[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-cassina-maralunga-2016":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":208},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":203,"matched_pages":204,"match_count":205,"two_pages":206,"show_text":207},8051,"Maralunga 2016","cassina-maralunga-2016","\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F14\u002F007b20c86360283761482dfff5a7bb.pdf","Cassina",1134,"cassina","1.5 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,200],{"image":7,"text":15,"number":16},"Maralunga\nSince 1974\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.3.png","Maralunga 2016\nwww.cassina.com\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.4.png","Cassina\nMaralunga\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.5.png","Maralunga 40-S\nDimensions\nMaralunga video\nFinishes\nThe history of Maralunga\nMaralunga 40\nMaralunga\nVico Magistretti\n38\n42\n40\n4\n6\n12\n30\n20\nContents \n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.6.png","Vico Magistretti (1920-2006)\nwas born in Milan, where he \ngraduated in architecture in \n1945. \nIn Milan he also plied his \ntrade, chiefl y in the fi elds of \narchitecture, town planning and \nindustrial design. Giving lessons \nand lectures in Italy and abroad, \nfrom Milan to New York, from \nParis to London, a city to which \nhe is particularly devoted, he was \nan “honorary fellow” of the Royal \nCollege of Art since 1983.\nAll the objects that he designed \nmay be found in the most \nimportant design of the world. \nMagistretti’s research has been \ncontinuous - into design, the \nculture of the project and\nInnovative experimentation with \nmaterials and space solutions, \nnot to mention shapes and \nfunctions - far from the rigours \nof fashion that they have passed \nthrough during the years. He \nstarted designing for cassina \nin 1960, and from that date on \nhis signature is to be found on \nseveral products. We recall \nin particular the maralunga \nsofa and the nuvola rossa \n(1977) bookcase, which are \nstill indisputable international \nbest-sellers and have provoked \nhordes of imitations wh ich \nhave not been able to echo \neven faintly the success of the \noriginals.\nVico Magistretti wurde 1920 \nin Mailand geboren. In dieser \nStadt erwarb er 1945 auch sein \nUniversitätsdiplom für Architektur \nund übte er seinen Beruf in den \nBereichen Architektur, Städtebau  \nIndustrie-Design aus. Er hielt \nVorlesungen und Konferenzen \nin Italien und im Ausland, von \nMailand bis New York, von Paris \nbis London, der Stadt, zu der er \neine besonders enge Beziehung \nunterhielt und in der er ab 1983 \n„Honorary Fellow“ des Royal \nCollege Art war. Die von ihm \ngestalteten Gegenstände sind \nin den bedeutendsten Design-\nMuseen der Welt ausgestellt, \ndie ihm auch Ausstellungen \nwidmeten und seine Werke in \ndie permanenten Kollektionen \naufnahmen.\nUnentwegt forschte er auf \nden Gebieten des Designs, \nder Gestaltungskultur und \nder innovativen Erprobung \nvon Materialien, suchte \nRaumgestaltungslösungen \nsowie  Formen und Funktionen, \ndie in ihrer Strenge von den \nModeerscheinungen absahen, die \ndie letzten Jahrzehnte geprägt \nhaben. Für Cassina entwarf und \nsignierte er ab 1960 zahlreiche \nProdukte, darunter das Sofa \nMaralunga und das Bücherregal \nNuvola Rossa (1977), die auch \nheute noch unbestrittene, \ninternationale Bestseller sind \nund scharenweise  Imitationen \nbewirkt haben, denen es jedoch \nnicht gelungen ist, den Erfolg der \nOriginale auch nur im geringsten \nMaße anzutasten.