[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-keope-cottomilano-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":99},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":94,"matched_pages":95,"match_count":96,"two_pages":97,"show_text":98},25404,"CottoMilano 2025","keope-cottomilano-2025","\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F0c\u002F374d87f9dd449c025afc56c28ef8ab-2901d56064.pdf","Keope",2459,"keope","4.5 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,72,75,79,83,87,91],{"image":7,"text":15,"number":16},"IN COLLABORATION WITH FORNACE CURTI\nIN COLLABORATION WITH FORNACE CURTI\nDESIGN DOMENICO OREFICE\nDESIGN DOMENICO OREFICE\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.2.png","IT CottoMilano è la nuova emozionante \ncollezione di Ceramiche Keope, produttore \ndi riferimento di gres porcellanato di ultima \ngenerazione. Per realizzare CottoMilano, \nCeramiche Keope ha condiviso un intenso \npercorso di ricerca storica e materica con \nil designer Domenico Orefice e la Fornace \nCurti di Milano.\nEN CottoMilano is an exciting new \ncollection from Ceramiche Keope, a leading \nmanufacturer of state-of-the-art porcelain \nstoneware. CottoMilano is the result of an \nintense process of historical and material \nresearch conducted by Ceramiche Keope \ntogether with the designer Domenico \nOrefice and the Fornace Curti terracotta \nworkshop in Milan.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.3.png","4 - 5\nIncontro \u002F Encounter \nKeope & Fornace Curti\n8 - 9\nEvoluzione \u002F Evolution\nCottoMilano\n14 - 15\nIncontro con \u002F Meeting with \nDaria Curti\n18 - 19\nIncontro con \u002F Meeting with \nDomenico Orefice\n22 - 23\nIncontro con \u002F Meeting with \nCeramiche Keope \n28 - 29\nCollezione \u002F Collection\nCottoMIlano\nContenuti \u002F Contenets\nIndice \u002F Index\nCOTTOMILANO\nUn antico scaffale di stampi alla \nFornace Curti di Milano con le \npiastrelle della nuova collezione \nCottoMilano Keope.\nAn old shelf stacked with molds \nat Fornace Curti in Milan with \ntiles from the new CottoMilano \ncollection by Ceramiche Keope \nCERAMICHE  KEOPE\nCOTTOMILANO \n2  —  3\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.4.png","IT CottoMilano nasce dalla sintesi di più \neccellenze italiane: Ceramiche Keope, da \nsempre sinonimo di ricerca sulla materia e di \ninnovazione industriale; Domenico Orefice, \ndesigner aperto a una cultura della materia \ninserita nel design contemporaneo; Fornace \nCurti, nota per la qualità dei suoi prodotti \nartigianali in cotto sin dal Quattrocento. Oggi \nl’eredità artigianale di Fornace Curti si unisce \nalla visione creativa di Domenico Orefice e si \nconcretizza nella reinterpretazione del cotto \nlombardo da parte di Ceramiche Keope, che \nlo rinnova, conferendogli le straordinarie \nproprietà del gres porcellanato.\nEN CottoMilano is a blend of the finest \nItalian craftsmanship: Ceramiche Keope \nhas always been synonymous with research \ninto materials and industrial innovation, \nwhile Domenico Orefice is a designer open \nto a culture of materials incorporated into \ncontemporary design, and Fornace Curti has \nbeen known for the quality of its handcrafted \nterracotta products since the 15th century. \nToday, the craftsmanship heritage of \nFornace Curti comes together with the \ncreative vision of Domenico Orefice and is \nembodied in Ceramiche Keope's new take \non Lombardy terracotta that brings on board \nthe extraordinary properties of porcelain \nstoneware.\nIncontro \u002F Encounter \nKEOPE & FORNACE CURTI\nCERAMICHE  KEOPE\nCOTTOMILANO \n4  —  5\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.5.png","La sensazione tattile di \nCottoMilano, ispirata ai prodotti \ndella Fornace Curti, è totalmente \ninedita e rivoluzionaria per \nun prodotto ceramico. La sua \nsuperficie opaca e morbida, unita \nalle microstrutture, parla sottovoce, \nma conquista la nostra memoria, \nesprimendosi in un linguaggio \ninequivocabilmente moderno. \nInspired by the products of \nFornace Curti, the tactile sensation \nof CottoMilano is something new \nand revolutionary for a ceramic \nproduct. The matt, soft surface \nand the microstructures offer \nan understated elegance that \ncaptivates the observer with \nits unmistakably modern style \nlanguage.