Un doppio fascio luminoso di \n100° enfatizza il controllo della luce con un approccio molto \ndelicato e naturale.\nRésultat d’une recherche constante sur les formes essentielles et \nd’un projet de miniaturisation des composants, Fix  est la lampe la \nplus petite du catalogue et représente le lien harmonieux entre \nl’espace et la lumière: lignes épurées, dimensions compactes et \nun nouveau système optique inséré dans une forme carrée en \naluminium moulé sous pression. Un double faisceau lumineux de \n100° souligne le contrôle de la lumière avec une approche très \ndélicate et naturelle.\nFix ist das Ergebnis einer ständigen Suche nach essentiellen \nFormen und eines Projekts zur Miniaturisierung der Komponenten \nund stellt die harmonische Verbindung zwischen Raum und Licht \ndar: klare Linien, kompakte Abmessungen und ein neues optisches \nSystem, das in einer quadratischen Struktur aus \nAluminiumdruckguss eingebettet ist. Ein doppelter Lichtkegel von \n100° unterstreicht die Lichtlenkung mit einem sehr feinen und \nzugleich natürlichen Ansatz.\nIT\nFR\nWall\nTechnical information\nLED board\n2 × 6W \nDirect\u002Findirect emission\nDimmable TRIAC\n230V \nCCT 2700K\n2 × 380lm \nCRI 85\nIP20\nAlso available in 120V\nVersions\nWhite FIM LWW 3D\nBlack FIM LNW 3D\nGold burnished FIM LGW 3D\nGold painted FIM LGT 3D\n100° wall\nTechnical information\nLED board\n2 × 6W\nDirect\u002Findirect emission\n100° optic\nDimmable TRIAC\n230V\nCCT 2700K\n2 × 524lm\nCRI 85\nIP20\nAlso available in 120V\nVersions\nWhite FIM LWW 3C\nBlack FIM LNW 3C\nGold burnished FIM LGW 3C\nGold painted FIM LGT 3C\nDE\n9,5\n3\n5,4\n10\n10\n9,5\n3\nFix\n",157,{"image":637,"text":638,"number":639},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.158.png","158\n“This project was born with industrial wastes but less than this I am not able. And so, this lamp is \ncalled ‘Mais plus que cela je ne peux pas’”\nMais Plus Que Cela Je Ne Peux Pas \noutdoor raw metal\nRudy Ricciotti\n",158,{"image":641,"text":642,"number":643},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.159.png","159\nMais Plus Que  \nCela Je Ne Peux Pas\nRudy Ricciotti\nMais Plus Que Cela Je Ne Peux Pas\n",159,{"image":645,"text":646,"number":647},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.160.png","160\nMais Plus Que Cela Je Ne Peux Pas \nmini raw metal\n",160,{"image":649,"text":650,"number":651},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.161.png","161\nMais Plus Que Cela Je Ne Peux Pas \nmini gold\n",161,{"image":653,"text":654,"number":655},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.162.png","162\nMais Plus Que Cela Je Ne Peux Pas \nraw metal\n",162,{"image":657,"text":658,"number":659},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.163.png","163\nFloor\nTechnical information\nLinear LED\n10W\nDirect\u002Findirect emission\nDimmable on cable\n230V\nCCT 2700K\n550lm \nCRI 85\nIP20\nCable length 2,7m\nAlso available in 120V\nVersions\nRaw metal RIC LMM 21\nFloor outdoor\nTechnical information\nLinear LED\n10W\nDirect\u002Findirect emission\nDimmable TRIAC\n230V\nCCT 2700K\n550lm\nCRI 85\nIP44\nCable length 3m\nBody and cable IP65 rated \nalso available in 120V\nMarine version available on request\nVersions\nRaw metal RIC LME 21\nVandal proof fixing plate \nBBP FIX 21\nTable mini \nTechnical information\nLinear LED\n2,4W\nDirect\u002Findirect emission\nSwitch on cable\n110-240V \nCCT 2700K\n200lm\nCRI 85\nIP20\nCable length 3m\nVersions\nRaw metal RCM LMM 12\nGold painted RCM LMM 11\nAn object, a lamp, a symbol for what has \nbecome a Manifesto of Rudy Ricciotti work \nand philosophy: the light of Mais Plus Que \nCela Je Ne Peux Pas is inspired by the \nfootbridge of the Museum of European and \nMediterranean Civilizations in Marseille, also \nconceived by Rudy Ricciotti and which has \nbecome one of the visual identifications of the \nFrench city.\nUn oggetto, una lampada, un simbolo per quello che è diventato \nun Manifesto del percorso e della filosofia di Rudy Ricciotti: il \ndesign di  Mais Plus Que Cela Je Ne Peux Pas si ispira alla \npasserella del Museo delle Civiltà Europee e Mediterranee di \nMarsiglia, divenuta uno degli elementi di identificazione visiva \ndella città francese.\nUn objet, une lampe, un symbole de ce qui est devenu un \nManifeste du parcours et de la philosophie de Rudy Ricciotti : le \ndesign de Mais Plus Que Cela Je Ne Peux Pas s’inspire de la \npasserelle du MUCEM à Marseille, devenue l’un des éléments \nd’identification visuelle de la ville phocéenne française.\nEin Objekt, eine Lampe, ein Symbol für das, was zu einem \nManifest des Weges und der Philosophie von Rudy Ricciotti \ngeworden ist: Das Design von  Mais Plus Que Cela Je Ne Peux \nPas ist vom Museumssteg des Museums der europäischen und \nmediterranen Zivilisationen in Marseille inspiriert, der zu einem \nder visuellen Erkennungszeichen der französischen Stadt \ngeworden ist.\nIT\nFR\nDE\n15\n8\n5\n35\n14\n14\nMais Plus Que Cela Je Ne Peux Pas\n",163,{"image":661,"text":662,"number":663},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.164.png","164\n“Suspended without gravity, enlightened with technology”\nTubes 3 \npendant whitewash \u002F copper polished\nCharles Kalpakian\n",164,{"image":665,"text":666,"number":667},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.165.png","165\nTubes\nCharles Kalpakian\nTubes 3 \npendant\n",165,{"image":669,"text":670,"number":671},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.166.png","166\nTubes 2 \nwall whitewash\n",166,{"image":673,"text":674,"number":675},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.167.png","167\nTubes 2 \nwall black\n",167,{"image":677,"text":678,"number":679},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.168.png","168\nTubes large \nceiling white\n",168,{"image":681,"text":682,"number":683},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.169.png","169\nTubes large \nwall white \u002F grey\n",169,{"image":685,"text":686,"number":687},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.170.png","170\nTubes \nceiling whitewash\n",170,{"image":689,"text":690,"number":691},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.171.png","171\nClean, linear and essential design expressed by \nthe pure shapes of the tubular elements. Tubes \nis available in pendant, wall and ceiling versions. \nWith a simple movement, the aluminium bodies \nrotate to redirect the light as desired.\nDesign pulito, lineare ed essenziale, espresso dalle forme pure degli \nelementi tubolari. Tubes è disponibile nelle versioni a sospensione, \na parete e a soffitto, con un semplice movimento i corpi in alluminio \nruotano per reindirizzare la luce come desiderato.\nTubes est une famille de lampes au design épuré, linéaire et \nessentiel, exprimé par les formes pures des éléments tubulaires: \ndisponibles en versions suspension, applique et plafonnier, avec \nun mouvement simple les corps en aluminium tournent pour \nrediriger la lumière comme souhaité.\nTubes ist eine Leuchtenfamilie mit klarem, linearem und \nessentiellem Design, das durch die reinen Formen der \nröhrenförmigen Elemente zum Ausdruck kommt: Erhältlich als \nPendel-, Wand- und Deckenleuchte, drehen sich die \nAluminiumkörper mit einer einfachen Bewegung, um das Licht \nnach Wunsch zu lenken.\nIT\nFR\nDE\nWhite \u002F light gold\nBlack \u002F black\nWhite \u002F grey\nWhitewash \u002F copper pol.\nWhitewash \u002F whitewash\nWhite \u002F white\nTubes finishes\nTUBES\nTUBES LARGE\nTubes\n",171,{"image":693,"text":694,"number":695},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.172.png","172\nTubes 3 pendant\nØ11\n24\n19\n50\n3\nTechnical information\nLED board\n3 × 4W\nSpot light, direct\nDimmable, push\n110-240V\nCCT 2700K\n3 × 190lm\nCRI 85\nIP20\nCable length 3m\nVersions\nWhitewash\u002Fwhitewash TTB LWW 53\nWhitewash\u002Fcopper  TTB LWC 53\nBlack\u002Fblack  TTB LNW 53\nTubes 2 wall\nTechnical information\nLED board\n2 × 4W\nSpot light\nDimmable TRIAC\n230V\nCCT 2700K\n2 × 190lm \nCRI 85\nIP20\nOrientable on three axes \nAlso available in 120V\nVersions\nWhitewash TTB LWW 35\nBlack  TTB LNW 35\nTubes ceiling\nTechnical information\nLED board\n2 × 4W\nSpot light\nDimmable TRIAC\n230V \nCCT 2700K\n2 × 190lm\nCRI 85\nIP20\n340° elements orientability\nAlso available in 120V\nVersions\nWhitewash TTB LWW 42\nBlack  TTB LNW 42\nØ8\n20\n340°\n340°\nØ4\n23\n9,5\n 15°\nØ7\n20\nØ4\n340°\n1\n24\n340°\nTubes\n",172,{"image":697,"text":698,"number":699},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.173.png","173\nTubes large wall\nTechnical information\nLED board\n2 × 13W\nSpot light\nDimmable TRIAC\n230V\nCCT 2700K\n2 × 640lm\nCRI 85\nIP20\nOne element orientable 60°\nAlso available in 120V\nVersions\nWhite\u002Fwhite TTU LWW 31\nWhite\u002Fgrey  TTU LWD 31\nWhite\u002Flight gold  TTU LWG 31\nTubes large ceiling\nTechnical information\nLED board\n2 × 13W\nDirect + indirect emission\nDimmable TRIAC\n230V\nCCT 2700K\n2 × 640lm \nCRI 85\nIP20\n90°\u002F340° elements orientability\nAlso available in 120V\nVersions\nWhite\u002Fwhite TTU LWW 41\nWhite\u002Fgrey  TTU LWD 41\nWhite\u002Flight gold  TTU LWG 41\nØ7\n23\n31\n60°\n90°\n340°\n25\n30\nØ7\nTubes \n",173,{"image":701,"text":702,"number":703},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.174.png","174\nFlaca \nblack\n",174,{"image":705,"text":706,"number":707},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.175.png","175\nFlaca\nRoberto Paoli\nFlaca\n",175,{"image":709,"text":710,"number":711},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.176.png","176\nFlaca \nwhite\n",176,{"image":713,"text":714,"number":715},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.177.png","177\nWall\nTechnical information\n2 × LED board\n24W\nDirect + indirect emission\nDimmable\n110-240V\nCCT 3000K\n1646lm + 642lm\nCRI 85\nIP20\nVersions\n1-10V\nWhite FLA LWW 32\nAnthracite  FLA LXW 32\nMoka  FLA LBW 32\nChampagne  FLA LDW 32\nTRIAC\nWhite FLA LWW 33\nAnthracite  FLA LXW 33\nMoka  FLA LBW 33\nChampagne  FLA LDW 33\nDual-emission wall lamp for diffused light \nupwards and downwards. Made of die-cast \naluminium, with opal methacrylate lower \ndiffuser and transparent upper diffuser.\nLampada da parete a doppia emissione, per una luce diffusa verso \nl’alto e verso il basso. Realizzata in alluminio pressofuso, con \ndiffusore inferiore in metacrilato opalino e superiore trasparente.\nApplique à double émission pour une lumière diffuse vers le haut \net vers le bas. En fonte d’aluminium moulé, avec diffuseur inférieur \nen méthacrylate opalin et diffuseur supérieur transparent.\nWandleuchte mit zweifachem diffusem Lichtaustritt nach oben \nund unten. Aluminiumdruckguß, mit Diffusoren aus Methacrylat \n(oben transparent, unten opalin).\nIT\nFR\nDE\nWhite\nAnthracite\nMoka\nChampagne\nFlaca finishes\n25\n28\n8\n8\nFlaca\n",177,{"image":717,"text":718,"number":719},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.178.png","178\n“Blurring the lines between an industrial design piece and a sculptural masterpiece, this illuminator \nacts as a spatial focal point when displayed within one’s home.” \nWall Shadows \ngrand\nCharles Kalpakian\n",178,{"image":721,"text":722,"number":10},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.179.png","179\nWall Shadows\nCharles Kalpakian\nWall Shadows \nmoyen\n",{"image":724,"text":725,"number":726},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.180.png","180\nWall Shadows \nlong\n",180,{"image":728,"text":729,"number":730},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.181.png","181\nWall Shadows \nmoyen\n",181,{"image":732,"text":733,"number":734},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.182.png","182\nWall Shadows \npetit\n",182,{"image":736,"text":737,"number":738},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.183.png","183\nGrand\nTechnical information\nLED board\n59W\nDiffused Indirect emission\nDimmable 1-10V, push\n110-240V\nCCT 3000K\n4640lm\nCRI 80\nIP20\nHorizontal and vertical mounting\nVersions\nWhite WSH LWW 31\nLong\nTechnical information\nLED board\n30W\nDiffused Indirect emission\nDimmable 1-10V\n110-240V\nCCT 3000K\n1050lm\nCRI 80\nIP20\nHorizontal and vertical mounting\nVersions\nWhite WSH LWW 34\nMoyen\nTechnical information\nLED board\n11W\nDiffused Indirect emission\nDimmable 1-10V\n110-240V\nCCT 3000K\n445lm\nCRI 80\nIP20\nHorizontal and vertical mounting\nVersions\nWhite WSH LWW 33\nPetit\nTechnical information\nLED board\n8W\nDiffused Indirect emission\nDimmable 1-10V\n110-240V\nCCT 3000K\n435lm\nCRI 80\nIP20\nHorizontal and vertical mounting\nVersions\nWhite WSH LWW 32\nInspired by the repetitive rhythm of monuments \nsuch as the Baalbeck archaeological site in \nLebanon, Wall Shadows provides unusual \nlighting scenarios and diffused LED light, blurring \nthe line between industrial design work and \nsculptural masterpiece. Available in different \nsizes, they are made of laser-cut and matte white \npainted aluminium.\nIspirato al ritmo ripetitivo dei monumenti come il sito archeologico \ndi Baalbeck in Libano, Wall Shadows offre scenografie luminose \ninsolite e un’illuminazione a LED diffusa, attenuando il confine tra \nl’opera di design industriale e il capolavoro scultoreo. Disponibili \nin differenti dimensioni, sono realizzate in alluminio tagliato a laser \ne verniciato bianco opaco.\nWall Shadows est une famille d’appliques murales, capables \nd’offrir des scènes lumineuses inhabituelles et un éclairage LED \ndiffus. Le rythme répétitif s’inspire de monuments tels que le site \narchéologique de Baalbeck au Liban, brouillant la frontière entre \nle travail du design industriel et le chef-d’œuvre sculptural. \nDisponibles en différentes tailles, ils sont fabriqués en aluminium \ndécoupé au laser et peints en blanc mat.\nWall Shadows ist eine Familie von Wandleuchten, die \nungewöhnliche Lichtstimmungen und diffuses LED-Licht bieten. \nDer sich wiederholende Rhythmus ist von Grabungsstätten wie \nder archäologischen Stätte Baalbeck im Libanon inspiriert und \nverwischt die Grenze zwischen industriellem Design und \nskulpturalem Meisterwerk. Sie sind in verschiedenen Größen \nerhältlich, bestehen aus lasergeschnittenem Aluminium und sind \nmattweiß lackiert.\nIT\nFR\nDE\n90\n120\n14\n120\n30\n14\n30\n45\n14\n45\n15\n12\nWall Shadows\n",183,{"image":740,"text":741,"number":742},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.184.png","184\n“A thin luminescent disk suspended between technology and memory. We searched in memory \nwith technological devices in order to find the essentiality.”\nPanama \nmini \nwhite\nEuga Design\n",184,{"image":744,"text":745,"number":746},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.185.png","185\nEuga Design\nPanama\nPanama\n",185,{"image":748,"text":749,"number":750},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.186.png","186\nPanama \nmini battery \nwhite\n",186,{"image":752,"text":753,"number":754},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.187.png","187\nPanama\n",187,{"image":756,"text":757,"number":758},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.188.png","188\nPanama \nmini \nblack\n",188,{"image":760,"text":761,"number":762},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.189.png","189\nTable \nØ10,5\nØ35\n45\nTechnical information\nLED board\n14W\nDiffused emission\n110-240V\nCCT 2700K\n1010lm \nCRI 85\nIP20\nCable length 2m\nSwitch on cable\nVersions\nWhite textured PAN LWW 13\nCoal black PAN LXX 13\nMini Table \nTechnical information\nLED board\n13W\nDiffused emission\n110-240V\nCCT 2700K\n411lm\nCRI 85\nIP20\nCable length 1,5m\nSwitch on cable\nVersions\nWhite textured PNM LWW 14\nCoal black PNM LXX 14\nMini Battery Table\nTechnical information\nLED board\n3W\nDiffused emission\nDimmable on board\n5V\nCCT 2700K\n190lm\nCRI 85\nIP20\nCable length 1,2m\nRechargeable, 17 hours battery life\n7 hours charge time\nVersions\nWhite textured PNM LWW 15\nCoal black PNM LXX 15\nPanama combines a clean, linear silhouette \nwith a cone-shaped base, a slim stem and a \nflat lampshade. Made of methacrylate, they \nare equipped with a polycarbonate reflector \nwith anti-glare treatment and are therefore \nsuitable for both domestic and work \nenvironments. The mini version is also \navailable in a cordless rechargeable battery \nversion. Duration: 17 hours, recharge: 7 hours.\nPanama combina una silhouette pulita e lineare con una base a \nforma di cono, uno stelo sottile e un paralume piatto. Realizzate in \nmetacrilato sono dotate di un riflettore in policarbonato con \ntrattamento antiabbagliamento e quindi sono adatte sia ad \nambienti domestici che di lavoro. La versione mini è disponibile \nanche nella versione cordless a batteria ricaricabile. Durata: 17 \nore, ricarica: 7 ore.\nPanama combine une silhouette épurée et linéaire avec une base \nen forme de cône, une tige mince et un abat-jour plat. Fabriqués \nen méthacrylate, ils sont équipés d’un réflecteur en polycarbonate \ntraité anti-reflets et conviennent donc aux environnements \ndomestiques et professionnels. La version mini est également \ndisponible dans une version avec batterie rechargeable sans fil. \nDurée: 17 heures, recharge: 7 heures.\nIT\nFR\nDE\nPanama kombiniert eine klare, lineare Silhouette mit einem \nkegelförmigen Sockel, einem schlanken Schaft und einem flachen \nSchirm. Sie bestehen aus Methacrylat und sind mit einem \nPolycarbonat-Reflektor mit Blendschutz ausgestattet. Daher \neignen sie sich sowohl für den Hausgebrauch als auch für den \nArbeitsbereich. Die Mini-Version ist auch als Akku-Version \nerhältlich. Dauer: 17 Stunden, Aufladen: 7 Stunden.\nØ20\nØ7\n30\nPanama\n",189,{"image":764,"text":765,"number":766},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.190.png","190\n“A slit of light in a monolithic mass: the contrast between material and immaterial, the basis of all \nlighting project”\nAra \nDTW \nwhite \u002F white\nIlaria Marelli\n",190,{"image":768,"text":769,"number":770},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.191.png","191\nAra\nIlaria Marelli\nAra \nDTW\n",191,{"image":772,"text":773,"number":774},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.192.png","192\nAra \nDTW \nwhite \u002F white\n",192,{"image":776,"text":777,"number":778},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.193.png","193\nAra \nwall 29 \nwhite \u002F white\n",193,{"image":780,"text":781,"number":782},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.194.png","194\nAra was inspired by architectural light cuts, \nwhile featuring a rotating body that allows \nlight to be modulated and redirected. The DIM \nTO WARM technology allows to modify the \nlight’s colour temperature, switching smoothly \nfrom vivid white to soft warm, replicating the \nsame effect as an old incandescent bulb.\nDotata di un corpo rotante che consente di modulare e \nreindirizzare la luce, Ara si ispira ai tagli di luce dell’architettura. \nLa tecnologia DIM TO WARM consente di modificare la \ntemperatura di colore della luce, passando senza soluzione di \ncontinuità da un bianco intenso a un caldo morbido.\nIT\nFR\nDE\nARA FLOOR\nARA WALL\nAnthracite \u002F anthracite\nAnthracite \u002F anthracite\nChampagne \u002F polished\nWhite \u002F white\nMoka \u002F polished\nAnthracite \u002F polished\nWhite \u002F white\nWhite \u002F polished\nAnthracite \u002F polished\nChampagne \u002F polished\nAra finishes\nAra ist mit einem drehbaren Leuchtenkörper ausgestattet, der es \nermöglicht, das Licht zu lenken und zu verändern. Inspiriert wurde \nAra von architektonischen Lichtschnitten. Die DIM TO WARM-\nTechnologie ermöglicht es, die Farbtemperatur des Lichts zu \nverändern, der nahtlos von einem intensiven Weiß zu einer \nwarmen Lichtfarbe übergeht und denselben Effekt wie eine alte \nGlühbirne bietet.\nDoté d’un corps rotatif qui permet de moduler et de rediriger la \nlumière, Ara s’inspire des coupes lumineuses architecturales. La \ntechnologie DIM TO WARM permet de modifier la température de \ncouleur de la lumière, passant de manière transparente d’un blanc \nprofond à un chaud doux, reproduisant le même effet qu’une \nvieille ampoule à incandescence.