\nVico Magistretti (1920-2006)\nIl est né à Milan en 1920, ville \noù il a obtenu sa maîtrise \nen architecture en 1945 et \noù il a exercé son activité \nprofessionnelle en s’occupant \nd’architecture, d’urbanisme et de \ndesign industriel.\nIl a donné des cours et des \nconférences en Italie et à \nl’étranger, de Milan à New-\nYork, de Paris à Londres, \nville à laquelle il est resté \nparticulièrement attaché et où il \nest devenu, en 1983, « Honorary \nFellow » du Royal College of \nArt. Les objets qu’il a conçus \nse trouvent dans les musées \nde design les plus importants \ndu monde, qui lui ont dédié \ndes expositions et qui ont \naccueilli ses œuvres dans leurs \ncollections permanentes.\nIl a mené des recherches \nconstantes dans le design, dans \nla culture du projet et dans \nl’expérimentation innovatrice de \nmatériaux, d’espaces innovants, \nde formes et de fonctions dont \nla rigueur était étrangère aux \nmodes qui ont traversé les \ndernières décennies. À partir \nde 1960 il a conçu et signé pour \nCassina de nombreux produits, \ndont le canapé Maralunga \net la bibliothèque Nuvola \nRossa (1977), qui sont encore, \nincontestablement, des best-\nsellers internationaux et qui ont \ncréé des hordes d’ « imitateurs \n» qui n’ont d’ailleurs pas réussi \nà porter atteinte au succès des \noriginaux.\nENG\nFRA\nDEU\nVico Magistretti (1920-2006) \nÈ nato a Milano nel 1920, città nella quale si è laureato in architettura nel 1945 e dove ha \nsvolto la sua attività professionale occupandosi di architettura, urbanistica, industrial design. \nHa tenuto lezioni e conferenze in Italia e all’estero, da Milano a New York, da Parigi a Londra, \ncittà alla quale era particolarmente legato e dove fu “ Honorary Fellow” del Royal College \nof Art dal 1983. Gli oggetti da lui disegnati si trovano nei più importanti musei di design del \nmondo che gli hanno dedicato mostre e accolto le sue opere nelle loro collezioni permanenti. \nContinua è stata la sua ricerca nel design, nella cultura del progetto e nella sperimentazione \ninnovativa di materiali, di soluzioni spaziali, nonché di forme e funzioni lontane nel loro rigore \ndalle mode che hanno attraversato gli ultimi decenni. Per Cassina ha disegnato dal 1960 e \nha fi rmato numerosi prodotti, tra i quali il divano Maralunga e la libreria Nuvola Rossa (1977) \nche sono tuttora indiscutibilmente dei best -seller internazionali e che hanno creato orde di \n“imitatori “ che non sono però riusciti a scalfi re il successo degli originali.\nITA\nVico Magistretti\n4\nCassina\nMaralunga\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.7.png","“A me piace il concept design, quello che \nè talmente chiaro che puoi anche non \ndisegnarlo. Molti dei miei progetti li ho \ntrasmessi al telefono” \nVico Magistretti\n“I like the concept of design; concepts so clear\nyou needn’t even design them I have described \nmany of my projects down the phone” \nVico Magistretti\n5\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.8.png","The history of Maralunga\n1973\n1981\n1974\n1979\n1989\nVico Magistretti designs \nthe Maralunga sofa\n\"The Dark Side of the Moon\" by \nPink Floyd' is released\nProduction of the \nMaralunga begins\nFall of the Berlin wall\nInvention of the walkman\nMaralunga wins the Compasso d'Oro award\nMaralunga enters the NY \nMoMa's collection\nMagistretti re-designs \nCassina's Milan Showroom\nErnő Rubik \ninvents the Rubik Cube\nABBA wins the Eurovision music contest\n6\nCassina\nMaralunga\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.9.png","1994\n1991\n2014\n2006\n2015\nTo  be \ncontinued..\nDeath of Vico Magistretti\n3D printing, \ninvented by Charles Hull, \nspreads worldwide\nEXPO in Milan\nMagistretti wins the \nCompasso d'Oro award \nfor his career\nMaralunga Campaign “a thousand years from now”\n\"A thousand years from now, \nwho knows what we’ll talk about?