[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-lema-tables-desks-consoles-and-chairs-vol3-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":477},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":472,"matched_pages":473,"match_count":474,"two_pages":475,"show_text":476},21140,"Tables, Desks, Consoles & Chairs Vol.3 2023","lema-tables-desks-consoles-and-chairs-vol3-2023","\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F07\u002F5f6dd57d81fae6faa82d1ace3a1c0c-28cfdbcc21.pdf","Lema",2187,"lema","20.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.2.png","TAKE A SEAT\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.3.png","Tables, Desks, Consoles\nChairs, Coffee Tables\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.4.png","UTILIZZARE\nSOLO X IN HABIT\nLorem\nTAKE A SEAT\n5\n4\nIndex\nTAKE A SEAT\nINDEX\nTables — 6\nIn-Between — 8\nGullwing — 14 \nSesto — 26\nAlamo — 32\nBulè — 38\nMemo — 48\nShade — 54\nFilo — 62\nSosia — 66\nDesks, Consoles — 72\nElla — 74\nLina — 78\nOrtis — 82\nNovelist — 86\nVictor — 90\nVictoria — 96\nChairs, Stools — 100\nOmbra — 102\nLucylle — 114\nFred — 124\nAyra — 128\nBabi — 132\nBea — 134\nTabby — 140\nBai Lu — 146\nHati — 150\nCoffee Tables — 154\nOrtis — 156\nDrum — 164\nDolmen — 168\nFrancis — 172\nOydo — 176\nTop — 182\nMr. Zheng — 184\nCruise — 188\nCourt Yard — 194\nFlowers — 196\nGullwing — 200\nNote — 202\nSign — 204\nSosia — 208\nVenise — 210\nSamples Collection — 216\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.5.png","Lorem\nLorem ipsum dolor sit amet, con-\nsectetuer adipiscing elit, sed diam nonummy \nnibh euismod tincidunt ut laoreet dolore magna \naliquam erat volutpat. Ut wisi enim ad minim \nveniam, quis nostrud exerci tation ullamcorper \nsuscipit lobortis nisl ut aliquip ex ea commodo \nhendrerit in vulputate velit esse molestie conse-\nquat, vel illum dolore eu feugiat. \nLorem ipsum dolor sit amet, con-\nsectetuer adipiscing elit, sed diam nonummy \nnibh euismod tincidunt ut laoreet dolore magna \naliquam erat volutpat. Ut wisi enim ad minim \nveniam, quis nostrud exerci tation ullamcorper \nsuscipit lobortis nisl ut aliquip ex ea commodo \nhendrerit in vulputate velit esse molestie conse-\nquat, vel illum dolore eu feugiat. \nTAKE A SEAT\nTABLES\nI tavoli Lema abitano con carattere\nogni spazio. Una collezione ampia ed eterogenea\nin equilibrio tra estetica e uso che concretizza \nnelle numerose varianti il “su misura” di serie \ndi Lema. La gamma dei materiali include legni, \nmetalli, vetri, pietre e marmi, argille, lava, marmo\ne bronzo ricostruiti, esclusive finiture materiche. \nLema tables inhabit every space with\ncharacter. A large and heterogeneous collection \nin balance between aesthetics and use that \nconcretizes in numerous variations Lema's \ntailored standard. The range of materials includes\nwoods, metals, glass, stones and marbles, clays, \nlava, reconstructed marble and bronze, exclusive \nmaterial finishing.\n6\nTables\n6\n7\nTAKE A SEAT\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.6.png","8\n9\nTAKE A SEAT\nOsservare e sentire\nla relazione spaziale tra \ngli oggetti. In-Between\nè il tavolo scultoreo\ncaratterizzato dal disegno \ndella sua base: un’alter-\nnanza di elementi singoli \nattraversati dallo spazio. \nLa base di In-Between \nsostiene il piano tondo, \ndonando leggerezza \nall’intera figura e bidi-\nmensionalità all’ambiente.\nObserve and feel the\nspatial relationship \nbetween objects. \nIn-Between is the sculp-\ntural table characterized\nby the design of its base:\nan alternation of single\nelements crossed by \nspace. The base of \nIn-Between supports the \nround top, giving lightness\nto the entire figure\nand two-dimensionality \nto the environment.\nIn-Between\nDesign:\nXimi Li\nIn-Between\nTavolo, Table In-Between\nSedia, Chair Fred\nStorage System LT40\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.7.png","10\n11\nTAKE A SEAT\nCostituita da un’alternanza\ndi elementi singoli attraversati\ndallo spazio, la base \nscultorea di In-Between \ndona profondità all’ambiente.\nConsisting of an alternation \nof individual elements \ncrossed by space, the \nsculptural base of In-Between\ngives depth to the living area.\nIn-Between\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.8.png","12\n13\nTAKE A SEAT\nIn-Between diventa il protagonista della zona giorno, determinando lo \nstile e la personalità dell’ambiente che lo circonda.\nThe In-Between table becomes the protagonist of the living area, de-\ntermining the style and personality of the environment that surrounds it.\nIn-Between\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.9.png","15\nGullwing\n14\nTAKE A SEAT\nIl mix di materiali e le \nforme scultoree della base \ndefiniscono il carattere \ndi Gullwing, sistema di \ntavoli nato da una profonda \nricerca sulla “complessa \nessenzialità” delle forme \ncurvilinee e sul valore\nin termini di ricchezza\nvolumetrica che ne \nscaturisce. \nThe mix of materials \nand the sculptural forms \nof the base define the \ncharacter of Gullwing,\na system of tables born \nfrom a deep research on\nthe “complex essentiality” \nof curvilinear forms and \non the value in terms of \nvolumetric richness that \nderives from it.\nGullwing\nDesign:\nGabriele&Oscar Buratti\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.10.png","17\n16\nTAKE A SEAT\nTavolo, Table Gullwing\nPoltroncina, Armchair Lucylle\nMadia, Sideboard Florens\nGullwing\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.11.png","18\n19\nTAKE A SEAT\nGullwing\nGullwing con piano in marmo \nCipollino lucido e base\nin metallo Peltro è un tavolo\nda pranzo importante, \nqui abbinato alla poltroncina \ndining Ayra con gambe\nin rovere termotrattato, dal \ndesign morbido e avvolgente.\nThe Gullwing dining table \nwith glossy Cipollino marble \ntop and Peltro metal base \nis an imposing furnishing. \nHere, it is paired with the \nAyra dining chair featuring \nheat-treated oak legs and\na soft, enveloping design.\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.12.png","20\n21\nTAKE A SEAT\nGullwing\nGullwing abbina ai basamenti \nin metallo piani rettangolari, \nquadrati, tondi, ovali, \nda piccoli a molto grandi \nin legno, marmo, gres \nporcellanato e nelle finiture \nmateriche argilla e marmo \nricostruito, esclusive di Lema.\nGullwing combines metal \nbases with rectangular, \nsquare, round, oval tops, \nfrom small to very large in \nwood, marble, gres ceramic \nand in the material finishing \nclay and reconstructed \nmarble, exclusive of Lema.\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.13.png","22\n23\nTAKE A SEAT\nIl tavolo Gullwing, qui nella \nversione con top quadrato \nin marmo, rivela la sua \npersonalità nei toni vibranti \ndelle sue finiture.\nThe Gullwing table, shown \nhere in the marble square \ntop version, reveals its \npersonality with the vibrant \ntones of the finishes available.\nGullwing\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.14.png","24\n25\nTAKE A SEAT\nL’essenza di questo tavolo \nrisiede nel disegno di un \nelemento primario, la base \nscultorea a forma di iperbole, \nche può essere composta\nda più pezzi, per formare\nuna serie di basi per tavoli \nanche molto diversi. \nThe essence of this table lies \nin the design of a primary \nelement, the sculptural base \nin the shape of a hyperbola, \nwhich can be composed\nof several pieces, to form \na series of bases also very \ndifferent from each other.\nGullwing\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.15.png","27\n26\nTAKE A SEAT\nSesto\nDesign:\nPiero Lissoni\nSesto\nDichiaratamente contem-\nporaneo, Sesto svela nella \nsua architettura il dettaglio \ncostruttivo in cui l’elemento\na T che sostiene il piano \nvisivamente leggero\nsi inserisce nelle gambe\na cavalletto. Peculiare anche\nl’accostamento materico:\nil piano in vetro, essenza, \nargilla o gres porcellanato;\nle gambe in legno e la trave \nin metallo.  \nAdmittedly contemporary, \nSesto reveals in its archi-\ntecture the construction \ndetail in which the \nT-element that supports\nthe visually light top fits \ninto the crossed legs. \nThe material combination \nis also particular: the glass, \nwood, clay or gres ceramic \ntop; the wooden legs and \nthe metal beam.\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.16.png","28\n29\nTAKE A SEAT\nTavolo, Table Sesto\nPoltroncina, Armchair Ombra\nSesto\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.17.png","30\n31\nTAKE A SEAT\nSesto\nSesto come gli archi architettonici: la trave in metallo che regge il \npiano si inserisce nelle gambe in massello di frassino naturale\ncon impeccabile eleganza.\nSesto like the architectural arches: the metal beam that holds the\ntop fits into the legs in solid natural ash with impeccable elegance.\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.18.png","33\nAlamo\n32\nTAKE A SEAT\nIl tavolo Alamo che rilegge,\nattraverso il tratto rigoroso, \ncodici decorativi tipici \ndegli anni ’40. La struttura \nin metallo verniciato \nbronzo patinato sorregge\nil piano in marmo ricostruito,\nfinitura esclusiva di Lema, \ncomposito di resina, polvere\ndi marmo pigmentata\ne scaglie di metalli nobili \ncome ottone e bronzo.\nIl piano è proposto anche \nin rovere termotrattato. \nThe Alamo table that \nreinterprets, through\nthe rigorous stroke, typical\ndecorative codes of the \n1940s. The patinated bronze\npainted metal structure \nsupports the reconstructed \nmarble top, exclusive Lema \nfinishing, resin composite, \npigmented marble powder\nand noble metal chips such \nas brass and bronze. \nThe top is also proposed\nin heat-treated oak.\nAlamo\nDesign:\nDavid Lopez Quincoces\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.19.png","34\n35\nTAKE A SEAT\nTavolo, Table Alamo\nPoltroncina, Armchair Bai Lu\nAlamo\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.20.png","36\n37\nTAKE A SEAT\nAlamo\nAlamo si definisce nella \nleggerezza: struttura e piano \nsono ridotti al minimo per \nun oggetto elegantemente \nasciutto che seduce per \nl’accostamento di materiali \ndiversi. \nAlamo defines itself in \nlightness: structure and top \nare reduced to a minimum \nfor an elegantly thin \nobject that seduces by the \ncombination of different \nmaterials.\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.21.png","39\nBulè\n38\nTAKE A SEAT\nBulè è caratterizzato dalla\nbase centrale strutturale \nin marmo o bronzo \nricostruito, finiture \nesclusive di Lema, con \nmodanature in metallo\ne piani in marmo ricostruito\no legno. Incontro tra \nOriente e Occidente, \nsi distingue per il vassoio \ngirevole da appoggiare\nsul piano, epitome\ndell’orizzontalità della \ncultura culinaria orientale.\nBulè is characterized by \nthe central structural base \nin reconstructed marble \nor bronze, exclusive\nfinishing by Lema, \nwith metal mouldings\nand reconstructed marble \nor wood tops. A meeting \nbetween East and West, \nit stands out for its turning\ntray to be placed on the \ntop, an epitome of the \nhorizontality of Eastern \nculinary culture.\nBulè\nDesign:\nChiara Andreatti\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.22.png","40\n41\nTAKE A SEAT\nTavolo, Table Bulè\nPoltroncina, Armchair Bea\nVetrina, Display Cabinet Galerist\nBulè\nContaminazioni culturali\ne sperimentazione stilistica \ndisegnano con Bulè una \nnuova forma per una \nconvivialità dall’attitudine \ncosmopolita.\nCultural contaminations \nand stylistic experimentation \ndesign with Bulè a new \nform for a conviviality with \na cosmopolitan attitude.\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.23.png","42\n43\nTAKE A SEAT\nBulè\nL’incontro tra il bronzo Tideo, finitura esclusiva di Lema e il calore\ndel piano in legno definiscono il carattere sofisticato di Bulè.\nThe encounter between the Tideo bronze, exclusive Lema finishing \nand the warmth of the wooden top define the sophisticated character \nof Bulè.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.24.png","44\n45\nTAKE A SEAT\nInedite suggestioni, una finitura eterea ed elegante che scalda e illumina \nla zona dining.\nUnprecedented suggestions, an ethereal and elegant finish that warms \nand illuminates the dining area.\nBulè\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.25.png","46\n47\nTAKE A SEAT\nBulè in marmo ricostruito \nbianco Candoglia racconta \nl’attitudine di Lema\nalla ricerca sui materiali \nper anticipare tendenze \ne richieste dell’abitare \ncontemporaneo.\nBulè in white Candoglia \nreconstructed marble tells \nLema's aptitude for research \non materials to anticipate \ntrends and requests \nfor contemporary living.\nBulè\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.26.png","49\nMemo\n48\nTAKE A SEAT\nMemo come un appunto \ndi stile, un tavolo costruito\nnell’incontro di due \nmateriali: il piano in rovere \ntermotrattato o pietra lavica \ne la struttura in metallo \ncolor acciaio o laccato \nrosso borgogna. La scelta \ndei materiali ne connota \nl’estetica, valorizzata \ndalle proporzioni quasi \nesasperate.\nMemo as a note of style, \na table built in the meeting \nof two materials: the \nheat-treated oak or lava \nstone top and the metal \nstructure in steel colour \nor borgogna red lacquered. \nThe choice of materials \nconnotes its aesthetics, \nenhanced by the almost \nexasperated proportions.\nMemo\nDesign:\nPiero Lissoni\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.27.png","50\n51\nTAKE A SEAT\nTavolo, Table Memo\nPoltroncina, Armchair Bai Lu\nMemo\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.28.png","52\n53\nTAKE A SEAT\nMemo\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.29.png","55\nShade\n54\nTAKE A SEAT\nShade si distingue per \nla base scultorea, formata\nda lastre disposte a croce \nasimmetrica in metallo\nverniciato bronzo patinato\no nickel light. Completano \nl’estetica i piani rettangolari \no ovali in legno, argilla, \nmarmo ricostruito, gres \nporcellanato e in prezioso \nmarmo.\nShade stands out for \nits sculptural base, \nmade up of slabs arranged \nin an asymmetrical cross \nin patinated bronze or \nlight nickel painted metal. \nRectangular or oval tops in \nwood, clay, reconstructed \nmarble, gres ceramic and \nprecious marble complete \nthe aesthetic.\nShade\nDesign:\nFrancesco Rota\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.30.png","56\n57\nTAKE A SEAT\nTavolo, Table Shade\nPoltroncina, Armchair Bea\nPoltrona, Armchair Alton\nSpecchio, Mirror Oculus\nTavolino, Coffee Table Sign\nShade\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.31.png","58\n59\nTAKE A SEAT\nShade è un tavolo da pranzo \nimportante. Per le dimensioni\ngenerose, è un perfetto centro\nstanza, elegante per il gioco \ndi luci creato dal piedistallo \nmetallico.\nShade is an important \ndining table. For its generous \ndimensions, it is a perfect \ncentre room, elegant\nfor the play of light created\nby the metal base.\nShade\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.32.png","60\n61\nTAKE A SEAT\nShade\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.33.png","63\nFilo\n62\nTAKE A SEAT\nLa struttura in lamiera \ndagli spessori ridotti \ndefinisce Filo, tavolo da \npranzo e riunioni, perfetto \nanche come scrivania. \nRacchiuso nella cornice, \nil top in cemento ne \ncompleta la linea rigorosa.\nThe sheet metal structure \nwith reduced thickness \ndefines Filo, a dining \nand meeting table, also\nperfect as a desk. \nEnclosed in the frame, \nthe concrete top com-\npletes the rigorous line.