[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-foscarini-fregio":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":57},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":52,"matched_pages":53,"match_count":54,"two_pages":55,"show_text":56},15387,"Fregio","foscarini-fregio","\u002Fmedia\u002Fimages\u002F68\u002F3f90072a0e9004016431b796aa7cd6-2854dd7091.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fc4\u002F5afb06ec25dbacfe0c05942d6fdc60-2854d4bde7.pdf","Foscarini",90,"foscarini","1.9 MB",[14,17,21,25,29,33,37,41,45,49],{"image":7,"text":15,"number":16},"Foscarini\nFregio\ndesign: Andrea Anastasio\nA ceramic floral bas-relief \ncombining a contemporary \napproach with age-old  \nartisanal know-how.  \n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F68\u002F3f90072a0e9004016431b796aa7cd6-2854dd7091.2.png"," \n Fregio è una scultura \nluminosa formata da \nbassorilievi in ceramica \nsmaltata e LED, disponibile  \nnelle versioni parete e \nsospensione. Unica nel \nsuo genere, ha origine dal \nprogetto di ricerca Battiti, \npresentato con Andrea \nAnastasio nel 2022, che  \nha portato Foscarini  \na confrontarsi con la bottega \nartistica Gatti di Faenza.\n \nFregio is a luminous \nsculpture formed by bas \nreliefs in glazed ceramic and \nLEDs, available in the wall \nand suspensions versions. \nThis unique creation stems \nfrom the Battiti research \nproject presented with \nAndrea Anastasio in 2022, \nwhich has allowed Foscarini \nto interact with the Gatti \nworkshop of Faenza.\nFregio\nSuspension\nFregio\nAndrea Anastasio, \n2023\nFoscarini — News 2024\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F68\u002F3f90072a0e9004016431b796aa7cd6-2854dd7091.3.png","003\nFoscarini — News 2024\nSuspension\nFregio\nAndrea Anastasio, \n2023\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F68\u002F3f90072a0e9004016431b796aa7cd6-2854dd7091.4.png","004\nSuspension\nFoscarini — News 2024\nFregio\nAndrea Anastasio, \n2023\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F68\u002F3f90072a0e9004016431b796aa7cd6-2854dd7091.5.png","005\nFoscarini — News 2024\nTable\nFregio\nAndrea Anastasio, \n2023\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F68\u002F3f90072a0e9004016431b796aa7cd6-2854dd7091.6.png","012\n \nFregio nasce dal \ncontrasto tra le componenti \nluminose LED e gli elementi \nceramici ottenuti dal designer \nselezionando porzioni di \nstampi storici dell’archivio \ndella bottega Gatti e \nassemblandoli per generare \nun nuovo linguaggio. Il sapore \nancestrale della ceramica \ndecorata, unita alle fonti \nluminose digitali e alle \nfascette metalliche poste alle \nestremità – che richiamano  \nil lessico dell’imballaggio – \nrendono Fregio una presenza \nseducente, costruita su una \nsintesi di opposti: tra luci  \ne ombre, pieni e vuoti, tra \nartigianalità e tecnologia,  \nfatto a mano e industria. \n \nFregio is based on the \ncontrast between the \nluminous LED fixtures and the \nceramic elements obtained \nby the designer by selecting \nportions of historic moulds \nfrom the Gatti ceramic arts \nworkshop. The ancestral \ncharacter of decorated \npottery, combined with the \ndigital light sources and the \nmetal straps placed at the \nextremities – a reference to \nthe lexicon of packaging – \nmake Fregio a seductive \npresence, based on the \nreconciliation of opposites: \nlights and shadows, full  \nand empty zones, crafts and \ntechnology, handiwork  \nand industry. \nFregio\n006\nWall\nFoscarini — News 2024\nFregio\nAndrea Anastasio, \n2023\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F68\u002F3f90072a0e9004016431b796aa7cd6-2854dd7091.7.png","007\nWall\n \n“Il bassorilievo si nutre  \ndi luce, senza la quale  \nil suo volume scompare”  \ndice Anastasio. “Farlo \ndiventare una fonte di \nilluminazione è un gioco  \nfelice inserito in una logica  \ndi specchiature tra materia  \ne pensiero”.\n \n“The bas relief feeds on \nlight, without which its \nvolume disappears” says \nAnastasio. “Making it \nbecome a source of light  \nis a serendipitous game, \ninserted in a logic of \nreflection between material \nand thought”.\n \nPer scoprire di più sul progetto Battiti:\n \nTo find out more about the Battiti project:\nFregio\nFoscarini — News 2024\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F68\u002F3f90072a0e9004016431b796aa7cd6-2854dd7091.8.png","008\nFregio, design Andrea Anastasio\nFoscarini — News 2024\nGrazie ai decori dei bassorilievi, \nFregio ha un forte potere narrativo \nanche a lampada spenta. È il racconto \ndel saper fare italiano che porta forme \ndella memoria all’interno di ambienti \ncontemporanei, trasformandoli.   \nEmette molta luce verso il basso  \nma anche verso l’alto e, grazie al suo \nandamento orizzontale, è perfetta  \nper illuminare tavoli o scrivanie  \n– nella versione a sospensione –  \no creare una piacevole luce \nd’ambiente – nella versione a parete. \nThanks to the decorative bas \nreliefs, Fregio has forceful narrative \nimpact even when the lamp is not in \nuse. It is a story of Italian know-how \nthat brings forms of memory into \ncontemporary settings, transforming \nthem. The lamp emits abundant light \ndownward, but also upward thanks \nto its horizontal shape. It is perfect \nto light tables or desks – in the \nsuspended version – or to create \nenticing environmental lighting –  \nin the wall-mounted model.\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F68\u002F3f90072a0e9004016431b796aa7cd6-2854dd7091.9.png","Foscarini — News 2024\nRosso scuro\nDark red\nGrigio-azzurro (berrettino)\nGrey-light blue (berrettino)\nBianco\nWhite\nFregio — materiali \u002F materials\nI bassorilievi orizzontali in ceramica - diversi da un lato \nall’altro nella versione a sospensione - sono ancorati a  \nun profilo metallico contenente i LED e chiusi alle estremità \nda fascette metalliche verniciate. Elementi palesemente \ntecnici, insieme al raster collocato nella parte inferiore \ndella lampada ad evitare l’abbaglio, che fanno da \ncontraltare al carattere altamente decorativo dei fregi. \nÈ disponibile in versione opaca, bianca o berrettino (storica \ncolorazione di tonalità grigio-azzurro tipica delle maioliche \ndi Faenza), oltre che in versione rossa smaltata lucida. \n \nHorizontal bas reliefs in ceramic – differing from one side \nto the other in the suspension version – are attached \nto a metal section containing LEDs and closed at the \nextremities by metal straps. The clearly technical parts, \ntogether with the shield to prevent glare placed  \nin the lower part of the lamp, form a contrast with the \nhighly decorative character of the friezes.  \nAvailable in opaque, white or berrettino versions  \n(the historic grey-blue colour typical of Faenza majolica), \nand in a shiny red glazed version. \nFregio\nSuspension \u002F Wall\nCeramica smaltata e alluminio. \nGlazed ceramic and aluminium.\nFregio sospensione \u002F suspension: \n29,5W (13.5 W sopra \u002F above; 16 W sotto \u002F below) \n2700K 3295 lm (1350 lm; 1945 lm) CRI>90 \nFregio parete \u002F wall: \n10,8W (5.4 W sopra \u002F above; 5.4 W sotto \u002F below) \n2700K 1080 lm (540 lm; 540 lm) CRI>90  \n   \n   \nPeso: \nFregio sospensione \u002F suspension: Kg. 9,3\nFregio parete \u002F wall: Kg. 4,2 \n75 - 29 1\u002F2’’\nSospensione \u002F Suspension\n10 - 3 7\u002F8’’\nParete \u002F Wall\n120 - 47 1\u002F4’’\n10 - 3 7\u002F8’’\nLampada a sospensione a luce diretta e indiretta  \ncon diffusore opalino nella parte superiore e raster in \nquella inferiore, per garantire un ottimo comfort visivo.  \nCorpo centrale in alluminio verniciato nero opaco.\nVersione a parete con diffusori opalini nella parte inferiore \ne superiore e corpo in alluminio verniciato nero opaco. \nCeramiche laterali lavorate a mano, disponibili in tre \nfiniture: grigio-azzurro (berrettino) opaco e bianco opaco, \no rosso lucido. Fascette di supporto laterali in metallo \nverniciato nero opaco. Sistema di sospensione su due  \ncavi d’acciaio. Rosone in ABS bianco e piastra a soffitto  \nin metallo. Cavo elettrico trasparente.\nA suspension lamp for direct and indirect lighting,  \nwith an opaline diffuser in the upper part and a shield \nbelow to ensure exceptional visual comfort.  \nCentral body in aluminium with matte black coating.  \nWall version with opaline diffusers in the lower and \nupper parts, and body in matte black coated aluminium. \nHandcrafted ceramic sides, available in three finishes: \nmatte white or grey-blue (berrettino), or glossy red.  \nLateral support straps in matte black coated metal. \nSuspension system with two steel cables.  \nAttachment in white ABS, ceiling plate in metal. \nTransparent electrical cable.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F68\u002F3f90072a0e9004016431b796aa7cd6-2854dd7091.10.png","Foscarini SpA\nvia delle Industrie 27\n30020 Marcon \u002F Venezia \u002F Italy\nT +39 041 595 3811\nfoscarini@foscarini.com\nFoscarini Spazio Monforte\nCorso Monforte 19\n20122 \u002F Milano \u002F Italy\nT +39 02 870 71320\nspaziomonforte@foscarini.com\nFoscarini Inc \u002F Foscarini Spazio Soho\n20 Greene Street, New York\nNY \u002F 10013 \u002F USA\nT +1 212 247 2218\nT +1 212 257 4412 \u002F Showroom \nfoscarini.inc@foscarini.com\nspaziosoho@foscarini.com\nFoscarini Japan K.K.\nTokyo \u002F Japan\nfoscarini.jpn@foscarini.com\nFoscarini International Co., Ltd.\nShanghai, China \nfoscarini.china@foscarini.com\nAzienda certificata \nUNI EN ISO 9001\nUNI EN ISO 14001\nedizione 01.2024\nConcept and graphic design: \nDesignwork\nart direction: Artemio Croatto\nart work: Erika Pittis\nPhotography: \nMassimo Gardone \u002F Azimut\nGianluca Vassallo \u002F White Box Studio\nFollow us: \nfoscarini.com\nFregio\nAndrea Anastasio, 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