\nAra\n",194,{"image":784,"text":785,"number":786},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.195.png","195\nFloor\nTechnical information\nLED board + linear LED\n23+45W \nDiffused emission\nDouble switch, dim to warm on board\n230V\nCCT from 2200K to 3000K\n2390+3426 lm\nCRI 85\nIP20\nCable length 2,7m\nOrientable diffuser\nColor temperature from 2200K\n(at min.) to 3000K (at max.)\nAlso available in 120V\nVersions\nWhite\u002Fwhite ARA LWW 24\nAnthracite\u002Fanthracite ARA LXX 24\nChampagne\u002Fpolished ARA LDL 24\nAnthracite\u002Fpolished ARA LXL 24\nMoka\u002Fpolished ARA LML 24\nWall 29\nTechnical information\nLinear LED\n11,5W\nDiffused emission\nDimmable, TRIAC\n230V\n911lm\nCRI 85\nIP20\nOrientable diffuser\nVersions\n2700K\nWhite\u002Fwhite ARA LWW 36\nAnthracite\u002Fanthracite ARA LXX 36\nWhite\u002Fpolished ARA LWL 36\nAnthracite\u002Fpolished ARA LXL 36\nChampagne\u002Fpolished ARA LDL 36\n3000K\nWhite\u002Fwhite ARA LWW 37\nAnthracite\u002Fanthracite ARA LXX 37\nWhite\u002Fpolished ARA LWL 37\nAnthracite\u002Fpolished ARA LXL 37\nChampagne\u002Fpolished ARA LDL 37\nWall 69\nTechnical information\nLinear LED\n2x16W\nDiffused emission \nDimmable DALI, push\n230V\nCCT 3000K\n3600lm\nCRI 85\nIP20 \nOrientable diffuser\nVersions\nWhite\u002Fwhite ARA LWW 32\nWhite\u002Fpolished ARA LWL 32\nAnthracite \u002Fpolished ARA LXL 32\nChampagne\u002Fpolished ARA LDL 32\n26,5\n5\n340°\n36\n178\n29\n4\n9\n 15°\n11\n5\n69\n 15°\nAra\n",195,{"image":788,"text":789,"number":790},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.196.png","196\nType \nreading\n",196,{"image":792,"text":793,"number":794},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.197.png","197\nType\nGuillaume Bloget\nType \nreading\n",197,{"image":796,"text":797,"number":798},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.198.png","198\nType \nreading\n",198,{"image":800,"text":801,"number":802},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.199.png","199\nReading\nTechnical information\nLED board\n8W\nSpot light, orientable 360°\nDim and zoom on board\n110-240V\n467lm (nominal flux)\nCRI 90\nIP20\nCable length 2m\n360° magnetic rotation\n15-60° optic\nVersions\n2700K\nBlack TYP LNN 21\n3000K\nBlack TYP LNN 22\nPendant\nTechnical information\nLED board\n8W\nSpot light\nDim and zoom on board\n110-240V\n467lm (nominal flux)\nCRI 90\nIP20\nCable length 2,5m\n15-60° optic\nVersions\n2700K\nBlack TYP LNN 51\n3000K\nBlack TYP LNN 52\nType represents a sophisticated and technical \nobject that brings the most advanced research \nin optics and dimming control into the \ndomestic environment. Designed for spot \nlighting, a simple hand gesture can orient the \nlight, vary the intensity and adjust the beam \nangle. A magnetic spherical joint swivels the \nspot, providing significant adjustments.\nOggetto sofisticato e tecnico che porta nell’ambiente domestico \nle più avanzate ricerche nel campo dell’ottica e del controllo della \nluminosità. Type è stata progettata per un’illuminazione spot: con \nun semplice gesto della mano è possibile orientare la luce, variare \nl’intensità e regolare l’angolo del fascio luminoso. Uno snodo \nsferico magnetico fa ruotare lo spot, consentendo notevoli \npossibilità di orientamento.\nObjet sophistiqué et technique qui apporte à l’espace domestique \nla recherche la plus avancée dans le domaine de l’optique et du \ncontrôle de la luminosité. Type a été conçu pour l’éclairage \nponctuel: d’un simple geste de la main, il est possible de diriger la \nlumière, de varier l’intensité et d’ajuster l’angle du faisceau \nlumineux. Une articulation magnétique sphérique fait pivoter le \nspot, permettant des possibilités d’orientation considérables.\nEin hochentwickeltes und technologisches Produkt, das die \nfortschrittlichste Forschung auf dem Gebiet der Optik und der \nLichtsteuerung in die häusliche Umgebung bringt. Type ist für die \nSpot-Beleuchtung konzipiert: Mit einer einfachen Handbewegung \nkann man das Licht lenken, die Lichtstärke variieren und den \nWinkel des Lichtstrahls einstellen. Ein magnetisches Kugelgelenk \nermöglicht die Drehung des Spots und damit umfangreiche \nAusrichtungsmöglichkeiten.\nIT\nFR\nDE\nØ2,5\n140\nØ3,5\nØ26\n20\n20\n6\nØ3,5\nØ8\ndim\nzoom\ndim\nzoom\nType\n",199,{"image":804,"text":805,"number":806},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.200.png","200\nAra \nfloor \nblack\n",200,{"image":808,"text":809,"number":810},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.201.png","201\nLogo\nMario Barbaglia\nLogo \nfloor\n",201,{"image":812,"text":813,"number":814},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.202.png","202\nLogo \nwall \nblack\n",202,{"image":816,"text":817,"number":818},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.203.png","203\nOne of the iconic designs of the 1980s, Logo \nis a wall and floor system with a simple and \nrigorous aesthetics, represented by two \nslender aluminium stems and an adjustable \ndiffuser to direct the light as required.\nUno dei progetti simbolo degli anni ‘80, Logo è un sistema da \nparete e da terra dall’estetica semplice e rigorosa, rappresentato \nda due sottili steli in alluminio e da un diffusore orientabile per \ndirezionare la luce a seconda delle esigenze. \nLogo, l’un des designs phares des années 1980, est un système \nmural et au sol à l’esthétique simple et rigoureuse, avec deux \ntiges fines en aluminium et un diffuseur réglable pour orienter la \nlumière selon les besoins.\nLogo, eines der grundlegenden Designs der 1980er Jahre, ist ein \nWand- und Bodensystem mit einer einfachen und strengen \nÄsthetik. Der verstellbare Diffusor, getragen von zwei schlanken \nAluminiumstäben, gewährleistet eine optimale Lichtlenkung.\nIT\nFR\nDE\nFloor\n32\n18\n193\n140°\n25\nTechnical information\nLED board\n16W\nDirect\u002Findirect emission\nDimmable on cable\n230V\nCCT 2700K\n1380lm\nCRI 85\nIP20 \nCable length 3m\n140° orientable\nVersions\nBlack LOG LNN 21\nWall\nTechnical information\nLED board\n16W\nDirect\u002Findirect emission\n110-240V\nCCT 2700K\n1380lm\nCRI 85\nIP20\n140° orientable\nVersions\nBlack LOG LNN 31\n140°\n26\n11\n4\n5\n29\nmin. 25 max. 36\nLogo\n",203,{"image":820,"text":821,"number":822},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.204.png","204\nCanna Nuda \nwall\u002Fceiling \nsatin nickel\n",204,{"image":824,"text":825,"number":826},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.205.png","205\nCanna Nuda\nPiero Castiglioni,\n Roberto Menghi\nCanna Nuda\n",205,{"image":828,"text":829,"number":830},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.206.png","206\nCanna Nuda \nwall L50 \nsatin nickel\n",206,{"image":832,"text":833,"number":834},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.207.png","207\nCanna Nuda metal \nceiling \nwhite\n",207,{"image":836,"text":837,"number":838},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.208.png","208\nCanna Nuda is a project that explores the \ndiffusion of light through the use of cylinders \nin the sandblasted glass version, the spot \nlighting in the metal one, and the orientation in \nthe ceiling variant. A collection that represents \na synthesis between harmonious forms and \nversatile use.\nCanna Nuda è un progetto che esplora la diffusione della luce \nattraverso l’uso di cilindri nella versione in vetro sabbiato, \nl’illuminazione puntuale nella versione in metallo e l’orientamento \nnella versione a soffitto. Una collezione che rappresenta una \nsintesi tra armonia delle forme e versatilità di utilizzo.\nCanna Nuda est un projet qui explore la diffusion de la lumière à \ntravers l’utilisation de cylindres dans la version en verre sablé, \nl’éclairage ponctuel dans la version en métal et l’orientation dans la \nvariante pour plafond. Une collection qui représente une synthèse \nentre des formes harmonieuses et une utilisation polyvalente.\nCanna Nuda ist ein Projekt, das die Streuung des Lichts durch die \nVerwendung von Zylindern in der sandgestrahlten Glasversion, die \nSpotbeleuchtung in der Metallversion und die Ausrichtung in der \nDeckenvariante erforscht. Eine Kollektion, die eine Synthese \nzwischen harmonischen Formen und vielseitiger Nutzung darstellt.\nIT\nFR\nDE\nChrome\nSatin nickel\nWhite\nCanna Nuda finishes\nCANNA NUDA\nCANNA NUDA METAL\nCanna Nuda\n",208,{"image":840,"text":841,"number":842},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.209.png","209\nPendant\nTechnical information\nG9\n75W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nCable length 3m\nLED version with kit G9 LED NEMO\nVersions\nL50 cm\nSatin nickel CAN HSW 51\nL75 cm\nSatin nickel CAN HSW 52\nMetal pendant\nTechnical information\nLED board\n6,2W\nSpot light\n110-240V\nCCT 3000K\n360lm \nCRI 85\nIP20\nCable length 2,5m \nSemi recessed lamp\nRecessed hole: Ømin4\u002Fmax 6 cm \nCanopy accessory for ceiling \nmounting\nVersions\nWhite CAM LWW 52\nChrome CAM LHH 52\nMetal ceiling\nTechnical information\nLED board\n6,2W\nSpot light\n110-240V\nCCT 3000K\n360lm \nCRI 85\nIP20\nSemi recessed lamp\nRecessed hole: Ømin4\u002Fmax 6 cm\n25° orientable\nCanopy accessory for standard \nmounting\nVersions\nWhite CAM LWW 71 \nChrome CAM LHH 71\nAccessories\nCanopy for ceiling mounting\nWhite COM KWW 41 \nChrome COM KHH 41\nWall\u002Fceiling\nTechnical information\nG9\n75W\nDiffused emission\nDimmable according to bulb\n110-240V\nIP20\nLED version with kit G9 LED NEMO\nVersions\nL50 cm\nSatin nickel CAN HSW 41\nL75 cm\nSatin nickel CAN HSW 42\n11\n3\n50\u002F75\nØ3\n7\nØ8\nØ3\nØ10\n75\n90°\n12\n50\u002F75\nØ3\n13,5\nØ8\n 25°\n50\nØ3\nCanna Nuda\nØ10\n",209,{"image":844,"text":845,"number":846},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.210.png","210\n“Its hat can be put on and taken off, its arms can be lifted or lowered. A lamp which in addition to \nproviding a nice light, offers company...”\nMr. Light\nJavier Mariscal\n",210,{"image":848,"text":849,"number":850},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.211.png","211\nMr. Light\nJavier Mariscal\nMr. Light\n",211,{"image":852,"text":853,"number":854},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.212.png","212\nTable\nTechnical information\nE27\n42W\nDiffused + direct emission\nSwitch on cable\n230V\nIP20\nCable length 2m\nOrientable\nØ12cm bulb\nBulb not included\nVersions\nBlack MRL ENN 11\nGraphic and playful table lamp made with an \narticulated arm and body in matt black metal. \nThe two-tone lampshade with matt white \ninterior creates a diffused light and provides \nthe possibility of reducing the intensity of the \nlight in the upper part thanks to the light bulb \ncover with the hat closure.\nLampada da tavolo, un oggetto di luce grafico e giocoso. \nRealizzata con braccio snodato e corpo in metallo nero opaco. Il \nparalume bicolore con interno bianco opaco crea una luce diffusa \ne fornisce la possibilità di diminuire l’illuminazione nella parte \nsuperiore grazie alla copertura della lampadina con la chiusura \ndel cappello.\nLampe à poser, objet lumineux graphique et ludique. Constituée \nd’un bras articulé et un corps en métal noir mat. L’abat-jour \n(chapeau) bicolore avec intérieur blanc mat crée une lumière \ndiffuse et offre la possibilité de réduire l’éclairage dans la partie \nsupérieure en couvrant la source lumineuse.\nTischleute, ein grafisches und verspieltes Lichtobjekt. Realisiert \nmit beweglichem Arm und einer Struktur aus matt schwarz \nlackiertem Metall, Lampenschirm innen matt weiß für eine diffuse \nLichtstreuung, die mit der Regulierung des Hutes verringert \nwerden kann.\nIT\nFR\nDE\n36\n27\nØ20\n45°\n90°\n30°\nMr. Light\n",212,{"image":856,"text":15,"number":857},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.213.png",213,{"image":859,"text":860,"number":861},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.214.png","214\n“The design of the lamp derives from the very material they are made from, Conturax”\nIlium \npendant \n75\nFoster + Partners\n",214,{"image":863,"text":864,"number":865},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.215.png","215\nIlium\nFoster + Partners\nIlium \npendant \n75\n",215,{"image":867,"text":868,"number":869},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.216.png","216\nIlium \npendant \n75\n",216,{"image":871,"text":872,"number":873},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.217.png","217\nPendant 77\nTechnical information\nE27 par20\n50W\nDirect\u002Fdiffused emission\nDimmable according to bulb\n230V\nIP20\nCable length 3m\nVersions\nChrome\u002Fclear glass ILI HHC 51\nPendant 75\nTechnical information\nLED board\n7W\nDirect\u002Fdiffused emission\n230V\nCCT 3000K\n345lm\nCRI 85\nIP20\nCable length 3m\nVersions\nChrome\u002Fclear glass ILI LHC 51\nIlium consists of a cylindrical body made of \ntransparent ribbed glass and an inner diffuser \nmade of opal polymer for 360° diffuse illumination.\nIlium è composta da un corpo cilindrico in vetro cannettato \ntrasparente e un diffusore interno in polimero opalino per \nun’illuminazione diffusa a 360°.\nIlium se compose d’un corps cylindrique en forme de tonneau en \nverre transparent et d’un diffuseur interne en polymère opale pour \nun éclairage diffus à 360°.\nIlium besteht aus einem tonnenförmigen, zylindrischen Körper \naus klarem Glas und einem Innendiffusor aus opalem Polymer für \neine diffuse 360°-Beleuchtung.\nIT\nFR\nDE\nØ10\nØ11\n2,5\n77\nØ11\nØ5\n2,5\n75\nIlium\n",217,{"image":875,"text":876,"number":877},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.218.png","218\n“A rigorous geometric research led to a lightweight and powerful piece featuring significant lighting \nperformances.”\nZena \nwhite\nRoberto Paoli\n",218,{"image":879,"text":880,"number":881},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.219.png","219\nZena\nRoberto Paoli\nZena\n",219,{"image":883,"text":884,"number":885},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.220.png","220\nZena \nblack\n",220,{"image":887,"text":888,"number":889},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.221.png","221\nThe clean silhouette of Zena is the result of a \nrigorous research of geometrical design that \nleds to the conception of an essential and \npowerful artefact featuring significant lighting \nperformances. Zena represents a revolution in \nthe world of wall lamps, a contemporary \nexperiment that transforms the wall lamp from \na traditionally static object into a dynamic and \nsophisticated element, an important synthesis \nof lightness, power and comfort. Zena features \na recyclable aluminium extrusion.\nL’essenzialità di Zena è il risultato di un attento studio di ricerca \ngeometrica, che ha generato un oggetto essenziale e potente con \nimportanti prestazioni luminose. Zena rappresenta una rivoluzione \nnel mondo delle lampade a parete, un esperimento contemporaneo \nche trasforma l’applique da oggetto tradizionalmente statico in \nelemento dinamico e sofisticato, un’importante sintesi tra obiettivi \ndi leggerezza, potenza e fruibilità. Zena è realizzata da un estruso in \nalluminio riciclabile.\nL’essentialité de Zena est le résultat d’une étude minutieuse de \nrecherche géométrique qui a généré un objet essentiel et \npuissant avec des performances d’éclairage importantes.  Zena \nreprésente une révolution dans le monde des appliques murales, \nune expérience contemporaine qui transforme l’applique murale \nd’un objet traditionnellement statique en un élément dynamique \net sophistiqué, une synthèse importante entre les objectifs de \nlégèreté, de puissance et de confort. Zena est fabriquée à partir \nd’un extrudé d’aluminium recyclable.\nDie essentielle Silhouette von Zena ist das Ergebnis einer \nrigorosen Forschung im Bereich des geometrischem Designs, die \nzur Schaffung eines charakteristischen und leistungsstarken \nLichtobjekts geführt hat, das eine bedeutende Lichtleistung \naufweist.  Zena stellt eine Revolution in der Welt der \nWandleuchten dar, ein zeitgenössisches Experiment, das die \nWandleuchte von einem traditionell statischen zu einem \ndynamischen und raffinierten Element macht, eine wichtige \nSynthese aus Leichtigkeit, Leistung und Komfort. Zena besteht \naus recyceltem Aluminium.\nIT\nFR\nDE\nWall\nTechnical information\nLinear LED\n30W\nIndirect emission \nDimmable TRIAC\n230V\n3000lm\nCRI 85\nVersions\nIP20 2700K\nBlack ZEN LN2 31\nWhite ZEN LW2 31\nIP20 3000K\nBlack ZEN LNW 31\nWhite ZEN LWW 31\nIP44 2700K\nBlack ZEN LN2 33\nWhite ZEN LW2 33\nIP44 3000K\nBlack ZEN LNW 33\nWhite ZEN LWW 33\n26\n8,5\n2,5\n22\n7\n8,5\nZena\n",221,{"image":891,"text":892,"number":893},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.222.png","222\n“The redistribution of components and their optimisation in terms of both volume and efficiency \nwere the efforts required to achieve a slim, slender and visually light object”\nPortofino \nemerald green\u002Fgreen guatemala\nVelerio Sommella\n",222,{"image":895,"text":896,"number":897},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.223.png","223\nPortofino\nValerio Sommella\nPortofino\n",223,{"image":899,"text":900,"number":901},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.224.png","224\nPortofino  \n",224,{"image":903,"text":904,"number":905},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.225.png","225\nStandard\nTechnical information\nLED board\n5V\n1,8W\n190lm\nDiffused indirect emission\nDimmable on board\nUSB-C\n2700K\nCRI 90\nIP20\nEquipped with USB-C socket\nUSB-C cable included\nRechargeable, 5 hours battery life \n4,5 hours charge time\nVersions\nStandard base\nWhite POR LWW 11\nBlack POR LNN 11\nPastel blue POR LBB 11\nEmerald green POR LVV 11\nMarble\nMarble base\nWhite POR LWW 12\nBlack POR LNN 12\nPastel blue POR LBB 12\nEmerald green POR LVV 12\nPortofino is a slim, sleek and lightweight \ntable lamp. Portable and rechargeable. \nA contemporary and versatile design. \nThe result of a process guided by the \nredefinition of product architecture, \nthe redistribution of components and their \noptimisation in terms of volume and efficiency. \nMade of aluminium and in a more elegant \nversion with a marble base in different \nessences.\nPortofino è una lampada da tavolo sottile, slanciata e leggera. \nPortatile e ricaricabile. Un progetto contemporaneo, dall’utilizzo \nversatile. Frutto di un percorso guidato dalla ridefinizione \ndell’architettura del prodotto, dalla ridistribuzione dei componenti e \ndalla loro ottimizzazione in termini di volume ed efficienza. \nRealizzata in alluminio, e in una versione più elegante con una base \nin marmo in diverse essenze.\nPortofino est une lampe de table fine, élégante et légère. Portable \net rechargeable. Un design contemporain pour une utilisation \npolyvalente. Le résultat d’un processus guidé par la redéfinition \nde l’architecture du produit, la redistribution des composants et \nleur optimisation en termes de volume et d’efficacité. Réalisée en \naluminium, et dans une version plus élégante avec une base en \nmarbre dans différentes essences.\nPortofino ist eine schlanke, elegante und leichte Tischleuchte. \nTragbar und wiederaufladbar. Ein zeitgemäßes Design mit \nvielseitigen Einsatzmöglichkeiten. Das Ergebnis eines Prozesses, \nder von der Neudefinition der Produktarchitektur, der \nNeuaufteilung der Komponenten und ihrer Optimierung in Bezug \nauf Volumen und Effizienz geleitet wurde. Hergestellt aus \naluminium und in einer eleganteren Version mit einem \nMarmorsockel in verschiedenen Essenzen.