[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-devonanddevon-a-new-grand-tour-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":97},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":92,"matched_pages":93,"match_count":94,"two_pages":95,"show_text":96},19769,"A new Grand Tour 2025","devonanddevon-a-new-grand-tour-2025","\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F28\u002Fea02a395deaf781043b80158a3cf07-28aebfd857.pdf","Devon&Devon",2369,"devon-devon","7.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89],{"image":7,"text":15,"number":16},"N°2 — 2025\nAn inspirational design magazine published by Devon&Devon\nA new Grand Tour\n&Journal\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.2.png","A new Grand Tour.\nQuesto numero di &Journal \nè un viaggio lento nello spazio e nel tempo,\nche partendo da Firenze,\ndove Devon&Devon è nata, \ne dalla Toscana,\ndove lavorano i suoi straordinari artigiani,\nsegue le orme dei Grand Tour ottocenteschi\ne le travalica, aprendo, in tutto il mondo,\nnuove strade verso la bellezza.\nMa è anche una riscoperta del piacere \ndi fermarsi e di sentirsi a casa ovunque,\nanche soltanto per qualche giorno.\nBuona lettura\n2\n&Journal\nA new Grand Tour\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.3.png","A New Grand Tour\nThis edition of &Journal \nis a slow journey through time and space.\nSetting off from Florence,\nwhere Devon&Devon was established, \nand from Tuscany,\nwhere its extraordinary craftsmen and women work,\nit follows in the footsteps of the 19th century Grand Tours\nand goes beyond, opening, all over the world,\nnew roads leading to beauty.\nBut it also rediscovers the pleasure \nof stopping and feeling at home anywhere,\neven just for a few days.\nEnjoy!\n04 Florence \n06 Venice\n08 Santorini \n10 Reims \n12 Madrid \n14 At Home. Everywhere\n16 The designers’ choice\n18 L’Art de vivre la salle de bain\n3\n&Journal\nN°2 — 2025\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.4.png","Florence\nHelvetia & Bristol\nA stay in the city’s oldest luxury hotel,\nis a sentimental journey in the footsteps of artists and poets\nand of traditional craftsmanship that can only be found here. \nNel più longevo hotel di lusso della città, \nil soggiorno è un viaggio sentimentale sulle tracce di artisti e poeti\ne di una tradizione artigianale unica al mondo. \n4\n&Journal\nA new Grand Tour\nSuggested book: Claudio Paolini, A sentimental Journey. Inglesi e americani a Firenze\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.5.png","June 1885: in the oldest part of Florence, recently reconfigured \nto give it that touch of grandeur displayed by other European \ncapitals, the city’s first luxury hotel was inaugurated.\nIts prime location, harmonious Neo-Renaissance architecture, \nand stunning Liberty-style winter garden - which filters \nsunlight through unexpected coloured glass - quickly secure \nit a place of honour in the travel journals of the international \nelite on the Grand Tour. Its elegant suites would soon host \nthe likes of Igor Stravinsky, Luigi Pirandello, and Eugenio \nMontale, Gabriele D’Annunzio and Eleonora Duse, John \nSinger Sargent and Giorgio De Chirico, Bertrand Russell and \nEnrico Fermi. \n140 years after it opened, the Helvetia & Bristol – now part \nof Italy’s top hotel group – retains its same unique charm, \nexclusivity, and the ability to deliver an authentic city \nexperience to its guests. \nEverything in this charming place reflects its deep connection \nto the local area: the exquisite hand-bevelled oak floors, the \nfabrics by Antico Setificio Fiorentino, and the period furniture \nare all products of the renowned local craftsmen and women. \nThe kitchen and the Cocktail Bar also embody the ‘sense of \nplace’ of this temple of hospitality to perfection, both in the \nskilful hands of the chefs of the Cibrèo restaurant, heir to the \nmost exquisite Florentine culinary tradition. \nThe Celine freestanding bathtub also comes from Florence, \noffering guests in the most luxurious suites the privilege of a \ntotal immersion in beauty. \n \nGiugno 1885: nel cuore più antico di Firenze, appena \nriconfigurato per dargli un tocco della grandeur delle altre \ncapitali europee, viene inaugurato il primo hotel di lusso della \ncittà.