[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-de-padova-time-and-style-edtiion-collection-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":412},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":407,"matched_pages":408,"match_count":409,"two_pages":410,"show_text":411},25112,"Time & Style Edtiion Collection 2025","de-padova-time-and-style-edtiion-collection-2025","\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F55\u002F87a3771ebeb4a868e1a78fd992a2a2-28fe35084a.pdf","De Padova",1753,"de-padova","33.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.2.png","Lighting\nTable\nChair \u002F High chair\nJapanese chair\nStool\nHanger\nPartition\nArmchair\nLow table\nCabinet\nOpen cabinet\nFinishes\nDrop paper lamp  \n4\nNagoya  \n12\nLantern  \n16\nBombori  \n22\nRaindrops casting bronze table  \n30\nMoon  \n40\nSea of tranquility  \n48\nSunset  \n56\nThe sensitive light chair  \n64\nThe sensitive back chair  \n70\nA chair outside the cage  \n76\nA chair in the forest  \n80\nLiku Japanese chair  \n84\nStoneware sculpture  \n92\nBronze casting sculpture  \n96\nOke  \n100\nBranch of the maple  \n108\nShoji  \n114\nSunset  \n120\nPhilosophers lounge  \n128\nTemple  \n136\nImperial family  \n144\nMoon  \n150\nSilent cabinet  \n156\nSilent drawer  \n168\nSilent wardrobe  \n172\nVertical layer  \n176\nKomorebi  \n182\n  \n190\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.3.png","Time & Style ēdition designed for Boffi | DePadova presents a contemporary evolu-\ntion of traditional Japanese wood artisanship. For over two decades, the Japanese \ndesign brand Time & Style has gone to great lengths to promote the country’s \nlong-standing traditions and skills linked to carpentry.\nIn the forests of Hokkaido, the northernmost of Japan’s islands, the freezing winters \nslow the growth of trees, allowing for the production of high quality, dense timber \nand the development of woodworking techniques. Time & Style taps into time-hon-\nored customs practiced by carpenters and artisans involved in the construction of \nJapanese shrines and temples with a history extending back over a millennium. This \nlegacy is a major source of inspiration for Time & Style as it seeks to create a collec-\ntion of modern furniture marked by authenticity and a deep appreciation for the past.\nTime & Style ēdition furniture communicates the discreet elegance of traditional \nJapanese wood artisanship through a contemporary perspective that emphasizes \nthe timeless quality of each design. The collection, including low tables and chairs in \nsolid wood and light fixtures with shades made from traditional Japanese washi \npaper, offers an eclectic assortment of contemporary Japanese furniture that pairs \nharmoniously with the sophisticated products by Boffi | DePadova. Individual pieces \nfrom the Time & Style ēdition complement the Boffi | DePadova range of contempo-\nrary interior solutions in a symbiotic relationship, wherein every product maintains \nits own identity while enhancing the overall interior space.\nThe restrained beauty of the Time & Style ēdition points to the importance of Japa-\nnese artisanship. The design process begins first and foremost with identifying the \nfeatures of the material. The Time & Style ēdition focuses on making quality, \nlong-lasting design that cites the language of classical Japanese design and high-\nlights the tactile qualities of solid wood. The attention to detail and emphasis on \nartisanship is in line with the principles pursued by Boffi | DePadova in its efforts to \ncreate a well-curated and distinctive selection of refined modern furnishings to \naccommodate every corner of the home.\nThe philosophy of the Time & Style ēdition aligns perfectly with the interior design \nconcepts developed by Boffi | DePadova throughout its history. Italian and Japanese \ndesign cultures have always shown profound respect for age-old handicrafts, shar-\ning a vision to ensure unparalleled quality in products through painstaking efforts \nand a deep commitment to exquisite artisanship. The timeless aesthetic of the collec-\ntion meets the demands of contemporary living yet never loses sight of its origins. \nTime & Style ēdition\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.4.png","Drop Paper Lamp\nK5 is a hotel whose interior design was conceived and \ndesigned by Claesson Koivisto Rune. This unique facility \nincludes hotel accommodation, a restaurant, a wine bar, and a \ncoffee shop, all housed in a newly renovated historic building \nin Tokyo, Japan. They designed a collection of lightings, \nexclusively for K5.\nDrop paper lamp is made with the techniques of Suifu lantern, \nknown for the production of durable and sturdy paper lanterns. \nFor the lantern’s shade, we chose Echizen washi paper, a \ntraditional paper with a history of about 1,500 years and \ncharacterized by its warm color and durability due to the long \nand thick Japanese mulberry fiber used as the raw material. It \nis generally used in large sheets that can be applied seam-\nlessly to large fittings such as fusuma (sliding doors) and \nbyobu (folding screens).\n4\n5\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.5.png","Pendant light\nφ60×H58\n- BDTL-512\n Japanese paper\nPendant light\nφ78×H76\nPendant light\nφ120×H117\n- BDTL-513\n Japanese paper\n- BDTL-514\n Japanese paper\nFloor light\nφ60×H69\n- BDTL-502\n Japanese paper\n Steel – Black\nFloor light\nφ45×H52\n- BDTL-501\n Japanese paper\n Steel – Black\nFloor light\nφ78×H89\n- BDTL-503\n Japanese paper\n Steel – Black\n7\n6\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.6.png","Drop paper lamp  |  Pendant light  |  φ120×H117  |  Japanese paper  |  BDTL-514\nDrop paper lamp  |  Floor light  |  φ78×H89  |  Japanese paper,  Steel – Black  |  BDTL-503\n8\n9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.7.png","10\n11\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.8.png","Nagoya\nJapanese people have been using a traditional Japanese light \nfixture since around the 1600s (Edo period), which is normally \nmade of washi paper stretched over a wooden frame, and \ncandles and oil are used to create poetic shadows through the \nwashi paper. They could be carried from room to room.\nToday, Japan is brightly lit even at night. However, in the olden \ndays, people lived with the passing time, letting natural light \ninto their rooms during the day and living with soft lights that \nonly illuminated their hands at night. Nagoya attempts to \nbring such type of lighting, which embodies the Japanese \nsense of beauty and nature, into modern life.\nThe design of Nagoya was interpreted by a traditional rectan-\ngular lamp used in the mid-Edo period out of careful research \nthrough many historical books and old tools. The material cho-\nsen for the frame, Akita cedar, has a high density of annual \nrings and delicate grain as it grows slowly in the harsh envi-\nronment of the Tohoku region which is one of the coldest \nregions in Japan. With its linear growth, Akita cedar is suitable \nfor making lamp as it does not crack, warp, expand or contract, \nand is easy to work.\nThe wood used to make a single unit is made of the same \ntimber as much as possible, in order to create a beautiful \naesthetic and a sense of unity in grain and colour. The frame is \nassembled by a master artisan who specializes in woodwork \nfor lighting, using only elaborate joints and joinery without \nany metal fittings.\nMade of rare and beautiful Akita cedar and Mino handmade \nwashi paper, Nagoya has one of the most exquisite combina-\ntions of materials for traditional Japanese lighting. Contrary to \ntoday’s efficiency-first manufacturing, the time and effort that \ngoes into Nagoya’s manufacturing create a value that cannot \nbe compared to mass-produced products.\n12\n13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.9.png","Light\nW24×D24×H47\n- BDTL-401\n Cedar\n Japanese paper\nNagoya  |  Light  |  W24×D24×H47  |  Cedar,  Japanese paper  |  BDTL-401\n15\n14\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.10.png","Lantern\nA stroll along the old streets of a Japanese town at night \nevokes the atmosphere of traditional Japan, with the warm \nglow of chochin (paper lanterns) beneath the awnings of \nshops, blending into the scenery. Lanterns bearing large \nlettering or elegant artwork depicting the seasons have \nbecome widely used at rituals and festivals held at shrines \nand temples across Japan. Portable handheld illumination \nmay no longer be common in daily life, but even today, paper \nlanterns are used at festivals and also in traditional Japanese \nresidences. The most significant characteristic of paper lan-\nterns is the ability to collapse them into a compact, flat form. \nThe lantern shade is a three-dimensional helix made of a \nsingle bamboo strip, covered with sturdy washi paper. Today, \nthe bamboo strip is being increasingly replaced by a flexible \nmetal or plastic wire. To create the shade, wooden or metallic \nmould in the actual size is required. One of the key skills of \nlantern-making is that ensuring the lantern’s finished shape is \npreserved whilst extracting the mould. The mould is formed \nby assembling slats to produce the lantern’s spherical shape. \nGrooves are carved into the slats to facilitate the winding of \nthe strip or wire in a helix. The washi is then cut and glued to \nthe frame one layer at a time. Following the lantern maker’s \nexperience and instinct, glue is applied while carefully avoid-\ning excessive overlap between adjacent washi segments. \nGently using a blade, the maker removes excess paper. After \nthe shade is assembled, the mould is extracted by disassem-\nbling the slats inside the lantern and removing one piece at a \ntime through the small opening. The artisan must be espe-\ncially careful not to damage the washi during this process.\nThe paper used in Lantern is Sekishu washi, produced in \nShimane Prefecture. The paper is made entirely by the hands \nof artisans from mulberry tree fibers with epidermis, which \nmakes the paper stronger. Measuring an impressive one meter \nin diameter, Lantern embodies tradition. The light emanating \nthrough the delicately textured Sekishu washi of the gigantic \nlantern envelops us in its gentle beauty.\n16\n17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.11.png","Pendant light\nφ100×H85\n- BDTL-301\n Japanese paper\nFloor light\nφ100×H115\n- BDTL-302\n Japanese paper\n Steel – Black\n19\n18\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.12.png","Lantern  |  Floor light  |  φ100×H115  |  Japanese paper,  Steel – Black  |  BDTL-302\nLantern  |  Pendant light  |  φ100×H85  |  Japanese paper  |  BDTL-301\n20\n21\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.13.png","Bombori\nJapanese traditional lights with a paper shade had been used \nin Japan until modern electric lights became common. Initially, \nlight fittings were only available for the wealthy, but by around \nfour hundreds years ago, they had become widespread \namongst the ordinary as well. That traditional lamp is made of \npaper stretched across a wooden or metal frame, covering the \nlight source in an enclosure called hibukuro (a bag of fire). The \nhibukuro was to prevent the wind from blowing out the fire so \nthat it could also be used outdoors. \nToday, woodworking artisans continue to make it, although \nthey are rarely used in ordinary households, but in a ryokan \n(traditional Japanese inn) and ryotei (traditional Japanese \nrestaurants) where that traditional lamp with light bulbs are \nused. Arriving at the entrance of a Japanese ryokan, guests \nwould find the traditional floor lamp, welcoming the guests \nwith their soft and faint reddish light shimmering through the \ndelicate paper. The feeling of nostalgia is evoked by the \ntraditional lamp placed beside pillows, in the corner of rooms, \nor pendant lights from the ceiling in a traditional Japanese \nroom.