[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-jcp-universe-jcpaedia-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":270},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":265,"matched_pages":266,"match_count":267,"two_pages":268,"show_text":269},23355,"JCPaedia 2022","jcp-universe-jcpaedia-2022","\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fc2\u002F218ca9baf52a21af3abcd3cc8bf640-28eb13e09a.pdf","JCP Universe",2326,"jcp-universe","10.3 MB",[14,17,20,23,27,30,34,38,41,44,47,51,54,58,61,65,69,72,76,79,83,86,90,93,97,100,104,108,111,115,118,122,126,129,132,136,139,142,146,150,153,157,160,164,168,171,175,179,182,186,189,192,196,199,202,206,209,213,217,220,223,226,229,233,236,240,243,246,249,252,256,260,263],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.2.png",2,{"image":21,"text":15,"number":22},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.3.png",3,{"image":24,"text":25,"number":26},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.4.png","presents objects of wonder and discovery from an imagined alternate reality. \nConceived by architect Livio Ballabio and orchestrated by CTRLZAK studio, it's an \nunconventional brand going beyond the normal commercial framework to open \nculture to everyone. It goes beyond market trends, bypassing simple variations of \nfamiliar styles with pieces of unique identities. \nAs humans finally accept how deeply their actions impact the planet they inhabit, \nJCP brings attention to the subject by focusing on substance. The archetypal forms \nof the pieces and the careful selection of their components reflect the eons of \ncosmic transformation that gave life to everything we perceive. Symbolic artifacts \nthat go beyond the surface, interrogating the meaning we attribute to objects and \nour choices in life.\nBy focusing on the mutable essence of nature, while merging innovation with \ntradition, JCP Universe forms its own distinctive aesthetic to transform the reality \nwe experience in our everyday lives. The symbolic pieces from this alternate \nUniverse are vehicles of imagination for us to reflect and interpret our way of life in \nthis precise moment of space-time, here on planet Earth.\n",4,{"image":28,"text":15,"number":29},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.5.png",5,{"image":31,"text":32,"number":33},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.6.png","I\n",6,{"image":35,"text":36,"number":37},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.7.png","The uncertainty principle holds that even  \napparently empty space has quantum energy \nfluctuations; the unfolding of our universe \nmay have been instigated by such a simple \nand yet unfathomable occurrence, as stated \nby the inflation theory. Our universe could \nbe one in a sea of others, slightly different \nor even radically incomprehensible to us. \nThese other universes will probably remain  \ninaccessible to direct observation, their \npossibilities only available to us via our \nimaginations. The parallel universe of JCP \nis about one of those possibilities. It’s an \nimaginative realm in which normality, as we \nperceive it, is transformed. A cosmos where \nmystery is the norm, where the immaterial takes  \nunexpected shapes and the transformation \nof familiar forms creates new meanings. The \npast is the future and time’s arrow can travel \nin any direction or in multiple directions at \nonce, giving rise to objects that transcend our \nperception of time by using uncharacteristic \nblends of traditional techniques, advanced \nmethods of construction and mysterious  \nmaterials. JCP’s objects evoke memories of the \nfuture, making us ponder their true  nature.\n",7,{"image":39,"text":15,"number":40},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.8.png",8,{"image":42,"text":15,"number":43},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.9.png",9,{"image":45,"text":15,"number":46},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.10.png",10,{"image":48,"text":49,"number":50},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.11.png","Secret Gates, performance at Teatro dell'Arte - Triennale Milano, \n2016\n",11,{"image":52,"text":15,"number":53},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.12.png",12,{"image":55,"text":56,"number":57},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.13.png","IΙ\n",13,{"image":59,"text":15,"number":60},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.14.png",14,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.15.png","To go beyond matter one has to look inside \nthe nature of things. What we see is not always \nwhat we perceive and what we perceive is \nusually not what the subject would be without \nthe filter of our perception. The surface is \noften the skin that attracts humans to entities \nthat they choose to relate with, while matter \nconstitutes the surface in the same way it \nconstitutes their inner structure. Everything \naround us is a transformation of matter to \nanother state or form but such a realisation \nin itself is just the starting point. The actual \nunderstanding begins when matter becomes \nthe pretext to go beyond. More often than not \nthe true nature of things is revealed to us only \nthrough direct and consistent interaction. \nAt the same time a deeper understanding of \nmaterials and processes allows us to perceive \nmatters under a different light. Artifacts in \nthe JCP Universe are also made of matter \n-that is, atoms connected between them in \na multitude of ways- but the real matter is \ntheir reason for existence. The meaning a \nmaterial carries can become as important \nas the material itself and what lies beneath \nthe surface can become structural elements \nof a tangible narration. Immateriality is the \ntrue nature of matter, expressed through the \nmeaning of its form and purpose.   \n",15,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.16.png","10 Secret Treasures, exhibition during Milan Design Week, \n2016\n",16,{"image":70,"text":15,"number":71},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.17.png",17,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.18.png","The 10 Secret Treasures: \nThe Osforth Legacy,\nSurande’s Light, \nBox Dolmlod Xob, \nthe Projection of Ixorb, \nthe Ligomancer’s Bands,\nOglof, \nthe Orauro Mesh, \nGalaver’s Prize,\nAgaxa’s Promise \nand the Skins of Fylgrade.\n",18,{"image":77,"text":15,"number":78},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.19.png",19,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.20.png","IΙI\n",20,{"image":84,"text":15,"number":85},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.21.png",21,{"image":87,"text":88,"number":89},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.22.png","The nature of time itself transcends canonical \nhuman perception. When humans talk about \ntime they usually refer to the measurement \nof chronological intervals, while the concept \nof time itself eludes us completely. Time \nappears to have a direction – the past lies \nbehind, fixed and immutable, while the future \nlies ahead, not necessarily fixed. Yet for the \nmost part, the laws of physics do not specify \nan arrow of time and allow any process to \nproceed both forward and in reverse. This \nis generally a consequence of time being \nmodelled by a parameter in the system being \nanalysed, where there is no \"proper time\": \nthe direction of the arrow of time can be \narbitrary. Within the JCP Universe time in \nthe traditional chronological sense does not \nexist, and becomes unified; notions of the \npast thus become future elements and what \nwe perceive as history may be the future and \nvice versa. The origins of life are intertwined \nwith those of stars formed in a distant \nspacetime while each lifeform is a reality of \neach own. Creation is but a fleeting moment \nthat lasts an eternity, depending on every \nbeing’s point of view, giving life to timeless \nartifacts that become reflections of existence. \nTime is the ultimate material of dreams and \nspace its playground.\n",22,{"image":91,"text":15,"number":92},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.23.png",23,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.24.png","Glass Pagoda, exhibition during Salone del Mobile Milano, \n2017\n",24,{"image":98,"text":15,"number":99},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.25.png",25,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.26.png","IV\n",26,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.27.png","Meanings are attributes given by humans to \nspecific situations or objects. In other words \na relationship between signs and the kinds \nof things they intend, express, or signify. The \ntypes of meanings though vary according to \nthe types of the thing that is being represent-\ned. Thus a meaning is not clearly defined in \nitself since it depends on the situation and \nthe people that perceive it. The artifacts of the \nJCP Universe possess unique properties that \nalter established standards of what is normal \nor readily acceptable. Each a distinctive piece \nwith the capacity to change the way people \nlive through the filter of another reality, of-\nfering alternative connotations of familiar \nforms and unexpected functions. In such a \nway an artifact is much more than an object, \nit becomes instead a vehicle for imagination \nwhere meaning assumes form. Simultane-\nously, surprise is intermingled with famil-\niarity, a sense of belonging that is re-dimen-\nsioned once you interact with each artifact, \nunveiling the new meanings that each one of \nus is willing to attribute.\n",27,{"image":109,"text":15,"number":110},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.28.png",28,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.29.png","Odeum, exhibition during Salone del Mobile Milano, \n2018\n",29,{"image":116,"text":15,"number":117},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.30.png",30,{"image":119,"text":120,"number":121},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.31.png","Horizon below\nThe bird and eternity\nBoth gift you new life\n",31,{"image":123,"text":124,"number":125},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.32.png","SunRa by Nanda Vigo, exhibition during Milan Design Week, \n2018\n",32,{"image":127,"text":15,"number":128},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.33.png",33,{"image":130,"text":15,"number":131},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.34.png",34,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.35.png","Worlds Unseen, exhibition at Galleria