[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-classicon-eileen-gray-rug-collection":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":80},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":75,"matched_pages":76,"match_count":77,"two_pages":78,"show_text":79},16553,"Eileen Gray Rug Collection","classicon-eileen-gray-rug-collection","\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F98\u002F81fa2c5a489de6b964ace35d1b184c-2871b10c6d.pdf","ClassiCon",2172,"classicon","17.3 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73],{"image":7,"text":15,"number":16},"Eileen Gray Rug Collection\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.2.png","TITEL FRONTPAGE Wendingen Rug \nDIESE SEITE THIS PAGE Wendingen Rug, Bibendum Armchair,  \nAdjustable Table E1027 Black Version, Day Bed, Tube Light Floor Lamp\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.3.png","Original Designs\nAbstrakte Kunstwerke aus feinster Wolle \nAbstract paintings rendered in the finest wool\nLINKS LEFT Monolith Rug Vorder- und Rückseite front and back side \nRECHTS RIGHT St. Tropez Rug, Tube Light Floor Lamp, Bibendum Armchair\nEileen Gray not only created some of  \nthe most iconic 20th century furniture \nclassics but also ran a studio in which \nrugs were produced. Gouaches, collages, \nand drawings of the artist served as \ndesign templates. These artworks from \nthe 1920s to the 1930s also form the \nbasis of our collection. We transfer them \nto rug designs with the greatest care in \norder to guarantee that they do justice to \nEileen Gray’s designs in every regard.\nClassiCon produces and markets Eileen \nGray designs under licence from The \nWorld Licence Holder Aram Designs Ltd, \nLondon. In the 1970s Eileen Gray began \nworking with Zeev Aram to put her \nfurniture and lamps into series production. \nIn 1973 she granted the worldwide rights \nto manufacture and distribute her designs \nto Aram Designs Ltd, London.\nEach new design is approved by the \nlicensor before it is included in the \nClassiCon collection.\nEileen Gray schuf nicht nur einige der bedeu- \ntendsten Möbelklassiker des 20. Jahrhunderts, \nsondern unterhielt auch ein Atelier, in dem  \nTeppiche hergestellt wurden. Gouachen, Colla- \ngen und Zeichnungen der studierten Künstlerin \ndienten als Designvorlagen. Diese Kunstwerke \naus den 1920er bis 1930er Jahren bilden auch \ndie Grundlage unserer Kollektion. Mit größter \nSorgfalt werden diese von uns auf das Teppich- \ndesign übertragen, um zu gewährleisten, dass \nsie den Entwürfen der Gestalterin in jeder \nHinsicht gerecht werden. \nClassiCon produziert und vertreibt die Eileen \nGray Kollektion als weltweit einziger Lizenz- \nnehmer von Aram Designs Ltd, London. In den \n1970er Jahren begann Eileen Gray eine Zusam- \nmenarbeit mit Zeev Aram, um ihre Möbel und \nLeuchten zur Serienreife zu bringen. 1973 über- \ntrug sie die weltweiten Rechte zur Produktion \nund Distribution ihrer Entwürfe an Aram \nDesigns Ltd, London. \nJedes neue Design wird mit dem Lizenzgeber \nabgestimmt, bevor es in die ClassiCon-Kollek-\ntion aufgenommen wird.\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.4.png","Individuelle Größen auf Anfrage. Maßtoleranzen +\u002F- 5 cm möglich.\nCustomised sizes upon request. Dimensional tolerances of +\u002F- 5 cm are possible.\nMONOLITH RUG\n250 x 375 cm\n200 x 300 cm\nOur rugs are highly durable, high-quality \nproducts produced with skilled craftsman-\nship. The ancient art of “Tibetan knotting” \nis used in the weaving process, a technique  \nthat creates a particularly soft and silky \nfeel. The textile artworks, woven with  \n80 knots per square inch (6.45 cm²) from \n100% hand-spun New Zealand virgin wool, \nare easy to clean and suitable for allergy \nsufferers: The wool fibres bind dust from \nthe air and, like dirt, can be easily vacuumed  \nup. Virgin wool is biodegradable and a \nrenewable resource. The colour pigments \nare environmentally friendly and tested \naccording to OEKO-TEX® STANDARD 100.