[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-mattiazzi-collection-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":359},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":354,"matched_pages":355,"match_count":356,"two_pages":357,"show_text":358},18138,"Collection 2025","mattiazzi-collection-2025","\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Ff5\u002F59846b1232f4629b99516b3b3a6f65-2890135e1d.pdf","Mattiazzi",2383,"mattiazzi","38.0 MB",[14,17,20,24,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200,204,208,212,216,220,224,228,232,236,240,244,248,252,256,260,264,268,272,276,280,284,288,292,296,300,304,308,312,316,320,324,328,332,336,340,344,348,352],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.3.png","NOTES ON MATTIAZZI, THE COMPANY\nIn the 15 years since Mattiazzi developed its own brand, the company \nhas become a reference point in furniture design. Founded in 1979, \nthe business built a reputation for exceptional woodwork as a  \nthird-party producer in the heart of the ‘chair triangle,’ an esteemed \nmanufacturing hub in northern Friuli Venezia Giulia, Italy.\nIn 2009, Nevio Mattiazzi (co-founder of the company with his \nbrother Fabiano) and Cristina Salvati, the global sales and marketing \ndirector, opted for a significant strategic shift, establishing their own \ndesign label. Embracing a tradition ingrained in Italian craftsmanship, \nthey worked with a select team of renowned designers to develop an \nexceptional collection of chairs, employing a production process that \nseamlessly combined digital technology with an artisanal approach.\nThe  application of cutting-edge technology was not just \nutilitarian but an exploration of its potential. The introduction of \ncomputer-numerical-control (CNC) machinery, exemplified by the \nlegendary eight-axis robot, has allowed Mattiazzi to produce products \nwith in dus tr ial precision while evolving traditional methods and \ntechniques. \nToday, the company is notable for transitioning from a manufac-\nturer to a well-regarded international design brand with an inventive \napproach to furniture design and production. Its modest size and \nefficient decision-making processes allow it to navigate the global \nmarket while remaining agile and nurturing experimentation. What \nsets it apart, however, is the conception of the company as a creative \nventure rather than merely a commercial endeavour. \nMattiazzi remains one of the few furniture brands committed to \nin-house production. The company ethos centres on the exclusive \nuse of natural materials. From meticulously sourcing timber from \n5\n",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.4.png","6\nsustainably managed forests to using a chemical-free drying process, \nevery step in the production process demonstrates a profound respect \nfor the raw material, which is critical to more responsible, ethical \ndesign.\nAmong Mattiazzi’s most iconic creations are the Branca chair \n(2010) by Sam Hecht and Kim Colin, which melds high-tech robotics \nwith artisanal craftsmanship; the Osso chair (2011) by Ronan and \nErwan Bouroullec, sculpted through CNC milling; the Medici (2013), \nClerici (2015), and Cugino (2019) collections by Konstantin Grcic, \nwhich marry new typologies with the allure of natural wood, and \nJasper Morrison’s Zampa collection of quotidian chairs, armchairs \nand stools (2019).\nHaving strengthened its manufacturing capabilities, Mattiazzi \ndeveloped a distinct brand identity free from the constraints of \ntradition. Instinctively, the company fostered collaborations with \nacclaimed art directors, recognising that the company’s transforma-\ntion could only be realised with the power of design.\nMattiazzi thrives on close collaboration with designers, and the \ncompany’s ability to attract professionals interested in working in an \nenvironment that prioritises research and development is critical to \nits success. Recently, the design team welcomed Studio Œ (Lisa Ertel \nand Anne-Sophie Oberkrome) and Marialaura Irvine, tasked with \npioneering sustainable design solutions and radical approaches to \nraw and recycled materials.\nDriven by a fervent pursuit of innovation, Mattiazzi’s team remains \nsteadfast in its commitment to resource efficiency and is united by a \nshared vision to confront the challenges of a changing world.\nFrancesca Picchi\n7\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.5.png","MC  \nTHE MATTIAZZI COLLECTION\nMC 27 \nDOPO Studio Œ\nMC 26 \nPIPAIO Julie Richoz\nMC 25 \nPAF PAF Marialaura Irvine\nMC 24 \nSETA Foster + Partners\nMC 23 \nOTO Studio Œ\nMC 22 \nFILO Ronan & Erwan Bouroullec \nMC 21 \nLEVA Foster + Partners\nMC 20 \nCUGINO Konstantin Grcic\nMC 19 \nFRONDA Sam Hecht & Kim Colin\nMC 18 \nZAMPA Jasper Morrison\nMC 16 \nFORCINA Leon Ransmeier\nMC 15 \nQUINDICI Ronan & Erwan Bouroullec\nMC 14 \nPRIMO Konstantin Grcic\nMC 13  \nFACILE Lambl \u002F Homburger\nMC 12  \nTRONCO Sam Hecht & Kim Colin\nMC 10 \nCLERICI Konstantin Grcic\nMC 9  \nUNCINO Ronan & Erwan Bouroullec\nMC 8  \nCHIARO Leon Ransmeier\nMC 7  \nRADICE Sam Hecht & Kim Colin\nMC 6  \nFIONDA Jasper Morrison\nMC 5  \nSOLO Studio Nitzan Cohen\nMC 4  \nMEDICI Konstantin Grcic\nMC 3  \nOSSO Ronan & Erwan Bouroullec\nMC 2  \nBRANCA Sam Hecht & Kim Colin\nMC 1  \nHE SAID \u002F SHE SAID Studio Nitzan Cohen\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.6.png","DOPO Studio Œ\nDOPO LOW STOOL \ngreen aniline on ash\nDOPO COUNTER STOOL \nnatural wax on ash, \nash wood footrest\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.7.png","*only for natural ash frame\nDOPO Studio Œ\nMATERIALS\nGreen\nRAL 6024\nAsh\nFRAME\nNatural\nBlack\nRAL 9005\nGrey\nRAL 7035\nGrey\nRAL 7035\nViolet\nRAL 4009\n· Ash frame\nDOPO LOW STOOL\nAsh\nMetal\nFOOTREST\nBlack\nRAL 9005\nViolet\nRAL 4009\nGreen\nRAL 6024\nNatural*\n440\n400\n450\n525\n· Ash frame\nDOPO COUNTER STOOL\n485\n455\n750\n670\n· Ash frame\nDOPO BAR STOOL\n485\n455\n770\n850\n12\nDOPO BAR STOOL \nblack aniline on ash, \nblack coated metal footrest\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.8.png","PIPAIO BOWL \ndark red oiled on beech\nPIPAIO SIDE TABLE \ncherry stain on beech\nPIPAIO Julie Richoz\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.9.png","PIPAIO Julie Richoz\n· Beech frame\n· Beech frame\nPIPAIO BOWL\nPIPAIO SIDE TABLE\n426\n253\n350\n253\n275\n350\nMATERIALS\nBeech\nFRAME\nCherry\nStain oiled\nDark Red oiled\nRAL 3005\nBlack oiled\nRAL 9004\n16\nPIPAIO SIDE TABLE \nblack oiled on beech\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.10.png","PAF PAF Marialaura