[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-freifrau-news-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":76},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":71,"matched_pages":72,"match_count":73,"two_pages":74,"show_text":75},20655,"News 2022","freifrau-news-2022","\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fd5\u002Fca1580c845acdd878bd86bb4682848-28c689046d.pdf","Freifrau",2087,"freifrau","6.4 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69],{"image":7,"text":15,"number":16},"2022 \nNeuheiten – Novelties\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.3.png","2\nNANA CHAIR & ARMCHAIR\nKlare Linien weich übersetzt: Der Stuhl Nana ist die \nSymbiose aus unnachahmlicher Softness und gerad­\nliniger Designsprache ohne Schnörkel. Ein Stuhl, der als \nHommage an die Kunst des Möbelpolsterns zu verste­\nhen ist und trotz seines voluminösen Looks zeitgleich \ndurch Eleganz und Raffinesse besticht. Für das Design \nzeichnet Hanne Willmann verantwortlich, die mit diesem \nEntwurf ihr Debut als Designerin für Freifrau feiert.  \nDie Inspiration für die Formensprache von Nana fand  \ndie Designerin in allem Weichen und Voluminösen.  \nSicher ist es kein Zufall, dass das fertige Modell an  \nWolkenfragmente erinnert. Die Maxime: etwas Schlich­\ntes, Vollkommenes zu erschaffen, das den Anspruch \nverfolgt allerhöchste Sitzqualität zu realisieren. \nDesign lines which are clear without being hard: \nNana is the perfect combination of unparalleled \nsoftness with a straightforward, unfussy aes­\nthetic. This chair is best understood as a homage \nto the art of upholstery – and one which, in spite \nof its voluminous look, is characterised by simple \nelegance. Nana is designer Hanne Willmann’s first \npiece for Freifrau, and she found inspiration for  \nthe chair by concentrating on softness and thick­\nness. As such, it’s no surprise that the finished \ndesign is reminiscent of tufts of cloud. All in all, \nNana was created to offer maximum simplicity and \ntrue design perfection with the highest possible \nlevel of comfort.\ndesigned by  \nHANNE WILLMANN\nNana\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.4.png","4\nNANA COUCH & NANA LOUNGER\nNANA LOUNGER & NANA POUF\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.5.png","6\n“Nana is the \nmost comfort-\nable chair I’ve \never sat in. \nLike sitting on \na cloud!”\nHANNE WILLMANN \nDesigner\nDESIGNER: \nHanne Willmann (*1987) hat \nschon viele Stationen durch­\nlaufen. Neben Berlin arbeitete \ndie Industriedesignerin in \nBarcelona und Istanbul, bevor \nsie sich, zurück in Berlin, mit \neinem eigenen Studio selbstän­\ndig machte. Die verschiedenen \nEinflüsse sind es wohl auch, die \nHannes Experimentierfreude \nmit Materialien in unzähligen \nKombinationen erklärt.\n—\nHanne Willmann (born in 1987) \nhas already enjoyed a rich and \nvaried career. She worked as \nan industrial designer in Berlin, \nBarcelona, and Istanbul before \nreturning to Berlin, where she \nset up her own studio. \nThese myriad influences serve  \nto explain Hanne’s love of \nexperimentation with materials, \nwhich she combines in  \ncountless ways.\n     „Nana ist der \nbequemste Stuhl, \nauf dem ich je \ngesessen habe.  \nWie auf einer \nWolke!“\nGRACE ARMCHAIR HIGH\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.6.png","GRACE ARMCHAIR HIGH & LOW\n8\nDie Inspiration zum Entwurf Grace von Birgit Hoffmann \nund Christoph Kahleyss war die sanfte Erscheinung  \nvon locker über einen Stuhl gezogenem Leder. Früh \nstand fest, dass ein besonders dickes Leder kontrastie­\nrend mit einem filigranen Gestell den besonderen Reiz \nausmachen wird, das Design­Duo jedoch gleichzeitig  \nvor eine große Herausforderung stellte. Leder ist ein  \nNaturmaterial, dessen Eigenschaften sich die Designer \nerst einmal zu eigen machen mussten, um ihre  \nIdee so umsetzen zu können. Die robuste Anmutung  \ndes Leders mit seinen fein austarierten, offenen  \nNähten vermittelt eine archaische Kraft. Grace  \npräsentiert Leder in seiner reinsten Form, gepaart  \nmit dem höchsten Maß an Sitzkomfort. \nIn designing Grace, Birgit Hoffmann and Christoph \nKahleyss got their inspiration from the soft elegance of \nleather draped loosely over a chair. Early on, it became \nclear that the particular charm of the new piece would \nrequire especially thick leather as a contrast to a delicate \nframe, and this represented a not inconsiderable chal­\nlenge for the design duo. Leather is a natural material, \nand designers need to harness its characteristics in \norder to turn their ideas into reality. With its finely­ \npositioned open stitches, the leather used is at once \nrobust and elegant, full of archaic heft yet with  \nan undeniable grace. Hence the name of the chair,  \nwhich presents leather in its purest form and offers \nunparalleled comfort: Grace.\ndesigned by\nHOFFMANN KAHLEYSS DESIGN\nGrace\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.7.png","10\nBIRGIT HOFFMANN & CHRISTOPH KAHLEYSS\nDesigner\nAMELIE ARMCHAR LOW\nDESIGNER: \nStets funktional, aber nie kühl \nkommt das Design von  \nBirgit Hoffmann (*1968) und  \nChristoph Kahleyss (*1963) \ndaher. Ihre Möbel und Interior­ \nKonzepte sind vielmehr geprägt \nvon weichen, organischen  \nFormen. Im gemeinsamen  \nHamburger Büro verleihen die \nbeiden jeder ihrer Kreationen ein  \nso ausdrucksstark individuelles \nwie sinnliches Gesicht.\n–\nAlways functional, never cold: \ndesigns by Birgit Hoffmann \n(*1968) and Christoph Kah­\nleyss (*1963) are recognisable \nby their elegant, yet soft and \norganic form. In their joint  \nHamburg bureau, the duo  \nproduce design after design \nwith an expressive, individual \nlook and a sensuous feel.\n„Grace ist stark,  \nselbstbewusst und \ndabei anmutig  \nund sanft.“\n–\n“Grace is strong,  \nconfident, yet graceful \nand gentle.”\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.8.png","12\nAMELIE ARMCHAR LOW\nAmelie steht für klares, formvollendetes Design und ist \ndoch beeindruckend wandelbar. \nDie vollgepolsterte Sitzschale wird mit wertvollen Stoffen  \noder elegantem Leder bezogen, wobei sich die Bezugs­\nmaterialien der Vorder­ und Rückseite individuell  \nkombinieren lassen. Das Gestell dieses Stuhls kann \nebenfalls nach dem persönlichen Geschmack gewählt \nwerden: Elegantes Eichenholz, gebeizt in verschiedenen \nFarben oder grazile Stahlgestelle, pulverbeschichtet. \nUnterstrichen wird die konsequente Linienführung  \ndes Designs durch einen Keder, der die Form der Sitz­ \nund Lehnflächen optisch abrundet. \nNeu ist Amelie mit halber Armlehne – die Modellvariante \nergänzt das Arrangement am Tisch mit Amelie mit Arm­\nlehne oder ohne Armlehne perfekt. \nAmelie represents understated design perfection –  \nand yet remains impressively variable. \nThe seat shell is fully upholstered in premium fabric  \nor elegant leather, while covering materials for both the \nfront and back can be varied and combined at will to \nmake a truly unique piece. The chair’s frame, too, can be \nselected to match personal preferences: there’s elegant \noak, stained in a variety of colours, or a graceful frame  \nof powder­coated steel. Piping offers a visual out ­ \nlines of the seat and backrest, further highlighting  \nthe consistent lines throughout the design. \nArranged around a table, the new version of the arm­\nchair with half­height armrests is the perfect com­\nplement both to Amelie without armrests and the full \nAmelie armchair.\ndesigned by\nHOFFMANN KAHLEYSS DESIGN\nAmelie\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.9.png","Linie im Rücken?\n14\nBIRGIT HOFFMANN & CHRISTOPH KAHLEYSS\nDesigner\n„Amelie steht  \nfür klares Design, \ndas unglaublich  \nwandelbar ist.“\n–\n“For us, Amelie stands \nfor clear design that is \nincredibly variable.”\nTHEIA CHAIR\nBIRGIT HOFFMANN & \nCHRISTOPH KAHLEYSS, \nDESIGNER\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.10.png","16\ndesigned by\nSEBASTIAN HERKNER\nTheia\nTheia ist der zweite Entwurf von Sebastian Herkner für  \nFreifrau. Er selbst beschreibt Theia als sachlich, elegant  \nund vielseitig. Verbindendes Element ist die fein ge­\nzeichnete Sitzschale mit dem umgreifenden Metall­\ngestell. Fast wirkt die Sitzschale wie ein eingefasster \nEdelstein. Die Aussparung im Rücken des Modells steht \nim direkten Dialog mit dem Gestell, das die Öffnung \nelegant um rahmt und den skulpturalen Ansatz des  \nEntwurfes unter streicht. Theia gibt es in zwei Versionen –  \nmit und ohne Armlehne. Je nach Stofflichkeit der Schale \nkann man die Persönlichkeit des Stuhls unterstreichen,  \nvon Ess zimmerstuhl bis hin zum Objektstuhl. Für \nHerkner soll der Stuhl aber vor allem ein Begleiter fürs \nLeben werden.