[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-mohebban-milano-2021-editions":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":173},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":168,"matched_pages":169,"match_count":170,"two_pages":171,"show_text":172},11630,"2021 Editions","mohebban-milano-2021-editions","\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F72\u002Fd20fb20aaf7dc7357cec58eb89c975-26d899dfc3.pdf","Mohebban Milano",2267,"mohebban-milano","4.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165],{"image":7,"text":15,"number":16},"EDITIONS\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.2.png","EDITIONS\nMohebban Editions sono le collezioni-laboratorio affidate alla \ncreatività di designer esterni, risultato di intuizioni inconsuete  \ne sperimentazioni ardite. Cuciture come segni grafici, evocazioni  \ndel passato incastonate in tessili campiture, geometrie \narchitettoniche affioranti, nappe inattese e audaci trasformazioni \nfanno parte del linguaggio delle Editions.\nMohebban Editions are the workshop-collections \nentrusted to the creativity of free-lance designers, \nthe result of unexpected intuition and bursting with \ncourageous experimentation. Exposed stitching as graphic \nsigns, evocation of a past embedded in the textile world, \nemerging architectonic shapes, unexpected tassels and \naudacious transformations combine and create  \nan essential part of the Editions language.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.3.png","2   |   Mohebban   \nNOMADISMI\nElena Caponi\nWOOLAND\nElena Caponi\nTERRAZZE\nElena Caponi\nTWIGGY\nSerena Confalonieri\nPLANO\nMiguel Reguero\nPAPIROFLEXIA\nMiguel Reguero\nSOMBRA\nMiguel Reguero\nPROFUMO\nMarta Giardini\nTACTILE\nIlaria Franza\n06\n30\n12\n36\n18\n44\n24\n50\n56\nEDITIONS   |   3\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.4.png","4   |   Mohebban   \nEDITIONS   |   5\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.5.png","6   |   Mohebban   \nNOMADISMI Elena Caponi\nSUNSHINE\nNOMADISMI\nEDITIONS   |   7\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.6.png","8   |   Mohebban   \nRealizzata con vecchi tessuti di canapa sovratinti, la \ncollezione Nomadismi disegnata da Elena Caponi è \ninteramente prodotta in Turchia. Suggestioni, racconti e \nforme si incontrano per creare tappeti ricchi di contrasti \ncromatici e tattili, che hanno come elemento distintivo \nl’attenzione al riciclo. La trasformazione consiste nel \nriutilizzare parti ancora integre di vecchi tappeti in \ncanapa, una fibra naturale, tingerle di nuovi colori, \nunirle con un filo di lana decorato da una nappa, per \ncreare il nuovo tappeto. Tutti i tappeti Nomadismi sono \npersonalizzabili, ma ogni modello sarà unico.  \nLa composizione finale, infatti, varierà poiché ogni pezzo \nall’interno del tappeto è un vecchio tessuto turco nomade \ncon disegni (strisce, simboli, ecc.) e toni di colore diversi.\nMade of old overdyed hemp fabrics, the Nomadismi \ncollection designed by Elena Caponi is entirely made in \nTurkey. Suggestions, tales and forms meet to create \ncarpets full of chromatic and tactile contrasts, which \nare distinguished by their attention to recycling.  \nThe transformation consists of reusing parts still \nintact of old hemp rugs, a natural fiber, dyeing them \nwith new colors, joining them with a wool thread \ndecorated with a tassel, to create the new carpet.  \nAll Nomadismi rugs are customizable, but each model \nwill be unique. In fact, the final composition will vary \nsince each piece inside the carpet is an old nomadic \nTurkish fabric with a different drawing (stripes, \nsymbols, etc.) and color tone.\nBLACK IS BLACK\nNOMADISMI\nEDITIONS   |   9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.7.png","10   |   Mohebban   \nNOMADISMI\nElena Caponi\nBLACK IS BLACK\nDEEP IN THE DARK\nOUT OF THE BLUE\nSUNSHINE\nWHITE FOR THREE\nBROWN SOUL\nMETROPOLE\nPALUDE\nPRALINE\nTERRE\nDEEP BLUE\nProvenienza\nTurchia\nComposizione del vello\nCanapa riciclata\nSpessore\n≈ 0.5 cm\nTecnica\nFatto a mano\nOrigin\nTurkey\nPile composition\nRecycled hemp\nThickness\n≈ 0.5 cm\nTechnique\nHand-made\nMisure standard\n240x170, 250x200, 300x200, 300x250, \n360x270, 400x300 cm\nDimensioni \u002F colori personalizzati su richiesta\nPiccole differenze nei disegni e colori possono \nessere evidenti a causa del grado di usura e \norigine dei tappeti riciclati\nStandard sizes\n240x170, 250x200, 300x200, 300x250, \n360x270, 400x300 cm\nCustom sizes \u002F colors on request\nSlight differences in designs and colors \nmay be apparent due to the degree of \nwear