\nThe history of Japanese woodworking dates back to around a \nthousand years ago, which is when an aristocratic culture \nflourished. The tradition of exquisite woodworking has sur-\nvived until the present day, although it is shrinking. A cabinet-\nmaker is an artisan who has the precise woodworking skills to \ncreate furniture, wooden fittings for a house, and daily house-\nhold utensils. They join pieces of wood together to achieve \nboth beauty and strength. Without the fine skills, Japanese \nwoodworking culture could not have developed.\nThe wooden frame of Bombori uses solid Akita cedar, and the \nshade is made of handmade Mino washi paper. Apart from the \nelectrical parts, the light only uses authentic traditional mate-\nrials. Bringing out the essence of the material in every detail, \nthe artisan uses their experience and intuition to create some-\nthing exquisite, something machine cannot create.\n22\n23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.14.png","Pendant light\nφ58×H47\n- BDTL-111\n Cedar\n Japanese paper\nPendant light\nφ78×H65\n- BDTL-101\n Cedar\n Japanese paper\nFloor light\nφ58×H90\n- BDTL-112\n Cedar\n Japanese paper\n Steel – Black\nFloor light\nφ40×H53\n- BDTL-113\n Cedar\n Japanese paper\n Steel – Black\nFloor light\nφ78×H85\n- BDTL-102\n Cedar\n Japanese paper\n Steel – Black\nBombori  |  Pendant light  |  φ78×H65  |  Cedar,  Japanese paper  |  BDTL-101\n25\n24\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.15.png","Bombori  |  Floor light  |  φ58×H90  |  Cedar,  Japanese paper,  Steel – Black  |  BDTL-112\nBombori  |  Floor light  |  φ78×H85  |  Cedar,  Japanese paper,  Steel – Black  |  BDTL-102\n26\n27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.16.png","29\n28\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.17.png","Raindrops casting bronze table\nTakaoka City in Toyama Prefecture has a history of over 400 \nyears as a major production center for cast metal such as \ncopper, brass, and iron, ranging from traditional casting of \nBuddhist implements and statues to modern casting of indus-\ntrial product components and contemporary art pieces. The \nartisan skills passed down in this region have been refined \nover a long period. The process of metal casting involves \nstages such as creating the pattern, casting, finishing, and \ncoloring. Skilled artisans showcase their craftsmanship in \neach stage, and the collaboration of these processes gives \nbirth to a unified aesthetic beauty.\nThe Raindrops casting bronze table is a new product born \nfrom the fusion of historical casting techniques in Takaoka \nCity and meticulous craftsmanship by artisans. It represents a \ncombination of artistry and modern design, achievable only by \nthese experienced artisans. \nThe bronze leg, shaped by the formability cultivated through \nyears of casting expertise, is inspired by the shape of rain-\ndrops falling from a large tabletop holder down to the bottom. \nStarting from the broad top of the tabletop holder, the form \nnarrows towards the neck and organically connects to the \nvoluminous shape at the bottom, evoking the image of rain-\ndrops. The sense of heaviness in the bronze leg and the \norganic shape resembling raindrops coexist in balanced \nharmony, creating a sense of weight while maintaining a light \nand agile appearance.\nAdditionally, the ability to evenly position the leg at the center \nis attributed to the weight, stability, and sufficient strength \ncharacteristic of cast metal. The stability of the bronze center \nleg enables the freedom to place many chairs. The combina-\ntion with tabletops crafted from Hokkaido-sourced oak in \nround and oval shapes contributes to the flexibility of dining \nscene layouts.\n30\n31\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.18.png","Round table\nφ160×H74\nRound table\nφ180×H74\n- BDTT-001\n Oak – Snow white\n Bronze – Satin finish\n- BDTT-001WC\n Marble – White carrara\n Bronze – Satin finish\n- BDTT-005WC\n Marble – White carrara\n Bronze – Satin finish\n- BDTT-002WC\n Marble – White carrara\n Bronze – Black stain\n- BDTT-006WC\n Marble – White carrara\n Bronze – Black stain\n- BDTT-001EM\n Marble – Emperador\n Bronze – Satin finish\n- BDTT-005EM\n Marble – Emperador\n Bronze – Satin finish\n- BDTT-001RI\n Marble – Rosso lepanto\n Bronze – Satin finish\n- BDTT-005RI\n Marble – Rosso lepanto\n Bronze – Satin finish\n- BDTT-001VA\n Marble – Verde alpi\n Bronze – Satin finish\n- BDTT-005VA\n Marble – Verde alpi\n Bronze – Satin finish\n- BDTT-001CO\n Marble – Calacatta oro\n Bronze – Satin finish\n- BDTT-001VG\n Marble – Valentine grey\n Bronze – Satin finish\n- BDTT-001GC\n Marble – Grey carnico\n Bronze – Satin finish\n- BDTT-005GC\n Marble – Grey carnico\n Bronze – Satin finish\n- BDTT-001GS\n Marble – Grey stone\n Bronze – Satin finish\n- BDTT-005GS\n Marble – Grey stone\n Bronze – Satin finish\n- BDTT-002EM\n Marble – Emperador\n Bronze – Black stain\n- BDTT-006EM\n Marble – Emperador\n Bronze – Black stain\n- BDTT-002RI\n Marble – Rosso lepanto\n Bronze – Black stain\n- BDTT-006RI\n Marble – Rosso lepanto\n Bronze – Black stain\n- BDTT-002VA\n Marble – Verde alpi\n Bronze – Black stain\n- BDTT-006VA\n Marble – Verde alpi\n Bronze – Black stain\n- BDTT-002CO\n Marble – Calacatta oro\n Bronze – Black stain\n- BDTT-002VG\n Marble – Valentine grey\n Bronze – Black stain\n- BDTT-002GC\n Marble – Grey carnico\n Bronze – Black stain\n- BDTT-006GC\n Marble – Grey carnico\n Bronze – Black stain\n- BDTT-002GS\n Marble – Grey stone\n Bronze – Black stain\n- BDTT-006GS\n Marble – Grey stone\n Bronze – Black stain\n- BDTT-005\n Oak – Snow white\n Bronze – Satin finish\n- BDTT-003\n Oak – Charcoal grey\n Bronze – Satin finish\n- BDTT-007\n Oak – Charcoal grey\n Bronze – Satin finish\n- BDTT-002\n Oak – Snow white\n Bronze – Black stain\n- BDTT-006\n Oak – Snow white\n Bronze – Black stain\n- BDTT-004\n Oak – Charcoal grey\n Bronze – Black stain\n- BDTT-008\n Oak – Charcoal grey\n Bronze – Black stain\nRound table\nφ200×H74\n- BDTT-005CO\n Marble – Calacatta oro\n Bronze – Satin finish\n- BDTT-005VG\n Marble – Valentine grey\n Bronze – Satin finish\n- BDTT-006CO\n Marble – Calacatta oro\n Bronze – Black stain\n- BDTT-006VG\n Marble – Valentine grey\n Bronze – Black stain\n- BDTT-009\n Oak – Snow white\n Bronze – Satin finish\n- BDTT-011\n Oak – Charcoal grey\n Bronze – Satin finish\n- BDTT-010\n Oak – Snow white\n Bronze – Black stain\n- BDTT-012\n Oak – Charcoal grey\n Bronze – Black stain\nPlease contact our customer service for the satin finish option.\n33\n32\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.19.png","Oval table\nW220×D120×H74\nOval table\nW240×D120×H74\n- BDTT-021WC\n Marble – White carrara\n Bronze – Satin finish\n- BDTT-025WC\n Marble – White carrara\n Bronze – Satin finish\n- BDTT-022WC\n Marble – White carrara\n Bronze – Black stain\n- BDTT-026WC\n Marble – White carrara\n Bronze – Black stain\n- BDTT-021EM\n Marble – Emperador\n Bronze – Satin finish\n- BDTT-025EM\n Marble – Emperador\n Bronze – Satin finish\n- BDTT-021RI\n Marble – Rosso lepanto\n Bronze – Satin finish\n- BDTT-025RI\n Marble – Rosso lepanto\n Bronze – Satin finish\n- BDTT-021VA\n Marble – Verde alpi\n Bronze – Satin finish\n- BDTT-025VA\n Marble – Verde alpi\n Bronze – Satin finish\n- BDTT-021CO\n Marble – Calacatta oro\n Bronze – Satin finish\n- BDTT-021VA\n Marble – Valentine grey\n Bronze – Satin finish\n- BDTT-021GC\n Marble – Grey carnico\n Bronze – Satin finish\n- BDTT-025GC\n Marble – Grey carnico\n Bronze – Satin finish\n- BDTT-021GS\n Marble – Grey stone\n Bronze – Satin finish\n- BDTT-025GS\n Marble – Grey stone\n Bronze – Satin finish\n- BDTT-022EM\n Marble – Emperador\n Bronze – Black stain\n- BDTT-026EM\n Marble – Emperador\n Bronze – Black stain\n- BDTT-022RI\n Marble – Rosso lepanto\n Bronze – Black stain\n- BDTT-026RI\n Marble – Rosso lepanto\n Bronze – Black stain\n- BDTT-022VA\n Marble – Verde alpi\n Bronze – Black stain\n- BDTT-026VA\n Marble – Verde alpi\n Bronze – Black stain\n- BDTT-022CO\n Marble – Calacatta oro\n Bronze – Black stain\n- BDTT-022VA\n Marble – Valentine grey\n Bronze – Black stain\n- BDTT-022GC\n Marble – Grey carnico\n Bronze – Black stain\n- BDTT-026GC\n Marble – Grey carnico\n Bronze – Black stain\n- BDTT-022GS\n Marble – Grey stone\n Bronze – Black stain\n- BDTT-026GS\n Marble – Grey stone\n Bronze – Black stain\n- BDTT-021\n Oak – Snow white\n Bronze – Satin finish\n- BDTT-025\n Oak – Snow white\n Bronze – Satin finish\n- BDTT-023\n Oak – Charcoal grey\n Bronze – Satin finish\n- BDTT-027\n Oak – Charcoal grey\n Bronze – Satin finish\n- BDTT-022\n Oak – Snow white\n Bronze – Black stain\n- BDTT-026\n Oak – Snow white\n Bronze – Black stain\n- BDTT-024\n Oak – Charcoal grey\n Bronze – Black stain\n- BDTT-028\n Oak – Charcoal grey\n Bronze – Black stain\nOval table\nW260×D120×H74\n- BDTT-025CO\n Marble – Calacatta oro\n Bronze – Satin finish\n- BDTT-025VA\n Marble – Valentine grey\n Bronze – Satin finish\n- BDTT-026CO\n Marble – Calacatta oro\n Bronze – Black stain\n- BDTT-026VA\n Marble – Valentine grey\n Bronze – Black stain\n- BDTT-029\n Oak – Snow white\n Bronze – Satin finish\n- BDTT-031\n Oak – Charcoal grey\n Bronze – Satin finish\n- BDTT-030\n Oak – Snow white\n Bronze – Black stain\n- BDTT-032\n Oak – Charcoal grey\n Bronze – Black stain\n34\n35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.20.png","Raindrops casting bronze table  |  Oval table  |  W240×D120×H74  |  Oak – Charcoal grey,  Bronze – Black stain  |  BDTT-028\n36\n37\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.21.png","38\n39\n39\n38\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.22.png","Moon\nMoon table was born from a process of shaping wood by hand, \nunderstanding its unique characteristics by touch until the \nform is discovered with. Time & Style strived to create a style \nthat could harmonize with any type of space, with the soft \ncurve of the solid wood existing with the presence of sharp \nmodernity. Previously, all products were based on simple \ncuboid shapes to create a balance following a simple and \nclean design ethic, which is characteristic of Japanese design. \nInevitably, this cube-based design structure produced sharp \ncorners where three faces of the cube met, giving the prod-\nuct’s appearance a solid presence. On the other hand, furni-\nture with sharp corners can also create stress when it is used. \nAlthough it was a difficult decision to move away from the \ndesign vocabulary, the time had revealed its limits.\nThe tabletop of Moon slopes gently as it nears its perimeter, \nnaturally flowing to create an edge with organic curves. Even \nwhen drawing out on paper, Time & Style had a clear under-\nstanding that a product with such organic beauty could not \nemerge from mechanical processing. However, the previous \ncube-based design method may have guided a solution to \nfiguring out how to connect the surfaces to create an elegant \nyet intense product with a beautiful curved surface. \nTo design a dining table, there were limitations to constructing \na wholeness in design of solid wood tabletop and four legs at \ncorner. The properties of the material have a large influence \non the limitations. As the tabletop made from solid wood \nwould expand and contract with temperature and humidity \nchange, discrepancies would inevitably emerge in the joins \nbetween the top and legs. Therefore a narrow space was \ninserted between the tabletop and the frame, creating a \ncertain floatiness. The tabletop edges curve to join with the \nframe and the corners of the legs, giving a feeling of unity. \nThus they realized in creating a solid wood table with a gentle \nsense of timeless presence and the feeling of unison.