\"\nFirst Website online\nTwitter is launched\nBirth of Dolly: \nthe first mammal ever cloned\nCassina wins the Compasso d'Oro award\nMaralunga's 40th birthday\nBirth of Maralunga 40\nCassina celebrates the 40th \nAnniversary of Maralunga by \nVico Magistretti\n2016\nMaralunga sofa designed by Vico Magistretti\nat Shore House by Mount Fuji Architects, Japan\ncassina.com\nThe Other Conversation\nMaralunga Campaign \n“The Other Conversation”\n7\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.10.png","Il Pugno, 1973\nThe Punch, 1973 \nLegend has it that Cesare \nCassina punched a sofa \nprototype shown to him by \nVico Magistretti which did not \ncompletely fulfi l his requirements \nfor extreme comfort. This clumsy \npunch to the sofa broke its back, \nwhich gave the Milan-based \narchitect an idea on how to \nrefashion a traditional model. \nThe Maralunga sofa won the \nCompasso d’oro award, and \nimmediately enjoyed great \nmarket success. This model \nintroduced the idea of an \nadjustable headrest to get a high \nor low-backed version. It was \nvery successful internationally \n(and subject to numerous \nimitations). This innovation is \nnot in view, and so the main \nfeatures of the sofa can be \namply illustrated by describing \nits reassuring look, the extreme \nsimplicity of its padding, the \nease of movement, adjustable \npositions and plush feel.\nDer Faustschlag, 1973\nEine Anekdote erzählt, dass \nCesare Cassina mit der \nFaust auf einen ihm von Vico \nMagistretti gezeigten Prototyp \nschlug, der den extremen \nKomfortanforderungen nicht voll \nund ganz gerecht wurde.\nDer Bruch der nicht gelungenen \nRückenlehne wurde für den \nMailänder Architekten zur \nErleuchtung. Er erkannte in \nder ungeschickten Bewegung \neine intuitive Anregung zur \nErneuerung eines traditionellen \nGegenstandstyps. Das Sofa \nMaralunga, dem der Compasso \nd´oro verliehen wurde, erwies \nsich sofort als ein äußerst \nwirkungsvolles und den Markt \nbeeindruckendes Objekt. Dieses \ninternationale Erfolgsmodell (das \nzugleich Gegenstand zahlreicher \nImitationen wurde) war durch die \nInnovation geprägt, mit der eine \nandersartige Kopfstütze und \nsomit eine Variante mit hoher \noder niedriger Rückenlehne \neingeführt wurde.\nDie nicht zur Schau gestellte \nInnovation und das daraus \nerwachsende entspannte, \neinfache Antlitz des \nPolstermöbels, die Magie seiner \nBewegung, die neuartigen \nGebrauchsmerkmale und die \nvon ihm ausgestrahlte Fülle und \nWeichheit sind die dieses Modell \nprägenden Hauptmerkmale.\nLe Coup de poing, 1973\nUne anecdote raconte qu’un \ncoup de poing a été lancé par \nCesare Cassina à un prototype \nprésenté par Vico Magistretti \nqui n’arrivait pas à répondre \nde manière satisfaisante à la \ndemande de confort extrême.\nLa cassure, par le coup de poing, \ndu dossier mal réussi illumina \nl’architecte milanais, qui repéra \ndans ce mouvement maladroit un \ncritère intuitif pour rénover une \ntypologie traditionnelle.\nLe canapé Maralunga, gagnant \ndu Compasso d’Oro, apparu \ntout de suite comme un objet \ntrès fort et de grand impact sur \nle marché. Ce modèle, qui fut \nun grand succès international \n(et l’objet de nombreuses \nimitations), introduisit l’innovation \ndu changement de position de \nl’appui-tête pour obtenir une \nversion à dossier haut ou bas.\nSes traits saillants se résument \nainsi : l’innovation sans \nexhibition, et ainsi l’aspect \nrassurant et extrêmement simple \ndu rembourrage, la magie du \nmouvement, la modifi cation des \nperformances et l’image donnée \nde moelleux et de douceur.