[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-fratelli-boffi-history-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":194},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":189,"matched_pages":190,"match_count":191,"two_pages":192,"show_text":193},22313,"History 2025","fratelli-boffi-history-2025","\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F8f\u002F5b26d621c253ee47f7bc32d0f9cc44-28e3e3aa9d.pdf","Fratelli Boffi",2027,"fratelli-boffi","4.8 MB",[14,17,21,25,29,33,36,40,44,48,51,55,59,63,67,71,75,79,83,87,91,95,99,103,107,111,115,119,123,127,131,135,138,142,146,150,154,158,162,166,170,174,178,182,186],{"image":7,"text":15,"number":16},"FRATELLI BOFFI SRL\nViale Industria, 5  \n20823 Lentate Sul Seveso Mb Italy\n+39.0362.564.304\nwww.fratelliboffi.it\ninfo@fratelliboffi.it\ncontract@fratelliboffi.it\n                         @fratelliboffi\n‘28-2025\n‘28-2025\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.3.png","Il prodotto è figlio dell’emozione e dell’idea, mutuate dalla creatività, \nquella creatività che è dipesa, e dipende, dalle epoche temporali, \nma molte volte le anticipa, interpretando gli umori, anticipando \nle voglie, contestualizzando le arti, decantando i pensieri…\nA product is made up of emotions and ideas, which are influenced by \nthe creativity of the specific time periods. However, it often anticipates \nthem predicting moods, guessing desires, celebrating thoughts, \nand modernising arts.\n1928....\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.4.png","La tecnologia si umanizza, per quell’idea di “umanesimo artigianale” e digitale fusi \ninsieme, che è, riprendendo l’estetica derivante da input culturali, storici ed artistici, \nla filosofia del brand. Oggi più che mai è interconnessa con i fenomeni del vivere, \ncol “saper fare”, con la tecnologia sì, ma soprattutto con il sociale, l’etica e l’umano.\nTechnology is becoming more human, following the idea of the combination \nof digital and “artisan” humanism, which is Boffi’s brand philosophy in conjunction \nwith the aesthetics derived from cultural, historical and art inputs.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.5.png","L’arte dell’uomo forgia i materiali, ne reinventa le forme, \nsuggerisce le tecnologie.  \nLa classicità della tradizione Boffi si lega così a funzioni modulari e \nversatili, dove sempre rimane costante la tensione di raggiungimento \ndi bellezza e armonie, contraddittorie e assolute.\n \nCraft moulds materials, creates shapes, provides the technologies. \nClassic Boffi’s tradition is mixed with eclectic modular functions, \nconstantly aiming to reach absolute beauty and harmony.\n",5,{"image":34,"text":19,"number":35},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.6.png",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.7.png","Rivelatosi poco prima degli anni ‘30, \nla manualitàartigiana di Boffi è, \ncon Carlo Boffi, il primo mezzo\ninterpretativo: nella naturalezza di \noggetti primordiali e di legno appena \nintagliato, collegava la sensualità \ndegli anni ‘20, ricca di spunti \neccentrici, al variegato sapore etnico \nper una nuova “ibrida” identità. \nI legni pregiati, gli intarsi via via più \nelaborati e le zigrinature dorate \ntradussero, grazie alla maestria \nartigianale, un “nuovo lusso”.\nEmerged just before the 30s, Boffi’s \nhandcraft, through Carlo Boffi, is the \nfirst expression of this. \nThrough the natural beauty of \nprimordial shapes and carved wood, \nthe unusual lusciousness of the 20s \nwas mixed with ethnic influences to \ncreate a new hybrid identity. \nA new handcrafted “luxury” was \ncreated using premium quality woods, \nfancy marquetry and golden milling.\n1920 - 1930\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.8.png","Il colore, esaltando la forma, divenne, come poi sempre, codice e segno dal nero \ndelle notti piu intense al rosso più iconico e vibrante con lancé energetici \ndi oro giallo. Dal ‘30 al ‘40, nell’emancipazione verso il design industriale, \ndopo la  Grande Depressione, l’esposizione Universale di New York, \ncon lo slogan  “Costruire il mondo di domani”, sembra aver lanciato quello che, \nanche oggi, potrebbe essere il motto di Boffi. L’età dell’oro, dove il corpo-donna \ndiventa forma, si concretizza in nuova epoca di collaborazioni sinergiche \nvia via sempre più corpose.