[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-meridiani-storie-di-case-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":503},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":498,"matched_pages":499,"match_count":500,"two_pages":501,"show_text":502},21313,"Storie Di Case 2023","meridiani-storie-di-case-2023","\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F04\u002F3403d620482a9b3aba0886554a27ca-28d4f46cb5.pdf","Meridiani",381,"meridiani","27.7 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,76,80,84,88,92,96,100,104,108,112,116,120,124,128,131,135,139,143,147,151,155,159,163,167,171,175,179,183,187,191,195,199,203,207,211,215,219,223,227,231,235,239,243,247,251,255,259,262,266,270,274,278,282,286,290,294,298,302,306,310,314,318,322,326,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,468,472,476,480,484,488,492,496],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.2.png","Houses: places where we grow up, fall in love, spend time together. \nPlaces to take care of, to make our own in every detail to preserve the most \nimportant memories. To be enjoyed early in the morning and late at night, in \nwhich to organize dinners with friends and family lunches. With large and \nsmall rooms, kitchens and living rooms, studios and bedrooms. Where our \npassions and our work unfold. Inhabited by chairs and tables, sofas and rugs, \npaintings, tablecloths and photographs. Within whose walls the songs we \nlove echo every day, where the colors of our most beautiful journeys and the \nscents of childhood live on. Houses in which every detail tells the story of \nwho we are.\nCase dove crescere, innamorarsi, passare tempo insieme. Luoghi di cui \nprendersi cura, da far propri in ogni particolare per conservare i ricordi più \nimportanti. Da vivere la mattina presto e a tarda notte, in cui organizzare \ncene con gli amici e pranzi di famiglia. Con stanze grandi e piccole, cucine \ne salotti, studi e camere da letto. Dove trovano spazio le nostre passioni e \nil nostro lavoro. Abitate da sedie e tavoli, divani e tappeti, quadri, tovaglie \ne fotografie. Tra le cui mura risuonano ogni giorno le canzoni che amiamo, \nrivivono i colori dei viaggi più belli, i profumi dell’infanzia. Case in cui ogni \ndettaglio racconta chi siamo.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.3.png","Different houses, each with its own personality, \nstrong, defined and distinct. Each with its own story, \nwhich you can discover in this volume through a series of \nphotographic shots, accompanied by some fictional stories. \nHouses that together summarize Meridiani’s philosophy: \na style based on the simplicity of elegance, as art director \nAndrea Parisio has shaped his collections from the \nbeginning. A style that does not follow rigid rules, but is \nable to adapt to the personality of those who live in the \nspaces, like the snow that takes the shape of the objects \non which it rests. Spaces for those who want to create \nenvironments that reflect their tastes and character, their \nsense of beauty and passion without ever succumbing \nto banality.\nAll of this is thanks to the design of the furniture, \nwhich can be put together according to the customer’s \ndesires to give life to any type of space, either through \nthe use of design elements such as chairs or sofas, tables, \nbeds or bedside tables, or through use of fabrics from our \nDepartures and Travel Memories collections, one of the \nstrongest distinctive elements of the brand that has its \nroots in Brianza. Different from each other in color, pattern  \nand texture, they bring to mind unique places and \natmospheres. Meridiani houses are homes with a perfectly \nrecognizable style, but at the same time capable of \nexpressing in every detail the personality of those who live \nin them.\nCase diverse, ognuna con una propria personalità, \nforte, definita e distinta. Ognuna con una propria storia, \nche in questo volume potrete scoprire attraverso una serie \ndi scatti fotografici, accompagnati da alcuni racconti di \nfinzione. \nCase che nel loro insieme sintetizzano la filosofia di  \nMeridiani: uno stile basato sulla semplicità dell’eleganza,  \ncome fin da principio ha modellato le collezioni l’art  \ndirector Andrea Parisio. Uno stile che non segue canoni \nrigidi, ma è capace di accordarsi, come la neve che prende  \nla forma degli oggetti su cui si posa, alla personalità di \nchi vive quegli spazi, di chi vuole creare ambienti che ne \nrispecchino il gusto e l’indole, il senso della bellezza e le \npassioni, senza mai il rischio di cadere nella banalità.\nIl tutto grazie sia al design dei mobili, abbinabili \nsecondo le proprie suggestioni per dar vita ad abitazioni di \nogni tipo, siano essi sedie o divani, tavoli, letti o comodini, \nsia attraverso i tessuti delle collezioni Departures e Travel  \nMemories, uno dei più forti elementi distintivi del marchio  \nche ha le sue radici in Brianza. Diversi uno dall’altro, nei \ncolori, nelle fantasie e nelle trame, creano rimandi a luoghi \ne atmosfere uniche.\nLe case Meridiani sono case dallo stile perfettamente  \nriconoscibile, ma al contempo capace di esprimere in \nogni dettaglio la personalità di chi le abita.\nSTORIES OF HOMES\nSTORIE DI CASE\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.4.png","Chapter N. 1\np. 07\nChapter N. 2\np. 47\nChapter N. 3\np. 91\nChapter N. 4\np. 137\nChapter N. 5\np. 179\nCaptions\np. 229\nIndex\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.5.png","Sara’s shadow\nChapter\nN. 1\nPHOTOS GIORGIO POSSENTI\n∂\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.6.png","STORIE DI CASE\nChapter N. 1\nSara was still sleeping. Gazing at her from the corridor, her delicate body \noutstretched upon the sheets, she looked like a snowflake that had just \nlanded upon the surface of a lake.\nLeaving the room, Luca made his way to the living room without \nmaking any noise. There was no need to turn on any lamps: from \nthe immense windows that opened onto the garden, the day began \nto dawn, called to awaken by the chirping of robins and blackcaps.\nHe opened the fridge, poured himself a glass of orange juice and sat \non one of the two twin armchairs, surrounded by the silence of the \nhouse. He had never happened to be in that room at such an unusual \nhour, shortly after half past five in the morning.\nIn that light, the living room seemed different to him. He looked at it as if he \nhad never seen it before. First he set his gaze on the small marble table, then \nhe shifted it to the painting that covered almost entirely one of the walnut \npanels on the wall, recalling the London gallery where he had bought it the \nprevious summer.\nHe lingered there for a few more minutes, sitting in the armchair, with his \nglass in his hand, forgetting everything, until out of the corner of his eye he \nsaw a movement to his left.\nUnaware of being observed, less than three meters away, separated \nonly by the few millimeters of the glass of the window, a young roe \ndeer grazed on the tenderest shoots of grass.\nSuddenly the animal raised its head, startled by a sudden noise, \nturned towards Luca, looked at him for a split second, and then ran \naway. Sara’s shadow popped out, barefoot, upon the opposite wall \nof the room.\nSara’s shadow\nSara dormiva ancora. A osservarlo dal corridoio, il suo corpo diafano, adagiato \nsulle lenzuola, sembrava un fiocco di neve appena posato sulla superficie di \nun lago.\nUscito dalla camera, Luca si era diretto verso il salotto senza far rumore.  \nNon c’era stato bisogno di accendere nessuna lampada: dalle immense \nvetrate che si aprivano sul giardino il giorno iniziava ad albeggiare, \nchiamato a destarsi dai cinguettii di pettirossi e capinere.