\nFilo\nDesign:\nDavid Lopez Quincoces\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.34.png","64\n65\nTAKE A SEAT\nTavolo, Table Filo\nPoltroncina, Armchair Hati\nPouf Pouf\nOggetto senza tempo, \nscarno nei volumi, Filo fa\ndel calibrato equilibrio la sua \nragione d’essere. Sintesi\ndi una progettualità pura.\nTimeless object, bare\nin volumes, Filo makes the \ncalibrated balance its raison \nfor being. Synthesis of pure \nplanning.\nFilo\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.35.png","66\n67\nTAKE A SEAT\nSemplice e versatile: \ndisponibile in più \ndimensioni, Sosia si \ndistingue per la struttura \nin metallo verniciato\ne il piano in laccato \nopaco, legno o cristallo. \nL’ampia gamma cromatica \ndona carattere alle forme \nessenziali per un tavolo \ncapace di adattarsi\nad ogni spazio, in linea\ncon una filosofia proget-\ntuale che predilige la \ndiscrezione.\nSimple and versatile: \navailable in multiple sizes, \nSosia stands out for its \npainted metal structure \nand the top in matt \nlacquered, wood or crystal.\nThe wide range of colours \ngives character to the \nessential shapes for a \ntable capable of adapting \nto any space, in line with \na design philosophy that \nprefers discretion.\nSosia\nDesign:\nVittorio Prato\nSosia\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.36.png","68\n69\nTAKE A SEAT\nSosia\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.37.png","70\n71\nTAKE A SEAT\nSosia\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.38.png","Lorem ipsum dolor sit amet, con-\nsectetuer adipiscing elit, sed diam nonummy \nnibh euismod tincidunt ut laoreet dolore magna \naliquam erat volutpat. Ut wisi enim ad minim \nveniam, quis nostrud exerci tation ullamcorper \nsuscipit lobortis nisl ut aliquip ex ea commodo \nhendrerit in vulputate velit esse molestie conse-\nquat, vel illum dolore eu feugiat. \nLorem ipsum dolor sit amet, con-\nsectetuer adipiscing elit, sed diam nonummy \nnibh euismod tincidunt ut laoreet dolore magna \naliquam erat volutpat. Ut wisi enim ad minim \nveniam, quis nostrud exerci tation ullamcorper \nsuscipit lobortis nisl ut aliquip ex ea commodo \nhendrerit in vulputate velit esse molestie conse-\nquat, vel illum dolore eu feugiat. \nDESKS, CONSOLES\n72\n73\nConsolle, scrittoi caratterizzati da\nraffinati gesti progettuali e specifiche personalità, \nprogetti marcatamente contemporanei, calibrati \nnelle linee grafiche o più tradizionali nell’animo \nche giocano con la matericità e il gioco di volumi.\nComune l’eleganza discreta di Lema e la sintonia \ntra forme, funzioni e materiali.\nConsoles, desks characterized \nby refined design gestures and specific \npersonalities, markedly contemporary projects, \ncalibrated in the graphic lines or more traditional\nin the soul that play with the materiality and \nthe play of volumes. Lema's discreet elegance \nand the harmony between forms, functions and \nmaterials are common.\nDesks, Consoles\nTAKE A SEAT\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.39.png","75\n74\nTAKE A SEAT\nElla\nDesign:\nDavid Lopez Quincoces\nElla\nDal rigoroso nitore, Ella \nassume una personalità \ncontemporanea nel \nconfronto tra la leggera \nstruttura in metallo e\nla solidità del piano con \ncassetto in legno o laccato. \nPassepartout, da usare \nsolo o accostando più \nelementi, si inserisce\nin ogni contesto d’arredo.\nWith a rigorous sheen, \nElla assumes a contem-\nporary personality in the \ncomparison between \nthe light metal structure \nand the solidity of the top \nwith wooden or lacquered\ndrawer. Passepartout, \nto be used alone or\nby combining multiple \nelements, fits into any \nfurnishing context.\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.40.png","77\n76\nTAKE A SEAT\nElla\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.41.png","78\n79\nTAKE A SEAT\nLina è un arredo versatile \nfortemente contemporaneo \nche reinventa il concetto \ntradizionale di consolle. \nSi presenta con una \nstruttura aerea in rovere \ntermotrattato e un top \nsottile, personalizzabile \ngrazie all’ampia gamma \ndi finiture a catalogo, qui \nlaccato opaco blu cobalto. \nDisponibile con e senza\ncassetti, può essere \narricchita con una parete \nattrezzata o un grande \nspecchio a parete.\nLina is a contemporary \nand versatile furnishing \nreinventing the traditional \nconcept of a console. \nIt features an airy structure \nmade of heat-trated oak \nand a slim customisable \ntop, shown here in mat \ncobalt blue lacquer. It is \navailable with or without \ndrawers and can be \nenhanced with a wall-\nmounted unit paired with\na wall mirror.\nLina\nDesign:\nSquire&Partners\nLina\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.42.png","80\n81\nTAKE A SEAT\nLina\nLina è la consolle che nasce \nper abitare gli ingressi delle \ncase, introducendo chi vi \nabita ad un’atmosfera di \ncalore e familiarità. Qui con \npiano in gres porcellanato\ne rovere termotrattato.\nLina is a console designed \nto decorate the hallway of a \nhome, welcoming those who \nlive there to an atmosphere \nof warmth and familiarity.\nHere, it is shown with a \nporcelain stoneware top and \nheat-treated oak.\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.43.png","82\n83\nTAKE A SEAT\nDesign:\nGabriele&Oscar Buratti\nPensato per lo studio ed \nil lavoro a casa, lo scrittoio \nOrtis si inserisce perfet-\ntamente nell’ambiente \ndomestico senza perdere \ndi vista la funzionalità. \nDa ambientare sia nella \nzona living che in quella \nnotte, il caratteristico \npiano ovale di Ortis, \nnasconde due pratici \ncassetti ed è sorretto\nda una leggera struttura\na tubi metallici ancorati\na piatti semicircolari\ndi base.\nDesigned for studying \nand working at home, the \nOrtis desk fits perfectly \ninto the home environment \nwithout losing sight of \nfunctionality. To be used \nin both the living and \nsleeping areas, the \ncharacteristic oval top \nof Ortis conceals two \npractical drawers and\nis supported by a light \nmetal tube structure \nanchored to semi-circular \nbase plates.\nOrtis\nOrtis\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.44.png","84\n85\nTAKE A SEAT\nRaffinato ed elegante, si \ndistingue per l’esile struttura \na tubi metallici ancorati\na piatti semicircolari alla \nbase, abbinata al top ovale, \ndisponibili in laccato opaco\no in legno.\nRefined and elegant, it is \ndistinguished by the slender \nmetal tube structure \nanchored to semi-circular \nplates at the base, combined \nwith the oval top, available\nin matt lacquer, or wood.\nScrittoio, Desk Ortis\nPoltoncina, Armchair Lucylle\nOrtis\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.45.png","87\n86\nTAKE A SEAT\nScrittoio dall’animo \nvintage Novelist si svela \nnell’equilibrio tra il piano\nin noce canaletto \ne le gambe incrociate \nin metallo cromato lucido \nche ne afferma la forte\nidentità. Lo spessore\nridotto alloggia due \ncassettini laterali e uno \nscomparto portamatite. \nIl sottomano è in cuoio \ncolor caffè. \nNovelist desk with a \nvintage soul reveals itself \nin the balance between \nthe top in canaletto walnut \nand the crossed legs in \npolished chromed metal \nwhich affirms its strong \nidentity. The reduced \nthickness houses two \nside drawers and a pencil \ncompartment. The desk \npad is in leather colour \ncoffee.\nNovelist\nDesign:\nChristophe Pillet\nNovelist\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.46.png","88\n89\nTAKE A SEAT\nNovelist\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.47.png","91\n90\nTAKE A SEAT\nLo scrittoio Victor nel \nsuo carattere sofisticato \npropone una rilettura\nin chiave contemporanea \ndi un elemento d’arredo\ndal sapore antico, smorzato\nperò da un’estetica moderna \nelegante, non scontata.