and origins of the recycled rugs\nNOMADISMI EDITIONS   |   11\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.8.png","12   |   Mohebban   \nPAPIROFLEXIA\nMiguel Reguero\nPPF3\nPPF5\nPAPIROFLEXIA EDITIONS   |   13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.9.png","PPF4\n14   |   Mohebban   \nPPF2\nPAPIROFLEXIA EDITIONS   |   15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.10.png","16   |   Mohebban   \nPPF4\nPPF3\nPPF2\nPPF1\nPPF6\nPPF5\nPAPIROFLEXIA\nMiguel Reguero\nLa collezione Papiroflexia nasce dal parallelismo tra \nrappresentazione e realtà, tra planimetrie e tridimensionalità. \nPartendo da forme tradizionali rettangolari, questi tappeti \nsi sviluppano attraverso diversi tipi di piegature in versioni \nortogonali o con forme più complesse, ispirandosi all’arte \n“Origami” che ha portato il designer spagnolo Miguel Reguero \nalla scoperta di nuove geometrie. Tappeti annodati a mano \nin lana e viscosa con variazioni di texture, colori e sfumature \nfinalizzati a creare stupore nell’osservatore e decorare l’abitare \ncontemporaneo.\nThe Papiroflexia collection derives from the parallelism between \nrepresentation and reality, between floor plans and three-\ndimensionality. Starting from traditional rectangular shapes, \nthese rugs are developed through different types of folds in \northogonal versions or with more complex shapes, inspired \nby the “Origami” art that has led the Spanish designer Miguel \nReguero to discover new geometries. Hand-knotted rugs in \nwool and viscose with variations in textures, colors and shades \naimed at creating amazement in the observer and decorating \ncontemporary spaces.\nProvenienza\nIndia\nComposizione del vello\nViscosa, lana\nSpessore\n≈ 1 cm\nTecnica\nAnnodato a mano\nMisure standard\nPPF1 e PPF4 300x200 cm \nPPF2 e PPF5 280x180 cm \nPPF3 e PPF6 250x250 cm\nDimensioni \u002F colori \npersonalizzati su richiesta\nOrigin\nIndia\nPile composition\nViscose, wool\nThickness\n≈ 1 cm\nTechnique\nHand-knotted\nStandard sizes\nPPF1 and PPF4 300x200 cm \nPPF2 and PPF5 280x180 cm \nPPF3 and PPF6 250x250 cm\nCustom sizes \u002F colors  \non request\nPAPIROFLEXIA EDITIONS   |   17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.11.png","18   |   Mohebban   \nWOOLAND\n |   19\nWOOLAND\nElena Caponi\nPUZZLE\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.12.png","20   |   Mohebban   \nNella collezione Wooland, \nprogettata dallo studio di Elena \nCaponi, il fascino emanato \ndai disegni millenari dei \ntappeti berberi si trasforma \nin un oggetto che evoca lontani \nscenari; tappeto come il luogo \nsu cui la vita di ogni giorno \ntrova conforto.  Un ponte \nimmaginario che mette in \ncomunicazione il passato \ndi quelle terre con il design \nattuale, fili di lana che legano \nla storia e il presente in uno \nstraordinario intreccio di antica \ncontemporaneità.\nIn the Wooland collection, \ndesigned by Elena Caponi \nstudio, the charm emanating \nfrom the millenary designs of \nBerber carpets is transformed \ninto an object that evokes \ndistant scenarios; the carpet as \nthe place where everyday life \nfinds comfort. An imaginary \nbridge connects the past \nof those lands with current \ndesign, woolen threads that \nbind history and the present in \nan extraordinary intertwining \nof ancient contemporaneity.\nDOTS\nWOOLAND EDITIONS   |   21\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.13.png","22   |   Mohebban   \nProvenienza\nTurchia\nComposizione del vello\nLana\nSpessore\n≈ 0.8 cm\nTecnica\nAnnodato a mano\nMisure standard\n240x170, 250x200, \n300x200, 300x250, \n360x270, 400x300 cm\nDimensioni \u002F colori \npersonalizzati  \nsu richiesta\nOrigin\nTurkey\nPile composition\nWool\nThickness\n≈ 0.8 cm\nTechnique\nHand-knotted\nStandard sizes\n240x170, 250x200, \n300x200, 300x250, \n360x270, 400x300 cm\nCustom sizes \u002F colors  \non request\nWOOLAND\nElena Caponi\nRHOMBUS\nPUZZLE\nDOTS\nWOOLAND EDITIONS   |   23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.14.png","24   |   Mohebban   \nSOMBRA  \nMiguel Reguero\nLa collezione Sombra, progettata \ndal designer Miguel Reguero, \ncelebra l’incontro tra architettura \ne natura. La geometria razionale \ne lineare in contrasto con la libera \ndisposizione della materia e \nl’alternanza tra viscosa e lana \nsottolineano la maestria artigianale \nnecessaria per rendere questi tappeti, \neccezionalmente eleganti e originali, \ncosì unici. Sombra significa ombra \nin spagnolo, difatti descrive anche \nil confronto tra luce e ombra e come \nquesto cambia e sovrasta le varie \narchitetture lungo il giorno e la notte \nnelle diverse intensità cromatiche.