\nIT\nFR\nDE\nØ10\n30\nØ9\nØ10\n30,5\n7\nPortofino finishes\nWhite\nPastel blue\nBlack\nEmerald green\nMARBLE \nWhite\n+ Travertino\nPastel blue \n+ Blue Portofino\nBlack \n+ Sahara Noir\nEmerald green \n+ Green Guatemala\nSTANDARD\nPortofino\n",225,{"image":907,"text":908,"number":909},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.226.png","226\nLinescapes System\n",226,{"image":911,"text":912,"number":913},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.227.png","227\nLinescapes\nSystem\nNemo\nLinescapes System\n",227,{"image":915,"text":916,"number":917},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.228.png","228\nLinescapes System\n",228,{"image":919,"text":920,"number":921},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.229.png","229\nLinescapes System\n",229,{"image":923,"text":924,"number":925},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.230.png","230\nLinescapes System\n",230,{"image":927,"text":928,"number":929},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.231.png","231\n",231,{"image":931,"text":932,"number":933},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.232.png","232\nLed segments\nTechnical information\nLinear LED\nDiffused emission, orientable 360°\nDimmable according to driver\n24V DC\nCRI 80\nIP20\nOrientable 360°\n36 cm 6W 335lm\nCCT 2700K\nWhite LSS LW8 51 \nBlack LSS LN8 51\nCCT 3000K\nWhite LSS LW4 51\nBlack LSS LN4 51\n56 cm 9,5W 600lm\nCCT 2700K\nWhite LSS LW7 51\nBlack LSS LN7 51 \nCCT 3000K\nWhite LSS LW3 51\nBlack LSS LN3 51\n106 cm 19W 1125lm\nCCT 2700K\nWhite LSS LW6 51\nBlack LSS LN6 51\nCCT 3000K\nWhite LSS LW2 51\nBlack LSS LN2 51\n171 cm 33W 1765lm\nCCT 2700K\nWhite LSS LW5 51\nBlack LSS LN5 51\nCCT 3000K\nWhite LSS LW1 51\nBlack LSS LN1 51\nLinescapes is a modular system of continuous \nlines and angles, joined by moulded polymer \njoints that allow simple connecting and 360° \nrotation. The Linescapes system has been \ndesigned with the aim of providing extreme \ndesign versatility through simplified \ninstallation and easy care.\nLinescapes è un sistema modulare che prevede la composizione \ndi linee e angoli continui, uniti da giunti in polimero stampato che \nconsentono una rapida connessione a jack e una rotazione di \n360°. Il sistema Linescapes è stato studiato con l’obiettivo di \nfornire un’estrema versatilità progettuale attraverso semplicità di \ninstallazione e manutenzione.\nLinescapes est un système modulaire de lignes et d’angles \ncontinus, reliés par des joints en polymère moulé qui permettent \nune connexion rapide et une rotation à 360°. Le système \nLinescapes a été conçu dans le but d’offrir une polyvalence de \nconception extrême grâce à une installation simplifiée et un \nentretien facile.\nLinescapes ist ein modulares System aus durchgehenden Linien \nund Winkeln, die durch geformte Polymerverbindungen \nverbunden sind, die ein schnelles Anheben und eine Drehung um \n360° ermöglichen. Das Linescapes-System wurde mit dem Ziel \nentwickelt, durch eine vereinfachte Installation und einfache \nPflege eine extreme Designvielfalt zu bieten.\nIT\nFR\nDE\n2\n2\nLIGHT\nWing segments\nTechnical information\nLinear LED \nDiffused emission, orientable 360° \nDimmable according to driver\n24V DC\nCRI 80\nIP20\nOrientable 360°\n36 cm 6W 335lm\nCCT 2700K\nWhite LSS UW8 51\nBlack LSS UN8 51\nCCT 3000K\nWhite LSS UW4 51\nBlack LSS UN4 51\n56 cm 9,5W 600lm\nCCT 2700K\nWhite LSS UW7 51\nBlack LSS UN7 51\nCCT 3000K\nWhite LSS UW3 51\nBlack LSS UN8 51\n106 cm 19W 1125lm\nCCT 2700K\nWhite LSS UW6 51\nBlack LSS UN6 51\nCCT 3000K\nWhite LSS UW2 51\nBlack LSS UN2 51\n171 cm 33W 1765lm\nCCT 2700K\nWhite LSS UW5 51\nBlack LSS UN5 51\nCCT 3000K\nWhite LSS UW1 51\nBlack LSS UN1 51\n2\n2,7\nLIGHT\nLinescapes System\n",232,{"image":935,"text":936,"number":937},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.233.png","233\n2\n2\nNO LIGHT\nLink segments\nTechnical information\n24V electrical connection, orientable \n360°, no light\n36 cm\nWhite LSS BW4 51\nBlack LSS BN4 51\n56 cm\nWhite LSS BW3 51\nBlack LSS BN3 51\n106 cm\nWhite LSS BW2 51\nBlack LSS BN2 51\n171 cm\nWhite LSS BW1 51\nBlack LSS BN1 51\nSpot segments\nTechnical information\nLED board \nSpot light, orientable 360° \nDimmable according to driver\n24V DC\nCRI 90\nIP20\nOrientable 90°\u002F340°\n2 spot 56 cm\n2 × 4W 2 × 400lm\nCCT 2700K\nWhite LSS SW5 51\nBlack LSS SN5 51\nCCT 3000K\nWhite LSS SW7 51\nBlack LSS SN7 51\n4 spot 106 cm\n4 × 4W 4 × 400lm\nCCT 2700K\nWhite LSS SW6 51\nBlack LSS SN6 51\nCCT 3000K\nWhite LSS SW8 51\nBlack LSS SN8 51\nTige 2 spot 56 cm\n2 × 4W 2 × 400lm\nCCT 2700K\nWhite LSS SW1 51\nBlack LSS SN1 51\nCCT 3000K\nWhite LSS SW3 51\nBlack LSS SN3 51 \nTige 3 spot 106 cm\n3 × 4W 3 × 400lm\nCCT 2700K\nWhite LSS SW2 51\nBlack LSS SN2 51\nCCT 3000K\nWhite LSS SW4 51\nBlack LSS SN4 51\nTige 2 spot\n2 spot\nTige 3 spot\n4 spot\n40\n7,5\nØ3,5\n90°\n340°\n106\n40\n7,5\nØ3,5\n90°\n340°\n56\n7,5\nØ3,5\n90°\n340°\n56\n7,5\nØ3,5\n90°\n340°\n106\nLinescapes System\n",233,{"image":939,"text":940,"number":941},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.234.png","234\nConnections\nTechnical information\nIP20\nCable length 3m\nLinear\nVertical start\nWhite LSS CW1 51\nBlack LSS CN1 51\nVertical end\nWhite LSS CW6 51\nBlack LSS CN6 51\nHorizontal start\nWhite LSS CW2 51\nBlack LSS CN2 51\nHorizontal end\nWhite LSS CW2 51\nBlack LSS CN3 51\nCentral supply\nWhite LSS CW4 51\nBlack LSS CN4 51\nCentral\nWhite LSS CW5 51\nBlack LSS CN5 51\nCentral one way\nWhite LSS CW7 51\nBlack LSS CN5 51\nUp vertical angle\nWhite LSS AW1 51\nBlack LSS AN1 51\nDown vertical angle\nWhite LSS AW2 51\nBlack LSS AN2 51\nHorizontal angle\nWhite LSS AW3 51\nBlack LSS AN3 51\nVertical angle supply\nWhite LSS AW4 51\nBlack LSS AN4 51\nHorizontal angle supply\nWhite LSS AW5 51\nBlack LSS AN5 51\nT up vertical\nWhite LSS TW2 51 \nBlack LSS TN2 51\nT down vertical  \nWhite LSS TW1 51\nBlack LSS TN1 51\nT horizontal\nWhite LSS TW3 51\nBlack LSS TN3 51\nWall\u002Fceiling start\nWhite LSS FW3 41\nBlack LSS FN3 41\nWallceiling end\nWhite LSS FW1 41 \nBlack LSS FN1 41\nWall\u002Fceiling + XYZ \nWhite LSS FW2 4\nBlack LSS FN2 41\n12\nCentral\nCentral\nsupply\n12\nVertical\nend\n12\nHorizontal \nend\nHorizontal\nstart\n12\n12\n12\nCentral\noneway\nVertical\nstart\n12\n2x2\n2x2\nUp vertical \nangle\n4\n4\n4\nHorizontal \nangle \n4\n4\n6\nVertical \nangle supply\n4\n4\nHorizontal \nangle supply\nDown vertical \nangle\n4\n4\n10\nWall\u002Fceiling \nstart\nWall\u002Fceiling end\n10\n14\nWall\u002Fceiling end+xyz \nconnector\nT up\nvertical\n6\n4\nT down\nvertical\n6\n4\nT horizontal\n6\n4\nLinear\nAngle\nWall\u002Fceiling\nT-shape\nAngle\nT-Shape\nWall\u002Fceiling\nLinescapes System\n",234,{"image":943,"text":944,"number":945},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.235.png","235\nRemote drivers\n110-240V\nIP20\nVersions\nBox with power supplies\n1-10V\n90W 29x5x5cm\nWhite LSS PW9 51\nBlack LSS PN9 51\n60W 25x7x5,5cm\nWhite LSS PW6 51\nBlack LSS PN6 51\nCeiling plate\n10x10cm\nWhite LSS PWR 51\nBlack LSS PNR 51\nCanopy\nØ11x3cm\nWhite ROS KWW 51\nBlack ROS KNN 51\nChrome ROS KHH 51\nGold ROS KGW 51\nGold plated ROS KOW 51\n1-10V\n14,8x4x3,2cm\n25W LIN ALI 32\n16,8x4,3x3,2cm\n60W LIN ALI 31\n16x6x3,6cm\n90W LIN ALI 34\n22,8x6,8x4cm\n150W LIN ALI 35\n22,8x6,8x4cm\n185W LIN ALI 36\n24,5x6,8x4cm\n240W LIN ALI 37\n25,2x9x4,4cm\n320W LIN ALI 38\nDALI\n20x6,3x3,6cm\n100W LIN ALI 51\n22x6,3x3,6cm\n150W LIN ALI 52\n24,4x7x3,8cm\n200W LIN ALI 53\n24,4x7x3,6cm\n240W LIN ALI 54\nTRIAC\n19,5x6x4cm\n90W ALI 096 T1\nEmpty box\n31x8x6cm\nWhite ROS LWW 51 \nBlack ROS LNN 51\nExtension cable kit\nMetal 3m\n4xØ0,9\nLSS KHH 51 \nElectric 3m\n4x1,2x1,4\nLSS KHH 52 \nLinescapes System\n",235,{"image":947,"text":948,"number":949},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.236.png","Desk Matrix vertical and horizontal\n236\n",236,{"image":951,"text":952,"number":953},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.237.png","237\nDesk Matrix vertical\n",237,{"image":955,"text":956,"number":957},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.238.png","238\nDesk matrix\nPendant vertical\nTechnical information\nLinear LED\nDiffused emission, orientable 360° \non all four sides \nDimmable 1-10V\n110\u002F240V\nCRI 85\nIP20 \nAdjustable cable length max 3m\nDriver included\n44 × 44cm  \n24W \n1340lm\nCCT 2700K\nWhite LSV LW2 51\nBlack LSV LN2 51\nCCT 3000K\nWhite LSV LW3 51\nBlack LSV LN3 51\n64 × 44cm  \n31W \n1870lm\nCCT 2700K\nWhite LSV LW2 55\nBlack LSV LN2 55\nCCT 3000K\nWhite LSV LW3 55\nBlack LSV LN3 55\n114 × 44cm  \n50W \n2920lm\nCCT 2700K\nWhite LSV LW2 58\nBlack LSV LN2 58\nCCT 3000K\nWhite LSV LW3 58\nBlack LSV LN3 58\n178 × 44cm  \n78W \n4200lm\nCCT 2700K\nWhite LSV LW2 5A\nBlack LSV LN2 5A\nCCT 3000K\nWhite LSV LW3 5A\nBlack LSV LN3 5A\n64 × 64cm  \n38W \n2400lm\nCCT 2700K\nWhite LSV LW2 52\nBlack LSV LN2 52\nCCT 3000K\nWhite LSV LW3 52\nBlack LSV LN3 52\n114 × 64cm  \n57W \n3450lm\nCCT 2700K\nWhite LSV LW2 56\nBlack LSV LN2 56\nCCT 3000K\nWhite LSV LW3 56\nBlack LSV LN3 56\n178 × 64cm  \n85W \n4730lm\nCCT 2700K\nWhite LSV LW2 59\nBlack LSV LN2 59\nCCT 3000K\nWhite LSV LW3 59\nBlack LSV LN3 59\n114 × 114cm \n76W \n4500lm\nCCT 2700K\nWhite LSV LW2 53\nBlack LSV LN2 53\nCCT 3000K\nWhite LSV LW3 53\nBlack LSV LN3 53\n178 × 114cm  \n104W \n5780lm\nCCT 2700K\nWhite LSV LW2 57\nBlack LSV LN2 57\nCCT 3000K\nWhite LSV LW3 57\nBlack LSV LN3 57\n178 × 178cm  \n132W \n7060lm\nCCT 2700K\nWhite LSV LW2 54\nBlack LSV LN2 54\nCCT 3000K\nWhite LSV LW3 54 \nBlack LSV LN3 54\nWith Desk Matrix, Linescapes System\ncan be configured in rectangular and\nsquare shapes, both vertically and horizontally.\nSleek continuous light lines with an infinite\nnumber of constellations to fit any table size or\ninterior design need. Available in 2700K or\n3000K CCT, black or white finish.\nCompositions come fully equipped to work\nright out of the box, 1-10 V dimmable driver\nand its case included.\n44\n44\n64\n44\n178\n44\n114\n44\n64\n64\n114\n64\n178\n64\n114\n114\n178\n114\n178\n178\nDesk Matrix\n",238,{"image":959,"text":960,"number":961},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.239.png","239\nDesk matrix\nPendant horizontal\nTechnical information\nLinear LED\nDiffused emission, orientable 360° \non all four sides \nDimmable 1-10V\n110\u002F240V\nCRI 85\nIP20 \nAdjustable cable length max 3m\nDriver included\n44 × 44cm  \n24W \n1340lm\nCCT 2700K\nWhite LSH LW2 51\nBlack LSH LN2 51\nCCT 3000K\nWhite LSH LW3 51\nBlack LSH LN3 51\n64 × 44cm  \n31W \n1870lm\nCCT 2700K\nWhite LSH LW2 55\nBlack LSH LN2 55\nCCT 3000K\nWhite LSH LW3 55\nBlack LSH LN3 55\n114 × 44cm  \n50W \n2920lm\nCCT 2700K\nWhite LSH LW2 58\nBlack LSH LN2 58\nCCT 3000K\nWhite LSH LW3 58\nBlack LSH LN3 58\n178 × 44cm  \n78W \n4200lm\nCCT 2700K\nWhite LSH LW2 5A\nBlack LSH LN2 5A\nCCT 3000K\nWhite LSH LW3 5A\nBlack LSH LN3 5A\n64 × 64cm  \n38W \n2400lm\nCCT 2700K\nWhite LSH LW2 52\nBlack LSH LN2 52\nCCT 3000K\nWhite LSH LW3 52\nBlack LSH LN3 52\n114 × 64cm  \n57W \n3450lm\nCCT 2700K\nWhite LSH LW2 56\nBlack LSH LN2 56\nCCT 3000K\nWhite LSH LW3 56\nBlack LSH LN3 56\n178 × 64cm  \n85W \n4730lm\nCCT 2700K\nWhite LSH LW2 59\nBlack LSH LN2 59\nCCT 3000K\nWhite LSH LW3 59\nBlack LSH LN3 59\n114 × 114cm \n76W \n4500lm\nCCT 2700K\nWhite LSH LW2 53\nBlack LSH LN2 53\nCCT 3000K\nWhite LSH LW3 53\nBlack LSH LN3 53\n178 × 114cm  \n104W \n5780lm\nCCT 2700K\nWhite LSH LW2 57\nBlack LSH LN2 57\nCCT 3000K\nWhite LSH LW3 57\nBlack LSH LN3 57\n178 × 178cm  \n132W \n7060lm\nCCT 2700K\nWhite LSH LW2 54\nBlack LSH LN2 54\nCCT 3000K\nWhite LSH LW3 54 \nBlack LSH LN3 54\n178\n178\n114\n114\n64\n64\n44\n44\n44\n44\n64\n44\n178\n44\n114\n44\n64\n64\n114\n64\n178\n64\n114\n114\n178\n114\n178\n178\nPower supply dimensions\n(included) \n\u003C 60W \n29x5x5cm\n60W-90W\n25x5,5x7cm\n> 90W\n31x8x6cm\nY\nZ\nX\nDesk Matrix\n",239,{"image":963,"text":964,"number":965},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.240.png","240\nAsteroide \npendant Ø40\n",240,{"image":967,"text":968,"number":969},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.241.png","241\nAsteroide\nNemo\nAsteroide \npendant Ø30\n",241,{"image":971,"text":972,"number":973},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.242.png","242\nAsteroide \nceiling\n",242,{"image":975,"text":976,"number":977},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.243.png","243\nPendant\nTechnical information\nE27\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nCable length 1,5m\nVersions\nØ 30 100W\nWhite\u002Fwhite glass AST EWC 52\nChrome\u002Fwhite glass AST EHC 52\nØ 40 150W\nWhite\u002Fwhite glass AST EWC 53\nChrome\u002Fwhite glass AST EHC 53\nØ 50 150W\nWhite\u002Fwhite glass AST EWC 54\nChrome\u002Fwhite glass AST EHC 54\nCeiling\nTechnical information\nE14\n46W\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nVersions\nChrome\u002Fwhite glass AST EHW 43\nThe uniqueness of Nemo glass meets pure \ndesign, making Asteroide an object closely \nlinked to the company’s tradition. Made of triplex \nblown glass in satin opaline white, it guarantees \na discreet and homogeneous light diffusion with \nhigh standards both alone or in clusters.\nL’unicità del vetro di Nemo incontra un design puro, rendendo \nAsteroide un oggetto strettamente legato alla tradizione \ndell’azienda. In vetro soffiato triplex in bianco opalino satinato, \ngarantisce una diffusione della luce discreta e omogenea con \nstandard elevati sia da sola che in cluster.\nLe caractère unique du verre Nemo rencontre le design pur, \nfaisant d’Asteroide un objet étroitement lié à la tradition de \nl’entreprise. En verre soufflé triplex blanc opale satiné, il garantit \nune diffusion lumineuse discrète et homogène avec des standards \nélevés tant seul qu’en grappe.\nDie Einzigartigkeit von Nemo-Glas trifft auf reines Design und \nmacht Asteroide zu einem Objekt, das eng mit der Tradition des \nUnternehmens verbunden ist. Hergestellt aus mundgeblasenem \nTriplex-Glas in satiniertem Opalweiß, garantiert sie eine dezente \nund homogene Lichtstreuung mit hohem Standard, sowohl allein \nals auch in Gruppen.\nIT\nFR\nDE\nØ20\nØ11\n3\nØ11\n3\nØ30 – 40 – 50\nAsteroide\n",243,{"image":979,"text":980,"number":981},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.244.png","244\nDabliu \npendant globe\n",244,{"image":983,"text":984,"number":985},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.245.png","245\nDabliu\nNemo\nDabliu \npendant globe\n",245,{"image":987,"text":988,"number":989},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.246.png","246\nSuspension lamp in aluminum, composed of a \nslender structure with three light points and \ndiffusers that can be selected according to \ndifferent versions. Spot version available for \npunctual lighting, version with spherical diffuser \nin opal blown glass and version with a metallic \ncone in burnished gold and black finish that \nallows more light diffusion.\nLampada a sospensione in alluminio, composta da un’esile \nstruttura dotata di tre punti luce e da diffusori selezionabili a scelta \ntra diverse versioni. Disponibili versione spot per un’illuminazione \npuntuale, versione con diffusore sferico in vetro soffiato opalino e \nversione dotata di cono metallico nelle finiture oro brunito e nero \nche consente di diffondere maggiormente la luce.\nSuspension en aluminium, composée d’une structure légère \néquipée de trois points lumineux et de diffuseurs au choix parmi \ntrois versions différentes: version spot pour un éclairage ponctuel, \nversion cône en métal finition or bruni ou noir pour une plus \ngrande diffusion de la lumière et enfin version avec diffuseur \nsphérique en verre soufflé opalin. \nPendelleuchte aus Aluminium. Schlanken Struktur mit drei \nLichtpunkten und Diffusoren, die je nach Ausführung ausgewählt \nwerden können. Lieferbar mit Spots für eine punktuelle \nBeleuchtung, mit kugelförmigem Diffusoren aus geblasenem \nOpalglas und mit Metallkegeln aus brüniertem Gold für eine \nbessere Lichtstreuung.\nIT\nFR\nDE\nDabliu\n",246,{"image":991,"text":992,"number":993},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.247.png","247\nPendant Spot\nTechnical information\nLED spot \n3 × 5W\nDirect emission\nDimmable 1-10V\n110-240V\n3 x 395lm \nCRI 90\nIP20\nCable length 3m\n40° optic\nVersions\n2700K\nBlack DAB LNN 51\n3000K\nBlack DAB LNN 52\nPendant Cone\nTechnical information\nLED spot\n3 x 5W\nDirect emission\nDimmable 1-10V\n110-240V \n3 x 395lm\nCRI 90\nIP20\nCable length 3m\n40° optic\nVersions\n2700K\nBlack\u002Fgold burnished DAB LNN 55\n3000K\nBlack\u002Fgold burnished DAB LNN 56\nPendant Globe\nTechnical information\nG4 LED 12V\n3 × 4W \nDiffused emission\nDimmable 1-10V\n110-240V\n3 × 350lm\nCRI 90\nIP20\nCable length 3m\nLED bulb included\nVersions\n2700K\nBlack\u002Fwhite glass DAB LNN 53\n3000K\nBlack\u002Fwhite glass DAB LNN 54\n8\n5\nØ4,5\n130\n42\n24\n5\n42\nØ10\n130\n24\n5\n42\n9\nØ10,5\n130\n24\nDabliu\n",247,{"image":995,"text":996,"number":997},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.248.png","248\nStudiocharlie\n“Spigolo light is architecture itself: with its subtle profile it designs places and suggests new \ninterpretations of the space”.\nSpigolo \nfloor \nwhite\n",248,{"image":999,"text":1000,"number":1001},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.249.png","249\nStudiocharlie\nSpigolo\nSpigolo \nwall\n",249,{"image":1003,"text":1004,"number":1005},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.250.png","250\nSpigolo \npendant vertical \nblack, white\n",250,{"image":1007,"text":1008,"number":1009},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.251.png","251\nSpigolo \nwall \nwhite\n",251,{"image":1011,"text":1012,"number":1013},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.252.png","252\nDesigned to provide 360° directional lighting, \nthe Spigolo collection features LED light \nsources housed within an extruded aluminium \nand tubular structure, connected by moulded \npolymer joints, which allow the profiles to \nrotate to produce direct or indirect lighting, \nshielded by a polycarbonate opal diffuser. The \nfloor version is designed to provide a virtual \nroom divider, while the ceiling and wall \nversions provide versatile and comfortable \nambient lighting.\nConcepita per offrire un’illuminazione direzionale a 360°, la \ncollezione Spigolo ospita sorgenti LED all’interno di una struttura \nin alluminio estruso e tubolare, collegata con giunti in polimero \nstampato, che consentono di ruotare i profili per produrre \nun’illuminazione diretta o indiretta, schermata da un diffusore \nopalino in policarbonato. La versione a pavimento è progettata \nper fornire un divisorio virtuale agli ambienti, mentre le versioni a \nsoffitto e a parete permettono di illuminare l’ambiente in modo \nversatile e confortevole.\nConçue pour offrir un éclairage directionnel à 360°, la collection \nSpigolo abrite des sources LED à l’intérieur d’une structure en \naluminium tubulaire extrudé, reliée par des joints en polymère \nmoulé permettant de faire tourner les profilés pour un éclairage \ndirect ou indirect, protégé par un diffuseur en polycarbonate opale. \nLa version au sol est conçue pour fournir une cloison virtuelle des \nespaces, tandis que les versions plafond et applique permettent \nd’éclairer l’environnement de manière polyvalente et confortable.\nDie Spigolo-Kollektion ist für eine gerichtete 360°-Beleuchtung \nkonzipiert. Die LED-Quellen befinden sich in einer Struktur aus \nstranggepresstem Aluminium, die durch Verbindungen aus \ngegossenem Polymer miteinander verbunden sind und eine \nDrehung der Profile ermöglichen, um eine direkte oder indirekte \nBeleuchtung zu erzeugen, die durch einen opalen Diffusor aus \nPolycarbonat abgeschirmt wird. Die Bodenversion dient als \nvirtueller Raumteiler, während die Decken- und Wandversionen \neine vielseitige und komfortable Raumbeleuchtung bieten.