\nFornace Curti Milano\nCOTTOMILANO \n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.6.png","IT Il design e i decori della collezione CottoMilano, oltre che alle \nfacciate dei monumenti rinascimentali meneghini e italiani - come \nla Ca' Granda e Santa Maria delle Grazie - si ispirano agli archetipi \ndell’architettura universale e ai motivi caratteristici della storia \ndell’arte classica e moderna. Tutto è iniziato dall’incontro tra la \nfamiglia Curti e la dinastia degli Sforza, che decisero di valorizzare il \ncotto lombardo, matericamente espressivo, ricco di ferro, ingelivo e \nduraturo. Fu così che il caldo rosso del cotto milanese, così diverso \ndalle tonalità rosate del cotto toscano, divenne protagonista \ndell’estetica rinascimentale del capoluogo lombardo. Ceramiche \nKeope, collaborando con Domenico Orefice e con Fornace Curti, \nha saputo associare una materia così antica e tipica di Milano a \nun linguaggio contemporaneo, semplice ed espressivo. Con la sua \nmatericità opaca e tattile, CottoMilano è un intreccio unico tra \nantico e moderno, artigianato e tecnologia, tradizione e innovazione. \nGrazie a un accurato lavoro di ricerca, l’essenza del cotto lombardo \nè sopravvissuta intatta in una collezione tecnologicamente evoluta \ned estremamente attuale.\nEN The design and decorations of the CottoMilano collection take \ntheir inspiration from both the façades of Renaissance monuments \nin Milan and Italy - such as Ca' Granda and Santa Maria delle \nGrazie - and the archetypes of universal architecture, as well as \nthe characteristic motifs of classical and modern art history. It all \nbegan with the meeting between the Curti family and the Sforza \ndynasty, who decided to enhance the material-expressive, iron-\nrich, frost-proof and durable Lombardy terracotta, and this is \nhow the warm red of Milanese terracotta, so different from the \nrosy hues of the Tuscan variety, came to be a key element in the \nRenaissance aesthetic of Milan. Ceramiche Keope worked with \nDomenico Orefice and Fornace Curti, to combine this typical, age-\nold Milanese material with a simple, contemporary, expressive style \nlanguage. With its matt, tactile materiality, CottoMilano is a unique \nblend of past and present, craftsmanship and technology, tradition \nand innovation. Painstaking research has allowed the essence of \nLombardy cotto to survive intact in a technologically advanced, \nextremely contemporary collection.\nEvoluzione \u002F Evolution\nCOTTOMILANO\nCERAMICHE  KEOPE\n8  —  9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.7.png","Scorci suggestivi Fornace Curti, nel \nquartiere della Barona di Milano.\nAttractive views of Fornace Curti, \nin Milan's Barona district\nIT Fondata nel Quattrocento, la Fornace \nCurti è l’unica ancora attiva a Milano, \ncon la sua tradizione secolare. Qui sono \nnati molti degli elementi in cotto che \nimpreziosiscono gli edifici più iconici \ndella città, come Santa Maria delle \nGrazie, l’Ospedale Maggiore e la Ca’ \nGranda. Il caldo rosso del cotto della \nfornace, che contiene il ferro responsabile \ndel suo colore e della sua resistenza, \nha connotato fortemente l’estetica \nrinascimentale milanese, accanto al \nbianco dei marmi neoclassici, donando \nalla città una nuova immagine. \nEN Founded in the 15th century, Fornace \nCurti is the only kiln still active in Milan. \nFired here were many of the terracotta \nelements that embellish the city's most \niconic buildings, such as Santa Maria \ndelle Grazie, Ospedale Maggiore and \nCa' Granda. The warm red of the kiln's \nterracotta, which contains the iron \nresponsible for its color and strength, had \na striking impact on Milan's Renaissance \naesthetic, alongside the white of \nneoclassical marble, giving the city a new \nimage. \nCERAMICHE  KEOPE\n1�  � 11 \n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.8.png","CERAMICHE  KEOPE\nCOTTOMILANO \n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.9.png","A sx Daria Curti, titolare di Fornace Curti, \nsotto mattoni decorativi dell'Ospedale \nCa' Granda di Milano.