[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-classicon-new-products-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":95},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":90,"matched_pages":91,"match_count":92,"two_pages":93,"show_text":94},20344,"New Products 2025","classicon-new-products-2025","\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fe0\u002F070f70d7030006e1184dbc54cc2e41-28bdd58a40.pdf","ClassiCon",2172,"classicon","4.6 MB",[14,17,21,25,29,33,37,41,45,49,52,56,60,64,68,72,76,80,84,87],{"image":7,"text":15,"number":16},"Sebastian Herkner Dining Collection, \nSilver Collection, Eileen Gray Rugs in Nettle\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.3.png","TITEL FRONTPAGE Monolith Rug, Shia Vase, Aristo Chair & Armchair, Bell Dining Table\nDIESE SEITE THIS PAGE Vase, Aristo Armchair, Bell Dining Table, Plissée Pendant Lamp Aluminium\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.4.png","LINKS LEFT Aristo Armchair, Shia Vase\nRECHTS RIGHT Aristo Chair Detail\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.5.png","Aristo Chair & Armchair\nDie Stuhlkollektion Aristo des Designers \nSebastian Herkner vereint ein hohes Maß an \nKomfort mit einer präzisen Formgebung. \nDer Name áristos (άριστος), altgriechisch für \nder Vorzüglichste oder der Edelste steht für \ndie edle, klassische Anmutung des Entwurfs \nund die qualitative Verarbeitung. Herausste-\nchendes Merkmal ist die zweiseitig gepolsterte \nRückenlehne, die von einem elegant ge-\nschwungenen Stahlrohrrahmen eingefasst \nwird. Ebenso charakteristisch ist die mar-\nkante Schattenfuge zwischen der umpolsterten \nBasis und dem voluminösen Sitzpolster mit \nFederkern. Die zweifach gepolsterte Sitzfläche \nverspricht einladende Gemütlichkeit und \ngesellige Abende mit Freunden und Familie. \nDurch die Verwendung von Stahlrohr bezieht \nsich der zeitgenössische Entwurf auf ikonische \nEntwürfe aus dem ClassiCon Portfolio. Ob \nmit verchromtem oder matt schwarz pulverbe-\nschichtetem Rahmen – Aristo besticht durch \neine moderne, aber zugleich zeitlose Ästhetik \nund bietet eine perfekte Balance zwischen \nStil und Funktionalität.\nThe Aristo range of chairs by designer \nSebastian Herkner combines premium \ncomfort with precise design. The name \náristos (άριστος), ancient Greek for the \nmost excellent or the noblest, alludes to \nthe classic elegance of the design and the \npremium craftsmanship. The chair’s most \noutstanding feature is the backrest with \nupholstery on both sides framed by elegant-\nly curved seamless tubular steel. Equally \ndistinctive is the double upholstered seat \nwith a striking shadow gap between the \nupholstered base and the voluminous seat \ncushion with spring core. The layered \nupholstery ofers inviting comfort, perfect \nfor relaxed evenings with friends and family. \nThrough the use of tubular steel, this \ncontemporary chair draws on iconic designs \nfrom the ClassiCon portfolio. With a choice \nof chrome-plated or matt black powder-\ncoated finishes, Aristo showcases a modern \nyet timeless aesthetic, striking a perfect \nbalance between style and functionality.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.6.png","Bell Dining Table\nDer Bell Dining Table übersetzt den Reiz des \nBell Tables in eine neue Größe. Für die Ess-\ntisch-Variante wird der markante Glasfuß durch \nein anderes Material ersetzt: Marmor. Seit \nseiner Präsentation 2012 gilt der Bell Table von \nSebastian Herkner mit seiner ungewöhnlichen \nMaterialkombination als moderner Klassiker. \nAuch in neuer Dimension besticht er durch sei-\nne Form, die an den leichten Schwung einer \nGlocke erinnert. Die Eleganz des ursprünglichen \nDesigns bleibt durch den von Hand polierten, \nglänzenden Marmor erhalten. Gleichzeitig wirkt \ner durch das neue Material, das Standfestig-\nkeit und Langlebigkeit vermittelt, geerdet. Die \nkontrastreiche Maserung der beiden Marmor-\nvarianten, Nero Marquina und Verde Guatemala, \nerweitert das Farbspiel des Bell Dining Tables. \nAn dem imposanten Tisch finden bis zu sechs \nStühle Platz. Er eignet sich nicht nur für elegan-\nte Wohnräume, sondern auch als Statement-\nPiece in repräsentativen Räumlichkeiten.