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(Jean Guitton)\nSeuls le beau et le juste sont éternels ?\nThere are objects born from desire and objects born from love.\nThere are objects that disappear, scattered by the winds of time.\nTo be of one’s time is to share the destiny of the dead leaves. (Jean Guitton)\nOnly truth and beauty are eternal ?\nPhilippe Cazer et Frédéric Winkler\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fa6\u002F20a60816f703ca8dc6feca198a7ef6.3.png","3.\nDCW éditions\nBernard Schottlander .................................................................................................6\nHommage à Calder .....................................................................................................................8\nMantis BS1 ................................................................................................................................. 10\nMantis BS2 ................................................................................................................................. 14\nMantis BS3 ................................................................................................................................. 18\nMantis BS4 ................................................................................................................................. 22\nMantis BS5 ................................................................................................................................. 26\nInformations techniques ....................................................................................................... 30\nSOMMAIRE\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fa6\u002F20a60816f703ca8dc6feca198a7ef6.4.png","MANTIS\nSouth of the river, 1976\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fa6\u002F20a60816f703ca8dc6feca198a7ef6.5.png","Fr –\nNé en 1924 à Mainz en Allemagne, Bernard \nSchottlander arrive en Angleterre en 1939. \nPendant la guerre, il travaille dans l’ingénierie \nstructurale en tant que soudeur. Il prend alors des \ncours de sculpture au Leeds College of Art, puis \ngrâce à une bourse du Anglo-French Art Centre \nà St John’s Wood ; il étudie la sculpture pendant \nun an, à Londres. Sa formation de soudeur jouera \nun rôle considérable dans son œuvre.\nBernard Schottlander se définit comme designer \npour l’intérieur, et sculpteur pour l’extérieur.\nIl monte son atelier dans le nord de Londres \naidé de son assistant George Nash. George Nash \na une solide formation acquise dans les ateliers \nde l’armée de l’air britannique. La production de \nBernard Schottlander s’apparente alors au travail \nd’artiste à la recherche de formes nouvelles, \nchaque pièce étant produite à la main et en série \ntrès limitée.\nEn 1963, il décide de se concentrer sur la sculpture \nuniquement, et à partir de 1965 il enseigne le \ntravail du métal à St Martins School. Il expose \ncette même année avec le groupe Six Artists \nà l’Institute of Contemporary Arts, London. \nEn 1966, il fait sa première exposition solo à \nl’Hamilton Galleries de Londres.\nEn –\nBernard Schottlander was born in Mainz, Germany \nin 1924 and moved to England in 1939. After serving \nwith the British Army in India, he learnt to weld and \ntook a course in Sculpture at Leeds College of Art and \nsubsequently – with the help of a bursary – at the \nAnglo-French art centre in St John’s Wood.\nBernard Schottlander described himself as a designer \nfor interiors and a sculptor for exteriors.After several \nsuccessful years as an industrial designer, Bernard \nSchottlander chose to concentrate on sculpture. In \nthe late 1950’s he established a workshop in North \nLondon where he was ably assisted for many years \nby George Nash.\nFrom 1965 he taught metalwork at St Martins School \nof Art. In the same year he was part of the group show \nSix Artists at the Institute of Contemporary Arts in \nLondon and in the following year (1966) had his first \nsolo show at the Hamilton Galleries, London.\nBERNARD \nSCHOTTLANDER\n1924 – 1999\n7.\nDCW éditions\n6.\nMANTIS\nMémorial, London 1972\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fa6\u002F20a60816f703ca8dc6feca198a7ef6.6.png","9.\nDCW éditions\n8.\nMANTIS\nEn —\nAs admirer of Alexander Calder, in 1951 Schottlander \ncreated the “MANTIS” series of lamps.\nMovement is intrinsic to all of Schottlander’s work : \nan artist, an engineer and in no small measure a han-\ndyman, he devised a clever system of counterweights \ncombined with a series of strong and flexible metal \nbars. The shade also is unique of its kind. Like an \nacrobat suspended in mid-air, it is made from alumi-\nnium using spinning and chasing techniques that are \na part of the metalworker’s inventory of skills, but to \nwhich he has brought his sculptor’s eye to create a \nhelical movement in which the symmetrical and the \nasymmetrical are in opposition.\nGrand admirateur d’Alexander \nCalder, Bernard Schottlander crée \nen 1951 une série de luminaires \ndu nom de MANTIS.\nLe mouvement est la source d’inspiration de \ntout le travail de Schottlander : artiste, ingé-\nnieur-bricoleur, il met au point un système de \npivot-contrepoids astucieux, et utilise des joncs \nde métal souples et résistants. Projeté en l’air \ncomme un acrobate, le réflecteur en aluminium \nrepoussé est novateur : l’œil du sculpteur le taille \nen mouvement hélicoïdal : la symétrie tiraille \nl’asymétrie.\nSes luminaires, jouant sur la tension entre l’équi-\nlibre et le déséquilibre, dessinant les secrets du \nvide et du plein, tels des mobiles, semblent défier \nles lois de la pesanteur. La poésie de l’objet invite \nau rêve : l’élégance sur un fil...\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fa6\u002F20a60816f703ca8dc6feca198a7ef6.7.png","11.\nDCW éditions\n10.\nMANTIS\nMANTIS BS1\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fa6\u002F20a60816f703ca8dc6feca198a7ef6.8.png","13.\nDCW éditions\nMANTIS\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fa6\u002F20a60816f703ca8dc6feca198a7ef6.9.png","14.\nMANTIS\nMANTIS BS2\n",9,{"image":50,"text":15,"number":51},"\u002Fmedia\u002Fimages\u002Fa6\u002F20a60816f703ca8dc6feca198a7ef6.10.png",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002Fa6\u002F20a60816f703ca8dc6feca198a7ef6.11.png","19.\nDCW éditions\n18.\nMANTIS\nMANTIS 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