\nRug Collection\nUnsere Teppiche sind langlebige Qualitätspro-\ndukte, die in kunstvoller Handarbeit hergestellt \nwerden. Bei der Knüpfung kommt die alte \nKunstform des „Tibetischen Knotens“ zum \nEinsatz, eine Technik, die eine besonders \nweiche und seidige Haptik erzeugt. Die aus \n100% handversponnener New Zealand \nSchurwolle geknüpften textilen Kunstwerke \nmit einer Dichte von ca. 124.000 Knoten  \npro Quadratmeter sind pflegeleicht und für \nAllergiker geeignet: Die Wollfasern binden  \nden Staub aus der Luft und können, ebenso \nwie Schmutz, einfach abgesaugt werden. \nSchurwolle ist biologisch abbaubar und ein \nnachwachsender Rohstoff. Die Farbpigmente \nsind umweltverträglich und nach OEKO-TEX® \nSTANDARD 100 getestet. \nBow Coffee Table No. 2, Bow Coffee Table No. 3 Marble\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.5.png","Individuelle Größen auf Anfrage. Maßtoleranzen +\u002F- 5 cm möglich.\nCustomised sizes upon request. Dimensional tolerances of +\u002F- 5 cm are possible.\nCASSIS RUG\n300 x 250 cm\n240 x 200 cm\n300 x 250 cm\n200 x 175 cm\nLA LUNE RUG\nFAUBOURG RUG\n300 x 300 cm\n200 x 200 cm\nST. TROPEZ RUG\n300 x 250 cm\n204 x 204 cm\n250 x 345 cm\n220 x 300 cm\nDE STIJL RUG\nCENTIMETRE RUG\n250 x 375 cm\n200 x 300 cm\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.6.png","WENDINGEN RUG\n300 x 250 cm\n208 x 200 cm\n100 x 210 cm\n167 x 350 cm\nBONAPARTE RUG\n300 x 250 cm\nCASTELLAR RUG\n175 x 175 cm\n200 x 200 cm\n300 x 300 cm\nROQUEBRUNE RUG\n300 x 250 cm\nKILKENNY RUG\n235 x 201 cm\nBLUE MARINE RUG\n179 x 350 cm\n110 x 215 cm\nIndividuelle Größen auf Anfrage. Maßtoleranzen +\u002F- 5 cm möglich. \nCustomised sizes upon request. Dimensional tolerances of +\u002F- 5 cm are possible.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.7.png","Matéria Table Series, Shia Vase, Kilkenny Rug, Lota Sofa, Selene Pendant Lamp, Plissée Floor Lamp\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.8.png","LINKS LEFT Adjustable Table E1027, La Lune Rug, Day Bed \nRECHTS RIGHT Cassis Rug, Plissée Pendant Lamp, Bonaparte Armchair\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.9.png","Kilkenny Rug während des Knüpfvorgangs in Nepal  \nKilkenny Rug in the weaving process in Nepal\nClassiCon  \n& Label STEP\nEthisch und ökologisch nachhaltig \nEthically and ecologically sustainable\nEine Partnerschaft, die ethisch und ökolo- \ngisch nachhaltige Bedingungen schafft: \nAlle ClassiCon-Teppiche werden in enger Zu- \nsammenarbeit mit der Non-Profit-Organisation \nLabel STEP in Nepal gefertigt. Diese garantiert \nfaire Arbeits- und Lebensbedingungen für  \ndie Menschen in den Produktionsgebieten und \nlässt ausschließlich nachhaltige, umweltver- \nträgliche Teppichherstellungsverfahren zu. \nUnsere Teppiche enstehen in liebevoller  \nHandarbeit. In Label STEP Projekten wie den  \nArtisan Villages lernen örtliche Fachkräfte die \nKunst des Knüpfens von Meisterhand. Jeder \nSchritt der Teppichproduktion, von der Erstel- \nlung der Designvorlage bis hin zum Finishing, \nwird mit höchster Sorgfalt ausgeführt.\nA partnership that provides ethically and \necologically sustainable conditions:\nAll ClassiCon rugs are manufactured in close \ncollaboration with the non-profit organisation  \nLabel STEP in Nepal. Label STEP guarantees \nfair working and living conditions for the people \nin the production areas and allows only environ-  \nmentally friendly rug manufacturing processes. \nAll our rugs are made with skilled craftsman-\nship. In Label STEP projects like the Artisan \nVillages, local workers learn the art of weaving \nfrom the masters of the craft. Each step of  \nthe process, whether it’s creating the design, \ndyeing the wool, trimming or finishing,  \nis performed with the utmost