\nThe Bell Dining Table transfers the elegance \nof the Bell Tables into new dimensions. For \nthe dining table version, the striking glass base \nhas been replaced by a diferent material: \nmarble. Since its launch in 2012, the Bell Table \nby Sebastian Herkner with its unconventional \nuse of materials has been regarded as a modern \nclassic. In this new dimension, it continues to \nimpress with its shape, which is reminiscent of \nthe slight curve of a bell. The elegance of the \noriginal design is retained by the hand-polished, \nshiny marble. At the same time, the new mate-\nrial lends the table a grounded look that conveys \nstability and durability. The contrasting vein \nof the two types of marble, Nero Marquina and \nVerde Guatemala, adds a new interplay of \ncolours to the palette of the Bell Dining Table. \nThere is space for up to six chairs at this \nimposing table. It is not only suitable for elegant \nhomes, but also as a statement piece in \nrepresentative premises.\n„In einer Welt, in der sich Dinge \nimmer häufiger auflösen, bekommt \nHandarbeit eine ganz neue Bedeutung \nund besonderen Stellenwert.“\n“In a world where things increasingly \ndisintegrate, craftsmanship takes on \nan entirely new meaning and special \nsignificance.”\nSebastian Herkner\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.7.png","OBEN TOP Plissée Pendant Lamp\nRECHTS RIGHT Plissée Floor Lamp\nLINKS LEFT Bell Dining Table Topview\nRECHTS RIGHT St.Tropez Rug Nettle, Bell Dining Table, Vase, Plissée Pendant Lamp Aluminium\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.8.png","LINKS LEFT Euvira Rocking Chair, Bell Side & Cofee Table Aluminium, Matéria Long Table Marble, Vase\nRECHTS RIGHT Plissée Pendant Lamp Aluminium\nCassis Rug Nettle, Bow Cofee Table No. 3 Aluminium\nPlissée Floor Lamp Aluminium, Cypris Mirror\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.9.png","Clean, urban, industriell – silberfarbene \nMetalle wecken eine Vielzahl an Assoziationen. \nMit Begeisterung für diesen zeitlosen Look \nund seine Wirkung präsentiert ClassiCon aus-\ngewählte zeitgenössische Entwürfe in neuer \nOptik. Seit der Materialrevolution des \nStahlrohrs steht besonders verchromter Stahl \nfür zukunftsweisende Entwürfe und klassi-\nsche Eleganz. Aber auch andere Metalle wie \ngeschlifenes Aluminium changieren zwischen \nindustriellem Charme und moderner Klarheit. \nDurch die farbliche Material-Erweiterung um \neinen neutralen Silberton ergeben sich viel-\nfältige neue Gestaltungsmöglichkeiten. Dabei \nsteht das Zusammenspiel mit Licht und an-\nderen Oberflächen im Vordergrund – genauso \nwie die handwerkliche Fertigung.\nClean, urban, industrial – silver-toned metals \nevoke a wide range of associations. Inspired \nby this timeless aesthetic and its efect, \nClassiCon presents selected contemporary \ndesigns featuring a new look. Since the \nmaterial revolution brought about by tubular \nsteel, chrome-plated steel in particular has \ncome to symbolise future-oriented design and \nclassic elegance. But other metals, such as \npolished aluminium, also oscillate between \nindustrial charm and modern clarity. The \naddition of a neutral silver tone to the material \npalette opens up a wealth of new design \npossibilities. Here, the interplay with light and \nother surfaces takes centre stage – as does \nthe premium craftsmanship behind each piece.