\nLeft: Daria Curti, owner of Fornace Curti, below \ndecorative bricks from the Ca' Granda Hospital \nin Milan\nEN Fornace Curti was founded in the 15th century. Where was it \noriginally located and what was its role in Milan at the time?\nFornace Curti was founded in the 15th century in Milan, near the \ncolumns of San Lorenzo. It was a kiln at the service of the Sforza \nfamily, which is why it was located inside the walls.\nAt that time, only objects for everyday use were produced, such as \njars, amphorae and pots. The potter’s workshop was located near a \nclay deposit and next to waterways that could transport the endless \namounts of wood required to fuel each 50-hour firing at a temperature \nof over 1,010°.\nUnder the rule of the Sforza family, marble was partly replaced by \nterracotta produced by your kiln. What were the characteristics that \nmade this material so prized by one of the most influential families of \nthe Renaissance?\nIt was the intuition and the studies of Francesco Sforza that \ndetermined the unique characteristics of Lombardy terracotta. A \nnumber of studies found that it was naturally rich in iron, which gives \nthe material its characteristic warm, elegant red color, as well as its \nfrost resistance and durability.\nSome of the most important buildings in Lombardy - such as the \nChurch of Santa Maria delle Grazie and the Charterhouse of Pavia \n- were also built using your tiles. Does your workshop still produce \nelements for the restoration of sites such as these?\nIn those days, there was little awareness of the characteristics \nof Lombardy terracotta, so the monuments built with it were not \nexpected to last as long as marble, hence the preference for the latter. \nThe first bricks used for decorative rather than construction purposes \nwere designed in 1456 for Ca’ Granda, the main hospital, by the \narchitect Antonino Averulino, better known as 'il Filarete'. The hospital \nwas commissioned by Francesco Sforza and built by Giosuè Curti. The \nextraordinary result naturally made terracotta a popular choice with \nnumerous builders, and the construction was the first of an endless \nlist of works using terracotta. The molds used are still stored here \ntoday, so we can restore or recreate any damaged parts.\nItalian terracotta also has a long tradition in Tuscany. What are \nthe main differences between the terracotta made in Tuscany and \nthe Lombardy terracotta produced by Fornace Curti, in terms of \nmaterials, techniques and aesthetic performance?\nLombardy terracotta is unlike any other material, because of the \nunique mineral composition that makes the clay 'frost-proof'; as \nregards the appearance, it has an incomparable warm red hue.\nThe creation of a dedicated collection by Ceramiche Keope has \ngiven a major boost to the visibility of Lombardy terracotta, in \naddition to meeting the performance requirements of contemporary \narchitecture. What do you think of this operation?\nIt is a matter of great pride for us that Ceramiche Keope was inspired \nby our terracotta for its collection. Ours is a tradition stretching back \n600 years. It has triumphed over the centuries, honoring and renewing \na material that has accompanied humankind through the ages.\nIncontro con \u002F Meeting with \nDARIA CURTI\nDialogo 1 \u002F Dialogue 1\nIT La Fornace Curti nasce nel 1400. Dove si trovava originariamente e \nqual era il suo ruolo nella Milano dell’epoca?\nFornace Curti nasce nel 1400 a Milano nei pressi delle colonne di \nS. Lorenzo. Era una fornace al servizio degli Sforza, motivo per cui \ncollocata all’interno delle mura.\nLa produzione di allora prevedeva solo oggetti di uso quotidiano: orci, \nanfore, pentole. Il terracottaio si collocava nei pressi di un giacimento \nd’argilla e accanto alle vie d’acqua che potessero trasportare le infinite \ncataste di legna per alimentare ogni infornata di 50 ore ad oltre 1.010°.