care. \n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.10.png","LINKS LEFT Roquebrune Rug, Pli Side Table, Venus Chair, Pli Table, Bowl \nRECHTS RIGHT Centimetre Rug, Day Bed, Occasional Table\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.11.png","Frei, vielschichtig, modern und mutig – als \nGestalterin und als Frau lehnte Eileen Gray im \nBeruf wie in der Liebe starre Grenzen ab und \nwar in vielerlei Hinsicht ihrer Zeit voraus. Die \n1878 geborene Irin zog nach dem Kunststu- \ndium in London Anfang des 20. Jahrhunderts \nnach Paris, wo sie zur frechen Garçonne mit \nBubikopf wurde: Sie fuhr Auto, reiste über den  \nOzean nach Amerika, zu Feldstudien nach \nAfrika und war eine der ersten Frauen, die ein \nFlugzeug lenkte. Gold und Rot, Braun und \nSchwarz stehen für ihre Art-déco-Zeit, in der \nsie bereits Gouachen und Collagen anfertigte, \ndie als Webvorlagen dienten. Mit ihren \nTeppichen – in den avantgardistischen Zirkeln \ndes Rive Gauche heiß begehrt – wollte Eileen \nGray „ein Zuhause für Menschen“ schaffen. \nGegen gesellschaftliche Vorurteile setzte sie ihr \nSpiel mit Identitäten. Als 44-Jährige eröffnete \nsie eine Galerie mit dem männlich klingenden \nNamen Jean Désert. Weiß und Schwarz, Silber \nund Grau wurden nun ihre bevorzugten Farben; \nstatt aus dunklem Holz formte sie Möbel aus \nblinkendem Stahlrohr. Stillstand kannte die \nKünstlerin nicht, und so baute die Autodidaktin \nan der Mittelmeerküste nahe Monaco die Villa \nE1027, heute das ikonische Gray’sche Gesamt- \nkunstwerk schlechthin. Blau, Gelb und Weiß  \n– die mediterranen Sommerfarben strahlten in \ndieser glücklichen Zeit, bevor Eileen Gray \nwährend des Zweiten Weltkrieges als Architek- \ntin und Designerin in Vergessenheit geriet. \nDennoch arbeitete und malte sie drei Jahrzehn- \nte lang diszipliniert weiter. Sie blieb dabei stets \neine ‚private Malerin‘, ihre Bilder wurden nie \nöffentlich ausgestellt. Doch die Gouachen und \nCollagen bewahrte sie für die Nachwelt auf, \nsorgfältig auf Karton geklebt, auf der Rückseite \nbeschriftet und manche auch signiert. \nIrlands Nationalfarbe Grün ist auch die Farbe \nder Hoffnung, die Eileen Gray nie verließ: \nSie träumte davon, in Dublin „etwas von Dauer \nzu bekommen“, und ein Vierteljahrhundert \nnach ihrem Tod im Jahr 1976 wurde dieser \nTraum tatsächlich wahr: mit einer Eileen-Gray- \nAusstellung im National Museum of Ireland, \nderen Eröffnungsplakat den Sessel Non \nConformist zeigte. Mit der Aufnahme erster \nTeppiche nach ihren Entwürfen ins Sortiment \nvon Aram Designs Ltd. im Jahr 2003 und \nClassiCon 2004, erfüllte sich auch der letzte \ngroße Wunsch der Gestalterin, dass aus ihren \n„alten Entwürfen“ noch einmal neue, ganz be- \nsondere textile Kunstwerke entstehen mögen. \nFree, versatile, modern and courageous – as a  \ndesigner and as a woman, Eileen Gray rejected  \nrigid boundaries, both in her work and in love. \nShe was ahead of her time in many respects. \nBorn in 1878 in Ireland, she studied art in Lon-\ndon before moving to Paris at the beginning of \nthe 20th century, where she became a cheeky \ngarçonne with a bob cut: she drove a car, trav-\nelled across the ocean to America, to Africa  \nfor field studies and was one of the first women \nto pilot an aeroplane. Gold and red, brown  \nand black represent her art deco period, during \nwhich she was already making gouaches  \nand collages that served as weaving patterns. \nWith her rugs – much sought after in the \navant-garde circles of the Rive Gauche – Eileen \nGray wanted to create “a home for people”. \nShe challenged social prejudices with her play \non identities. At the age of 44, she opened \na gallery with the masculine-sounding name \nJean Désert. White and black, silver and grey \nbecame her preferred colours; instead of dark \nwood, she created furniture out of shining \nsteel tubing. Stagnation was alien to her, and \nso