\nI tappeti Sombra sono disponibili in \nvarie dimensioni e possono essere \npersonalizzati su richiesta.\nSO01 - DAY\nSO02 - DAY\nSOMBRA EDITIONS   |   25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.15.png","26   |   Mohebban   \nThe Sombra collection, designed \nby Miguel Reguero, celebrates the \nencounter between architecture \nand nature. The rational and linear \ngeometry in contrast with the \nfree arrangement of the material \nand the alternation between \nviscose and wool underline the \ncraftsmanship necessary to make \nthese exceptionally stylish and \noriginal carpets so unique. Sombra \nmeans shadow in Spanish, in fact \nit also describes the interaction \nbetween light and shadow and how \nthis changes and dominates the \nvarious architectures throughout \nthe day and night in the different \nchromatic intensities. Sombra rugs \nare available in various sizes and can \nbe customized on request.\nSO03 - DAY\nSOMBRA EDITIONS   |   27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.16.png","28   |   Mohebban   \nProvenienza\nIndia\nComposizione del vello\nViscosa, lana\nSpessore\n≈ 1 cm\nTecnica\nAnnodato a mano\nMisure standard\n240x170, 250x200, \n300x200, 300x250, \n360x270, 400x300 cm\nDimensioni \u002F colori \npersonalizzati su richiesta\nOrigin\nIndia\nPile composition\nViscose, wool\nThickness\n≈ 1 cm\nTechnique\nHand-knotted\nStandard sizes\n240x170, 250x200, \n300x200, 300x250, \n360x270, 400x300 cm\nCustom sizes \u002F colors  \non request\nSO01 - DAY\nSO05 - NIGHT\nSO03 - DAY\nSO04 - NIGHT\nSO02 - DAY\nSO06 - NIGHT\nSOMBRA\nMiguel Reguero\nSOMBRA EDITIONS   |   29\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.17.png","30   |   Mohebban   \nPROFUMO\nMarta Giardini\nMIRTO\nPROFUMO EDITIONS   |   31\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.18.png","32   |   Mohebban   \nIn the Profumo collection, designed by Marta \nGiardini, vibrant shades in bamboo silk and soft \nwool join forces to create botanical-inspired \nsubjects through an ancient craftsmanship. The \nelements from nature – leaves, flowers, pistils \nand blooms - appear to form gravitational waves, \nshapes, complex patterns and a sequence of \ntraits reminiscent of a bird’s eye view of grass \nmeadows wafting in the wind. The multiplication \nof the elements is a complex circuit created with a \nharmonious weave, an endless interaction of full \nand empty spaces where style and sophistication \nbelong to a contemporary world.\nNella collezione Profumo, \ndisegnata da Marta \nGiardini, vibranti tonalità \ndi colore in seta di bambù \ne morbida lana disegnano \nsoggetti d’ispirazione \nbotanica attraverso \nun’antica lavorazione \nartigianale. Gli elementi \ndella natura - foglie, fiori, \npistilli e corolle - sembrano \ntracciare onde gravitazionali, \nforme disegnate, complesse \ngeometrie e un susseguirsi di \ntratti che ricordano la visione \naerea di campi mossi dal \nvento. La moltiplicazione dei \nsegni è un circuito complesso \nnel quale si intrecciano trame \narmoniose, un infinito gioco \ndi pieni e vuoti e in cui lo stile \ne l’eleganza appartengono \nad una contemporaneità non \ncircoscritta solo al presente.\nARBUSTUM\nPROFUMO EDITIONS   |   33\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.19.png","34   |   Mohebban   \nPROFUMO\nMarta Giardini\nARBUSTUM\nLILIUM\nPRATUM\nMIRTO\nFLORES\nSILVA\nProvenienza\nIndia\nComposizione del vello\nSeta di bambù, lana\nSpessore\n≈ 1 cm\nTecnica\nAnnodato a mano\nMisure standard\n240x170, 250x200, \n300x200, 300x250, \n360x270, 400x300 cm\nDimensioni \u002F colori \npersonalizzati su richiesta\nOrigin\nIndia\nPile composition\nBamboo silk, wool\nThickness\n≈ 1 cm\nTechnique\nHand-knotted\nStandard sizes\n240x170, 250x200, \n300x200, 300x250, \n360x270, 400x300 cm\nCustom sizes \u002F colors  \non request\nPROFUMO EDITIONS   |   35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.20.png","36   |   Mohebban   \nTERRAZZE\nElena Caponi\nMONFORTE\nLAMBRATE\nSAN SIRO\nTERRAZZE EDITIONS   |   37\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.21.png","EDITIONS   |   39\nTERRAZZE\n38   |   Mohebban   \nLAMBRATE\nBARONA\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.22.png","40   |   Mohebban   \nCon Terrazze continua la collaborazione \ntra Mohebban ed Elena Caponi, iniziata \ncon la collezione Nomadismi. Dalla ricerca \nemergono otto luoghi urbani, definiti da \nastrazioni e colori unici, trasposti in tessuti \ne cuciture. La collezione Terrazze è un \ngrande collage di geometrie e sensazioni, \nin cui il colore e le cuciture diventano temi \nportanti della narrazione urbanistica e \ntessile di Milano.