\nThe colour became the trademark, highlighting the shape. It ranged from \nthe darkest black to the most iconic and vibrant red, with strong golden additions. \nFrom the 30s to the 40s, after the New York World’s Fair, Boffi’s motto \n“Building tomorrow’s world” was launched to mark the transition towards \nindustrial design. The golden age, when women’s body became shape, \nwas also the period when collaborations became important.\n1930 - 1940\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.9.png","1940 - 1950\nCominciò così quello stile autonomo che venne \nsupportato, negli anni ‘50, con Federico, Roberto, \nMichele Boffi, da nuovi materiali e nuove lavorazioni \n(legno massello, laccature, imbottiture,…), \ndove la tecnologia nascente riuscì a rivelare un’anima \nraffinata e internazionale, che promosse \nle collaborazioni con i grandi department store \neuropei ed americani. \nNel ‘50, i mobili Boffi (non solo le sedie….) \ndivennero come “tessuti” di esercitazioni lavorate, \ncesellate e traforate che, nei volumi, non a caso, \nriprendevano il “new look” di Dior, la cui “donna fiore” \nè la versione fashion nella rivoluzionaria concezione \ndell’intelligente esplorazione e curiosità di Boffi.\n \nThat is how the innovative style was created and \nlater developed. In the 50s, by Federico, Roberto and \nMichele Boffi. New materials and technologies were \nadded (solid wood, lacquering, padding…), \ngiving a sophisticated and international soul to the \ncompany, which allowed collaboration with the most \nimportant department stores in Europe and America. \nDuring the 50s, Boffi’s pieces of furniture became \nlike fabric resembling Dior’s look, where the \n“flower woman” was the fashion counterpart \nof Boffi’s revolutionary concept.\n",9,{"image":49,"text":19,"number":50},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.10.png",10,{"image":52,"text":53,"number":54},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.11.png","1960 - 1980\nFu l’epoca del ‘60 - ‘70 a esplorare la libertà \nespressiva di Boffi nei colori e nella “musica” \ndei dettagli, a volte ironicamente declinati, \nfino ad esplodere negli anni ‘80 dove \nBoffi iniziò a collaborare con le avanguardie \ndel design, invadendo, oltre a forgiare gli stili \npersonali, anche gli spazi del contract. \nUna capacità “sartoriale” di anima artigiana \nè presente anche nella realizzazione \ndi grandi opere dal respiro internazionale e \nil “Prêt-à-porter di lusso”, nell’arredo di \nBoffi, da allora cominciò a coniugarsi sia \nin collezioni autonome che in traduzioni \npersonalizzate. \nDuring the 60s and 70s, Boffi explored new \ncolours and rhythmic details. \nThen in the 80s the company came in contact \nwith designs avant-gardes, shaping new \npersonal styles. \nThis “tailored” handcraft was shown also in \ninternational artworks, and the luxury \n“Pret-a-Porter” became part of Boffi’s \nfurniture, both as autonomous collections \nand customised productions.\n",11,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.12.png","1980 - 2000\nEAST SIDE \nFred Palatinus\n1983\nLe contaminazioni si moltiplicano, gli effetti di materiali \ntrattati come a plissè o a matelassè, riprendono, \nincorporando i dorati bruniti con i rosa di glassa e \ngli ottanio perlati, e le forme si frammentano, \nsi scompongono, rivelano spaccati di anime belle e \ninquiete. Se l’inquietudine intelligente è ansia di \nesplorazione e voglia di traguardi, sempre più elevati, \nBoffi, leader oggi più che mai, ne è tutta pervasa.\nLa collaborazione con i più prestigiosi designer \namericani prima, italiani e internazionali poi, si affina \nsempre più per sinergie di propositi e di realizzazioni. \nNew artistic influences led to the discovery of new \nmaterials such as plissè and matelassé and new \ncolours such as brown gold, glazed pink and pearly teal.  \nNew fragmented shapes revealed the inner and troubled \nsoul of the style. This creative unrest influencing Boffi’s \ncreations represents their constant effort to explore \nnew ways and horizons, making this company one of \nthe leaders in the world. \nCollaborations with the most prestigious American \ndesigners first and Italians later became more \nand more intense.\n",12,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.13.png","La versatilità e la sostenibilità, \nil gusto del colore insolito e \nla ricerca di un’armonia, \n“convenzionale” ma personalizzata, \nsempre evidente e giustificante, \nporta a forme dove il dettaglio \ne la cura di esso, è elemento \nessenziale.