\nSilver Collection\n",9,{"image":50,"text":19,"number":51},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.10.png",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.11.png","Monolith Rug, Bow Cofee Table No. 3 Marble, Bow Cofee Table No. 2 & 4 Aluminium, \nVase, Forma Table Lamp, Volkshaus Lounge Chair\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.12.png","Rug Collection Nettle\nEileen Gray schuf nicht nur einige der bedeu-\ntendsten Möbelklassiker des 20. Jahrhunderts, \nsondern unterhielt auch ein eigenes Atelier, in \ndem Teppiche nach ihren Entwürfen hergestellt \nwurden. Als Vorlage für diese Meisterwerke \nabstrakter Stilkunst dienten Gouachen und Col-\nlagen, die die irische Designerin ihr Leben \nlang fertigte. Ganz im Sinne von Eileen Grays \nvisionärer Haltung zu innovativen Materialien \nwurde ihre avantgardistische Teppichkollektion \n2025 erweitert und neben den Entwürfen aus \nreiner Schafswolle gibt es nun auch eine pflanz-\nliche Variante aus wilder nepalesischer Nessel. \nBei der Nessel handelt es sich um einen \nnatürlich nachwachsenden Rohstof, der ähnlich \nwie Schafswolle verarbeitet werden kann. \nDas Material erzeugt eine besondere Ästhetik: \nLeicht changierende Farbefekte vereinen sich \nmit einem seidigen Glanz. Diese lebendige \nOptik lässt an die sichtbaren Pinselstriche der \nGouachen denken. Die Farbpalette wird durch \ndie sanftere Farbgebung im Vergleich zu den \nWollteppichen erweitert.\nMit der Technik des Tibetischen Knotens ent-\nstehen handgeknüpfte textile Kunstwerke mit \neiner Dichte von 124.000 Knoten pro Quadrat-\nmeter. Die Farbpigmente sind umweltverträglich,\nund nach OEKO-TEX® STANDARD 100 getestet.\nEileen Gray not only created some of the \nmost significant furniture classics of the 20th \ncentury, but also ran her own studio where \nrugs were produced according to her designs. \nAs templates for these masterpieces of \nabstract art served the gouaches and collages \nthat the Irish designer created throughout \nher life. In keeping with Eileen Gray’s visionary \napproach to innovative materials, her avant-\ngarde rug collection has been expanded in \n2025: in addition to the designs made of 100% \nvirgin wool, there is now also a plant-based \nversion made of wild Nepalese nettle. Nettle \nis a naturally renewable raw material that can \nbe processed in a similar way to sheep’s wool. \nThe material has a special aesthetic: slightly \niridescent colour efects combine with a silky \nsheen. This vibrant look is reminiscent of the \nvisible brushstrokes of gouaches. The colour \npalette is expanded by a scheme that, com-\npared to the wool rugs, features softer shades.\nThese textile works of art are hand-knotted \nusing the Tibetan knot technique with a density \nof 124,000 knots per square metre. The colour \npigments are environmentally friendly and test-\ned according to OEKO-TEX® STANDARD 100.\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.13.png","LINKS LEFT Castellar Rug (top wool, below nettle)\nRECHTS RIGHT Castellar Rug Nettle, Volkshaus Lounge Chair\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.14.png","1\n2\n3\n4\nGrüne Wälder, wilde Flüsse und verschneite \nBerge – der Landstrich rund um Jiri (9), eine \nStadt im Vorland des Himalayas, wird auch die \nSchweiz Nepals genannt. Ein Ort, in dem ein \nreiches kulturelles Erbe und ein traditioneller \nLebensstil bewahrt werden. Ein Teil dessen \nist auch das Wissen um die Verarbeitung der \nnepalesischen Nessel als Garn für Stofe. \nDieses Verfahren wurde verfeinert, um 100% \npflanzliche Teppiche herzustellen: ein Novum \nfür die Eileen Gray-Teppichkollektion.