\nThe Victor writing desk\nin its sophisticated charac-\nter offers a contemporary \nreinterpretation of a piece \nof furniture with an antique \nflavour, however softened \nby an elegant, not obvious \nmodern aesthetic.\nVictor\nDesign:\nRoberto Lazzeroni\nVictor\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.48.png","92\n93\nTAKE A SEAT\nOggetto dall’eleganza \nsenza tempo, Victor \nsi definisce nel contrasto \ntra la struttura in legno \nmassello e il piano in laccato \nopaco che ne interrompe \nla classicità. La struttura \nnasconde tre funzionali \ncassetti a scomparsa.\nAn object of timeless \nelegance, Victor defines \nhimself in the contrast \nbetween the solid wood \nstructure and the matt \nlacquered top which \ninterrupts its classicism. \nThe structure hides three \nfunctional vanishing drawers.\nScrittoio, Desk Victor\nPoltroncina, Armchair Babi\nVictor\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.49.png","94\n95\nTAKE A SEAT\nEspressione progettuale \ndi grande raffinatezza \nformale: la struttura in legno \ncon incastri a vista che \ndefinisce il profilo di Victor \nè frutto di un accurato lavoro \ndi ebanisteria. \nExpression of great formal \nrefinement: the wooden \nstructure with visible joints \nthat defines Victor's profile \nis the result of careful \ncabinet-making work.\nVictor\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.50.png","97\n96\nTAKE A SEAT\nRivisitazione contempo-\nranea di un oggetto della \ntradizione, la consolle \nVictoria è una colta\ne pregiata operazione\ndi design sentimentale. \nA contemporary reinter-\npretation of an object\nof tradition, the Victoria \nconsole is a cultured\nand valuable sentimental\ndesign operation.\nVictoria\nDesign:\nRoberto Lazzeroni\nVictoria\nConsolle, Console Victoria\nTavolino, Coffee Table Francis\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.51.png","98\n99\nVictoria\nTAKE A SEAT\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.52.png","Lorem ipsum dolor sit amet, con-\nsectetuer adipiscing elit, sed diam nonummy \nnibh euismod tincidunt ut laoreet dolore magna \naliquam erat volutpat. Ut wisi enim ad minim \nveniam, quis nostrud exerci tation ullamcorper \nsuscipit lobortis nisl ut aliquip ex ea commodo \nhendrerit in vulputate velit esse molestie conse-\nquat, vel illum dolore eu feugiat. \nLorem ipsum dolor sit amet, con-\nsectetuer adipiscing elit, sed diam nonummy \nnibh euismod tincidunt ut laoreet dolore magna \naliquam erat volutpat. Ut wisi enim ad minim \nveniam, quis nostrud exerci tation ullamcorper \nsuscipit lobortis nisl ut aliquip ex ea commodo \nhendrerit in vulputate velit esse molestie conse-\nquat, vel illum dolore eu feugiat. \nCHAIRS, STOOLS\nSedie e poltroncine in legno, metallo, \ntessuto, pelle, diverse per estetica ma tutte frutto \ndi una progettualità evoluta per assicurare giusto \nequilibrio tra estetica e massimo comfort. Ideali \nprotagoniste accanto ai tavoli e ai desk della \ncollezione Lema, capaci al contempo di adattarsi \nliberamente in ogni contesto abitativo.\nChairs and armchairs in wood, metal,\nfabric, leather, different in appearance but all \nthe result of an advanced design to ensure the \nright balance between aesthetics and maximum \ncomfort. Ideal protagonists next to the tables and \ndesks of the Lema collection, able at the same \ntime to freely adapt to any living context.\n100\n101\nChairs, Stools\nTAKE A SEAT\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.53.png","103\n102\nTAKE A SEAT\nOmbra\nDesign:\nPiero Lissoni\nOmbra\nSedia e poltroncina pranzo,\nrarefatta nell’architettura \nfinemente disegnata, \nOmbra si distingue per \nle linee che tratteggiano\nla struttura in metallo\nleggera alla vista ma solida \nnella funzione a sostenere \nla scocca che senza \ncontinuità accoglie seduta \ne schienale. \nChair and dining armchair, \nrarefied in the finely \ndesigned architecture, \nOmbra stands out for the \nlines that outline the metal \nstructure that is light at \nsight but solid in function\nto support the body\nthat without interruption \nwelcomes the seat and \nbackseat.\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.54.png","104\n105\nTAKE A SEAT\nTavolo, Table Sesto\nPoltroncina, Armchair Ombra\nOmbra\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.55.png","106\n107\nTAKE A SEAT\nOmbra\nL’eleganza del metallo \nverniciato Grey Dorian per \nOmbra frutto della profonda \nricerca su forme e materiali \ntipica del carattere \nindustriale di Lema. \nThe elegance of the\nGrey Dorian painted metal \nfor Ombra is the result \nof extensive research\non shapes and materials \ntypical of Lema's industrial \ncharacter.\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.56.png","108\n109\nTAKE A SEAT\nFormed by a printed sheet in rigid polypropylene with a minimum \nthickness, the Ombra body is proposed with upper covering in leather \nor entirely covered in leather with light padding.\nFormata da un foglio stampato in polipropilene rigido dallo spessore \nminimo, la scocca di Ombra è proposta con rivestimento superiore\nin cuoio oppure interamente rivestita in pelle con leggera imbottitura.\nOmbra\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.57.png","110\n111\nTAKE A SEAT\nLema presents a special edition of Ombra, with a red-painted frame \nand a leather shell in the same colour, highlighting its peculiarities and \ndifferent design features.\nLema presenta un’edizione speciale di Ombra, con struttura e scocca \nin pelle rossa, che ne evidenziano le peculiarità e i diversi caratteri \nprogettuali.\nOmbra\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.58.png","112\n113\nTAKE A SEAT\nIndustrial character and an innate lightness defines the Ombra stool, \navailable in two heights, with structure in metal sustaining the rigid \nstructure, available in leather or polypropylene. \nCarattere industriale e un’innata leggerezza definiscono lo sgabello \nOmbra, in due altezze, con struttura in metallo a sostegno della \nscocca rigida, proposto in pelle o polipropilene.\nOmbra\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.59.png","115\n114\nTAKE A SEAT\nLucylle\nDesign:\nRoberto Lazzeroni\nLucylle\nProgetto trasversale \ndelicato come il suo nome, \nLucylle è una famiglia di \nsedute dall’eleganza senza \ntempo, ricercata nelle \nproporzioni accoglienti. \nSedia, poltroncina, \nsgabello e poltrona \nconnotate da segni\nche rimandano a memorie \npiù o meno lontane. \nA delicate transversal \nproject like its name, \nLucylle is a family of chairs\nwith timeless elegance, \nfound in welcoming \nproportions. Chair, stool\nand armchair characterized\nby signs that refer to more \nor less far memories.\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.60.png","116\n117\nTAKE A SEAT\nLucylle\nEstetica classica e comfort \ncontemporaneo, declinati in \nuna famiglia di sedute dalla \nstruttura in legno massello\ne morbide imbottiture.\nClassic aesthetics and \ncontemporary comfort \nexpressed in a family of \nchairs with a solid wood \nstructure and soft padding.\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.61.png","118\n119\nTAKE A SEAT\nLucylle\nChair and dining armchair, Lucylle has a solid wood structure and soft \npadding covered in fabric or leather embellished with riveted tailoring \nseams.\nSedia e poltroncina pranzo, Lucylle ha struttura in massello e morbide \nimbottiture rivestite in tessuto o pelle impreziosite da cuciture sartoriali \nribattute.\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.62.png","120\n121\nTAKE A SEAT\nAnimo classico e comfort contemporaneo per lo sgabello Lucylle, \nin due altezze, con seduta e schienale imbottiti con rivestimenti in \ntessuto o pelle.\nClassic spirit and contemporary comfort for the Lucylle stool, in \ntwo heights, with padded seat and backseat with fabric or leather \ncovers.