[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-moroso-gogan-2021":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":101},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":96,"matched_pages":97,"match_count":98,"two_pages":99,"show_text":100},18346,"Gogan 2021","moroso-gogan-2021","\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F45\u002Fe41120d22d7270da71a5068fe9d2ec-28928dd3ee.pdf","Moroso",1342,"moroso","21.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93],{"image":7,"text":15,"number":16},"Moroso Gogan \ncollection\ndesign Patricia Urquiola \n— 2019\nGogan collection\nGogan catalogo.indd   1\n28\u002F11\u002F19   12:19\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.2.png","2\n3\n \nGogan is a soft sculpture. \nA visual order, \nan organic shape, \na clear embrace.\nIt is an invite to share, \nto spend time together, \nin a relaxed and natural way.\nComposed, smooth \nand irregular, \nlike a river stone, \npolished by water.\n \nPatricia Urquiola\nGogan\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.3.png","4\nMoroso Gogan\ncollection \ndesign Patricia Urquiola \n— 2019\ncode: GG0CA1\ntextile: A8844  \n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.4.png","6\n7\n07\n06\ncode: GG0018 \ntextile: A8530 \ncode: GG0001 \ntextile: A8529 \ncode: GG010D \ntop: agata grey \u002F base: caffè oak\nGogan\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.5.png","8\n9\n09\n08\nGogan\ncode: GG0018 \ntextile: A8770 \ncode: GG010B \ntop: marble calacatta \u002F base: caffè oak\ncode: GG0018\ntextile: A8530 \ncode: GG0018 \ntextile: A8530 \ncode: GG0003 \ntextile: A8830\ncode: GG0001 \ntextile: A8770 \nGogan design Patricia Urquiola — 2019\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.6.png","10\n1111\n10\ncode: GG0003 \ntextile: A8830 \ncode: GG0018\ntextile: A8530 \ncode: GG010D + GG010G \ntop: agata grey + sand \u002F base: caffè oak\nGogan\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.7.png","12\n13\n13\n12\nGogan\ncode GG0CA1\ntextile: A8844 \n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.8.png","14\n15\n15\n14\ncode GG0CA1\ntextile: A8844 \ncode: GG0001 \ntextile: A8529 \ncode: GG010B \ntop: marble calacatta \u002F base: caffè oak\nGogan\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.9.png","17\n16\nGogan\nGogan design Patricia Urquiola — 2019\ncode: GG0CA2 \ntextile: A8608 \n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.10.png","18\n19\n18\nGogan\nGogan design Patricia Urquiola — 2019\ncode: GG0001 \ntextile: A8770, A8772\ncode: GG0CA2 \ntextile: A8608 \ncode: GG010B \ntop: marble calacatta \u002F base: caffè oak\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.11.png","20\n21\n21\n20\nGogan\ncode: GG0SP3 \ntextile: A8844 \ncode: GG0001 \ntextile: A8529 \ncode: GG010G \ntop: sand \u002F base: caffè oak\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.12.png","22\n23\n23\n22\nGogan\nGogan design Patricia Urquiola — 2019\ncode: GG010H \ntop: calacatta marble \u002F  base: caffè oak\ncode: PI0458 \ntextile: A1136 \u002F base: traffic red high gloss\ncode: GG0CC3 \ntextile: A8844\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.13.png","24\n25\n25\n24\ncode: RU0061\ntextile: B0234\ncode: GG010H \ntop: marble calacatta \u002F base: caffè oak \nGogan\ncode: GG0CC3 \ntextile: A8844\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.14.png","26\n27\nGogan\n26\nMoroso Gogan      Designer overview\n \nGogan è una scultura morbida.  \nUn ordine visuale,  \nuna forma non ortogonale, \nun abbraccio pulito.\nUn invito al confronto,  \na passare del tempo insieme,  \nin modo rilassato, naturale.\nOrdinato, liscio e irregolare \ncome un sasso di un fiume,  \nlevigato dall’acqua.\n \nEs ist eine weiche Skulptur.  \nEine visuelle Ordnung,  \neine nicht orthogonale Form,  \neine saubere Umarmung.\nEine Einladung zur Konfrontation,  \num auf entspannte, natürliche  \nWeise Zeit miteinander zu verbringen.\nOrdentlich, glatt und  \nuneben wie ein Flussstein,  \nvom Wasser geglättet. \n \nGogan fait penser à une sculpture  \nà la fois équilibrée et douce.  \nUn ordre visuel, une forme  \nnon orthogonale, un câlin propre.\nUne invitation à échanger,  \nà passer du temps ensemble, de manière \ndétendue et spontanée.\nSon esthétique inspirée par la nature des \npierres de rivières, ordonnées, lisses, \nsculptées par l’eau.\n\t\n是一个柔软的雕塑，\t\n是一个视觉的秩序，\t\n一个有机的形体，\t\n一个明确的拥抱。\n它以一种轻松自然的方式，\t\n向你发出邀请，\t\n去比较、\n去花时间在一起。\n沉稳，光滑，不规则，\t\n像被水打磨过的护岸石\n \n \n \n      Patricia Urquiola\ncode: GG0SP5\ntextile: A8843 \n27\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.15.png","28\n29\n29\n28\ncode: GG0001\ntextile: A8523 \ncode: RU0061\ntextile: B0234\ncode: GG0CC3 \ntextile: A8844\nGogan\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.16.png","30\n31\n31\n30\nGogan\nGogan design Patricia Urquiola — 2019\ncode: GG0001 \ntextile: A8529 \ncode: GG0018\ntextile: A8770 \ncode: GG010B \ntop: marble calacatta \u002F base: caffè oak\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.17.png","32\n33\n32\n \nPatricia Urquiola ha studiato architettura \ne design presso l’Universidad Politécnica  \ndi Madrid e al Politecnico di Milano dove si laurea  \ncon Achille Castiglioni. In Spagna è stata insignita \ndella Medaglia d’Oro delle Belle Arti e della Croce  \ndi Isabella la Cattolica. I suoi lavori sono esposti \nin numerosi musei di arte e design del mondo, come \nil MoMA di New York, il Musée des Arts decoratifs di \nParigi, il Museum of Design di Monaco, il Vitra Design \nMuseum di Basilea, The Design Museum e il Victoria & \nAlbert Museum di Londra, lo Stedelijk di Amsterdam, \nil Philadelphia Museum of Art.  \nPatricia Urquiola è stata docente ospite in varie \nuniversità come l’Università di Harvard, l’Università  \ndel Michigan, l’Università Bocconi. Fa parte \ndell’Advisory Board del Politecnico di Milano.  \nLo Studio lavora a progetti di design di prodotto, \narchitettura, arte, direzione artistica, consulenza \nstrategica, grafica per mostre, installazioni, e concept \ncreation. Numerose le collaborazione con clienti \ninternazionali: BMW, Ferrari, Boeing, Louis Vuitton, \nMissoni, Panerai, Mandarin Oriental Hotels, Four \nSeasons, Marriott Group, Starbucks, Swarovski, \nHaworth.