\nFlexibility and sustainability, an \nextraordinary taste for colour and \na quest for harmony, which is \nconventional but unique, \nalways clear and legitimate. \nThese lead toward shapes where the \ndetail, and its attention, \nis an essential element.\nIris\nAldo Cibic\n1992\nCredenza a baldacchino\nUgo la Pietra\n1986\nKY\nGiorgio Pulici\n1999\n",13,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.14.png","2000.....\nDa un ‘90 ricco di contraddizioni e cangianze, questo 2000 vede, \nnella Boffi, l’insolente arte della raffinata provocazione. \nL’ingegno e l’inventiva dei Designers, come il continuo senso della \nricerca aziendale, fondono funzionalità ed estetica, \nsenza rinunciare all’arte di pesi e trafori, giochi e leggerezze, \nmateriali modulari e colori del vivere, tradizionali nelle suggestioni \nma quanto mai futuribili nelle forme circolari e sostenibili.\nBoffi’s style in the 90s was full of contradictions and iridescences, \nwhile in the 2000s it transitioned towards sophisticated temptations. \nThe designer’s creativity was merged with practicality and \naesthetics, without renouncing to vivid colours, fretworks, and \nmodular materials. The final result was a delicate balance between \ntraditional inspirations and futuristic circular shapes.\nLui 5\u002FA\nPhilippe Bestenheider  \n2005\nGood Vibrations\nFerruccio Laviani \n2013\n",14,{"image":68,"text":69,"number":70},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.15.png","Fratelli Boffi si aggiudica il prestigioso “Salone del Mobile. Milano Award” \ncon D\u002FVision.1, il trumeau disegnato da Ferruccio Laviani nominato\nper la categoria ‘Miglior prodotto settore xLux’. \nDivision 1 fa parte di una collezione disegnata da Ferruccio Laviani \nper Boffi, presentata al salone del mobile 2017, dove il trumeau, \nin voga negli anni ’50, pur mantenendo la forma iconica originaria, \nper i contrasti materici e le illusioni simboliche, si impone per la sua \noriginalità. \nLe linee, le finiture e i colori si sovvertono, coniugando fantasia e \nconcretezza, regalando traduzione e magia.\nFratelli Boffi wins at the prestigious “Salone Del Mobile.Milano Award”\nwith D\u002FVision.1, trumeau designed by Ferruccio Laviani nominated \nfor the category ‘Best product xLux sector’.\nDivision 1 is part of a collection designed by Ferruccio Laviani for Boffi. \nIt was shown at the 2017 Milan Furniture Fair.\nIts unexpected design includes trumeau, popular in the 50s, keeping \na traditional iconic shape. Lines and colours upend each other, \nmixing creativity with pragmatism.\nD\u002F Vision 1\nFerruccio Laviani \n2017\n",15,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.16.png","2021...\nL’audacia e il nitore, asimmetrico pur \nmantenendo una purezzadi linee di codici \noriginari, classico e insolente: \nGood Vibrations, un mobile-contenitore, \nma si esita a classificarlo, tanto supera \ndefinizioni ed etichette, dei Fratelli Boffi, \ndisegnato da Ferruccio Laviani, \nè entrato nella collezione permanente del \nMuseo delle Arti Decorative di Parigi (MAD). \nÈ entrato da protagonista, imponendo l’ibridismo dei suoistili,\nricchi di sensualità orientali quanto di sapienze antiche\ndelle nostre tradizioni. Ha affascinato il suo segno di un’arte\nartigianale di intaglio e cura esasperata nei dettagli delle\nlavorazioni del legno, ma se ne coglie appieno anche\nl’evoluzione tecnologica e la sofisticata ricerca di soluzioni\n“allargate”. Ha sapori antichi e saperi avanzati che insieme\nlo pervadono e lo scuotono, facendone trasparire tutta\nla vulcanica energia creativa.\nI ritmi ispiratori che ne alterano le simmetrie sono evidenti\ne imperiosi, tanto da uscire dai confini oggettivi di generale\nvisione per soggettivarsi, personalizzandosi, aderendo ad\nognuno, che, nei plissé tellurici e nei piani sfalsati, possono\ncosì intravedere le variabili umorali del proprio sentire.\nMAD, il prestigioso museo parigino, all’interno del Louvre,\nconserva una tra le più importanti collezioni di Arti \nDecorative\ndel mondo, così come si viene a configurare, rappresentata\ne intrisa di storia epocale delle arti, dal design al fashion,\ndall’oreficeria alla pubblicità, in dinamica “guerra” tra loro.\nDi questa “guerra”, Good Vibrations, dei Fratelli Boffi,\npresente tra le 50 opere, che hanno arricchito, nell’occasione\ndella riapertura primaverile del 2021, la collezione del Museo,\nsembra rappresentare le sinergie di connessione della\nnostra epoca, non esclusa una certa grazia metaforica\ndi fragilità e sorpresa, che la creatività del designer e\nla sapienza dell’Azienda, solidificano.