Irvine\nPAF PAF CHAIR \nnatural wax on ash, \nfabric upholstery\nPAF PAF CHAIR \nnatural wax on ash, \nfabric upholstery\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.11.png","20\nPAF PAF CHAIR \nwalnut stain on ash, \nfabric upholstery\nPAF PAF LOUNGE \nnatural wax on ash, \nleather upholstery\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.12.png","PAF PAF Marialaura Irvine\n· Ash frame with\n  removable upholstery:\n  - Kvadrat Elle\n  - Rohi Arco\n  - Sørensen Prestige\n  - Torri Lana Rico\n· Ash frame with\n  removable upholstery:\n  - Kvadrat Elle\n  - Rohi Arco\n  - Sørensen Prestige\n  - Torri Lana Rico\nPAF PAF CHAIR\nPAF PAF LOUNGE\nMATERIALS\nAsh\nFRAME\nNatural\n0200\nAqua\nNougat\n40677\n989.021\nWalnut\nStain\n0220\nCherry\nCognac\n40680\n989.270\n989.460\n0350\n0480\nKvadrat Elle\nRohi Arco\nSørensen Prestige\nTorri Lana Rico\nUPHOLSTERY\n490\n600\n405\n560\n970\n730\n850\n295\n490\n855\n22\nREF. #0500\nPhotography: Clément Goudet\nREF. #0512\nArchitecture: Parker Studio \nPhotography: Pablo Veiga\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.13.png","SETA \nnatural wax on ash, \nleather seat upholstery\nSETA Foster + Partners Industrial Design\nSETA \ngrey aniline on ash\nSETA \nred aniline on ash\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.14.png","SETA Foster + Partners Industrial Design\n· Ash frame\n· Ash frame with non\n  removable upholstery:\n  - Kvadrat Steelcut Trio\n  - Sørensen Envy\n  - Sørensen Dunes®\nStackable x8\nSETA CHAIR\n510\n490\n440\n760\nMATERIALS\nAsh\nFRAME\nNatural\nBlack\nRAL 9005\nGrey\nNCS 4000\nSteelcut Trio\n3\u002F105\nRed\nRAL 2002\nNeon Blue\nRAL 5013\nSteelcut Trio\n3\u002F526\nSteelcut Trio\n3\u002F796\nKvadrat Fabric\nUPHOLSTERY\nSørensen Leather\nEnvy Black\n20321\nDunes® Cognac\n21000\n26\nREF. #0514\nArchitecture: Foster + Partners \nPhotography: Nigel Young\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.15.png","OTO TWO–LEVEL CONSOLE \ndark red aniline on okoumé\nOTO SIDE TABLE \nnatural wax on okoumé\nOTO Studio Œ\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.16.png","30\nOTO BENCH \ngreen beige aniline on okoumé\nOTO MEDIUM CONSOLE \nnatural wax on okoumé\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.17.png","OTO Studio Œ\nMATERIALS\n· Okoumé frame\n· Okoumé frame\nOTO MEDIUM CONSOLE\nOTO TWO-LEVEL CONSOLE\nBlue\nNCS S 1550-R80B\nOkoumé\nFRAME\nNatural\nGreen Beige\nRAL 1000\nDark Red\nRAL 3009\n180\n180\n900\n900\n· Okoumé frame\nOTO BENCH\n330\n160\n1400\n700\n820\n· Okoumé frame\nOTO SIDE TABLE\n140\n700\n450\n450\n32\nREF. #0504\nPhotography: Tivoli Studio\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.18.png","FILO \nyellow oiled on beech, \nyellow rope\nFILO \nblack oiled on beech, \nblack rope\nFILO Ronan & Erwan Bouroullec\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.19.png","36\nFILO \ngreen oiled on beech,  \ngreen rope\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.20.png","· Beech frame\nFILO CHAIR\nFILO Ronan & Erwan Bouroullec\n450\n525\n465\n805\nMATERIALS\nBeech\nFRAME\nBlack oiled\nRAL 9004\nBlack\nGrey oiled\nRAL 7015\nGrey\nYellow oiled\nRAL 1003\nYellow\nGreen oiled\nRAL 6008\nGreen\nRope\nSEAT AND BACK\n38\nREF. #0420\nPhotography: LICHT Gallery Showroom\nREF. #0339\nArchitecture: Flooat Inc. \nPhotography: Tomooki Kengaku\nREF. #0432\nPhotography: Christoph Mack\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.21.png","LEVA Foster + Partners Industrial Design\nLEVA \nblack aniline on ash\nLEVA \nnatural wax on ash,  \nleather seat upholstery\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.22.png","MATERIALS\n·  Ash frame\n·  Ash frame with non \nremovable upholstery:\n- Kvadrat Steelcut Trio\n- Sørensen Pure Nature\n- Sørensen Envy\nLEVA ARMCHAIR\nLEVA Foster + Partners Industrial Design\nAsh\nFRAME\nNatural\nBlack\nRAL 9005\nRed \nRAL 2002\nGrey \nNCS 4000\nKvadrat Fabric\nUPHOLSTERY\nSteelcut Trio \n3\u002F105\n560\n510\n445\n665\n760\nSørensen Leather\nPure Nature\n20805\nEnvy Black\n20321\n42\nREF. #0418\nArchitecture: Case-Real \nPhotography: Daisuke Shima\nREF. #0307\nArchitecture: Borland Architecture \nPhotography: Jack Lovel\nREF. #0519\nArchitecture: Georgie Shepherd \nPhotography: Christopher Morrison\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.23.png","CUGINO \nblack aniline on oak\nCUGINO \nnatural wax on oak\nCUGINO Konstantin Grcic\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.24.png","CUGINO SOFT \nnatural wax on pine, \npistachio linoleum top\nCUGINO SOFT \nnatural wax on pine, \norange blast linoleum top\nCUGINO SOFT \nnatural wax on pine, \nburgundy linoleum top\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.25.png","MATERIALS\nCUGINO STOOL\nCUGINO SOFT\nCUGINO Konstantin Grcic\nOak\nFRAME\nNatural\nBlack\nRAL 9005\n330\n330\n450\n450\n· Oak frame \n· Pine frame with FORBO \n  Desktop® Linoleum seat \nPine\nNatural\nFORBO Desktop® Linoleum\nSEAT\nBurgundy\n4154\nPowder\n4185\nPistachio\n4183\nOrange Blast\n4186\n48\nREF. #0282\nArchitecture: Flooat Inc. \nPhotography: Tomooki Kengaku\nREF. #0406\nArchitecture: Visual Display \nPhotography: Camilla Bach\nREF. #0501\nArchitecture: Wynk Collaborative \nPhotography: Wink Collaborative\nREF. #0433\nPhotography: Yupin Oko\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.26.png","FRONDA Sam Hecht & Kim Colin\nFRONDA STOOL \nblack aniline on pine,  \nfabric seat upholstery\nFRONDA CHAIR \nnatural wax on pine,  \nfabric seat upholstery\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.27.png","52\nFRONDA STOOL  \ngrey aniline on pine, \nsilver coated steel seat\nFRONDA STOOL  \nblack aniline on pine, \nblack coated steel seat\nFRONDA CHAIR  \nnatural wax on pine, \ncopper coated steel seat\nFRONDA CHAIR \ngrey aniline on pine,  \nsilver coated steel seat\n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.28.png","54\nFRONDA STOOL  \nnatural wax on pine,  \nblack coated steel seat\nFRONDA TABLE 240 \nnatural wax on pine,  \nNero Ingo Fenix NTM® top\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.29.png","FRONDA TABLE\n  Sizes:\n- 2000 × 900 mm\n-  2400 × 900 mm with \n4 × EU socket outlet\n·  Natural pine frame with \nFENIX NTM® top\n·  Bachmann Connect Line \n4 × socket outlet\n·  Natural pine frame with \nblack or green steel seat\n·  Black pine frame with \nblack steel seat\n·  Natural pine frame with \nsilver or copper steel seat\n·  Grey pine frame with \nsilver steel seat\n·  Pine frame with non \nremovable upholstery:\n- Kvadrat Planum\n·  Natural pine frame with \nblack or green steel seat\n·  Black pine frame with \nblack steel seat\n·  