the self-taught artist designed and built the \nVilla E1027 on the Mediterranean coast near \nMonaco, today Gray’s iconic gesamtkunstwerk  \npar excellence. Blue, yellow and white, the \nMediterranean summer colours, shone brightly \nin those auspicious times before, during the \nSecond World War, Eileen Gray fell into oblivion \nas an architect and designer. Nevertheless, \nshe continued her disciplined work and painting  \nfor three decades. She always remained  \na ‘private painter’, her paintings were never \nexhibited publicly. But she preserved the \ngouaches and collages for posterity, carefully \nglued to cardboard, inscribed on the rear  \nside, some even signed. \nIreland’s national colour green is also the colour \nof hope, something that never abandoned \nEileen Gray. She dreamed of “receiving some-\nthing enduring” in Dublin, and a quarter of  \na century after her death in 1976, this dream  \nactually came true: with an Eileen Gray exhibi-\ntion at the National Museum of Ireland, where \nthe poster for the opening featured the Non \nConformist armchair. The inclusion of the first \nrugs based on her designs in the Aram Designs \nLtd. range in 2003 and in the ClassiCon port-\nfolio in 2004 also fulfilled the designer’s last \ngreat wish that new, very special textile works \nof art might once again emerge from her  \n“old designs”.\n„Ein Leben ohne Kunst ist  \nwie eine Quelle ohne Wasser“\n“Life without art is like \na spring without water.”\nEileen Gray\nEileen Gray  \nNon Conformist Artist\nOBEN TOP Jean Désert shop front in 217 Rue du Faubourg Saint-Honoré, Paris. Photo by Eileen Gray, c. 1922  \nGOUACHE OBEN TOP Faubourg, gouache on paper by Eileen Gray, c. 1922–29 \nGOUACHE UNTEN BOTTOM Bonaparte, gouache on paper by Eileen Gray, c. 1926–35 \nGOUACHE RECHTS RIGHT Castellar, collage by Eileen Gray, c. 1920–21\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.12.png","Castellar Rug, Bibendum Armchair, Adjustable Table E1027 Black Version\nBibendum Armchair, Monte Carlo Sofa, Faubourg Rug, Adjustable Table E1027 Black Version\nAll Eileen Gray Designs are authorised by The World Licence Holder Aram Designs Ltd, London\nPhotos: Elias Hassos, Daniel Breidt, Gerhardt Kellermann, Narendra Shrestha \nHistorische Photos historic photos: Eileen Gray, © National Museum of Ireland \nImagephoto „Rug Collection“ (S. p. 4): Elias Hassos, artwork: Carsten Fock, art advisory: Martina Tauber\nText Eileen Gray – Non Conformist Artist: Charlotte Kerner, Author, Lübeck\nAlle Rechte vorbehalten. Änderungen vorbehalten, Farbabweichungen und Irrtümer sind nicht ausgeschlossen.  \nAll rights reserved. Subject to modifications. Actual colours may vary. Errors can not be excluded.\n© ClassiCon GmbH, Munich\nFollow us: @classicon\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.13.png","ClassiCon GmbH \nSigmund-Riefler-Bogen 3 \n81829 Munich \nGermany\nTel + 49 89 748133 40 \ninfo@classicon.com \nwww.classicon.com\nShowroom  \nMon.– Thu. 8:30 –17:00 \nFri. 8:30 –15:00 \nPlease make an appointment\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.14.png","Rug Production with Nettle\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.15.png","1\n2\n3\n4\nGrüne Wälder, wilde Flüsse und verschneite \nBerge – der Landstrich rund um Jiri (9), einer \nStadt im Vorland des Himalayas, wird auch die \nSchweiz Nepals genannt. Ein Ort, in dem ein \nreiches kulturelles Erbe und ein traditioneller \nLebensstil bewahrt werden. Ein Teil dessen  \nist auch das Wissen um die Verarbeitung der \nnepalesischen Nessel als Garn für Stoffe. \nDieses Verfahren wurde verfeinert, um 100% \npflanzliche Teppiche herzustellen: ein Novum \nfür die Eileen Gray-Teppichkollektion.