\nLa sua posizione, la sua armoniosa architettura \nneorinascimentale e il suo magnifico giardino d’inverno in \nstile Liberty - che filtra la luce del sole attraverso inaspettati \nvetri colorati - conquistano da subito un posto d’onore nei \ntaccuini di viaggio delle élite internazionali impegnate nel \nGrand Tour. Di lì a poco, le sue eleganti suite ospiteranno Igor \nStravinskij, Luigi Pirandello ed Eugenio Montale, Gabriele \nD’Annunzio ed Eleonora Duse, John Singer Sargent e Giorgio \nDe Chirico, Bertrand Russell ed Enrico Fermi. \n140 anni dopo la sua apertura, l’Helvetia & Bristol – oggi \nparte del primo gruppo alberghiero italiano – mantiene intatti \nil suo fascino unico, la sua esclusività e la sua capacità di \noffrire agli ospiti un’esperienza autentica della città.\nTutto, in questo luogo incantato, racconta il legame con il \nterritorio: i preziosi pavimenti in rovere bisellato a mano, i \ntessuti dell’Antico Setificio Fiorentino, i mobili d’epoca sono \nil frutto del celebrato artigianato locale. Esprimono alla \nperfezione il “sense of place” di questo tempio dell’ospitalità \nanche la cucina e il Cocktail Bar – affidati alle mani sapienti \ndegli chef del ristorante Cibrèo, erede della più squisita \ntradizione culinaria fiorentina.\nViene da Firenze anche la vasca freestanding Celine, che \nnelle suite più lussuose offre agli ospiti il privilegio di \nun’immersione totale nella bellezza.\n-\nProject by Hotel Helvetia & Bristol - Starhotels Collezione\nFlorence\nHelvetia & Bristol\nCELINE BATHTUB\n5\n&Journal\nN°2 — 2025\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.6.png","Venice\nPalazzo Cristo\n6\n&Journal\nA new Grand Tour\nSuggested book: J. W. Goethe, Italienische Reise\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.7.png","ADMIRAL BATHTUB\nAURORA BATHTUB\nCOVENTRY BATHTUB AND SHOWER MIXER\n“When I saw the first gondola approach, it brought to mind \na toy from my early childhood, one I hadn’t thought about \nin perhaps twenty years. My father owned a beautiful model \nof a gondola, which he had brought from Venice. He really \ntreasured it and I felt so incredibly lucky when he let me play \nwith it. The bow, covered in shining tin, and the black cabin \nfelt like old acquaintances and stirred in me the sweetness of a \ncherished memory”. The lost and found poetry of a souvenir \nof yesteryear thus emerges miraculously from the pages of \nthe travel journal kept by the master of all travellers. The date \nwas 28 September 1876 and Johann Wolfgang von Goethe \nhad just arrived in Venice, where he would see the sea for the \nfirst time. He would stay for two weeks, spending most of his \ntime wandering aimlessly through the city’s alleys without a \nmap, experiencing “a joy I had not felt in a long time” and the \ncertainty that “Venice can only be compared to itself”.\nThe uniqueness of the city and its ability to evoke nostalgia \neven while it is experienced appear also to have guided the \nchoices of Anna Covre and Frederic Tubau de Cristo. They \nhave transformed a magnificent 16th-century palace into a \nluxurious retreat for travellers who love to lose themselves in \nthe grand enigma of beauty—while enjoying the comforting \nprivilege of feeling at home in a residence worthy of a doge. \nIn the apartment-suites - overlooking the canal and a rare, \nenchanting private garden - past and present intertwine in a \nbold dialogue, echoing the city’s colours, architecture, and \nthe unmatched artistry of the lagoon’s master craftsmen and \nwomen. In the bathrooms, the Admiral and Aurora bathtubs \n- set within a space of refined intimacy - offer an irresistible \ninvitation to be cradled by wonder.