Natural pine frame with \nsilver or copper steel seat\n·  Grey pine frame with \nsilver steel seat\n·  Pine frame with non \nremovable upholstery:\n- Kvadrat Planum\nFRONDA CHAIR\nFRONDA LOW STOOL\nFRONDA Sam Hecht & Kim Colin\n490\n470\n465\n795\n480\n395\n460\n515\n725\n900\n1250\n620\n2000\n900\n2400\n270\n115\nMATERIALS\nSteel\nSEAT\nBlack \nRAL 9011\nPine\nFRAME\nNatural\nBlack*\nRAL 9005\nGrey*\nNCS 4000\nSilver\nCopper\nGreen \nRAL 6005\nKvadrat Planum\nUPHOLSTERY\n0111\nFENIX NTM® top\nTABLE TOP\nRosso Jaipur Nero Ingo\n0271\n0571\n0961\n*not for Fronda Table\n56\nREF. #0401\nArchitecture: Agata Kurzela Studio \nPhotography: Sebastian Böttcher\nREF. #0401\nArchitecture: Agata Kurzela Studio \nPhotography: Sebastian Böttcher\nREF. #0517\nArchitecture: DWA Design Studio \nPhotography: Matteo Bellomo\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.30.png","ZAMPA Jasper Morrison\nZAMPA ARMCHAIR \nyellow aniline on ash\nZAMPA CHAIR \nblack aniline on ash\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.31.png","60\nZAMPA CHAIR \nnatural wax on ash\nZAMPA CHAIR \nred aniline on ash\nZAMPA ARMCHAIR \nnatural wax on ash, \nleather seat upholstery\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.32.png","62\nZAMPA BAR STOOL \nwalnut stain on ash\nZAMPA LOW STOOL \nred aniline on ash\nZAMPA LOW STOOL \nneon blue aniline on ash\nZAMPA COUNTER STOOL \nneon blue aniline on ash\nZAMPA LOW STOOL \nnatural wax on ash\nZAMPA COUNTER STOOL \nnatural wax on ash\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.33.png","ZAMPA BAR STOOL\nMATERIALS\n· Ash frame\n· Ash frame\n· Ash frame\n· Ash frame with non\nremovable upholstery:\n- Kvadrat Canvas 2\n- Sørensen Dunes®\n· Ash frame\n· Ash frame with non\nremovable upholstery:\n- Kvadrat Canvas 2\n- Sørensen Dunes®\n· Ash frame\nZAMPA CHAIR\nZAMPA ARMCHAIR\nZAMPA COUNTER STOOL\nZAMPA LOW STOOL\nZAMPA Jasper Morrison\nYellow\nRAL 1032\nAsh\nFRAME\nNatural\nBlack\nRAL 9005\nRed\nRAL 2002\nWalnut\nStain\n420\n580\n435\n490\n465\n465\n780\n760\n430\n435\nØ 355\n430\n655\nØ 355\n430\n765\nØ 355\nKvadrat Canvas 2\nUPHOLSTERY\n0124\n0566\n0726\n Sørensen Dunes®\nCognac\n21000\nRust\n21002\nAnthrazite\n21003\nEcru\n21008\n64\nREF. #0392\nArchitecture: Studio 103 & McCormack \nPhotography: Emily Bartlett\nREF. #0308\nArchitecture: Studio Framer \nPhotography: Yongjun Choi\nREF. #0400\nArchitecture: Marialaura Irvine \nPhotography: Natalia Garcia\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.34.png","FORCINA Leon Ransmeier\nFORCINA TABLE  \nblack coated stainless  \nsteel frame,  \nblack aniline on ash top\nFORCINA CHAIR \nblack coated stainless  \nsteel frame,  \nblack aniline on ash seat \nand backrest\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.35.png","68\nFORCINA BAR STOOL \nblack coated stainless  \nsteel frame,  \nnatural wax on ash seat\nFORCINA ARMCHAIR \nblack coated stainless  \nsteel frame,  \nblack aniline on ash seat \nand backrest\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.36.png","FORCINA TABLE\n  Sizes:\n- 700 × 700 mm\n- Ø 800 mm (round)\n· Black Stainless Steel frame\n - Ash\n - Oak\n -  Robinia\n(for outdoor use)\n· Brushed Stainless Steel frame\n - Ash\n - Oak\n -  Robinia\n(for outdoor use)\n· Black Stainless Steel frame\n - Ash\n - Oak\n -  Robinia\n(for outdoor use)\n· Brushed Stainless Steel frame\n - Ash\n - Oak\n -  Robinia\n(for outdoor use)\n Stackable ×3 \n· Black Stainless Steel frame\n - Ash\n - Oak\n -  Robinia\n(for outdoor use)\n· Brushed Stainless Steel frame\n - Ash\n - Oak\n -  Robinia\n(for outdoor use)\n Stackable ×3 \n· Black Stainless Steel frame\n - Ash\n - Oak\n -  Robinia\n(for outdoor use)\n· Brushed Stainless Steel frame\n - Ash\n - Oak\n -  Robinia\n(for outdoor use)\n· Black Stainless Steel frame\n - Ash\n - Oak\n -  Robinia\n(for outdoor use)\n· Brushed Stainless Steel frame\n - Ash\n - Oak\n -  Robinia\n(for outdoor use)\n Stackable ×3 \nFORCINA CHAIR\nFORCINA LOW STOOL\nFORCINA BAR STOOL\nFORCINA ARMCHAIR\nFORCINA Leon Ransmeier\nAsh\nSEAT AND BACK\nNatural\nNatural\nBlack\nRAL 9005\nMATERIALS\nOak\nRobinia\nOiled\nStainless Steel frame\nFRAME\nBlack\nBrushed\n470\n560\n475\n855\n565\n565\n475\n680\n855\n485\n400\n425\n475\n760\n400\n425\n750\n730\n700\n700\n730\n800\n800\n70\nREF. #0314\nArchitecture: Marco Zito & Artico Fracassi \nPhotography: Marco Cappelletti\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.37.png","QUINDICI Ronan & Erwan Bouroullec\nQUINDICI LOUNGE \nnatural wax on ash, \nleather upholstery\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.38.png","74\nQUINDICI CHAISE LONGUE  \ngrey aniline on ash, fabric upholstery\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.39.png","·  Ash frame with \nremovable upholstery:\n- Kvadrat Divina 3\n- Dani Lord Leather\n·  Ash frame with \nremovable upholstery:\n- Kvadrat Divina 3\n- Dani Lord Leather\nQUINDICI LOUNGE UPHOLSTERY\nQUINDICI CHAISE LONGUE UPHOLSTERY\nQUINDICI Ronan & Erwan Bouroullec\nAsh\nFRAME\nKvadrat Divina 3\nUPHOLSTERY\nBlack\nRAL 9005\nMATERIALS\nNatural\nGrey\nRAL 7046\n930\n345\n480\n830\n780\n345\n480\n1130\n780\n930\nDani Lord Leather\n9300\n191\n76\nREF. #0222\nPhotography: Valentina Sommariva\nREF. #0420\nPhotography: LICHT Gallery Showroom\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.40.png","PRIMO Konstantin Grcic\nPRIMO CHAIR \nnatural wax on oak,  \nleather seat upholstery\n \nPRIMO TABLE 180 \nnatural wax on oak,  \noak veneered top\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.41.png","80\nPRIMO CHAIR \nblack aniline on beech\nPRIMO CHAIR  \ngold lacquer on beech\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.42.png","82\nPRIMO BAR STOOL \nnatural wax on beech,  \nbrushed aluminum footrest\nPRIMO CHAIR \nnatural wax on beech\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.43.png","PRIMO TABLE\nMATERIALS\n  Sizes:\n- 900 × 900 mm\n- 1800 × 900 mm\n· Natural oak frame\n· Oak veneered top\n· FENIX NTM® top \n· Beech frame\n·   Oak frame with non \nremovable upholstery:\n - Dani Acquario Leather \n - Sweet Leather\n· Beech frame\n· Gold beech frame\n·   Oak frame with non \nremovable upholstery:\n - Dani Acquario Leather \n - Sweet Leather\n Stackable ×3 \n· Beech frame\n·   Oak frame with non \nremovable upholstery:\n - Dani Acquario Leather \n - Sweet Leather\n450\n800\n450\n455\nPRIMO CHAIR\n750\n900\n900\n1800\n1800\n750\n900\n900\nPRIMO BAR STOOL\nPRIMO COUNTER STOOL\n660\n965\n425\n380\n760\n1065\n425\n380\nPRIMO Konstantin Grcic\nOak\nNatural\nDani Acquario Leather\nUPHOLSTERY\nCuoio\nMarrone\nFENIX NTM® top\nTABLE TOP\nCastoro \nOttawa\nNero