\nTheia is Sebastian Herkner’s second design for  \nFreifrau. In his own words, the chair is “functional, \nelegant, and versatile”, characterised by the fine \nlines of its shell set in a metal frame – almost, you \nmight think, like a jewel embedded in a ring. An \nopening in the backrest enters into a dialogue with \nthis frame, which surrounds and presents it so as \nto underscore the elegantly sculptural feel of the \ndesign. Theia is available in two versions – with and \nwithout armrests – while the material selected for \nthe shell gives the chair its personality, deciding \nwhether it’s a seat at the dining table or a striking \ndesign object. Whatever it is, though, Herkner sees \nTheia as a life­long companion.\nTHEIA CHAIR HIGH & LOW\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.11.png","19\n18\nONA LOUNGE HIGH BACK\nSEBASTIAN HERKNER\nDesigner\n„Die Sitzschale von  \nTheia ist eingefasst wie  \nein Schmuckstein.“\n–\n“With Theia, the  \nseat shell is framed  \nlike a jewel.“\nFREIFRAU MANUFAKTUR: Lieber Sebastian, mit  \nTheia hast du jetzt deinen zweiten Stuhl für Freifrau \nentwickelt. Welchen Ansatz hast du verfolgt?  \nSEBASTIAN HERKNER: Wir waren bei der Entwicklung  \nvon Theia auf der Suche nach einer anderen  \nAussage von Eleganz und Einfachheit. Wir kombi­\nnieren hier ein umlaufendes Metallgestell mit der \nskulpturalen feinen Sitzschale, um einen neuen \nCharakter zu kreieren. Wie ein Schmuckstein wird \ndie Sitzschale in dem Metallrahmen gefasst. \nFF: Welche besonderen Charakteristiken hat Theia? \nSB: Theia gibt es in zwei Versionen, mit und ohne \nArmlehne. Das verbindende Element ist die fein \ngezeichnete Sitzschale mit dem umgreifenden \nMetallgestell. Je nach Stofflichkeit der Schale kann \nman die Persönlichkeit des Stuhles unterstreichen, \nvon Esszimmerstuhl bis hin zu einem Objektstuhl.\nFF: In der Rückenlehne hat Theia eine kleine Auslas­\nsung. Erzähl uns etwas über dieses Detail!\nSB: Die Aussparung stehtist im direkten Dialog mit \ndem Gestell. Dieses umrahmt diese Öffnung sehr \nelegant und unterstreicht den skulpturalen Ansatz \ndes Entwurfes. \nFF: Wenn du Theia einer Person in 3 drei Wörtern  \nbeschreiben müsstest, welche wären das?\nSB: Elegant, sachlich, vielseitig.\nFREIFRAU MANUFAKTUR: Sebastian, Theia is  \nthe second chair you have designed for Freifrau.  \nWhat was your approach to this piece? \nSEBASTIAN HERKNER: In developing Theia, we were \non a quest for a different expression of elegance  \nand simplicity. So we combined a metal frame \naround the shell with a sculptural approach to this \nshell in order to create something new with a quite \ndistinct character. Think of a gemstone set in a ring: \nthat’s how the seat will sit in the frame.\nFF: What are the most special qualities of Theia?\nSB: Theia comes in two versions – one with, one without \narmrests. What unites them both is the finely drawn  \nseat shell and the metal frame around it.  The \nmaterial selected for the shell gives the chair its \npersonality, deciding whether it’s a seat at the \ndining table, a striking design object, or something \nin between.\nFF: Theia has an opening in the backrest. What can you \ntell us about this detail?\nSB: The opening enters into a direct dialogue with  \nthe frame, which surrounds and presents it so as  \nto underscore the sculptural feel of the design.\nFF: If you had to describe Theia in three words, which \nthree words would you choose?\nSB: Elegant, functional, versatile.\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.12.png","20\ndesigned by\nSEBASTIAN HERKNER\nOna\nEin rundliches Sitzpolster, eine geschwungene \nRückenlehne, vier schlanke Füße – Ona ist reduziert \nauf das Wesentliche. Auf den ersten Blick. Charak­\nteristisch ist der weich umlaufende Keder, der die \nNaht zwischen den zwei Schalen der Rückenlehne \nverstärkt. „Etwas eleganter und weniger lässig“ –  \ndas antwortet der Designer Sebastian Herkner wenn \nman ihn fragt, was seinen Entwurf gegenüber den \nanderen Freifrau­Modellen auszeichnet. Ona umarmt \nherzlich und lässt seinen Besitzer dennoch die  \nHaltung bewahren. Erhältlich ist dieser aus hoch­\nwertigen Materialien gefertigte Stuhl in mehreren \nVarianten und damit vielseitig einsetzbar.