\nENG\nFRA\nDEU\nL’aneddotica racconta di un pugno sferrato da Cesare Cassina a un prototipo presentato \nda Vico Magistretti che non riusciva a rispondere in maniera esaustiva a una richiesta di un \ncomfort estremo. \nLa conseguente rottura dello schienale mal riuscito illuminò l’architetto milanese che \nindividuò nel maldestro movimento un intuitivo criterio per rinnovare una tipologia tradizionale. \nIl divano Maralunga, vincitore del Compasso d’oro, si presentò da subito come un oggetto \ndi grande forza ed impatto sul mercato. Grande successo internazionale (ed oggetto di \nnumerose imitazioni), questo modello introdusse l’innovazione della variazione del poggiatesta \nper ottenere una versione a schienale alto o basso. \nL’innovazione non esibita, e quindi l’aspetto rassicurante e di estrema semplicità \ndell’imbottito, la magia del movimento, la modifi ca delle prestazioni e l’immagine soffi  ce e di \nmorbidezza comunicata, ne riassumono pienamente le caratteristiche salienti.\nITA\nThe history of Maralunga\n8\nCassina\nMaralunga\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.11.png","Magistretti said “there, great, that looks \nperfect to me” and Cesare dared to say \n“we’ll sell lots of them” once he found the \nsolution; a prophet even in his own country\nIn Vico Magistretti. The King and Queen by Beppe Finessi  from \nthe book Made in Cassina, 2008 Skira edited by G.Bosoni\nMagistretti al volo disse, “ecco, benissimo, \ncosì mi sembra perfetto”, e ancora Cesare \nche una volta trovata la soluzione azzardò \nun “ne venderemo tantissimi”, profeta non \nsolo in patria\nDal libro Made In Cassina, 2008 Skira a cura di G.Bosoni. Tratto da \nBeppe Finessi Vico Magistretti. Il re e la regina\n9\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.12.png","Schienale alto o schienale basso?\n10\nCassina\nMaralunga\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.13.png","High back or low back?\n11\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.14.png","La materializzazione dell’idea \nstessa di comfort. Compasso \nd’oro nel 1979, conta \nnumerosissime imitazioni. \nPoltrona, pouf e divani a due o \na tre posti. Struttura in acciaio; \nbasi di appoggio in materiale \nplastico nero, grigio o beige. \nImbottitura in poliuretano \nespanso schiumato privo di CFC \ne ovatta di poliestere. Cuscini \nsedile in poliuretano espanso e \novatta di poliestere. Schienale \ndotato di poggiatesta ribaltabile, \nutilizzabile in posizione bassa \no alta, con convertibilità \nistantanea. Nei divani il \npoggiatesta è indipendente per \nogni singolo posto. Rivestimento \nin tessuto o pelle.\nComfort made manifest in one \ngreat design. Compasso d’Oro \nin 1979, and naturally spawned \ncountless imitations.\nArmchair, ottoman and two \nor threeseater sofas. Steel \nframe and black, grey or beige \nplastic material base. CFCfree \npolyurethane foam and polyester \npadding. Seat cushions in \npolyurethane foam and polyester \npadding. Back with movable \nheadrest which is istantaneously \nconvertible from the low to the \nhigh position. The sofa headrests \nare individual and independent \nfor each seat. Fabric or leather \nupholstery.\nITA\nDEU\nENG\nFRA\nLa matérialisation de l’idée de \nconfort. Compasso d’Oro en \n1979, Maralunga compte de très \nnombreuses imitations.\nFauteuil, pouf et canapés à deux \nou trois places. Structure en \nacier; bases d’appui en matière \nplastique noire. Rembourrage \nen mousse de polyuréthane \nsans CFC et ouate de polyester. \nCoussins d’assise en mousse \nde polyuréthane et ouate de \npolyester. Dossier doté d’un \nappui-tête rabattable, utilisable \nen position basse ou haute, avec \nconvertibilité instantanée. Pour \nles canapés, l’appui-tête est \nindépendant pour chaque place. \nRevêtement en tissu ou en cuir.