\n40\n41\n41\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.23.png","Rectangular table\nW180×D80×H73\n- BDTT-501\n Oak – Snow white\n- BDTT-502\n Oak – Charcoal grey\n- BDTT-503\n Oak – Snow white\n- BDTT-504\n Oak – Charcoal grey\n- BDTT-505\n Oak – Snow white\n- BDTT-507\n Oak – Snow white\n- BDTT-509\n Oak – Snow white\n- BDTT-506\n Oak – Charcoal grey\n- BDTT-508\n Oak – Charcoal grey\n- BDTT-510\n Oak – Charcoal grey\nRectangular table\nW200×D80×H73\nRectangular table\nW220×D90×H73\nRectangular table\nW250×D90×H73\nRectangular table\nW300×D90×H73\n- BDTT-511\n Oak – Snow white\n- BDTT-512\n Oak – Charcoal grey\n- BDTT-513\n Oak – Snow white\n- BDTT-515\n Oak – Snow white\n- BDTT-514\n Oak – Charcoal grey\n- BDTT-516\n Oak – Charcoal grey\nSquare table\nW110×D110×H73\nSquare table\nW160×D160×H73\nSquare table\nW200×D200×H73\n- BDTT-517\n Oak – Snow white\n- BDTT-518\n Oak – Charcoal grey\n- BDTT-519\n Oak – Snow white\n- BDTT-521\n Oak – Snow white\n- BDTT-523\n Oak – Snow white\n- BDTT-525\n Oak – Snow white\n- BDTT-520\n Oak – Charcoal grey\n- BDTT-522\n Oak – Charcoal grey\n- BDTT-524\n Oak – Charcoal grey\n- BDTT-526\n Oak – Charcoal grey\nRound table\nφ100×H73\nRound table\nφ120×H73\nRound table\nφ140×H73\nRound table\nφ160×H73\nRound table\nφ200×H73\n43\n42\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.24.png","Moon  |  Square table  |  W200×D200×H73  |  Oak – Charcoal grey  |  BDTT-516\n44\n45\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.25.png","Moon  |  Rectangular table  |  W300×D90×H73  |  Oak – Charcoal grey  |  BDTT-510\n46\n47\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.26.png","Sea of tranquility\nThe structure and design of this table are inspired by the torii \ngates that stand at the entrance of shrines. The gates symbol-\nize the boundary between the ordinary world and the holy \nprecinct. Generally, torii gates have a simple yet beautiful \ndesign that is durable to the strong winds, rains, and earth-\nquakes that occur often in Japan. The materials are primarily \nJapanese conifers, hinoki cypress, or cedar, whose logs are \nused as columns. The larger ones have columns wider than \n60–80 centimeters in diameter, with the age of the tree rang-\ning between 100–500 years old. The two thick columns are \nhorizontally tied with beams called kasagi and shimaki at the \ntop. Under the beams, a strengthening brace called the nuki \npierce connects the two columns.\nLooking from the sides, it is apparent that the structure and \ndesign adopts that of shrine gates. All of the edges have been \nslimmed down so that the thickness of the table itself does not \noverwhelm. The back of the tabletop has been shaved from \nthe center to the edges so that it gradually becomes thinner. In \nfact, the tabletop is made from 35 millimeters thick solid wood \nthat is only 10 millimeters thick at the edges, retaining its \nsturdiness. Resembling the torii’s structure, a single board \nconnects the two legs and the table, reinforcing stability. The \ntwo legs of the table are shaped in streamlines like plane \nwings, to create lightness. The cross beam, which braces the \ntwo legs, is also shaped with a streamline. Thus the table \ntakes on an overall unified design and a light impression.\nSea of tranquility is named after the place where mankind first \nlanded on the moon on July 20th, 1969. By overlapping the \nserenity brought about by the simplicity of Japanese design \nwith the image of the moon’s quiet sea, we have created a \ntable made of solid wood, yet light and filled with refined \ntranquility.\n48\n49\n49\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.27.png","Rectangular table\nW200×D110×H73\nRectangular table\nW240×D110×H73\nRectangular table\nW220×D110×H73\nRectangular table\nW300×D110×H73\n- BDTT-701\n Oak – Snow white\n- BDTT-702\n Oak – Charcoal grey\n- BDTT-705\n Oak – Snow white\n- BDTT-706\n Oak – Charcoal grey\n- BDTT-703\n Oak – Snow white\n- BDTT-704\n Oak – Charcoal grey\n- BDTT-707\n Oak – Snow white\n- BDTT-708\n Oak – Charcoal grey\n50\n51\n50\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.28.png","Sea of tranquility  |  Rectangular table  |  W240×D110×H73  |  Oak – Charcoal grey  |  BDTT-706\n52\n53\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.29.png","54\n55\n55\n54\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.30.png","Sunset\nThe seat comprises two layers of thick tanned leather stitched \ntogether to form a single sheet. This process is done in Toy-\nooka, Hyogo Prefecture, renowned for the production of bags. \nAs the angle and sinkage of the seat depend solely on the \ntension of the leather, the hardness and comfort of the seat \ncannot be adjusted as easily as urethane cushions or spring-\nloaded chairs. Sunset chair offers a comfortable sitting experi-\nence with the delicate balance of optimal tension of leather. \nFor it is a natural material, the tanned leather seat will eventu-\nally adapt to the body over time.\nThe oak frame is carved out at a chair factory in Hiroshima \nPrefecture. The thick tanned leather made in Himeji is  cut and \nsewn in Toyooka, all in Hyogo Prefecture. This product is a \nnew type of chair that shows the potential of Japan’s regional \ncharacteristics, created carefully by artisans featuring the \naspects of each regional industry in Japan.\n56\n57\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.31.png","Stool\nW47×D51×H90×SH65\n- BDTI-516\n Oak – Snow white\n Tanned leather – Dark brown\n- BDTI-518\n Oak – Charcoal grey\n Tanned leather – Dark brown\nSide chair\nW50×D57×H80×SH45\n- BDTI-512\n Oak – Snow white\n Tanned leather – Dark brown\n- BDTI-514\n Oak – Charcoal grey\n Tanned leather – Dark brown\nChair with armrests\nW63×D57×H80×SH45×AH63\n- BDTI-502\n Oak – Snow white\n Tanned leather – Dark brown\n- BDTI-504\n Oak – Charcoal grey\n Tanned leather – Dark brown\n58\n59\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.32.png","Sunset  |  Stool  |  W47×D51×H90×SH65  |  Oak – Snow white,  Tanned leather – Dark brown  |  BDTI-516\n60\n61\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.33.png","Sunset  |  Chair with armrests  |  W63×D57×H80×SH45×AH63  |  Oak – Charcoal grey,  Tanned leather – Dark brown  |  BDTI-504\nSunset  |  Side chair  |  W50×D57×H80×SH45  |  Oak – Snow white,  Tanned leather – Dark brown  |  BDTI-512\n62\n63\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.34.png","Delicate and compact, The sensitive light chair exudes a calm \nand neat presence. Conceived as a lightweight, durable, and \nsturdy chair, it is light enough to carry with one hand from \nroom to room and even to a different floor.\nChair designs are often regarded by designers and architects \nas a medium to express themselves, and in most cases, such \nchairs have a strong presence. Time & Style believes, however, \nthat a chair should not excessively exert its presence but \nexpress a more modest yet graceful air. For the design of The \nsensitive light chair, they aimed to make all the parts as slim \nas possible, thus adopting and merging the structures of \ntraditional Japanese architecture and the Windsor chair from \nthe west, to ensure the chair’s overall sturdiness, despite its \nslender silhouette. The delicate and graceful structure was \ninspired by Shinto shrines and temples. The seat frame and \nthe four legs of the chair are assembled into a single piece \nwithout using corner blocks as reinforcement. By adopting \nWindsor chair’s construction techniques, the crosspieces \nconnecting the legs are directly mortised into the legs, and the \nnuki joints are employed to balance and distribute the load to \nthe four slim legs. Through careful hand finishing, the chair \nhas a consistent smoothness on all sides enticing for the eyes \nand the sense of touch.\nChairs only became a part of daily life in Japan about 50 years \nago, which is when full-scale production of chairs started. \nOther parts of the world, especially Europe, have a much \nlonger history and culture of using chairs, where a multitude \nof beautiful individual chairs have been designed. Considering \nthat countless chairs have already been designed and manu-\nfactured throughout the world, it is important to ask how \nchairs designed in Japan should look in the future. They \nbelieve that The sensitive light chair embodies the Japanese \nsense of beauty and reinterprets traditional architectural \nstructures on the small scale of a chair.\nThe sensitive light chair\n64\n65\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.35.png","Side chair\nW45×D52×H78×SH45\n- BDTI-001\n Beech – Snow white\n Fabric – Grey\n- BDTI-003\n Beech – Charcoal grey\n Fabric – Grey\n- BDTI-004\n Beech – Charcoal grey\n Leather – Dark brown\n- BDTI-002\n Beech – Snow white\n Leather – Dark brown\nChair with armrests\nW50×D52×H78×SH45×AH63\n- BDTI-005\n Beech – Snow white\n Fabric – Grey\n- BDTI-007\n Beech – Charcoal grey\n Fabric – Grey\n- BDTI-008\n Beech – Charcoal grey\n Leather – Dark brown\n- BDTI-006\n Beech – Snow white\n Leather – Dark brown\n67\n66\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.36.png","The sensitive light chair  |  Side chair  |  W45×D52×H78×SH45  |  Beech – Charcoal grey,  Fabric – Grey  |  BDTI-003\nThe sensitive light chair  |  Chair with armrests  |  W50×D52×H78×SH45×AH63  |  Beech – Snow white,  Fabric – Grey  |  BDTI-005\n68\n69\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.37.png","The sensitive back chair\nDeveloped from The sensitive light chair as a new model, The \nsensitive back chair was designed with a more comfortable \nback seat while maintaining the exquisiteness and simplicity \nof its predecessor. The wood parts are carved to extreme \nthinness and delicacy. The result is a chair retaining the \nlightweight, sturdy, and durable design of The sensitive light \nchair, which stands quietly while exuding a sense of dignity in \nspace and scenes of daily life. To improve the feel when one \nsits back in the chair, we renewed the backrest from the two \nrods to a curved board.\nThe backrest was made as thin as possible while ensuring \nsturdiness, and the surface that touches the back was trimmed \nto highlight the pillars that extend upwards from the back legs. \nThe backside of the backrest has a smooth finish, with the stile \nand the board seamlessly connected for an elegant look. The \nbackside of the seating surface, which one touches when they \nsit down, is also designed for comfort with a frame naturally \nfitting in their hands.\n70\n71\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.38.png","Side chair\nW45×D52×H78×SH45\n- BDTI-011\n Beech – Snow white\n Fabric – Grey\n- BDTI-013\n Beech – Charcoal grey\n Fabric – Grey\n- BDTI-014\n Beech – Charcoal grey\n Leather – Dark brown\n- BDTI-012\n Beech – Snow white\n Leather – Dark brown\nChair with armrests\nW50×D52×H78×SH45×AH63\n- BDTI-015\n Beech – Snow white\n Fabric – Grey\n- BDTI-017\n Beech – Charcoal grey\n Fabric – Grey\n- BDTI-018\n Beech – Charcoal grey\n Leather – Dark brown\n- BDTI-016\n Beech – Snow white\n Leather – Dark brown\n72\n73\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.39.png","The sensitive back chair  |  Side chair  |  W45×D52×H78×SH45  |  Beech – Snow white,  Fabric – Grey  |  BDTI-011\nThe sensitive back chair  |  Chair with armrests  |  W50×D52×H78×SH45×AH63  |  Beech – Charcoal grey,  Fabric – Grey  |  BDTI-017\n74\n75\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.40.png","A chair outside the cage\nAlthough A chair outside the cage has the same form as          \nA chair in the forest, instead of a solid backrest it utilizes a \nlightweight rattan material. Characterized by its wide backrest \nand seat, the chair incorporates rattan to become lighter in \nboth appearance and weight. The material adds a modern \ntwist to the colonial style, which creates a slightly nostalgic \natmosphere. The fusion of styles also illustrates the connec-\ntion between Japan and Southeast Asia.