\nIT\nFR\nDE\nSpigolo\n",252,{"image":1015,"text":1016,"number":1017},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.253.png","253\nFloor\n \nTechnical information\n3 × linear LED\n6+10+33W\nDiffused emission\nDimmable on cable\nMono switch\n110-240V\n335lm+600lm+1765lm\nCRI 85\nIP20\nCable length 4,5m\n360° orientable diffusers\nVersions\n2700K\nWhite SPI LW2 23\nBlack SPI LN2 23\n3000K\nWhite SPI LWW 23\nBlack SPI LNN 23\nPendant vertical\nTechnical information\n2 × linear LED \n2 × 19W\nDiffused emission\nDimmable 1-10V\nMono switch\n110-240V\n2 × 1125lm \nCRI 85\nIP20\nCable length 3m\n360° orientable diffusers\nVersions\n2700K\nWhite SPI LW2 51\nBlack SPI LN2 51\n3000K\nWhite SPI LWW 51 \nBlack SPI LNN 51\nPendant horizontal\nTechnical information\n2 × linear LED\n2 × 19W \nDiffused emission\nDimmable 1-10V\nMono switch\n110-240V\n2 × 1125lm \nCRI 85\nIP20\nMetal cable length 3m\nElectrical cable length 5m\nDecentralized ceiling canopy \n360° orientable diffusers\nVersions\n2700K\nWhite SPI LW2 52\nBlack SPI LN2 52\n3000K\nWhite SPI LWW 52\nBlack SPI LNN 52\nWall\u002Fceiling\nTechnical information\nLinear LED\n14W\nDiffused emission\n110-240V\n560lm\nCRI 85\nIP20\n360° orientable diffuser\nVersions\n2700K\nWhite SPI LW2 31\nBlack SPI LN2 31\n3000K\nWhite SPI LWW 31\nBlack SPI LNN 31\n29\n5\n58\n360°\n114\n5\n360°\n64\n360°\n360°\n360°\n44\n178\n114\n360°\n360°\n29\n5\n58\n5\n11\n4\n19\n36\n360°\n19\n11\nSpigolo\n",253,{"image":1019,"text":1020,"number":1021},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.254.png","254\nMaga \npendant\n",254,{"image":1023,"text":1024,"number":1025},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.255.png","255\nMaga\nNemo\nMaga \npendant\n",255,{"image":1027,"text":1028,"number":1029},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.256.png","256\nMaga \nwall\n",256,{"image":1031,"text":1032,"number":1033},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.257.png","257\nMaga \ntable\n",257,{"image":1035,"text":1036,"number":1037},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.258.png","258\nMaga \nceiling\n",258,{"image":1039,"text":1040,"number":1041},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.259.png","259\nTable\nTechnical information\nE14\n46W\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nCable length 2m\nVersions\nChrome\u002Fwhite glass MGA EWW 12\nWall\u002Fceiling\nTechnical information\nE14\n46W\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nVersions\nChrome\u002Fwhite glass MGA EWW 32\nPendant\nTechnical information\nE14\n46W\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nCable length 1,5m\nVersions\nChrome\u002Fwhite glass MGA EWW 52\nThe elliptical opal blown glass sphere of Maga \ncollection provides soft, diffused, glare-free \nlight and adds a timeless, elegant touch to any \ninterior with its silhouette. The pendant \nversion fits beautifully into the surroundings as \nan individual complement or in a composition.\nLa sfera ellittica in vetro soffiato opalino della collezione Maga \nfornisce una luce morbida, diffusa e priva di abbagliamento. Con \nla sua silhouette, aggiunge un tocco elegante e senza tempo a \nqualsiasi interior. La versione a sospensione si inserisce \narmoniosamente nell’ambiente come complemento individuale o \nin una composizione.\nLa sphère elliptique en verre soufflé opale de la collection Maga offre \nune lumière douce, diffuse et sans éblouissement. Avec sa silhouette, \nelle ajoute une touche élégante et intemporelle à n’importe quel \nintérieur. La version suspension s’intègre harmonieusement dans la \npièce en complément individuel ou en composition.\nDie elliptische Kugel aus mundgeblasenem Opalglas aus der \nKollektion Maga spendet weiches, diffuses und blendfreies Licht. \nMit ihrer Silhouette verleiht sie jedem Interieur eine zeitlos \nelegante Note. Die Pendelversion fügt sich harmonisch in den \nRaum ein, als einzelne Ergänzung oder in einer Gruppe.\nIT\nFR\nDE\nØ24\n19\nØ11\n3\n19\n19\nØ11\nØ11\nØ24\nØ24\n3\n3\nMaga\n",259,{"image":1043,"text":1044,"number":1045},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.260.png","260\nLinescapes \nwall 182 \nwhite\n",260,{"image":1047,"text":1048,"number":1049},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.261.png","261\n Linescapes\nNemo\nLinescapes \nfloor\n",261,{"image":1051,"text":1052,"number":1053},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.262.png","262\nLinescapes \nwall cantilevered \nwhite\n",262,{"image":1055,"text":1056,"number":1057},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.263.png","263\nLinescapes \nfloor \nwhite\u002Fgrey\n",263,{"image":1059,"text":1060,"number":1061},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.264.png","264\nLinescapes \npendant horizontal \nwhite\n",264,{"image":1063,"text":1064,"number":1065},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.265.png","265\nA clear and compact light line defines a \nclassic in the world of lighting. Inspired by a \nspecial project for a private collection of \ncontemporary art, Linescapes is versatile with \na high luminous efficacy guaranteed by its \nmultidirectional linear development.\nUn tratto di luce chiaro e compatto definisce un classico nel \nmondo dell’illuminazione. Ispirato a un progetto speciale per una \ncollezione privata di arte contemporanea, Linescapes si presenta \nversatile e con un’elevata efficacia luminosa garantita dal suo \nsviluppo lineare multidirezionale.\nUne ligne lumineuse claire et compacte définit un classique dans \nle monde de l’éclairage. Inspiré par un projet spécial pour une \ncollection d’art contemporain privée, Linescapes est polyvalent et \noffre une efficacité lumineuse élevée garantie par son \ndéveloppement linéaire multidirectionnel.\nEine klare und kompakte Lichtlinie definiert einen Klassiker in der \nWelt der Beleuchtung. Inspiriert durch ein spezielles Projekt für \neine private Sammlung zeitgenössischer Kunst, ist Linescapes \nvielseitig und hat eine hohe Effizienz, die durch ihre \nmultidirektionale lineare Entwicklung gewährleistet wird.\nIT\nFR\nDE\nBlack\nGold\nWhite\nLinescapes finishes\nLinescapes\n",265,{"image":1067,"text":1068,"number":1069},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.266.png","266\nFloor\nTechnical information\nLinear LED\n42W\nDiffused side emission\nDimmable on cable\n110-240V\n2050lm\nCRI 85\nIP20\nCable length 2,5m\nVersions\n2700K\nWhite\u002Fgrey LIN LW2 22 \nBlack\u002Fgrey LIN LN2 22\nGold\u002Fgrey LIN LG2 22\n3000K\nWhite\u002Fgrey LIN LWD 22 \nBlack\u002Fgrey LIN LND 22\nGold\u002Fgrey LIN LGD 22\nWall L102\nTechnical information\nLinear LED\n19W\nDiffused side emission\nDimmable, push\n110-240V\n1125lm\nCRI 85\nIP20\nDriver on board\nVersions\n2700K\nWhite LIN LW2 35\nBlack LIN LN2 35\n3000K\nWhite LIN LWD 35\nBlack LIN LND 35\nWall L182\nTechnical information\nLinear LED\n33W\nDiffused side emission\nDimmable, push\n110-240V\n1765lm\nCRI 85\nIP20\nDriver on board\nVersions\n2700K\nWhite LIN LW2 36\nBlack LIN LN2 36\n3000K\nWhite LIN LWD 36\nBlack LIN LND 36\nWall Cantilevered\nTechnical information\nLinear LED\n12W\nDiffused side emission\n24V DC\n475lm\nCRI 85\nIP20\n340° orientable\nDriver not included\nRecessing box included\nWall board for installation included\nRecessed hole 13x11cm depth 9cm\nVersions\n2700K\nWhite LIN LW2 34\n3000K\nWhite LIN LWW 34\nAccessory\ndriver for recessed mounting\n6,5x5x2cm\n110-240V\u002F24V DC LIN ALI 33\n31\n194\n2\n2\n8\n12\n27\n102\n6\n2\n182\n33\n6\n2\n2\n340°\n105\n8\n8\nLinescapes\n",266,{"image":1071,"text":1072,"number":1073},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.267.png","267\nPendant horizontal L130\nTechnical information\nLinear LED\n19W\nDiffused side emission\nDimmable 1-10V\n110-240V\n1125lm\nCRI 85\nIP20\nMetal cable length 3m\nElectrical cable length 3m\n360° orientable\nVersions\n2700K\nWhite LIN LW2 5D\nBlack LIN LN2 5D\n3000K\nWhite LIN LWW 5D \nBlack LIN LNN 5D\nPendant horizontal L200\nTechnical information\nLinear LED\n33W \nDiffused side emission\nDimmable 1-10V\n110-240V\n1765lm\nCRI 85\nIP20\nMetal cable length 3m\nElectrical cable length 3m\n360° orientable\nVersions\n2700K\nWhite LIN LW2 5E\nBlack LIN LN2 5E\n3000K\nWhite LIN LWW 5E \nBlack LIN LNN 5E\nPendant vertical\nTechnical information\nLinear LED \n12W\nDiffused side emission \nDimmable 1-10V\n110-240V\n475lm\nCRI 85\nIP20\nCable length max 3m\n360° orientable\nVersions\n2700K\nWhite LIN LW2 59\n3000K\nWhite LIN LWW 59\nPendant vertical Recessed\nTechnical information\nLinear LED\n19W\nDiffused side emission\n110-240V\n1125lm \nCRI 85\nIP20\nCable length max 3m\n360° orientable\nRecessed hole Ø8xHmin 4cm\nVersions\n2700K\nWhite LIN LW2 5A\n3000K\nWhite LIN LWW 5A\n2\n115\n340°\n340°\nØ8\n9\n2\n115\n10\n2\n130\n360°\n5\n29\n29\n2\n5\n195\n360°\nLinescapes\n",267,{"image":1075,"text":1076,"number":1077},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.268.png","268\nSirius\n",268,{"image":1079,"text":1080,"number":1081},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.269.png","269\nSirius\nCarlo Colombo\nSirius\n",269,{"image":1083,"text":1084,"number":1085},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.270.png","270\nPendant\nØ40\nØ11\n3\n20\nTechnical information\nG9\n6 × 40W\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nMetal cable length 3m\nElectrical cable length 3,3m\nLED version with kit G9 LED NEMO\nVersions\nNickel\u002Fwhite glass SIR HLW 51\nA circular diffuser in opal white triplex blown \nglass encloses a central structure in shiny \npolished die-casted aluminum from which the \nlight diffuses uniformly.\nUn diffusore circolare in vetro soffiato triplex opalino bianco \nracchiude una struttura centrale in alluminio pressofuso \nspazzolato lucido dal quale la luce si diffonde in maniera uniforme.\nUn diffuseur circulaire en verre soufflé triplex blanc opalin entoure \nune structure centrale en en aluminium moulé brossé, à partir de \nlaquelle la lumière se diffuse uniformément.\nEin kreisförmiger Diffusor aus geblasenem opalweißem \nTriplexglas umschließt eine zentrale Struktur aus glänzend \npoliertem Aluminium, aus der sich das Licht gleichmäßig verteilt.\nIT\nFR\nDE\nSirius\n",270,{"image":1087,"text":15,"number":1088},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.271.png",271,{"image":1090,"text":1091,"number":1092},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.272.png","272\nNorma \nwall 25\n",272,{"image":1094,"text":1095,"number":1096},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.273.png","273\nNorma\nMario Barbaglia\nNorma \nwall 25\n",273,{"image":1098,"text":1099,"number":1100},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.274.png","274\nNorma \nwall 65\n",274,{"image":1102,"text":1103,"number":1104},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.275.png","275\nWall 25\n25\n20\n14\nØ6\nTechnical information\nLED board\n20W\nDiffused emission\n110-240V\nCCT 3000K\n1800lm\nCRI 85 \nIP20\nHorizontal and vertical mounting\nVersions\nChrome\u002Fwhite NOR LLW 35\nWall 65\nØ6\n14\n50\n65\nTechnical information\nLED board\n17,5W\nDiffused emission\nDimmable, DALI, push\n230V\nCCT 3000K\n1444lm\nCRI 85 \nIP20\nHorizontal and vertical mounting\nAlso available in 120V\nVersions\nChrome\u002Fwhite NOR LLW 32\nWall 95\nØ6\n14\n95\n50\nTechnical information\nLED board\n27W\nDiffused emission\nDimmable 1-10V, push\n230V\nCCT 3000K\n2400lm\nCRI 85 \nIP20\nHorizontal and vertical mounting\nAlso available in 120V\nVersions\nChrome\u002Fwhite NOR LLW 33\nA 360° diffused light is emitted by a tube \ndiffuser in opal metacrylate, mounted on a \nglossy polished aluminum structure.\nUna luce diffusa a 360° viene emessa da un diffusore tubolare in \nmetacrilato opalino montato su una struttura in alluminio \nspazzolato lucido.\nUne lumière diffuse à 360° est émise par un diffuseur tubulaire en \nméthacrylate opalin monté sur une structure en structure en \naluminium poli brossé.\nDer röhrenförmige Diffusor aus opalweißem Polycarbonat \ngibt ein 360° diffuses Licht ab. Struktur aus gebürstetem, \npoliertem Aluminium.\nIT\nFR\nDE\nNorma\n",275,{"image":1106,"text":1107,"number":1108},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.276.png","276\nAnita\n",276,{"image":1110,"text":1111,"number":1112},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.277.png","277\nAnita\nMario Barbaglia\nAnita\n",277,{"image":1114,"text":1115,"number":1116},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.278.png","278\nAnita\n",278,{"image":1118,"text":1119,"number":1120},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.279.png","279\nPendant\nØ54\nØ18\nØ11\n3\nTechnical information\nE27\n250 W\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nMetal cable length 3m\nElectrical cable length 3,5m\nVersions\nChrome\u002Fwhite glass ANI EHW 51\nOvalised reinterpretation of the classic globe \nlamp: the slight compression gives Anita a \nflatter but equally airy silhouette. The light is \ndirected downwards and diffused through the \nwhite opal triplex glass diffuser. \nReinterpretazione ovalizzata della classica lampada a globo: la \nleggera compressione conferisce a Anita  una silhouette più piatta \nma ugualmente armoniosa. La luce è diretta verso il basso e \ndistribuita attraverso il diffusore in vetro triplex opalino bianco. \nAnita est une réinterprétation ovale de la lampe globe classique : \nla légère compression lui donne une silhouette plus plate mais \ntout aussi harmonieuse. La lumière est dirigée vers le bas et \ndistribuée à travers le diffuseur en verre triplex opale blanc. \nAnita ist eine ovale Neuinterpretation der klassischen Kugellampe: \nDie leichte Verformung verleiht ihr eine flachere, aber ebenso \nharmonische Silhouette. Das Licht ist nach unten gerichtet und \nwird durch den weißen Opal-Triplex-Glasdiffusor verteilt. \nIT\nFR\nDE\n33,5\nAnita\n",279,{"image":1122,"text":15,"number":1123},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.280.png",280,{"image":1125,"text":105,"number":1126},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.281.png",281,{"image":1128,"text":109,"number":1129},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.282.png",282,{"image":1131,"text":113,"number":1132},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.283.png",283,{"image":1134,"text":117,"number":1135},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.284.png",284,{"image":1137,"text":121,"number":1138},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.285.png",285,{"image":1140,"text":125,"number":1141},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.286.png",286,{"image":1143,"text":129,"number":1144},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.287.png",287,{"image":1146,"text":133,"number":1147},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.288.png",288,{"image":1149,"text":137,"number":1150},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.289.png",289,{"image":1152,"text":141,"number":1153},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.290.png",290,{"image":1155,"text":145,"number":1156},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.291.png",291,{"image":1158,"text":149,"number":1159},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.292.png",292,{"image":1161,"text":153,"number":1162},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.293.png",293,{"image":1164,"text":157,"number":1165},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.294.png",294,{"image":1167,"text":161,"number":1168},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.295.png",295,{"image":1170,"text":165,"number":1171},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.296.png",296,{"image":1173,"text":169,"number":1174},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.297.png",297,{"image":1176,"text":173,"number":1177},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.298.png",298,{"image":1179,"text":177,"number":1180},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.299.png",299,{"image":1182,"text":1183,"number":1184},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.300.png","300\n01 Le Poeme de l’Angle Droit (The Poem of \nthe Right Angle), Le Corbusier - 1955. \n© FLC\u002FADAGP.\n02 Firminy church, Le Corbusier - 1963. \n© FLC\u002FADAGP.\n03 Picasso and Lampe de Marseille at Unité \nd’Habitation de Marseille, France. \n© FLC\u002FADAGP.\n04 Le Corbusier with the Chandigarh \nurban plan - 1965. © FLC\u002FADAGP.\n05 Original sketch of Lampe de Marseille \nby Le Corbusier. © FLC\u002FADAGP.\nOriginal drawing of Borne Béton \nby Le Corbusier. © FLC\u002FADAGP.\n06 Studies for the Escargot lighting \nby Le Corbusier © FLC\u002FADAGP.\n07 Version on pole for the Firminy Unité \nd’Habitation, France © FLC\u002FADAGP.\n08 Apartment interior at Unité d’Habitation \nde Marseille. © FLC\u002FADAGP.\n09 Unité d’Habitation Marseille, France - 1945. \n10-11 Le Corbusier in Chandigarh - 1965. \n© FLC\u002FADAGP.\n12 Portrait of Franco Albini. \n© Fondazione Franco Albini.\n13 Portrait of Franco Albini with \nWalter Gropius. © Fondazione Franco Albini.\n14 Portrait of Charlotte Perriand. \n© FLC\u002FADAGP.\n15 Original Applique a volet pivotant sketch \nby Charlotte Perriand. © FLC\u002FADAGP.\n16 Original Pivotant à Poser sketch \nby Charlotte Perriand. © FLC\u002FADAGP.\n17 Nemo’s special editions for the “Maison \nau Bord de l’Eau”, Miami - 2013 © ph. S. Muratet \n- Louis Vuitton - ACHP.\n18 Portrait of Vico Magistretti. \n© Fondazione studio museo Vico Magistretti.\n19 Original Kuta table sketches \nby Vico Magistretti. © Fondazione \nstudio museo Vico Magistretti.\n",300,{"image":1186,"text":15,"number":1187},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.301.png",301,{"image":1189,"text":1190,"number":1191},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.302.png","302\n304 \nEscargot \nLe Corbusier \n308 \nLa Roche \nLe Corbusier\n314 \nLampe Cabanon \nLe Corbusier\n318 \nBorne Béton \nLe Corbusier \n324 \nParliament \nLe Corbusier\n332 \nProjecteur \nLe Corbusier\n342 \nLampe de Marseille \nLe Corbusier\n348 \nApplique de Marseille \nLe Corbusier\n354 \nApplique Radieuse \nLe Corbusier\n358 \nLe Cadre Parfait \nLe Corbusier\n362 \nAlbini Collection AM\u002FAS \nF. Albini, F. Helg, A. Piva, M. Albini\n374  \nApplique Cylindrique \nCharlotte Perriand\n378 \nPotence Pivotante \nCharlotte Perriand\n384 \nPivotante à Poser \nCharlotte Perriand\n390 \nApplique à volet pivotant \nCharlotte Perriand\n398 \nLampe de Bureau \nCharlotte Perriand\n406 \nClaritas \nVico Magistretti\n410 \nKuta \nVico Magistretti\n414 \nSaori \nKazuhide Takahama\n",302,{"image":1193,"text":1194,"number":1195},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.303.png","MASTERS\n",303,{"image":1197,"text":1198,"number":1199},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.304.png","304\n“In order not to give up the ‘effect of volumes under the light’, even when it is artificially produced, \nhe makes us understand the glow emanating from lamps in a pictorial way, as a substitute of \nnatural light coming from a window”\nPierluigi Nicolin, La Luce 2018\nEscargot\n",304,{"image":1201,"text":1202,"number":1203},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.305.png","305\nEscargot\nLe Corbusier\nEscargot\n",305,{"image":1205,"text":1206,"number":1207},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.306.png","306\nEscargot\n",306,{"image":1209,"text":1210,"number":1211},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.307.png","307\nFloor\nTechnical information\nE27\n160W\nIndirect emission\nDimmable on cable, according to bulb\n230V\nIP20\nBlack textile cable length 3,5m\nLED 4-25W, HALO 25-160W\nVersions\nBrass ESC EGG 11\nDesigned by Le Corbusier in 1951\u002F52 for \nthe public spaces of the Unité d’Habitation \nin Marseille, Escargot is only available in \na limited edition, enhanced by its unique \nsculptural form inspired by nature. Made \nof burnished brass with an internal reflector \nfor a diffused indirect lighting effect.\nProgettata da Le Corbusier nel 1951\u002F52 per gli spazi pubblici \ndell’Unité d’Habitation di Marsiglia, Escargot viene proposta \nesclusivamente in edizione limitata, impreziosita dalla sua \nsingolare forma scultorea ispirata alla natura. Realizzata in ottone \nbrunito con un riflettore interno per un effetto di illuminazione \nindiretta diffusa.\nConçu par Le Corbusier en 1951\u002F52 pour les espaces publics de \nl’Unité d’Habitation de Marseille, Escargot est proposé en \nexclusivité en édition limitée, embelli par sa forme sculpturale \nsingulière inspirée de la nature. Réalisée en laiton bruni, elle est \ndotée d’un réflecteur interne pour un éclairage indirect diffus.\nDie 1951\u002F52 von Le Corbusier für die öffentlichen Räume der Unité \nd’Habitation in Marseille entworfene Leuchte Escargot wird \nexklusiv in einer limitierten Auflage angeboten und besticht durch \nihre einzigartige, von der Natur inspirierte skulpturale Form. Die \nLeuchte ist aus brüniertem Messing gefertigt und verfügt über \neinen internen Reflektor für eine indirekte Beleuchtung.