\nLucylle\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.63.png","122\n123\nTAKE A SEAT\nDue diverse altezze per lo sgabello Lucylle, progettato per inserirsi \ncon disinvoltura sia in ambito privato che in progetti contract.\nTwo different heights for the Lucylle stool designed to fit effortlessly \ninto both private settings and contract projects.\nLucylle\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.64.png","124\n125\nTAKE A SEAT\nIl fine stile italiano \nincontra l’estetica danese \nin Fred, la sedia da pranzo \ndal comfort inaspettato \ne il profilo minimale. \nLo schienale in legno \nmassello della sedia \nè perfettamente arroton-\ndato, per sostenere\ncon dolcezza la seduta \nimbottita. \nFine Italian style meets \nDanish aesthetics in Fred, \nthe dining chair with \nunexpected comfort and \nminimal profile. \nThe solid wood backrest \nof the chair is perfectly \nrounded, to gently \nsupport the padded seat.\nDesign:\nNorm Architects\nFred\nFred\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.65.png","126\n127\nTAKE A SEAT\nFred\nUna proposta votata all’essenzialità in grado di dialogare con i diversi \nstili di arredamento.\nA proposal devoted to essentiality able to dialogue with the different \nstyles of furniture.\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.66.png","128\n129\nTAKE A SEAT\nEssenziale al primo \nsguardo, la raffinatezza \ndella sedia e poltroncina \nAyra è esaltata nei dettagli \nsartoriali e nella sinuosa \ncurvatura del sedile, che \nrende la seduta delicata\ne armonica.\nEssential at first glance,\nthe refinement of the Ayra \nchair and armchair is \nenhanced in the sartorial \ndetails and in the sinuous\ncurvature of the seat, \nwhich makes the seat\ndelicate and harmonious.\nAyra\nDesign:\nGabriele&Oscar Buratti\nAyra\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.67.png","130\n131\nTAKE A SEAT\nContemporanea nelle proporzioni, Ayra è una proposta trasversale \nche risponde alle diverse esigenze estetiche.\nContemporary in proportions, Ayra is a transversal proposal that \nresponds to different aesthetic needs.\nProposta nella versione con braccioli imbottiti, la sedia Ayra è ideale \nintorno ad un importante tavolo da pranzo.\nProposed in the version with upholstered armrests, the Ayra chair is \nideal around an important dining table.\nAyra\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.68.png","133\n132\nTAKE A SEAT\nBabi\nDesign:\nGordon Guillaumier\nBabi, sedia e poltroncina \nmonomaterica, ha gambe \nin legno rivestite in tessuto \nsfoderabile o pelle; \ndisponibili anche in legno.\nL’eleganza formale e\nla ricercatezza nei dettagli\ndonano un senso rassicurante \ndi contemporaneità \nin equilibrio tra estetica \ne comfort. \nBabi, single-material chair \nand armchair, has wooden \nlegs covered in removable \nfabric or leather; also \navailable in wood. Formal \nelegance and refinement \nin details give a reassuring \nsense of modernity in \nbalance between aesthetics \nand comfort.\nBabi\nPoltroncina, Armchair Babi\nStorage System LT40\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.69.png","135\n134\nTAKE A SEAT\nBea\nDesign:\nRoberto Lazzeroni\nSintesi di un pensiero\ncontemporaneo dallo\nspirito vintage, la poltron-\ncina Bea si distingue per \nl’anima asciutta. \nCrea un’ideale famiglia\ndi sedute passepartout \ninsieme alla lounge chair \nBice di cui riprende\nle proporzioni misurate\ne le forme avvolgenti\na guscio. Con rivestimento \nin tessuto o pelle, si \ncaratterizza per la struttura\nin metallo bronzato. \nSynthesis of a contempo-\nrary thought with a vintage\nspirit, the Bea armchair \nstands out for its thin core. \nIt creates an ideal family \nof passepartout chairs \ntogether with the Bice \nlounge chair, of which \nit takes up the measured \nproportions and the \nenveloping shell shapes. \nWith fabric or leather \nupholstery, it is character-\nized by the bronzed metal \nstructure.\nBea\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.70.png","136\n137\nTAKE A SEAT\nPoltroncina, Armchair Bea\nStorage System LT40\nPouf Notch\nBea\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.71.png","138\n139\nPoltroncina, Armchair Bea\nTavolo, Table Bulè\nMobile Contenitore, Wall-Fixed Cabinet Court Yard\nTavolino, Coffee Table Mr. Zheng\nTAKE A SEAT\nProgetto dall’animo \nricercato, Bea è lieve nella \ngrazia delle sue forme \nda cui emerge una raffinata \ntensione tra passato, \npresente e futuro. \nA project with a refined \nsoul, Bea is light in the grace \nof its forms which reveals \na refined tension between \npast, present and future.\nBea\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.72.png","141\n140\nTAKE A SEAT\nCon scocca di seduta \ne schienale che si apre \ncome una corolla, Tabby \npensata per la zona dining\nsi inserisce con garbo\nin ogni spazio, dal living \nalla camera. \nWith seat and backrest \nthat opens like a corolla, \nTabby designed for the \ndining area fits gracefully \ninto any space, from \nthe living room to the \nbedroom.\nTabby\nDesign:\nGordon Guillaumier\nTabby\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.73.png","142\n143\nTAKE A SEAT\nCon rivestimenti sfoderabili\nin tessuto, pelle ed ecopelle,\nla poltroncina Tabby è perfetta\nper arricchire ogni ambiente.\nWith removable covers in \nfabric, leather and eco-leather,\nthe Tabby armchair is perfect \nfor enriching any room.\nTabby\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.74.png","144\n145\nTAKE A SEAT\nTabby\nL’equilibrio tra raffinatezza e linee appena tratteggiate consente alla \npoltroncina Tabby di abitare gli spazi dialogando in modo armonico \ncon il tavolo Gullwing e la madia Ortelia.\nA balance between refinement and fine lines gives the armchair Tabby \nthe ability to fit harmoniously into any space with the Gullwing table \nand the Ortelia sideboard. \n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.75.png","147\n146\nTAKE A SEAT\nIspirata alla perfezione \norientale, Bai Lu ha struttura\nin legno a sezione tonda \na sorreggere il piano curvato\ndi seduta e schienale\nin laccato o rivestito in pelle\no ecopelle. La grazia\nstilistica emerge nel nome: \nin cinese “rugiada bianca” \nche identifica la seconda \nsettimana di settembre \nnel calendario cinese, \nperiodo in cui è stata\ndisegnata. \nInspired by oriental \nperfection, Bai Lu has \na round section wooden \nstructure to support \nthe curved plane of seat \nand seatback in lacquered \nor covered in leather \nor eco-leather. The stylistic \ngrace emerges in the name:\nin Chinese “white dew”\nwhich identifies the second \nweek of September\nin the Chinese calendar, \nthe period in which it was \ndesigned.\nBai Lu\nDesign:\nNeri&Hu\nBai Lu\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.76.png","149\nBai Lu\nTAKE A SEAT\n148\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.77.png","151\n150\nTAKE A SEAT\nDelicata nelle proporzioni, \nla poltroncina Hati esibisce\nun disegno colto che cita \nclassici del passato. \nGrazie alla pulizia formale\ne alle numerose varianti \na catalogo si adatta ad\nogni contesto. \nDelicate in proportions, \nthe Hati armchair exhibits \na cultured design that cites \nclassics from the past. \nThanks to the formal\ncleaning and the numerous\nvariations in the catalogue, \nit adapts to any context.\nHati\nDesign:\nPiero Lissoni\nHati\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.78.png","152\n153\nTAKE A SEAT\nSophisticated in character, Hati is available with backseat and seat \nin fabric, leather, braided cord or all in essence.\nSofisticata nel carattere, Hati è disponibile con schienale e seduta \nin tessuto, pelle, corda intrecciata o tutta in essenza.