\nDie Materialisierung der Idee \nvon Komfort; erhielt 1979 den \nCompasso d´Oro; wurde vielfach \nimitiert.\nSessel, Hocker und zwei- und \ndreisitzige-Sofas. Stahlgestell; \nschwarze Kunststoff gleiter. \nPolsterung aus FCKW-freiem \nSchaumpolyurethan und \nPolyesterwatte. Sitzkissen \naus Schaumpolyurethan und \nPolyesterwatte. Rückenlehne \nmit einer Kopfstütze, die mit \neinem schnellen Handgriff  in \ndie niedrige oder hohe Stellung \numklappbar ist. Sofas mit \ngetrennten Kopfstützen für jeden \nSitz. Stoff - oder Lederbezug.\nMaralunga\n12\nCassina\nMaralunga\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.15.png","13\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.16.png","14\nCassina\nMaralunga\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.17.png","15\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.18.png","Deadline\n083.22\nAtacama\n084.96\n16\nCassina\nMaralunga\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.19.png","Maralunga\n675.06\nMorandi 13L342\nWink\n111.80\nGerrit 13O625 + 13O613\nWink\n111.83 - Gerrit 13O633\n111.84 - Gerrit 13O613\nTorei\n381.91\n381.24\n9\n194.52 \n194.83\n17\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.20.png","Maralunga\n675.06\nGerrit 13O643 + 13O612\nLC3\n003.1R\nEverest 13O506\nBlack Red and Blue\n635.03\nTorei\n381.P3\n381.C5\n381.91\nRéaction Poétique\n081.06\n18\nCassina\nMaralunga\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.21.png","Atacama\n084.91\nDeadline\n083.22\n19\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.22.png","In occasione dei 40 anni di \nMaralunga Cassina presenta \nuna versione rinnovata, con un \nrivestimento in tessuto o pelle \ncon una caratteristica cucitura \nlungo il profi lo perimetrale per \nrenderlo ancora più moderno \ne contemporaneo. Per gli \nelementi di appoggio a terra, si \naggiungono al nero due nuovi \ncolori: grigio tortora e grigio \nchiaro. Questa proposta affi  anca \nil Maralunga classico per off rire \nuna scelta più ampia per tutti gli \nambienti e per tutte le età.\nTo celebrate this special \nanniversary, Cassina presents \nthe new Maralunga ‘40 version, \nupholstered in fabric or leather \nwith distinctive stitching \naround the edges, which gives \nit an even more modern and \nyouthful appearance. The \nground supports will be in two \nnew colors in addition to black: \ndove gray and light gray. This \nnew version joins the classic \nMaralunga to off er a more ample \nchoice to suit all settings and, \nmost of all, all ages.\nAus Anlass des 40. Jubiläums \nvon Maralunga präsentiert \nCassina eine neu gestaltete \nAusführung mit einem Stoff - \noder Lederbezug, der eine \ntypische Naht am Umfangsprofi l \naufweist, um dem Modell einen \nmoderneren, zeitgenössischeren \nCharakter zu verleihen. Die zur \nAbstützung auf dem Boden \ndienenden Gleiter sind nun \naußer in schwarzer Farbe auch \nin den beiden neuen Farben \nTurteltaubengrau und Hellgrau \nerhältlich. Diese Variante gesellt \nsich zum klassischen Maralunga-\nModell, um eine immer breiter \ngefächerte Produktpalette für \nalle Ambiente und jedes Alter \nbieten zu können.\nÀ l’occasion des 40 ans du \nMaralunga, Cassina en présente \nune version renouvelée, avec \nun revêtement en tissu ou \nen cuir orné d’une couture \ncaractéristique le long du \npourtour pour le rendre encore \nplus moderne et contemporain. \nPour les éléments d’appui au sol, \nau noir s’ajoutent deux nouvelles \ncouleurs : gris tourterelle et gris \nclair. Cette proposition s’ajoute \nau Maralunga classique, pour \noff rir un éventail plus large pour \ntous les milieux et pour tous les \nâges.