\nBy retaining the overall form of the chair and changing only \nthe material, the chair gains its presence and functionality. \nMaking a light chair is one of the major challenges pursued in \nmany chair designs. Chairmakers have been making attempts \nby thinning wooden parts, adopting simpler structures, and \nusing frames made of materials such as resin, plastics, and \naluminum. In addition to its strength, the chair also needs to \nmeet functional requirements for comfort based on ergonom-\nics. Aspects including materials and the angles of the backrest \nagainst the seat must be considered well for people of various \nheights and weights to sit on. Design is essential, but only \nafter fully meeting these basic requirements.\nAcross Japan, there have been countless delicate crafts \npassed on from ancient times. The Hida-Takayama area, where \nthis chair is manufactured, is known for its artisanship with \nmany woodworkers and carpenters. Nihon-shoki, known as \none of the oldest books on the history of Japan, and The Tale \nof Genji, a novel written a thousand years ago, both indicate \nhow Hida artisans were hard-working, skilled technicians. It is \nnot only found in the furniture industry, but also in the intri-\ncate skills of ittobori (angular carvings with a single knife) and \nHida Shunkei lacquerwares that have been passed down the \ngenerations in the area until today. The passionate craftsman-\nship never disappears in Hida-Takayama.\n76\n77\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.41.png","Side chair\nW50×D52×H76×SH46\n- BDTI-105\n Beech – Snow white\n Fabric – Grey\n Rattan\n- BDTI-107\n Beech – Charcoal grey\n Fabric – Grey\n Rattan\n- BDTI-108\n Beech – Charcoal grey\n Leather – Dark brown\n Rattan\n- BDTI-106\n Beech – Snow white\n Leather – Dark brown\n Rattan\nA chair outside the cage  |  Side chair  |  W50×D52×H76×SH46  |  Beech – Snow white,  Fabric – Grey,  Rattan  |  BDTI-105\n78\n79\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.42.png","A chair in the forest\nJomon period, from 16,000 years ago to 3,000 years ago, was \na time in Japan when the people lived with very little influence \nfrom China or the Asian continent. During this period, people \ndid not cultivate rice but instead lived on berries and nuts \nfrom primeval forests of broad-leaved trees. Their diet also \ninvolved hunting forest animals and fish from the sea and \nrivers. Jomon people were what we would call ‘forest people’ \ntoday. Although rice cultivation was introduced to Japan and \nrice became the staple diet, people have continued to have a \nsymbiotic relationship with the forest. Many necessities of \ndaily life such as houses, tableware, and utensils have been all \nmade from wood. Forest and trees have had a significant \nimpact on the indigenous religion of Shintoism. At Shinto \nshrines, there always have been enormous trees that are \nhundreds of years old, worshipped as sacred trees.\nAs forests and trees have always been closely tied to Japa-\nnese culture and daily life, we aspired to create a wooden \nchair with the feel, the presence, and the aroma of trees in the \nforest. The concept is to make a solid wooden chair that is \nsimple, well-balanced, and comfortable to sit in. The backrest \nof the chair is the bentwood from a single piece of solid wood. \nThe Hida-Takayama area, where the workshop is located, is \nfamous for the technique of bending wood. Generally, such \nbentwood is made from laminated wood, whilst this chair \nuses solid material. A flat board is steamed, then pressed into \na mould until it is formed. Bending a solid wooden board in a \nway that preserves and makes use of its innate characteristics \nrequires equipment and woodworking techniques that have \nbeen passed down for generations in the area. Each compo-\nnent of this chair was carefully selected for its grain and \nquality, reflecting the artisanship involved in its making.\nA chair in the forest  |  Side chair  |  W50×D52×H76×SH46  |  Beech – Charcoal grey,  Leather – Dark brown  |  BDTI-104\n80\n81\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.43.png","- BDTI-101\n Beech – Snow white\n Fabric – Grey\n- BDTI-103\n Beech – Charcoal grey\n Fabric – Grey\n- BDTI-104\n Beech – Charcoal grey\n Leather – Dark brown\n- BDTI-102\n Beech – Snow white\n Leather – Dark brown\nSide chair\nW50×D52×H76×SH46\n82\n83\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.44.png","Liku Japanese chair\nOriginally, chairs were not used in Japanese homes. The \nfloors inside houses were covered with tatami mats woven \nfrom rushes, where Japanese people used to sit directly. \nFurniture was introduced around 150 years ago when West-\nern-style chairs and tables began to be used in public build-\nings during the cultural shift that accompanied the Meiji \nRestoration. For the next few decades until the early Showa \nperiod, items like chairs and tables were not used in ordinary \nhomes. However, as flooring materials transitioned from \ntatami to hardwood during the rapid economic growth follow-\ning World War II, the Western lifestyle with chairs and tables \nbecame more widespread. Although the number of tatami \nrooms in Japanese houses has decreased, the tradition \nremains. Even now, the Japanese custom of removing one’s \nshoes at the entrance of a home and sitting on the floor contin-\nues.\nZaisu is a legless chair with the seat sitting directly on the \nfloor, which is unique to Japan. It incorporates some of the \nmodern comforts of the chair whilst staying true to the tradi-\ntional custom of sitting on the floor. Very few zaisu have a \ndesign that harmonizes with traditional-style spaces. Many are \nbasic, consisting of a single piece of formed plywood that acts \nas both a seat and a backrest. Time & Style has created a zaisu \nthat blends tradition with modernity and refinement. Comfort \nand strength have been increased by raising the seat above \nthat of a normal zaisu. Crossbeams have been added to the \nsides to support the short legs and chair frame at three points. \nThe structure and design of these side struts are new elements \nunprecedented for a zaisu, creating a certain lightness. The \nsquare edges of the vertical bars in the back are sanded down \nindividually by hand to give them slightly rounded edges for \nextra comfort.\nFor the future of Japanese culture, Time & Style believe it is \nessential to not only pass on traditional culture but also to \ncreate new products by breathing life into traditional forms.\n84\n85\n85\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.45.png","Legless chair\nW60×D58×H51×SH12×AH30\n- BDTI-089\n Beech – Snow white\n Leather – Dark brown\n- BDTI-090\n Beech – Charcoal grey\n Leather – Dark brown\nLegless chair with 1 right armrest\nW56×D58×H51×SH12×AH30\nLegless chair with 1 left armrest\nW56×D58×H51×SH12×AH30\n- BDTI-091\n Beech – Snow white\n Leather – Dark brown\n- BDTI-093\n Beech – Snow white\n Leather – Dark brown\n- BDTI-092\n Beech – Charcoal grey\n Leather – Dark brown\n- BDTI-094\n Beech – Charcoal grey\n Leather – Dark brown\n86\n87\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.46.png","Liku Japanese chair  |  Legless chair  |  W60×D58×H51×SH12×AH30  |  Beech – Charcoal grey,  Leather – Dark brown  |  BDTI-090\nLiku Japanese chair  |  W56×D58×H51×SH12×AH30  |  Beech – Charcoal grey,  Leather – Dark brown  |  BDTI-094\n88\n89\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.47.png","90\n91\n91\n90\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.48.png","Stoneware sculpture\nStoneware sculpture was created using the techniques of \nIwami-yaki pottery from the Iwami region of Shimane Prefec-\nture. Iwami region is renowned for the production of durable \npottery. The local clay used for the pottery is resistant to mois-\nture and salt, making it suitable for tiles, water jars, and pickle \njars. In its heyday, the area was bustling with more than a \nhundred pottery producers. However, with the spread of \nchemically manufactured and metal products, demand for \nIwami tiles and pottery has decreased, and now there are only \na few kilns that maintain the traditional methods.\nThe potteries are produced by artisans who handcraft every \nstep of the process, from making the clay to moulding and \nfiring. The experienced potter can make large items such as \njars and water jars, and those largest in size can be over two \nmeters high and one meter in diameter.\nUsing Shinozukuri, a unique pottery technique of Iwami-yaki \nfamous for the scale of products, a clay stretched into a string \nrope is piled up in circles, and is formed by artisan using their \nwhole body while rotating the potter’s wheel. It requires great \nstrength and skill to swiftly shape the clay without hesitation.\nEach Stoneware sculpture gives a different expression and \nhas a unique character and presence that of pottery. The \ntransparent glaze, which shows the colour of the original clay, \nreveals the simplicity and texture of the material and blends \nsilently into versatile spaces. The clay is semi-porcelain, which \nhas both the characteristics of porcelain and ceramic. It is \nhard and moisture-proof, suitable for outdoor use such as in \ngardens and terraces.\nStoneware sculpture utilizes pottery techniques while Bronze \ncasting sculpture incorporates casting techniques, and they \nshare the same form. Together they express the uniqueness of \nproducts born from different materials with traditional Japa-\nnese manufacturing techniques.\nStoneware sculpture  |  Stool  |  φ36×H42  |  Ceramic – Green  |  BDTI-601\n92\n93\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.49.png","Stool\nφ36×H42\n- BDTI-601\n Ceramic\n95\n94\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.50.png","Bronze casting sculpture\nThe beginning of the casting technique in Takaoka, Toyama \nPrefecture, dates back to approximately 400 years ago. It \nstarted with the production of agricultural tools such as hoes \nand sickles. It later came to be used to make Buddhist statues \nand fittings. Thus, the casting technique is still used to make \nart objects and monuments today.\nBronze casting sculpture is a product that uses Japanese \ncasting techniques, which is unprecedented in the furniture \nworld. The product fully utilizes the workability which is \ncharacteristic of casting. Bronze has higher specific gravity \ncompared to light metals such as aluminum, which makes it \nheavier even in small size. By casting bronze without gloss \nand fully expressing the heaviness of the material, Time & \nStyle realized the strength, sharpness, and delicacy to coexist \nin the sculpture.\nThe bronze is melted at 1,200 to 1,300 degrees Celsius and \npoured into a mould made of sand for natural cooling. When \nthe temperature drops and the bronze hardens, the sand \nmould is broken with a hammer, and the cast metal is taken \nout to be carefully polished. This entire process is done by \nhand, just like that of a sculpture.\nThe bronze oxidizes, darkens, and is verdigrised, changing its \nexpression with time. The product reflects the sensibility of \nfinding beauty and value in the ephemeral nature of decay and \ntransition. Not only does it function as a side table or stool, \nbut it also has an independent presence as an object.\n96\n97\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.51.png","Stool\nφ36×H42\n- BDTI-701\n Bronze\nBronze casting sculpture  |  Stool  |  φ36×H42  |  Bronze – Satin finish  |  BDTI-701\n98\n99\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.52.png","Oke\nRichly endowed with a humid environment, the Yoshino \nforests of Nara Prefecture are home to Yoshino cedars with \nstraight, dense grains. Traditionally used as building materials \nfor castles and temples, Yoshino cedar has been a part of \npeople’s lives for hundreds of years. \nOke (bucket) and taru (barrel), ranging from small ones to \ndraw and hold water to larger ones to brew sake and soy \nsauce, have been deeply rooted in the Japanese culture until \ntoday. The oke buckets are made by a craftsperson who makes \nthe materials and an okeyuishi who uses the materials to make \nthe buckets and barrels. After the characteristic of wood is \ncarefully identified and hand shaved to maximize its beauty, \nthe wood panels are handed over to the next process done by \nokeyuishi, who then assembles them together to make the \nside panels, then builds them up, wraps a taga (hoop) around \nto tighten them. Inserting the bottom panel tightens the taga \nand completes the process. Its sensibly designed structure \nallows the tool to be repaired and used for a long time. \nWhereas furniture is generally made of hard, durable hard-\nwoods such as oak, Time & Style transformed Japanese cedar, \na softwood found throughout Japan, into Oke, a modern \neveryday product, using traditional Japanese techniques. \nWhile the product adopts traditional techniques, its unique \nconstruction, with the lid covered at the top and bottom with \nclasps, is a characteristic different from traditional ones, and \nrequires a very high degree of precision and skilled wood \nplaning techniques. The panels are precisely hand-assembled \nby craftspeople with no gaps between them.