\nHati\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.79.png","Lorem ipsum dolor sit amet, con-\nsectetuer adipiscing elit, sed diam nonummy \nnibh euismod tincidunt ut laoreet dolore magna \naliquam erat volutpat. Ut wisi enim ad minim \nveniam, quis nostrud exerci tation ullamcorper \nsuscipit lobortis nisl ut aliquip ex ea commodo \nhendrerit in vulputate velit esse molestie conse-\nquat, vel illum dolore eu feugiat. \nLorem ipsum dolor sit amet, con-\nsectetuer adipiscing elit, sed diam nonummy \nnibh euismod tincidunt ut laoreet dolore magna \naliquam erat volutpat. Ut wisi enim ad minim \nveniam, quis nostrud exerci tation ullamcorper \nsuscipit lobortis nisl ut aliquip ex ea commodo \nhendrerit in vulputate velit esse molestie conse-\nquat, vel illum dolore eu feugiat. \nCOFFEE TABLES\nUna collezione ampia e articolata \ndi side e coffee table, elementi d’arredo \ndecorativi e versatili. Più o meno contenuti nei \nvolumi, i tavolini Lema pensati come naturale \nabbinamento ai divani e alle sedute della \ncollezione si inseriscono con innata leggerezza \ne disinvoltura in ogni ambito progettuale. \nValore estetico e d’uso riassunti in proposte \neterogenee per forma, dimensioni e materiali \nche grazie alle numerose finiture e dimensioni \nsoddisfano le più diverse esigenze. \nA large and articulated collection \nof side and coffee table, decorative and \nversatile furnishings. More or less contained \nin the volumes, the Lema tables conceived \nas a natural combination with the sofas and \nseats of the collection fit with innate lightness \nand ease in any design area. Aesthetic value \nand use summarized in proposals that are \nheterogeneous in shape, size and materials \nwhich, thanks to the numerous finishing and \ndimensions, satisfy the most diverse needs.\n154\n155\nCoffee Tables\nTAKE A SEAT\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.80.png","157\n156\nTAKE A SEAT\nOrtis\nDesign:\nGabriele&Oscar Buratti\nOrtis\nPassepartout da muovere\nnello spazio, i tavolini \nOrtis completano la zona \nliving di fronte e a fianco \ndei divani. Disinvolti nel \ncarattere, hanno piani \novali o rotondi sorretti \ndalla struttura a tubi \nmetallici ancorati a piatti \nsemicircolari di base. \nPassepartout to move\nin space, Ortis tables \ncomplete the living area \nin front of and alongside \nthe sofas. Informal in \ncharacter, they have oval \nor round tops supported \nby a metal tube structure \nanchored to basic semi-\ncircular plates.\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.81.png","158\n159\nTAKE A SEAT\nSoli o in set, i tavolini \nOrtis completano il living. \nLa versione piccola può \ninserirsi sotto alla base\ndel divano, trasformandosi\nin piano d’appoggio\nper bicchieri, libri o laptop.\nAlone or in sets, Ortis tables \ncomplete the living room. \nThe small version can fit \nunder the base of the sofa, \ntransforming itself into \na table for glasses, books \nor laptop.\nOrtis\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.82.png","160\n161\nTAKE A SEAT\nAl metallo verniciato \ndella struttura i tavolini \nOrtis abbinano i top\nin laccato lucido e opaco, \nlegno, marmo e pietra.\nOrtis tables combine \nthe painted metal of the \nstructure with the tops\nin glossy and matt lacquered, \nwood, marble and stone.\nOrtis\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.83.png","162\n163\nTAKE A SEAT\nOrtis\nThe Ortis coffee table with a drawer becomes the iconic yet functional \naccessory for storing and concealing small objects. It is designed to be \nplaced beside a bed, a sofa or an armchair.\nIl tavolino con cassetto Ortis diventa il complemento iconico, ma anche \nfunzionale, per riporre e celare piccoli oggetti, da affiancare al letto, al \ndivano o ad una poltrona. \n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.84.png","164\n165\nTAKE A SEAT\nDesign:\nPiero Lissoni\nDrum\nDrum\nLa famiglia di tavolini\ne pouf Drum si distingue \nper la particolare \nstruttura in legno \ncannettato, che dona un \ninaspettato dinamismo \nalla zona living. Il tavolino, \ndisponibile sia nella \nversione rotonda e ovale \nche in forma quadrata, \npuò essere personalizzato \ncon un piano in vetro,\nin pietra o in marmo. \nThe Drum group of coffee \ntables and poufs stands \nout with its distinctive \nwood structure, which \nadds unexpected \ndynamism to the living \narea. The coffee table is \navailable in both round, \noval, and square versions \nand can be customised \nwith a glass, stone, or \nmarble top. \nTavolino, Coffee Table Drum\nDivano, Sofa Soffio\nModular System Selecta\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.85.png","167\nDrum\n166\nTAKE A SEAT\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.86.png","168\n169\nTAKE A SEAT\nComposizioni multiple \ne una vivace palette \ncromatica. Dolmen è una \nfamiglia di tavolini che \nsi caratterizza per i piani \ndalle forme geometriche \npure da comporre \nliberamente in un gioco\ndi incastri. Declinati \nin varie dimensioni e \naltezze, i tavolini Dolmen \nsono ideali nella zona \nliving al servizio dei divani.\nMultiple compositions \nand a lively color \npalette. Dolmen is a \nfamily of coffee tables \ncharacterised by tops \nwith pure geometric \nshapes to be freely \ncomposed between each \nother. Available in various \nsizes and heights, they \nare designed for the living \narea next to sofas.\nDesign:\nDavid Lopez Quincoces\nDolmen\nDolmen\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.87.png","Lorem ipsum sol suntibus, \nualitium rae nessit lam \nillacestia sin corast aciendem \naut aditio el ipsapero tempos \nsam rentis sitsi mporibus.\nCat aut est, atur, solor \nsuntibus, ualitium rae nessit \nlam illacestia sin corast \naciendem aut aditio el \nipsapero tempos sam rentis \nsitsi mporibus.\nLorem, Ipsum Lorem\nDolor, Lorem ipsum Lorem\nLorem, Ipsum Lorem\nDolor, Lorem ipsum Lorem\nDolmen\n171\n170\nTAKE A SEAT\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.88.png","172\n173\nTAKE A SEAT\nMinimalismo e forte \nespressività, una \nsilhouette intrigante \nche abita gli spazi con \nnaturalezza. I tavolini \nFrancis svelano la propria \nanima nella durezza \ndella materia che li \ncompone e l’incontro \ntra forme geometriche \napparentemente semplici \ne primordiali, che \ndonano contemporaneità \nall’intera figura.\nSophisticated \nminimalism and strong \nexpressiveness, \nan intriguing silhouette\nthat inhabits spaces with \nease. The Francis coffee \ntables reveal their soul \nin the hardness of the \nmaterial that composes \nthem and the encounter \nbetween apparently \nsimple and primordial \ngeometric shapes, which \ngive the entire figure\na contemporary look.\nFrancis\nDesign:\nNorm Architects\nFrancis\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.89.png","Lorem ipsum sol suntibus, \nualitium rae nessit lam \nillacestia sin corast aciendem \naut aditio el ipsapero tempos \nsam rentis sitsi mporibus.\nCat aut est, atur, solor \nsuntibus, ualitium rae nessit \nlam illacestia sin corast \naciendem aut aditio el \nipsapero tempos sam rentis \nsitsi mporibus.\nLorem, Ipsum Lorem\nDolor, Lorem ipsum Lorem\nLorem, Ipsum Lorem\nDolor, Lorem ipsum Lorem\nFrancis\n174\nTAKE A SEAT\n175\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.90.png","177\n176\nTAKE A SEAT\nOydo\nDesign:\nFrancesco Rota\nI tavolini Oydo, dal disegno\nleggero ed essenziale, \ncon piano tondo e più basso \ncon piano rettangolare. \nVersatili nell’uso spaziano\ndal living alla zona notte, \ngrazie alle numerose finiture: \nrovere termotrattato, \nargilla, pietra grey, laccato \nlucido e opaco e prezioso \nmarmo portoro dalla decisa \ncarica espressiva.