\n“Quando vidi accostarsi la prima gondola, mi ricorse alla \nmemoria un balocco della mia prima infanzia, al quale non \npensavo da forse vent’anni. Mio padre possedeva un bel \nmodellino di una gondola, che aveva portato da Venezia. Lo \nteneva molto caro ed era una grande concessione quando mi \npermetteva di giocarci. La prora rivestita di latta rilucente \ne la cabina nera mi parvero vecchie conoscenze e destarono \nin me la soavità di un caro ricordo”. Dalle pagine del diario \ndi viaggio del maestro di tutti i viaggiatori emerge come un \nmiracolo la poesia perduta e ritrovata di un souvenir d’altri \ntempi. È il 28 settembre 1876 e Johann Wolfgang von Goethe \nè appena arrivato a Venezia, dove vedrà per la prima volta il \nmare. Resterà due settimane, passando la maggior parte del \ntempo a vagare senza mappa e senza meta tra i vicoli della \ncittà, che gli dà “una gioia da gran tempo non provata” e \nla certezza che “Venezia non la si può paragonare che a se \nstessa”. \nL’unicità delle città e il suo essere ricordo nostalgico già \nmentre la si vive sembrano aver guidato anche le scelte \ndi Anna Covre e Frederic Tubau de Cristo, che hanno \ntrasformato un magnifico palazzo cinquecentesco in un \nlussuoso rifugio per chi, viaggiando, ama perdersi nel grande \nenigma della bellezza con il privilegio consolante di sentirsi \na casa in un palazzo degno di un doge. Nelle apartment-suite \n(affacciate sul canale e su un incantevole quanto raro giardino \nprivato) passato e presente si confrontano in un audace \ngioco di continui rimandi alla città, ai suoi colori, alla sua \narchitettura e al talento impareggiabile dei maestri artigiani \ndella laguna. Nelle sale da bagno, le vasche Admiral e Aurora \n– incastonate in uno spazio di sofisticata intimità - sono un \ninvito irresistibile a farsi cullare dalla meraviglia.\n-\nProject by Anna Covre and Frédéric Tubau de Cristo\n7\n&Journal\nN°2 — 2025\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.8.png","",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.9.png","Santorini \nNamaste Suites\nADMIRAL COPPER EFFECT BATHTUB\nCOVENTRY BATHTUB AND SHOWER MIXER\n“I bow before you”, says the name of this charming holiday \nresidence, suspended between the blues of the sky and the \nAegean sea.  “I bow before you” it repeats, throwing open its \ndoors before the guest who finds a magical place within its \nlimewashed walls, a place where time stops ticking and makes \nway for contemplation.\nAn island in an island, Namaste Suites invites the traveller to \nembrace the silence, where distant echoes of ancient stories \nstill have the power to speak to the present. Tales of gods \nand heroes, and of a civilisation that vanished 3,600 years \nago when a volcanic eruption reshaped the land and altered \nthe course of history, giving rise to myths that, even today- \nfollowing in Plato’s footsteps - lead, right here, in search of \nAtlantis. \nPartly carved into the volcanic stone, this soul-soothing \nretreat preserves the traditional structure of the houses in \nOia, in dazzling white, while reinterpreting its architectural \npurity with touches of Eastern mysticism. The bathroom \nalso favours meditation and well-being, enhanced by the \nwarm, precious glow of the Admiral Copper Effect cast \niron bathtub, where the reddish-brown hues of the caldera \nrocks are reflected in the mind. The perfect read to enjoy \nwhile basking in the warmth of the water or relaxing on the \nterraces overlooking the sea is just a stone’s throw away, at \nthe Atlantis Bookstore—an utopia for bibliophiles founded by \ntwo young Americans who came to the southernmost of the \nCyclades for a week’s holiday and stayed for twenty years. \n \n“Mi inchino a te”, dice con il suo nome questa incantevole \ncasa di villeggiatura sospesa tra il blu del cielo e quello del \nMar Egeo. “Mi inchino a te” ripete spalancando le porte \nall’ospite, che tra le sue pareti imbiancate a calce trova un \nluogo magico, in cui il tempo si ferma per far spazio alla \ncontemplazione.