\nSotto la signoria degli Sforza, il marmo venne in parte sostituito dal \ncotto prodotto dalla vostra fornace. Quali erano le caratteristiche che \nrendevano questo materiale così apprezzato da una delle famiglie \npiù influenti del Rinascimento?\nFu grazie all’acume di Francesco Sforza e ai suoi studi che si definì \nil cotto lombardo nelle sue caratteristiche uniche. Attraverso alcuni \nstudi si scoprì la sua naturale ricchezza di ferro, che conferisce il tipico \nrosso caldo ed elegante  al materiale e la sua resistenza al gelo, con \nconseguente durata nel tempo.\nImportanti edifici della Lombardia – come Santa Maria delle Grazie \ne la Certosa di Pavia– sono stati costruiti anche grazie all’impiego \ndelle vostre piastrelle. Il vostro laboratorio continua ancora oggi a \nprodurre elementi per il restauro di siti come questi?\nA quei tempi, ignorando le caratteristiche del cotto lombardo, \nsi prevedeva una breve durata dei monumenti in terracotta e si \nprediligeva il marmo, ritenuto eterno. Risale al 1456 il primo mattone \ndecorativo e non costruttivo progettato per la Ca Granda, l’ospedale \nmaggiore, su progetto dell’architetto Antonino Averulino detto \n“il Filarete”. Francesco Sforza era il committente e Giosuè Curti \nl’esecutore. Il risultato fu straordinario e ovviamente tutti i costruttori \ncavalcarono l’onda e fu il trionfo della terracotta, che inaugurò un \nelenco interminabile di opere. Tuttora, avendo qui depositati gli stampi \npossiamo restaurare o ricreare pezzi danneggiati.\nIl cotto italiano ha una lunga tradizione anche in Toscana. Quali sono \nle principali differenze tra il cotto toscano e quello lombardo della \nFornace Curti, in termini di materiali, tecniche e resa estetica?\nIl cotto lombardo non è simile a nessun altro materiale in quanto la sua \ncreta ha una composizione minerale unica che lo rende “antigelivo”, \nmentre in termini estetici, presenta una tonalità di caldo rosso \nineguagliabile.\nLa creazione da parte di Ceramiche Keope di una collezione \ndedicata, conferisce al cotto lombardo grande visibilità, oltretutto \nsoddisfacendo al meglio le esigenze prestazionali dell'architettura \ncontemporanea. Cosa ne pensa di questa operazione? \nSapere che Ceramiche Keope si sia ispirata per la sua collezione al \nnostro cotto è motivo di vanto e orgoglio. La nostra è una tradizione \nportata avanti da 600 anni. Sfidando i secoli si tramanda e si rinnova \nsposando ciò che da sempre affianca l’uomo: la terracotta.\nCERAMICHE  KEOPE\nCOTTOMILANO\n14  —  15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.10.png","Domenico Orefice, designer e \nart director, con la sua ricerca \nsviluppa una sensibilità unica per \ni materiali naturali. Questo gli ha \npermesso di affinare un’attenzione \nparticolare per le superfici, \nindividuando texture caratterizzate \nda matericità, profondità e\nvalore tattile. Il suo background \nnella graffiti e street art si traduce \nin pattern e disegni di forte \nimpatto visivo e valore artistico.\nThrough his research, designer and \nart director Domenico Orefice has \ndeveloped a unique sensitivity for \nnatural materials. This has allowed \nhim to refine a particular focus \non surfaces, identifying textures \ncharacterized by materiality, depth \nand tactile value. His background in \ngraffiti and street art is evident in \npatterns and designs with a strong \nvisual impact and artistic value.\nDesigner Domenico Orefice\nCERAMICHE  KEOPE\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.11.png","A sinistra il designer Domenico Orefice, \na destra le piastrelle realizzate a mano \nper il Salone Satellite sotto l'anfora \ndella collezione \"Le Giare\", disegnata \nda Domenico Orefice e realizzata nella \nFornace Curti. Foto di Paolo Belletti.\nOn the left, designer Domenico Orefice; \non the right, the handmade tiles created \nfor Salone Satellite beneath the amphora \nfrom the \"Le Giare\" collection, designed \nby Domenico Orefice and crafted at the \nFornace Curti. Photo by Paolo Belletti.