\n100\n101\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.53.png","Stool\nφ41×H43\n- BDTT-772\n Cedar – Natural white\nStool\nφ38×H50\n- BDTT-771\n Cedar – Natural white\nStool\nφ45×H37\n- BDTT-773\n Cedar – Natural white\nStool\nφ60×H35\n- BDTT-774\n Cedar – Natural white\n102\n103\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.54.png","Oke  |  Stool  |  φ38×H50  |  Cedar – Natural white  |  BDTT-771\nOke  |  Stool  |  φ45×H37  |  Cedar – Natural white  |  BDTT-773\n104\n105\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.55.png","106\n107\n107\n106\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.56.png","Branch of the maple\nIn designing a supplemental product to an interior, like a \nhanger, the natural appearance in a space is as important as \nits functionality. To ensure that each product is used for a long \ntime, the design emphasizes its original beauty of each mate-\nrial, without over-decorating. \nBranch of the maple hanger is made of carefully cut out solid \nmaple wood. The smooth texture of the maple and the tanned \nleather strap will give an additional charm as it ages. Its \nlightweight nature ensures a high level of storability, as it can \nbe easily folded and propped against a wall when not in use, \nand taken out only when in use, while its portability makes it \nversatile enough to be easily carried to the bathroom, bed-\nroom, living room, entryway, and other locations. The frame is \nrounded at the ends, including the leg tips, for a soft and \ncomfortable touch against the skin.\n108\n109\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.57.png","Coat hanger\nW70×D47×H155\n- BDTH-001\n Maple – Snow white\n Tanned leather\n- BDTH-002\n Maple – Charcoal grey\n Tanned leather\nTowel hanger\nW70×D39×H80\n- BDTH-003\n Maple – Snow white\n Tanned leather\n- BDTH-004\n Maple – Charcoal grey\n Tanned leather\n110\n111\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.58.png","Branch of the maple  |  Towel hanger  |  W70×D39×H80  |  Maple – Snow white,  Tanned leather  |  BDTH-003\nBranch of the maple  |  Coat hanger  |  W70×D47×H155  |  Maple – Charcoal grey,  Tanned leather  |  BDTH-002\n112\n113\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.59.png","Shoji\nIn traditional Japanese wooden houses from medieval to \nmodern times, spaces were created with mobile partitions, \nshoji or fusuma screens, situated between pillars. Byobu \n(folding screen) is also a daily tool used to separate a single \ninterior space according to the lifestyle or purpose, and over \ntime, it has developed as decorative elements in a large \ninterior space, with beautiful natural landscapes and scenes \nfrom Japanese stories painted on its surface, many of which \nhave become masterpieces of Japanese art.\nShoji is assembled into a fine lattice using Akita cedar with \nstraight grain and finished without painting to bring out the \noriginal texture and aroma of cedar. It is covered with Fukui \nPrefecture’s Echizen washi paper, one of Japan’s top three \ntraditional papers, on one side. With a history of about 1,500 \nyears, Echizen washi is a durable paper generally used in large \nsheets that can be applied seamlessly to large fittings such as \nfusuma (sliding doors) and byobu (folding screens). The three \npanels are joined together by paper hinges glued with washi \npaper. Using a traditional Japanese process, these partitions \nare made solely from Akita cedar and Echizen washi paper, \nwithout any metal fixings. \nThe height of the partition is 135 centimeters, slightly lower \nthan typical ones, just high enough to hide one’s eyes when \nseated on a chair. The soft light filtering through the washi \npaper creates a rich depth to the space, despite its modest \nsize. Available with Japanese paper or only with a frame made \nof Akita cedar, the elegant tension of Shoji’s latticework \ncreates a rhythm in the space.\n114\n115\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.60.png","Partition\n – washi paper on one side\nW235×D2.5×H135\n- BDTP-001\n Cedar\n Japanese paper\nPartition\n – lattice frame\nW235×D2.5×H135\n- BDTP-002\n Cedar\n Japanese paper (only hinges)\n117\n116\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.61.png","Shoji  |  Partition – washi paper on one side  |  W235×D2.5×H135  |  Cedar,  Japanese paper  |  BDTP-001\nShoji  |  Partition – lattice frame  |  W235×D2.5×H135  |  Cedar,  Japanese paper  |  BDTP-002\n118\n119\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.62.png","Sunset\nDesigned by Danish designer Børge Mogensen in 1959, Span-\nish Chair is one of the masterpieces created with a solid wood \nframe and thick tanned leather. It was named so for it was \nmodeled after the chairs that use a single leather piece com-\nmon among the Spanish aristocrats. Just like Hans J. Wegner \npaved a path for the modern chair design by modeling the \nChina Chair and the Wishbone Chair after Ming Dynasty chairs, \nchair-makers have always taken inspiration from the classics. \nPassing on this legacy, Time & Style decided to take \nMogensen’s Spanish Chair as a motif to create a new chair \ndesign that occurs naturally to the Japanese mind. The chair is \ncomposed simply of two materials: a wooden frame and thick \ntanned leather. The oak frame is processed at a chair factory \nin Hiroshima Prefecture, and the thick tanned leather pro-\nduced in Himeji, Hyogo Prefecture, is cut and sewn in Toyooka, \nHyogo Prefecture. By taking advantage of the characteristics \nof local industries in Japan and combining the materials \ntailored in each region, we designed a new chair made possi-\nble only in Japan.\nThe wide arms, which appear flat at first glance, have a slight \nbulge to give them a gentle touch. The seat comprises two \nlayers of thick leather sewn together to form a single surface. \nFrom cutting the leather to sewing, the whole process is done \nat a bag factory in Toyooka that manufactures flight cases for \npilots. The bag manufacturing industry originated from willow \nbasketry that emerged about 1,200 years ago. It is now a \nsignificant industry in the region, with more than 300 bag-re-\nlated companies operating side by side. The seat, which uses \na single piece of leather from the backrest to the seating \nsurface, has been repeatedly modified to find a balance \nbetween the aesthetics and comfortable seating experience. \nTime & Style aimed to create a chair with an effortless air of \nelegance that can be cherished for a long time.\n120\n121\n121\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.63.png","Armchair\nW85×D75×H78×SH41×AH58\n- BDTI-506\n Oak – Snow white\n Tanned leather – Dark brown\n- BDTI-508\n Oak – Charcoal grey\n Tanned leather – Dark brown\n122\n123\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.64.png","Sunset  |  Armchair  |  W85×D75×H78×SH41×AH58  |  Oak – Charcoal grey,  Tanned leather – Dark brown  |  BDTI-508\n124\n125\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.65.png","126\n127\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.66.png","Philosophers lounge\nPhilosophers lounge is a lounge chair with a solid wood frame \nshaped to elliptical cylinder, wide arms and cushions. Com-\npared to a one-seat sofa, it can be easily moved because of its \nlightness in weight. Time & Style aimed to create the comfort \nof the seat for relaxation and using long hours.\nThe arms are wide and have a slight hump in the hand resting \narea, and the sharp outline leads smoothly to the leg frame, \nwhere all the parts intersect seamlessly. The frame composi-\ntion created by the intersection of the back column and the \nseat frame, and the contact point between the rear legs and \nthe crosspierce that supports it, shows structural beauty. The \nelliptical cylinder shape of the wooden frame gives the overall \nappearance of softness and a sense of dignified tension.\nThe cushions attached to the delicately carved wooden frame \nare made of urethane that firmly supports the body, and \nfeather bags wrap around the cushions to ensure a moderate \nloose feeling and seating comfort. The gusseted cushions \ncreate a classical impression and give the entire chair an \nelegant look. The flat louvers that support the cushions are \ncarefully chamfered one by one for a high-quality finish. The \nlouver also has the role of ensuring breathability and wrap-\nping the belt attached to the cushion to fix it.\nThe personal comfort of the lounge chair offers a richer time \nin a variety of ways in the living room.\n128\n129\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.67.png","Highback armchair\nW83×D91×H106×SH43×AH59\nLowback armchair\nW83×D86×H82×SH43×AH59\n- BDTI-113\n Beech – Snow white\n- BDTI-111\n Beech – Snow white\n- BDTI-114\n Beech – Charcoal grey\n- BDTI-112\n Beech – Charcoal grey\n130\n131\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.68.png","Philosophers lounge  |  Lowback armchair  |  W83×D86×H82×SH43×AH59  |  Beech – Snow white  |  BDTI-111\nPhilosophers lounge  |  Highback armchair  |  W83×D91×H106×SH43×AH59  |  Beech – Charcoal grey  |  BDTI-114\n132\n133\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.69.png","134\n135\n135\n134\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.70.png","Temple\nJapan has more than 70,000 Buddhist temples. Buddhism \noriginated in India and blossomed in China and Korea before \nmaking its way to Japan 1,500 years ago. Japan sent many \nenvoys to China to learn its culture and philosophies, who \nlater returned to the country and propagated Chinese architec-\nture, art, crafts, and other technologies. Much of the Buddhist \narchitecture built during the era remains admired even to this \nday. Of particular importance are an array of temples and halls \nof the Mitokusan Sanbutsuji Temple complex in the Touhaku \nDistrict in Shimane Prefecture, built from 706 to 849 AD. At the \ndeepest recesses of the temple grounds lies Nageiredo Hall, \nclinging to a sheer cliff, which is built using kakezukuri, a \nconstruction method that forms a latticed frame by combining \npillars and beams for the platform of the building. One can \nimagine how dangerous and difficult it must have been to \nbuild in such an inaccessible place. Two other temples on the \nsite, Jizodo and Monjudo, have pillars supporting their main \nbuildings. These vertical supports are connected by horizontal \ntie beams with mortice and tenon joints, which give them a \nstructural aesthetic. Inspired by these temples of Mt. Mitoku \nbuilt among the beautiful natural surroundings and sheer \ncliffs, Time & Style crafted this collection of six different-\nly-sized low tables.