\nIT\nFR\nDE\n48,5\n44\n51\nEscargot\n",307,{"image":1213,"text":1214,"number":1215},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.308.png","308\n“Le Corbusier considered the simple bulb of La Roche lamp as the perfect result of an industrial \nprocess, of an evolution during which common object becomes a perfect tool, worthy to be \nshown as it is” \nArthur Ruegg, La Luce 2018\nLa Roche \ngrey \n",308,{"image":1217,"text":1218,"number":1219},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.309.png","309\nLa Roche\nLe Corbusier\nLa Roche\n",309,{"image":1221,"text":1222,"number":1223},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.310.png","310\nLa Roche  \ngrey\n",310,{"image":1225,"text":1226,"number":1227},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.311.png","311\nLa Roche \noutdoor \nblack \n",311,{"image":1229,"text":1230,"number":1231},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.312.png","312\nLa Roche \ngrey\n",312,{"image":1233,"text":1234,"number":1235},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.313.png","313\nWall\nTechnical information\nLED board\n10W\nDiffused emission\nDimmable TRIAC\n230V\nCCT 2700K\n925lm\nCRI 85\nAlso available in 120V\nVersions\nIndoor IP20\nGrey ROC LDW 31\nBlack ROC LNW 31\nOutdoor IP45\nGrey ROC LDW 33\nBlack ROC LNW 33\nThe first wall lamp designed by Le Corbusier \nin 1925, originally thought to enlighten the \nlarge windows of Villa La Roche, a manifesto \nof purist architecture. Nemo edits La Roche \nenhancing its lightness and functionality: a \nmatte metal frame and an opal glass diffuser \nfor soft lighting.\nDa Villa La Roche, testimonianza dell’architettura purista, \nprende il nome la prima lampada da parete progettata \noriginariamente da Le Corbusier nel 1925 per illuminare le grandi \nfinestre dell’edificio. Nemo la propone, valorizzandone leggerezza \ne funzionalità: La Roche è realizzata con una struttura in metallo \nopaco e un diffusore in vetro opalino sagomato per \nun’illuminazione omogenea e armoniosa.\nDe Villa La Roche, témoignage d’une architecture puriste, tire son \nnom de la première applique conçue à l’origine par Le Corbusier en \n1925 pour éclairer les grandes fenêtres du bâtiment. Nemo la propose \nen mettant en valeur sa légèreté et sa fonctionnalité: La Roche est \nréalisée avec une structure en métal opaque et un diffuseur en verre \nopale façonné pour un éclairage homogène et harmonieux.\nVon der Villa La Roche, einem Zeugnis puristischer Architektur, \nhat ihren Namen von der ersten Wandleuchte, die Le Corbusier \n1925 für die Beleuchtung der großen Fenster des Gebäudes \nentworfen hat. Nemo nimmt sie auf und unterstreicht ihre \nLeichtigkeit und Funktionalität:  La Roche besteht aus einem \nschwarzen Metallgestell und einem opalen Glasdiffusor, der für \neine homogene und harmonische Beleuchtung sorgt.\nIT\nFR\nDE\nØ4,5\n37\n7\nLa Roche\n10\n",313,{"image":1237,"text":1238,"number":1239},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.314.png","314\nLe Corbusier\n“I feel so good in my cabanon that I will definitely end my life here”\nLampe Cabanon\n",314,{"image":1241,"text":1242,"number":1243},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.315.png","315\nLampe \nCabanon\nLe Corbusier\nLampe Cabanon\n",315,{"image":1245,"text":1246,"number":1247},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.316.png","316\nLampe Cabanon\n",316,{"image":1249,"text":1250,"number":1251},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.317.png","317\nTable\nTechnical information\nE27 LED\nDiffused emission\nDimmable on cable, according to bulb\n25W\n230V\nCable length 2,5m\nLED 4-25W\nVersions\nGunmetal \u002F green\ntracing paper sheet CAB ENW 11\nIn 1952, on the shores of the French Riviera, \nLe Corbusier built “Cabanon”: the absolute \narchetype of essential living. The project, \nexecuted according to the rules of the \nModulor, is found just a stone’s throw away \nfrom the sea and served as a refuge for the \narchitect in his final years. Lampe Cabanon, \nnamed after the inspired microcosm, \nrepresents a symbol of architecture, design, \nproduction, and essential living. The \nlampshade, made from tracing paper that the \narchitect used, was crafted from a wartime \nartifact - a mortar shell carrier - found on \nFrench beaches. The lamp, for which \nnumerous sketches and designs exist, \nrepresents a moment of rebirth in the post-war \nworld.\nNel 1952, sulle rive della Costa Azzurra, Le Corbusier costruì \n“Cabanon”: l’archetipo assoluto dell’essenzialità dell’abitare. Un \nprogetto realizzato secondo le regole del Modulor a pochi passi dal \nmare, un rifugio per l’architetto negli ultimi anni della sua vita. Lampe \nCabanon, pensata per il microcosmo di cui porta il nome, \nrappresenta un simbolo dell’architettura, del design, della produzione \ne dell’arte di vivere essenziale. Un reperto bellico – un porta proiettili \ndi mortaio - ritrovato sulle spiagge francesi è la base di un paralume \nrealizzato con la carta da lucido con cui l’architetto lavorava. Una \nlampada di cui esistono numerosi schizzi e progetti, che rappresenta \nun momento di rinascita nel mondo del dopoguerra.\nEn 1952, sur les rives de la Côte d’Azur, Le Corbusier a construit \n“Cabanon” : l’archétype absolu de l’habitat essentiel. Un projet, réalisé \nselon les règles du Modulor, à deux pas de la mer, un refuge pour \nl’architecte dans ses dernières années. Lampe Cabanon, conçue pour \nle microcosme dont elle porte le nom, représente un symbole de \nl’architecture, du design, de la production et de l’art de vivre essentiel. \nUne base issue d’un objet trouvé sur les plages françaises - un \nporte-obus de mortier - surmontée d’un abat-jour fabriqué à partir du \npapier glacé utilisé par l’architecte. La lampe Cabanon, dont il existe \nplusieurs croquis et dessins, représente un moment de renaissance du \nmonde de l’après-guerre.\n1952 errichtete Le Corbusier an der Côte d’Azur das “Cabanon”, den \nabsoluten Archetyp des essentiellen Wohnens. Das nach den \nRegeln des Modulor ausgeführte Projekt befindet sich nur einen \nSteinwurf vom Meer entfernt und diente dem Architekten in seinen \nletzten Lebensjahren als Zufluchtsort. Lampe Cabanon, benannt \nnach dem inspirierten Mikrokosmos, ist ein Symbol für Architektur, \nDesign, Produktion und essentielles Leben. Der Lampenschirm aus \nPauspapier, das der Architekt verwendete, wurde aus einem \nArtefakt aus dem Krieg - einem Mörsergranatenträger - gefertigt, \ndas an französischen Stränden gefunden wurde. Die Lampe, für die \nzahlreiche Skizzen und Entwürfe existieren, stellt einen Moment der \nWiedergeburt in der Nachkriegswelt dar.\nIT\nFR\nDE\n42\n21\n21\nLampe Cabanon\n",317,{"image":1253,"text":1254,"number":1255},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.318.png","318\n“Contour and profile are a pure creation of the mind; they call for the plastic artist”\nLe Corbusier\nBorne Béton \ngrande outdoor\n",318,{"image":1257,"text":1258,"number":1259},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.319.png","319\nBorne Béton\nLe Corbusier\nBorne Béton \ngrande\n",319,{"image":1261,"text":1262,"number":1263},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.320.png","320\nBorne Béton \npetite\n",320,{"image":1265,"text":1266,"number":1267},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.321.png","321\nBorne Béton \ngrande\n",321,{"image":1269,"text":1270,"number":1271},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.322.png","322\nBorne Béton \ngrande outdoor\n",322,{"image":1273,"text":1274,"number":1275},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.323.png","323\nGrande outdoor\nTechnical information\nLED board\n38,5W\nDirect emission\n110-240V\nCCT 3000K\n1920lm \nCRI 80\nIP44\nCable length 3m\nBody and cable IP65 rated\nVersions\nConcrete BBG LDW 23\nVandal proof fixing plate \nBBG FIX 21\nPetite indoor\nTechnical information\nLED board\n19W\nDirect emission\nDimmable on cable\n110-240V\nCCT 3000K\n960lm\nCRI 80\nIP20\nCable length 2,7m\nVersions\nConcrete BBP LDW 21\nPetite outdoor\nTechnical information\nLED board\n19W\nDirect emission\n110-240V\nCCT 3000K\n960lm\nCRI 80\nIP44\nCable length 3m\nBody and cable IP65 rated\nVersions\nConcrete BBP LDW 23\nVandal proof fixing plate \nBBP FIX 21\nIt was 1952 when Le Corbusier designed \nBorne Béton for the outdoor area of the Unité \nd’Habitation in Marseille and to enlighten \nBhakra Dam, Sukhna Dam in India. \nAn early experiment in the use of concrete \nfor a collection of lamps along the lines \nof Brutalist architecture. Raw, spartan concrete \nis combined with a built-in LED source, \ncombining different volumes emphasised \nby light. The small aesthetic and finishing \nvariations make each Borne Béton \na unique project.\nÈ il 1952 quando Le Corbusier progetta Borne Béton per l’area esterna \ndell’Unité d’Habitation di Marsiglia e per illuminare la diga di Bhakra, \nSukhna Dam in India. Un primo esperimento di utilizzo del cemento per \nuna collezione di lampade in linea con l’architettura brutalista. Il cemento \ngrezzo e spartano viene accostato a una sorgente LED integrata, \ncombinando diversi volumi enfatizzati dalla luce. Le piccole differenze \nestetiche e di finitura rendono ogni Borne Béton un progetto unico.\nC’est en 1952 que Le Corbusier conçoit Borne Béton pour l’espace extérieur \nde l’Unité d’Habitation à Marseille et pour éclairer le barrage de Bhakra, \nSukhna Dam en Inde. Une première expérience dans l’utilisation du béton \npour une collection de lampes dans la lignée de l’architecture brutaliste. Le \nbéton brut et spartiate est associé à une source LED intégrée, combinant \ndifférents volumes mis en valeur par la lumière. Les petites différences \nesthétiques et de finition font de chaque Borne Béton un projet unique.\n1952 entwarf Le Corbusier Borne Béton für den Außenbereich der \nUnité d’Habitation in Marseille und zur Beleuchtung des Bhakra, \nSukhna Damms in Indien. Ein frühes Experiment mit der \nVerwendung von Beton für eine Lampenkollektion im Einklang mit \nder brutalistischen Architektur. Rauher und spartanischer Beton wird \neiner integrierten LED-Quelle gegenübergestellt, die verschiedene, \ndurch das Licht hervorgehobene Volumen kombiniert. Die kleinen \nästhetischen und verarbeitungstechnischen Unterschiede machen \njede Borne Béton zu einem individuellen Projekt.\nIT\nFR\nDE\n30\n31\n22\n19\n30\n31\n22\n19\n30\n34\n17\n18\n31\n36\n50\n50\n17\n30\n54\n49\nBorne Béton\n",323,{"image":1277,"text":1278,"number":1279},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.324.png","324\n“Machine for living, says Le Corbusier. He’s right. Indeed, by expressing this thought, he lays the problem \non factual grounds. It directs us towards a correct conception of housing problems. [...] In conclusion \narchitects are asked, who are or should to be artists, to show oneself careful at least as much as the \nindustrialists [...] they should lend exactly that service, as we have the right to expect it from them“ \nMaximilien Gauthier, Le Corbusier, Biography of an Architect, Bologna 1991\nParliament \nblack\u002Fyellow\n",324,{"image":1281,"text":1282,"number":1283},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.325.png","325\nParliament\nLe Corbusier\nParliament\n",325,{"image":1285,"text":1286,"number":1287},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.326.png","326\nParliament \nblack\u002Fred\n",326,{"image":1289,"text":1290,"number":1291},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.327.png","327\nParliament \ngreen\u002Fyellow\n",327,{"image":1293,"text":1294,"number":1295},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.328.png","328\nParliament \ngrey\u002Fwhitewash\n",328,{"image":1297,"text":1298,"number":1299},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.329.png","329\n",329,{"image":1301,"text":1302,"number":1303},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.330.png","330\nParliament \nblack\u002Fyellow\n",330,{"image":1305,"text":1306,"number":1307},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.331.png","331\nFloor\nTechnical information\nE27 \n2 × 52W\nDouble, direct+indirect emission\nDouble switch on cable\n230V\nIP20\nCable length 2,7m\nVersions\nGrey\u002Fwhitewash PAR EDW 22\nGreen\u002Fyellow PAR EGV 22\nBlack\u002Fyellow PAR ENG 22\nBlack\u002Fred PAR ENR 22\nDesigned by Le Corbusier in 1963 for the \nParliament in Chandigarh in India, Parliament \nis a symbol of 1950s modernism, inspired by \nthe industrial lighting of the time. The \nadjustable diffuser consists of two open \nsymmetrical cones for direct and indirect \nlighting. The finishes reflect the “claviers de \ncouleurs” colour system developed by the \nSwiss-French master.\nProgettata da Le Corbusier nel 1963 per il Parlamento di \nChandigarh in India, Parliament è un simbolo del modernismo \ndegli anni Cinquanta, ispirato all’illuminazione industriale \ndell’epoca. Il diffusore regolabile è dotato di due coni simmetrici \naperti per l’illuminazione diretta e indiretta. Le finiture \ncorrispondono al sistema di colori “claviers de couleurs” elaborato \ndallo stesso maestro svizzero-francese.\nConçu par Le Corbusier en 1963 pour le Parlement de \nChandigarh en Inde, Parliament est un symbole du modernisme \ndes années 1950, inspiré de l’éclairage industriel de l’époque. Le \ndiffuseur orientable possède deux cônes symétriques ouverts \npour un éclairage direct et indirect. Les finitions correspondent au \nsystème de couleurs “claviers de couleurs” développé par le \nmaître franco-suisse lui-même.\nParliament wurde 1963 von Le Corbusier für das Parlament in \nChandigarh, Indien, entworfen und ist ein Symbol der Moderne \nder 1950er Jahre, inspiriert von der industriellen Beleuchtung \njener Zeit. Der verstellbare Diffusor hat zwei symmetrische offene \nKegel für direkte und indirekte Beleuchtung. Die Oberflächen \nentsprechen dem von dem französisch-schweizerischen Meister \nselbst entwickelten Farbsystem “claviers de couleurs”.\nIT\nFR\nDE\nGrey \u002F whitewash \nGreen \u002F yellow\nBlack \u002F yellow\nBlack \u002F red\nParliament finishes\n180°\n345°\nParliament\nØ12\nØ26\nØ16\n170 – 180\n40\n",331,{"image":1309,"text":1310,"number":1311},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.332.png","332\n“Space and light and order. Those are the things that men need just as much as they need bread \nor a place to sleep”\nLe Corbusier\nProjecteur \n165 wall night blue\n",332,{"image":1313,"text":1314,"number":1315},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.333.png","333\nProjecteur\nLe Corbusier\nProjecteur \n365 floor\n",333,{"image":1317,"text":1318,"number":1319},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.334.png","334\nProjecteur \n365 wall night blue\n",334,{"image":1321,"text":1322,"number":1323},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.335.png","335\nProjecteur \n165 pincer clip whitesand\n",335,{"image":1325,"text":1326,"number":1327},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.336.png","336\nProjecteur \n165 pendant night blue\n",336,{"image":1329,"text":1330,"number":1331},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.337.png","337\nProjecteur \n165 pincer clip night blue\n",337,{"image":1333,"text":1334,"number":1335},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.338.png","338\nProjecteur \n365 pendant whitesand\n",338,{"image":1337,"text":1338,"number":1339},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.339.png","339\nBetween 1951 and 1957, Le Corbusier designed \nthe Sanskar Kendra Museum, a museum in \nthe Indian city of Ahmedabad. The spiral-\nshaped building contains all the fundamentals \nof his architecture. For this project, in 1954 \nLe Corbu conceived a lighting system he \nnamed “Projecteur”, installed in the structure \nto maximise the lighting effect.\nTra il 1951 e il 1957, Le Corbusier progetta il Sanskar Kendra \nMuseum, un museo nella città indiana di Ahmedabad. A forma di \nspirale, questo edificio racchiude tutti i fondamenti della sua \narchitettura. Appositamente per questo progetto, nel 1954 Le \nCorbu concepisce un sistema di illuminazione a cui diede il nome \ndi “Projecteur”, installato nella struttura per massimizzare l’effetto \nluminoso.\nEntre 1951 et 1957, Le Corbusier a conçu le musée Sanskar Kendra, \nun musée dans la ville indienne d’Ahmedabad. En forme de spirale, \nce bâtiment contient tous les fondements de son architecture. \nSpécifiquement pour ce projet, Le Corbu conçoit en 1954 un \nsystème d’éclairage auquel il donne le nom de “Projecteur”, installé \ndans la structure pour maximiser l’effet lumineux.\nZwischen 1951 und 1957 entwarf Le Corbusier das Sanskar \nKendra Museum, ein Museum in der indischen Stadt Ahmedabad. \nDieses Gebäude in Form einer Spirale enthält alle Grundlagen \nseiner Architektur. Speziell für dieses Projekt entwirft Le Corbu \n1954 ein Beleuchtungssystem, dem er den Namen “Projecteur” \ngibt und das in dem Gebäude installiert wird, um die Lichtwirkung \nzu maximieren.\nIT\nFR\nDE\nNight blue\nWhitesand\nMoka\nProjecteur finishes\nProjecteur\n",339,{"image":1341,"text":1342,"number":1343},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.340.png","340\n365 Floor  \nTechnical information\nE27\n150W\nDirect emission\nSwitch on cable\n230V\nIP20\nCable length 2,9m\nOrientable\nVersions\nNight blue PRJ EDW 2A\nWhitesand PRJ EWS 2A \nMoka PRJ EMS 2A\n365 Pendant  \nØ18\nØ37\n38\n3\nTechnical information\nE27\n150W\nDirect emission\nDimmable according to bulb\n230V\nCable length 3m\nVersions\nIP20\nNight blue PRJ EDW 51\nWhitesand PRJ EWS 51 \nMoka PRJ EMS 51\nIP54\nNight blue PRJ EDW 52\nWhitesand PRJ EWS 52\nMoka PRJ EMS 52\n365 Wall\u002Fceiling\nTechnical information\nE27\n150W\nDirect emission\nDimmable according to bulb\n230V\nOrientable\nVersions\nIP20\nNight blue PRJ EDW 3A\nWhitesand PRJ EWS 3A \nMoka PRJ EMS 3A\nIP54\nNight blue PRJ EDW 32\nWhitesand PRJ EWS 32 \nMoka PRJ EMS 32\nØ28\n38\n43\nØ17\n38\n3\n340°\n180°\nØ37\n340°\n180°\nProjecteur\n",340,{"image":1345,"text":1346,"number":1347},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.341.png","341\n165 Pendant\nTechnical information\nE27 LED\u002FFLUO\n23W\nDirect emission\nDimmable according to bulb\n230V\nCable length 2m\nOrientable\nMax bulb H 11cm\nBlack canopy\nVersions\nIP20\nNight blue PRP FDW 51\nWhitesand PRP FWS 51 \nMoka PRP FMW 51\nIP44\nNight blue PRP FDW 52\nWhitesand PRP FWS 52 \nMoka PRP FMW 52\n165 Pincer clip\nTechnical information\nE27 LED\u002FFLUO\n23W\nDirect emission\nSwitch on cable\n230V\nIP20\nCable length 2m\nOrientable\nMax clip opening 3cm\nMax bulb H 11cm\nVersions\nNight blue PRP FDW 11\nWhitesand PRP FWS 11 \nMoka PRP FMW 11\n165 Wall\u002Fceiling\nTechnical information\nE27 LED\u002FFLUO\n23W\nDirect emission\nDimmable according to bulb\n230V\nOrientable\nMax bulb H 11cm\nBlack canopy\nVersions\nIP20\nNight blue PRP FDW 31\nWhitesand PRP FWS 31 \nMoka PRP FMW 31\nIP44\nNight blue PRP FDW 32\nWhitesand PRP FWS 32 \nMoka PRP FMW 32\nØ11\n3\n17\n18\n18\n360°\n180°\n16\n17\n22\nØ17\nØ11\n18\n180°\n340°\nProjecteur\n",341,{"image":1349,"text":1350,"number":1351},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.342.png","342\n“All will keep a simple shape, composed by poor materials, that will adapt perfectly to the linear \nelements of his architecture without ‘contaminating’ it, without decorating it” \nMichel Richard, Fondation Le Corbusier\nLampe de Marseille \nmini wall black\n",342,{"image":1353,"text":1354,"number":1355},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.343.png","343\nLampe \nde Marseille\nLe Corbusier\nLampe de Marseille\n",343,{"image":1357,"text":1358,"number":1359},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.344.png","344\nLampe de Marseille \nwall, wall mini whitewash, black\n",344,{"image":1361,"text":1362,"number":1363},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.345.png","345\nLampe de Marseille grey\n",345,{"image":1365,"text":1366,"number":1367},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.346.png","346\nMini wall\nTechnical information\nE14 \n2 × 46W\nDirect + indirect emission\nMono switch on cable\n230V\nIP20\nCable length 0,4m + 1,2m\nOrientable\nInstallation with or without plug\nDimmable according to bulb only \nwith direct wall electrical installation\nBulb not included\nVersions\nWithewash LMM EWW 31 \nGrey LMM EDD 31\nBlack LMM ENN 31\nWall\nTechnical information\nE27\n2 × 70W\nDirect + indirect emission\nDouble switch on cable\n230V\nIP20\nCable length 1,5m + 1,3m\nOrientable\nInstallation with or without plug\nbulb Ø11cm (down)+A60 (up)\nDimmable according to bulb only \nwith direct wall electrical installation\nBulb not included\nVersions\nWhitewash LDM EWW 31 \nGrey LDM EDD 31 \nBlack LDM ENN 31\nLampe de Marseille was named after the Unité \nd’Habitation in Marseille, the massive building \ndesigned between 1949 and 1952 by \nLe Corbusier and a symbol of Brutalist \narchitecture.