\n",16,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.17.png","The courage and the cleanliness, overall uneven but at the same\ntime following the original track, classic and cheeky.\nGood Vibrations, a piece of furniture and a container, \nhard to labeland beyond any definition.\nProduced by Fratelli Boffi and designed by Ferruccio Laviani,\nGood Vibration is part of the permanent collection of the\nMuseum of Decorative Arts (MAD) in Paris.\nIt entered from the front door, showing off its hybrid style full of\neastern sensuality and ancient local traditions at the same time.\nThe most impressive feature is its intaglio carving and the\nextreme precision of its woodcraft. At the same time, \nit is possibleto observe its technology and its advanced design.\nThis vibrant mix of old and new is fully visible in its unique design.\nThe inner energy that alters the symmetry is strong and powerful\nand it extends outside the normal visual boundaries, creating\npersonal plissé connecting straight to the inner self.\nMAD, the prestigious museum inside The Louvre, in Paris, includes\none of the most important decorative arts collections in the world.\nThis collection represents the history of arts, design and fashion,\nranging from jewellery to marketing.\nGood vibrations, of Fratelli Boffi, is one of the 50 pieces of the\nnew 2021 spring collection. It is the product of this clash of styles\nand it represents all the contradictions of our times, spacing from\nfragility to surprise, cleverly crafted by the designer.\n",17,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.18.png","2023...\n... naturalmente audace nel traforo che \nlo rende simile a una preziosa trina, \ndalla costruzione sapiente che richiama \nvolute storiche antiche, ma con una \nanarchica leggerezza contemporanea, \nGothik A è un pezzo da collezione, \ncreato da un Ferruccio Laviani in stato \ndi grazia, che ha intrecciato vuoti e pieni \ndi memorie e di utopie, realtà e poesia: \nrealtà aziendali di cui il legno è \nprotagonista così autorevole da dare \nal racconto la poetica filigrana della fiaba.\nLa complicità del creativo, con l’azienda, \nnell’opera, rende la materia viva palestra \ndi esercitazione, l’alleggerisce fino a \nrenderla segno, in una luce sottesa dove \nle ombre si colgono appena, \nma non soffoca, anzi eleva, il desiderio \ndi quel filo di materia, nel seguirne \nl’intrigo e la rotta.\nLa circolarità dell’essere è il fine, \nnell’appagamento complice dei sensi, \nper un “bello” che nasce da incontri \nravvicinati che sembravano impossibili.\n",18,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.19.png","...naturally audacious in its latticework, \nwhich resembles precious lace, skillfully \nconstructed to evoke ancient historical scrolls \nbut with a contemporary anarchic lightness, \nGothik A is a collector’s piece, \ncreated by Ferruccio Laviani particularly \ninspired. It interweaves voids and \nmemories, utopias and reality: \ncorporate realities in which wood plays such \nan authoritative role that it gives the story \nthe poetic filigree of a fairy tale.\nThe creative collaboration with the \ncompany in the piece makes the material \na living exercise ground, lightening it to \nthe point of making it a sign, in a subtle light \nwhere shadows are barely discernible, \nbut it does not stifle, rather elevates, \nthe desire for that thread of material, \nin following its intrigue and course.\nThe circularity of being is the end, \nin the satisfaction of the senses, \nfor a “beauty” that arises from close \nencounters that seemed impossible.\n",19,{"image":88,"text":89,"number":90},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.20.png","DESIGNERS\nStoragemilano\nLorenza Bozzoli\nBruno Tarsia\nPiero Ferruccio Laviani\nArcher Humphryes Architects\nGiorgio Pulici\nNigel Coates\nAldo Cibic\nDainelli Studio\nUgo La Pietra\nPiero Manara\nPhlippe Bestenheider\nARXX Studio\nAnalogia Project\nCristián Mohaded\nChristophe de la Fontaine\n",20,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.21.png","EDIZIONI\n",21,{"image":96,"text":97,"number":98},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.22.png","Truman, rimasto per anni negli archivi aziendali, \nè un mobile contenitore con un vano a tutta altezza \ne 6 cassetti laterali. \nRifinito in laccatura opaca bianca e decorato con \ncerchi neri, presenta geometrie scomposte e \nlinee sinuose. \nPiù simile a una scultura che a un mobile, \nsi ispira al cubismo ceco dei primi del ‘900, \ncombinando estetica e costruzione innovative.