\nThe basic structure of the low tables alludes to classical \nJapanese wooden architecture, with its four long, thin legs \nsupporting a tabletop. After careful investigation, the width of \nthe legs and tie beams is decided to 27 millimeters. The legs \nare jointed with horizontal tie beams by adopting the mortise \nand tenon joinery technique to echo the temple framework. \nHand finishing is crucial to make the joints fit precisely and \nachieve durability. This form of assembly is many times more \ntime-consuming than the dowel assembly process widely \nused in most everyday furniture. The edge of the tabletop has \na slightly rounded raised edge reminiscent of a lily pad, \nformed by carving away the solid piece of wood and giving \nthe tables a unique look. The tabletops come in a variety of \nsizes, from large to small. The heights are also varied, allow-\ning the tabletops to be layered on top of each other. Various \ninterior landscapes can be created by arranging the tables. \nTime & Style believe that incorporating the architectural \nfeatures of classical Buddhist temples into these low tables \nlends them an exquisite structural beauty.\n136\n137\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.71.png","Rectangular low table\nW180×D90×H30\nRectangular low table\nW150×D75×H36\nRectangular low table\nW120×D60×H42\nSquare low table\nW60×D60×H42\nSquare low table\nW60×D60×H60\nSquare low table\nW100×D100×H36\n- BDTT-901\n Oak – Snow white\n- BDTT-902\n Oak – Charcoal grey\n- BDTT-903\n Oak – Snow white\n- BDTT-904\n Oak – Charcoal grey\n- BDTT-905\n Oak – Snow white\n- BDTT-906\n Oak – Charcoal grey\n- BDTT-907\n Oak – Snow white\n- BDTT-908\n Oak – Charcoal grey\n- BDTT-909\n Oak – Snow white\n- BDTT-910\n Oak – Charcoal grey\n- BDTT-911\n Oak – Snow white\n- BDTT-912\n Oak – Charcoal grey\n138\n139\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.72.png","Temple  |  Square low table  |  W60×D60×H60  |  Oak – Charcoal grey  |  BDTT-904\nTemple  |  Rectangular low table  |  W180×D90×H30  |  Oak – Charcoal grey  |  BDTT-912\n140\n141\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.73.png","142\n143\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.74.png","Imperial family\nThe Japanese Imperial family has been continuing for 126 \ngenerations, spanning over 2,700 years. The imperial line is \nsaid to be unbroken from Emperor Jimmu in the mythical age, \nto the present-day monarch. It could be stated that the \nEmperor of Japan represents both the history of the country \nand the origin of its people, and that the unbroken 2,700 years \nroyalty is the context in which much of modern Japanese \nculture and craftsmanship exists.\nAs each table differs in size and height, the placement of a \nseries of round tables creates beautiful, orderly connections in \nan otherwise disorderly space. The different heights allow the \ntables to overlap when placed in a group, with each table \nbecoming part of a greater flow much like generations of \nEmperors comprises a much larger lineage. Whilst each piece \ncan be used on its own as a side table or coffee table, it can \nalso create a diverse range of configurations when it is used \ntogether. All parts of the tables are made of solid wood. It is \nimportant to minimize the potential expansion and contraction \nof the timber due to temperature and humidity changes. The \nedge of the tabletop is sharpened to form a fine, tableware-like \nrim and to help contain spills while resembling a sacred lotus \nleaf.\n144\n145\n145\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.75.png","Round low table\nφ60×H36\nRound low table\nφ60×H60\nRound low table\nφ110×H30\nRound low table\nφ45×H60\nRound low table\nφ90×H36\nRound low table\nφ45×H42\nRound low table\nφ75×H42\n- BDTT-401\n Oak – Snow white\n- BDTT-402\n Oak – Charcoal grey\n- BDTT-403\n Oak – Snow white\n- BDTT-404\n Oak – Charcoal grey\n- BDTT-405\n Oak – Snow white\n- BDTT-406\n Oak – Charcoal grey\n- BDTT-407\n Oak – Snow white\n- BDTT-408\n Oak – Charcoal grey\n- BDTT-409\n Oak – Snow white\n- BDTT-410\n Oak – Charcoal grey\n- BDTT-411\n Oak – Snow white\n- BDTT-412\n Oak – Charcoal grey\n- BDTT-413\n Oak – Snow white\n- BDTT-414\n Oak – Charcoal grey\n146\n147\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.76.png","Imperial family  |  Round low table  |  φ45×H60  |  Oak – Charcoal grey  |  BDTT-404\nImperial family  |  Round low table  |  φ90×H36  |  Oak – Charcoal grey  |  BDTT-412\n148\n149\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.77.png","Moon\nPerhaps the most widely used piece of furniture in modern \nJapanese households is the zataku, a traditional low table. It \nhas been an indispensable part of Japanese culture, where \none would sit directly on a tatami floor to use it. Many zataku \ndesigns came to Japan from Ming Dynasty China, in which \nfurniture for displaying bonsai and flower arrangements also \noriginated. Bonsai itself also has its roots in China, whilst a \nuniquely Japanese bonsai culture subsequently took shape \nhere. Many aspects of Chinese culture made their way to \nJapan to be evolved into new forms that we would call our \nown.\nJapanese-style houses have a large room with tatami flooring \ncalled a zashiki for entertaining guests, and a zataku would \nusually be placed in the center of this room. There typically is \nalso a small, raised space known as the tokonoma, which did \nnot serve any practical purpose but to display a beautiful \nflower arrangement or perhaps a hanging scroll for guests to \nadmire. It has been a unique element of traditional Japanese \narchitecture that showcases the host’s taste and embodies a \nmessage to the guest, whilst following the traditions of cher-\nishing the season. The choice of scroll, flowers, or bonsai \nprovided a window on the host’s character and sensitivity. \nToday, most of the zataku have given way to Western dining \ntables and chairs, and the role of the zashiki has shifted \ntowards living rooms with sofas. Some Japanese homes still \nhave one traditional tatami room, often solely for entertaining \nguests.\nMoon is a low table where one can find within its modern \npresence the gentle appearance and feel of wood. The soft yet \nmodern look is suitable even as a zataku in a traditional house.\n150\n151\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.78.png","Square low table\nW160×D160×H35\nSquare low table\nW130×D130×H35\nSquare low table\nW110×D110×H35\n- BDTT-201\n Oak – Snow white\n- BDTT-202\n Oak – Charcoal grey\n- BDTT-203\n Oak – Snow white\n- BDTT-204\n Oak – Charcoal grey\n- BDTT-205\n Oak – Snow white\n- BDTT-206\n Oak – Charcoal grey\nRound low table\nφ160×H35\nRound low table\nφ120×H35\n- BDTT-207\n Oak – Snow white\n- BDTT-208\n Oak – Charcoal grey\n- BDTT-209\n Oak – Snow white\n- BDTT-210\n Oak – Charcoal grey\n152\n153\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.79.png","Moon  |  Round low table  |  φ160×H35  |  Oak – Charcoal grey  |  BDTT-210\nMoon  |  Square low table  |  W160×D160×H35  |  Oak – Charcoal grey  |  BDTT-206\n154\n155\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.80.png","Visiting the Japanese Folk Crafts Museum in Tokyo, one can \nexplore the utensils and handicrafts that the Japanese have \nused since the old times. Inside, the traditional tools and \nhandicrafts beautifully displayed look particularly appealing in \nnatural light. The beauty found in the lacquerware placed in \nshadow and light, or the impermanence of nature, might be \nwhat the Japanese people have cultivated through genera-\ntions.\nSilent cabinet was created to express the sensuous Japanese \nbeauty as a modern design free from tradition. Many modern \ncabinets have LED lighting illuminating the interior brightly yet \nartificially. However, on the other hand, showcases without \nlightings is too dark on the lowered shelves and objects \nbecome less beautiful. As a solution, the Silent cabinet is \ndesigned with five sides made of glass, to let in light naturally \nand illuminate the goods inside evenly. Sliding doors resem-\nbling fusuma and shoji sliding partitions in Japanese houses \nare installed for the 140 centimeters wide and 220 centimeters \nwide variations. As sliding doors stay on the rails inside the \ncabinet, it saves space regardless of the largeness of the \ndoors.\nFor one side of the cabinet, lattice doors can also be selected. \nThe lattice door references the traditional Japanese designs, \nwith a pattern made from thin and delicate wood pieces. The \nsix millimeter width of the pieces and the spacing between are \ndesigned to find a balance that harmonizes with the Japanese \ntranquility and modern taste. The presence of the material can \nbe perceived on both the front and back of the cabinet.\nSilent cabinet\n156\n157\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.81.png","Cabinet\nW80×D48×H170\n- BDTC-001\n Oak – Snow white\n Glass – Grey\n- BDTC-001CL\n Oak – Snow white\n Glass – Clear\n- BDTC-002\n Oak – Charcoal grey\n Glass – Grey\nCabinet\nW220×D48×H120\n- BDTC-005\n Oak – Snow white\n Glass – Grey\n- BDTC-005CL\n Oak – Snow white\n Glass – Clear\n- BDTC-006\n Oak – Charcoal grey\n Glass – Grey\nCabinet\nW140×D48×H170\n- BDTC-003\n Oak – Snow white\n Glass – Grey\n- BDTC-003CL\n Oak – Snow white\n Glass – Clear\n- BDTC-004\n Oak – Charcoal grey\n Glass – Grey\nCabinet with lattice door\nW140×D48×H170\n- BDTC-011\n Oak – Snow white\n Glass – Grey\n- BDTC-011CL\n Oak – Snow white\n Glass – Clear\n- BDTC-012\n Oak – Charcoal grey\n Glass – Grey\nCabinet with lattice door\nW220×D48×H120\n- BDTC-013\n Oak – Snow white\n Glass – Grey\n- BDTC-013CL\n Oak – Snow white\n Glass – Clear\n- BDTC-014\n Oak – Charcoal grey\n Glass – Grey\n158\n159\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.82.png","Silent cabinet  |  Cabinet  |  W220×D48×H120  |  Oak – Charcoal grey,  Glass – Grey  |  BDTC-006\n160\n161\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.83.png","Silent cabinet  |  Cabinet  |  W80×D48×H170  |  Oak – Charcoal grey,  Glass – Grey  |  BDTC-002\nSilent cabinet  |  Cabinet  |  W140×D48×H170  |  Oak – Charcoal grey,  Glass – Grey  |  BDTC-004\n162\n163\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.84.png","Silent cabinet  |  Cabinet with lattice door  |  W140×D48×H170  |  Oak – Charcoal grey,  Glass – Grey  |  BDTC-012\n164\n165\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.85.png","167\n166\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.86.png","Silent drawer\nSilent drawer series embodies Time & Style’s philosophy of \nharmonizing pieces with the interior roomscape. Furniture \nitems are made to be arranged alongside a variety of designs \nand styles, therefore should be able to transform to match the \nsensibilities of the inhabitants. Time & Style believes that \ncreating a sense of universality without any fancy decoration, \nand pursuing simplicity and function should be essential in \nfurniture making.\nSilent drawer is designed neutrally to adapt to diverse differ-\nent purposes such as storing clothes, tableware, household \narticles, or documents. Like our kitchen items, the cabinet \nadopts carved handles and sliding rails to shoulder the heavi-\nest of items. As cabinets store heavy items for a long time and \nare frequently opened and closed, functionality and durability \nare both required. Like Silent cabinet, the surface of the solid \nwood frame is gently contoured, softening the impression of \nthe overall structure. Here they have adapted the composition \nof traditional Japanese architecture into the scale of furniture. \nBy surrounding the drawer with a frame, Time & Style aims to \ndesign the storage of the cabinet like the living space inside a \nbuilding.