\nLampe de Marseille prende il nome dall’Unité d’Habitation di \nMarsiglia, l’imponente edificio progettato tra il 1949 e il 1952 da Le \nCorbusier e simbolo dell’ architettura brutalista.\nLampe de Marseille porte le nom de l’Unité d’Habitation de \nMarseille, l’imposant bâtiment conçu entre 1949 et 1952 par Le \nCorbusier et symbole de l’architecture brutaliste.\nLampe de Marseille ist nach der Unité d’Habitation in Marseille \nbenannt, einem beeindruckenden Gebäude, das zwischen 1949 \nund 1952 von Le Corbusier entworfen wurde und ein Symbol der \nbrutalistischen Architektur ist.\nIT\nFR\nDE\nWhitewash\nGrey\nBlack\nLampe de Marseille finishes\n90\n29\n220°\n50\n180°\n220°\nØ11\nØ30\n340°\n24\n166\n29\n220°\n80\n180°\n220°\nØ17\nØ50\n340°\n40\nLampe de Marseille\n",346,{"image":1369,"text":15,"number":1370},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.347.png",347,{"image":1372,"text":1373,"number":1374},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.348.png","348\n“Primary forms are beautiful forms because they can be clearly appreciated”\nLe Corbusier\nApplique de Marseille \nmini whitewash\n",348,{"image":1376,"text":1377,"number":1378},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.349.png","349\nApplique  \nde Marseille\nLe Corbusier\nApplique de Marseille \nmini\n",349,{"image":1380,"text":1381,"number":1382},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.350.png","350\nApplique de Marseille \nmini whitewash\n",350,{"image":1384,"text":1385,"number":1386},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.351.png","351\nApplique de Marseille \nmini black\n",351,{"image":1388,"text":1389,"number":1390},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.352.png","352\nApplique de Marseille black\n",352,{"image":1392,"text":1393,"number":1394},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.353.png","353\nWall Mini\nTechnical information\nE14\n2x20W\nDirect + indirect emission\nDimmable according to bulb\nMono switch\n230V\nIP20\nVersions\nWhitewash AMM EWW 31 \nGrey AMM EDD 31 \nBlack AMM ENN 31\nWall\nTechnical information\nE27\n2×52W\nDirect + indirect emission\nDimmable according to bulb\nMono switch\n230V\nIP20\nVersions\nWhitewash ADM EWW 31 \nGrey ADM EDD 31 \nBlack ADM ENN 31\nApplique de Marseille, designed by Le \nCorbusier in 1938\u002F1939 for his Parisian flat in \nRue Nungesser et Coli, provides direct and \ndiffused light: two cone-shaped lampshades \norient the light upwards and downwards, \nproviding uniform and sharp light beams. \nThe Mini version preserves the same allure in \na compact version.\nApplique de Marseille, progettata da Le Corbusier nel 1938\u002F1939 \nper il suo appartamento parigino di Rue Nungesser et Coli, \nfornisce una luce diretta e diffusa: due paralumi a forma di cono \ndirigono la luce verso l’alto e verso il basso, formando fasci \nluminosi uniformi e nitidi. La versione Mini conserva la stessa \nallure in una versione compatta.\nApplique de Marseille, conçue par Le Corbusier en 1938\u002F1939 \npour son appartement parisien de la rue Nungesser et Coli, \nprocure une lumière directe et diffuse: deux abat-jour de forme \nconique dirigent la lumière vers le haut et vers le bas, formant des \nfaisceaux lumineux uniformes et nets. La version Mini conserve la \nmême allure dans une version compacte.\nApplique de Marseille, die Le Corbusier 1938\u002F1939 für seine \nPariser Wohnung in der Rue Nungesser et Coli entwarf, spendet \ndirektes  diffuses Licht: Zwei kegelförmige Lampenschirme \nlenken das Licht nach oben und unten und bilden gleichmäßige \nund scharfe Lichtkegel. Die Mini-Version bewahrt den gleichen \nReiz in einer kompakten Ausführung.\nIT\nFR\nDE\nWhitewash\nGrey\nBlack\nApplique de Marseille finishes\nØ12\nØ9,5\n27\n19,5\nØ17\nØ14\n40\n28\nApplique de Marseille\n",353,{"image":1396,"text":1397,"number":1398},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.354.png","354\nApplique Radieuse green\n",354,{"image":1400,"text":1401,"number":1402},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.355.png","355\nApplique \nRadieuse\nLe Corbusier\nApplique Radieuse\n",355,{"image":1404,"text":1405,"number":1406},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.356.png","356\nApplique Radieuse blue\n",356,{"image":1408,"text":1409,"number":1410},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.357.png","357\nWall\nTechnical information\nE27\n2 × 40W\nIndirect emission\nDimmable according to bulb\nMono switch\n230V\nIP20\nVersions\nWhite ARS EWW 31 \nRed ARS ERW 31 \nOrange ARS EAW 31\nBlue ARS EBW 31\nGreen ARS EVW 31\nIn 1949 Le Corbusier conceived Applique \nd’entrée des appartments, a wall lamp of \ncurved metal sheet to enlighten the entrances \nof the Unité d’Habitation in Marseille, the \nhousing unit symbol of the Modern Movement \nin its architectural and urbanistic conception. \nThe Master designed the paradigm of the wall \nlamp, giving it the maximum efficiency while \nhiding the light source.\nPer illuminare gli ingressi dell’Unité d’Habitation di Marsiglia, l’unità \nabitativa simbolo del Movimento Moderno nella sua concezione \narchitettonica e urbanistica, Le Corbusier concepisce nel 1949 \nApplique d’entrée des appartments, una lampada da parete in \nlamiera curvata. Utilizzando una silhouette distintiva, il Maestro \ndisegna il paradigma della lampada da parete, conferendole la \nmassima efficienza e nascondendo la sorgente luminosa.\nPour éclairer les entrées de l’Unité d’Habitation de Marseille, unité \nd’habitation symbole du Mouvement Moderne dans sa \nconception architecturale et urbanistique, Le Corbusier conçoit \nen 1949 l’Applique d’entrée des appartements, une applique en \ntôle courbée. Utilisant une silhouette distinctive, le Maestro \nconçoit le paradigme de l’applique murale, lui donnant une \nefficacité maximale et masquant la source lumineuse.\nZur Beleuchtung der Eingänge der Unité d’Habitation in Marseille, \neiner Wohnanlage, die in ihrem architektonischen und \nstädtebaulichen Konzept symbolisch für die Moderne steht, \nentwirft Le Corbusier 1949 die Applique d’entrée des \nappartments, eine Wandleuchte aus gebogenem Metallblech. \nMit einer markanten Silhouette entwarf der Meister das \nParadebeispiel einer Wandleuchte, die maximale Effizienz bietet \nund die Lichtquelle verbirgt.\nIT\nFR\nDE\nOrange\nBlue\nRed\nGreen\nWhite\nApplique Radieuse finishes\nApplique Radieuse\n13,5\n33,5\n13\n",357,{"image":1412,"text":1413,"number":1414},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.358.png","358\nLe Cadre Parfait\n",358,{"image":1416,"text":1417,"number":1418},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.359.png","359\nLe Cadre \nParfait\nLe Corbusier\nLe Cadre Parfait\n",359,{"image":1420,"text":1421,"number":1422},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.360.png","360\nLe Cadre Parfait\n",360,{"image":1424,"text":1425,"number":1426},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.361.png","361\nLe Cadre Parfait was designed by Le \nCorbusier in 1950, and was conceived for Heidi \nWeber, Swiss art collector, for her drawings \nand graphic works collection. By placing the \nglass within the frame, he completely changed \nits traditional proportions. The emerging \nglass transforms the oak frame into a perfect \ncubic body, hung on a wall or freely displayed \nas an object. As a result, the glass and the \ndesign appear to be floating. This process \nwas the start of a research dedicated to the \nstandardization of many elements linked to \ninterior fittings. Nemo edits La Cadre Parfait \nin a solid beech wood structure and matte \nanodized aluminum details.\nDisegnata da Le Corbusier nel 1950, Le Cadre Parfait è stata \nconcepita per la collezione di disegni e per le opere grafiche di \nHeidi Weber, collezionista d’arte svizzera. Il posizionamento del \nvetro all’interno della cornice in rovere ne ha profondamente \nmodificato le proporzioni tradizionali, trasformando il volume in un \nperfetto corpo cubico, che può essere appeso a una parete o \nliberamente esposto come oggetto. Il vetro e l’opera sembrano \ncosì fluttuare. Questo processo ha segnato l’inizio di una ricerca \ndedicata alla standardizzazione di molti elementi legati agli \nallestimenti interni. Nemo rivisita Le Cadre Parfait, realizzando \nuna struttura in legno massello di faggio con dettagli in alluminio \nanodizzato opaco.\nLe Cadre Parfait a été dessiné par Le Corbusier en 1950, et conçu \npour Heidi Weber, collectionneur d’art suisse, pour sa collection \nde dessins et d’oeuvres graphiques. En plaçant le verre à \nl’intérieur du cadre, il a changé complètement ses proportions \ntraditionnelles. Le verre émergeant transforme le cadre en chêne \nen un corps cubique parfait, accroché au mur ou librement \nexposé comme un objet. Ainsi, le verre et le design semblent \nflotter. Ce procédé a été le début d’une recherche dédiée à la \nstandardisation de nombreux éléments liés à l’aménagement \nintérieur. Nemo édite La Cadre Parfait dans une structure en bois \nde hêtre massif et des détails en aluminium anodisé mat.\nLe Cadre Parfait wurde 1950 von Le Corbusier für die Schweizer \nKunstsammlerin Heidi Weber für ihre Sammlung von \nZeichnungen und grafischen Werken entworfen. Indem er das \nGlas in den Rahmen setzte, veränderte er dessen traditionelle \nProportionen völlig. Das hervortretende Glas verwandelt den \nEichenholzrahmen in einen perfekten kubischen Körper, der an \ndie Wand gehängt oder frei als Objekt präsentiert werden kann. \nSo scheinen das Glas und das Design zu schweben. Dieser \nProzess war der Beginn einer Forschung, die der \nStandardisierung zahlreicher Elemente im Zusammenhang mit \nder Innenausstattung gewidmet war. Nemo bearbeitet La Cadre \nParfait mit einer Struktur aus massivem Buchenholz und Details \naus matt eloxiertem Aluminium.\nIT\nFR\nDE\nLe Cadre Parfait\nLe Cadre Parfait\nTechnical information\nTempered transparent glass\nAluminum anodized brackets\nVersions\noiled solid beech CLC SMT 31\n41\n31\n8\n",361,{"image":1428,"text":1429,"number":1430},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.362.png","362\n“To us, the educational value resides in our works, and it’s through them that we spread ideas more \nthan through ourselves”\nFranco Albini\nAS3C chrome\u002Fwhite glass\n",362,{"image":1432,"text":1433,"number":1434},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.363.png","363\nAlbini \nCollection AM\u002FAS\nFranco Albini, Franca Helg, \nAntonio Piva, Marco Albini \nAM1N\n",363,{"image":1436,"text":1437,"number":1438},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.364.png","364\nAS41C black\u002Fwhite glass\n",364,{"image":1440,"text":1441,"number":1442},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.365.png","365\nAM2Z chrome\n",365,{"image":1444,"text":1445,"number":1446},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.366.png","366\nAS43C chrome\u002Fwhite glass\n",366,{"image":1448,"text":1449,"number":1450},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.367.png","367\nAS1C black\u002Fwhite glass\n",367,{"image":1452,"text":1453,"number":1454},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.368.png","368\nAS41Z chrome\n",368,{"image":1456,"text":1457,"number":1458},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.369.png","369\nAM4C chrome\u002Fwhite glass\n",369,{"image":1460,"text":1461,"number":1462},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.370.png","370\nAS1C chrome\u002Fwhite glass\n",370,{"image":1464,"text":1465,"number":1466},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.371.png","371\nAM1N black\u002Fwhite glass\n",371,{"image":1468,"text":1469,"number":1470},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.372.png","372\nThe Albini AM\u002FAS collection represents \nthe rationalistic philosophy of the Milanese \narchitect. A 1969 design that combines linear \nshapes with the extreme quality of materials, \nsuch as the hand-blown glass of diffusers. \nAiming to manage the different volumes \nof the space with a single design: ceiling, \nwall, floor and table.\nLa collezione Albini AM\u002FAS rappresenta il pensiero razionalista \ndell’architetto milanese. Un progetto del 1969 che unisce la \nlinearità delle forme all’estrema qualità dei materiali utilizzati, \ncome il vetro soffiato a mano dei diffusori. Con l’aspirazione di \ngestire con un unico progetto i differenti volumi dello spazio: il \nsoffitto, la parete, la terra e il tavolo.\nDie Albini AM\u002FAS Kollektion repräsentiert die rationalistische \nPhilosophie des Mailänder Architekten. Ein Design aus dem Jahr \n1969, das die linearen Formen mit der extremen Qualität der \nverwendeten Materialien, wie dem mundgeblasenen Glas der \nAbdeckungen, verbindet. Mit dem Ziel, die verschiedenen \nVolumina des Raumes mit einem einzigen Design zu verwalten: \nDecke, Wand, Boden und Tisch.\nLa collection Albini AM\u002FAS représente la philosophie rationaliste \nde l’architecte milanais. Un design de 1969 qui combine les \nformes linéaires avec l’extrême qualité des matériaux utilisés, \ncomme le verre soufflé des diffuseurs. Le but est de gérer les \ndifférents volumes de l’espace avec un seul design: plafond, \nmur, sol et table.\nIT\nFR\nDE\nFloor\nTechnical information\nE27 LED\u002FHALO\n250W\nAM2Z: Indirect emission\nAM2C: Diffused emission\nDimmable on cable, according to bulb\n230V\nIP20\nCable length 3,2m\nVersions\nAM2Z\nChrome\u002Fchrome ALB EHH 22\nAM2C\nChrome\u002Fwhite glass ALB EHW 22\nTable\nTechnical information\nE27 LED\u002FHALO\n150W\nDiffused emission\nDimmable on cable, according to bulb\n230V\nIP20\nCable length 2,2m\nVersions\nAS1C\nBlack\u002Fwhite glass ALB ENW 15 \nChrome\u002Fwhite glass ALB EHW 15\nAM1N\nBlack\u002Fwhite glass ALB ENW 14 \nChrome\u002Fwhite glass ALB EHW 14\nØ40\nAM2Z  Ø45 \nAM2C Ø40\n180\nØ37\nAS1C\nAM1N\n42\n64\nØ40\n48\nØ24\nAlbini Collection\n",372,{"image":1472,"text":1473,"number":1474},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.373.png","373\nPendant\nTechnical information\nE27\n250W\nAM4Z: Indirect emission\nAM4C: Diffused emission\nDimmable according to bulb\n230V\nIP20\nCable length 2,5m\nVersions\nPendant with arm\nTechnical information\nE27\n250W\nAS41Z: Indirect emission\nAS41C: Diffused emission\nDimmable according to bulb\n230V\nIP20\nCable length 1,85m\nOrientable arm total length 1m\nVersions\nAM4Z\nChrome\u002Fchrome ALB EHH 53\nAM4C\nBlack\u002Fwhite glass ALB ENW 53 \nChrome\u002Fwhite glass ALB EHW 53\nAS41Z\nChrome\u002Fchrome ALB EHH 54\nAS41C\nBlack\u002Fwhite glass ALB ENW 54 \nChrome\u002Fwhite glass ALB EHW 54\nPendant chandelier\nTechnical information\nE27\n3X70W\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nCable length 2,5m\nVersions\nApplique\nTechnical information\nE27\n100W\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nVersions\nAS43C\nBlack\u002Fwhite glass ALB ENW 55 \nChrome\u002Fwhite glass ALB EHW 55\nAS3C\nBlack\u002Fwhite glass ALB ENW 31 \nChrome\u002Fwhite glass ALB EHW 31\n51,5\nØ11\n3\n94\nØ120\nØ40\n23\nØ40\n50\n17\nAS41Z  Ø45 \nAS41C Ø40\nAM4Z  Ø45 \nAM4C Ø40\n32\nØ11\n3\nAlbini Collection\nØ14\n9\n48\n53\n32\nmax 230\nmax 185\n20\n",373,{"image":1476,"text":1477,"number":1478},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.374.png","374\n“Charlotte Perriand designed a whole family of lamps adjustable, revolving, and orientable: lamps with \nrotating screens and wall lamps with adjustable screens – painted with bright colors – or rotable \narms. To these “essential forms”, she will then add some fantastic inventions for specific use”  \nArthur Ruegg, La Luce 2018\nApplique Cylindrique \nlongue and petite \nanthracite grey\u002Fpastel blue\n",374,{"image":1480,"text":1481,"number":1482},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.375.png","375\nApplique \nCylindrique\nCharlotte Perriand\nApplique Cylindrique \npetite\n",375,{"image":1484,"text":1485,"number":1486},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.376.png","376\nApplique Cylindrique \npetite \nanthracite grey\u002Fpastel blue\n",376,{"image":1488,"text":1489,"number":1490},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.377.png","377\nPetite wall\nTechnical information\nE14\n40W\nIndirect emission\nDimmable according to bulb\nSwitch on board\n230V\nIP20\nOrientable\nVersions\nAnthracite grey\u002Fpastel blue CYL EBN 31\nAnthracite grey\u002Fanthracite grey CYL ENN 31\nWhitewash\u002Fwhitewash CYL EWW 31\nLongue wall\n48\n7,5\n10,5\nTechnical information\nE14\n2 × 40W\nIndirect emission\nDimmable according to bulb\n230V\nIP20\nOrientable\nVersions\nAnthracite grey\u002Fpastel blue CYL EBN 32\nAnthracite grey\u002Fanthracite grey CYL ENN 32\nWhitewash\u002Fwhitewash CYL EWW 32\nDesigned by Charlotte Perriand for her \nmountain chalet Le Vieux Matelot, Applique \nCylindrique is a design that dates back to the \nearly 1930s. Her interest in pivoting screens \nreflects her observation on human gestures: a \nsimple touch allows to direct the lampshade \nand to control the light beam, making it \npossible to adjust intensity and direction.\nProgettata da Charlotte Perriand per il suo chalet di montagna Le \nVieux Matelot, Applique Cylindrique è un progetto che risale ai \nprimi anni ‘30. Il suo interesse per gli schermi pivotanti riflette la \nsua osservazione sui gesti umani: un semplice gesto permette di \norientare il paralume e di controllare il fascio di luce, consentendo \ncosì di giocare con direzione e intensità luminosa. \nConçue par Charlotte Perriand pour son chalet de montagne Le \nVieux Matelot, Applique Cylindrique est un projet qui remonte au \ndébut des années 1930. Son intérêt pour les écrans pivotants reflète \nson observation des gestes humains: un simple geste permet \nd’orienter l’abat-jour et de contrôler le faisceau lumineux, \npermettant ainsi de jouer avec la direction et l’intensité lumineuse.\nApplique Cylindrique wurde von Charlotte Perriand für ihre Berghütte \nLe Vieux Matelot entworfen und geht auf die frühen 1930er Jahre \nzurück. Ihr Interesse an schwenkbaren Schirmen spiegelt ihre \nBeobachtung menschlicher Gesten wider: Mit einer einfachen Geste \nlässt sich der Lampenschirm ausrichten und der Lichtstrahl lenken, \nwas ein Spiel mit Richtung und Lichtintensität ermöglicht.\nIT\nFR\nDE\nAnthracite grey\nPastel blue\nAnthracite grey\nAnthracite grey\nWhitewash\nWhitewash\nApplique Cylindrique finishes\nApplique Cylindrique\n16\n10,5\n7,5\n",377,{"image":1492,"text":1493,"number":1494},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.378.png","378\n“In 1940 I designed a revolving and cheap lamp, manufactured with long, black tubes assembled \nin a shape of an inverted ’L’, to bring electrical cable from the switch to the bulb”\nCharlotte Perriand\nPotence Pivotante black\n",378,{"image":1496,"text":1497,"number":1498},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.379.png","379\nPotence\nPivotante\nCharlotte Perriand\nPotence Pivotante\n",379,{"image":1500,"text":1501,"number":1502},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.380.png","380\nPotence Pivotante black\n",380,{"image":1504,"text":1505,"number":1506},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.381.png","381\nPotence Pivotante \nmini grey\n",381,{"image":1508,"text":1509,"number":1510},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.382.png","382\nPotence Pivotante \nblack\n",382,{"image":1512,"text":1513,"number":1514},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.383.png","383\nPotence Pivotante\nCharlotte Perriand was inspired by the boom \nof sailboats when in 1938 she conceived \nPotence Pivotante. Designed as a highly \naccessible swivel lamp, realized using two \nblack tubular sections assembled in the shape \nof an inverted ‘L’ to lead the electrical wire \nfrom the switch to the bulb. The steel arm \nfixed to the wall rotates on the horizontal axis, \ndescribing an angle of almost 180°. \nCharlotte Perriand si ispira al boma delle barche a vela quando \nnel 1938 concepisce Potence Pivotante: due sezioni tubolari sono \nassemblate a forma di ‘L’ rovesciata per condurre il filo elettrico \ndall’interruttore alla lampadina. Il braccio in acciaio fissato alla \nparete ruota sul suo asse orizzontale, descrivendo un angolo di \nquasi 180°, rivelandosi una lampada orientabile facilmente \naccessibile e fruibile.