\nAveva aperto il frigo, si era versato un bicchiere di succo d’arancia \ne si era seduto su una delle due poltroncine gemelle, circondato dal \nsilenzio della casa. Non gli era mai capitato di trovarsi in quella stanza \nin un’ora così insolita, poco dopo le cinque e mezza del mattino.\nSotto quella luce il salotto gli era sembrato diverso. Lo aveva osservato come \nnon lo avesse mai visto. Prima aveva posato lo sguardo sul piccolo tavolo in \nmarmo, poi lo aveva spostato sul quadro che copriva quasi interamente uno \ndei pannelli in noce della parete, ricordandosi della galleria di Londra in cui \nlo aveva acquistato l’estate precedente.\nEra rimasto qualche altro minuto lì, seduto sulla poltrona, con il bicchiere \nin mano, dimentico di tutto, fino a quando con la coda dell’occhio aveva \npercepito un movimento alla sua sinistra.\nInconsapevole di essere osservato, a meno di tre metri di distanza, \nseparato solo dai pochi millimetri della vetrata, un giovane capriolo \nstava brucando i germogli più teneri d’erba.\nImprovvisamente l’animale aveva alzato la testa, come destato da \nun rumore improvviso, si era voltato verso di lui, lo aveva osservato \nper una frazione di secondo ed era fuggito via. L’ombra di Sara era \nspuntata a piedi nudi sulla parete opposta della camera.\nL’ombra di Sara\n8 \n9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.7.png","STORIE DI CASE\nTo balance the wooden materials used in the space, the \nshades of the furnishings, fabrics, materials, and textures alternate, \nfollowing a color scale that flows from white to black, interspersed  \nwith different shades of gray to break up the monochrome feeling \nand enhance its ample points of light. An elegant house, with a \nprecise personality in which every detail is characterized by an \naesthetic that connects to the other elements, manages to create \nan elegantly austere atmosphere, capable of telling its story at \nfirst glance.\nL’alternanza delle tonalità degli arredi, che nei tessuti, nei \nmateriali e nelle texture seguono una scala di colori che va dal \nbianco al nero, inframezzata da diversi toni di grigio, permette  \ndi fare da contraltare all’architettura in legno dei locali, \nspezzandone la monocromia e valorizzandone gli ampi punti \nluce. Una casa elegante, dalla precisa personalità, in cui ogni \ndettaglio è caratterizzato da un’estetica comune agli altri \nelementi, riuscendo a creare un’atmosfera signorilmente \naustera, capace di raccontarsi fin dal primo sguardo.\n10 \n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.8.png","STORIE DI CASE\nChapter N. 1\n12 \n13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.9.png","STORIE DI CASE\nChapter N. 1\n14 \n15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.10.png","STORIE DI CASE\n16 \n17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.11.png","18 \n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.12.png","STORIE DI CASE\n20 \n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.13.png","Chapter N. 1\n22 \n23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.14.png","STORIE DI CASE\n24 \n25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.15.png","STORIE DI CASE\nChapter N. 1\n26 \n27\n",15,{"image":74,"text":15,"number":75},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.16.png",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.17.png","30 \n31\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.18.png","STORIE DI CASE\n32 \n33\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.19.png","N. 1\n35\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.20.png","STORIE DI CASE\n36 \n37\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.21.png","Sara was elegant even while she slept. When \nLuca woke up before her, he liked to stay in bed \nand observe her for a few minutes: to search \nher face for the little mole with which he had \nfallen in love, to see the freckles barely visible \non her nose, to hope that unconsciously from \nsleep she would grant him the gift of a smile. \nSara era elegante anche mentre dormiva. \nQuando Luca si svegliava prima di lei,\ngli piaceva restare a letto e osservarla qualche \nminuto: cercarne sul viso il piccolo neo di cui\nsi era innamorato, scorgere le efelidi appena \nvisibili sul naso, sperare che inconsapevolmente \ndal sonno gli concedesse in regalo l’accenno\ndi un sorriso.\nSTORIE DI CASE\n38 \n39\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.22.png","40 \n41\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.23.png","Chapter N. 1\nSTORIE DI CASE\n42 \n43\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.24.png","44 \n45\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.25.png","The light of the sunset\nChapter\nN. 2\nPHOTOS DAVIDE LOVATTI\n∂\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.26.png","STORIE DI CASE\nChapter N. 2\nWhen Elisa was alone, she often walked from room to room, stopping to \nobserve the paintings and sculptures with which they had decorated \nthe house. From time to time she enjoyed pulling Enzo Mari’s wooden \nanimals out of the box, dumping them out on the carpet and finding new \narrangements between bedside tables and shelves, letting her husband \ndiscover them among the catalogs in the living room or next to one of the \nworks of art they had collected over the years.\nThat afternoon, after closing the door behind him, Matteo found \nher in front of the computer, sitting in the wine-colored chair at \nthe table facing the window. She always sat there when she had to \nwork, as if the unraveling of the hills that opened before her eyes \nhelped her to concentrate better. \nHe kissed her on the neck, slightly brushing her hair aside. She greeted  \nhim carelessly, barely looking up from the screen. A moment later \nshe got up and went to curl up on the sofa. He set his bag down on \nthe ground and went to her, asking if everything was all right.\n“I looked at the location of the exhibition in September, and we should \nreview the layout of some rooms” she huffed, turning on the TV. \n“Don’t worry about it now. There are more than three months until then. We will \nfind a solution,” Matteo reassured her as the orange rays of the sun began to \nreflect on the composition of paintings behind their heads. He then went to \nthe kitchen and returned with two glasses of white wine in his hand.\n“Do we have something to toast to that I don’t know about?” she asked in \namazement. “It’s a surprise,” he smiled, looking out the windows, letting the \nclink of glasses echo through the walls of the house.\nThe light of the sunset\nQuando Elisa era da sola passeggiava spesso tra le stanze, fermandosi ad \nosservare i quadri e le sculture con cui avevano arredato casa. Di tanto in \ntanto si divertiva a tirare fuori dalla scatola gli animali in legno di Enzo Mari, \nrovesciarli sul tappeto e trovarne nuove disposizioni tra comodini e mensole, \nlasciando che fosse suo marito a scoprirli tra i cataloghi del salotto o accanto \na una delle opere d’arte che avevano collezionato nel corso degli anni.\nQuel pomeriggio, dopo essersi chiuso la porta alle spalle, Matteo  \nl’aveva trovata davanti al computer, seduta sulla sedia color vinaccia \ndel tavolo affacciato alla vetrata. Si metteva sempre lì, quando doveva \nlavorare, come se il dipanarsi delle colline che le si aprivano davanti \nagli occhi l’aiutasse a concentrarsi meglio. \nL’aveva baciata sul collo, scostandole leggermente i capelli. Lei si \nera limitata a salutarlo senza attenzione, sollevando a malapena gli \nocchi dallo schermo. Un attimo dopo si era alzata ed era andata a \nrannicchiarsi sul divano. Lui aveva posato la borsa a terra e l’aveva \nraggiunta, domandandole se andasse tutto bene.