\nENG\nENG\nFRA\nDEU\nMaralunga 40\nNews 2014\n20\nCassina\nMaralunga\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.23.png","21\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.24.png","22\nCassina\nMaralunga\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.25.png","23\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.26.png","Maralunga 40\n675.A3\nPanorama 13F808\nLady\n720.03\nEverest 13O085\nRefolo\n514.04\n9\n194.52\n194.05\nWink\n111.80\nGerrit 13O322 + 13O631\n24\nCassina\nMaralunga\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.27.png","Deadline\n083.22\nAtacama\n084.95\n25\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.28.png","Maralunga 40\n675.A7\nSavana 13E393\nP22\n395.82\nGerrit 13O643\nRéaction Poétique\n081.06\nTorei\n381.P3\n381.24\n381.91\nDeadline\n083.22\n26\nCassina\nMaralunga\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.29.png","Atacama\n084.92\n27\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.30.png","Deadline\n083.22\nAtacama\n084.95\n28\nCassina\nMaralunga\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.31.png","Utrecht\n637.01\u002F5\nGerrit 13O615\nDeadline\n083.22\nMaralunga 40\n675.A7\nGerrit 13O641\nRéaction Poétique\n081.06\nTorei\n381.P3\n381.24\n381.91\n29\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.32.png","In occasione dei suoi 40 anni, \nCassina prosegue con l'apporto \ndi innovazioni allo storico \nmodello e presenta una versione \ndi Maralunga40 alla quale \naggiunge la caratteristica della \nsfoderabilità.\nIl rivestimento sfoderabile per \nil modello Maralunga 40-S \npuò essere esclusivamente in \ntessuto.\nPer gli elementi di appoggio \na terra, si aggiungono al nero \ndue nuovi colori: grigio tortora e \ngrigio chiaro.\nQuesta proposta affi  anca il \nMaralunga classico per off rire\nuna scelta più ampia per tutti gli \nambienti e per tutte le età.\nTo mark its 40th anniversary, \nCassina continues to innovate \nits historic model and presents \na version of  Maralunga40 with \nthe added feature of removable \ncovers.\nFor the Maralunga 40-S model, \nthese covers are available \nexclusively in fabric.\nBlack is joined by two new \ncolours for the legs: dove grey \nand pale grey.\nThis version joins the classic \nMaralunga for an even wider \nrange of choice to suit all \nsettings and all ages.\nÀ l’occasion des 40 ans \nde ce modèle historique, \nCassina continue d’y faire \ndes apports innovants et \nprésente une version de \nMaralunga40 à laquelle il \najoute la caractéristique de la \ndéhoussabilité.\nPour le modèle Maralunga 40-S, \nle revêtement déhoussable doit \nêtre exclusivement en tissu.\nPour les éléments d’appui au sol, \nau noir s’ajoutent deux nouvelles \ncouleurs : gris tourterelle et gris \nclair.\nCette proposition s’ajoute au \nMaralunga classique, pour off rir \nun éventail plus large pour tous \nles milieux et pour tous les âges.\nAus Anlass seines 40. \nJubiläums fügt Cassina weitere \nInnovationen zum historischen \nModell hinzu und präsentiert \neine Ausführung Maralunga40 \nmit abziehbarem Bezug als \nzusätzlichem Produktmerkmal.\nDer abziehbare Bezug des \nModells Maralunga 40-S kann \nausschließlich als Stoff bezug \nerstellt werden. \nFür die zur Abstützung auf \ndem Boden dienenden Gleiter \nkommen nun zur Farbe Schwarz \nnoch die beiden Farben \nTurteltaubengrau und Hellgrau \nhinzu. \nDiese Variante gesellt sich \nzum klassischen Maralunga-\nModell, um eine immer breiter \ngefächerte Produktpalette für \nalle Ambiente und jedes Alter \nbieten zu können.