\nIsola nell’isola, Namaste Suites invita il viaggiatore a godere \ndel silenzio in cui risuonano, da lontano, storie antiche ancora \ncapaci di parlare al presente. Racconti di dei ed eroi e di una \nciviltà scomparsa 3600 anni fa con un’eruzione vulcanica \nche ha cambiato la conformazione della terra e il corso della \nstoria e generato miti che ancora oggi - sulle orme di Platone - \nconducono, proprio qui, alla ricerca di Atlantide. \nIn parte scavato nella pietra vulcanica, questo rifugio \ndell’anima conserva intatta la struttura tradizionale delle \ncase del villaggio di Oia e il loro bianco abbacinante e ne \nreinterpreta la purezza architettonica con tocchi di misticismo \norientale. Invita alla meditazione e al benessere anche la sala \nda bagno, animata dai bagliori caldi e preziosi della vasca in \nghisa Admiral Copper Effect in cui si specchia, nel pensiero, \nil rosso bruno delle rocce della caldera. Il libro perfetto \nda leggere cullati dal tepore dell’acqua o sulle terrazze \naffacciate sul mare si trova a due passi da casa, nella libreria \nAtlantis Book, un’utopia per bibliofili fondata da due giovani \nstatunitensi, arrivati nella più meridionale delle Cicladi per \nuna vacanza di una settimana e rimasti per vent’anni.\n-\nProject by Limo Deco - Maria Chatzistavrou\n9\n&Journal\nN°2 — 2025\nSuggested book: Platon, Kritias\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.10.png","A spellbinding private residence offers its guests the privilege of living in history\nand the pleasure of discovering a new travel dimension.\nUn’incantevole residenza privata offre ai suoi ospiti il privilegio di abitare nella storia \ne il piacere di scoprire una dimensione nuova del viaggiare. \nReims \nRésidence Eisenhower\n10\n&Journal\nA new Grand Tour\nSuggested soundtrack: Gioacchino Rossini, Il viaggio a Reims\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.11.png","Beneath the Saint-Nicaise hill, southeast of the \nmagnificent 13th-century Gothic cathedral where the \nkings of France were crowned, run 25 km of tunnels \nthat connect countless “caves de champagne”. There, \nwhere gypsum quarries were once to be found, the \nmiracle of in-bottle fermentation now takes place, \nresulting in some of the finest champagne in the world. \nSince 2015, this remarkable network of cellars has \nbeen recognised as a UNESCO World Heritage site, \nalongside the vineyards that, since the 18th century, \nhave shaped a unique and unparalleled landscape \n—now a sought-after Grand Tour destination for \ncontemporary food and wine travellers.\nThe starting point for exploring it at its best is a new \nhotel particulier housed in a splendid building designed \nin 1911 by Parisian architect François-Adolphe Bocage \nas a private residence for a wealthy industrialist. The \nexuberance of the Neo-18th century facade, adorned \nwith garlands of flowers and fruits, is complemented \nby the refined elegance of the Art Nouveau and Art \nDeco interiors, which still retain their unmistakable \ncharm and the memory of the time when, in 1945, they \nserved as the residence of Dwight D. Eisenhower, \nthe future 34th President of the United States, then \nSupreme Commander of the Allied Forces, for several \nmonths.\nIn the hotel that now bears his name, every room, \nevery bathroom, and every detail evoke the spirit of \na family home from another era, distilled in the retro \nlines of bathtubs, mirrors, and accessories.