\nIn weiten Wäldern wächst rund um Jiri die \ndort beheimatete Nessel (1) – auch Himalaya-\nNessel genannt – wild und auf natürliche \nWeise. Nach einem Sommer in voller Blüte \nwerden im Herbst die getrockneten Stiele \ngepflückt und in einzelne Fasern getrennt (2). \nZurück im Dorf wird das Nesselgewächs in \nmehreren Arbeitsgängen von Hand bearbeitet \n(3) und in frischem Quellwasser gewaschen \n(4), weichgeklopft und getrocknet. Für eine \nbessere Farbwiedergabe wird es am Ende \nmit weißem Lehm aufgehellt (5). Der Lehm \nkommt direkt aus der Region und wird von \nden Einwohnern auch zum Häuserbau genutzt. \nNach einer langen Trocknungszeit werden \ndie Fasern auseinandergezogen (6) und ähnlich \nwie bei Schafswolle in Handarbeit zu Fäden \ngesponnen (7), eingefärbt und geknüpft (8).\nTeppiche aus nepalesischer Nessel sind zu \n100% pflanzlich und entstehen in einem völlig \nnachhaltigen Verfahren. Die wild wachsenden \nPflanzen benötigen keine künstlichen Dünge- \noder Pflanzenschutzmittel und das zur Verarbei-\ntung der Fasern benötigte Wasser wird zur \nBewässerung der Felder weiterverwendet. Die \nFarbpigmente sind umweltverträglich, getestet \nnach OEKO-TEX® STANDARD 100. Nesselfäden \nsind besonders lang und stabil und gut zu rei-\nnigen. Die ungleichmäßige Farbaufnahme der \nNesselfasern ergibt eine ganz eigene Ästhetik \ngepaart mit einem leicht seidenartigen Glanz. \nNettle: 100% Plant-based\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.15.png","5\n6\n7\n8\n9\nGreen forests, wild rivers and snowcapped \nmountains: the region around Jiri (9), a town \nhigh up in the Himalayas, is also referred to \nas the Switzerland of Nepal. A place where a \nrich cultural heritage and traditional lifestyle \nare still preserved. Part of that heritage is the \nknowledge of how to process the Nepalese \nnettle into yarn for manufacturing textiles. This \nprocess has been refined to create 100% \nplant-based rugs: a new material for the Eileen \nGray rug collection. \nThe native nettle (1) – also called Himalayan \nnettle – grows wild and naturally in the vast \nforests around Jiri. Following the summer \nbloom, the dried stems are harvested in the \nautumn and separated into individual fibres (2). \nBack in the village, the nettle plants are pro-\ncessed manually (3) and, using several diferent \nstages, washed in fresh mountain rain water \nwithout any additives (4), beaten soft and dried. \nAt the end of the process and for better colour \nrendering, the nettle is eventually lightened \nwith white clay (5), which is sourced directly \nfrom the region. The locals also use it to build \nhouses. After a long period of drying, the \nfibres are plucked apart (6) and, similar to \nsheep’s wool, are spun into threads (7), dyed \nand knotted (8). \nRugs made of Nepalese nettle are 100% plant-\nbased and created using an entirely sustainable \nmethod. For their cultivation, the wild-growing \nplants do not require any other resources such \nas arable land or water – and no artificial ferti-\nlisers or pesticides are used. The water required \nto process the fibres is reused to irrigate the \nfields. The colour pigments are environmentally \nfriendly and tested according to the OEKO-TEX® \nSTANDARD 100. Nettle fibres are particularly \nlong, durable and easy to clean. As the nettle \nfibres absorb the dye unevenly, the process \nresults in a very unique aesthetic paired with \na slightly silky sheen. \n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.16.png","Nero Marquina, \nVerde Guatemala\nErweiterte Marmor-\nauswahl auf Anfrage. \nMore types of marble \nupon request.