Ingo\nBeech\nFRAME\nNatural\nBlack\nRAL 9005\nGold*\nSweet Leather\n508\n510\n512\n*not for Primo Counter & Bar Stool\n84\nREF. #0429\nArchitecture: Spacegram Studio \nPhotography: Francisco Nogueira\nREF. #0510\nArchitecture: Giacomo Moor \nPhotography: Omar Sartor\nREF. #0339\nArchitecture: Flooat Inc. \nPhotography: Tomooki Kengaku\nREF. #0247\nArchitecture: Maximilian Gottwald \nPhotography: Maximilian Gottwald\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.44.png","FACILE Lambl \u002F Homburger \nFACILE BENCH 180 \nnatural wax on ash\nFACILE TABLE 180 \nnatural wax on ash\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.45.png","MATERIALS\n  Sizes:\n- 1800 × 900 mm\n- 2400 × 900 mm\n· Natural Ash frame\n· Black Ash frame\n  Sizes:\n- 1180 × 350 mm\n- 1800 × 350 mm\n· Natural Ash frame\n· Black Ash frame\nFACILE BENCH\nFACILE TABLE\nFACILE Lambl Homburger & Meyer\nAsh\nFRAME\nNatural\nBlack\nRAL 9005\n460\n350\n1180\n1180\n460\n350\n1800\n1800\n740\n900\n1800\n1800\n740\n900\n2400\n2400\n88\nREF. #0413\nArchitecture: Studio AC \nPhotography: Felix Michaud\nREF. #0252\nPhotography: Frau Boutique\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.46.png","TRONCO Sam Hecht & Kim Colin\nTRONCO CHAIR  \nnatural wax on ash, \nfabric upholstery\nTRONCO CHAIR \nwalnut stain on ash\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.47.png","92\nTRONCO CHAIR \ngreen aniline on ash,  \nfabric upholstery\nTRONCO CHAIR \nwhite aniline on ash\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.48.png","MATERIALS\n· Plastic Connector\n· Row Connector\n -  Plastic  PA6 + \n30% Glass Fiber\n· Powder coated metal\n· Ash frame\n·   Ash frame with non\nremovable upholstery:\n - Rohi Topia\n Stackable ×5 \n Stackable on dolly ×10 \n· Ash frame\nTRONCO CHAIR\nTRONCO TABLE\nTRONCO CONNECTOR\nTRONCO DOLLY\nTRONCO Sam Hecht & Kim Colin\nWalnut \nStain\nChili\nChestnut\nStain\nPalm\nAsh\nFRAME\nRohi Topia\nUPHOLSTERY\nNatural\nEbony\nBlack\nRAL 9005\nWalnut\nWhite\nRAL 9003\nMoon\nPowder Coated Metal\nDOLLY FRAME\nPLASTIC CONNECTOR\nMat Plastic\nWhite\nRAL 9003\nRed\nRAL 3020\nRed*\nRAL 2002\nGreen*\nRAL 6007\nBlack\nRAL 9005\nBlack\nRAL 8022\n480\n805\n540\n530\n65\n40\n30\n725\n830\n830\n830\n1635\n500\n910\n*not for Tronco Table\n94\nREF. #0396\nPhotography: Kate Bowman\nREF. #0019\nArchitecture: Antonio Guacci \nPhotography: Gerhardt Kellermann\nREF. #0502\nArchitecture: Biquadra \nPhotography: Tobias Kaser\nREF. #0511\nArchitecture: Strachan Group Architects \nPhotography: Simon Devitt\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.49.png","CLERICI Konstantin Grcic\nCLERICI LOUNGE  \nred aniline on ash\nCLERICI LOUNGE  \nnatural wax on oak\n",49,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.50.png","98\nCLERICI TABLE 300  \nnatural wax on ash\n",50,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.51.png","100\nCLERICI 2 SEATER  \nnatural wax on oak,  \nleather seat upholstery\n",51,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.52.png","  Sizes:\n- One Seat\n- 2 Seater\n·  Oak frame with \nnon removable\n upholstery:\n -  Dani Acquario \nLeather\n  Size:\n- 1110 × 555 m\n· Iroko (for outdoor use)\n  Size:\n- 3 Seater\n· Ash frame\n  Sizes:\n- One Seat\n- 2 Seater\n· Ash frame\n· Oak frame\nCLERICI BENCH\nCLERICI LOUNGE\nCLERICI LOUNGE UPHOLSTERY\nCLERICI TABLE (OUTDOOR)\nCLERICI TABLE\nCLERICI Konstantin Grcic\nAsh\nFRAME\nNatural\nGrey\nRAL 7031\nRed\nRAL 2002\nMATERIALS\n  Sizes:\n- 2400 × 1000 mm\n- 3000 × 1000 mm\n· Natural ash\nOak\nNatural\n1960\n810\n515\n450\n680\n840\n390\n580\n700\n655\n580\n1400\n655\n390\n700\n840\n655\n445\n700\n580\n390\n1110\n1400\n445\n700\n655\n580\n750\n3000\n1000\n3000\n555\n1110\nIroko\nOiled\nDani Acquario Leather\nUPHOLSTERY\nCuoio\nMarrone\n750\n2400\n1000\n2400\n102\nREF. #0513\nArchitecture: Jiangjie Office \nPhotography: Wen Studio\nREF. #0450\nArchitecture: Archiplan Studio \nPhotography: Nicolò Panzeri\nREF. #0220\nArchitecture: Kollekted By \nPhotography: Inger Marie Grini\n",52,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.53.png","UNCINO Ronan & Erwan Bouroullec\nUNCINO VERSION A  \nblack coated steel frame,  \nblack aniline on ash seat and backrest\nUNCINO VERSION B  \nblack coated steel frame,  \nblack aniline on ash seat and backrest\nUNCINO VERSION C \nblack coated steel frame,  \nblack aniline on ash seat \nand backrest\n",53,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.54.png","106\nUNCINO BAR STOOL \nnatural wax on ash,  \nblack coated steel base \nand footrest\nUNCINO VERSION B \nblack coated steel frame, \nnatural wax on ash seat  \nand backrest\n",54,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.55.png","UNCINO BAR STOOL\n·  Ash\n· Oak\n· Ash\n· Ash \nUNCINO VERSION A\nUNCINO VERSION B\nUNCINO VERSION C\nUNCINO Ronan & Erwan Bouroullec\nAsh\nSEAT AND BACK\nNatural\nBlack\nRAL 9005\nMATERIALS\nOak\nNatural\nMetal Frame\nFRAME\nBlack\n510\n440\n785\n775\n530\n585\n470\n825\n670\n670\n470\n825\n670\n670\n470\n825\n108\nREF. #0199\nArchitecture: Winwood McKenzie \nPhotography: Ben Hosking\nREF. #0333\nPhotography: Gerhardt Kellermann\nREF. #0339\nArchitecture: Flooat Inc. \nPhotography: Tomoki Kengaku\nREF. #0178\nPhotography: Gerhardt Kellermann \n",55,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.56.png","CHIARO ARMCHAIR  \nnatural wax on ash,  \nfabric seat upholstery\nCHIARO Leon Ransmeier\n",56,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.57.png","112\nCHIARO CHAIR  \nnatural wax on ash\nCHIARO BAR STOOL  \ndark red aniline on ash,  \nbrushed stainless steel footrest\n",57,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.58.png","MATERIALS\n· Ash frame\n· Ash frame\n· Ash frame\n·   Ash frame with non \nremovable upholstery:\n - Rohi Novum\n· Oak frame\n·   Oak frame with non \nremovable upholstery:\n - Rohi Novum\n Stackable ×3 \n· Ash frame\n·   Ash frame with non \nremovable upholstery:\n - Rohi Novum\n· Oak frame\n·   Oak frame with non \nremovable upholstery:\n - Rohi Novum\n Stackable ×3 \nCHIARO CHAIR\nCHIARO ARMCHAIR\nCHIARO COUNTER STOOL\nCHIARO BAR STOOL\nCHIARO Leon Ransmeier\nGrey\nRAL 7031\nBlue\nRAL 5007\nAsh\nFRAME\nRohi Novum\nUPHOLSTERY\nNatural\nAmur\nAzur\nKies\nMagenta\nSnow\nBlack\nRAL 9005\nWhite\nRAL 9003\nDark Red\nRAL 3009\nOak\nNatural\nYellow\nRAL 1032\n470\n810\n500\n495\n470\n670\n820\n515\n570\n650\n940\n480\n435\n750\n1040\n505\n445\nMetal\nFOOTREST\nBrushed\n114\nREF. #0391\nArchitecture: Matt Crawford Architects  \nPhotography: Dion Robeson\nREF. #0407\nArchitecture: Studio Whiting \nPhotography: Jack Shelton\nREF. #0515\nArchitecture: JLL Design Team \nPhotography: Luc Remond\n",58,{"image":245,"text":246,"number":247},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.59.png","RADICE Sam Hecht & Kim Colin\nRADICE CHAIR  \nnatural wax on ash\n",59,{"image":249,"text":250,"number":251},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.60.png","118\nRADICE COUNTER STOOL  \nblack aniline on ash\nRADICE COUNTER STOOL \nred aniline on ash,  \nfabric seat upholstery\n",60,{"image":253,"text":254,"number":255},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.61.png","MATERIALS\n· Ash frame\n·   Removable upholstery:\n - Rohi Novum\n - Sweet Leather\n· Ash frame\n·   Removable upholstery:\n - Rohi Novum\n - Sweet Leather\nRADICE CHAIR\nRADICE COUNTER STOOL\nRADICE Sam Hecht & Kim Colin\nGreen\nRAL 6007\nYellow\nRAL 1033\nAsh\nFRAME\nNatural\nBlack\nRAL 9005\nRed\nRAL 2002\nRohi Novum\nUPHOLSTERY\nSunset\nSweet Leather\nDark Brown\n511\n400\n410\n590\n455\n435\n450\n800\n650\nCurry\nCocos\nBlack \n569\n120\nREF. #0296\nArchitecture: Note Design Studio \nPhotography: Joakim Johansson\nREF. #0506\nArchitecture: Lintel Studio \nPhotography: Luc Remond\nREF. #0278\nArchitecture: Note Design Studio \nPhotography: Simon Bevan\nREF. #0503\nArchitecture: Carter Williamson Architects \nPhotography: Pablo Veiga\n",61,{"image":257,"text":258,"number":259},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.62.png","FIONDA Jasper Morrison\nFIONDA \nblack aniline on ash,  \nfabric upholstery\n",62,{"image":261,"text":262,"number":263},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.63.png","·  Black ash frame with \nremovable canvas covers:\n - Natural Canvas\n - Orange Canvas\n Nesting ×5 \nFIONDA SIDE CHAIR\nFIONDA Jasper Morrison\nAsh\nFRAME\nBlack\nRAL 9005\nMATERIALS\nCanvas\nUPHOLSTERY\nNatural\nOrange\n630\n550\n760\n440\n640\n124\nREF. #0058\nArchitecture: Arent&Pyke \nPhotography: James Whineray\n",63,{"image":265,"text":266,"number":267},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.64.png","SOLO SOFT CHAIR  \nturquoise aniline on ash,\nfabric seat upholstery\nSOLO Studio Nitzan Cohen\nSOLO CHAIR \nneon blue aniline on ash\nSOLO SQUARE TABLE \nneon blue aniline on ash\n",64,{"image":269,"text":270,"number":271},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.65.png","128\nSOLO BAR STOOL  \nnatural wax on oak,  \ngrey coated steel footrest\nSOLO COUNTER STOOL  \ndark red aniline on ash, \nleather seat upholstery, \nred coated steel footrest\nSOLO LOW STOOL  \nturquoise aniline on ash,  \nwhite coated steel footrest\n",65,{"image":273,"text":274,"number":275},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.66.png","130\nSOLO CHAIR  \nblack\u002Fblue aniline on ash,  \nleather seat upholstery\nSOLO CHAIR \nnatural wax on ash\nSOLO TABLE \nnatural wax on ash\n",66,{"image":277,"text":278,"number":279},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.67.png","SOLO LOUNGE\n·  Ash frame with non\nremovable upholstery:\n - Gabriel Mica\n - Kvadrat Canvas 2\n - Sørensen Dunes®\n - Sørensen Envy\n· Removable covers option\n \n· Ash frame\n·   Oak frame\n·   Bicolour on oak\n· Ash frame\n·   Oak frame\n·   Bicolour on oak\n· Ash frame\n·   Ash frame with non \nremovable upholstery:\n - Sweet Leather\n· Oak frame\n·   Oak frame with non \nremovable upholstery:\n - Sweet Leather\n Stackable ×3 \n·  Ash frame with non\nremovable upholstery:\n - Gabriel Mica\n - Kvadrat Canvas 2\n - Sørensen Dunes®\n - Sørensen Envy\n· Removable covers option\n \n· Ash frame\n· Oak frame\nSOLO CHAIR\nSOLO SOFT\nSOLO LOW STOOL\nSOLO COUNTER STOOL\nSOLO BAR STOOL\nSOLO Nitzan Cohen\n440\n775\nØ�350\n425\n675\nØ�350\n450\n430\nØ�350\n495\n475\n570\n735\n495\n490\n570\n735\n780\n690\n450\n780\n132\nSOLO LOUNGE  \ndark red aniline on ash, \nleather upholstery\n",67,{"image":281,"text":282,"number":283},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.68.png","SOLO Nitzan Cohen\nMetal\nFOOTREST\nSweet Leather\nSørensen Dunes®\nSørensen Envy\nNeon Blue\nRAL 5013\nNeon Blue\nRAL 5013\nTurquoise\nNCS 2010\nDark Red\nRAL 3009\nDark Red\nRAL 3009\nBlack\u002FBlue \n& Natural\nBlack\u002FBlue\nRAL 5004\nGrey \n566\nRust\n21002\nDark Red*\nRAL 3009\nAsh\nMetal Plate\nFRAME\nBASE\nUPHOLSTERY\nWhite\nRAL 9003\nBlack\u002FBlue \n559\nAnthrazite\n21000\nBlack\n20321\nGrey*\nRAL 7004\nRed \n534\nEcru\n21008\nNatural\nBlack�\u002FBlue\nRAL 5004\nBlack�\u002FBlue\nRAL 5004\nWhite\nRAL 9003\nMATERIALS\nOak\nNatural\n*not for Solo Low Stool\nGabriel Mica\n2496-64146\n2497-66006 2496-66030\n2497-68146\nKvadrat Canvas 2\n644\n794\n726\n946\nSOLO TABLE\nSOLO TABLE METAL BASE\n  Sizes:\n- 650 × 650 mm\n- Ø 650 mm (round)\n· Ash frame\n· Oak frame\n· Metal base plate\n  Sizes:\n- 650 × 650 mm\n- Ø 650 mm (round)\n- Ø 500 mm (round)\n· Ash frame\n· Oak frame\n755\n400\n650\n650\n755\n400\n650\n755\n485\n650\n650\n755\n485\n650\n500\n400\n500\n134\nREF. #0250\nArchitecture: Aires Mateus \nPhotography: Maria Masià & Rui Cardoso\nREF. #0340\nArchitecture: Rezen Studio \nPhotography: Jack Lovel \nREF. #0321\nArchitecture: Aires Mateus \nPhotography: Francisco Nogueira\nREF. #0513\nArchitecture: Aljoud Lootah Design \nPhotography: Natalee Cocks\n",68,{"image":285,"text":286,"number":287},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.69.png","MEDICI LOUNGE  \ngrey aniline on ash\nMEDICI STOOL \nyellow aniline on ash\nMEDICI Konstantin Grcic\n",69,{"image":289,"text":290,"number":291},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.70.png","138\nMEDICI TABLE \nred aniline on ash\nMEDICI LOUNGE \nred aniline on ash\nMEDICI STOOL \nred aniline on ash\nMEDICI LOUNGE  \nnatural wax on ash\n",70,{"image":293,"text":294,"number":295},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.71.png","140\nMEDICI LOUNGE \nthermo-treated ash\nMEDICI TABLE \nthermo-treated ash\n",71,{"image":297,"text":298,"number":299},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.72.png","MATERIALS\n· Ash frame\n·   Thermo ash frame oiled\n(for outdoor use)\n· Ash frame\n·   Thermo ash frame oiled\n(for outdoor use)\n· Ash frame\n·   Thermo ash frame oiled\n(for outdoor use)\nMEDICI LOUNGE\nMEDICI STOOL\nMEDICI TABLE\nMEDICI Konstantin Grcic\nThermo Ash\nYellow\nRAL 1018\nRed\nPantone 032C\nAsh\nFRAME\nOiled\nNatural\nBlack\nRAL 9005\nGrey\nRAL 7031\n750\n400\n685\n795\n525\n450\n500\n495\n595\n400\n142\nREF. #0401\nArchitecture: Agata Kurzela Studio \nPhotography: Sebastian Böttcher\nREF. #0506\nArchitecture: Lintel Studio \nPhotography: Luc Remond\nREF. #0411\nArchitecture: Seear-Budd Ross \nPhotography: Rory Gardiner\n",72,{"image":301,"text":302,"number":303},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.73.png","OSSO