\nTruman\nDesign: Boffi Edizioni (1983)\nTruman, stored for years in the company archives,\n is a storage cabinet with a full-height compartment \nand six side drawers. \nFinished in matte white lacquer and decorated \nwith black circles, it features fragmented geometries \nand sinuous lines. \nMore akin to a sculpture than a piece of furniture, \nit is inspired by early 20th-century Czech Cubism, \ncombining innovative aesthetics and construction.\nDimensioni: cm 146x56x175,5 h\n",22,{"image":100,"text":101,"number":102},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.23.png","Ispirata al grattacielo 550 Madison Avenue \ndi Philip Johnson, la poltrona East Side \ndi Fred Palatinus richiama lo stile postmoderno \ndell’edificio. \nGambe triangolari con richiami neoclassici e \nuna finitura nero lucida, insieme a una pelle \ndal colore vivace, evocano il classicismo \ne l’energia anni ‘80 della nightlife di New York.\nEast Side\nDesign: Fred Palatinus (1983)\nInspired by Philip Johnson’s 550 Madison Avenue \nskyscraper, Fred Palatinus’ East Side chair echoes \nthe building’s postmodern style. \nTriangular legs with neoclassical references and \na glossy black finish, combined with vibrant leather, \nevoke the classicism and ‘80s energy \nof New York’s nightlife..\nDimensioni: cm 92x71x75 h\n",23,{"image":104,"text":105,"number":106},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.24.png"," \nMaestoso e imperante il Good Vibrations \ndi Ferruccio Laviani, è finalmente diventato realtà. \nMobile contenitore dal sapore primordiale\nsembra essere stato deformato da una forte \nscossa o pervaso da movimenti oscillatori. \nSebbene voglia alterare decorazioni del passato e \nstilemiorientali, in realtà si fa forte proprio di una \nsapienza antica come quella dell’intaglio e della \nlavorazioneartigianale del legno.\nGood Vibrations by Ferruccio Laviani \nhas come true at last. \nThis primordial storage unit seems to have been \ndeformed by a violent shake or pervaded by \noscillatory movements. \nDespite trying to alter ancient decorations and \nEastern stylisticfeatures, it actually relies on the \nancient knowledge of carvingor wood handcraft.\n",24,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.25.png","Gothik B\nAnche se composta da due progetti stilisticamente \nopposti tra di loro, uno con chiaro riferimento \nall’architettura neogotica ed il secondo \nla rivisitazione del mobile italiano degli anni 50, \nla collezione \n“La Recherche” di Fratelli Boffi per il Salone del \nMobile 2017 in realtà non è per nulla casuale. \nInfatti come nel libro di Proust, il ricordo \nè il mezzo per evolverci nel futuro attraverso \nla memoria e l’arte. \nCercando di combinare questi due elementi uniti \nall’artigianalità e la tradizione nella \nlavorazione del legno di F.lli Boffi, ho esasperato \ncon la madia Gothik-A gli stilemi che \ncontraddistinguono lo stile gotico incrociandoli, \ndeformandoli, manipolandoli fino a creare una \ngabbia, una ragnatela in legno, che racchiude \nun contenitore in vetro. \nNel mobile D\u002FVision la scomposizione, \nla divisione appunto, su piani diversi di un \nclassico buffet degli anni 50 ne ridisegna le linee \nrendendolo inaspettato e sorprendente \npur lasciandone intravedere la forma originaria. \nEsattamente come il gusto delle Madeleine che,\ncome racconta Proust, anche mangiate dopo anni\nfanno riaffiorare memorie d’infanzia, così anche la \ncollezione “La Recherche” ci rimanda a quello che \nè l’archetipo di entrambi i mobili ma senza nessun \nretaggio nostalgico o di maniera tipico del \nmobile classico ma bensì rivolto al design del \nfuturo, all’interior decoration contemporaneo, \nattraverso l’ineguagliabile qualità del mobile \nartigianale.\nLa Recherche\nby Ferruccio Laviani \nDespite being composed of two stylistically \ndifferent projects, one clearly inspired by \nNeogothic architecture and the other one being a \nreinterpretation of the Italian furniture of the 1950s, \nFratelli Boffi’s collection “La Recherche” for\nSalone del Mobile 2017 is not casual at all. In fact, \nas in Proust’s book, memory is the way for us to \nevolve through recollection and art. In the attempt \nof combining these two elements whose common \nfeature is Fratelli Boffi’s craftsmanship and \nwoodworking tradition, with the cupboard Gothik-A \nI exaggerated the stylistic features of Gothic style \nmerging them, distorting them, manipulating them \nto create a cage, a wooden cobweb, including a \nglass container. In the piece D\u002FVision, \nthe decomposition or even division of a typical 50s \nbuffet into different levels outlines its profile,\nmaking it an unexpected and surprising item, \nwhile still displaying its original shape.