\n168\n169\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.87.png","Cabinet\nW220×D48×H95\n- BDTC-103\n Oak – Snow white\n- BDTC-104\n Oak – Charcoal grey\nCabinet\nW160×D48×H95\n- BDTC-101\n Oak – Snow white\n- BDTC-102\n Oak – Charcoal grey\nCabinet\nW160×D48×H170\n- BDTC-105\n Oak – Snow white\n Glass – Grey\n- BDTC-105CL\n Oak – Snow white\n Glass – Clear\n- BDTC-106\n Oak – Charcoal grey\n Glass – Grey\nCabinet\nW220×D48×H170\n- BDTC-107\n Oak – Snow white\n Glass – Grey\n- BDTC-107CL\n Oak – Snow white\n Glass – Clear\n- BDTC-108\n Oak – Charcoal grey\n Glass – Grey\nSilent drawer  |  Cabinet  |  W220×D48×H170  |  Oak – Charcoal grey,  Glass – Grey  |  BDTC-108\n170\n171\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.88.png","Silent wardrobe\nWhen opening your front door and inviting friends in, their \ncoats will be hung on hangers and placed in Silent wardrobe. \nThe door quietly closes. His brown coat and her yellow coat \nwill leave only a deep grey silhouette. Made with this image in \nmind, this wardrobe cabinet was designed. \nThe oak frame is gently contoured, and light grey smoke glass \nis used for all glazing. The sliding doors have a classic and \nsimple structure that has been used extensively in traditional \nJapanese homes, such as fusuma and shoji to divide rooms. \nTwo grooves are carved on the top and bottom of the frame to \ncarry the doors snugly. By utilising typical Japanese classic \nsliding doors in their modern wardrobes and cabinets, Time & \nStyle proposes the space efficiency of sliding doors together \nwith a contemporary feel. The drawers below have been \ndesigned to store keys, bags and other small objects. As for \nhanging coats when there are visitors, the one-door type that \nis of a smaller size might be better for compact spaces like \nentrances. It is a cabinet that they would like customers to \ninvolve in their daily lives. The wardrobe can be used in \nvarious situations to store any kind of clothes with a quiet \npresence. \nSilent wardrobe  |  Cabinet  |  W65×D65×H190  |  Oak – Charcoal grey,  Glass – Grey  |  BDTC-204\n172\n173\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.89.png","Cabinet\nW65×D65×H190\n- BDTC-203\n Oak – Snow white\n Glass – Grey\n- BDTC-203CL\n Oak – Snow white\n Glass – Clear\n- BDTC-204\n Oak – Charcoal grey\n Glass – Grey\nCabinet\nW120×D65×H190\n- BDTC-201\n Oak – Snow white\n Glass – Grey\n- BDTC-201CL\n Oak – Snow white\n Glass – Clear\n- BDTC-202\n Oak – Charcoal grey\n Glass – Grey\n174\n175\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.90.png","Vertical layer\nThe regular sequence of pillars, beams and other structural \nelements in buildings often exudes a sense of grace and \npower. In what we find beautiful, we can find a certain order in \nthe assemblage of forms and colours. Such is called the \n‘elements of compositional beauty’ which include symmetry, \nrepetition, rhythm, balance, and proportion. Based on these \nelements, the Vertical layer cabinet is carefully constructed by \ncombining vertical and horizontal panels.\nTime & Style determined the shelf dimensions using shak-\nkan-ho, an ancient Japanese measuring system based on \nbody measurement. Every culture has its own standards for \nlength and weight that suit their body shapes and lifestyles, \noriginating in the long history. In Japan, the shakkan-ho \nsystem has been handed down for centuries but has been \nreplaced by the metric system for most things. However, \ncuriously, the shakkan-ho system is still widely used in Japan \nfor units related to architecture and a few other aspects of \ndaily life, including the ‘sun’ and ‘shaku’ units for length, and \nthe ‘tsubo’ and ‘chou’ units for area. In the structure based on \nthese ancient ideas, this cabinet has subtle appearances of the \nJapanese consciousness and emotion.\nThe open shelf undergoes a different production process than \nordinary furniture making, requiring the components to be \npainted before assembly. Assembling the finished parts \nrequires precise work and a deft sense of speed. The vertical \nand horizontal panels are processed to be as thin as possible \nto give a delicate impression, while the unique assembly \ntechnique ensures the strength of the shelf. \nInspired by a graceful high-rise building, Vertical layer quite \nliterally emphasizes its vertical panels by setting back the \nhorizontal shelf boards. When the books are placed, this open \ncabinet with an elusive presence disappears and reappears \ndepending on the viewing angle.\n176\n177\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.91.png","Vertical layer  |  Open cabinet  |  W103×D45×H181  |  Oak – Charcoal grey  |  BDTC-404\nOpen cabinet\nW144×D45×H181\nOpen cabinet\nW103×D45×H181\n- BDTC-401\n Oak – Snow white\n- BDTC-403\n Oak – Snow white\n- BDTC-402\n Oak – Charcoal grey\n- BDTC-404\n Oak – Charcoal grey\n178\n179\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.92.png","Vertical layer  |  Open cabinet  |  W144×D45×H181  |  Oak – Snow white  |  BDTC-401\n180\n181\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.93.png","Komorebi\nJapan is known for its humidity and rain, and the roofs are \ngenerally extended to create deep eaves to protect buildings \nfrom the severe winds and rains. Wooden shrines and temples, \nwhich were built using techniques imported from the Asian \nContinent, have roofs with even longer eaves than the original, \nas they adapted to the harsher climate in Japan. Such compo-\nnents have become the characteristics of Japanese architec-\nture.\nUntil recently, Japanese homes had a garden no matter how \nsmall the home or plot was. Trees were planted, large and \nsmall rocks were arranged, and ponds were placed for koi carp \nto swim. They were not solely to provide scenery. In fact, \nJapanese people preferred to avoid inviting direct sunlight \ninto the room. Homes were built to draw in indirect light \nreflected off of the garden. Inside the home, shoji screens, \nsliding partitions made of thin Japanese paper pasted onto \ndelicate latticed wooden frames, were commonly used to \ndivide rooms. When the weather is mild, only one layer of \nshoji was needed to separate the interior space from the \nexterior. Sunlight reflected off of the garden is filtered through \nthe paper screens, and gently diffused light is drawn in, whilst \nsunlight passing through the trees in the garden flickers as it \nshines on the shoji, creating a dream-like scene inside the \nroom. Shoji’s wooden framework is made using coniferous \ntrees with delicate grain such as cedar and cypress. Various \ntypes of design were made across the era, ranging from those \nwith decorative wooden latticework to plain designs. They can \nbe found in historical buildings as well as residential homes all \nover Japan.\nKomorebi was created imagining the tranquil image of sun-\nlight filtering through the washi paper and playfully bringing \nlight and shadows inside the room. The lattice of this shelf, \nreminiscent of a traditional shoji screen, brings the Japanese \nbeauty of simplicity into your space.\n182\n183\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.94.png","Komorebi  |  Open cabinet  |  W97×D42×H182  |  Oak – Charcoal grey  |  BDTC-304\nOpen cabinet\nW60×D42×H182\n- BDTC-301\n Oak – Snow white\n- BDTC-302\n Oak – Charcoal grey\nOpen cabinet\nW97×D42×H182\n- BDTC-303\n Oak – Snow white\n- BDTC-304\n Oak – Charcoal grey\nOpen cabinet\nW134×D42×H182\n- BDTC-305\n Oak – Snow white\n- BDTC-306\n Oak – Charcoal grey\n184\n185\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.95.png","Komorebi  |  Open cabinet  |  W134×D42×H182  |  Oak – Charcoal grey  |  BDTC-306\nKomorebi  |  Open cabinet  |  W60×D42×H182  |  Oak – Charcoal grey  |  BDTC-302\n186\n187\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.96.png","189\n188\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.97.png","Finishes\nBeech\nSnow white\nBeech\nCharcoal grey\nMaple\nSnow white\nOak\nSnow white\nMaple\nCharcoal grey\nOak\nCharcoal grey\nFabric\nGrey\nCeramic\nGreen\nLeather\nDark brown\nCedar\nBronze\nSatin finish\nBronze\nBlack stain\nTanned leather\nDark brown\nJapanese paper\nMarble\nWhite carrara\nMarble\nRosso lepanto\nMarble\nGrey stone\nMarble\nVerde alpi\nMarble\nEmperador\nMarble\nGrey carnico\nMarble\nCalacatta oro\nMarble\nValentine grey\n190\n191\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.98.png","Distributor\nWorldwide (Japan not included)\nDe Padova Srl\nVia Santa Cecilia, 7\n20122 Milan, Italy\nTel +39 02 27 43 971\ninfo@depadova.it\nwww.depadova.com\nExclusive Japan \nTime & Style\nPrestige Japan Inc.\n5610 Bldg. 2F, 5-6-10 Minamiaoyama\nMinato-ku, Tokyo 107-0062 Japan\nTel +81 3 5464 3208\ninfo@timeandstyle.com\nwww.timeandstyle.com\nAll rights reserved. No part of this catalogue \nmay be reproduced or transmitted in any \nform or by any means, electronic or mechanical, \nincluding printing, photocopying, recording, \nor any information storage and retrieval \nsystem without prior permission in writing \nfrom Time & Style ēdition, excepting reproduction \nintended to support the sale of Time & Style ēdition \nproducts privately. \nThis catalogue is available free of charge \nsubject to the condition that it shall not, \nby way of trade or otherwise, be sold \nor hired out totally or partly. \nArt direction\nTime & Style\nPhotography\nShinji Hosono\nMasatoshi Mori\nPrinted in Japan\nwww.timeandstyleedition.com\n",98,{"image":406,"text":15,"number":407},"\u002Fmedia\u002Fimages\u002Fde\u002F19eb655ce1ed1bc476556b6e33272d-28fe36dcc7.99.png",99,[],0,false,true,{"success":411,"data":413,"meta":628,"count":629,"next":630,"previous":631,"results":663,"brand_chips":724},[414,427,439,452,462,475,487,497,507,516,526,538,548,558,567,577,590,599,609,619],{"id":415,"title":416,"slug":417,"image":418,"source":419,"brand_name":420,"brand":421,"brand_slug":422,"file_size":423,"pages":424,"pages_count":425,"matched_pages":426,"match_count":409,"two_pages":410,"show_text":411},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 MB",[],100,[],{"id":428,"title":429,"slug":430,"image":431,"source":432,"brand_name":433,"brand":434,"brand_slug":435,"file_size":436,"pages":437,"pages_count":200,"matched_pages":438,"match_count":409,"two_pages":410,"show_text":411},26598,"Second Life Contract 2026","slide-second-life-contract-2026","\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.1.png","\u002Fprivate\u002Ffiles\u002F60\u002F2ed17461507e1c6defb90fc3af7f6b-296dd67b81.pdf","Slide",401,"slide","8.0 MB",[],[],{"id":440,"title":441,"slug":442,"image":443,"source":444,"brand_name":445,"brand":446,"brand_slug":447,"file_size":448,"pages":449,"pages_count":450,"matched_pages":451,"match_count":409,"two_pages":410,"show_text":411},26597,"General 2025","edition-bougainville-general-2025","\u002Fmedia\u002Fimages\u002F20\u002F9482f96b2ff16c3751dc0bf38106ee-296be38596.1.png","\u002Fprivate\u002Ffiles\u002Fc0\u002Fa8bc3710f63d3f9c918648acc349bf-296be38521.pdf","Edition Bougainville",2197,"edition-bougainville","1337.1 MB",[],326,[],{"id":453,"title":454,"slug":455,"image":456,"source":457,"brand_name":445,"brand":446,"brand_slug":447,"file_size":458,"pages":459,"pages_count":460,"matched_pages":461,"match_count":409,"two_pages":410,"show_text":411},26596,"General new 2026","edition-bougainville-general-new-2026","\u002Fmedia\u002Fimages\u002F70\u002Fd61873e1175db61f2e03ca6c34fbef-296be3853e.1.png","\u002Fprivate\u002Ffiles\u002Fe3\u002F31e29b6f8f4e9d6bf34b5e02b7af8b-296be38521.pdf","14.6 MB",[],109,[],{"id":463,"title":464,"slug":465,"image":466,"source":467,"brand_name":468,"brand":469,"brand_slug":470,"file_size":471,"pages":472,"pages_count":473,"matched_pages":474,"match_count":409,"two_pages":410,"show_text":411},26595,"Outdoor Decor 2026","ethimo-outdoor-decor-2026","\u002Fmedia\u002Fimages\u002F06\u002Fe01cc9faac107000b2d52f32269655-296bd1e75f.1.png","\u002Fprivate\u002Ffiles\u002F55\u002Fb1013d3410d0dab58c0b01c63c83d2-296bd1e759.pdf","Ethimo",1796,"ethimo","56.9 MB",[],324,[],{"id":476,"title":477,"slug":478,"image":479,"source":480,"brand_name":481,"brand":482,"brand_slug":483,"file_size":484,"pages":485,"pages_count":264,"matched_pages":486,"match_count":409,"two_pages":410,"show_text":411},26576,"Francesco Balzano 2026","giobagnara-francesco-balzano-2026","\u002Fmedia\u002Fimages\u002Fa3\u002F4b32a3ff2d18cecd6a14375150eeea-292d0fd09a.1.png","\u002Fprivate\u002Ffiles\u002F57\u002Fcfa9eaed024c0b9900e8fe56aad231-292d0f5b38.pdf","GioBagnara",2329,"giobagnara","40.4 MB",[],[],{"id":488,"title":489,"slug":490,"image":491,"source":492,"brand_name":481,"brand":482,"brand_slug":483,"file_size":493,"pages":494,"pages_count":495,"matched_pages":496,"match_count":409,"two_pages":410,"show_text":411},26577,"Rabitti1969 