\nTerrazze continues the collaboration \nbetween Mohebban and Elena Caponi, \nwhich started with the Nomadismi \ncollection. From Elena’s exploration, \neight urban places emerge, defined by \nabstractions and unique colors, transposed \nin fabric and stitching. The Terrazze \ncollection is a large collage of geometries \nand sensations, where color and stitching \nare the main themes of the urban and \ntextile description of Milan.\nMONFORTE\nBARONA\nLAMBRATE\nSAN SIRO\nTERRAZZE EDITIONS   |   41\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.23.png","42   |   Mohebban   \nMONFORTE\nBARONA\nPORTELLO\nSAN SIRO\nISOLA\nLAMBRATE\nBRERA\nCADORNA\nTERRAZZE Elena Caponi\nProvenienza\nIndia\nComposizione del vello\nLana\nSpessore\n≈ 1 cm\nTecnica\nAnnodato a mano\nOrigin\nIndia\nPile composition\nWool\nThickness\n≈ 1 cm\nTechnique\nHand-knotted\nMisure standard\nLambrate 300x250 cm  \nBrera 300x200 cm  \nIsola 300x260 cm  \nCadorna 300x230 cm \nMonforte 300x230 cm  \nPortello 340x230 cm  \nBarona 300x200 cm  \nSan Siro 300x200 cm\nDimensioni \u002F colori  \npersonalizzati su richiesta\nStandard sizes\nLambrate 300x250 cm  \nBrera 300x200 cm  \nIsola 300x260 cm  \nCadorna 300x230 cm  \nMonforte 300x230 cm \nPortello 340x230 cm  \nBarona 300x200 cm  \nSan Siro 300x200 cm\nCustom sizes \u002F colors  \non request\nTERRAZZE EDITIONS   |   43\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.24.png","44   |   Mohebban   \nTACTILE Ilaria Franza\nBLUE\nTACTILE EDITIONS   |   45\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.25.png","46   |   Mohebban   \nL’individuo, nell’esplorazione della realtà, \nfonde dati percettivi provenienti dalla \nfunzione visiva con quelli provenienti \ndalla funzione tattile. Entrambi sono \nnecessari per la percezione e più ampi \ne completi sono, più ampia e completa \nè l’immagine del mondo che abbiamo. \nLa collezione capsule Tactile disegnata \ndall’artista Ilaria Franza riprende le \nsue opere pittoriche, strettamente visive \ne le amplia con l’esperienza tattile della \nmateria, riportando il fruitore al valore \ninsostituibile dell’esperienza.\nThe individual, in the exploration of reality, merges \nperceptual data coming from the visual function \nwith those coming from the tactile one. Both are \nnecessary for perception and the wider and more \ncomplete they are, the broader and more extensive \nis the image of the world we have. The capsule \ncollection, Tactile, designed by the artist Ilaria Franza \ntakes up her pictorial, visual works and expands \nthem with the tactile experience of the material, \nbringing the user back to the irreplaceable value of \nexperience.\nBLUE\nTACTILE EDITIONS   |   47\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.26.png","48   |   Mohebban   \nBLUE\nGOLD\nROSE\nTACTILE\nIlaria Franza\nProvenienza\nIndia\nComposizione del vello\nLana, seta di bambù, viscosa, iuta\nSpessore\n≈ 1 cm\nTecnica\nAnnodato a mano\nMisure standard\nØ 300 cm\nDimensioni \u002F colori personalizzati  \nsu richiesta\nOrigin\nIndia\nPile composition\nWool, bamboo silk, viscose, jute\nThickness\n≈ 1 cm\nTechnique\nHand-knotted\nStandard sizes\nØ 300 cm\nCustom sizes \u002F colors  \non request\nTACTILE EDITIONS   |   49\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.27.png","50   |   Mohebban   \nTWIGGY  \nSerena Confalonieri\nHONEY\nPINK\nAUBERGINE\nTWIGGY EDITIONS   |   51\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.28.png","52   |   Mohebban   \nI colori, i pattern e lo stile degli anni ’70 sono la principale fonte di ispirazione \nper questa collezione di tappeti, nati dalla prima collaborazione con la designer \nSerena Confalonieri. Da qui il nome della collezione, Twiggy: la modella e attrice \nicona di moda e stile, che con le sue minigonne e gli outfit dai colori accesi ha \nsegnato l’immaginario di una decade, caratterizzata da nuove libertà sia a livello \ncreativo che sociale. La collezione è composta da tappeti taftati a mano 100% \nlana caratterizzati da quattro fantasie tono su tono (con  diverse altezze del vello) \ne con frange a contrasto con un particolare taglio “scalato” che dona volume e \nmorbidezza a questo elemento decorativo.\nColors, patterns and style of the 70s are the main source of inspiration \nfor this collection, born from the first collaboration with the designer \nSerena Confalonieri. Hence the name of the collection, Twiggy: \nthe model and actress icon of fashion and style, who, through her \nminiskirts and bright outfits, has marked the imagination of a decade, \ncharacterized by a new freedom both on a creative and social level. \nThe collection consists of hand-tufted 100% wool rugs characterized \nby four tone-on-tone patterns (with different pile heights) and with \ncontrasting fringes with a particular “scaled” cut that gives volume \nand softness to this decorative element.