\nEN When did your interest in terracotta begin and how did your \nrelationship with Fornace Curti develop?\nEven as a child growing up in the Navigli area, I was struck by the \nbeauty of terracotta architecture: warm, cozy, and replete with history. \nGrowing up, an interest in Fornace Curti, which I had known for a long \ntime, came naturally, prompting me to establish a dialogue with this \nhistorical Milanese company. \nHow did the collaboration with Ceramiche Keope come about?\nIt all started from my project with Fornace Curti: my research on \nterracotta and its stylistic features led me to design a tile representing \na reinterpretation of Milanese architecture through terracotta, which \nwas presented at the Salone Satellite. Keope immediately grasped this \nvisual concept and the possibility of bringing a new, contemporary \ntwist to these historical materials and works, able to embody and \nillustrate a city that’s evolving all the time.\nWhat is your experience in surface design and the use of natural \nmaterials?\nIn our studio, we’ve always worked with natural materials, such as \nmarble and wood, supported by skilled Italian craftsmen. This has \nallowed us to develop a particular sensitivity for surfaces, seeking \ntextures that have materiality, depth and tactile value. Our approach \ncombines craftsmanship with industrial precision.\nTell us about the collaboration process between Fornace Curti and \nKeope?\nThe challenge was to transfer the natural, uneven beauty of handmade \nterracotta onto an industrial stoneware surface. This was made \npossible thanks to an ongoing dialogue between Keope, Fornace \nCurti and our studio. Samples, textures and colors were reworked by \nthe Keope research center, ready to be embodied in stoneware, using \nthe most advanced ceramic technologies. The decorative aspect was \ndeveloped from real handmade samples.\nHow does the designer's sensitivity and artistic culture contribute \nto enhancing Italian craftsmanship expertise through collaborations \nwith large companies?\nThe collaboration with Keope is a fine example of how technological \ninnovation can engage with the Italian manufacturing tradition. The \ncompany has demonstrated an extraordinary ability to transform \nthe material, historical and emotional allure of terracotta into high-\nprecision ceramic surfaces, thanks to a state-of-the-art research \ncenter and outstanding manufacturing know-how. It is thanks to this \nsynergy between the sensitivity of design and the potential of industry \nthat the Made in Italy approach remains unrivalled worldwide.\nIncontro con \u002F Meeting with \nDOMENICO OREFICE\nDialogo 2 \u002F Dialogue 2\nIT Quando è nato il suo interesse per il cotto e come si è sviluppato il \nrapporto con la Fornace Curti?\nFin da bambino, crescendo nella zona dei Navigli, sono rimasto colpito \ndal fascino delle architetture in cotto: calde, accoglienti, piene di \nstoria. È stato naturale, crescendo, avvicinarmi alla Fornace Curti, che \nconoscevo da tempo, e iniziare un dialogo con questa storica realtà \nmilanese. \nCome è nata la collaborazione con Ceramiche Keope?\nTutto è partito dal mio progetto con la Fornace Curti: la mia ricerca \nsul materiale cotto, sui suoi stilemi che mi hanno portato a progettare \nuna piastrella che rappresenta una rilettura dell’architettura milanese \nattraverso il cotto, presentata al Salone Satellite. Keope ha colto \nsubito questo concept visivo e la possibilità di attualizzare questi \nriferimenti storici, traducendoli in chiave contemporanea. Un modo per \nraccontare una Milano in continua evoluzione.\nQual è la vostra esperienza nel surface design e nell’uso di materiali \nnaturali?\nNel nostro studio lavoriamo da sempre con materiali naturali, \naffiancati da artigiani italiani di grande maestria: dal marmo al legno. \nQuesto ci ha permesso di affinare una sensibilità particolare per le \nsuperfici, cercando texture che abbiano matericità, profondità e valore \ntattile. Il nostro approccio unisce la cura artigianale alla precisione \nindustriale.