2026","giobagnara-rabitti1969-2026","\u002Fmedia\u002Fimages\u002Fc5\u002F704db07c2e74d60a1833dd93dc3967-292d146463.1.png","\u002Fprivate\u002Ffiles\u002Fcc\u002F74a628f430699a1576927d6a5c43f0-292d121a8c.pdf","106.6 MB",[],182,[],{"id":498,"title":499,"slug":500,"image":501,"source":502,"brand_name":481,"brand":482,"brand_slug":483,"file_size":503,"pages":504,"pages_count":505,"matched_pages":506,"match_count":409,"two_pages":410,"show_text":411},26578,"Stephane Parmentier 2026","giobagnara-stephane-parmentier-2026","\u002Fmedia\u002Fimages\u002Faa\u002F75a74fb0948097cf84e6c5693fc962-292d13ef2c.1.png","\u002Fprivate\u002Ffiles\u002Fb1\u002Fcc1cbee33e9c8c6513a907bd065ac5-292d121a97.pdf","191.0 MB",[],207,[],{"id":508,"title":509,"slug":510,"image":511,"source":512,"brand_name":481,"brand":482,"brand_slug":483,"file_size":513,"pages":514,"pages_count":184,"matched_pages":515,"match_count":409,"two_pages":410,"show_text":411},26579,"Kelly Wearstler 2026","giobagnara-kelly-wearstler-2026","\u002Fmedia\u002Fimages\u002F64\u002Fa1d46bc2d33136e7f1f59853d5b272-292d137a16.1.png","\u002Fprivate\u002Ffiles\u002F50\u002Ffbc23bd4891257c38e3a49f93fd0c6-292d121aaa.pdf","27.8 MB",[],[],{"id":517,"title":518,"slug":519,"image":520,"source":521,"brand_name":481,"brand":482,"brand_slug":483,"file_size":522,"pages":523,"pages_count":524,"matched_pages":525,"match_count":409,"two_pages":410,"show_text":411},26580,"Glenn Sestig 2026","giobagnara-glenn-sestig-2026","\u002Fmedia\u002Fimages\u002Fd3\u002F130de4d10ed29d4fd25cb84db70291-292d1304b6.1.png","\u002Fprivate\u002Ffiles\u002Fb9\u002Fc5c7c0b5ffb8e2ea735f61cd5fbdf6-292d121aae.pdf","91.8 MB",[],146,[],{"id":527,"title":528,"slug":529,"image":530,"source":531,"brand_name":532,"brand":533,"brand_slug":534,"file_size":535,"pages":536,"pages_count":80,"matched_pages":537,"match_count":409,"two_pages":410,"show_text":411},26581,"Inspiring Excellence 2025","roberto-giovannini-inspiring-excellence-2025","\u002Fmedia\u002Fimages\u002F71\u002F318a1f5e60ccc5acfdcc1ae5be5060-292d128f9c.1.png","\u002Fprivate\u002Ffiles\u002F87\u002F5e0b076f595f5160ca7a5f7458849b-292d121abb.pdf","Roberto Giovannini",1388,"roberto-giovannini","8.1 MB",[],[],{"id":539,"title":540,"slug":541,"image":542,"source":543,"brand_name":481,"brand":482,"brand_slug":483,"file_size":544,"pages":545,"pages_count":546,"matched_pages":547,"match_count":409,"two_pages":410,"show_text":411},26582,"Elie Saab 2026","giobagnara-elie-saab-2026","\u002Fmedia\u002Fimages\u002F6b\u002F81da6c9cdf7b4edff952a62ef7b9ca-292d16ae2e.1.png","\u002Fprivate\u002Ffiles\u002F79\u002Fcb5cd133e6f07379794938ed005de3-292d14d9af.pdf","58.4 MB",[],101,[],{"id":549,"title":550,"slug":551,"image":552,"source":553,"brand_name":481,"brand":482,"brand_slug":483,"file_size":554,"pages":555,"pages_count":556,"matched_pages":557,"match_count":409,"two_pages":410,"show_text":411},26583,"Pigment France 2026","giobagnara-pigment-france-2026","\u002Fmedia\u002Fimages\u002F00\u002F394bcaf5adfa23d7243aa512a0dd67-292d16393c.1.png","\u002Fprivate\u002Ffiles\u002Fc4\u002F485c540ca42207213690262e6468a2-292d14d9b5.pdf","127.5 MB",[],151,[],{"id":559,"title":560,"slug":561,"image":562,"source":563,"brand_name":481,"brand":482,"brand_slug":483,"file_size":564,"pages":565,"pages_count":505,"matched_pages":566,"match_count":409,"two_pages":410,"show_text":411},26584,"Rudi 2026","giobagnara-rudi-2026","\u002Fmedia\u002Fimages\u002F7e\u002F4dd524b56e79aeda431f14f4fe1069-292d15c3f9.1.png","\u002Fprivate\u002Ffiles\u002F14\u002Fc19ea3b6cbea78f50140a3e5f872d8-292d14d9c0.pdf","134.0 MB",[],[],{"id":568,"title":569,"slug":570,"image":571,"source":572,"brand_name":481,"brand":482,"brand_slug":483,"file_size":573,"pages":574,"pages_count":575,"matched_pages":576,"match_count":409,"two_pages":410,"show_text":411},26585,"Riviere 2026","giobagnara-riviere-2026","\u002Fmedia\u002Fimages\u002Fed\u002F017702644dc149d47ca54e182c820b-292d154e96.1.png","\u002Fprivate\u002Ffiles\u002F8c\u002F4afc407dc4db9e13219e5295f76976-292d14d9cb.pdf","127.3 MB",[],202,[],{"id":578,"title":579,"slug":580,"image":581,"source":582,"brand_name":583,"brand":584,"brand_slug":585,"file_size":586,"pages":587,"pages_count":588,"matched_pages":589,"match_count":409,"two_pages":410,"show_text":411},26586,"Outdoor 2026","atmosphera-outdoor-2026","\u002Fmedia\u002Fimages\u002Fd6\u002Fab855609f1a95186f6ccd83055cc20-292d18f82f.1.png","\u002Fprivate\u002Ffiles\u002F90\u002Fb7983122cc2d6cabbb384898663939-292d179899.pdf","Atmosphera",977,"atmosphera","39.2 MB",[],235,[],{"id":591,"title":592,"slug":593,"image":594,"source":595,"brand_name":481,"brand":482,"brand_slug":483,"file_size":596,"pages":597,"pages_count":244,"matched_pages":598,"match_count":409,"two_pages":410,"show_text":411},26587,"Giobagnara x PoltronaFrau 2026","giobagnara-x-poltronafrau-2026","\u002Fmedia\u002Fimages\u002Fd0\u002F6899938ad0400f5dbea066e0d861fc-292d1882ea.1.png","\u002Fprivate\u002Ffiles\u002F4c\u002Faac20af747b8da46542a7f50bb0c42-292d17989d.pdf","46.7 MB",[],[],{"id":600,"title":601,"slug":602,"image":603,"source":604,"brand_name":481,"brand":482,"brand_slug":483,"file_size":605,"pages":606,"pages_count":607,"matched_pages":608,"match_count":409,"two_pages":410,"show_text":411},26588,"Design Editions 2026","giobagnara-design-editions-2026","\u002Fmedia\u002Fimages\u002F94\u002F9e001b70b82b057a99547b62a5cd72-292d180db9.1.png","\u002Fprivate\u002Ffiles\u002F85\u002F8b7fba451e37f0288f2fd06246bf47-292d1798a2.pdf","331.6 MB",[],446,[],{"id":610,"title":611,"slug":612,"image":613,"source":614,"brand_name":481,"brand":482,"brand_slug":483,"file_size":615,"pages":616,"pages_count":617,"matched_pages":618,"match_count":409,"two_pages":410,"show_text":411},26589,"Encyclopedia 2026","giobagnara-encyclopedia-2026","\u002Fmedia\u002Fimages\u002Ff5\u002F8ff500491988ed2c8c49351db1fff5-292d1bb78a.1.png","\u002Fprivate\u002Ffiles\u002F6f\u002F7bb3601e56ae4fefdd94a2f11b57e2-292d1a57a1.pdf","358.6 MB",[],1981,[],{"id":620,"title":416,"slug":621,"image":622,"source":623,"brand_name":481,"brand":482,"brand_slug":483,"file_size":624,"pages":625,"pages_count":626,"matched_pages":627,"match_count":409,"two_pages":410,"show_text":411},26590,"giobagnara-news-2026","\u002Fmedia\u002Fimages\u002Fc9\u002F77e2d4731c2643875d7adc77b62a46-292d1b4203.1.png","\u002Fprivate\u002Ffiles\u002Fa6\u002F3fbc6e2e56d402392537b12f6edab9-292d1a57c5.pdf","85.8 MB",[],125,[],{"count":629,"next":630,"previous":631,"brand_chips":632},14117,"\u002Fapi\u002Fv1\u002Fcatalogs\u002F?page=2",null,[633,636,639,642,645,648,651,654,657,660],{"title":634,"slug":635,"count":380},"SICIS","sicis",{"title":637,"slug":638,"count":320},"La Fabbrica AVA","la-fabbrica-ava",{"title":640,"slug":641,"count":320},"Terratinta","terratinta",{"title":643,"slug":644,"count":320},"Magis","magis",{"title":646,"slug":647,"count":268},"True Design","true-design",{"title":649,"slug":650,"count":256},"Covet House","covet-house",{"title":652,"slug":653,"count":244},"Ares Line","ares-line",{"title":655,"slug":656,"count":244},"Poltrona Frau","poltrona-frau",{"title":658,"slug":659,"count":236},"Karpenter","karpenter",{"title":661,"slug":662,"count":236},"Visionnaire","visionnaire",[664,667,670,673,676,679,682,685,688,691,694,697,700,703,706,709,712,715,718,721],{"id":415,"title":416,"slug":417,"image":418,"source":419,"brand_name":420,"brand":421,"brand_slug":422,"file_size":423,"pages":665,"pages_count":425,"matched_pages":666,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":428,"title":429,"slug":430,"image":431,"source":432,"brand_name":433,"brand":434,"brand_slug":435,"file_size":436,"pages":668,"pages_count":200,"matched_pages":669,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":440,"title":441,"slug":442,"image":443,"source":444,"brand_name":445,"brand":446,"brand_slug":447,"file_size":448,"pages":671,"pages_count":450,"matched_pages":672,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":453,"title":454,"slug":455,"image":456,"source":457,"brand_name":445,"brand":446,"brand_slug":447,"file_size":458,"pages":674,"pages_count":460,"matched_pages":675,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":463,"title":464,"slug":465,"image":466,"source":467,"brand_name":468,"brand":469,"brand_slug":470,"file_size":471,"pages":677,"pages_count":473,"matched_pages":678,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":476,"title":477,"slug":478,"image":479,"source":480,"brand_name":481,"brand":482,"brand_slug":483,"file_size":484,"pages":680,"pages_count":264,"matched_pages":681,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":488,"title":489,"slug":490,"image":491,"source":492,"brand_name":481,"brand":482,"brand_slug":483,"file_size":493,"pages":683,"pages_count":495,"matched_pages":684,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":498,"title":499,"slug":500,"image":501,"source":502,"brand_name":481,"brand":482,"brand_slug":483,"file_size":503,"pages":686,"pages_count":505,"matched_pages":687,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":508,"title":509,"slug":510,"image":511,"source":512,"brand_name":481,"brand":482,"brand_slug":483,"file_size":513,"pages":689,"pages_count":184,"matched_pages":690,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":517,"title":518,"slug":519,"image":520,"source":521,"brand_name":481,"brand":482,"brand_slug":483,"file_size":522,"pages":692,"pages_count":524,"matched_pages":693,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":527,"title":528,"slug":529,"image":530,"source":531,"brand_name":532,"brand":533,"brand_slug":534,"file_size":535,"pages":695,"pages_count":80,"matched_pages":696,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":539,"title":540,"slug":541,"image":542,"source":543,"brand_name":481,"brand":482,"brand_slug":483,"file_size":544,"pages":698,"pages_count":546,"matched_pages":699,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":549,"title":550,"slug":551,"image":552,"source":553,"brand_name":481,"brand":482,"brand_slug":483,"file_size":554,"pages":701,"pages_count":556,"matched_pages":702,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":559,"title":560,"slug":561,"image":562,"source":563,"brand_name":481,"brand":482,"brand_slug":483,"file_size":564,"pages":704,"pages_count":505,"matched_pages":705,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":568,"title":569,"slug":570,"image":571,"source":572,"brand_name":481,"brand":482,"brand_slug":483,"file_size":573,"pages":707,"pages_count":575,"matched_pages":708,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":578,"title":579,"slug":580,"image":581,"source":582,"brand_name":583,"brand":584,"brand_slug":585,"file_size":586,"pages":710,"pages_count":588,"matched_pages":711,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":591,"title":592,"slug":593,"image":594,"source":595,"brand_name":481,"brand":482,"brand_slug":483,"file_size":596,"pages":713,"pages_count":244,"matched_pages":714,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":600,"title":601,"slug":602,"image":603,"source":604,"brand_name":481,"brand":482,"brand_slug":483,"file_size":605,"pages":716,"pages_count":607,"matched_pages":717,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":610,"title":611,"slug":612,"image":613,"source":614,"brand_name":481,"brand":482,"brand_slug":483,"file_size":615,"pages":719,"pages_count":617,"matched_pages":720,"match_count":409,"two_pages":410,"show_text":411},[],[],{"id":620,"title":416,"slug":621,"image":622,"source":623,"brand_name":481,"brand":482,"brand_slug":483,"file_size":624,"pages":722,"pages_count":626,"matched_pages":723,"match_count":409,"two_pages":410,"show_text":411},[],[],[725,726,727,728,729,730,731,732,733,734],{"title":634,"slug":635,"count":380},{"title":637,"slug":638,"count":320},{"title":640,"slug":641,"count":320},{"title":643,"slug":644,"count":320},{"title":646,"slug":647,"count":268},{"title":649,"slug":650,"count":256},{"title":652,"slug":653,"count":244},{"title":655,"slug":656,"count":244},{"title":658,"slug":659,"count":236},{"title":661,"slug":662,"count":236}]