\nLIGHT BLUE\nPINK\nTWIGGY EDITIONS   |   53\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.29.png","54   |   Mohebban   \nAUBERGINE\nSLATE GRAY\nTAUPE\nPINK\nLIGHT BLUE\nNIGHT BLUE\nSAND\nHONEY\nProvenienza\nIndia\nComposizione del vello\nLana\nSpessore\n≈ 1.3 cm\nTecnica\nTaftato a mano\nMisure standard\n240x170, 250x200, \n300x200, 300x250, \n360x270, 400x300 cm\nDimensioni \u002F colori \npersonalizzati su \nrichiesta\nOrigin\nIndia\nPile composition\nWool\nThickness\n≈ 1.3 cm\nTWIGGY\nSerena Confalonieri\nTechnique\nHand-tufted\nStandard sizes\n240x170, 250x200, \n300x200, 300x250, \n360x270, 400x300 cm\nCustom sizes \u002F colors \non request\nTWIGGY EDITIONS   |   55\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.30.png","PLANO\n56   |   Mohebban   \nPLANO\nMiguel Reguero\nPL201\n   |   57\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.31.png","58   |   Mohebban   \nMilano è una città con una vita \nsegreta e nascosta all’interno di molti \nedifici spettacolari e la collezione \nPlano del designer spagnolo \nMiguel Reguero è una personale \ninterpretazione architettonica di \nquesta metropoli culturale.\nIl morbido e setoso cuore del tappeto \nPlano si trasforma gradualmente in \nversioni planimetriche più complesse. \nQuesta disposizione geometrica \nconfigura uno spazio ordinato, \npronto per essere arredato con una \nconfigurazione libera e informale. \nUn gioco di rilievi e profondità in \nlana e viscosa che presenta disegni\nsemplici ma ricchi di personalità, \nmateriali ed esecuzione.\nMilan is a city with a secret and \nhidden life inside many spectacular \nbuildings and the Plano collection \nby the Spanish designer Miguel \nReguero is a personal architectural \ninterpretation of this cultural \nmetropolis. The soft center of the \nPlano rug gradually transforms into \nmore complex planimetric versions. \nThis geometric arrangement \nconfigures an orderly space, ready \nto be furnished with a free and \ninformal configuration. A play of \nreliefs and depths in wool and \nviscose that presents simple designs \nbut rich in personality, materials and \nexecution.\nPL302 MIMETICO\nPLANO EDITIONS   |   59\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.32.png","60   |   Mohebban   \nPL101\nPL102\nPL106\nPL105\nPL201\nPL301 MIMETICO\nPL304 MIMETICO\nPL302 MIMETICO\nPL305 MIMETICO\nPL303 MIMETICO\nPL306 MIMETICO\nPL202\nPLANO\nMiguel Reguero\nProvenienza\nIndia\nComposizione del vello\nViscosa, lana\nSpessore\n≈ 1 cm\nTecnica\nAnnodato a mano\nOrigin\nIndia\nPile composition\nViscose, wool\nThickness\n≈ 1 cm\nTechnique\nHand-knotted\nMisure standard\n240x170, 250x200, \n300x200, 300x250, \n360x270, 400x300 cm\nDimensioni \u002F colori \npersonalizzati su richiesta\nStandard sizes\n240x170, 250x200, \n300x200, 300x250, \n360x270, 400x300 cm\nCustom sizes \u002F colors  \non request\nPLANO EDITIONS   |   61\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.33.png","62    |   Mohebban   \nElena Caponi \nDal 1987 una incessante attività come scenografa per \nspot pubblicitari e produzioni cinematografiche. Varie \ne innumerevoli collaborazioni con riviste di arredo \ne design e fotografi di moda per realizzazioni di set \nfotografici per famosi brand. Elena Caponi  si\noccupa di curare l’immagine per diverse aziende \nnell’ambito del design. Suoi anche appartamenti \ncampione a Milano, Shanghai e alcuni privati a Parigi. \nContaminazione di moda e design, questo è il mondo \nricco e vario di Elena Caponi, che converge nel suo \nStudio affiancata da Simona Pozzi e Paola Craca, team \nvitale per la riuscita di ogni progetto.\nSince 1987, Elena Caponi has worked incessantly as a \nset designer for commercials and film productions. She \nhas also worked with furnishing and design magazines \nand with fashion photographers, creating the photo sets \nfor many famous brands. Elena Caponi takes care of the \ncorporate image for many different designer brands. The \nStudio also has a number of sample apartments located \nin Milan, Shanghai and some private ones in Paris. \nContamination of fashion and design, this is the rich \nand varied world of Elena Caponi, who converges in her \nStudio flanked by Simona Pozzi and Paola Craca, a vital \nteam for the success of each project.