\nSotto la collina di Saint-Nicaise, a sud-est del \nmirabile gotico duecentesco della cattedrale in cui \nvenivano incoronati i re di Francia, corrono 25 km di \ngallerie che collegano tra loro un’infinità di “caves \nde champagne”. Lì, dove un tempo c’erano le cave \ndi gesso, oggi si compie il miracolo della seconda \nfermentazione in bottiglia dei migliori champagne \ndel mondo. Dal 2015 quel sorprendente reticolo di \ncantine è iscritto nella lista del patrimonio mondiale \ndell’UNESCO insieme ai vigneti che, a partire dal \nXVIII secolo, hanno plasmato un paesaggio unico e \nirripetibile, divenuto una destinazione privilegiata del \nGrand Tour degli enogastronauti contemporanei.\nIl punto di partenza per esplorarla al meglio è un nuovo \nhotel particulier ospitato in uno splendido edificio \nprogettato nel 1911 dall’architetto parigino François-\nAdolphe Bocage come dimora privata di un facoltoso \nindustriale. All’esuberanza della facciata in stile neo-\nsettecentesco, decorata con ghirlande di fiori e frutti, fa \nda controcanto la ricercata eleganza Art Nouveau e Art \nDèco degli interni, che ancora oggi conservano intatto \nil loro inconfondibile charme così come la memoria \ndel tempo in cui, nel 1945, furono per alcuni mesi la \nresidenza del futuro trentaquattresimo presidente degli \nStati Uniti Dwight D. Eisenhower, allora generale in \ncapo delle forze alleate.\nNell’hotel che oggi porta il suo nome, ogni stanza, ogni \nsala da bagno e ogni dettaglio richiamano lo spirito di \nun’abitazione di famiglia d’altri tempi, distillata nelle \nlinee rétro di vasche, specchi e accessori.\n-\nProject by Chatillon Architects & Sarah Chatillon\nPhotos by Valerio Geraci\nDRAYCOTT BATHTUB\nWHITE ROSE BATH AND SHOWER MIXER\n11\n&Journal\nN°2 — 2025\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.12.png","Madrid\nMandarin Oriental Ritz\n12\n&Journal\nA new Grand Tour\nSuggested song: Fred Astaire, Puttin’ on the Ritz\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.13.png","CELINE BATHTUB\n2 October 1910: King Alfonso XIII presided over the lavish \ninauguration ceremony of the first luxury hotel in the Spanish \ncapital. His presence was not merely ceremonial: he had been \nthe one who, upon returning from a trip, had wanted Madrid to \nhave a temple of hospitality that would rival those of Paris and \nLondon. To bring this vision to life, he invested a substantial \ncapital in the construction of a grand palace and appointed \nCésar Ritz, “the king of hoteliers and the hotelier of kings,” to \noversee every aspect of the project.\nWith the opening of the Ritz, the Belle Époque also came to \nMadrid. The building was adorned with precious marbles \nand fine woods, not to mention 200,000 exquisite porcelain \npieces crafted in Limoges, gold and silver cutlery forged by \nThe Goldsmiths, and linen spun in Ireland. Such refinement \nwas also accompanied by the arrival of new social rituals, \nsuch as the afternoon tea ceremony, and of guests who would \nmake this place legendary. Its suites would host royal families \nand Maharajas, the political and cultural history of an entire \ncentury flowing over its extensive carpets, tracing history from \nMata Hari’s check-in under a false name (1916) and the peace \ntalks between Bush and Gorbachev (1991); the tumultuous \nnights of Randolph Hearst, the honeymoon of Prince Rainier \nof Monaco and Grace Kelly (1956), and the flirtation between \nFrank Sinatra and Ava Gardner, not to mention the four visits \nof Ernest Hemingway, who, between 1937 and 1938, would stay \nhere and visit the nearby Prado Museum to “learn to write from \nGoya’s paintings”.\nThis unique place offers today’s travellers a brand new luxury \nexperience, the result of a renovation costing over 100 million \neuros. The magnificence of the common spaces is now \nharmoniously complemented by the intimate and refined \naesthetic of the private areas and stunning bathrooms, direct \nheirs to César Ritz’s greatest innovation: providing a bathroom \nin every room.