\nCom’è stato il processo di collaborazione tra Fornace Curti e Keope?\nLa sfida è stata trasferire la naturalezza e l’irregolarità del cotto \nartigianale su una superficie industriale in grès. Questo è stato \npossibile grazie a un dialogo continuo tra Keope, la Fornace Curti \ne il nostro studio. Campioni, texture e colori sono stati rielaborati \ndal centro ricerche Keope per essere tradotti con le più avanzate \ntecnologie ceramiche. Anche la parte decorativa è stata elaborata da \ncampioni realmente prodotti a mano.\nCome la sensibilità del designer e la sua cultura artistica \ncontribuiscono a valorizzare il know-how del made in Italy attraverso \ncollaborazioni con grandi aziende?\nLa collaborazione con Keope è stata un esempio virtuoso di come \nl’innovazione tecnologica possa dialogare con la manifattura storica \nitaliana. L’azienda ha dimostrato una straordinaria capacità di \ntrasformare le nostre suggestioni materiche, storiche ed emozionali in \nsuperfici ceramiche ad altissima precisione, grazie a un centro ricerca \nall’avanguardia e a un know-how produttivo d’eccellenza. È proprio \nnella sinergia tra la sensibilità del design e le potenzialità dell’industria \nche il made in Italy può continuare a distinguersi nel mondo.\nPhoto Paolo Belletti (2)\nCERAMICHE  KEOPE\nCOTTOMILANO \n18  �  19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.12.png","Per Ceramiche Keope il gres \nporcellanato non è un semplice core-\nbusiness, ma una missione. Frutto di \nun’inarrestabile ricerca tecnologica e \ncreativa, il gres porcellanato consente \na Keope di essere paladina del Made \nin Italy nel mondo, raccontando i \nsuoi valori: tradizione e innovazione, \nartigianalità e avanguardia \ntecnologica, radicamento al territorio \ne internazionalizzazione, sostenibilità \ne responsabilità sociale.\nFor Ceramiche Keope, porcelain \nstoneware is not just a core business; \nit’s a mission. The result of continual, \nunfailing technological and creative \nresearch, porcelain stoneware allows \nKeope to champion and illustrate \nthe Made in Italy concept and values \nworldwide, embracing tradition \nand innovation, craftsmanship \nand cutting-edge technology, \nclose links with the local area and \ninternationalization, sustainability and \nsocial responsibility.\nAzienda Keope\nL’ingresso dell’azienda \nCeramiche Keope.\nThe entrance of the Ceramiche \nKeope company.\nCERAMICHE  KEOPE\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.13.png","Alcune fasi di lavorazione delle piastrelle \nin gres porcellanato nello stabilimento di \nCeramiche Keope.\n \nSome steps in the porcelain stoneware tile \nmanufacturing process in the Ceramiche \nKeope factory.\nEN What prompted Ceramiche Keope to work with Fornace \nCurti and Domenico Orefice to create the new CottoMilano \ncollection?\nI met Domenico Orefice while visiting the Salone Satellite in \n2018, when he presented some beautiful decorations made on \nterracotta, developed by Fornace Curti.\nThis year, when I envisioned a new porcelain stoneware with \nthe ability to stir the emotions like terracotta, I immediately \nthought of him.\nHow have the history, experience and emotions of the past \nmanaged to integrate with the technological research \nand performance requirements of the architecture of the \npresent? And what makes CottoMilano's surfaces unique? \nI wanted to start precisely from the sensations aroused by the \ntraditional product and its history. It was Keope's research \nand technological innovation that then allowed us to transfer \nthe most empathetic of these - the tactile sensation - onto \nstoneware.  Touch unleashes deep emotions in us, drawing \nus closer to the material and its unique features. The ceramic \nreproduction in porcelain stoneware of the Lombardy \nterracotta made by the Curti kiln, but modelled on the typical \ndimensions of modern design, such as the 120x120 cm slabs, \nmakes this collection suitable for all kinds of advanced and \ninternational architectural projects that seek to bring tradition \non board.