Ronan & Erwan Bouroullec\nOSSO LOW STOOL \ngrey aniline on ash\nOSSO CHAIR  \npink aniline on ash\n",73,{"image":305,"text":306,"number":307},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.74.png","146\nOSSO CHAIR  \nnatural wax on oak\nOSSO TABLE \ngrey aniline on ash\n",74,{"image":309,"text":310,"number":311},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.75.png","148\nOSSO COUNTER STOOL \nwhite aniline on ash\nOSSO LOW STOOL \ngreen aniline on ash\n",75,{"image":313,"text":314,"number":315},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.76.png","OSSO TABLE\n  Sizes:\n- 1300 × 800 mm\n- Ø 650 mm (round)\n· Ash frame\n·   Oak frame\n  Size:\n- 650 × 650 mm\n·  Ash frame\n· Ash frame\n·   Oak frame\n· Ash frame\n·   Oak frame\n· Ash frame\n·   Oak frame\n· Ash frame\nOSSO CHAIR\nOSSO LOW STOOL\nOSSO COUNTER STOOL\nOSSO BAR STOOL\nOSSO Ronan & Erwan Bouroullec\nGreen\nRAL 6003\nGrey\nRAL 7031\nBlue\nRAL 5008\nPink\nWCP 157\nAsh\nFRAME\nNatural\nBlack\nRAL 9005\nWhite\nRAL 9003\nMATERIALS\nOak\nNatural\n730\n1300\n1300\n800\n650\n730\n650\n730\n650\n650\n650\n460\n770\n440\n490\n410\n410\n450\n650\n410\n410\n750\n410\n410\n150\nREF. #0329\nArchitecture: Studio Anna Kunst \nPhotography: Rowfotografie\nREF. #0415\nArchitecture: Quattro Uno & Malcom Walker \nPhotography: Samuel Hartnett\nREF. #0508\nArchitecture: Tom Eckersley Architects \nPhotography: Dan Preston\nREF. #0415\nArchitecture: Quattro Uno & Malcom Walker \nPhotography: Samuel Hartnett\n",76,{"image":317,"text":318,"number":319},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.77.png","BRANCA CHAIR  \ngreen aniline on ash \nBRANCA TABLE  \nnatural wax on ash\nBRANCA Sam Hecht & Kim Colin\nBRANCA CHAIR  \ngreen aniline on ash\n",77,{"image":321,"text":322,"number":323},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.78.png","154\nBRANCA CHAIR  \nblack aniline on ash,  \nfabric seat upholstery\nBRANCA BAR STOOL \nnatural wax on ash, \nwhite coated steel footrest\n",78,{"image":325,"text":326,"number":327},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.79.png","BRANCA TABLE\n  Size:\n- 1500 × 1100 mm\n·  Ash frame\n·  MDF top white lacquered\n·  Ash wood top\n  Size:\n- 1800 × 1100 mm\n·  Ash frame\n·  MDF top white lacquered\n· Ash frame\n·   Removable upholstery:\n - Rohi Novum\n· Ash frame\n·   Removable upholstery:\n - Rohi Novum\n· Ash frame\n·   Removable upholstery:\n - Abi Nord Wool\n - Rohi Novum\n Stackable ×3 \nBRANCA CHAIR\nBRANCA COUNTER STOOL\nBRANCA BAR STOOL\nBRANCA Sam Hecht & Kim Colin\nGreen\nRAL 6007\nBrown \u002F Seat \nnatural wax*\nRAL 8016\nAsh\nFRAME\nNatural\nBlack\nRAL 9005\nWhite\nRAL 9003\nMATERIALS\n535\n560\n465\n830\n660\n650\n770\n390\n400\n750\n415\n400\n870\n765\n1500 \u002F 1800\n1500 \u002F 1800\n1100\nMetal\nFOOTREST\nBlack\nRAL 9005\nWhite\nRAL 9003\nAbi Nord Wool\nUPHOLSTERY\nCharcoal 200 Orange 303\nRohi Novum\nCocos\nMoss\nLanoso*\n*not for Branca Counter and Bar Stool\n156\nREF. #0310\nArchitecture: VPS Architetti \nPhotography: Studio Vetroblu\nREF. #0210\nArchitecture: Marie Deroudilhe \nPhotography: Julie Ansiau\nREF. #0509\nArchitecture: Lara Ette Design \nPhotography: Pablo Veiga\n",79,{"image":329,"text":330,"number":331},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.80.png","SHE SAID LOWIDE  \nblack aniline on ash\nHE SAID \u002F SHE SAID Studio Nitzan Cohen\nSHE SAID CHAIR \nblack aniline on ash,  \nfabric seat upholstery\n",80,{"image":333,"text":334,"number":335},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.81.png","160\nSHE SAID BAR STOOL  \nneon blue aniline on ash\nHE SAID  \nnatural wax on ash\n",81,{"image":337,"text":338,"number":339},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.82.png","MATERIALS\nRohi Topia\nNeon Blue\nRAL 5013\nAnthrazit\nChrom\nAsh\nFRAME\nUPHOLSTERY\nNatural\nBlack\nRAL 9005\nWhite\nRAL 9003\nAzur\nSHE SAID COUNTER STOOL\nSHE SAID BAR STOOL\n· Ash frame\n·   Ash frame with non \nremovable upholstery:\n - Rohi Topia\n· Ash frame\n·   Ash frame with non \nremovable upholstery:\n - Rohi Topia\n· Ash frame\n Stackable ×2 \n· Ash frame\n·   Ash frame with non \nremovable upholstery:\n - Rohi Topia\n· Stackable ×2 \n· Ash frame\n·   Ash frame with non \nremovable upholstery:\n - Rohi Topia\n· Stackable ×2 \nHE SAID CHAIR\nSHE SAID CHAIR\nSHE SAID LOWIDE\nHE SAID�\u002F�SHE SAID Nitzan Cohen\n615\n600\n445\n610\n770\n660\n565\n600   \n445\n770\n550\n710\n400\n700\n580\n450\n510\n655\n775\n755\n875\n520\n485\n162\nREF. #0271\nArchitecture: FLIP Studio \nPhotography: Yunpu Cai \nREF. #0285\nArchitecture: Leeton Pointon \nPhotography: Lisa Cohen\n",82,{"image":341,"text":342,"number":343},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.83.png","MATTIAZZI Designer\n165\nRONAN AND ERWAN BOUROULLEC\nRonan (born in 1971) and Erwan Bouroullec (born in 1976) are brothers and designers \nbased in Paris. They have been working together for more than twenty years bonded  \nby diligence and challenged by their distinct personalities. Their studio is based in \nParis and their team numbers around ten people.\nIn 1997, they were spotted by Cappellini, giving them their first industrial design \nprojects. They began working with the Galerie kreo in 2000 and had their first solo \nshow there in 2001. Issey Miyake then hired them to design the boutique to house  \nhis new collection A-Poc. They met then Rolf Fehlbaum, President of Vitra, and worked \non a new office system entitled Joyn. Since then, they have gone on to work with \nArtek, Flos, Hay, Kettal, Kvadrat, Ligne Roset, Magis, Mutina, Nanimarquina, \nSamsung and Vitra, etc. \nTheir work has covered many field ranging from the design of small objects as \njewellery to spatial arrangements and urban designs, from craftsmanship to industrial \nscale, from drawings to videos and photography. The designers also maintain an \nexperimental activity with Galerie kreo, which is also essential to the development \nof their work.\n   \nMARIALAURA IRVINE\nMarialaura Rossiello Irvine (born in 1972) is the creative force behind Studio Irvine  \nfor over a decade. A graduate of Architecture from Naples under the mentorship of \nRiccardo Dalisi, Marialaura is guided by an intrinsic respect for the narrative foundations \nof architecture. She began her career with a passion for traditional design before \nadvancing to Milan to study Strategic Design at Politecnico di Milano. With marketing, \ncommunication and strategy as focal points, she gained valuable experience \ncollaborating with top Italian design firms, viewing products as part of a company’s \noverall strategy. Later, she began blending her expertise with the British design \napproach, working alongside her late husband, James Irvine. Marialaura’s design \nprocess is driven by extensive research and a profound historical understanding, \ndeliberately avoiding strict adherence to any specific style or typology. She describes \nher approach as a “radical whisper,” emphasizing the transformative power of \nmateriality, encapsulated by the principles of ethics, timelessness and challenges.