\n2 ottobre 1910: re Alfonso XIII presiede la grandiosa cerimonia \ndi inaugurazione del primo hotel di lusso della capitale \nspagnola. La sua non è una presenza di circostanza: era \nstato lui, al rientro da un viaggio, a volere anche per Madrid \nun tempio dell’ospitalità che non avesse nulla da invidiare a \nquelli di Parigi e di Londra. Per realizzarlo aveva investito un \ncospicuo capitale nell’edificazione di un grandioso palazzo e \naveva chiamato a sovrintendere su ogni aspetto César Ritz, “il \nre degli albergatori e l’albergatore dei re”. \nCon l’apertura del Ritz, a Madrid arriva anche la Belle-\nÉpoque. L’edificio si popola di marmi preziosi e legni pregiati, \ndi 200.000 porcellane finissime prodotte a Limoges, di posate \nd’oro e d’argento forgiate da The Goldsmiths, di biancheria \nfilata in Irlanda. Insieme a tanta ricercatezza, arrivano anche \nnuovi riti sociali, come la cerimonia del tè pomeridiano, e \nclienti che renderanno leggendario questo luogo. Nelle sue \nsuite soggiornano famiglie reali e Maharaja e sui suoi immensi \ntappeti scorre la storia politica e del costume di un intero secolo, \nin bilico tra il check-in sotto falso nome di Mata Hari (1916) \ne i colloqui di pace tra Bush e Gorbaciov (1991); tra le notti \nmovimentate di Randolph Hearst, la luna di miele di Ranieri \ndi Monaco e Grace Kelly (1956) e il flirt tra Frank Sinatra \ne Ava Gardner, passando per i quattro soggiorni di Ernest \nHemingway, che tra il 1937 e il 1938 da qui andava all’attiguo \nMuseo del Prado a “imparare a scrivere dai quadri di Goya”. \nAl viaggiatore contemporaneo questo luogo unico offre \nun’esperienza di lusso del tutto nuova, frutto di una \nristrutturazione da oltre 100 milioni di euro. Alla magnificenza \ndegli spazi comuni fa ora da armonioso controcanto l’estetica \nintima e rarefatta delle aree private e delle splendide sale da \nbagno, eredi dirette della più grande innovazione di César Ritz: \nmetterne a disposizione una in ogni stanza.\n-\nProject by Mandarin Oriental Ritz, Madrid\n13\n&Journal\nN°2 — 2025\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.14.png","At home. \nEverywhere\nTORRE A CONA\nTUSCANY\nMANNA ARCADIA\nGREECE\nBELMOND CASOLE\nTUSCANY\nPORTRAIT\nMILAN\nSOFITEL OBELISK\nDUBAI\nRITZ CARLTON\nGENEVA\n14\n&Journal\nA new Grand Tour\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.15.png","UNION ØYE\nNORWAY\n“Arriving at each new city,\nthe traveller finds again a past of his\nthat he did not know he had.”\nItalo Calvino\n“Arrivando a ogni nuova città\nil viaggiatore ritrova un suo passato\nche non sapeva più d’avere”\nItalo Calvino\nBACCARAT HOTEL\nNEW YORK\nTHE NED\nDOHA\nQ92 NOTO HOTEL\nSICILY\nTHE ST. REGIS\nROME\nCASTELLO DI VICO \nSWITZERLAND\nIn the postcards sent from hotels around \nthe world that host the Devon&Devon \ncollections, an old-fashioned tradition \nis revived, capturing the moment when \na journey is condensed into an image \nand lingers on a thought directed \ntoward those who are part of everyday \nlife. An imaginary bridge between \nthe extraordinary and the ordinary of \neveryday living.\nNelle cartoline inviate dagli hotel che, \nin tutto il mondo, accolgono le collezioni \nDevon&Devon rivive la tradizione \nd’altri tempi che fotografa l’attimo in cui \nun viaggio si condensa in un’immagine \ne si sofferma su un pensiero rivolto a \nchi fa parte del quotidiano. Un ponte \nimmaginario tra lo straordinario e \nl’ordinario dell’abitare.\n15\n&Journal\nN°2 — 2025\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.16.png","The designers’ choice\nHôtellerie best sellers\nLight gold\nCity\nVintage style and contemporary \nfunctionality blend beautifully in a \nLondon-inspired tap collection.\nGusto vintage e funzionalità \ncontemporanea si fondono \nmagnificamente in una rubinetteria di \nispirazione londinese. \nAntique copper\nCoventry\nThe cross-shaped tap controls with \ntheir unmistakable retro style explicitly \nreference the most authentic British \ndesign.\nLe manopole a croce dall’inconfondibile \nstile rétro citano esplicitamente il più \nautentico design britannico.\nPolished nickel\nDandy\nWhite fine porcelain levers and the \nflowing lines of late 19th-century \nEnglish design create an icon of \nelegance.