\nIn weiten Wäldern wächst rund um Jiri die  \ndort beheimatete Nessel (1) – auch Himalaya- \nNessel genannt – wild und auf natürliche \nWeise. Nach einem Sommer in voller Blüte \nwerden im Herbst die getrockneten Stiele \ngepflückt und in einzelne Fasern getrennt (2). \nZurück im Dorf wird das Nesselgewächs in \nmehreren Arbeitsgängen von Hand bearbeitet \n(3) und in frischem Quellwasser gewaschen \n(4), weichgeklopft und getrocknet. Für eine \nbessere Farbwiedergabe wird es am Ende  \nmit weißem Lehm aufgehellt (5). Der Lehm \nkommt direkt aus der Region und wird von  \nden Einwohnern auch zum Häuserbau genutzt. \nNach einer langen Trocknungszeit werden  \ndie Fasern auseinandergezogen (6) und ähnlich \nwie bei Schafswolle in Handarbeit zu Fäden \ngesponnen (7), eingefärbt und geknüpft (8).\nTeppiche aus nepalesischer Nessel sind zu \n100% pflanzlich und entstehen in einem völlig \nnachhaltigen Verfahren. Die wild wachsenden \nPflanzen benötigen keine künstlichen Dünge- \noder Pflanzenschutzmittel und das zur Verarbei- \ntung der Fasern benötigte Wasser wird zur \nBewässerung der Felder weiterverwendet. Die \nFarbpigmente sind umweltverträglich, getestet  \nnach OEKO-TEX® STANDARD 100. Nesselfäden \nsind besonders lang und stabil und gut zu rei- \nnigen. Die ungleichmäßige Farbaufnahme der \nNesselfasern ergibt eine ganz eigene Ästhetik \ngepaart mit einem leicht seidenartigen Glanz. \n5\n6\n7\n8\n9\nGreen forests, wild rivers and snowcapped \nmountains: the region around Jiri (9), a town \nhigh up in the Himalayas, is also referred to  \nas the Switzerland of Nepal. A place where a \nrich cultural heritage and traditional lifestyle  \nare still preserved. Part of that heritage is the \nknowledge of how to process the Nepalese \nnettle into yarn for manufacturing textiles. This \nprocess has been refined to create 100% \nplant-based rugs: a new material for the Eileen \nGray rug collection. \nThe native nettle (1) – also called Himalayan \nnettle – grows wild and naturally in the vast \nforests around Jiri. Following the summer \nbloom, the dried stems are harvested in the \nautumn and separated into individual fibres (2). \nBack in the village, the nettle plants are pro- \ncessed manually (3) and, using several different \nstages, washed in fresh mountain rain water \nwithout any additives (4), beaten soft and dried. \nAt the end of the process and for better colour \nrendering, the nettle is eventually lightened \nwith white clay (5), which is sourced directly \nfrom the region. The locals also use it to build \nhouses. After a long period of drying, the \nfibres are plucked apart (6) and, similar to \nsheep’s wool, are spun into threads (7), dyed \nand knotted (8). \nRugs made of Nepalese nettle are 100% plant- \nbased and created using an entirely sustainable \nmethod. For their cultivation, the wild-growing \nplants do not require any other resources such \nas arable land or water – and no artificial ferti- \nlisers or pesticides are used. The water required \nto process the fibres is reused to irrigate the \nfields. The colour pigments are environmentally \nfriendly and tested according to the OEKO-TEX® \nSTANDARD 100. Nettle fibres are particularly \nlong, durable and easy to clean. As the nettle \nfibres absorb the dye unevenly, the process \nresults in a very unique aesthetic paired with  \na slightly silky sheen. \n100% Plant-based\nZukunftsweisend und umweltbewusst: Nessel \nInnovative and environmentally conscious: nettle\n",15,{"image":74,"text":63,"number":75},"\u002Fmedia\u002Fimages\u002Fbd\u002F72024dfdd2a3d3421b2be05727a40a-2871b68a54.16.png",16,[],0,false,true,{"success":79,"data":81,"meta":302,"count":303,"next":304,"previous":305,"results":343,"brand_chips":404},[82,95,105,115,125,135,145,155,165,177,190,203,213,226,239,249,259,269,279,292],{"id":83,"title":84,"slug":85,"image":86,"source":87,"brand_name":88,"brand":89,"brand_slug":90,"file_size":91,"pages":92,"pages_count":93,"matched_pages":94,"match_count":77,"two_pages":78,"show_text":79},26607,"Working 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