\n \nPatricia Urquiola studierte Architektur und \nDesign an der Universidad Politécnica in Madrid \nund am Mailänder Politecnico, wo sie ihr Diplom mit \nAchille Castiglioni machte. In Spanien wurden ihr \ndie Goldmedaille der Schönen Künste und der Orden \nIsabellas der Katholischen verliehen. Ihre Arbeiten \nsind weltweit in zahlreichen Kunst- und Designmuseen \nausgestellt, darunter das MoMA in New York, Musée \ndes Arts decoratifs in Paris, das Designmuseum in \nMünchen, Vitra Design Museum in Basel, The Design \nMuseum und das Victoria & Albert Museum in London, \ndas Stedelijk in Amsterdam, das Philadelphia Museum \nof Art.\nPatricia Urquiola war Gastprofessorin an mehreren \nUniversitäten, der Harvard University, der Universität \nvon Michigan, der Universität Bocconi. Sie gehört dem \nAdvisory Board des Politecnico Mailand an. \nIhr Atelier beschäftigt sich mit Produktdesign, \nArchitektur, Kunst, mit künstlerischen Leitungen, \nStrategieberatung, Grafik, Ausstellungen, \nInstallationen und Konzeptgestaltung.\nZusammenarbeit mit zahlreichen, internationalen \nKunden: BMW, Ferrari, Boeing, Louis Vuitton, Missoni, \nPanerai, Mandarin Oriental Hotels, Four Seasons, \nMarriott Group, Starbucks, Swarovski, Haworth.\nPatricia Urquiola a étudié l’architecture et le design  \nà l’Universidad Politécnica de Madrid et au Politecnico \nde Milan où elle s’est diplômée avec Achille \nCastiglioni. En Espagne elle a reçu la médaille d’or  \ndes Beaux-Arts et la Croix d’Isabelle la Catholique.  \nSes créations sont exposées dans de nombreux musées \nd’art et de design du monde, comme le MoMA de New \nYork, le Musée des Arts décoratifs de Paris, le Musée \ndu Design de Munich, le Vitra Design Museum de Bâle, \nThe Design Museum et le Victoria & Albert Museum \nde Londres, le Stedelijk d’Amsterdam, le Philadelphia \nMuseum of Art.\nPatricia Urquiola a été professeur invité dans \ndifférentes universités comme l’Université de Harvard, \nl’Université du Michigan, l’Université Bocconi.   \nElle est membre de l’Advisory Board du Politecnico  \nde Milan. Son cabinet travaille à des projets de design \nde produit, architecture, art, direction artistique, \nconseil stratégique, graphisme, pour des expositions, \ndes installations et la création de concepts.\nElle collabore avec de nombreux clients internationaux: \nBMW, Ferrari, Boeing, Louis Vuitton, Missoni, Panerai, \nMandarin Oriental Hotels, Four Seasons, Marriott \nGroup, Starbucks, Swarovski, Haworth.\n帕奇希娅·奥奇拉 (Patricia Urquiola) 曾先后在马德里理工\n大学和米兰理工大学学习建筑和设计，从师阿切勒·卡斯蒂\n格利奥尼 (Achille Castiglioni) 并毕业。她在西班牙曾荣获\n艺术金奖和天主教伊莎贝尔十字勋章。她的作品在世界许多\n艺术和设计博物馆展出，例如：纽约现代艺术博物馆、巴黎\n装饰艺术博物馆、慕尼黑设计博物馆、巴塞尔维特拉设计博\n物馆、伦敦设计博物馆、伦敦维多利亚和阿尔伯特博物馆、\n阿姆斯特丹市立博物馆以及费城艺术博物馆。\n帕奇希娅·奥奇拉还曾在哈佛大学、密歇根大学、博科尼大\n学等多所大学担任客座教授，目前是米兰理工大学学术顾问\n委员会的成员。\n帕奇希娅·奥奇拉工作室从事的项目涵盖产品设计、建筑、\n艺术、艺术指导、战略咨询、图形设计、展览、艺术装置和\n概念创作等多个领域。\n与她合作的国际客户众多，其中包括：宝马、法拉利、波\n音、路易威登、米索尼、沛纳海、文华东方酒店、四季酒\n店、万豪集团、星巴克、施华洛世奇、海沃氏等。 \n \nPatricia Urquiola studied architecture and \ndesign at Madrid Polytechnic and Milan Polytechnic, \ngraduating with Achille Castiglioni. She has received \nthe Gold Medal of the Arts and the Order of Isabel \nthe Catholic in Spain. Her work is displayed in various \nmuseums and collections, such as MoMA in New York, \nMusée des Arts decoratifs in Paris, the Museum of \nDesign in Munich, the Vitra Design Museum in Basel, \nThe Design Museum in London, the Victoria & Albert \nMuseum in London and the Stedelijk in Amsterdam, \nPhiladelphia Museum of Art. Patricia Urquiola has been \na guest lecturer in various universities such  \nas Harvard University, University of Michigan,  \nBocconi University. She is part of the advisory board \nof The Milan Polytechnic. The Studio is working \nin the sectors of product design, architecture, art, \nartistic direction, strategic consulting, exhibitions, \ninstallations, graphics and concept creation \nCollaborates with global clients, among others:  \nBMW, Ferrari, Boeing, Louis Vuitton, Missoni, Panerai, \nMandarin Oriental Hotels, Four Seasons, Marriott \nGroup, Starbucks, Swarovski, Haworth.\nPatricia Urquiola\nMoroso Gogan      Designer overview\nPhoto Roger Decker\n33\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.18.png","34\n35\n34\nMoroso Gogan      Designer overview\nMoroso Gogan     Making of\nGogan\n \nLe persone dicono spesso che \nsensualità e sensibilità sono qualità \nfemminili, ma in realtà non sono legate  \nal genere. Sono qualità individuali. \nLe donne sono diverse dagli uomini  \nin quanto sono più flessibili, adattabili  \ne multitasking. Dobbiamo esserlo  \nper sopravvivere e queste due qualità  \n– flessibilità e adattabilità – mi piacciono \nmolto nel design.\n \nDie Leute sagen oft, dass Sinnlichkeit \nund Sensibilität weibliche Qualitäten sind, \naber in Wirklichkeit sind sie nicht mit dem \nGeschlecht verbunden. Es sind individuelle \nQualitäten. Frauen unterscheiden sich \nvon Männern dadurch dass sie flexibler, \nanpassungsfähiger und multitaskingfähiger \nsind. Wir müssen so sein um zu überleben, \nund diese beiden Eigenschaften - \nFlexibilität und Anpassungsfähigkeit mag \nich sehr im Design.\n \nLes gens disent souvent que la \nsensualité et la sensibilité sont des qualités \nféminines, mais en réalité, elles ne sont \npas spécifiques du genre. Ce sont des \nqualités individuelles. Les femmes sont \ndifférentes des hommes car elles sont plus \nflexibles, adaptables et multitâches. \nOn doit l’être pour survivre, et ce deux \nqualités – flexibilité et adaptabilité – \n je les aime beaucoup dans le design.\n\t\n人们常说，感性和敏感是女性的特质，\t\n但这其实并非女性所特有的，他们都是独立的品\n质。女性与男性的不同之处在于女性更灵活、适\n应能力更强，能够同时处理好多件事。为了生存\n我们必须如此，而灵活性与适应能力，是我在设\n计中所爱的两项特质。\n \nPeople often say that sensuality  \nand sensitivity are feminine qualities,  \nbut they are not gender specific.  \nThey are individual qualities.  \nWhere women are different from men  \nin that women are more flexible, adaptable, \nand able to multitask. We have to be to \nsurvive, and those two qualities – flexibility \nand adaptability – I like a lot in design. \n \nPatricia Urquiola\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.19.png","36\n37\nCC1\nCA1-CA2\n180-220\n284-324\nW111¾-127½\"xD67\"xH27½\" \nSP2\nW127¼\"xD127¼\"xH27½\" \nSP3R-SP3L\nW159½\"xD127¼\"xH27½\" \nW144¾\"xD58¼\"xH27½\" \nCC2\nW142½\"xD58¼\"xH27½\" \nCC3R-CC3L\nW143¾\"xD58¼\"xH27½\" \nCod. GG0\n180\n323\n405\n184\n184\n368\n181\n181\n362\n184\n181\n365\n69\n44\n127\n70\n170\n105\n44\n148\n70\n105\n44\n148\n70\n105\n44\n148\n70\n112\n212\n143\n180\n323\n170\n143\n180\n323\n018\nW102½\"xD48½\"xH27½\" \n003\nW122\"xD50¼\"xH27½\" \n001\nW34\"xD37¾\"xH26½\" \n10G-10H-10I-10P\nL50\"xD38¾\"xH13\" \n10D-10E-10F-10N\nL39½\"xD42¼\"xH10¾\" \n10A-10B-10C-10M\nL33¾\"xD33¾\"xH13\" \nGlass top colours\nSAND\nPant. 