\nLe leve in fine porcellana bianca e \nle linee sinuose del design inglese \ndel secondo Ottocento per un’icona \ndell’eleganza.\nPolished nickel\nSwan\nBaroque inspiration for an exclusive \ncollection, perfect for unapologetically \nluxurious bathrooms.\nIspirazione barocca per una collezione \nesclusiva, ideale per sale da bagno \ndichiaratamente lussuose.\n16\n&Journal\nA new Grand Tour\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.17.png","From the valvulae of ancient Rome to \nLeonardo da Vinci’s experiments, from \nthe water carousels of Renaissance \nfountains to the first 19th-century \nindustrial patents, the tap has always \naccompanied the history of our living \nspaces.\nThe many stylistic variations of the \nmost beloved tap collections by interior \ndesigners invite the beholder to travel \nthrough time, exploring the everyday \nbeauty of life. \nDalle valvulae dell’antica Roma agli \nesperimenti di Leonardo da Vinci, \ndai caroselli acquatici delle fontane \nrinascimentali fino ai primi brevetti \nindustriali ottocenteschi, il rubinetto \naccompagna da sempre la storia \ndell’abitare. \nLe molteplici declinazioni stilistiche \ndelle collezioni di rubinetteria più amate \ndagli interior designer invitano a un \nviaggio nel tempo, alla scoperta della \nquotidianità della bellezza.\nChrome\nDiamond\nA jewel of early 1910s refinement, \nfeaturing fluted levers and exquisite \ndiamond-cut crystal accents.\nUn gioiello di ricercatezza Anni Dieci, \ncon leve millerighe e preziosi terminali in \ncristallo tagliato a diamante.\nRose gold\nTime\nGeometric lines and faceted surfaces \ninspired by modernism embody the \nfinest elements of 1930s design. \nLinee geometriche e superfici sfaccettate \ndi ispirazione modernista distillano il \nmeglio del design Anni Trenta.\nLight Gold - PVD\nSignature\nThe sleek forms of this new collection \ncapture the refined taste and \nsophisticated charm of the 1920s.\nNelle forme essenziali di questa nuova \ncollezione rivivono il gusto e il fascino \nsofisticato degli Anni Venti. \nBronze + White Carrara\nTwenties\nCalacatta Oro marble inlays and \nexquisite details pay tribute to \nAmerican Art Deco in a design by \nGensler. \nInserti in marmo Calacatta Oro e \nricercatissimi dettagli per un tributo \nall’Art Deco americana firmato da \nGensler. \n17\n&Journal\nN°2 — 2025\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.18.png","L’art de vivre la salle de bain\nAn interview with Pierre-Yves Rochon\nFounded in Paris in 1979, Pierre-Yves Rochon (PYR) has earned international recognition for its interior architecture and design approach. \nThe studio has left an indelible mark on the world’s premier hospitality brands—Four Seasons, Ritz-Carlton, Waldorf Astoria, Fairmont, \nSt. Regis, Peninsula, Shangri-La, Sofitel, InterContinental, a constellation of boutique hotels and several exquisite residential projects \naround the world.\nFondato a Parigi nel 1979, lo studio Pierre-Yves Rochon (PYR) è un punto di riferimento a livello internazionale per il suo approccio \nall’architettura e all’interior design, che ha lasciato un segno indelebile sui più prestigiosi brand di hôtellerie (Four Seasons, Ritz-Carlton, \nWaldorf Astoria, Fairmont, St. Regis, Peninsula, Shangri-La, Sofitel, InterContinental), su una miriade di boutique hotel e su numerosi \nprogetti residenziali in tutto il mondo.\nA bathroom should be a space of luxury, but luxury is not about a collection of precious objects. It is, above all, a state of mind, an ability \nto perceive beauty, to appreciate the balance of volumes, the harmony of proportions.\nI never design for myself or to satisfy a personal aesthetic. My goal is to create spaces where people feel at ease, where they experience a \nsense of well-being, whether for an hour or a lifetime.