\nMarialaura’s portfolio includes collaborations with esteemed clients including  \nArper, Muji, Thonet, MDFItalia, FormaCemento, Olivari, Mattiazzi among others. Her \nstudio, based in the center of Milan, specializes in product design, art direction  \nand architecture. The approach is recognizable not only in the final product or space \nbut in the entire process that, starting from the material, involves all the stages of \ntransformation: from production to communication and product strategy. The mission \nis to simplify to improve the overall design and production. Her research is linked to \nmono-materiality, always in search of a synthesis that, following an industrial approach, \nreduces material waste.\n \nNITZAN COHEN \nProf. Nitzan Cohen (born in 1973), is a multidisciplinary designer and Dean of  \ntheFaculty of Design and Art at the Free University of Bozen-Bolzano.\nAfter completing his studies at the Design Academy Eindhoven, he worked with\nKonstantin Grcic and later established his own design practice (Studio Nitzan Cohen)\ncollaborating with a wide range of partners, from large international corporations  \nto artisanal workshops, cultural institutes and Museums. Combining design work  \nwith design research and didactic, Cohen held the position of Chair for Industrial and\nSystem Design at HBK Saarbrücken and was an adjunct professor at the Master for\nSpace & Communication at the HEAD, Geneva.\nCurrently, he is a professor for product design and the Dean of the Faculty of Design\nand Art at the Free University of Bozen-Bolzano, where he founded the ‘Design\nFriction Lab’; A multidisciplinary research and design studio at the intersection of\nscience and industry, aiming to merge reality with innovation. The lab focuses on\nfinding sustainable solutions for industrial and societal shifts, with projects ranging\nfrom crafted electronics, DIY culture, distributed manufacturing, open-source\nproduction, nano-electronics, biodegradable sensors, design driven materials, design\nfor circularity and sustaibable production technologies.\nCohen’ work was exhibited in museums and galleries worldwide, and his work is  \npart ofthe most renowned international design collections.\n \nSAM HECHT & KIM COLIN\nLondon-based studio Industrial Facility was co-founded in 2002 by designers\nSam Hecht and Kim Colin. Their approach reflects both a thoughtful consideration of\nform and a unique understanding of contemporary life, creating beauty out of utility  \ninthe products, furniture and exhibitions they design. Hecht, from London, trained as \nanindustrial designer, while Colin, from Los Angeles, trained as an architect; together\nthey have helped clients to produce projects that display an understanding of  \nculturalrelevance and commercial success.\nHecht and Colin’s desire is to work for industry in a way that improves the things we\nlive with. Not setting out to produce something different but rather something better,\nthey aim to design things that will last, be effective and give satisfaction often beyond\nwhat is called for by the product and the client. Industrial Facility is considered as one\nof the most progressive studios in product, furniture and technology design. With a\nroster of pioneering clients, including Muji, Herman Miller, Santa & Cole, Emeco and\nWästberg; they are regarded for both their philosophical and pragmatic approach.\nTheir work is included in permanent collections worldwide including Victoria & Albert\nMuseum, MoMA, SFMoMA, Cooper Hewitt, The Art Institute of Chicago, Centre\nPompidou, and The Design Museum, London.\nKONSTANTIN GRCIC\nKonstantin Grcic (*1965) was trained as a cabinet maker at The John Makepeace \nSchool for Craftsmen in Wood before studying Design at the Royal College of Art in \nLondon. Since setting up his own practice in 1991 he has developed furniture, products \nand lighting for leading design companies. Konstantin Grcic Design is based in Berlin \nand is active in several fields ranging from industrial design projects, exhibition design \nand collaborations in architecture and fashion.\nAmong his industrial producers are Flos, Laufen, Magis, Muji, Nespresso, and Vitra.  \nIn the fashion and lifestyle sector his clients are a.o. Audi, Hugo Boss, Issey Miyake, \nPrada, Rado and smart\u002FDaimler.\nMany of his products have been awarded international design prizes. He received the \nCompasso d'Oro in 2001 for the Mayday lamp (Flos), 2011 for the Myto chair (Plank)  \nand 2016 for the OK lamp (Flos). For Tom and Jerry from Magis' series The Wild Bunch \nhe received the German Design Award in Gold in 2011.\nThe world's most important design museums (including MoMA, New York\u002FCentre \nPompidou, Paris\u002FDie Neue Sammlung, Munich) have included his designs in their \npermanent collections.\nThe Royal Society for the Encouragement of Arts, Manufactures and Commerce  \n(RSA) in England admitted Konstantin Grcic to the circle of ‘Royal Designers for \nIndustry’ in 2009 and in 2010 he was a fellow of the Villa Massimo in Rome. In 2016, \nKonstantin Grcic was honoured by the jury of the German Design Award with the \nPersonality Award.\nFrom 2020 to 2024 Grcic held a professorship at the Hamburg University of Fine Arts \n(Hochschule für Bildende Künste) and has since been Honorary Professor. He has been \nappointed member of the Academy of Arts (Akademie der Künste), Berlin in 2021 and  \nof the Academy the Fine Arts (Akademie der Schönen Künste), Munich in 2022.\nLAMBL \u002F HOMBURGER\nStudio Birgitta Homburger (since 2018)  \nBirgitta Homburger is a creative director, designer, and strategist. She has built an \ninternational portfolio that includes collaborations with brands such as Mattiazzi, \nWästberg, Volkswagen, and Laufen. Her role in creative direction and product design \nhas been recognized through guest professorships at Kunsthochschule Kassel, \nUniversität der Künste in Berlin and the Akademie der Bildenden Künste in Stuttgart. \nSince 2023, she is creative director and partner at ANALOG GLASS based in Berlin.