\n“Ho dato un occhio alla location della mostra di settembre, dovremmo \nrivedere la disposizione di qualche sala” aveva sbuffato accendendo la tv. \n“Ora non ci pensare, mancano più di tre mesi, troveremo una soluzione” \nl’aveva tranquillizzata Matteo mentre i raggi arancioni del sole cominciavano \na riflettersi sulla composizione di quadri dietro le loro teste. \nEra andato in cucina, poi, ed era tornato con due calici di vino bianco in mano.\n“Dobbiamo brindare a qualcosa che non so?” aveva domandato lei stupita. \n“È una sorpresa…” aveva sorriso lui guardando oltre le vetrate, lasciando \nche il tintinnio dei bicchieri si propagasse tra le pareti della casa.\nLa luce del tramonto\n48 \n49\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.27.png","STORIE DI CASE\nA house with a modern, curated style and bright rooms \nthat give way to a spacious living room completely surrounded \nby windows. The furnishings, eclectic and refined, highlight the \ntexture of the walls, bestowing this home with a soul that can \nfeel intimate and personal, but also outgoing. A home with a \nstylish aesthetic, in which the coordinated use of browns, beiges \nand yellows, inspired by golden and wooden finishes, create an \nenvironment in which the contemporary works of art on display \nfind their perfect home.\nUna casa dallo stile moderno e ricercato, con stanze luminose  \nche danno vita a un’ampia zona giorno, completamente \ncircondata da vetrate. Gli arredi, eclettici e raffinati, risaltano \nla matericità delle pareti, conferendo all’abitazione un’anima \npropria, che sa farsi intima e personale, ma anche aprirsi \nall’esterno. Un’abitazione dal ricercato gusto estetico, in cui \nl’utilizzo coordinato di cromie marroni, beige e gialle, riprese  \nda finiture dorate e in legno, creano un ambiente in cui le \nopere d’arte contemporanee esposte trovano la loro perfetta \ncollocazione.\n50 \n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.28.png","52 \n53\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.29.png","STORIE DI CASE\nChapter N. 2\n54 \n55\n",29,{"image":129,"text":15,"number":130},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.30.png",30,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.31.png","STORIE DI CASE\nChapter N. 2\n58 \n59\n",31,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.32.png","60 \n61\n",32,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.33.png","62 \n63\n",33,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.34.png","Chapter N. 2\n64 \n65\n",34,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.35.png","66 \n67\n",35,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.36.png","N. 2\nSTORIE DI CASE\n68 \n",36,{"image":156,"text":157,"number":158},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.37.png","70 \n71\n",37,{"image":160,"text":161,"number":162},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.38.png","STORIE DI CASE\nChapter N. 2\n72 \n73\n",38,{"image":164,"text":165,"number":166},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.39.png","75\n",39,{"image":168,"text":169,"number":170},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.40.png","STORIE DI CASE\nChapter N. 2\n76 \n77\n",40,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.41.png","STORIE DI CASE\nIf a couple of friends were invited to dinner, \nMatteo cooked. He experimented with refined \nrisottos or fine cuts of meat, with which he \nloved to combine the best bottles from their \ncellar. Elisa instead took care of the table, \nattempting to embellish it with floral elements \nthat each time recalled the colors of a different \nwork of art.\nSe invitavano a cena qualche coppia di amici \nera Matteo a cucinare. Si cimentava in risotti \nricercati, o in qualche taglio di carne pregiato, \na cui amava abbinare le migliori bottiglie \ndella loro cantina. Elisa invece si occupava \ndella tavola, provando ad abbellirla con elementi \nfloreali che ogni volta richiamavano i colori \ndi un’opera d’arte diversa.\n78 \n79\n",41,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.42.png","STORIE DI CASE\nChapter N. 2\n80 \n81\n",42,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.43.png","STORIE DI CASE\n82 \n",43,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.44.png","84 \n85\n",44,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.45.png","STORIE DI CASE\n86 \n87\n",45,{"image":192,"text":193,"number":194},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.46.png","STORIE DI CASE\nChapter N. 2\n88 \n89\n",46,{"image":196,"text":197,"number":198},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.47.png","STORIE DI CASE\nA whole week to themselves\nChapter\nN. 3\nPHOTOS THOMAS PAGANI\n∂\n",47,{"image":200,"text":201,"number":202},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.48.png","STORIE DI CASE\nChapter N. 3\nA whole week. A home of their own. When his mother’s new partner had left for \nArgentina, she offered to leave Pier the keys to her home, the only condition \nbeing to take care of Mia, the cat she had adopted a few years before.\nAs soon as they arrived they put their suitcases on the ground. Pier \nstopped in the doorway, dumbfounded, while his friends began to \nexplore the apartment. He could hear their voices filling the \ncorridors and echoing euphorically from one room to another.\nAwakened by the noise, Mia joined him at the entrance and began to \neagerly rub against his legs. After stroking her, Pier picked her up. \nOnly then did he feel permitted to enter.\nThe house welcomed them warmly. They had found the right place for every \nactivity: lunches with spaghetti and fresh cherry tomatoes, sitting on the four \nstools in the kitchen, laughing about the the last months of university; sipping \nbitters on the rocks in the “the tapestry room”, as they had nicknamed it; the \ngames of Risk played on the immense sectional sofa, careful that Mia did \nnot jump on the board and ruin everything at the best part. And above all the \nswimming pool, where they had spent every morning of the week alternating \nbetween taking a dip to and reviewing their statistics notes. \nOn the last night of their holiday, with his head resting on the pillow, \nPier thought that each of those rooms had its own harmony, capable \nof perfectly matching the moods of those who lived there. Closing \nhis eyes, he had convinced himself that there was no better place \nfor his mother to build her new future.\nA whole week to themselves\nUna settimana intera. Una casa tutta per loro. Quando il nuovo compagno \ndi sua madre era partito per l’Argentina, si era offerto di lasciargli le chiavi \ndella sua abitazione, con l’unico impegno di prendersi cura di Mia, la gatta \nche aveva adottato da qualche anno.\nAppena arrivati avevano posato le valigie a terra. Pier si era fermato \nsull’uscio, come interdetto, mentre i suoi amici avevano cominciato \nad esplorare l’appartamento. Poteva sentire le loro voci riempire i \ncorridoi e risuonare euforiche da una camera all’altra.\nDestata da quei rumori, Mia l’aveva raggiunto all’ingresso e aveva \niniziato a strofinarsi ruffiana sulle sue gambe. Dopo averla accarezzata, \nPier l’aveva presa in braccio. Solo in quel momento si era sentito in \ndiritto di entrare.\nLa casa era stata accogliente con loro. Avevano trovato il luogo adatto ad \nogni attività: i pranzi con spaghetti e pomodorini freschi, seduti sui quattro \nsgabelli della cucina, ridendo limpidi degli ultimi mesi di università; gli amari \nghiacciati bevuti nel “salotto dell’arazzo”, come l’avevano soprannominato \nloro; le partite a Risiko giocate sull’immenso divano angolare, attenti che \nMia non saltasse sul tabellone rovinando tutto sul più bello. E soprattutto \nla piscina, dove avevano trascorso tutte le mattine della settimana, tra un \nbagno e le pagine di statistica da ripassare.