\nCharlotte Perriand s’inspire de la bôme des voiliers lorsqu’elle \nconçoit Potence Pivotante en 1938 : deux tronçons tubulaires sont \nassemblés en forme de ‘L’ inversé pour conduire le fil électrique de \nl’interrupteur à l’ampoule. Le bras en acier fixé au mur tourne sur \nson axe horizontal, décrivant un angle de presque 180°, se révélant \ncomme une lampe orientable facilement accessible et utilisable.\nCharlotte Perriand ließ sich von den Bäumen der Segelschiffe \ninspirieren, als sie 1938 die Potence Pivotante entwarf: Zwei \nRöhren sind in der Form eines umgekehrten ‘L’ zusammengesetzt, \num den elektrischen Draht vom Schalter zur Lampe zu führen. \nDer an der Wand befestigte Metallarm dreht sich um seine \nhorizontale Achse und beschreibt dabei einen Winkel von fast \n180°, wodurch eine leicht zugängliche und benutzbare \nschwenkbare Lampe entsteht.\nIT\nFR\nDE\nBlack\nGrey\nRed\nPotence Pivotante finishes\nMini wall\nTechnical information\nG9\n4W\nDiffused emission\nSwitch on cable\n230V\nCCT 2700K\n400lm\nCRI 80\nIP20\nCable length 2,5m\nOrientable\nMax power allowed 25W HALO bulb\nLED dimmable bulb included\nDimmable (only with direct wall \nelectrical installation)\nVersions\nBlack POM HNW 31\nRed POM HRW 31\nGrey POM HDW 31\nWall electrical \ninstallation cover\nBlack POM ATT 31\nRed POM ATD 31\nGrey POM ATR 31\nWall\nTechnical information\nE27 LED\u002FHALO\n8W\nDiffused emission\nDimmable on cable, according to bulb\n230V\nCCT 2700K\n900lm\nCRI 80\nIP20\nCable length 3,2m\nOrientable\nMax power allowed: 100W E27 LED \nLED dimmable bulb included\nInstallation with cable and plug\nVersions\nBlack POT ENW 32\nØ12,5\n200\n180°\n104\n180°\n42\n7\n50\n84\n100\nØ8\n13\nWall electrical installation cover\n",383,{"image":1516,"text":1517,"number":1518},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.384.png","384\n“The object is not neutral. There is also a relationship with man and this must be taken into account.”\nCharlotte Perriand\nPivotante à Poser \npastel blue\n",384,{"image":1520,"text":1521,"number":1522},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.385.png","385\nPivotante\nà Poser\nCharlotte Perriand\nPivotante à Poser\n",385,{"image":1524,"text":1525,"number":1526},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.386.png","386\nPivotante à Poser \nsage green\n",386,{"image":1528,"text":1529,"number":1530},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.387.png","387\nPivotante à Poser \nyellow\n",387,{"image":1532,"text":1533,"number":1534},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.388.png","388\nPivotante à Poser \nblue\n",388,{"image":1536,"text":1537,"number":1538},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.389.png","389\nTable\nTechnical information\nE27\n60W\nDirect emission\nSwitch on cable\n230V\nIP20\nCable length 2m\nOrientable 360°\nBulb not included\nVersions\nWhite PAP EDW 12\nYellow PAP EDG 12\nBlue PAP EDB 12\nPastel blue PAP EDC 12\nCarmine red PAP EDR 12\nSage green PAP EDV 12\nLight grey PAP EDD 12\nAn avant-garde icon of the 1950s, Pivotante à \nPoser was conceived by Charlotte Perriand as \nan architectural element. The light emission \ninteracts with the material texture, volumes, \ndimensions and graphic signs created by the \ntwo rotating diffusers, which allow both \nclosing and opening of the light beam for \ndirect or indirect light.\nIcona dell’avanguardia degli anni ‘50, Pivotante à Poser viene \nconcepita da Charlotte Perriand al pari di un elemento \narchitettonico. L’emissione luminosa interagisce con la texture \nmaterica, i volumi, le dimensioni e i segni grafici creati dai due \ndiffusori rotanti, capaci di chiudere e aprire il fascio luminoso per \nottenere una luce diretta o indiretta. \nIcône de l’avant-garde des années 50, Pivotante à Poser a été \nconçue par Charlotte Perriand comme un élément architectural. \nL’émission lumineuse interagit avec la texture du matériau, les \nvolumes, les dimensions et les signes graphiques créés par les \ndeux diffuseurs rotatifs, capables de fermer et d’ouvrir le faisceau \nlumineux pour obtenir une lumière directe ou indirecte.\nPivotante à Poser ist eine Ikone der Avantgarde der 1950er Jahre \nund wurde von Charlotte Perriand als architektonisches Element \nkonzipiert. Die Lichtemission interagiert mit der Materialstruktur, \nden Volumen, den Dimensionen und den grafischen Elementen, \ndie von den beiden drehbaren Diffusoren erzeugt werden, die den \nLichtstrahl entweder schließen oder öffnen können, um direktes \noder indirektes Licht zu schaffen.\nIT\nFR\nDE\nPastel blue\nWhite\nLight grey\nCarmine red\nSage green\nBlue\nYellow\nPivotante à Poser finishes\nØ12,5\n360°\n360°\n20\nPivotante à Poser\n",389,{"image":1540,"text":1541,"number":1542},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.390.png","390\n“The extension of the art of dwelling is the art of living”\nCharlotte Perriand\nApplique à Volet Pivotant \nyellow\n",390,{"image":1544,"text":1545,"number":1546},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.391.png","391\nApplique \nà Volet Pivotant\nCharlotte Perriand\nApplique à Volet Pivotant\n",391,{"image":1548,"text":1549,"number":1550},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.392.png","392\nApplique à Volet Pivotant plié \nblack anodized\n",392,{"image":1552,"text":1553,"number":1554},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.393.png","393\nApplique à Volet Pivotant \nyellow, red\n",393,{"image":1556,"text":1557,"number":1558},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.394.png","394\nApplique à Volet Pivotant \nnatural anodized\n",394,{"image":1560,"text":1561,"number":1562},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.395.png","395\nWall lamps designed  in 1962 by Charlotte \nPerriand for her mountain chalet in Méribel \nin the French Alps. Aluminum adjustable volet \nand metal structure. E14 version is equipped \nwith integrated switch (on board), cable and \nplug for a simple and free installation. \nIndirect light output towards the wall and \norientable flood beam.\nDisegnata da Charlotte Perriand nel 1962 per illuminare il suo \nchalet di montagna a Méribel nelle Alpi francesi. Una famiglia di \nlampade da parete dalle forme semplici e colorate. Diffusore \n“volet” orientabile in alluminio e struttura in metallo.  Nella \nversioni E14 l’interruttore è posizionato sulla struttura della \nlampada (on board) e la lampada è dotata di cavo e spina per \nun’installazione libera e semplice. La lampada emette luce \nindiretta verso la parete e il fascio può essere orientato a piacere.\nDessinée en 1962 par Charlotte Perriand pour son chalet de \nmontagne à Méribel dans les Alpes françaises. Famille \nd’appliques de forme simple avec volet orientable en aluminium et \nstructure en métal. Dans la version E14, l’interrupteur est \npositionné sur la structure de la lampe (à bord) et la lampe est \néquipée d’un câble et d’une fiche pour une installation libre et \nsimple. La lampe émet une lumière indirecte vers le mur et le \nfaisceau peut être orienté à volonté. \nAus dem Originalentwurf 1962 von Charlotte Perriand für die \nBeleuchtung ihres Chalets in den Bergen in Méribel in den \nfranzösischen Alpen, ist im Laufe der Zeit eine Familie \nWandleuchten mit einfachen und farbenfrohen Formen \nentstanden. Verstellbarer Diffusor „Volet“ aus Aluminium und \nStruktur aus Metall. Die Version E14 ist mit Schalter an der \nStruktur der Leuchte (an Bord) und mit Kabel, einschl. Stecker für \neine freie und einfache Installation ausgestattet. Die Leuchte \nstrahlt indirektes Licht zur Wand ab und der Lichtstrahl kann \nbeliebig ausgerichtet werden.\nIT\nFR\nDE\nWhite\nYellow \nNatural anodized\nPolished inox\nBlack anodized\nBlue\nRed \nApplique à Volet Pivotant finishes\nApplique à Volet Pivotant\n",395,{"image":1564,"text":1565,"number":1566},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.396.png","396\nWall R7s\nTechnical information\nR7s (75mm)\n80W\nDirect\u002Findirect emission\nOrientable\nDimmable according to bulb\n230V\nIP20\nOnly for horizontal installation\nWhite body\nVersions\nBlack anodized AVP HWN 31\nNatural anodized AVP HWD 31\nPolished inox AVP HWH 31\nWall E14\nTechnical information\nE14\n8W\nDirect\u002Findirect emission\nOrientable\nDimmable according to bulb\n230V\nIP20\nCable length 1,1m\nSwitch on board \nBulb Ømax 3cm (not included)\nWith external cable plug (removable)\nWhite body\nVersions\nBlack anodized AVP EWN 31\nNatural anodized AVP EWD 31\nWhite AVP EWW 31 \nRed AVP EWR 31\nYellow AVP EWG 31\nBlue AVP EWB 31\nPolished inox AVP EWH 31\nWall LED\nTechnical information\nLED board\n10W\nDirect\u002Findirect emission\nOrientable\n110-240V\nCCT 3000K\n235lm\nCRI 85\nIP20\nWhite body\nVersions\nBlack anodized AVP LWN 31\nNatural anodized AVP LWD 31\nWhite AVP LWW31\nRed AVP LWR 31\nYellow AVP LWG 31\nBlue AVP LWB 31\nPolished inox AVP LWH 31\nWall double R7S\nTechnical information\nR7s (75mm)\n2 × 80W\nDirect\u002Findirect emission\nOrientable\nDimmable according to bulb\n230V\nIP20\nOnly for horizontal installation\nWhite body\nVersions\nBlack anodized AVP HWN 33\nNatural anodized AVP HWD 33\nPolished inox AVP HWH 33\nWall double E14\nTechnical information\nE14\n2 × 8W \nDirect\u002Findirect emission\nOrientable\nDimmable according to bulb\n230V\nIP20\nBulb Ø max 3cm (not included)\nWhite body\nVersions\nBlack anodized AVP EWN 33\nNatural anodized AVP EWD 33\nWhite AVP EWW 33 \nRed AVP EWR 33\nYellow AVP EWG 33\nBlue AVP EWB 33\nPolished inox AVP EWH 33\n 45°\n13\n8\n34\n13\n17\n8\n 45°\nApplique à Volet Pivotant\n",396,{"image":1568,"text":1569,"number":1570},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.397.png","397\nWall plié R7s\nTechnical information\nR7s (75mm)\n2 × 80W\nDirect\u002Findirect emission\nOrientable\nDimmable according to bulb\n230V\nIP20\nOnly for horizontal installation\nWhite body\nVersions\nBlack anodized AVP HWN 32 \nNatural anodized AVP HWD 32\nWall plié E14\nTechnical information\nE14\n2 × 8W\nDirect\u002Findirect emission\nOrientable\nDimmable according to bulb\n230V\nIP20\nBulb Ø3cm max\nWhite body\nVersions\nBlack anodized AVP EWN 32\nNatural anodized AVP EWD 32\nWhite AVP EWW 32\nRed AVP EWR 32\nYellow AVP EWG 32\nBlue AVP EWB 32\nWall plié LED\nTechnical information\nLED board\n20W\nDirect\u002Findirect emission\nOrientable\n110-240V \nCCT 3000K\n826lm\nCRI 85\nIP20\nWhite body\nVersions\nBlack anodized AVP LWN 32 \nNatural anodized AVP LWD 32\nWhite AVP LWW 32\nRed AVP LWR 32\nYellow AVP LWG 32\nBlue AVP LWB 32\nWall double LED\nTechnical information\nLED board\n20W\nDirect\u002Findirect emission\n110-240V\nCCT 3000K\n585lm\nCRI 85\nIP20\nWhite body\nVersions\nBlack anodized AVP LWN 33\nAluminium anodized AVP LWD 33\nWhite AVP LWW 33\nRed AVP LWR 33\nYellow AVP LWG 33\nBlue AVP LWB 33\nPolished inox AVP LWH 33\n 45°\n26\n8\n34\nApplique à Volet Pivotant\n",397,{"image":1572,"text":1573,"number":1574},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.398.png","398\n“...after all, design is about responding to the gestures of the human being. Then there is a side \neven beyond this, which has to do with a sort of harmony with oneself, with one’s environment; \nthis kind of awareness affects everything”\nCharlotte Perriand\nLampe de Bureau \nreading \nred\n",398,{"image":1576,"text":1577,"number":1578},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.399.png","399\nLampe \nde Bureau \nCharlotte Perriand\nLampe de Bureau \ntable\n",399,{"image":1580,"text":1581,"number":1582},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.400.png","400\nLampe de Bureau \ntable \ngreen\n",400,{"image":1584,"text":1585,"number":1586},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.401.png","401\nLampe de Bureau \nreading \nblue grey\n",401,{"image":1588,"text":1589,"number":1590},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.402.png","402\nLampe de Bureau \ntable \nwhite\n",402,{"image":1592,"text":1593,"number":1594},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.403.png","403\nLampe de Bureau \nwall \nblue mare\n",403,{"image":1596,"text":1597,"number":1598},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.404.png","404\nDriven by the need to illuminate faces reflected \nin the mirror of a piece of furniture designed for \nthe famous French glassworks Boussois, \nCharlotte Perriand created the Lampe de \nBureau wall version in 1965. Inside the diffuser, \nthe white preserves the natural color of the light, \nwhile outside, the finishes of the translucent \nmolded glass appear pure and brilliant.\nDall’esigenza di illuminare i volti riflessi nello specchio di un \nmobile disegnato per la famosa vetreria francese Boussois, \nCharlotte Perriand crea nel 1965 la versione a parete di Lampe de \nBureau. All’interno del diffusore il bianco preserva il colore \nnaturale della luce, mentre all’esterno le finiture del vetro \nstampato traslucido appaiono pure e brillanti. \nDe la nécessité d’éclairer les visages reflétés dans le miroir d’un \nmeuble conçu pour la célèbre verrerie française Boussois, \nCharlotte Perriand crée en 1965 la version murale de Lampe de \nBureau. À l’intérieur du diffuseur, le blanc préserve la couleur \nnaturelle de la lumière, tandis qu’à l’extérieur, les finitions du verre \nmoulé translucide apparaissent pures et brillantes.\nAus dem Bedürfnis heraus, die Gesichter zu beleuchten, die sich \nim Spiegel eines für die berühmte französische Glashütte \nBoussois entworfenen Kabinetts spiegeln, schuf Charlotte \nPerriand 1965 die Wandversion von Lampe de Bureau. Im Inneren \nbewahrt der weiße Diffusor die natürliche Farbe des Lichts, \nwährend die transluzenten, geformten Glasoberflächen nach \naußen hin als rein und brillant erscheinen.\nIT\nFR\nDE\nLampe de Bureau glass finishes\nWhite\nBlue mare\nYellow\nRed\nBlue grey\nGreen\nLampe de bureau\n",404,{"image":1600,"text":1601,"number":1602},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.405.png","405\nTable\nTechnical information\nE14\n20W\nDiffused\u002Fdirect emission\nSwitch on board\n230V\nIP20\nCable length 1,5m\nInternal glass color white\nVersions\nGreen LDB EDV 11 \nYellow LDB EDG 11\nRed LDB EDR 11 \nBlue mare LDB EDB 11 \nBlue grey LDB EDC 11 \nWhite LDB EDW 11\nReading\nTechnical information\nE14\n20W\nDiffused\u002Fdirect emission\nSwitch on board\n230V\nIP20\nCable length 2,7m\nInternal glass color white\nVersions\nGreen LDB EDV 21 \nYellow LDB EDG 21 \nRed LDB EDR 21\nBlue mare LDB EDB 21 \nBlue grey LDB EDC 21\nWhite LDB EDW 21\nWall\nTechnical information\nE14 \n20W\nDiffused\u002Fdirect emission\nSwitch on board\n230V\nIP20\nCable length 1m\nInstallation with or without plug\nDimmable according to bulb only \nwith direct wall electrical installation\nInternal glass color white\n140° orientable\nVersions\nGreen LDB EDV 31\nYellow LDB EDG 31 \nRed LDB EDR 31 \nBlue mare LDB EDB 31 \nBlue grey LDB EDC 31\nWhite LDB EDW 31\n□18\nØ1\n14\nØ9,5\n120\n22\n14\nØ9,5\n8\n29\nØ1\n140°\nLampe de bureau\nØ1\n51\nØ9,5\n□15\n2\n23,5\n",405,{"image":1604,"text":1605,"number":1606},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.406.png","406\n“The most important thing for me is conceptual simplicity, which is usually translated into \nconstructive clarity. A conceptually simple object could be made just using the telephone”\nVico Magistretti\nClaritas\n",406,{"image":1608,"text":1609,"number":1610},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.407.png","407\nClaritas\nVico Magistretti\nClaritas\n",407,{"image":1612,"text":1613,"number":1614},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.408.png","408\nClaritas\n",408,{"image":1616,"text":1617,"number":1618},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.409.png","409\nFloor\nTechnical information\nE27 LED\u002FHALO\n150W\nDiffused\u002Fdirect emission\nDimmable on cable, according to bulb\n230V\nIP20\ncable length 3,3m\nOrientable\nVersions\nBlack CLA ENN 21\nIn 1946, Vico Magistretti conceived Claritas, \nhis first lighting design, which conceptually \naimed for clarity and brightness. In a context \nof reconstruction and reconversion of the war \nindustry, for the first time Magistretti used bent \nmetal tubes and a curved aluminium sheet \nas a reflector, which could be oriented and \nregulated, ensuring the desired lighting effect.\nNel 1946, Vico Magistretti crea Claritas, il suo primo progetto di \nilluminazione. Nel contesto della ricostruzione e della riconversione \ndell’industria bellica, per la prima volta Magistretti utilizza tubi \nmetallici piegati e un foglio di alluminio curvo come riflettore. \nMagistretti raccoglie dalle macerie delle officine Breda di Milano \nsubito dopo i bombardamenti degli elementi che costituiscono il \nprimo prototipo della lampada. \nEn 1946, Vico Magistretti crée Claritas, sa première projet  \nd’éclairage, qui visait conceptuellement la clarté et la luminosité. \nDans le cadre de la reconstruction et de la reconversion de \nl’industrie de guerre, Magistretti utilise pour la première fois des \ntubes métalliques cintrés et une feuille d’aluminium cintrée \ncomme réflecteur. Magistretti a récupéré les éléments dans les \ndécombres des ateliers Breda à Milan, immédiatement après les \nbombardements, pour former le premier prototype de la lampe.\n1946 schuf Vico Magistretti mit Claritas seinen ersten \nBeleuchtungsentwurf, der konzeptionell auf Klarheit und \nHelligkeit abzielte. Im Rahmen des Wiederaufbaus und der \nUmstellung der Kriegsindustrie verwendete Magistretti erstmals \ngebogene Metallrohre und ein gebogenes Aluminiumblech als \nReflektor. Unmittelbar nach der Bombardierung sammelte \nMagistretti die Elemente aus den Trümmern der Breda-\nWerkstätten in Mailand und formte daraus den ersten Prototyp \nder Leuchte.\nIT\nFR\nDE\n50\n47\n18\n90°\n340°\n30°\n14\n164\nClaritas\n",409,{"image":1620,"text":1621,"number":1622},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.410.png","410\n“Simplicity is the most complicated thing in the world” \nVico Magistretti\nKuta \ntable white\n",410,{"image":1624,"text":1625,"number":1626},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.411.png","411\nKuta\nVico Magistretti\nKuta \ntable\n",411,{"image":1628,"text":1629,"number":1630},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.412.png","412\nKuta \nwall black\n",412,{"image":1632,"text":1633,"number":1634},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.413.png","413\nTable\nTechnical information\nE27\n100W\nIndirect emission\nSwitch on cable\n230V\nIP20\nCable length 1,5 m\nBulb not included\nVersions\nChrome, white marble, white\u002Fblack diffuser KUT EWN 11\nWall\nTechnical information\nE27\n100W\nIndirect emission\nDimmable according to bulb\n230V\nIP20\nBulb not included\nVersions\nChrome, white\u002Fblack diffuser KUT EWN 31\nRealised in 1979, Kuta expresses \nMagistretti’s constant quest to combine \nsimplicity and geometric rigour with an \nevocative lighting effect of lights and shadows.\nRealizzata nel 1979, Kuta esprime la costante ricerca di Magistretti \ndi coniugare la semplicità e il rigore geometrico con \nun suggestivo effetto luminoso di luci e ombre.\nCréée en 1979, Kuta exprime la recherche constante de \nMagistretti pour combiner simplicité et rigueur géométrique \navec un effet lumineux suggestif de lumière et d’ombre.\nDie 1979 realisierte Kuta ist Ausdruck von Magistrettis ständigem \nBestreben, Einfachheit und geometrische Strenge mit einem \nsuggestiven, weichen Beleuchtungseffekt aus Licht und Schatten \nzu verbinden.