\nJust like the of Madeleines which, as Proust\nstated, brings back childhood memories even \naftermany years, the collection “La Recherche” \nrecalls the archetype of both pieces of furniture, \nhowever, without the typical nostalgia or \nmannerism of classic furniture but with an eye on \nfuture design, contemporary interior decorations, \nthrough the incomparable quality \nof artisan furniture.\n",25,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.26.png","Gothik A\n",26,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.27.png","D\u002FVision.0 \n \n \n \n",27,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.28.png","D\u002FVision.2 \n \n \n \nD\u002FVision.1 \n \n \n \n",28,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.29.png","Rebus\nDesign: Analogia Project\n \n \n",29,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.30.png","Il mobiletto “Colonna”e la consolle “Ballerina” \nfanno parte di una collezione di mobili denominati \n“A plissé” realizzati trent’anni fa dalla Fratelli Boffi.\nQuesti oggetti rappresentano oggi il puntodi partenza\n di un percorso di avvicinamento e di messa in \nrelazione del design con l’artigianato artistico.\nUn processo che Ugo La Pietra ha avviato all’inizio \ndegli anni Ottanta, sviluppandolo attraverso decine di \nmostre e teorizzandolo con la direzione di riviste come \nArea, Abitare con Arte, Artigianato tra arte e design.\nQuesti mobili possono essere considerati quindi \n‘il manifesto’ di quel movimento legato al neo-eclettismo \nche venne definito, nel primo convegno realizzato \nall’interno dell’allora nascente manifestazione \n“Abitare il Tempo” di Verona,\ncome “Classico-Contemporaneo”.\nA plissé collection\nProject by Ugo La Pietra (1987\u002F2017)\nThe cabinet “Colonna” and console “Ballerina’”\nare part of a limited edition collection named \n“A plissé”, which Fratelli Boffi created thirty years ago.\nToday these objects represent the starting point \nfor a project that sets out to connect design and \nartistic handicrafts.\nA process that Ugo La Pietra started during the early \n1980s, developing it through tens of exhibitions \nand conceiving it with such magazines as Area, \nAbitare con Arte, Artigianato tra arte e design.\nThese pieces can be seen as the “manifesto” of a \nmovement related to Neo-Eclecticism which was \ndefined as “Classic-Contemporary” at the first \nconvention of the event “Abitare il Tempo”, \nwhich had just been set up in Verona.\n",30,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.31.png","Ballerina \n \n \n \nColonna \n \n \n \n",31,{"image":136,"text":19,"number":137},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.32.png",32,{"image":139,"text":140,"number":141},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.33.png","At the same time Boffi’s Contract division became more involved in relevant \ninternational projects. In these occasions Boffi created a comprehensive product \nfor the customers, tailored to its requirements without compromising on the \ncompany’s cultural identity and quality standard.\nQui la divisione “contract” di Boffi si affina ancor di più, in progetti internazionali \ndi alto livello, dove riaffermando la propria identità culturale, storica e artigianale, \nnonché il concetto di qualità, caratteristica propria aziendale, aderiscono quasi \n“sartorialmente” alle richieste del cliente, creando un progetto completo, un vero \ne proprio total look a 360°.\n",33,{"image":143,"text":144,"number":145},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.34.png","RAMPOLDI RESTAURANT&LOUNGE\nNew York - U.S.A.\nCasamanara - Piero Manara\n2023\n",34,{"image":147,"text":148,"number":149},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.35.png","CHALET COCO DE MER\nVerbier - Switzerland\nCG Design Studio\n2023\n",35,{"image":151,"text":152,"number":153},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.36.png","THE LANDMARK HOTEL\nWintergarden\nLondon - U.K.\nAKD\n2022\n",36,{"image":155,"text":156,"number":157},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.37.png","PRIVATE RESIDENTIAL\nCarouge - Switzerland\nCg Design studio\n2023\n",37,{"image":159,"text":160,"number":161},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.38.png","BELVEDERE RESTAURANT\nLondon - U.K.