Bianconi, \n2018\n",35,{"image":137,"text":15,"number":138},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.36.png",36,{"image":140,"text":15,"number":141},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.37.png",37,{"image":143,"text":144,"number":145},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.38.png","V\n",38,{"image":147,"text":148,"number":149},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.39.png","All around us a multitude of electromagnetic \nwaves interact with matter but we are only \ncapable of perceiving a tiny fraction of the \nfull spectrum either as heat or visible light. \nEven so, we perceive light only through its \ninteraction with the surfaces that it comes in \ncontact with, while not seeing the different \nwavelengths directly. In order for them to \nbe visible, we need a prism: a transparent \nobject with refracting surfaces, at an acute \nangle with each other, that separates white \nlight into a spectrum of colours.  Due to the \nfact that the colours of light travel at different \nspeeds inside diverse materials, they get bent \nby different amounts and emerge spread out \ninstead of mixed up. In such a way the magic \nof nature is revealed to us even in this tiny \nfraction of the electromagnetic spectrum. In \na similar manner, objects and spaces from the \nJCP Universe alter our canonical perception \nof the world allowing us to see it under a \nnew light. Artifacts that function as filters \nand allow us to change our perception of the \nworld and the relationships that we create \nwith the environment around us. A lamp does \nnot simply shed light on other objects but can \nbe a different form of light in itself through \nits symbolic form, alternative function and \nconnotative meaning. A selection of prismatic \nobjects imbued in their essence with more \nthan the eye can see, but always ready to \naccommodate a curious mind.\n",39,{"image":151,"text":15,"number":152},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.40.png",40,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.41.png","Under the Prism, exhibition during Salone del Mobile Milano, \n2019\n",41,{"image":158,"text":15,"number":159},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.42.png",42,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.43.png","Extra-Terrarium, installation at Interni Creative Connections, Statale Milano, \n2021\n",43,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.44.png","Extra-Terrarium, installation at Salone del Mobile Milano, \n2019\n",44,{"image":169,"text":15,"number":170},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.45.png",45,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.46.png","VI\n",46,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.47.png","Everything we imagine, everything we create \nis ultimately based on the natural world \nthat surrounds us. Consequently, any kind \nof creation is largely founded on what this \nplanet has to offer both in terms of materials \nand sources of inspiration. Nowadays the \nsearch for Exoplanets is booming finding \nearth-like potential planets almost every \nday. We are concurrently transforming the \nresources we harvest from our own planet at \nan increasing rate, to a point where we are \ncreating parallel scenarios of nature, both \nphysical and virtual. What would another \nnature look like and do we really need it for \nour well-being in this historical moment here \non Earth? JCP Universe’s unique ecosystem \nexplores such issues offering points of \nreflection that make us ponder upon what \nnature really means and to what point we can \nalter its’ appearance and perception. Through \nthe use of materials that come directly from \nthe crust of the earth, following eons of \ntransformation, minerals, volcanic rocks \nand clay become the protagonists of a subtle \nmetamorphosis that enters our lives. Their \nprimordial state is brought to the forefront, \nin its unadorned beauty, underlining the \nmultitudes of otherworldly expressions \nwaiting to be discovered here on planet Earth.\n",47,{"image":180,"text":15,"number":181},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.48.png",48,{"image":183,"text":184,"number":185},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.49.png","Another Nature, exhibition during Milan Design Week, \n2020\n",49,{"image":187,"text":15,"number":188},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.50.png",50,{"image":190,"text":15,"number":191},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.51.png",51,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.52.png","Backworld, exhibition at Supersalone, Milan, \n2021\n",52,{"image":197,"text":15,"number":198},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.53.png",53,{"image":200,"text":15,"number":201},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.54.png",54,{"image":203,"text":204,"number":205},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.55.png","VII\n",55,{"image":207,"text":15,"number":208},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.56.png",56,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.57.png","We value life -especially that of humans- \nabove all things. However, we don’t even \nhesitate before taking the life of other \nbeings, while in other cases we behave as if \nthings were imbued with life even though \nthey are inanimate. So what exactly is life? \nHow can life be defined? There is still not \na general consensus in the scientific or  \nphilosophical \ncommunity \nregarding \na  \ndefinition of life and every day we discover \nnew entities on our planet that could be \nconsidered alive. On the most fundamental  \nlevel, all matter that exists is an arrangement \nof atoms and their constituent particles. These \narrangements fall onto an immense spectrum \nof complexity, from a single hydrogen atom \nto something as intricate as a brain. In the \nend, life is just a concept invented by humans. \nAs it happens in the world we perceive, the \nenvironmental conditions are responsible \nfor the life forms that evolve and inhabit a \ngiven environment. Everything that exists \nwithin such a given system inadvertently \nforms the ecosystem itself and its agents \ndefine life within it. Such is the case in the \nJCP Universe where the artifacts become life \nforms of a system that creates relationships \nbetween its artificers, users and the \nenvironment itself. The act of living becomes \nthus a conscious act between space and the \nagents that inhabit it. Life is much more than \nwhat we take for granted but can instead  \nbecome what we make of it.\n",57,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.58.png","Parallel Lifeforms, exhibition between art and design at Oniro showroom, \n2021\n",58,{"image":218,"text":15,"number":219},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.59.png",59,{"image":221,"text":15,"number":222},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.60.png",60,{"image":224,"text":15,"number":225},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.61.png",61,{"image":227,"text":204,"number":228},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.62.png",62,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.63.png","The Future is, ultimately, part of a bigger \nconcept that envelopes all existence and our \nperception of it: time. In the JCP Universe, as \nin the block universe theory, spacetime and \neverything within it is seen as an unchanging \nfour-dimensional \"block\" of all the things \nthat ever happen at any time and at any place. \nFrom this point of view, the past, present \nand future all exist — and are equally real. \nThe fragments from the JCP Universe are \nemanations of this concept, tangible objects \nand spaces that constitute a reality that is \nimagined in its essence yet still unrealised in \nsome of its parts. The relationships that hold \ntogether this cosmos create the conditions \nthat allow fragments from the future to \nbecome the artifacts of our past, within a \nworld that is equally real and imaginary. In a \ndefined infinity of possibilities, imagination \nbecomes the vehicle of creation for a lived \nreality where the objects that surround us \nbecome points of reflection. Fragments \nfrom a future that remains hidden until the \ntime of its perception; an endless world of \nrelationships waiting to be discovered. \n",63,{"image":234,"text":15,"number":235},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.64.png",64,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002Fac\u002Fed597e154ec0af3903a08c04a79e35-28eb13e0aa.65.png","“This little affair,” said the Traveller, resting his elbows upon the table and singles in your town disturb the JCP universe, me ha namida his hands together above the appara-\ntus, “It is my plan foreign embassy, the clocks were striking thirteen natsukashi ya machine to travel through time. You will notice that it looks singularly askew, Kusa no hana \nYes I said yes I will Yes Get hard as marble and that there is an odd twinkling appearance about this bar, as though it was in some way unreal.” He pointed to the part without \ndescription, beautiful and nothing hurt, zetsuen densen. “Also, here is one little white lever, and here is another.” The Medical Man got up out of his chair and peered into the \nthing. “It’s beautifully \nmade,” he said. “It took \ntwo years to make,” re-\ntorted \nthe \nTraveller. \nThen, when we had all \nimitated the action of \nthe Medical Man, he \nsaid: “Now I want you \nclearly to understand \nthat this lever, being \npressed over, sends the \nmachine gliding into \nthe future, and this \nother reverses the mo-\ntion. Hanbun mo mata \na dream that ends in \nnothing, open to claim \nprize. This saddle rep-\nresents the seat of a time \ntraveller. Presently I am \ngoing to press the lever, \nand off the machine will \ngo. It will vanish, pass \ninto future Time, and \ndisappear. Have a good \nlook at the thing. Look \nat the table too, and sat-\nisfy yourselves there is \nno trickery. I don’t want \nto waste this model, \nand then be told I’m a \nquack.” There was a min-\nute’s pause perhaps. The \nPsychologist \nseemed \nabout to speak to me, \nbut changed his mind. \nThen the Traveller put \nforth his finger towards \nthe lever. “Free eye sur-\ngery, beware the Jabber-\nwock, my son, yume no \nato” and turning to the \nPsychologist, he took \nthat individual’s hand in \nhis own and told him to \nput out his forefinger. So \nhatsu shigure, what light \nthrough yonder win-\ndow? View will expire \nsoon the Psychologist \nhimself sent forth the \nmodel Time Machine \non its interminable voy-\nage. We all saw the lever \nturn. Grow glowing skin \nfast, what cannot be said \nwill be kurumaza ni. I am absolutely certain there was no trickery. There was a breath of wind, and the lamp flame jumped. 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