\nL’ultima notte della loro vacanza, con la testa appoggiata sul cuscino, \nPier aveva pensato che ognuna di quelle stanze avesse un’armonia \npropria, capace di accordarsi perfettamente agli stati d’animo di chi \nle abitava. Chiudendo gli occhi, si era convinto che per sua madre \nnon potesse esistere posto migliore dove costruirsi un nuovo futuro.\nUna settimana tutta per loro\n93\n92\n",48,{"image":204,"text":205,"number":206},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.49.png","STORIE DI CASE\nEach room in this antique neoclassical residence is designed \nto intuitively imply its function. A succession of various domestic  \nenvironments are tied together by a common aesthetic, but at \nthe same time are capable of expressing their own personalities \nthrough their quite sophisticated furnishings and objects of design \nand everyday use that fit together just perfectly. The architectural \nelements of the house, enhanced by the clean, basic lines of the \nfurniture, are combined with refined textures that give life to a \nunique and timeless atmosphere.\nOgni stanza di questa antica residenza dallo stile neoclassico è \npensata per suggerirne intuitivamente una funzione d’utilizzo. \nUna successione di ambienti domestici diversi, legati sì da \nun’estetica comune, ma contemporaneamente capaci di \nesprimere una personalità propria, grazie ad arredi più o \nmeno sofisticati e oggetti di design e uso quotidiano che si \nsposano alla perfezione. Agli elementi architettonici della \ncasa, valorizzati dalle forme pulite ed essenziali dei mobili, \nsono abbinate texture raffinate, che permettono di dar vita a \nun’atmosfera unica e senza tempo.\n94 \n",49,{"image":208,"text":209,"number":210},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.50.png","STORIE DI CASE\n96 \n97\n",50,{"image":212,"text":213,"number":214},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.51.png","STORIE DI CASE\nChapter N. 3\n98 \n99\n",51,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.52.png","STORIE DI CASE\nChapter N. 3\n100 \n101\n",52,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.53.png","STORIE DI CASE\nChapter N. 3\n102 \n103\n",53,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.54.png","STORIE DI CASE\nChapter N. 3\nN. 3\n104 \n",54,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.55.png","106 \n107\n",55,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.56.png","STORIE DI CASE\nChapter N. 3\n108 \n109\n",56,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.57.png","STORIE DI CASE\n110 \n",57,{"image":240,"text":241,"number":242},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.58.png","112 \n113\n",58,{"image":244,"text":245,"number":246},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.59.png","STORIE DI CASE\nChapter N. 3\n114 \n115\n",59,{"image":248,"text":249,"number":250},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.60.png","116 \n117\n",60,{"image":252,"text":253,"number":254},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.61.png","STORIE DI CASE\n118 \n119\n",61,{"image":256,"text":257,"number":258},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.62.png","Chapter N. 3\n120 \n121\n",62,{"image":260,"text":15,"number":261},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.63.png",63,{"image":263,"text":264,"number":265},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.64.png","Chapter N. 3\n124 \n125\n",64,{"image":267,"text":268,"number":269},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.65.png","126 \n127\n",65,{"image":271,"text":272,"number":273},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.66.png","STORIE DI CASE\nOne evening, returning home, they all stripped \ndown and jumped into the pool. They splashed \naround and played in a way that hadn’t happened \nsince they were kids. After a rush of excitement, \nthere was a moment of absolute calm. The waves \nsmoothed out and each found himself leaning \nagainst a different side of the pool. They remained \nthere, motionless, looking at each other to grasp \nthe ultimate sense of their friendship.\nUna sera, rientrati a casa, si erano spogliati \nalla rinfusa e tuffati in piscina. Si erano schizzati \nd’acqua giocando tra loro come non gli capitava \nda quando erano ragazzini. Dopo quegli attimi  \ndi foga, c’era stato un momento di calma assoluta. \nLe onde si erano acquietate e ognuno si era \ntrovato appoggiato a un lato diverso della vasca. \nErano rimasti lì, immobili, guardandosi a vicenda \nper cogliere il senso ultimo della loro amicizia.\nChapter N. 3\n129\n",66,{"image":275,"text":276,"number":277},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.67.png","130 \n131\n",67,{"image":279,"text":280,"number":281},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.68.png","STORIE DI CASE\n132 \n133\n",68,{"image":283,"text":284,"number":285},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.69.png","134 \n135\n",69,{"image":287,"text":288,"number":289},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.70.png","STORIE DI CASE\n∂\nMilo’s future\nChapter\nN. 4\nPHOTOS FEDERICO CEDRONE\n",70,{"image":291,"text":292,"number":293},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.71.png","STORIE DI CASE\nChapter N. 4\nThe marble table was perfectly set: on the satin tablecloth, embellished with \nochre yellow embroidery, the silver cutlery, the crystal goblets and the floral \ncenterpiece formed an architecture supported by a perfect balance.\nA couple of logs were burning in the fireplace. Francesco and Giulia almost \nnever lit it anymore, except when their grandson Milo would ask them, like on \nthat very day. Now, seated in his chair, Francesco could observe him through \nthe doorframe while he played with an enormous wooden track on the living \nroom carpet.\n“Have you decided where to go on holiday?” he asked his son Arturo.\nHe looked at Laura as someone who has a secret to tell, undecided \nabout who should speak first.\n“We are going to Paris,” replied Arturo. “But to live,” he added a \nmoment later, taking parents by surprise. “I accepted a job offer \nfrom an important studio overlooking the Place des Vosges.”\n“And Milo?” Francesco asked, immediately regretting his ill-timed \ncuriosity.\n“He’s going to learn French.” Laura reassured him. “It will be useful \nto him in the future.”\n“Wait a minute,” Giulia said before getting up. She ran to the \nbedroom, grabbed the picture frame resting on the wooden chest \nof drawers and returned to them. The photo framed inside, in \nblack and white like the furnishings of the house, depicted her and \nFrancesco when they were young. Beautiful as can be at twenty \nyears old. “This is when Dad asked me to marry him during a trip to \nParis,” she explained, pointing out the gardens of a square in the \nbackground of the shot. Place des Vosges. The same place where \nhis son would work.\nMilo’s future\nLa tavola in marmo era apparecchiata alla perfezione: sulla tovaglia di \nraso, impreziosita da ricami giallo ocra, le posate d’argento, i calici in cristallo \ne il centrotavola floreale formavano un’architettura sorretta da un equilibrio \nperfetto.\nNel camino bruciavano un paio di ciocchi di legno. A Francesco e Giulia non \ncapitava quasi più di accenderlo, tranne quando a chiederglielo era loro \nnipote Milo, come quel giorno. Ora, seduto sulla sua sedia, Francesco lo \npoteva osservare, attraverso il profilo della porta, mentre giocava sul tappeto \ndel salotto con un’enorme pista in legno.