\nMiguel Reguero\nMiguel Reguero è un designer spagnolo nato a Oviedo \nnel 1987, laureato in Arquitectura Tecnica presso la \nEUAT a La Coruña nel 2011. Ha incominciato subito \na lavorare come Architetto presso l’ufficio tecnico del \nComune di Siero e lo Studio Jovino Martinez Sierra \nArchitetti. Arrivato in Italia nel 2014, ha frequentato \nla specialistica in Arte e Design presso l’Accademia di \nBelle Arti di Brera; successivamente ha lavorato come \ndesigner presso lo Studio di Design Prospero Rasulo e \npresso le aziende Zara Home, Alessi e Pirelli Design.\nMiguel Reguero is a Spanish designer born in Oviedo in \n1987, with a degree in Technical Architecture at EUAT \nLa Coruña in 2011. His first jobs were for the Technical \nDepartment of the Siero ‘s Town Council and for Jovino \nMartínez Sierra Architects. In 2014, he moved to Italy, \nwhere he specialized in Art and Design in the Brera Fine \nArts Academy. He has been working as a designer at the \nProspero Rasulo Design Studio and at the Zara Home, \nAlessi and Pirelli Design companies.\nMarta Giardini\nMarta Giardini è una viaggiatrice per inclinazione \nma con base a Milano dove vive e lavora. Ha trascorso \nlunghi periodi all’estero: in Spagna per seguire le linee \naccessori tavola e tessili letto di Zara Home; in Perù, in \nTailandia ed in Cina per importanti brand. Eccellenti \ncollaborazioni segnano fin da subito il suo percorso \nprofessionale di designer e di stilista del tessuto come\nquella con Armani Casa, Paola Navone, Dmk e Gruppo \nSintesi. Nel 2002 fonda a Milano con Bruno Rainaldi\nENTRATALIBERA, uno spazio specialissimo sospeso \ntra arte e design. Nel 2016 riceve la Menzione d’Onore \ndel Compasso d’Oro per la Matita Perpetua, è oggi il \ndirettore creativo di Coincasa e consulente per aziende \ndel settore come ArmaniCasa, Trussardi Home, Zucchi \nsolo per citarne alcune.\nMarta Giardini is a traveler by inclination but based in \nMilan where she lives and works. She spent long periods \nabroad: in Spain to follow the table accessories and bed \ntextiles lines of Zara Home; in Peru, Thailand and China \nfor other important brands. Excellent collaborations \nimmediately marked her professional career as a designer \nand stylist of fabric such as that with Armani Casa, Paola \nNavone, Dmk and Gruppo Sintesi. In 2002, she founded \nENTRATALIBERA with Bruno Rainaldi in Milan, a very \nspecial space suspended between art and design. In 2016, \nshe received the Compasso d’Oro Honorable Mention for \nthe Perpetual Pencil. Today she is the creative director \nof Coincasa and a consultant for companies such as \nArmaniCasa, Trussardi Home, Zucchi just to name a few.\nIlaria Franza\nIlaria Franza dopo un percorso di studio diviso tra \nmaterie scientifiche ed artistiche, si laurea all’Accademia \ndi Belle Arti di Brera da dove inizia il suo percorso \nartistico e sperimentale. Professionalmente legata al \nmondo del design e dell’arredamento, accompagna la \nsua attività di pittrice manifestando gusto per la ricerca \ne l’uso del colore. Troviamo le sue opere pubblicate\nsu riviste a livello internazionale. Aprendo il suo studio, \nIF LOFT, trova un luogo dove far confluire tutte queste \ndiverse attività.\nIlaria Franza, after a study course divided between \nscientific and artistic subjects, graduated from the Brera \nFine Arts Academy from where she began her artistic and \nexperimental path. Professionally linked to the world \nof design and furniture, she accompanies her painting \nactivity, showing a taste for research and the use of color. \nWe find her works published in international prestigious \nmagazines. By opening her studio, IF LOFT, she finds a \nplace to bring together all these different activities.\nSerena Confalonieri\nSerena Confalonieri è una designer e art director \nindipendente con base a Milano. Lavora nel campo \ndel product, graphic e textile design, collaborando \ncon aziende italiane e straniere. I suoi lavori sono a \ncavallo tra il design di prodotto e il design grafico: \nin essi è sempre presente un’accurata ricerca nei \nconfronti delle superfici. Dopo la Laurea Specialistica in \nInterior Design, inizia a collaborare con diversi studi a \nBarcellona, Berlino e Milano, e  con la Facoltà di Interni \ndel Politecnico di Milano come assistente. In questi anni \nè stata selezionata per residenze di design e workshop \nin Italia e all’estero, i suoi lavori sono stati pubblicati \nda importanti periodici e riviste di settore e sono \nstati esposti in importanti luoghi del design come La \nTriennale di Milano e la Galleria di Rossana Orlandi.