\nLa sala da bagno ideale è senza dubbio uno spazio lussuoso. Ma con lusso non intendo una sommatoria di oggetti preziosi, bensì un’attitudine, \nuna capacità di comprendere la bellezza, di apprezzare il bilanciamento dei volumi e l’armonia delle proporzioni. \nIo non disegno mai per me stesso o per compiacere il mio gusto personale. Il mio obiettivo è creare spazi in cui le persone si sentano a proprio \nagio, dove possano vivere un’esperienza di benessere, per un’ora o per una vita intera.\nHow would you describe your ideal bathroom? \nCome descriverebbe la sua sala da bagno ideale?\nPierre-Yves Rochon \nArchitect and Designer\n18\n&Journal\nA new Grand Tour\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fb0\u002F9b39bb34bdde394f0a6417424d1f04-28aec04dd2.19.png","For me, the design of an entire hotel or a single product is always a journey through time, an exploration of cultural and historical references \nthat shape its identity, ultimately achieving a sense of timeless elegance.\nWe have studios in Paris and Chicago, and the dialogue between these two worlds enriches our creative approach. A “modern classic” \nemerges when one has a profound understanding of history. A strong cultural foundation allows for the freedom to reinterpret tradition \nwith intelligence and sensitivity.\nPer me la progettazione di un intero hotel o di un singolo prodotto comincia sempre con un viaggio nel tempo, alla ricerca degli elementi cul-\nturali e storici che hanno plasmato la sua identità, e si conclude con un risultato dall’eleganza senza tempo. \nAbbiamo uno studio a Parigi e uno a Chicago e il dialogo tra questi due mondi arricchisce il nostro approccio creativo. Il classico-contem-\nporaneo nasce da una profonda comprensione della storia. Solo se hai un solido background, puoi prenderti la libertà di reinterpretare la \ntradizione con intelligenza e sensibilità.\nRegardless of the architectural context your work is executed with a profound respect for heritage and local \nsurroundings. How do you combine classic and contemporary elements in your projects?\nIndipendentemente dal contesto architettonico il suo lavoro mostra sempre un profondo rispetto per l’heritage \ne il territorio. Come combina elementi classici e contemporanei nei suoi progetti?\nAt the start of my career, over forty years ago, I made a promise to myself: never to follow fashion, never to chase trends. I am not interested \nin ephemeral phenomenons. This philosophy has guided my work and aligns perfectly with Devon&Devon, a brand that engages with \nboth the past and the present with the same level of sophistication.\nWhen designing The Thirties and My Love Water Vanity collections, I approached them as a filmmaker: before sketching a piece, I im-\nagined its universe, its lighting, its soundtrack. But the true protagonists of this scene are those who will live in these spaces, the guests of \na hotel, the owners of a home. Their comfort, their desires, their sense of well-being dictate every line and detail.\nThis is how I conceive the art of living in the bathroom, a subtle balance between history and modernity, between function and emotion.\nQuando ho cominciato a lavorare, più di quarant’anni fa, ho promesso a me stesso: non seguirò mai la moda, non darò la caccia alle tendenze. \nNon sono interessato all’effimero. La filosofia che ha sempre guidato il mio lavoro si sposa perfettamente con quella di Devon&Devon, un \nbrand che si confronta con il passato e con il presente con lo stesso livello di ricercatezza.\nPer la creazione delle collezioni The Thirties e My Love Water Vanity mi sono comportato come un regista cinematografico: prima di disegnare \nun prodotto, ho immaginato un’atmosfera, le luci, la colonna sonora. E i veri protagonisti della scena, ovvero le persone che la animeranno, \nsiano essi gli ospiti di un hotel o i padroni di una casa. Il loro comfort, i loro desideri, il loro senso di benessere dettano la linea e definiscono \nogni dettaglio. 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