\nArcher Humphryes Architects\n2022\n",38,{"image":163,"text":164,"number":165},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.39.png","JIVA HILL  \nResort & Spa\nCrozet - France\nCg Design studio\n2019\n",39,{"image":167,"text":168,"number":169},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.40.png","GREAT NORTHERN HOTEL\nAnthracite Martini Bar\nLondon - U.K.\nAH Architects\n2018\n",40,{"image":171,"text":172,"number":173},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.41.png","PRIVATE OFFICE\nBaku - Azerbaijan\nBoffi project\n2017\n",41,{"image":175,"text":176,"number":177},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.42.png","PRIVATE CHALET\nChamonix - France\nVadim Grekov \n2015\n",42,{"image":179,"text":180,"number":181},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.43.png","RESIDENTIAL\nMilan - Italy\nPiero Manara\n2015\n",43,{"image":183,"text":184,"number":185},"\u002Fmedia\u002Fimages\u002Fdf\u002Fa992fb3854c6b556edd6ace2671019-28e3e49515.44.png","Hotels\nCustoms Projects\nHOTEL METROPOLE  GENEVE (Switzerland)  2024\nTHE LANDMARK HOTEL ( Suite renovation - Wintergarden)  LONDON (U.K.)  2024-23\nJIVA HILL RESORT & SPA (room renovation - and Bungalows) CROZET (France)  2023\nHOTEL DE LA PAIX  LAUSANNE (Switzerland)   2022\nHOTEL VILLA CASTAGNOLA (renovation)  LUGANO (Switzerland)  2022\nJIVA HILL RESORT & SPA (room renovation) CROZET (France)  2022\nHOTEL MARRIOT LA DEFENCE PARIS (France)  2021\nWALFORD  ASTORIA  TRIANON PALACE VERSAILLES (France) 2020 \nJIVA HILL RESORT & SPA (hotel extension - lounge+hangar) CROZET (France)  2020\nHOTEL ZERMATTERHOF ZERMATT (Switzerland)  2019-14 \nBADRUTT’S PALACE HOTEL ST.MORITZ (Switzerland)  2019\nHOTEL LEON’S PLACE  ROME (Italy)  2019\nBIOHOTEL HERMITAGE  MADONNA DI CAMPIGLIO (Italy)  2019\nJIVA HILL RESORT & SPA  CROZET (France)  2019 \n(swimming pool - gym - Le Jardin restaurant - area relax - restaurant - outdoor restaurant)\nHOTEL DE LA PAIX (room renovation)  LAUSANNE (Switzerland)  2019-14-12\nGREAT NORTHERN HOTEL (Antracite Martini Bar)  LONDON (U.K.)  2018\nZERMATTERHOF HOTEL (room renovation)  ZERMATT (Switzerland)  2018-14-13-12-06-00\nHOTEL SCHWEIZERHOF (room renovation)  ZÜRICH (Switzerland) 2018-17-16-15-13- 01\nHOTEL EIFFEL BLOMET  PARIS (France)  2017\nHOTEL DE PARIS  MONTECARLO (Principato di Monaco)  2017\nHOTEL BAINS DE SAILLON  SAILLON (Switzerland)  2016\nHOTEL VILLA CASTAGNOLA (renovation)  LUGANO (Switzerland)  2016-02\nKULM HOTEL  ST. MORITZ (Switzerland)  2015\nGRAND HOTEL KRONENHOF-SKIRAUM  PONTRESINA (Switzerland)  2015\nTHE WESTBURY HOTEL (suites - polo bar)  LONDON (U.K.)  2015-13\nHOTEL VILA VITA PARC (Ocean Restaurant-Suites)  ALGARVE (Portugal)  2015-14\nHOTEL ROYAL OBIDOS  OBIDOS (Portugal)  2014\nHOTEL NENDAZ 4 VALLÉES  NENDAZ (Switzerland)  2013\nKEMPINSKI HOTEL CORVINUS  BUDAPEST (Hungary)  2013\nTHE WESTBURY HOTEL (polo bar)  LONDON (U.K.)  2013\nHOTEL BELVEDERE  ARGEGNO (Italy)  2013\nGREAT NORTHERN HOTEL  LONDON (U.K.)  2012\nHOTEL HERMITAGE GOLF  SCHONRIED (Switzerland)  2011\nHOTEL CHATEAU MONFORT  MILAN (Italy)  2011\nBARKLI PARK  MOSCOW (Russia)  2011\nHOTEL LANCASTER (Suites)  LONDON (U.K.)  2011\nHOTEL LA MAISON DES CENTRALIENS  PARIS (France)  2011\nCHATEAU DE FLEURAC  FLEURAC (France)  2010\nHOTEL DE LA PICONERA  SARDALLA RIBADESELLA (Spain)  2010\nHOTEL RESTAURANT LA CORNICHE  PILAT PLAGE (France)  2010\nHOTEL MIRABEAU  MONTECARLO (Principato di Monaco)  2010\nPARKHOTEL WALLGAU  WALLGAU (Germany)  2010\nHOTEL MATTHIOL  ZERMATT (Switzerland)  2009\nMARRIOT HOTEL  TIBLISI (Georgia)  2009\nSAVOY HOTEL  KÖLN (Germany)  2009\nSOFITEL ST. JAMES SPA  LONDON (U.K.)  2009\nHOTEL BEATUS  MERLINGER (Switzerland)  2008\nROYAL MARINE HOTEL  BRORA (Scotland - U.K.)  2008\nSLS HOTEL BEVERLY HILLS  LOS ANGELES (U.S.A.)  2008\nBELLEVUE HOTEL  BERN (Switzerland)  2008\nHOTEL KREBS  INTERLAKEN (Switzerland)  2008\nHOTEL LE MEURICE  PARIS (France)  2007\nHOTEL CAPSIS  HERAKLION (Greece)  2007\nHOTEL CA’ ZUSTO  VENICE (Italy)  2007\nHOTEL IL PELLICANO  PORTO ERCOLE (Italy)  2007\nSTARHOTEL CASTILLE (Hall)  PARIS (France)  2006\nPARKHOTEL EUSKIRCHEN  EUSKIRCHEN (Germany)  2005\nTHE RITZ CARLTON HOTEL  BERLIN (Germany)  2003\nHOTEL LENKERHOF  LENK (Switzerland)  2002\nGRAND HOTEL VICTORIA JUNGFRAU  INTERLAKEN (Switzerland)  1999\nHOTEL SEESCHLOSSCHEN  TIMMENDORFER STRAND (Germany)  1997\nGRANDHOTEL SCHLOSS BENSBERG  BERGISCH GLADBACH (Germany)  1997\nKULM HOTEL  ST.MORITZ (Switzerland)  1996\nHOTEL PALACE  LUZERN (Switzerland)  1995\nHOTEL CORONA  DEN HAAG (Holland)  1995\nPARK HOTEL WALDHAUS  FLIMS (Switzerland)  1994\nHOTEL IMPERIA  WIEN (Austria)  1994\nHOTEL SCHWANEN  RAPPERSWIL (Switzerland)  1993\nHOTEL QUELLENHOF  BAD RAGAZ (Switzerland)  1992\nHOTEL SLOVANSKAYA  TOBOLSK (Siberia- Russia)  1992\nHOTEL ARIADNE  STOCKHOLM (Sweden)  1991\nHOTEL DE L’ EUROPE  AMSTERDAM (Holland)  1991\nHOTEL BERNINA  SAMEDAN (Switzerland)  1990\nHOTEL BÄREN  FELDKIRCH (Austria)  1990\nHOTEL GIARDINO  ASCONA (Switzerland)  1989\nHOTEL DE L’OPERA  TOULOSE (France)  1989\nGRAND HOTEL HOF  BAD RAGAZ (Switzerland)  1989\nPRIVATE APARTMENT  LONDON (U.K.)  2024\nPRIVATE APARTMENT  MONTECARLO (Principato di Monaco)  2024\nREGENT’S CRESCENT APARTMENT 43  LONDON (U.K.)  2024\nREGENT’S CRESCENT APARTMENT 65  LONDON (U.K.)  2024\nSIX SENSES PRIVATE  APARTMENT CRANS MONTANA (Switzerland)  2024\nPRIVATE APARTMENT  VERBIER  (Switzerland)  2024\nRISTORANTE HOTEL SAVOIA GENOVA (Italy)  2024\nPINNA RESTAURANT  LONDON (U.K.)  2024\nRONNIE  SCOTT’S  LONDON (U.K.)  2024\nTHE BARBARY NOTTING HILL  LONDON (U.K.)  2024\n19 REGENT’S CRESCENT  LONDON (U.K.)  2023\nPRIVATE RESIDENTIAL  CAROUGE  (Switzerland)  2023\nRAMPOLDI RESTAURANT & LOUNGE  NEW YORK (U.S.A.)  2023\nWILD NOTTING HILL RESTAURANT  LONDON (U.K.)  2023\nCHALET COCO DE MER  VERBIER  (Switzerland)  2023\nFERME BRULEE HAUTEVILLE  ST. LEGIER LA CHIESAZ (Switzerland)  2022\nPRIVATE RESIDENCE CALCUTTA  (India)  2022\nPRIVATE CHALET ORRON  (Sweden)  2022\nPRIVATE APARTMENTS  MILAN (Italy)  2022\nPALAZZO SCALORI MANTOVA (Italy)  2022\nVILLA TOLDA CERNOBBIO (Italy)  2022\nBELVEDERE RESTAURANT  LONDON (U.K.)  2022\nBOOTSCHAFT REPUBLIK ANGOLA  BERLIN (Germany)  2021\nPRIVATE CHALET VERBIER  (Switzerland)  2021\nPALAZZO SCOTTI DA MONTALBIO PIACENZA (Italy)  2021\nRISTORANTE LUIGI CANNES (France)  2021\nTHE ATTICOMILANO MILAN (Italy)  2021\nPRIVATE VILLA MUSTIQUE ISLAND (S. Vincent e Grenadine)  2020\nJUNGFRAUBAHNEN (V-Bahn Terminal Grindelwald-Platinum lounge) GRINDELWALD (Switzerland) 2020\nPRIVATE FLAT  MILAN (Italy)  2020\nMESSETURM  FRANKFURT (Germany)   2020\nBERGRESTAURANT CLUB DE LUCE  GSTAAD (Switzerland)  2020\nPRIVATE VILLA  CAMPIONE D’ITALIA (Italy)  2020\nKULTUR CASINO  BERNA (Switzerland)  2019\nPRIVATE VILLA  PORLEZZA (Italy)  2019\nPRIVATE VILLA (Addison Avenue)  LONDON (U.K.)  2019 \nPRIVATE VILLA  FORTE DEI MARMI (Italy)  2019\nPRIVATE VILLA (Via Marsala)  MILAN (Italy)  2019\nBARETTO CAMPARI  WIEN (Austria)  2019\nROB. ENGSTROM TRADING AB (shop renovation)  STOCKHOLM (Sweden)  2019\nROSTERY STARBUCKS  MILAN (Italy)  2018\nEUSKALDUNA RESTAURANT  BILBAO (Spain)  2018\nOFFICES IN DUBAI  DUBAI (Dubai)  2018\n26 WC (Private Residential)  LONDON (U.K.)  2017\nMAGNOLIA PENTHOUSE (Private Residential)  GURGAON (India)  2017\nRAMPOLDI RESTAURANT & LOUNGE (Terrace)  MONTECARLO (Principato di Monaco)  2017\nBEATUS HOTEL (Restaurant)  MERLINGER (Switzerland)  2017\nOAK WOOD (Private Residential)  LONDON (U.K.)  2017\nASIAN RESTAURANT - Hotel Vila Vita Parc  PORCHES - ALGARVE (Portugal)  2017\nMAISON MARGIELA GINZA SIX  TOKYO (Japan)  2017\nATLANTICO RESTAURANT - Hotel Vila Vita Parc  PORCHES - ALGARVE (Portugal)  2016\nWHALE RESTAURANT - Hotel Vila Vita Parc  PORCHES - ALGARVE (Portugal)  2016\nBELA VITA RESTAURANT - Hotel Vila Vita Parc  PORCHES - ALGARVE (Portugal)  2016\nPRIVATE APARTMENT  MOSCOW (Russia)  2016\nRAMPOLDI RESTAURANT & LOUNGE  MONTECARLO (Principato di Monaco)  2016\nPRIVATE RESIDENTIAL (Chester Square)  LONDON (U.K.)  2015\nPRIVATE RESIDENTIAL (Cowley Street)  LONDON (U.K.)  2015\nKUSHI PRIVATE VILLA  PUNE (India)  2015\nPRIVATE CHALET  CHAMONIX (France)  2015\nPRIVATE VILLA  LONDON (U.K.)  2014\nLES SOUFFLES RESTAURANT  PARIS (France)  2014\nPRIVATE VILLA  BAKU (Azerbaijan)  2014\nPRIVATE OFFICE  ROMA (Italy)  2014\nPRIVATE APARTMENT  MOSCOW (Russia)  2013\nPRIVATE VILLA  KORONI (Greece)  2013\nBAR IDEAL  COLDRERIO (Switzerland)  2013\nLODHA WADALA PRIVATE APARTMENTS  MUMBAI (India)  2012\nPRIVATE VILLA (Ennismore Garden)  LONDON (U.K.)  2012\nPRIVATE VILLA (Manresa road)  LONDON (U.K.)  2012\nPRIVATE VILLA  DULLY (Switzerland)  2012\nNAVE COSTA NEO ROMANTICA (Costa Crociere)  2012\nDISCOTECA LE JIMMY’Z  MONTECARLO (Principato di Monaco)  2011\nALYN WILLIAMS RESTAURANT (at Westbury Hotel)  LONDON (U.K.)  2011\nTHE GALLERY RESTAURANT  LONDON (U.K.)  2011\nMUSANA OFFICE  LONDON (U.K.)  2011\nBOUTIQUE KAZAN  KAZAN (Russia)  2010\nWI MU - WINE MUSEUM  BAROLO (Italy)  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