\n“Avete deciso dove andare in vacanza?” aveva chiesto a suo figlio \nArturo.\nLui aveva guardato Laura come chi condivide un segreto, indeciso su \nchi dei due dovesse parlare per primo.\n“Andiamo a Parigi” aveva risposto il figlio. “Ma a vivere” aveva \naggiunto un attimo dopo cogliendo di sorpresa i genitori, “ho \naccettato la proposta di un importante studio che si affaccia su \nPlace des Vosges.”\n“E Milo?” aveva domandato Francesco pentendosi subito della \ncuriosità inopportuna.\n“Imparerà il francese”, l’aveva tranquillizzato Laura, “gli sarà utile, \nper il futuro.”\n“Aspettate un attimo” aveva detto Giulia prima di alzarsi. Era corsa in  \ncamera da letto, aveva afferrato il porta-fotografie poggiato sulla \ncassettiera in legno ed era tornata da loro. La foto incorniciata al \nsuo interno, in bianco e nero come gli arredi dell’abitazione, ritraeva \nlei e Francesco da giovani. Belli come si è belli a vent’anni.\n“Qui è quando papà mi ha chiesto di sposarlo, durante un viaggio a \nParigi” aveva spiegato indicando, sullo sfondo dello scatto, i giardini \ndi una piazza. Place des Vosges. La stessa dove avrebbe lavorato \nsuo figlio.\nIl futuro di Milo\n138 \n139\n",71,{"image":295,"text":296,"number":297},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.72.png","STORIE DI CASE\nA house furnished in a refined, cultured style with some \nhints of rationalism and of the luxury atmospheres of the ‘30s, \nyet revisited in order to bring forth a modern feel. The furnishings \ngive freshness and personality to the structure of the spaces, as \ndo the luminous neutral shades, which at times flow into touches \nof green and blue which marry well with velvets and finely \ndetailed fabrics. The use of marble and golden details embellish \nthe rooms to create an elegant blend of eras and cultures.\nUna casa arredata con uno stile raffinato e colto, con alcuni  \nrimandi alle atmosfere del lusso degli anni ‘30 e del \nrazionalismo, rivisitati però in maniera da far emergere \nuna temporalità attuale. Gli arredi donano freschezza e \npersonalità all’architettura dei locali, anche grazie a tonalità \nneutre e luminose, che talvolta sfociano in tocchi di verde e \nblu, abbinati a velluti e tessuti finemente decorati. L’utilizzo \ndi marmi e di dettagli dorati impreziosiscono gli ambienti, \ncreando un elegante contaminazione di epoche e culture.\n140 \n",72,{"image":299,"text":300,"number":301},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.73.png","STORIE DI CASE\n142 \n143\n",73,{"image":303,"text":304,"number":305},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.74.png","144 \n145\n",74,{"image":307,"text":308,"number":309},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.75.png","STORIE DI CASE\n146 \n147\n",75,{"image":311,"text":312,"number":313},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.76.png","148 \n149\n",76,{"image":315,"text":316,"number":317},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.77.png","STORIE DI CASE\n151\n",77,{"image":319,"text":320,"number":321},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.78.png","152 \n153\n",78,{"image":323,"text":324,"number":325},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.79.png","Chapter N. 4\n154 \n155\n",79,{"image":327,"text":15,"number":328},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.80.png",80,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.81.png","STORIE DI CASE\nChapter N. 4\nN. 4\n158 \n",81,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.82.png","STORIE DI CASE\nChapter N. 4\n160 \n161\n",82,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.83.png","STORIE DI CASE\nChapter N. 4\n162 \n163\n",83,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.84.png","STORIE DI CASE\n164 \n165\n",84,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.85.png","STORIE DI CASE\nChapter N. 4\n166 \n167\n",85,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.86.png","STORIE DI CASE\nChapter N. 4\nMilo liked to build immense wooden tracks \nwhere his little trains could run. He amused \nhimself by letting them on and off the bridges, \nloading their cars with small objects of all \nkinds, wearing their wheels down along the \nsame path endlessly. He built his own little \nworlds, imagined their architecture and filled \nthem with stories, as he would soon do in \nthe new house in Paris.\nA Milo piaceva costruire immense piste in \nlegno dove far correre i suoi trenini. Si divertiva \na farli scendere e salire dai ponti, a caricare i loro \nvagoni con piccoli oggetti di ogni tipo, a fargli \nconsumare le ruote percorrendo all’infinito \nlo stesso percorso. Costruiva i suoi mondi, \nimmaginava le sue architetture e le riempiva \ndi storie, come presto avrebbe fatto nella nuova \ncasa di Parigi.\n168 \n169\n",86,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.87.png","STORIE DI CASE\nChapter N. 4\n170 \n171\n",87,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.88.png","STORIE DI CASE\n172 \n173\n",88,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.89.png","174 \n175\n",89,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.90.png","STORIE DI CASE\nChapter N. 4\n176 \n177\n",90,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.91.png","Suspended in time\nChapter\nN. 5\nPHOTOS MATTIA BALSAMINI\n∂\n",91,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.92.png","STORIE DI CASE\nHe didn’t like to stay at home alone. When he designed it, he had chosen the \nfurnishings for each room, studied every detail - the chairs, the tables, the \ndecorative touches - and imagined it full of friends. \nDriving down the tree-shaded driveway in his coupe, he was happy  \nthat Thomas and Camille were awaiting him. They had been his \nguests for the week. Javier had invited them to spend a few days \nrelaxing with him, enjoying the swimming pool, visiting the nearby \ncountryside, falling asleep to the chirping of cicadas. In the mean-\ntime, he was completing the preparation of the exhibition he was \ncurating, sometimes going to the studio, other times working from \nhome. In the morning, when the sun was not too hot, he would perch \non one of the tables outside to work, and in the afternoon he’d move \nover to one of the sofas in the living room. \n“I stopped in the village to get a white melon,” he proclaimed as soon as he \nreturned, his blonde hair caressed by a ray of sunshine. “Did you two have \na good morning?” \n“We took it easy,” replied Thomas. “We woke up late, had breakfast, and \nstretched out outside to read.” \n“What are you reading?” Javier asked. \n“Crossroads by Franzen,” Thomas replied. \n“I’m reading Pier Vittorio Tondelli, an Italian author,” Camille added. Then she \nlooked around as if it were the first time she had found herself here. “This \nhouse reflects you. And it conveys a cosmopolitan feeling. It’s as if it could \nbe here or anywhere else. It seems suspended in time. I would never leave.” \nJavier smiled. He was happy that his friends felt at ease in the spaces \nhe had designed with them also in mind.\nSuspended in time\nNon gli piaceva restare a casa da solo. Quando l’aveva progettata, aveva \nscelto gli arredamenti di ogni stanza, studiato ogni dettaglio - le sedie, i \ntavoli, i soprammobili - se l’era immaginata piena di amici. \nPercorrendo a bordo della sua coupé il vialetto di ingresso, riparato \ndall’ombra di qualche albero, si era sentito felice che Thomas e Camille  \nlo stessero aspettando. Erano suoi ospiti da una settimana. Javier li \naveva invitati a passare qualche giorno di relax da lui, sfruttando la \npiscina, visitando le campagne intorno, addormentandosi con il frinire \ndelle cicale. Lui, nel frattempo, avrebbe ultimato l’allestimento \ndella mostra che stava curando. Ogni tanto andando in studio, altre \nvolte lavorando da casa. La mattina, quando non batteva il sole, \nappoggiandosi a uno dei tavoli all’esterno, il pomeriggio spostandosi \nsu uno dei divani del living.