\nFormer: Lambl \u002F Homburger (2006-2018)\nDuring their collaboration, Lambl Homburger partnered with a variety of clients \n—from global brands to cultural institutions—to help develop authentic and impactful \ncommunication strategies. Their expertise in design and branding played a key role  \nin guiding Mattiazzi to become a leading furniture brand, demonstrating the studio’s \ncapacity to shape both products and brand identities. After concluding their \npartnership, both founders began pursuing their own projects.\nJASPER MORRISON\nKnown for his ‘Super Normal’ approach to design, Jasper Morrison looks to find  \nthe exceptional in the world of the ordinary. He is a firm believer that design should  \nhave an almost invisible presence in the end product and that an atmosphere of \nnaturalness in things is more important than a designer’s signature.\nBorn in London in 1959, Jasper studied design at Kingston Polytechnic, the  \nRoyal College of Art and Berlin’s HdK. In 1986 he opened his Office for Design in \nLondon, from where he continues to design furniture, lighting, tableware and  \neveryday products.\n",83,{"image":345,"text":346,"number":347},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.84.png","MATTIAZZI Designer\nFOSTER + PARTNERS INDUSTRIAL DESIGN\nFoster + Partners is a global studio for architecture, urbanism and design, rooted  \nin sustainability, which was founded fifty years ago in 1967 by Norman Foster.\nSince then, he and the team around him have established an international practice \nwith a worldwide reputation for thoughtful and pioneering design, working as a single \nstudio that is both ethnically and culturally diverse. The studio integrates the skills \nof architecture with several other disciplines in a collegiate working environment that \n is similar to a compact university. These diverse skills make us capable of tackling  \na wide range of projects, particularly those of considerable complexity and scale.\nThe practice has never drawn a distinction between architecture and industrial \ndesign. The point of contact, the thing that you touch, is as important as the broader \nvision. The industrial design team established in 1980, has developed a wide range \nof products from door handles to wind turbines; from a fountain pen to the cabin of  \nan executive jet; from a tap to the fit-out of an ocean yacht. \nMike Holland joined Foster + Partners in April 1995. As Head of Industrial Design  \nhe leads a team of designers to develop commercial mass manufactured products, \nlighting, furniture, building products and transportation for clients across the globe. \nHe also works closely with the architectural studios designing bespoke solutions  \nfor a diverse range of projects around the world. He designed bespoke furniture and \ninteriors for the Maggie’s Centre in Manchester, The National Bank of Kuwait, Apple \nPark in Cupertino and Bloomberg in London.\nSTUDIO Œ \nFounded by Lisa Ertel and Anne-Sophie Oberkrome, Studio OE is a Berlin-based \ndesign practice. Both studied product design at HfG Karlsruhe.\nTheir work spans from self-initiated projects in furniture and object design to \nmultidisciplinary collaborations and industrial design commissions for international \ncompanies. Guided by a fascination for the inherent qualities of materials and \neveryday phenomena, the duo creates works that tell unconventional stories about \nthe spatial and social contexts in which their projects evolve. They are also active  \ninvarious collaborative working constellations such as FAN, Farm, and Many-to-Many, \nwhere they realize self-initiated projects and exhibitions. Since 2022, they have been \nteaching at HfbK Hamburg and as guest professors at the HBK Saar.\n \nLEON RANSMEIER\nLeon Ransmeier is the founder and director of Ransmeier Inc., a New York–based\ndesign office. A graduate from the Rhode Island School of Design, his work has been\npublished internationally and is included in the permanent collections at the San\nFrancisco Museum of Modern Art and The Corning Museum of Glass. Clients include\nHAY, MillerKnoll, and Maharam. Ransmeier’s designs have been exhibited at Cooper\nHewitt Smithsonian Design Museum (New York), Friedman Benda Gallery (New York),\nSwiss Institute (New York), and at SFMOMA (California). His writings on design, art,\nand architecture have been published in Apartamento, Disegno, and PIN-UP.\nJULIE RICHOZ\nSwiss-French designer Julie Richoz set up her eponymous design studio in Paris  \nin 2015, through which she enjoys exploring with curiosity and sensibility the \ndevelopment of her own language through objects. From unique pieces to industrial \nscale, she sees a continuity rather than a difference between the two ways of \nproduction. In both cases, she is fascinated by the savoir-faire and the passion  \nand precision in handling materials. \nHer practice ranges from objects, furniture, and lighting to textiles, for companies \nsuch as Alessi, Louis Poulsen, Hay, Mattiazzi, La Manufacture de Cogolin, Galerie kreo, \namong others. After graduating from ECAL University of Art and Design Lausanne \n(2012), she worked for Pierre Charpin as a project assistant (2013–2015). She was  \na designer-in-residence at CIRVA Research Center on Art and Glass, France (2013),  \nat Sèvres – Cité de la Céramique, France (2013), and at Casa Wabi, Mexico (2017). \nShe has been awarded the Grand Prix at Design Parade (2012), Swiss Design Awards \n(2015\u002F2019), Bourse Leenaards (2016) and the Grand Prix de la Création de la ville  \nde Paris (2023). Since 2017, Richoz has taught industrial design at ECAL University  \nof Art and Design Lausanne, Switzerland.\n",84,{"image":349,"text":350,"number":351},"\u002Fmedia\u002Fimages\u002F66\u002Ffdf8e55b85557f88ed3d8873ae3e9f-2890135e2a.85.png","CREATIVE DIRECTION \nKonstantin Grcic with \nFlorian Böhm, Annahita Kamali \n(Studio AKFB)\nCATALOGUE DESIGN \nStudio AKFB\nPHOTOGRAPHY \nHIL Architects (p. 28–29)\nJoe Fletcher (p. 34–35) \nEinar Aslaksen (p. 36; 66–67; 99; 128–129; 136–137; 154–155; 160–161;) \nMikael Olsson (p. 40–41; 50–51; 80–81; 148–149) \nMaxime Delvaux (p. 44–45; 72–73; 74–75; 116; 146) \nFabian Frinzel (p. 52–53; 62–63; 90–91; 97; 104–105; 126–127) \nMiro Zagnoli (p. 54–55; 60–61) \nStåle Eriksen (p. 58–59; 92–93)\nAlberto Strada (p. 86; 112–113)\nRalph Feiner (p. 110–111)\nGerhardt Kellermann (p. 118–119; 130–131; 138; 140–141; 144; 152–153; 154)\nPHOTOGRAPHY PRODUCTS \nStudio AKFB\nCOPY EDITING\nRosie Pickles\nTRANSLATION\nWendy Wheatley\nPRINTING \nPoligrafiche San Marco\nMATTIAZZI SRL \nVia Sottorive, 19 \u002F2 \n33048 S. 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