\nThe Oydo tables, with a light \nand essential design, with \na round top and a lower \none with a rectangular top. \nVersatile in use, they range \nfrom the living room to\nthe bedroom, thanks\nto the numerous finishing: \nheat-treated oak, clay,\ngrey stone, glossy and matt \nlacquered and precious\nportoro marble with a strong\nexpressive charge.\nOydo\nTavolino, Coffee Table Oydo\nLibreria, Bookcase Plain\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.91.png","179\n178\nTAKE A SEAT\nOydo\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.92.png","181\nLorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam ilki\nnonummy nibh euismod tincidunt ut laoreet dolore magna aliquam iliu \nerat volutpat.\nOydo\n180\nTAKE A SEAT\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.93.png","183\n182\nTAKE A SEAT\nTop\nDesign:\nLudovica&Roberto Palomba\nVolume cilindrico monoli-\ntico e monocromatico \nlaccato opaco, Top si \ncaratterizza per l’anta ad \napertura curva e il ripiano \ntondo interno, raffinati \ndettagli stilistici. Il piano\nè in legno, marmo o pietra.\nL’interno in rovere termo-\ntrattato.\nMonolithic and monochro-\nmatic cylindrical volume\nin matt lacquered, Top is \ncharacterized by the curved\nopening door and the\ninternal round shelf, refined \nstylistic details. The top is \nin wood, marble or stone. \nThe interior in heat-treated \noak.\nTop\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.94.png","185\n184\nTAKE A SEAT\nMr. Zheng\nDesign:\nRoberto Lazzeroni\nAssimilando una \nleggerezza progettuale \norientale, i tavolini \nMr. Zheng evocano\ngli incastri degli oggetti \nin bambù, materia\nche cela resistenza\ne flessuosità straordinarie. \nAlle parti strutturali \nin tondino di acciaio \ncon traversi orizzontali \ne verticali ad incrocio \nsi contrappone\nla matericità dei piani\nin laccato lucido e opaco \no noce canaletto.\nBy assimilating an \noriental design lightness, \nMr. Zheng tables evoke \nthe joints of bamboo \nobjects, a material that \nconceals extraordinary \nstrength and flexibility. \nThe structural parts in \nsteel rod with horizontal \nand vertical cross beams \nare contrasted by the \nmateriality of the tops in \nglossy and matt lacquered \nor canaletto walnut.\nMr. Zheng\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.95.png","186\n187\nTAKE A SEAT\nPer incontrare esigenze \nestetiche e funzionali diverse, \nMr. Zheng è proposto\nin quattro versioni: tre coffee \ntable con piano tondo, \ndi cui uno alto e due bassi \ne un tavolino ovale basso, \nquest’ultimo anche con piano \nin noce canaletto intarsiato.\nTo meet different aesthetic \nand functional needs, \nMr. Zheng is available in four \nversions: three coffee tables \nwith a round top, one high \nand two low and one oval\nlow table, the latter also with\nan inlaid canaletto walnut top.\nMr. Zheng\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.96.png","189\n188\nTAKE A SEAT\nCruise\nDesign:\nO�  cinadesign Lema\nI tavolini Cruise si \ndefiniscono nelle forme \nessenziali esaltate \nda materiali e lavorazioni \nricercate. Le basi in \nmetallo sorreggono piani \nsu cui poggiano lastre\nin vetro dal bordo molato.\nDisponibile anche con \npiani in laccato lucido \no opaco.\nCruise tables are defined \nin essential shapes \nenhanced by refined \nmaterials and processes. \nThe metal bases support \ntops on which glass plates \nwith a ground edge rest. \nAlso available with tops in \nglossy or matt lacquered.\nCruise\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.97.png","190\n191\nTAKE A SEAT\nCruise\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.98.png","192\n193\nTAKE A SEAT\nCruise\nLe basi in metallo \nsorreggono i piani \nd’appoggio, a comunicare \nuna leggerezza concettuale \nma anche visiva. Il top è \nrealizzato in marmo \nricostruito Belgian Blue.\nThe Cruise coffee tables \nfeature metal bases \nsupporting the tops, \nbelying a playful conceptual \napproach and breaking \nup the visual impact of the \npieces. The top is made of \nreconstructed marble \nBelgian Blue.\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.99.png","195\n194\nTAKE A SEAT\nCourt Yard\nDesign:\nFrancesco Rota\nCourt Yard\nIl tavolino a “C” Court \nYard con piano in legno \nreinterpreta il gusto \ne la creatività del design\nindustriale anni ’60. \nPensato per abbinarsi \nal divano Yard, grazie \nall’eleganza del suo disegno\nconferisce carattere ad \nogni tipologia di divano \ne ambiente, ideale anche \nin spazi dalle dimensioni \ncontenute.\nThe “C” Court Yard coffee \ntable with wooden top\nreinterprets the taste \nand creativity of 1960s \nindustrial design. Designed \nto match the Yard sofa, \nthanks to the elegance \nof its design, it gives \ncharacter to any type of \nsofa and room, also ideal \nin spaces with limited \ndimensions.\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.100.png","197\n196\nTAKE A SEAT\nFlowers\nDesign:\nRoberto Lazzeroni\nDa usare soli o in gruppo, \ni tavolini Flowers, in 2 \naltezze e 4 dimensioni, \nhanno piani in laccato \no pietra grey opaca, dalla \nforma ellittica lievemente \nirregolare sulla struttura \nin metallo dalla linea filante.\nTo be used alone or \nin groups, the Flowers \ncoffee tables, in 2 heights \nand 4 sizes, have tops \nin lacquered or matt grey \nstone, with a slightly \nirregular elliptical shape \non the streamlined metal \nstructure.\nFlowers\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.101.png","199\nFlowers\n198\nTAKE A SEAT\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.102.png","200\n201\nTAKE A SEAT\nDesign:\nGabriele&Oscar Buratti\nGullwing\nIl segno iconico della \ngamba del tavolo \nGullwing, una sinuosa \nala dal carattere forte e \ndeciso, viene interpretata \ncome semicolonna a \nsostegno di sottili piani \ndalla forma ricercata che \ncaratterizzano l’omonimo \ntavolino. La sua forte \npresenza materica data \ndalla struttura in metallo \ne il colore del piano, \ndisponibile in laccato \nlucido o opaco e in legno, \nesaltano le texture tessili \ne morbide dei divani, in \nun armonico gioco di \ncontrasti. \nThe distinctive feature\nof the Gullwing table, \na curved wing with a \nstrong, assertive \ncharacter, is interpreted \nas a semi-column \nsupporting the slender, \nstylishly shaped tops \nof the homonym \ncoffee table. Its strong \npresence resulting from \nthe metal structure and \nthe colour of the top, \navailable in glossy or matt \nlacquered finish and in \nwood, enhance the soft \ntextures of the sofas in \na harmonious play of \ncontrasts.\nGullwing\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.103.png","203\n202\nTAKE A SEAT\nNote\nDesign:\nLucidi Pevere\nIl tavolino a “C” Note \nè un’essenziale architettura\nrazionalista, formata da \ntre sottili lastre, che abbina \nlamiera bronzo e cuoio \nnaturale. I tagli nella pelle \ncreano vani per riviste e \ntelecomandi.\nThe “C” side table Note \nis an essential rationalist \narchitecture, made up\nof three thin slabs, which \ncombines bronze sheet \nmetal and natural leather. \nThe cuts in the leather \ncreate compartments \nfor magazines and remote \ncontrols.\nNote\nTavolino, Coffee Table Note\nDivano, Sofa Cloud\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.104.png","205\n204\nTAKE A SEAT\nSign\nDesign:\nStudio Kairos\nDal segno discreto, \ntavolino o comodino \ncon cassetto in due altezze,\nSign si inserisce con \ndiscrezione in ogni \ncontesto progettuale. \nFrom the discreet sign, \ncoffee table or bedside \ntable with drawer in two\nheights, Sign fits discreetly\ninto any design context.\nSign\n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.105.png","I tavolini e comodini Sign\nsi distinguono per la raffinata \nstruttura in metallo abbinata \nai top disponibili in laccato \nlucido o opaco. Nella versione\ntavolino, senza cassetto, \nsono disponibili anche nella \nversione con top in essenza.