\n“Mi sono fermato in paese a prendere un melone bianco” aveva esordito \nappena rientrato, i capelli biondi sfiorati da un raggio di sole, “voi avete \npassato una buona mattinata?”\n“Ce la siamo presa comodi” aveva risposto Thomas, “ci siamo svegliati tardi, \nabbiamo fatto colazione e ci siamo sdraiati fuori a leggere”. \n“Cosa state leggendo?” aveva chiesto Javier.\n“Crossroads di Franzen” aveva detto Thomas.\n“Io Pier Vittorio Tondelli, un autore italiano” aveva specificato Camille. Poi si \nera guardata intorno, come fosse la prima volta che si trovava lì. “Questa casa \nti rispecchia. E trasmette una sensazione cosmopolita. É come se potesse \ntrovarsi qui e in qualsiasi altro posto. Sembra sospesa nel tempo. Non me ne \nandrei mai”.\nJavier aveva sorriso. Era felice che i suoi amici si trovassero a proprio \nagio negli spazi che aveva progettato anche pensando a loro.\nSospesi nel tempo\nChapter N. 5\n180 \n181\n",92,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.93.png","STORIE DI CASE\nFuturistic structure design characterizes this house in the \nSpanish hinterland surrounded by olive and pine trees. Modules \nof different sizes, completely covered in wood, fit into the main \nframe allowing you to enhance any environment, also through \nthe use of large glass panes and recessed windows. The furniture \nblends with the shades of the interiors and those of the exteriors, \ngiving life to a modern home, in which the different rooms create \na unicum with a perfectly defined style and strong personality.\nUna struttura dal design avveniristico caratterizza questa \nabitazione dell’entroterra spagnolo circondata da ulivi e pini. \nModuli di diverse metrature, completamente rivestiti in  \nlegno, si inseriscono nell’intelaiatura principale permettendo \ndi valorizzare ogni ambiente, anche grazie alle ampie vetrate \ne alle finestre a incasso. L’arredamento si sposa con le tonalità \ndegli interni e con quelle degli esterni, dando vita a una casa \nmoderna, in cui i differenti vani creano un unicum dallo stile \nperfettamente definito e dalla forte personalità.\n182 \n",93,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.94.png","184 \n185\n",94,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.95.png","STORIE DI CASE\nChapter N. 5\n187\n",95,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.96.png","Chapter N. 5\n189\n",96,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.97.png","STORIE DI CASE\nChapter N. 5\n190 \n191\n",97,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.98.png","STORIE DI CASE\nChapter N. 5\n192 \n193\n",98,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.99.png","STORIE DI CASE\nChapter N. 5\n194 \n195\n",99,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.100.png","STORIE DI CASE\nChapter N. 5\n196 \n197\n",100,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.101.png","STORIE DI CASE\nChapter N. 5\n198 \n199\n",101,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.102.png","STORIE DI CASE\n200 \n201\n",102,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.103.png","STORIE DI CASE\nN. 5\n202 \n",103,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.104.png","Chapter N. 5\n205\n",104,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.105.png","206 \n207\n",105,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.106.png","STORIE DI CASE\nChapter N. 5\n208 \n209\n",106,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.107.png","STORIE DI CASE\n210 \n211\n",107,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.108.png","STORIE DI CASE\n212 \n213\n",108,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.109.png","STORIE DI CASE\nChapter N. 5\n214 \n215\n",109,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.110.png","216 \n217\n",110,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.111.png","STORIE DI CASE\n218 \n219\n",111,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.112.png","220 \n221\n",112,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.113.png","STORIE DI CASE\nChapter N. 5\n222 \n223\n",113,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.114.png","STORIE DI CASE\nHe had decided to move to the countryside \na few years ago. This had previously been \nhis second home where he would spend the \nweekends and a few weeks every summer with \nfriends. Then he got tired of life in the city. \nHe would only go back for meetings, and \nthe other days he would work from there. \nIn just a few months he had reclaimed his time. \nRacing in Madrid had become a distant memory.\nAveva deciso di trasferirsi in campagna da \nqualche anno. Prima quella era stata la sua \nseconda casa, ci passava i weekend e un paio \ndi settimane con gli amici ogni estate. Poi si \nera stufato della vita in città. Ci sarebbe tornato \nsolo per le riunioni, gli altri giorni avrebbe \nlavorato da lì. In pochi mesi si era riappropriato \ndel proprio tempo. Le corse di Madrid erano \ndiventate un ricordo lontano.\nChapter N. 5\n224 \n225\n",114,{"image":466,"text":15,"number":467},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.115.png",115,{"image":469,"text":470,"number":471},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.116.png","STORIE DI CASE\nCaptions\nChapter\nN. 1\np. 11\np. 12\np. 14\np. 15\np. 17\np. 18\np. 22\np. 25\np. 27\np. 30\np. 32\np. 33\np. 35\np. 36\np. 37\np. 39\np. 40\np. 42\np. 43\np. 44\np. 45\nISABELLE small armchair \n\u002F poltroncina\nTIMOTHY modular sofa \n\u002F divano componibile\nTIMOTHY low tables \u002F tavoli bassi\nISABELLE small armchairs \n\u002F poltroncine\nADRIAN low tables \u002F tavoli bassi\nFARRELL pouf\nHARDY consoles\nTIMOTHY low tables \u002F tavoli bassi\nTIMOTHY modular sofa \n\u002F divano componibile\nTIMOTHY low tables \u002F tavoli bassi\nISABELLE small armchairs \n\u002F poltroncine \nADRIAN low table \u002F tavolo basso\nHARDY console\nTIMOTHY modular sofa \n\u002F divano componibile \nTIMOTHY low tables \u002F tavoli bassi\nTIMOTHY modular sofa \n\u002F divano componibile\nTIMOTHY low tables \u002F tavoli bassi\nFARRELL pouf\nOWEN table \u002F tavolo \nODETTE chairs \u002F sedie\nVERNER DOUBLE FACE modular \nstorage unit \u002F contenitore componibile\nOWEN table \u002F tavolo \nODETTE chairs \u002F sedie\nVERNER DOUBLE FACE modular \nstorage unit \u002F contenitore componibile\nOWEN table \u002F tavolo \nODETTE chair \u002F sedia\nVERNER DOUBLE FACE modular \nstorage unit \u002F contenitore componibile\nFARRELL sofa \u002F divano\nFARRELL small armchairs \u002F poltroncine\nADRIAN low tables \u002F tavoli bassi\nHARDY consoles\nADRIAN low table \u002F tavolo basso\nFARRELL small armchairs \u002F poltroncine\nADRIAN low table \u002F tavolo basso\nHARDY consoles\nPLINTO table \u002F tavolo \nHARDY bookcase \u002F libreria\nBURT writing desk \u002F scrittoio\nTOTÒ pouf\nHARDY bookcases \u002F librerie\nLOUIS UP BED bed \u002F letto\nNINA bench \u002F panca\nCOLE console\nLOUIS UP BED bed \u002F letto\nTOTÒ pouf \nHARDY low table \u002F tavolo basso\nCOLE console\nDOUGLAS chest of drawers \n\u002F cassettiera\nLOUIS UP BED bed \u002F letto\nNINA bench \u002F panca\nHARDY low table \u002F tavolo basso \nDOUGLAS chest of drawers \n\u002F cassettiera \nTOTÒ pouf \nBURT writing desk \u002F scrittoio\nDOUGLAS chest of drawers \n\u002F cassettiera\nLOUIS