\nITA\nENG\nFRA\nDEU\nMaralunga 40-S\nNews 2015\n30\nCassina\nMaralunga\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.33.png","31\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.34.png","32\nCassina\nMaralunga\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.35.png","33\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.36.png","Maralunga 40-S\n675.S7\nEverest 13O119\nP22\n395.82\nGerrit 13O643\nTorei\n381.P3\n381.C5\n381.91\nRéaction Poétique\n081.07\nUtrecht\n637.01\u002F5\nGerrit 13O615\n34\nCassina\nMaralunga\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.37.png","Deadline\n083.22\nAtacama\n084.93\n35\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.38.png","Maralunga 40-S\n675.S3\nMorandi 13K782\n36\nCassina\nMaralunga\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.39.png","Lady\n720.03\nGerrit 13O641\n9\n194.05\n194.14\nRefolo\n514.04\nDeadline\n083.22\nAtacama\n084.92\n37\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.40.png","Dimensions\narmchair\nsofas\nottoman\n72  \n28.4\"\n99  \n39\"\n45  \n17.7\"\n72 \n28.4\"\n166  \n65.4\"\n190  \n74.8\"\n45  \n17.7\"\n88  \n34.6\"\n31  \n12.2\"\n31  \n12.2\"\n27  \n10.6\"\n45  \n17.7\"\n55  \n21.7\"\n65\n25.6\"\n100\n39.4\"\n72 \n28.4\"\n72 \n28.4\"\n72 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Except for the really \nfascinating statements.\nMaralunga Campaign “a thousand years from now” 1991\nGli argomenti cambiano, \ni più interessanti restano.\nCampagna Maralunga “Di cosa parleremo tra mille anni” 1991\n39\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.42.png","Maralunga\nMaralunga 40\nMaralunga 40-S\nARAT 1-2\nAIRONE\nAKIRA\nCANVAS\nCHAMP\nCHARLOT\nCORRAL\nDIVINA 3\nEVEREST\n           Annapurna\n           Nepal\nFIELD\nGERRIT\nLANDPLOTS\nLEATHER - EXTRA\nLEATHER - NATURAL\nLEATHER - SCOZIA\nLEMPICKA\nMELANGE\nMOON\nMORANDI\n           Lario\nPAMIR\nPANAMA\nPANORAMA\nPERBACCO\nREMIX\nSAVANA\nSTEELCUT TRIO 2\nTONUS 3\nVELLUTO BICOLORE\nVIZIR\nFinishes\nFoot colours\nnero \u002F black \u002F\nschwartz \u002F noir\ngrigio \u002F grey \u002F\ngrau \u002F gris\nbeige \u002F beige \u002F\nbeige \u002F beige\nCassina\nMaralunga\n40\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.43.png","Cassina's manufactury, Meda, 1997\n“I could never imagine designing furniture \nor anything that wouldn’t last long – it’s just \nsomething I couldn’t do. I have never made \ncardboard furniture or anything else that \nwas designed to deteriorate. I think a good \ndesign should not be fi nite, but go in and \nout of vogue over long time spans, retaining \nits potency even after a hundred years.”\nVico Magistretti\n“...non penso di progettare mobili e cose \nche avranno una vita breve, altrimenti \nrinuncerei in partenza. Non ho mai fatto \nmobili di cartone o altro materiale destinato \na deteriorarsi. Secondo me, un buon \ndisegno non deve avere mai fi ne, ma tende \na ripetersi in un arco di tempo molto lungo e \nresterà valido anche fra cento anni.” \nVico Magistretti\n41\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.44.png","Maralunga video, 2014\n1970s\n1980s\nCassina\nMaralunga\n42\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.45.png","2000s\n1990s\n2010s\n43\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fb2\u002Fc9a91802265e88676df994f742860b.46.png","Cassina S.p.A. \n1, Via Busnelli \nI – 20821 Meda (MB) \nTel.  + 39 0362372.1 \nFax + 39 0362342246 \nwww.cassina.com\ninfo@cassina.it\nCopywriter\n—\nBarbara Lehmann\nGraphic Design\n—\nMaria Francesca Zanasi \nPhoto\n—\nGiuseppe Brancato\nStefano De Monte\nArchive photography\n—\nPag. 9 Maria Mulas\nPag. 5, 10,  Archivio \nStudio Magistretti, \nFondazione Magistretti 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