\n \nSerena Confalonieri is an independent designer and \nart director based in Milan. She works on product, \ngraphic and textile design projects and collaborates \nwith many Italian and international companies. Her \nworks are placed in between product and graphic design: \naccurate research on the surface is always present in \nher projects. After a Master’s Degree in Interior Design, \nshe started her career by working in many architecture \nand design practices in Milano, Barcelona and Berlin, \nand collaborating with the Interior Design Faculty of \nPolitecnico di Milano as assistant professor. Throughout \nthe years, she has been selected for design residencies and \nworkshops in Italy and abroad, and her works have been \npublished by important newspapers and magazines and \nhave been exhibited in important locations such as La \nTriennale di Milano and the Rossana Orlandi Gallery.\nEDITIONS   |   63\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.34.png","64    |   Mohebban   \nSTORY\nSTORY   |   65\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.35.png","MOHEBBAN:  \nUNA TRADIZIONE  \nCHE GUARDA  \nAL FUTURO\nIl tappeto non è un semplice complemento d’arredo: è una cultura che si \ntramanda da generazioni, con gesti sapienti e tecniche raffinate. Con la \nsua forma definisce uno spazio fisico, ma anche spirituale, e attraverso i \nnodi narra una storia antica e insieme contemporanea, contribuendo ad \narricchire di bellezza e unicità l’universo privato di chi lo possiede.\nUna responsabilità non da poco, di cui la famiglia Mohebban è pienamente \nconsapevole. Dai primi anni ’70, Mohebban produce tappeti di altissima qualità, \nsenza dimenticare questi valori e il profondo significato di un’arte millenaria. \nDall’Iran, luogo d’origine della famiglia, a Milano, sede dell’azienda da più di \nmezzo secolo, passando per la Turchia, l’India e il Pakistan dove oggi avviene la \nproduzione: da tre generazioni una visione internazionale, nella quale trovano \nposto tradizione, cura dei dettagli, gesti antichi, sempre accompagnati però da uno \nsguardo contemporaneo, attento al design e alle sfide di un presente dinamico e in \ncontinua evoluzione.\nMOHEBBAN: TRADITION THAT LOOKS TO THE FUTURE \nA rug is not simply a furnishing accessory: it is a piece of cultural history that has \nbeen handed down from generation to generation, enriched with know-how, skills \nand sophisticated techniques. The shape of the rugs defines the physical and \nspiritual dimensions. The rug-knotting tells an age-old story that is projected to \ncontemporary living, adding beauty and an exclusive touch to the private universe \nof the owner.\nThis responsibility should not be underestimated and the Mohebban family knows \nwhat is expected of them. Since the early 70s, Mohebban has been producing \nsuperior quality rugs; however, the company has never lost sight of these core values \nand the meaning of this ancient art form deeply rooted in history. The company’s \njourney began in Iran, the family’s homeland, with destination Milan, where the \ncompany headquarters was founded more than half a century ago; it has strong \nties to Turkey, India and Pakistan where the rug production now takes place. Three \ngenerations of the family have shared the same international vision; a vision that \nembraces tradition, with attention to detail, age-old gestures, procedures projected \nto contemporary living, always focussing on the designs and the challenges of the \npresent day with its continuously evolving dynamics. \nSTORY   |   67\n66    |   Mohebban   \n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.36.png","story\nSTORY   |   69\n68    |   Mohebban   \n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.37.png","LA PRODUZIONE:  \nANNODARE I FILI  \nDEL TEMPO\nIl contrasto tra una tecnica millenaria e la contemporaneità di design \ne pattern dona a ogni tappeto Mohebban una sua unicità estetica,  \nma anche simbolica. \nIl valore di uno di questi tappeti infatti non è mai disgiunto dalla storia della \nsua produzione. A partire dalla scelta e formazione dei migliori artigiani, dai \nmateriali di qualità superiore (lane, sete o fibre vegetali), dalla filatura, tintura \ne lavorazione a mano sul telaio, fino alle fasi finali di taglio, rasatura, lavaggio \ne asciugatura: il processo di produzione rende ogni tappeto un unicum, \ncon una sua personalità e una storia diversa da ogni altro. Con spesso più \n200.000 nodi per metro quadro, una maniacale attenzione alla qualità e una \nricerca in dialogo costante tra tradizione, innovazione e design contemporaneo, \ni tappeti Mohebban riescono ad annodare armoniosamente i fili del passato \ncon quelli del