\nSign tables and bedside \ntables stand out for their \nrefined metal structure \ncombined with tops available \nin glossy or matt lacquered. \nIn the coffee table version, \nwithout drawer, they are \nalso available in the version \nwith wooden top.\n207\n206\nTAKE A SEAT\nSign\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.106.png","208\n209\nTAKE A SEAT\nSosia\nIl tavolino Sosia, in due \naltezze, ha struttura \nin metallo verniciato \ne piano in legno, laccato \no cristallo. Dalle forme \nessenziali, si adatta ad \nogni spazio arredandolo \ncon la presenza discreta. \nRealizzabile anche \nsu misura.\nThe Sosia coffee table,\nin two heights, has\na painted metal structure \nand a wooden, lacquered \nor crystal top.\nWith essential shapes,\nit adapts to any space \nby furnishing it with\na discreet presence. \nAlso custom-made.\nSosia\nDesign:\nVittorio Prato\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.107.png","210\n211\nTAKE A SEAT\nElegante e dalle \nproporzioni calibrate, \nil tavolino Venise è stato \nconcepito per abbinarsi \nal divano da cui prende \nil nome, in continuità \ncon le sue geometrie \norizzontali. Configurabile \ncome elemento centrale \no terminale con un \ndoppio piano d’appoggio, \nunisce e separa, con \nscaffali libreria laterali \ne vani contenitore, per \naccogliere gli oggetti \ndel living. \nThe elegant and well-\nproportioned Venise \ncoffee table was designed \nto complement the sofa \nfrom which it takes its \nname, in line with its \nhorizontal geometry. \nConfigurable as a central \nor end element with\na double top with side \nbookcase shelves and \nstorage compartments,\nto hold living room \nobjects. \nDesign:\nGabriele&Oscar Buratti\nVenise\nVenise\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.108.png","212\n213\nTAKE A SEAT\nTavolino, Coffee Table Venice\nDivano, Sofa Snap\nSegni sottili che \ndisegnano spazi aperti \ncome contrappunti ai \nvolumi generosi del \ndivano a cui si ispira.\nSubtle features that \ncreate open spaces,\nacting as counterpoints \nto the generous sofa \nvolumes from which \nit takes inspiration.\nVenise\n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.109.png","215\n214\nTAKE A SEAT\nVenise\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.110.png","217\n216\n216\nTAKE A SEAT\nSAMPLES COLLECTION\nLemacolortrend LCT — 218, 219\nArgille\u002FCemento, Clay\u002FCement — 219\nLemacolorlucido LCL — 220\nMarmi, Marbles — 221\nMarmi Ricostruiti, Reconstructed Marbles — 221\nGres Porcellanato, Porcelain Stoneware — 222\nMetalli, Metals — 222\nEssenze, Woods — 223\nVetri, Glasses — 223\nSamples Collection\n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.111.png","218\n219\nTAKE A SEAT\nSamples Collection\n218\nLemacolortrend — LCT\nLemacolortrend — LCT\nBiscotto 932\nIndia 936\nCurry 922\nCameo 930\nTerracotta 478\nAmarena 828\nBruciato 477\nMango 845\nLavagna 713\nFumo 906\nGrafite 918\nOltremare 469\nLatte 405\nOmbra 803\nMoro 934\nCanapa 707\nPepe 804\nCarta 750\nSabbia 910\nTerra 805\nCigno 700\nCalcare 801\nCacao 461\nSalvia 835\nTimo 480\nAvio 476\nPistacchio 928\nCobalto 926\nOttano 847\nAssenzio 479\nLauro 924\nBasalto 920\nAntimonio 870\nFango 471\nGhiaia 913\nSabbia\nCreta\nArdesia\nPolvere\nPece\nCemento Nero\nArgille\u002FCemento, Clay\u002FCement\n",111,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.112.png","220\n221\nTAKE A SEAT\nSamples Collection\nLemacolorlucido — LCL\nScoglio 212\nLCT Sabbia 910 •\nNocciola 213\nLCT Ombra 803 •\nPaper 227\nLCT Carta 750 •\nBianco 200\nLCT Latte 405 •\nOrtica 235\nLCT Salvia 835 •\nSeta 244\nLCT Cameo 930 •\nCaramello 245\nLCT Biscotto 932 •\nAgave 243\nLCT Pistacchio 928 •\nAneto 232\nLCT Timo 480 •\nPersia 241 \nLCT Avio 476 •\nAlloro 240\nLCT Lauro 924 •\nMiele 239\nLCT Curry 922 •\nCiliegia 216\nLCT Amarena 828 •\nGranata 238\nLCT Bruciato 477 •\nOro 247\nLCT India 936 •\nAlga 222\nLCT Fango 471 •\nNero 215\nLCT Lavagna 713 •\nDanubio 242\nLCT Cobalto 926 •\nMarna 237\nLCT Basalto 920 •\nTalpa 233\nLCT Terra 805 •\nGrigio 205\nLCT Fumo 906 •\nRuta 231\nLCT Assenzio 479 •\nCorrispondenza in LCT •\nCorrespondence in LCT •\n*\n*\nBronzo - Bronze Tideo\nNero - Black Belgianblue\nBianco - White Candoglia\nVerde - Green Malachite\nBlu - Blue Lapislazzuli\nMarmi Ricostruiti, Reconstructed Marbles\nMarmi, Marbles\nCipollino Rosso - Red Cipollino\nBianco Carrara - White Carrara \nBianco Celadon - White Celadon\nNero Marquina - Black Marquina \nPietra - Grey Stone\nVerde Alpi - Green Alpi\nRosso Lepanto - Red Lepanto\nNero Portoro Imperiale\nBlack, Portoro Imperiale\nSuperwhite\nCalacatta Vagli Oro\nCalacatta Vagli Gold\n",112,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.113.png","222\n223\nTAKE A SEAT\nSamples Collection\nLaurent Glossy\nCalacatta Gold Glossy A\nGres Porcellanato, Porcelain Stoneware\nMetalli, Metals\nMetallo Anodizzato Nero M101\nAnodized Black Metal M101\nMetallo Acidato Nero M300\nBlack Etched Metal M300\nMetallo Verniciato Titanio M460\nPainted Metal In Titanio M460\nVerniciato Bronzo M420\nBronze Painted M420\nMetallo Verniciato Palladio M491\nPainted Metal In Palladio M491\nMetallo Verniciato Nichel\nBronzo M445\nNichel Bronze Painted Metal M445\nMetallo Verniciato Peltro M480\nPainted Metal In Peltro M480\nMetallo Verniciato Bronzo \nPatinato M422\nBronze Coated Painted M422\nMetallo Verniciato Nero M440\nPainted Metal In Black M440\nEssenze, Woods\nRovere Carbone – Carbone Oak \nNoce L – L Walnut\nRovere Termotrattato\nHeat-Treated Oak\nNoce Canaletto\nCanaletto Walnut\nRovere Tabacco – Tabacco Oak\nVetri, Glasses\nAvorio\nPerla\nBianco\nYogurt\nGrigio\nRosso\nTitanio\nAragosta\nBronzo Riflettente\nReflecting Bronze\nTortora\nTrasparente Extra Light\nExtra Light Transparent\nNero\n",113,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.114.png","224\nLorem\nTAKE A SEAT\nThanks to\n3dotscollective\nAlessandra Roveda\nAmini Carpets\nArtigiani del Cashmere\nAum Ceramiche\nAvalon\nBesana Carpet Lab\nDraga Obradovic\nC&C Milano\nCarl Hansen\nCc Tapis\nCecchi&Cecchi \nChristina Lassus\nCrizu\nDanese\nDesignheure\nDiscipline\nE15\u002FCanova\nEbb&Flow\nFabrica\nFontana Arte\nGolran\nGuaxs\nGumdesign\nG.t. Design\nIlaria I\nIncipitlab\nJab\nLithho\nLuceplan\nMohebban Milano\nMorghen Studio \nNani Marquina\nNemolighting\nNext Materials\nOccra\nOluce\nPulpo\nRestart\nScandola Marmo\nSerena Confalonieri\nSklo Studio\nStudio Baag\nTafuri Ceramiche\nTato Design\nVanessa Mitrani\n��LEMA�����\nFollow LEMA WeChat account\n��� ID : LemaOfficial\nLissoni Graphx\nSanti Caleca, Thomas Pagani, \nMarco Reggi\nStudio Salaris, Ufficio Stile Lema, \nPatrizia Cantarella\nR+W\nLema\nOgm, 2023\nAd+Design \nPhoto\nStyling\nText\nTranslation\nRepro+Print\n",114,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002Fa6\u002F27c16a031e33b554c9fc433ed8a726-28cfde1616.115.png","Lema S.p.a.\n22040 Alzate Brianza\nComo — Italia\nS.S. Briantea N°2\nT. +39 031 630 990\nlemamobili.com\n",115,[],0,false,true,{"success":476,"data":478,"meta":690,"count":691,"next":692,"previous":693,"results":725,"brand_chips":786},[479,491,503,516,525,538,550,560,570,579,589,601,610,620,629,639,652,661,671,681],{"id":480,"title":481,"slug":482,"image":483,"source":484,"brand_name":485,"brand":486,"brand_slug":487,"file_size":488,"pages":489,"pages_count":412,"matched_pages":490,"match_count":474,"two_pages":475,"show_text":476},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 MB",[],[],{"id":492,"title":493,"slug":494,"image":495,"source":496,"brand_name":497,"brand":498,"brand_slug":499,"file_size":500,"pages":501,"pages_count":200,"matched_pages":502,"match_count":474,"two_pages":475,"show_text":476},26598,"Second Life Contract 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