\nA rounded seat cushion, a curved backrest, and four \nslender legs: that’s Ona, an object lesson in reducing \na design to its essentials. Well, at first sight. On closer \ninspection, there’s the characteristic soft wrap­around \npiping which reinforces the seam between the two \nbackrest shells, for instance. When asked what distin­\nguishes his design from other Freifrau models, designer \nSebastian Herkner says: “A touch more elegant and less \ncasual.” And indeed sinking into Ona’s warm embrace \ndoesn’t come at the expense of maintaining good  \nposture. Manufactured from high­quality materials,  \nthis chair is available in a range of variations, making it  \na wonderfully versatile addition to any space.\nONA LOUNGE HIGH BACK & ONA OTTOMAN\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.13.png","Andere Perspektive, so \ndass man noch das vierte \nBein sieht?\n22\nDESIGNER: \nSebastian Herkner (*1981)  \narbeitet mit großem Respekt vor \ndem Material. Seine Entwürfe \nverbinden nicht nur unter­\nschiedliche kulturelle Kontexte, \nsondern auch zeitgenössische \nFormen und Techniken mit \ntraditioneller Handwerkskunst. \nIn seinem Studio in Offenbach \nentstehen Möbel und Objekte \nfür Unternehmen weltweit.\nSebastian Herkner (*1981) \nworks with the greatest respect \nfor his materials, creating \ndesigns which don’t just connect \ndifferent cultural contexts, but \nalso contemporary forms and \ntechniques with traditional \nhandcraft. From his studio in \nOffenbach, near Frankfurt, he \ndelivers designs for furniture \nand objects to companies \nacross the world. \n„Mein Ansatz für  \nOna ist sehr elegant,  \nweniger lässig.“\n–\n“My approach to  \nOna is very elegant,  \nless relaxed.”\nSEBASTIAN HERKNER\nDesigner\n3\nONA LOUNGE CHAIR LOW & ONA OTTOMAN\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.14.png","VERTRIEB . SALES\nUDO PATZKE\nTelefon: +49 (0)89 41902293, Fax: +49 (0)89 41902294 \nMobil: +49 (0)171 5376767 \nE­Mail: up­agentur@freifrau.com\nMARTIN SGORZALY\nTelefon: +49 (0)5261 971330­11, Fax: +49 (0)5261 971330­9 \nMobil: +49 (0)170 2926008 \nE­Mail: martin@freifrau.com \nIMPRESSUM . IMPRINT\nFreifrau Manufaktur GmbH \nGildestraße 9, 32657 Lemgo\nGeschäftsführer \u002F Managing director: Hansjörg Helweg \nRegistergericht \u002F Company registration: AG Lemgo, HRA 5087,  \nSitz der Gesellschaft \u002F Head offices: Lemgo \nSteuer­Nr. \u002F Tax ID n.: 329\u002F5902\u002F0213 \nUSt­IdNr. \u002F VAT ID n.: DE 280 509 768\nCREATIV-DIREKTION . CREATIVE DIRECTION\nHoffmann Kahleyss Design\nKONZEPT & ART-DIREKTION . CONCEPT & ART DIRECTION\nAnna Bertermann & Meike Winters\nREDAKTION . EDITORIAL OFFICE\nDeike Bokelmann\nTEXT\nDeike Bokelmann, Alexandra von Poschinger\nÜBERSETZUNG . TRANSLATION\nBrian Melican, Wieners&Wieners\nLEKTORAT . PROOF-READING\nWieners + Wieners\nLITHOGRAFIE . LITHOGRAPHY\nedelweiß publish\nDRUCK . PRINT\nBeisner Druck\nFOTOGRAFIE . PHOTOGRAPHY\nPortraits: Alicia Minkwitz, Gaby Gerster, Sonja Müller  \nInterior photography: Hendrik Lemke, Patrick Pantze Images, Wolfgang Stahr\nSTYLING\nThomas Rook\nUNSERE PARTNER . OUR PARTNER\nJANUA Möbel (www.janua­moebel.de)\nDANK AN . THANKS TO\nJan Kath Design GmbH \nM2 Rugs Design GmbH \nMiinu GmbH \nWall & Decò S.r.l.\n",14,{"image":70,"text":19,"number":71},"\u002Fmedia\u002Fimages\u002F78\u002F5866c99c962866685b7594885203fa-28c6897a08.15.png",15,[],0,false,true,{"success":75,"data":77,"meta":297,"count":298,"next":299,"previous":300,"results":337,"brand_chips":398},[78,91,104,117,127,140,153,163,173,183,193,206,216,226,235,245,258,268,278,288],{"id":79,"title":80,"slug":81,"image":82,"source":83,"brand_name":84,"brand":85,"brand_slug":86,"file_size":87,"pages":88,"pages_count":89,"matched_pages":90,"match_count":73,"two_pages":74,"show_text":75},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 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