7529\nCARRARA\nMARQUINA\nCALACATTA\nAGATA GREY\nRAL 7038\nBLUSH\nNCS S 5010-Y\n70R\nMarble top colours\nBLACK\nRAL 9005\nDARK BROWN\nBeech\nCAFFÉ\nOak\nWood base colours\n260\n310\n86\n70\n44\n123\n70\n33\n27\n108\n33\n86\n27\n103\n99\n127\n101\n85\n105\nØ80\nØ100\n70\n44\n128\n70\n58\n42\n96\n67\n10J-10K-10L-10Q\nL41½\"xD40½\"xH10¾\" \nSofa und Sitzelemente. Sitzelemente aus unvervormbarem \nPU-Schaum, feuerhemmend, in unterschiedlicher Dichte \nund Polyesterwatte, Innenstruktur aus Holz. Füsse aus \nschwarzem Polypropylen, an der Struktur verschaubt. Die \nKollektion \nGogan ist abziehbar. Kleine tishe. Glasplatte aus extraklarem \ngehärtetem Glas, Dicke 12 mm, geätzt und lackiert, oder aus \nglänzendem Marmor, Dicke 20 mm.\nGestell aus lackiertem Eschen-Brettschichtholz.\nCanapés et systèmes d’éléments d’assise. Assise en mousse  \nde polyuréthane ignifugée à densité variable et fibre de \npolyester avec structure interne en bois. Pieds en polypropylène \nnoir. \nLa collection Gogan est déhoussable. Tables basses. Plateau \nen verre extra-clair trempé de 12 mm d’épaisseur dépoli et verni, \nou bien en marbre poli de 20 mm d’épaisseur. \nPiètement en lamellé-collé de frêne vernis.\n沙发和座椅系统——由坚硬的木质框架构成，并填充以不同密度的抗\n压力聚氨酯泡棉和聚氨酯纤维；黑色聚丙烯脚；Gogan系列的面料是\n可拆卸更换的。桌子——桌面是12mm厚、上漆的超清钢化玻璃；或是\n20mm厚的抛光大理石。底座是上漆的白蜡木。\nSofa and seating systems. Seat made with stress-resistant \npolyurethane foam in varied densities and polyester fiberfill \non wood frame. Black polypropylene feet. The Gogan collection \ncovers are removable. Low tables. Top in tempered, etched, \nvarnished extra-clear glass, 12mm thick, or in polished marble, \n20mm thick. Base in varnished, lamellar ash wood.\nSistema di sedute. Seduta in poliuretano espanso ignifugo a densità \ndifferenziate e fibra poliestere con struttura interna in legno. \nPiedi in polipropilene nero. La collezione Gogan è sfoderabile. \nTavolini. Piano in vetro extrachiaro temprato, spessore 12 mm, \nacidato e verniciato oppure in marmo lucidato, spessore 20 mm. \nBase in legno lamellare di frassino verniciato.\n37\n36\nMoroso Gogan     Technical info\nGogan design Patricia Urquiola — 2019\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F16\u002F70ff0e0d031bf4c568bb179623407c-28928f3397.20.png","38\n39\nart direction\nPatrizia Moroso\nlayout \nNataša Srebro  \nphotography\nAlessandro Paderni\n[studio Eye]\nset coordinator\nMarco Viola\nprinted in Italy \nby Nava\n2021 ©Moroso Spa\nwww.moroso.it \n@morosofficial\nMoroso Spa\nvia Nazionale 60\n33010 Cavalicco UD \n— Italy \nT +39 0432 577 111 \ninfo@moroso.it\nMilano Showroom\nvia Pontaccio 8\u002F10 \n20121 Milano \n— Italy \nT +39 02 7201 6336\nMoroso Ltd\nLondon Showroom\n7-15 Rosebery Avenue \nLondon EC1R-4SP \n— UK \nT +44 (0)20 3328 3560 \ninfo@moroso.co.uk\nMoroso USA\nNew York Showroom\n146 Greene Street\nNew York, NY10012 \n— USA \nT +1 212 334 7222 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