\nBell Dining Table*\nTisch. Massiver Marmorfuß in Nero Marquina, poliert und im-\nprägniert, mit Metallaufsatz aus massivem Stahl, schwarz \nlackiert. Oder massiver Marmorfuß in Verde Guatemala, poliert \nund imprägniert, mit Metallaufsatz aus massivem Messing, \nklar lackiert. Tischplatte aus Kristallglas, schwarz lackiert.\nTable. Base solid marble in Nero Marquina, polished and \nimpregnated with metal top frame solid steel, black lacquered. \nOr base solid marble in Verde Guatemala, polished and imp-\nregnated with metal top frame solid brass, with clear varnish. \nTabletop crystal glass, black lacquered.\nAristo Chair & Armchair\nStuhl und Armlehnstuhl. Gestell aus Stahlrohr, pulverbeschich-\ntet in Schwarz oder verchromt. Polsterung aus Polyurethan mit \nPolyesterwatte und Taschenfederkern. Bezug aus Stof oder \nLeder. Filz oder Kunststofgleiter, auswechselbar.\nChair & Armchair. Frame tubular steel, powder-coated in black \nor chrome-plated. Upholstery polyurethane with polyester fibre \nand pocket spring core. Cover in fabric or leather. Replaceable \ngliders in felt or plastic.\nØ 131 cm\nØ 44\n75\nTeppich aus 100% feiner Neuseeland Schurwolle (Ausnahme \nLa Lune: 78% feine Neuseeland Schurwolle, 16% Nessel und \n6% Seide) oder 100% Nepalesischer Nessel. Handgeknüpft mit \ndem Tibetischen Knoten und einer Dichte von 124.000 Knoten \npro Quadratmeter. Die Nessel-Kollektion wird in Zusammenar-\nbeit mit M2Rugs hergestellt.\nRug made of 100% fine New Zealand virgin wool (Exception La \nLune: 78% fine New Zealand virgin wool, 16% nettle and 6% pure \nsilk) or 100% Nepalese nettle. Hand-knotted with the Tibetan knot \nand a density of 80 knots per square inch (6.45 cm²). The nettle \ncollection is produced in collaboration with M2Rugs.\nSebastian Herkner Dining Collection, 2025\nEileen Gray Rug Collection in Nettle\nDe Stijl Rug\n220 x 300 \u002F\n250 x 345 cm\nCastellar Rug\n175 x 175 \u002F\n300 x 250 cm\nCassis Rug\n240 x 200 \u002F \n 300 x 250 cm\nMonolith Rug\n200 x 300 \u002F\n250 x 375 cm\nLa Lune Rug\n200 x 175 \u002F\n300 x 250 cm\nSt. Tropez Rug\n204 x 204 \u002F\n300 x 250 cm\nCentimetre Rug\n200 x 300 \u002F\n250 x 375 cm\nFaubourg Rug\n200 x 200 \u002F\n300 x 300 cm\nWendingen Rug\n208 x 200 \u002F \n300 x 250 cm\nBlue Marine Rug\n110 x 215 \u002F\n179 x 350 cm\nKilkenny Rug\n235 x 201 \u002F \n300 x 250 cm\nBonaparte Rug\n100 x 210 \u002F\n167 x 350 cm\nRoquebrune Rug\n200 x 200 \u002F \n300 x 300 cm\n54\n80\n59 cm\n50\n60\n80\n59 cm\n50\nUmweltverträgliche Farbpigmente, getestet \nnach OEKO-TEX® STANDARD 100. Pflegeleicht \nund für Staubsauger geeignet. Maßtoleranzen \nvon +\u002F- 5 cm und Farbabweichungen sind möglich. \nIndividuelle Größen auf Anfrage.\nEnvironmentally friendly colour pigments, tested \naccording to OEKO-TEX® STANDARD 100. Low-\nmaintenance, suitable for vacuum cleaners. Dimen-\nsional tolerances of +\u002F- 5 cm and colour variations \nare possible. Customized sizes upon request.\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F47\u002F07dd376fab67f31900a0873f1d995f-28bdd5ff39.17.png","Silver Collection\nAlle Rechte vorbehalten. Technische Änderungen \nvorbehalten, Farbabweichungen und Irrtümer sind \nnicht ausgeschlossen. \nAll rights reserved. Subject to technical modifications. \nActual colours may vary. Errors can not be excluded.\n*Informationen zu den Marmorarten und \n  technische Details zu den Leuchten finden \n  Sie auf unserer Website oder in der Preisliste.\n  Information about the marble types and  \n  technical details about the lamps are included \n  on our website or in the price list.