presente e del futuro, in un equilibrio perfetto e carico di valore. \nTHE PRODUCTION: KNOTTING THE THREADS OF TIME\nThe contrast between a thousand-year technique and contemporary \ndesigns and patterns gives every Mohebban rug unique esthetics and \ndeep symbolic meaning. \nThe intrinsic value of each rug is never distanced from the story behind \nits production. The journey begins with the selection and training of the \nvery best artisan rug-makers and continues with the use of superior \nquality of the materials (wool, silk or plant fibers), the yarns, the dyeing \nand the hand-knotted rug weaving to reach the final phases of cutting, \ntrimming, washing and drying: each rug produced in this way is unique, \nwith a personality and history that is different to all others. With often \nmore than 200,000 knots in every square-meter of weave, an obsessive \nattention to the quality and constant dialogue between tradition, \ninnovation and contemporary design, Mohebban rugs harmoniously knot \nthe threads of the past with those of the present and the future,  \nin perfect balance loaded with intrinsic value.\nSTORY   |   71\n70    |   Mohebban   \n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.38.png","72    |   Mohebban   \nCUSTOM MADE:  \nUN’IDEA DI TAPPETO  \nPROFONDAMENTE  \nPERSONALE \nIn un mondo sempre più complesso e sfaccettato, il proprio tappeto \nideale può essere un mix di suggestioni, trend e ispirazioni diverse,  \nche si rincorrono e si sovrappongono.\nPer questo un tappeto Mohebban si può adattare ai desideri dei clienti e \nai progetti degli architetti e degli interior designer, spingendo la propria \nunicità a un livello ancora più alto. Se ogni tappeto, per la sua nascita \ncompletamente artigianale, è sempre diverso da qualsiasi altro, i prodotti \ncustom made estremizzano questo concetto, divenendo non solo unici, \nma assolutamente “personali”, per colori, dimensioni, pattern, forma e \nmateriali, secondo i propri desideri. \nIl team di progettazione interno garantirà che ogni fase della produzione \ncorrisponda esattamente alle esigenze del committente, consigliando, se \nnecessario, le migliori tecniche o materiali per ottenere l’effetto desiderato.\nCUSTOM MADE: A DEEPLY PERSONAL IDEA \nIn a world that is increasingly complex and multi-faceted, the ideal \npersonalized rug must be a mixture of suggestions, trends and diverse \ninspirations, that drive and layer each other.\nFor these reasons, a Mohebban rug can adapt to the client’s needs \nand desires, and to the project inventiveness of architects and interior \ndesigners alike, driving the degree of uniqueness to the next, much \nhigher level. Thanks to the wholly hand-crafted creation, each rug is \ntotally different to all of the others; however, custom-made production \npushes this process to the extreme: each rug is totally unique, absolutely \n“personal”, in terms of color, size, pattern, shape and materials used \nin the production – all chosen to satisfy the client’s demands. The in-\nhouse design team will ensure that every production phase corresponds \nexactly to the client’s brief and where necessary, it will suggest the best \ntechniques or materials to achieve the desired effect.\nSTORY   |   73\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F8e\u002Fcefa000cff162f0279ccffb63a4360-26d89a550d.39.png","AD_Elena Caponi\nphoto_Max Zambelli\ngraphic design_Marco Strina\nstyling_Simona Pozzi\ntexts_Giulia Capotorto\nenglish translation_Fiona Johnston\nspecial thanks to\nArtemide \n Driade \n Fausto Salvi \n Gebrueder Thonet Vienna  \n Imperfettolab \n Maria La Rosa \n Mdf Italia \n Metalgienchi \n Portego \n White Pepper Studio\nprepress\u002Fprint_Galli Thierry Milano 2021\nMohebban Srl\nVia Bisceglie 91\u002F7\n20152 Milan – Italy\n+39 02 48019902\ninfo@mohebbanmilano.com\nwww.mohebbanmilano.com\n",39,[],0,false,true,{"success":172,"data":174,"meta":393,"count":394,"next":395,"previous":396,"results":434,"brand_chips":495},[175,188,198,208,218,227,237,247,257,269,282,295,305,318,331,341,351,361,371,383],{"id":176,"title":177,"slug":178,"image":179,"source":180,"brand_name":181,"brand":182,"brand_slug":183,"file_size":184,"pages":185,"pages_count":186,"matched_pages":187,"match_count":170,"two_pages":171,"show_text":172},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":189,"title":190,"slug":191,"image":192,"source":193,"brand_name":181,"brand":182,"brand_slug":183,"file_size":194,"pages":195,"pages_count":196,"matched_pages":197,"match_count":170,"two_pages":171,"show_text":172},26606,"Architectural 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