UP BED bed \u002F letto\nTOTÒ pouf\nCOLE console\nCOLE console\n",116,{"image":473,"text":474,"number":475},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.117.png","STORIE DI CASE\nCaptions\nChapter\nN. 2\np. 52\np. 54\np. 55\np. 59\np. 60\np. 62\np. 64\np. 66\np. 68\np. 70\np. 73\np. 75 \np. 76 \np. 77\np. 79\np. 80\np. 81\np. 84\np. 86\np. 87\np. 89\nHAROLD DEEP modular sofa \n\u002F divano componibile\nPOCKET saddle leather magazine rack \n\u002F porta riviste in cuoio \nGONG low tables \u002F tavoli bassi \nADRIAN low tables \u002F tavoli bassi\nHARDY stand\nHAROLD DEEP modular sofa \n\u002F divano componibile\nGONG low table \u002F tavolo basso\nHARDY stand\nLOLYTA day bed\nHARDY bookcases \u002F librerie\nZOE KUOIO armchairs \u002F poltrone\nLEON low table \u002F tavolo basso\nNORTON sofa \u002F divano \nNORTON CAPITONNÈ pouf\nPEK low table \u002F tavolo basso\nTIMOTHY storage unit \u002F contenitore\nNORTON sofa \u002F divano \nNORTON CAPITONNÈ pouf \nBELMON small armchairs \n\u002F poltroncine\nBELMON small armchair \n\u002F poltroncina \nGONG table \u002F tavolo\nLOLYTA DUE chair \u002F sedia\nISETTA chair \u002F sedia\nKITA chair \u002F sedia\nODETTE chair \u002F sedia\nSYLVIE chair \u002F sedia\nDIAZ chair \u002F sedia\nGONG table \u002F tavolo \nISETTA chair \u002F sedia\nSYLVIE chair \u002F sedia\nABEL console\nLUDWIG DIAMOND cabinet \u002F madia\nPLINTO table \u002F tavolo\nRIDER chairs \u002F sedie\nHARDY stool \u002F sgabello\nLUDWIG DIAMOND cabinet \u002F madia \nPLINTO table \u002F tavolo\nQUEEN armchairs \u002F poltrone\nBELT low table \u002F tavolo basso\nBELT low table \u002F tavolo basso\nSCOTT BED bed \u002F letto\nCLUNY night table \u002F comodino\nSCOTT pouf\nCLUNY night table \u002F comodino\nSCOTT BED bed \u002F letto\nCLUNY night table \u002F comodino\nZOE OPEN AIR armchairs \u002F poltrone\nJOI OPEN AIR table \u002F tavolo\nTAI OPEN AIR chairs \u002F sedie\n",117,{"image":477,"text":478,"number":479},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.118.png","STORIE DI CASE\nCaptions\nChapter\nN. 3\np. 97\np. 98\np. 101\np. 102\np. 104\np. 106\np. 108\np. 109\np. 112\np. 114\np. 115\np. 116\np. 119\np. 120\np. 121\np. 124\np. 125\np. 126\np. 130\np. 132\np. 133\nHAROLD modular sofa \n\u002F divano componibile\nCECILE small armchair \u002F poltroncina\nPEK low table \u002F tavolo basso\nBLAKE low table \u002F tavolo basso\nHAROLD\u002FHAROLD DEEP modular sofa \n\u002F divano componibile\nBLAKE low table \u002F tavolo basso\nPEK low table \u002F tavolo basso\nCECILE small armchair \u002F poltroncina\nAMADEUS wall unit \u002F pensile\nCECILE small armchairs \u002F poltroncine\nPEK low table \u002F tavolo basso\nBLAKE low table \u002F tavolo basso\nBURT writing desk \u002F scrittoio\nSYLVIE sedia \u002F chair\nTIMOTHY relax chaise\nBOBO low table \u002F tavolo basso\nGONG low table \u002F tavolo basso\nTIMOTHY BED bed \u002F letto\nBELT MIRROR low table \u002F tavolo basso\nBIRK mirror \u002F specchio\nTIMOTHY relax chaise\nBOBO low table \u002F tavolo basso\nTIMOTHY BED bed \u002F letto\nBELT MIRROR low table \u002F tavolo basso\nLOUIS UP sofas \u002F divani\nRALF low table \u002F tavolo basso \nLEON low table \u002F tavolo basso\nFORREST WOOD small armchair \n\u002F poltroncina\nCHARLOT poufs\nCRUIS console\nLOUIS UP sofa \u002F divano\nLEON low table \u002F tavolo basso\nRALF low table \u002F tavolo basso\nCHARLOT pouf\nFORREST WOOD small armchair \n\u002F poltroncina\nLEON low table \u002F tavolo basso\nLOUIS UP sofa \u002F divano\nFORREST WOOD small armchair \n\u002F poltroncina\nZENO table \u002F tavolo \nTATTOO chairs \u002F sedie\nHARDY wall unit \u002F pensile\nZENO table \u002F tavolo \nTATTOO chair \u002F sedia\nZENO table \u002F tavolo \nGONG table \u002F tavolo \nCHARLOT poufs\nRUBEN modular wall storage unit \n\u002F contenitore pensile componibile\nGONG table \u002F tavolo \nCHARLOT poufs\nRUBEN modular wall storage unit \n\u002F contenitore pensile componibile\nCLAUD OPEN AIR relax lounge beds \n\u002F lettini relax\nZOE WOOD OPEN AIR small armchairs \n\u002F poltroncine\nCLAUD OPEN AIR relax lounge bed \n\u002F lettino relax\nZOE WOOD OPEN AIR small armchair \n\u002F poltroncina\nCONE OPEN AIR low table \n\u002F tavolo basso\n",118,{"image":481,"text":482,"number":483},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.119.png","STORIE DI CASE\nCaptions\np. 143\np. 144\np. 146\np. 147\np. 148\np. 151\np. 152\np. 158\np. 161\np. 163\np. 165\np. 166\np. 168\np. 170\np. 172\np. 173\np. 174\np. 177\nNANÌ armchair \u002F poltrona\nHARDY console\nLIU bergères\nSTEWART tavolo basso \u002F low table\nOWEN LOUNGE table \u002F tavolo \nCHARLOT pouf\nNOTE chest of drawers \u002F cassettiera\nLAUREN bed \u002F letto\nRALF night table \u002F comodino \nBERRY bench \u002F panca\nLAUREN bed \u002F letto\nRALF night table \u002F comodino\nBERRY bench \u002F panca\nLENNY FIT small armchairs \n\u002F poltroncine\nMILLER low tables \u002F tavoli bassi\nLENNY FIT small armchairs \n\u002F poltroncine\nMILLER low tables \u002F tavoli bassi\nBELMON dormeuse\nPEK low table \u002F tavolo basso\nHARDY stand\nHECTOR sofas \u002F divani\nCLUNY low table \u002F tavolo basso\nPEK low table \u002F tavolo basso\nSTEWART low table \u002F tavolo basso\nCHARLOT pouf\nOWEN LOUNGE table \u002F tavolo\nHECTOR sofa \u002F divano\nPEK low table \u002F tavolo basso\nHECTOR sofa \u002F divano\nCLUNY low table \u002F tavolo basso\nPEK low table \u002F tavolo basso\nLIU bergere\nCHARLOT pouf  \nRUBEN modular wall storage unit \n\u002F contenitore pensile componibile\nBIRK mirror \u002F specchio\nOWEN table \u002F tavolo \nLOLYTA DUE chairs \u002F sedie\nOWEN table \u002F tavolo \nLOLYTA DUE chairs \u002F sedie\nFORREST WOOD small armchairs \n\u002F poltroncine\nMILLER low table \u002F tavolo basso\nCRUIS writing desk \u002F scrittoio\nODETTE chair \u002F sedia\nFORREST WOOD small armchair \nand pouf \u002F poltroncina e pouf\nLUDWIG DIAMOND cabinet \u002F madia\nMILLER table \u002F tavolo \nODETTE chairs \u002F sedie\nRUBEN modular wall storage unit \n\u002F contenitore pensile componibile\nChapter\nN. 4\n",119,{"image":485,"text":486,"number":487},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.120.png","STORIE DI CASE\nCaptions\nChapter\nN. 5\np. 184\np. 186\np. 189\np. 190\np. 192\np. 193\np. 194\np. 197\np. 200\np. 201\np. 202\np. 206\np. 209\np. 210\np. 211\np. 212\np. 213\np. 215\np. 216\np. 218\np. 219\np. 220\np. 222\np. 223\np. 224\nRENÈ modular sofa \n\u002F divano componibile\nADRIAN low table \u002F tavolo basso \nBOBO low table \u002F tavolo basso\nRENÈ modular sofa \n\u002F divano componibile\nBOBO low tables \u002F tavoli bassi\nADRIAN low table \u002F tavolo basso\nRENÈ modular sofa \n\u002F divano componibile\nRUBEN modular wall storage unit \n\u002F contenitore pensile componibile\nITALO table \u002F tavolo\nITALO table \u002F tavolo\nITALO table \u002F tavolo\nKITA chairs \u002F sedie\nHARRIS wall unit \u002F pensile\nITALO table \u002F tavolo\nBURT writing desk \u002F scrittoio\nBURT writing desk \u002F scrittoio\nCHARLOT pouf\nHARDY wall unit \u002F pensile\nNINA bench \u002F panca\nRENÈ modular sofa \n\u002F divano componibile\nPEK low table \u002F tavolo basso\nGONG low table \u002F tavolo basso\nLIU armchair, pouf \u002F poltrona, pouf\nLUDWIG DIAMOND PLATINUM \nstorage unit \u002F mobile contenitore\nRENÈ modular sofa \n\u002F divano componibile\nPEK low table \u002F tavolo basso\nGONG low table \u002F tavolo basso\nHUBERT table \u002F tavolo\nEMILIA KUOIO sedia \u002F chair\nHUBERT table \u002F tavolo\nEMILIA KUOIO chairs \u002F sedie\nZOE WOOD OPEN AIR UNO \nsmall armchair \u002F poltroncina\nBONGO OPEN AIR low table \n\u002F tavolo