\nIT\nFR\nDE\nKuta\nØ30\nØ13\n7\n60 \n17\n4\nØ10\nØ30\n",413,{"image":1636,"text":1637,"number":1638},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.414.png","414\nSaori \nQ1\n",414,{"image":1640,"text":1641,"number":1642},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.415.png","415\nSaori\nKazuhide Takahama\nSaori  \nQ1\n",415,{"image":1644,"text":1645,"number":1646},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.416.png","416\nSaori \nQ2\n",416,{"image":1648,"text":1649,"number":1650},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.417.png","417\nCeiling\u002Fwall Q1\nTechnical information\nE27\n75W\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nDiffuser in Lycra fabric\nVersions\nWhite SAO EWW 41\nCeiling\u002Fwall Q2\nTechnical information\nE27\n2 × 75W\nDiffused emission\nDimmable according to bulb\n230V\nIP20\nDiffuser in Lycra fabric\nVersions\nWhite SAO EWW 42\nDesigned by Kazuhide Takahama in 1973, \nSaori is a wall and ceiling lamp that represents \none of the earliest examples of lighting as an \narchitectural element. A white painted metal \nstructure supports a fabric diffuser. \nIdeata da Kazuhide Takahama nel 1973, Saori è una lampada da \nparete e soffitto che rappresenta uno dei primi esempi di \nilluminazione intesa come elemento architetturale. Il diffusore in \ntessuto ricopre la struttura metallica bianca.\nConçue par Kazuhide Takahama en 1973, Saori est une applique \net plafonnierqui représente l’un des premiers exemples d’éclairage \nen tant qu’élément architectural. Le diffuseur en tissu recouvre la \nstructure métallique peinte en blanc.\nDie 1973 von Kazuhide Takahama entworfene Wand- und \nDeckenleuchte Saori ist eines der frühesten Beispiele für \nBeleuchtung als architektonisches Element. Der Stoffdiffusor \nbedeckt die weiß gestrichene Metallstruktur.\nIT\nFR\nDE\n100\n100\n30\n62\n62\n22\nSaori\n",417,{"image":1652,"text":1653,"number":1654},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.418.png","418\nDesigners\nAndrea Branzi\nArihiro Miyake\nBernhard Osann\nCarlo Colombo\nCharles Kalpakian\nCharlotte Perriand\nEuga Design\nFederico Palazzari\nFoster + Partners\nFranco Albini, Franca Helg, Antonio Piva, Marco Albini\nGuillaume Bloget\nIlaria Marelli\nJavier Mariscal\nJean Nouvel\nJehs+Laub\nKazuhide Takahama\nLe Corbusier\nMario Barbaglia\nMario Bellini\nPiero Castiglioni, Roberto Menghi\nRoberto Paoli\nRudy Ricciotti\nStudio Charlie\nValerio Sommella\nVico Magistretti\nDesigners index\n",418,{"image":1656,"text":1657,"number":1658},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.419.png","419\nArihiro Miyake \nDrop p. 48\nTitia p.84\nKepler p. 120\nIn The Wind p. 126\nBorn in 1975 in Japan, Arihiro Miyake graduated from Kobe University of \nDesign in 1999 and received a master’s degree in furniture and spatial \ndesign at Aalto University in Finland in 2002. After working for design \nstudios in Helsinki and Milan, he founded his own design ‘Studio Arihiro \nMiyake’ in Helsinki, pursuing an immortal aesthetic based on technical and \ninnovative challenges.\nAndrea Branzi \nNewton p. 134\nPart of an avant-garde group between the 1960s and 1970s, architect \nAndrea Branzi combines design work with theoretical and didactic \nactivities. In his studio he works on architecture, urban planning and \ninterior design, as well as collaborating with numerous magazines, writing \nbooks, curating exhibitions and teaching at prestigious universities. One of \nthe founders of the Domus Academy in 1983, Branzi won the Compasso \nd'Oro for his career.\nBernhard Osann \nFox p. 56\nNeo p. 66\nSwan p. 78\nUntitled p. 88\nBird p. 116\nBernhard Osann, born in Augsburg, runs his design studio in Hamburg since \n2014. He studied at the University of Fine Arts in Hamburg. He experiments \nwith physical laws and geometrical shapes to find new unconventional \nsolutions to simplify objects. The results are minimalistic dynamic \nconstructions that move, interact with space and invite you to connect.\nCarlo Colombo \nSirius p. 268\nPromoter of made in Italy and sustainability, Carlo Colombo is a versatile \narchitect, also involved in product design, graphics and interior design. \nAfter graduating from Politecnico Milano following Achille Castiglioni's \ncourses, Colombo learned the value of materials and proportions from his \nfamily's carpentry workshop and found in the domestic reality a breeding \nground for experimentation. Synthesis between form and function is a \ncommon feature of his designs.\nDesigners index\n",419,{"image":1660,"text":1661,"number":1662},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.420.png","420\nFoster + Partners \nIlium p. 214\nFoster + Partners is a global studio for sustainable architecture, urbanism, \nengineering and design, founded by Norman Foster in 1967. With offices \nacross the world, the practice works as a single entity that is both ethnically \nand culturally diverse, with people central to all their endeavours.\nEuga Design \nPanama p. 184\nEuga is a design duo composed of Eugenio Gargioni, industrial designer, \nand Paola Traversa, architect, who first met in Florence at Claudio Nardi \nArchitects. In 2007 they founded Euga Design in Milan, a studio that \nreceived several awards including the Reddot Award 2010. Euga pursues the \nharmony of simplicity and balance with a global approach and a keen eye \nfor detail when working on a product or space. \nCharles Kalpakian \nTubes p. 164\nWall Shadows p. 178\nCharles Kalpakian was born in Beirut in 1982. In 2011, after collaborating \nwith Christophe Pillet, he opened his own studio. Geometric lines are the \nsignature of his innovative approach, fusing his oriental roots, his \nknowledge of design and the decorative arts as well as his passion for the \nurban contemporary culture. \nCharlotte Perriand \nApplique Cylindrique p. 374\nPotence Pivotante p. 378\nPivotante à Poser p. 384\nApplique à Volet Pivotant p. 390\nLampe de Bureau p. 398\nCharlotte Perriand was an architect, designer, as well as an enthusiastic \nhiker and skier, a visionary, an independent woman and a global traveller. \nFrom the early decades of the 20th century, she revisited the concept of \ndesign and its aesthetic values, giving life to contemporary design through \ntimeless, iconic and authentic objects that bear witness to modern times.\nDesigners index\n",420,{"image":1664,"text":1665,"number":1666},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.421.png","421\nFranco Albini \nAlbini Collection\nAM\u002FAS p. 362\nGraduated in Architecture at Politecnico Milano, Franco Albini is known for \nhis rationalist projects in urban planning, buildings and museums: in 1931 his \nfirst studio opened dealing with social housing and then devoted himself to \nexperimental design studies, debuting at the V Triennale in 1933. In the post-\nwar period, he broadened his professional interests thanks to the opportunities \noffered by reconstruction and developed new design sensibilities thanks to his \npartnership with Franca Helg in 1951. In the 1960s they designed the Milan \nunderground, which earned him the Compasso d'Oro 1964.\nGuillaume Bloget \nType p. 196\nGuillaume Bloget is an independent designer based in Paris. After \ngraduating at ENSCI-Les Ateliers with honours in 2016, he first worked for \ndesigners and architects on furniture, object and interior design projects \nbefore founding his own industrial design studio in 2018.\nIlaria Marelli \nAra p. 190\nItalian architect and designer, Ilaria Marelli founded her studio in 2004, \nwhich she defines as a true laboratory of ideas, through which she works on \nart direction, product design, interior and set design. Marelli teaches \n“Innovation design” at Politecnico di Milano, and promotes ideas on social \ninnovation, such as the first Italian co-housing project.\nJavier Mariscal \nMr. Light p. 210\nValencian by birth, Barcelonean by adoption, Javier Mariscal is an \nexuberant artist, graphic designer, illustrator, furniture designer, filmmaker, \npainter, sculptor and ceramicist. In 1979, he first considered himself an \noutstanding designer with the concept of the Bar cel ona logo. Mariscal won \nthe 'National Design Award' in 1999 and became an honorary member of \nthe Royal Design Industry in 2006.\nDesigners index\n",421,{"image":1668,"text":1669,"number":1670},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.422.png","422\nJehs+Laub \nCrown p. 100\nA harmonious team of versatile and creative designers: Markus Jehs and \nJürgen Laub. After their academic studies in industrial design in Germany, \nthey worked on joint projects in New York in 1990. Strengthened by the \nexperience of other cultures, they returned to Stuttgart, where they founded \ntheir creative design and innovation workshop. Influenced by the Bauhaus \ntradition, their design language is extravagant, sculptural and unique.\nJean Nouvel \nOn Lines p. 60\nKnown for his strong and provocative views on contemporary architecture \nin the urban context, the Frenchman Jean Nouvel became a founding \nmember of the 'Mars 1976' Movement, whose aim was to oppose the \ncorporatism of architects, and later started the French Union of \nArchitecture. His ability to bring originality to all the projects he \nundertakes shapes his international image.\nKazuhide Takahama \nSaori p. 414\nAfter graduating in architecture in Tokyo, Kazuhide Takahama arrived in \nItaly in 1957 for the Milan Triennale. He stayed there for a long time, \nmeeting Dino Gavina with whom he would collaborate for a long time and \ncoming into contact with the most active Italian designers. In this lively \nclimate of cultural exchange he began to develop his own stylistic \nvocabulary. For lighting, he was inspired by traditional oriental lamps, \nreplacing rice paper with fabric to achieve a unique light diffusion.\nLe Corbusier \nEscargot p. 304\nLa Roche p. 308\nLampe Cabanon p. 314\nBorne Béton p. 318\nParliament p. 324\nProjecteur p. 332\nLampe de Marseille p. 342\nApplique de Marseille p. 348 \nApplique Radieuse p. 354\nLe Cadre Parfait p. 358\nLe Corbusier was a painter, urban planner, sculptor and writer, but above all \nis considered one of the main precursors of Modern Architecture. Famous \nfor using reinforced concrete and steel together. His works feature \ndistinctive geometric shapes that adhere to a precise philosophy and \nmanifesto to which Le Corbusier was faithful throughout his oeuvre.\nDesigners index\n",422,{"image":1672,"text":1673,"number":1674},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.423.png","423\nMario Barbaglia \nLogo p. 200\nNorma p. 272\nAnita p. 276\nIn the architecture studio in Milan, Mario Barbaglia and Marco Colombo \nstarted a project mainly related to interior design. Their designs include the \nDOVE lamp, which became the second best-selling table lamp in the world. \nIt was exhibited at the MOMA in New York and entered the collections of \nthe Musée des Arts Décoratifs in Paris and the Cooper Hewitt in New York.\nMario bellini \nNuvola p. 70\nAwarded eight times with the Compasso d'Oro, Mario Bellini is an \ninternationally renowned architect and designer who has twice been \ndedicated a solo exhibition: in 1987 at Moma in New York, which presented \n25 of his works within its permanent collection, and in 2017 at the Milan \nTriennale, after conferring him the Gold Medal for Lifetime Achievement in \nArchitecture. Over the years, he has been editor of Domus magazine and \nhas designed many exhibitions of art, design and architecture, both in Italy \nand abroad.  \nRoberto Paoli \nTru p. 138\nFlaca p. 174\nZena p. 218\nAfter his degree in architecture in 1994, Roberto Paoli devoted himself to \nsmall-scale design, specialising in glass bending and plastic injection moul-\nding techniques creating his own design idea in which functionality and \ntechnology merge with the shape of objects. Winner of three Chicago Good \nDesign Awards, Paoli also focuses on product design and exhibition curating.\nPiero Castiglioni\nRoberto Menghi\nCanna Nuda p. 204\nBeneath the guidance of Roberto Menghi, architect, designer and master in \nmixing contemporaneity with primitivism, Piero Castiglioni designed \nCanna Nuda.  Castiglioni likes to call himself an electrician, before being an \narchitect. He started his business in the 1970s when the introduction of the \nfirst halogen lamps on the European market aroused curiosity and interest. \nDesigners index\n",423,{"image":1676,"text":1677,"number":1678},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.424.png","424\nRudy Ricciotti \nMais plus... p. 158\nWinner of the Grand prix National d'Architecture in 2006 and the Médaille \nd'or de l'Académie d'architecture, Rudy Ricciotti represents the generation of \narchitects who combine design power with a genuine architectural culture. \nBorn in Algeria, Rudy Ricciotti is an architect and engineer whose \nbackground spans France and Switzerland. As a pioneer and ambassador of \nconcrete, he enhances its innovative applications in iconic projects.\nValerio Sommella \nPortofino p. 222\nBorn in Milan, where he graduated in Design at Politecnico Milano, Valerio \nSommella started his career working for major design studios between \nMilan and Amsterdam before founding his own studio in 2009. He \nconsiders each project as an opportunity to express his idea of design, by \nexploring the language of objects through formal, material and \ntechnological research.\nStudiocharlie \nSpigolo p. 248\nFounded in 2002, Studiocharlie focuses on designing objects that surprise by \ntheir essentiality, and reveal thought beyond simplicity. Besides collaborating \nwith numerous brands, they are involved in editorial and cultural projects on \ndesign. In 2018, they won the Compasso d'Oro ADI award.\nVico Magistretti \nClaritas p. 406\nKuta p. 410\nRanked among the leading exponents of the 'third generation' of Masters, \nVico Magistretti is a Milanese architect and designer. He graduated in \narchitecture from Politecnico Milano in 1939 where he opened his own \nstudio. In 1946, he founded the Movimento di Studi per l'Architettura and \ntook part in setting up the Italian design industry. During his career he \nreceived four Compasso d'Oro awards.\nDesigners index\n",424,{"image":1680,"text":1681,"number":1682},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.425.png","425\nFloor\nterra  étage  boden\nFox\nBernhard Osann\np. 56\nEllisse\nFederico Palazzari\np. 144\nLinescapes\nNemo\np. 260\nAM2C\u002FAM2Z\nF. Albini, F. Helg, \nA. Piva, M. Albini\np. 362\nNeo\nBernhard Osann\np. 66\nMais plus...\nRudy Ricciotti\np. 158\nLogo\nMario Barbaglia\np. 200\nLampe de Bureau\nCharlotte Perriand\np. 398\nUntitled\nBernhard Osann\np. 88\nAra\nIlaria Marelli\np. 190\nEscargot\nLe Corbusier\np. 304\nClaritas\nVico Magistretti\np. 406\nIn The Wind\nArihiro Miyake\np. 126\nType\nGuillaume Bloget\np. 196\nBorne Bèton\nLe Corbusier\np. 318\nNewton\nAndrea Branzi\np. 134\nParliament\nLe Corbusier\np. 324\nTru\nRoberto Paoli\np. 138\nSpigolo\nStudiocharlie\np. 248\nProjecteur\nLe Corbusier\np. 332\nVisual index\n",425,{"image":1684,"text":1685,"number":1686},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.426.png","426\nTable\ntavolo  tableau  tisch \nOn Lines\nJean Nouvel\np. 60\nPortofino\nValerio Sommella\np. 222\nAS1C\nF. Albini, F. Helg, \nA. Piva, M. Albini\np. 362\nUntitled\nBernhard Osann\np. 88\nMaga\nNemo\np. 254\nMais plus...\nRudy Ricciotti\np. 158\nPivotante à Poser\nCharlotte Perriand\np. 384\nBird\nBernhard Osann\np. 116\nLampe Cabanon\nLe Corbusier\np. 314\nLampe de Bureau\nCharlotte Perriand\np. 398\nKuta\nVico Magistrtti\np. 410\nBorne Bèton\nLe Corbusier\np. 318\nPanama\nEuga Design\np. 184\nLe Cadre Parfait\nLe Corbusier\np. 358\nMr. Light\nJavier Mariscal\np. 210\nAM1N\nF. Albini, F. Helg, \nA. Piva, M. Albini\np. 362\nVisual index\n",426,{"image":1688,"text":1689,"number":1690},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.427.png","427\nPendant\npendenti  pendentif  anhänger \nDrop\nArihiro Miyake\np. 48\nTru\nRoberto Paoli\np. 138\nLinescapes system\nNemo\np. 226\nSirius\nCarlo Colombo\np. 268\nNuvola\nMario Bellini\np. 70\nEllisse\nFederico Palazzari\np. 144\nAsteroide\nNemo\np. 240\nAnita\nMario Barbaglia\np. 276\nTitia\nArihiro Miyake\np. 84\nTubes\nCharles Kalpakian\np. 164\nDabliu\nNemo\np. 244\nProjecteur\nLe Corbusier\np. 332\nAS41C\u002FAS41Z\nF. Albini, F. Helg, \nA. Piva, M. Albini\np. 362\nAS43C\nF. Albini, F. Helg, \nA. Piva, M. Albini\np. 362\nAM4C\u002FAM4Z\nF. Albini, F. Helg, \nA. Piva, M. Albini\np. 362\nCrown\nJehs+Laub\np. 100\nType\nGuillaume Bloget\np. 196\nSpigolo\nStudiocharlie\np. 248\nKepler\nArihiro Miyake\np. 120\nCanna Nuda\nPaolo Castiglioni\np. 204\nMaga\nNemo\np. 254\nIn The Wind\nArihiro Miyake\np. 126\nIlium\nFoster + Partners\np. 214\nLinescapes\nNemo\np. 250\nVisual index\n",427,{"image":1692,"text":1693,"number":1694},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.428.png","428\nWall\u002FCeiling\nCeiling\nsoffitto\u002Fmuro  plafond\u002Fmur  Decke\u002FWand\nsoffitto  plafond  Decke\nNuvola\nMario Bellini\np. 70\nTubes\nCharles Kalpakian\np. 164\nSpigolo\nStudiocharlie\np. 248\nCanna nuda\nPiero Castiglioni, \nRoberto Menghi\np. 204\nAsteroide\nNemo\np. 240\nCanna Nuda\nPiero Castiglioni, \nRoberto Menghi\np. 204\nMaga\nNemo\np. 254\nProjecteur\nLe Corbusier\np. 332\nVisual index\n",428,{"image":1696,"text":1697,"number":1698},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.429.png","429\nWall\nmuro  mur  Wand\nFox\nBernhard Osann\np. 56\nFix\nNemo\np. 154\nLinescapes\nNemo\np. 260\nApplique de Marseille\nLe Corbusier\np. 348\nLampe de Bureau\nCharlotte Perriand\np. 398\nTubes\nCharles Kalpakian\np. 164\nLogo\nMario Barbaglia\np. 200\nApplique Radieuse\nLe Corbusier\np. 354\nKuta\nVico Magistretti\np. 410\nSwan\nBernhard Osann\np. 78\nFlaca\nRoberto Paoli\np. 174\nNorma\nMario Barbaglia\np. 272\nAS3C\nF. Albini, F. Helg, \nA. Piva, M. Albini\np. 362\nSaori\nKazuhide Takahama\np. 414\nApplique Cylindrique\nCharlotte Perriand\np. 374\nPotence Pivotante\nCharlotte Perriand\np. 378\nApplique à volet pivotant\nCharlotte Perriand\np. 390\nUntitled\nBernhard Osann\np. 88\nWall Shadows\nCharles Kalpakian\np. 178\nSpigolo\nStudiocharlie\np. 248\nCrown\nJehs+Laub\np. 100\nAra\nIlaria Marelli\np. 190\nLa Roche\nLe Corbusier\np. 308\nZena\nRoberto Paoli\np. 218\nLampe de Marseille\nLe Corbusier\np. 342\nNeo\nBernhard Osann\np. 66\nEllisse\nFederico Palazzari\np. 144\nVisual index\n",429,{"image":1700,"text":1701,"number":1702},"\u002Fmedia\u002Fimages\u002F26\u002F330c55941a757ee42f5224167a0f9b-277538ef9b.430.png","430\nCREDITS\n• \nAM4C chrome\u002Fwhite - Arch. Andrea Rubini, ph. Carola Merello\n• \nApplique de Marseille mini witewash at Le Corbusier’s apartment-studio, \nParis - ph. Morgane LeGalle\n• \nApplique de Marseille mini black at Le Corbusier’s apartment-studio, Paris \n- ph. Morgane LeGalle\n• \nAsteroide pendant in the installation for the ARCHIVIOUNIFOR collection. \nUniFor Milan showroom, Corso Matteotti - September 2021. Exhibition \ndesign: Ron Gilad, ph. Alessandro Saletta - DSL-Studio. Courtesy of UniFor\n• \nBorne Béton Grande at Maison La Roche, Paris - ph. Morgane LeGalle\n• \nBorne Béton Petite at Maison La Roche, Paris - ph. Morgane LeGalle\n• \n«Canna Nuda ceiling satin nickel at Grand Théâtre de Provence, Aix en \nProvence, Gregotti associates»\n• \nCrown plana mega gold painted at Lancaster Hotel, London - Arch. Studio \nProof, ph. Adrian Jenkins\n• \nCrown major gold painted - Arch. Schema 4 architects, ph. Heinz Troll\n• \nCrown royal gold painted - Project JP Interjero Namai, ph. Vaidotas Darulis\n• \nCrown wall 4 gold painted - Project JP Interjero Namai, ph. Vaidotas Darulis\n• \nCrown major gold plated - Courtesy MisuraEmme Spa,  \nph: Poli Mascheroni Michele\n• \nCrown major gold painted at Lancaster Hotel, London - Arch. 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non può costituire motivo \ndi rivalsa. \nOve non espressamente scritto, le \nlampadine non sono incluse nella \nvendita.\nUnless expressly stated, light bulbs are \nnot included in the sale.\nNEMO USA\n625 Jersey Avenue, Unit 7\nNew Brunswick - NJ, 08901\nUSA\nTel 800 734 5858\nusa@nemolighting.com\nnemolighting.com\u002Fusa\u002F\nNEMO SHOWROOM  MONFORTE\nCorso Monforte, 19\u002FA\nMilan, 20122\nItaly\nTel +39 02 970 703 40\nmonforte@nemolighting.com\nNEMO BORGONUOVO19\nVia Borgonuovo, 19\nMilan, 20122\nItaly\nstudio@nemolighting.com\nNEMO HEAD OFFICE\nViale Brianza, 30\nLentate s\u002FS (MB), 20823\nItaly\nTel +39 0362 166 050 0\ninfo@nemolighting.com\nNEMO STUDIO\nStrada Borgata Paradiso, 20\nSettimo Torinese - Turin , 10036  \nItaly\nTel. +39 011 765 73 01\nnemostudio@nemolighting.com\nNEMO COPENHAGEN\nStore Kongensgade 118\n1264 København\nDenmark\nNEMO GALERIE PARIS  \n44, Rue du Bac\nParis, 75007\nFrance\nTel +33 (0) 1 486 318 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