\nHow can CottoMilano communicate with the new \ngenerations, increasingly digital natives and fascinated by \nartificial intelligence?\nHuman emotions remain the most important, indispensable \nelement even though they are increasingly being trampled on \nand overwhelmed by events.\nThe younger generations in particular are driven by emotions, \nregardless of the medium they use to express themselves, be it \nanalogue or digital.\nFor what kind of architectural and design settings would \nyou recommend this collection?\nFor urban environments, definitely: settings with a strong \nexpressive and design content, in which the surrounding \narchitecture and landscape have to convey a warm, welcoming \nsensation. The texture, soft feel, colors and large sizes of \nCottoMilano represent the warmest, most elegant guise of our \nresidences and all the places where we engage and socialize.\nIncontro con \u002F Meeting with \nCERAMICHE KEOPE \nDialogo 3 \u002F Dialogue 3\nDIRETTORE MARKETING PAOLO CESANA\nIT Perché Ceramiche Keope ha scelto di collaborare proprio con la \nFornace Curti e con Domenico Orefice per la creazione della nuova \ncollezione CottoMilano?\nHo conosciuto Domenico Orefice visitando il Salone Satellite del \n2018, anno in cui presentò alcuni splendidi decori realizzati sul cotto \nsviluppato dalla Fornace Curti.\nQuando quest’anno ho immaginato una nuova collezione in gres \nporcellanato che potesse suscitare nel pubblico le emozioni di un \nprodotto come il cotto, ho pensato subito a lui.\nCome la storia, il vissuto e le emozioni del passato sono riuscite \na integrarsi con la ricerca tecnologica e le esigenze prestazionali \ndell’architettura del presente? E cosa rende le superfici di \nCottoMilano uniche? \nHo voluto partire proprio dalle sensazioni suscitate dal prodotto \ntradizionale e dalla sua storia. Sono state poi la ricerca e l’innovazione \ntecnologica di Keope a permetterci di trasferire sul gres la più \nempatica di queste sensazioni, cioè quella tattile.  Il tatto sprigiona \nin noi emozioni profonde che ci avvicinano alla materia e alla sua \nunicità. Inoltre la riproduzione ceramica in gres porcellanato del cotto \nlombardo realizzato dalla fornace Curti, ma plasmato sulle dimensioni \ntipiche del design moderno, come le lastre 120x120 cm, rende questa \ncollezione fruibile per qualsiasi progetto architettonico avanzato e \ninternazionale, ma sensibile alla tradizione.\nCome CottoMilano può comunicare con le nuove generazioni, \nsempre più digitalizzate e affascinate dall’intelligenza artificiale?\nLe emozioni umane sono ancora oggi l’elemento più importante, una \ncondizione sine qua non, nonostante vengano sempre più spesso \ncalpestate e sopraffatte dagli eventi.\nSoprattutto le generazioni più giovani vivono di emozioni e queste \nsono indipendenti dal veicolo con cui si esprimono, sia esso analogico \no digitale.\nPer quali contesti architettonici e di design consiglierebbe questa \ncollezione?\nCertamente per contesti urbani, di forte contenuto espressivo e \ndi design, dove l’ambiente e l’architettura devono trasformarsi in \nveicoli di calore e accoglienza. La texture, la morbidezza tattile, i \ncolori e i grandi formati di CottoMilano rappresentano l’abito più \ncaldo ed elegante delle nostre residenze e di tutti i luoghi in cui \ncondividiamo la nostra socialità.\nCERAMICHE  KEOPE\nCOTTOMILANO \n22  �  23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.14.png","CottoMilano\nPer CottoMilano, è stato riprodotto \nin gres porcellanato il cotto \nlombardo prodotto in fornace, ma \nadattandolo ai grandi formati del \ndesign contemporaneo. \nA questo scopo è stata ricreata \nuna superficie matt, poco \nriflettente, morbida al tatto, ma \nconforme agli attuali standard \ndi utilizzo del gres, rendendo la \ncollezione perfetta per gli ambienti \ncontract e residenziali più moderni.