basso\nZOE WOOD OPEN AIR UNO \nsmall armchairs \u002F poltroncine\nBONGO OPEN AIR low table \n\u002F tavolo basso\nNOA OPEN AIR DUE lounge beds \n\u002F lettini\nLOUIS bed \u002F letto\nTERESA armchair and pocket \n\u002F poltrona e tasca cuoio\nBIRK mirror \u002F specchio\nLOUIS bed \u002F letto\nTERESA armchair and pocket \n\u002F poltrona e tasca cuoio\nBELT low table \u002F tavolo basso\nBIRK mirror \u002F specchio\nCLAUD OPEN AIR relax lounge beds \n\u002F lettini relax\nCONE OPEN AIR low tables \n\u002F tavoli bassi\nCLAUD OPEN AIR relax lounge beds \n\u002F lettini relax\nCONE OPEN AIR low table \n\u002F tavolo basso\nCONE OPEN AIR low table \n\u002F tavolo basso\nTAI OPEN AIR UNO chairs \u002F sedie\nJOI OPEN AIR table \u002F tavolo\nJOI OPEN AIR bench \u002F panca\n",120,{"image":489,"text":490,"number":491},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.121.png","STORIE DI CASE\nCaptions\nN. 3\np. 91 - 135\nPHOTOS\nThomas Pagani\nINTERIOR & STYLING \nGreta Cevenini\nSTYLIST ASSISTANT\nCostanza Manzoni\nTHANKS TO\nAmini Carpets\nBitossi \ncc-tapis\nDe Vecchi Milano 1935\nFaina \nHelle Mardahl\nLumina\nMalwina Kleparska\nMarset\nNilufar \nOfficine Saffi\nRich Brilliant Willing\nSerax \nSociety Limonta\nValerie Objects\nVibia\nVitra\nCOURTESY OF \nDep Art Gallery\nTuri Simeti, 2 ovali color sabbia, 2006\nMarco Rossi Arte Contemporanea\nMirco Marchelli, Bella cera, 2017\nPaolo Serra, lacca su tavola, 2013-2014\nPaolo Serra, lacca su Tavola, 2010\nOfficine Saffi\nSilvia Celeste Calcagno, Je t’aime, 2016 \nSilvia Celeste Calcagno, Più forte, \nper favore, 2016\nKazuhito Nagasawa, The place where \nseeds have fallen, 2015 \nZsolt József Simon, Untitled, 2014\nCarlo Zauli, Vassoio, 1956 circa\nCarlo Zauli, Genesi, 1984\nOfficine Saffi\nCarlo Zauli, Zolla, 1978\nKeiji Ito, Hito, 2014\nPaolo Gonzato, Copy, 2019\nPaolo Gonzato, Isola Delle Rose, 2019\nShozo Michikawa, Natural Ash \nSculptural Form, 2015\nNero\u002FAlessandro Neretti, Queueing At The \nCash Machine Or Table For Ladies, 2015\nPalermouno\nCollezione Privata, Antique Wooden \nSculptures\nCollezione Privata, Vintage Column\nCollezione Privata, Vintage Shell Upstand\nFelicia Ferrore, Glass Tableware\nRoberto Gerosa, Corona Ashtray\nPino Pipoli\nCopricapi, 2016\nPresupposti, 1988\nSdoppio, 1988\nP420 Art Gallery\nAdelaide Cioni, Il mare, 2019\nAdelaide Cioni, Colonna, 2019\nAntonio Calderara, Senza titolo\u002FUntitled, 1972\nGoran Trbuljak, The Journal of Art 38 and 28, \n1991\nPaolo Icaro, Spazi di Spazio, Isoscele, 2015\nRodrigo Hernández, Silvia, 2017\nRibot Gallery\nOlivia Bax, No Smoke Without Fire, 2018\nOlivia Bax, Stoup, 2019\nSeeds London Gallery\nJames Shaw, Extruded recycled plastic, 2019\nJames Shaw, Plastic Baroque Cutlery, 2019\nJames Shaw, Grid Stool, 2018\nJochen Holz, Bark Glasses, 2019\nMartino Gamper and friends, No ordinary \nlove collective, 2016\nTiago Almeida, Playing with balance, 2019\nN. 1\np. 07 - 45\nPHOTOS\nGiorgio Possenti\nINTERIOR & STYLING \nElisa Ossino Studio\nTHANKS TO\nAmini Carpets\nFlos\nGuaxs\nHK Living\nKarakter\nKristina Dam Studio\nMuubs\nOfficine Saffi\nOyOy Living\nPier Luigi Pirazzi \nRestart Milano\nSociety Limonta\nTato Italia\nTom Dixon\nVanessa Mitrani\nVenicem\nCOURTESY OF \nMarco Rossi Arte Contemporanea\nTommaso Cascella, Novembre (1273), 1997\nTommaso Cascella, Nicchia del riparo, 1997\nGalleria l’Affiche\nFederico Guerri\nFrancesca Zoboli\nGiovanni Cavaliere\nLucretia Moroni\nLuigi Belli\nStefano Nalin\nUno\nwww.villalattuada.com\nN. 5\np. 179 - 227\nPHOTOS \nMattia Balsamini\nINTERIOR & STYLING \nAlessandro Pasinelli Studio\nTHANKS TO\nAlberto Levi Gallery\nAntonangeli\nArtemide\nDavide Groppi\nOnce Milano\nTato\nVitra\nCOURTESY OF\nMarco Rossi Arte Contemporanea\nMarco Gastini, Due con tre, 1996\nMarco Tirelli, Senza titolo, 2022\nMirco Marchelli, Voce in capitolo, 2019\nMedhat Shafik, Assedio, 2014\nMedhat Shafik, Luce dei sensi, 2001\nSergi Barnils, Configuracions, 2013\n \nOfficine Saffi\nKati Tuominen-Niittylä, Untitled, 2017\nYasuhisa Kohyama, Kaze, 2021\nN. 2\np. 47 - 89\nPHOTOS\nDavide Lovatti\nINTERIOR & STYLING \nLaura Tocchet\nSTYLIST ASSISTANT\nSilvia Pozzi\nElena Beri \nTHANKS TO\nAmini Carpets\nArtemide\nBang & Olufsen\nBesana Moquette\nColefax and Fowler e Larsen \nDanese Milano\nDigit & Associati\nEdizioni Design\nEsperia\nFlos\nKirkby Design\nMaddalena Selvini \nMartinelli Luce\nMohebban Milano\nNodus\nNude Glass\nOscarmaschera\nPaola C\nSociety Limonta\nTenoha Milano\nVitra\nCOURTESY OF \nAlice Ronchi\nThe Greeting Project, 2016\nKilimangiaro, 2014 On Going\nJonathan Vivacqua \nWater Pipe Hard Polyethylene, 2015\nMarie Schumann\nSoftspace #34, 2019\nN. 4\np. 137 - 177\nPHOTOS \nFederico Cedrone\nINTERIOR & STYLING \nvandersandestudio\nTHANKS TO\nAntichità San Marco\nBarbara Frua per G Lab Milano \nBarbara Schweizer Edizioni\nBooks Import\nCeramiche Milesi\nEdizioni Design \nFederica Bubani ceramics\nGalleria l’Affiche\nGolran\nLaboratorio Paravicini\nMario Consolo Chinese Antiques \nOfficine Saffi \nPescetta Antichità e Decorazione \nSociety Limonta\nStudio 2046\nTeseo Arte \nThe Silk Road Collection\nYali Glass\nCOURTESY OF \nG Lab Milano \nTable lamp Manta, design by Barbara Frua\nOfficine Saffi\nClementina Van Der Valt, Let us have \ntea and talk and talk about happy \nthings\nJohannes Nagel, Untitled, 2018\nKati Tuominen-Niittylä, Untitled, 2018\nKeiji Ito, Tura, 2014\nPäivi Rintaniemi, Figur, 2014\nZsolt József Simon, Untitled, 2014\nTeseo Arte\nAndrea Viviani, Case tra pianeti, 2019\nAndrea Viviani, Fiore nero\nAndrea Viviani, Guglie e Cenge, 2019\nFranco Rota Candiani, Grenadine \nBiennale Venezia, 2019\n",121,{"image":493,"text":494,"number":495},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.122.png","Le immagini riprodotte su questo catalogo sono un suggerimento \ndi configurazioni, per le caratteristiche tecniche e dimensioni \nconsultare l’area riservata del nostro sito meridiani.it\nMeridiani srl si riserva la facoltà di modificare, in qualunque \nmomento e senza preavviso, le caratteristiche tecniche ed estetiche \ndei modelli illustrati nel presente catalogo. \nI prodotti Meridiani sono 100% made in italy.\nThe products displayed in this catalogue are to be considered as \nsample configurations. For any technical specifications and\u002For \ndimensions, please visit the reserved area of  our website meridiani.it \nMeridiani srl reserves the right to modify, at any time and without \nprior notice, the technical and aesthetic characteristics of the \nmodels shown in this catalogue. \nMeridiani products are 100% made  in italy.\nART DIRECTION \nAndrea Parisio \nCONCEPT IMAGE\nChiara Boselli (chapter n. 1, 2, 3, 4)\nVZNstudio (chapter n. 1, 2, 3, 4, 5)\nGRAPHIC\nVZNstudio (Nicola Iannibello, Sonia Mion)\nTEXTS\nPaolo Bottiroli\nPRINTED IN ITALY BY\nEuroteam, July 2023\nPHOTO RETOUCHING\nCD Cromo\nMERIDIANI SRL\n20826 MISINTO ITALY\nVIA BIRAGO, 16\nTEL +39 02 96 69 161\nINFO@MERIDIANI.IT\nMERIDIANI.IT\n#Meridianilivinginteriors\n© MERIDIANI SRL\nCOPYRIGHT 1998\nJULY 2023\n",122,{"image":497,"text":15,"number":498},"\u002Fmedia\u002Fimages\u002F17\u002F4392f293ae5de8c3563e17ec6d06dd-28d4fbbfc2.123.png",123,[],0,false,true,{"success":502,"data":504,"meta":716,"count":717,"next":718,"previous":719,"results":751,"brand_chips":812},[505,517,529,542,551,564,576,586,596,605,615,627,636,646,655,665,678,687,697,707],{"id":506,"title":507,"slug":508,"image":509,"source":510,"brand_name":511,"brand":512,"brand_slug":513,"file_size":514,"pages":515,"pages_count":408,"matched_pages":516,"match_count":500,"two_pages":501,"show_text":502},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 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