\nAll Eileen Gray designs are authorised by \nThe World Licence Holder Aram Designs Ltd, London\nPhotos: Andreas Hörnisch, Fabian Frinzel, Vierfotogra-\nfen (Nepal); Locations: private home - interior design \nHolzrausch Studio, Sois Blessed Munich, Nymphenburg \nPalace Royal Residence\nFollow us: @classicon\nPlissée Pendant Lamp* \nHängeleuchte. Mundgeblasener Lam-\npenschirm aus Opalglas, beidseitig weiß \nsatiniert mit plissierter Oberfläche. Ab-\nschlussring und Fassung aus Stahl und \nAluminium, klar lackiert oder farbig lackiert \nin Schwarz, Bronze oder Messing. Aufhän-\ngung an drei Stahlseilen, justierbar, Höhe \neinstellbar. Inklusive austauschbarem LED \nLeuchtmittel. Kabellänge 4 m, Sonderlän-\ngen auf Anfrage.\nPendant lamp. Hand-blown lamp shade \nwhite satin-finished opal glass with \npleated surface. Closing ring and socket \nsteel and aluminium, with clear varnish or \ncolour-lacquered in black, bronze or brass. \nSuspension from three steel wires, adjust-\nable in height and alignment. Replaceable \nLED bulb included. Cable length 4 m, \nspecial lengths upon request. \nPlissée Floor Lamp* \nStehleuchte. Gestell aus massivem \nAluminium, klar lackiert oder farbig \nlackiert in Schwarz, Bronze oder Mes-\nsing. Mundgeblasener Lampenschirm \naus Opalglas, beidseitig weiß satiniert \nmit plissierter Oberfläche. Druckschal-\nter oben im Gestell integriert, stu-\nfenlos dimmbar mit Memory-Funktion. \nInklusive LED Sonderleuchtmittel. \nFilzgleiter in Schwarz.\nFloor lamp. Frame solid aluminium, \nwith clear varnish or colour-lacquered \nin black, bronze or brass. Hand-blown \nlamp shade white satin-finished opal \nglass with pleated surface. Push switch \nintegrated in top of frame, variably \ndimmable with memory function. Cus-\ntomised LED light bulb included. Black \nfelt gliders. \nBell Table*\nBeistell- und Couchtisch. Mundgeblase-\nner Glasfuß in verschiedenen Farben. \nMetallaufsatz aus massivem Messing oder \nAluminium, klar lackiert oder aus mas-\nsivem Stahl, schwarz lackiert. Tischplatte \naus Kristallglas, schwarz lackiert, oder aus \nMarmor in verschiedenen Ausführungen, \npoliert und imprägniert. Oder Tischplatte \nmit in Glas eingefasster Strohmarketerie \nin verschiedenen Ausführungen.\nSide and cofee table. Hand-blown glass \nbase in various colours. Metal top frame \nsolid brass or aluminium, with clear var-\nnish or metal top frame solid steel, black \nlacquered. Tabletop crystal glass, black \nlacquered, or marble tabletop in various \nversions, polished and impregnated. Or \ntabletop with straw marquetry framed in \nglass in various versions.\n70 x 70 cm\n23 x 23\nØ 50 cm\nØ 22\nØ 75 cm\nØ 32\n4\n19\n53\n36\nØ 31\nØ 40 cm\n92\nØ 40 cm\n51\nNo. 6\n100 x 70 cm\n53 x 33\n4\n37\nNo. 5\n100 x 100 cm\n33 x 33\n4\n25\nNo. 1\nNo. 4\n100 x 100 cm\n33 x 33\n4\n19\nNo. 2\n70 x 70 cm\n23 x 23\n4\n25\nNo. 3\n31\n4\n70 x 70 cm\n23 x 23\nBow*\nCouchtisch. Erhältlich in drei Tischplattengrößen und vier Höhen. \nTisch aus massivem Messingblech, natur oder brüniert, klar \nlackiert oder aus massivem Stahlblech schwarz lackiert oder aus \nmassivem Aluminiumblech, klar lackiert. Tischplatte aus Kristall-\nglas, verspiegelt oder schwarz lackiert, oder aus Marmor in ver-\nschiedenen Ausführungen, poliert und imprägniert. Höhenverstell-\nbare Filzgleiter. Bow No. 3 auch in massivem Marmor erhältlich.\nCofee table. Available in three tabletop sizes and four heights. \nTable natural or burnished solid brass sheet, with clear varnish \nor solid steel sheet black lacquered or solid aluminium sheet, \nwith clear varnish. Tabletop crystal glass, with a mirror finish or \nblack lacquered, or marble tabletop in various versions, polished \nand impregnated. 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