\nFor CottoMilano, the kiln-fired \nLombardy terracotta was \nreproduced in porcelain \nstoneware, adapted to the large \nsizes typical of contemporary \ndesign. To this end, a matt, \nnon-reflective surface, soft to \nthe touch, but compliant with \nthe current usage standards for \nstoneware, was recreated, making \nthe collection perfect for the most \nmodern contract and residential \nenvironments.\nCollezione \u002F Collection\nMood board del progetto \ncon piastrelle e cromie della \ncollezione CottoMilano.\nProject mood board with tiles \nand color shades from the \nCottoMilano collection.\nCOTTOMILANO \n",14,{"image":70,"text":43,"number":71},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.15.png",15,{"image":73,"text":43,"number":74},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.16.png",16,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.17.png","IT Oltre al colore originale - quella nuance mattone tipicamente \nlombarda prodotta da Fornace Curti -  la collezione CottoMilano si \npresenta in una varietà cromatica ampia e affascinante, che la rende \ncosmopolita, universale, idonea anche per gli smart building attuali. \nOgni cromia, dal sabbia alla terracotta, valorizza quella matericità \nmatt ed emozionale che rende questa linea speciale. Grazie all’opera \ndi ricerca e sviluppo di Ceramiche Keope e alla visione creativa di \nDomenico Orefice, oggi il cotto non è più percepito come materiale \nfruibile prevalentemente in ambienti rustici, ma diviene un’opzione \ncontemporanea, versatile e di grande impatto estetico.\nLa collezione, oltre ai grandi formati di prodotto 120×120 e \n60×120cm, presenta anche il formato 20×20cm con decori ispirati \nagli archetipi architettonici – finestre, porte, scale – che, accostati, \ngenerano prospetti immaginari. Un decoro in formato 60×120 \npresenta invece un motivo astratto, orientabile liberamente, che \nrichiama un’architettura sospesa tra passato e futuro. Completano \nla gamma i decori da taglio e un modulo 6×24 cm con finiture matt \ne lucida pensato per offrire massima versatilità compositiva in \ncontesti residenziali e contract.\nEN In addition to the original color - the typical Lombardy \nbrick-red shade produced by Fornace Curti - the CottoMilano \ncollection comes in a broad range of captivating tones, making \nit cosmopolitan, universal and suitable even for today's smart \nbuildings. Each color, from sand to terracotta, enhances the \nmatt and emotional materiality that makes this range so special. \nThanks to the synergy between Ceramiche Keope's R&D team and \nthe creative vision of Domenico Orefice, terracotta is no longer \nperceived as a material limited to rustic settings; it is reimagined as \na contemporary, versatile and visually striking design option.\nIn addition to the large 120×120 and 60×120 cm tiles, the collection \nalso features a smaller 20×20 cm size, with decorations inspired by \narchetypical architectural elements such as windows, doors and \nstaircases, which combine to generate imaginary perspectives. \nThe 60×120 decorative tile features a more abstract, freely \norientable motif that evokes an architecture suspended between \npast and future. The range is completed with custom-cut décors \nand a 6×24 cm module with both a matt and a glossy finish, \ndesigned to offer maximum compositional versatility in residential \nand contract settings.\nCollezione \u002F Collection\nCOTTOMILANO\nCERAMICHE  KEOPE\n30  —  31\n",17,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.18.png","Immagini della collezione CottoMilano nel \nformato 20×20. \nImages of the CottoMilano collection in the \n20×20 size. \nCERAMICHE  KEOPE\nCOTTOMILANO \n32  �  33\n",18,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002F7e\u002F29ae06f0f8cafc3fd82f23501333b9-2901d6bfed.19.png","HEADQUARTERS \nvia canale,\n42013 Casalgrande, \n(RE) Italy\nPhone +39 0522997511\nFax +39 052997413\ninfo@keope.com\nkeope.com\nCOLLECTION BY\nDomenico Orefice \nPHOTO CREDITS\nMatteo Cirenei\nD+O Studio\nMauro Davoli\nNudesign\nCREATIVE DIRECTION\nDomenico Orefice \nGRAPHIC DESIGN\nClaudia Valeriani - 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