[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-carl-hansen-and-son-collection-2024":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":573},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":568,"matched_pages":569,"match_count":570,"two_pages":571,"show_text":572},24394,"Collection 2024","carl-hansen-and-son-collection-2024","\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fdc\u002F005545c615fe3b4f56bc35ad2410ec-28f5fd2672.pdf","Carl Hansen and Son",2477,"carl-hansen-and-son","27.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473,477,481,485,489,493,497,501,505,509,513,517,521,525,529,533,537,541,545,549,553,557,561,565],{"image":7,"text":15,"number":16},"COLLECTION\nSHAPING THE FUTURE\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.2.png","CH24 Wishbone Chair\nWood: walnut oil. Paper cord: natural\nSINCE 1908, CARL HANSEN & SØN HAS \nPLAYED AN INTEGRAL ROLE IN PASSING ON \nTHE LEGACY OF INNOVATIVE, CONSIDERED \nDESIGN TO THE NEXT GENERATION. PLACING \nOUR HERITAGE OF CRAFT IN THE HANDS OF \nVISIONARIES HAS BECOME THE RED THREAD \nTHROUGHOUT OUR DESIGN DNA. \nWe continue to honour the founding fathers of Danish modernism, whose enduring and far-\nreaching influence shapes contemporary visionaries, bridging our heritage from the past, into \nthe future. From the simplistic yet exacting geometry of Kaare Klint’s early modern furniture that \nwould guide a young Hans J. Wegner, to Rikke Frost and EOOS’s contemporary, organic shapes \nas updated iterations of the modernist design language, paving the way for new ways \nof imagining furniture. \nNurturing relationships with designers has been key to Carl Hansen & Søn’s legacy since the \nvery beginning in 1908. With one hand preserving traditional craftsmanship and a keen eye \ntrained on shaping the future of design, we continue to collaborate with new and established \ndesigners, crafting furniture that creates a dialogue between the past, present, and future. \nFRONT-PAGE\nCH24 Wishbone Chair\nWood: walnut oil. Paper cord: natural\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.3.png","2\nThinking back to my childhood, I clearly remember my grandfather, \nCarl Hansen, and his passion for the company he founded in 1908. When I \nwas a kid, my grandfather’s workshop was my playground. It was a magical \nplace: the sounds of working tools, people laughing, telling stories, and \nnaturally the indulging scent of freshly cut wood.\n  \nOne memory that stands out is watching Hans J. Wegner and a group \nof cabinetmakers working on a prototype: a new rocking chair. That day, I \nwitnessed the great man in his right element: experimenting, collaborating, \npushing boundaries. Throughout his life, Wegner believed that a design was \nnever really finished. So, he kept improving his existing works until he felt they \nwere ready. However, he was never completely satisfied. Just like Wegner, this \npassionate pursuit of excellence has always been at the heart and soul of \nCarl Hansen & Søn. \n  \nA lot has changed since the days in my grandfather’s workshop. Today, \nwe are using state of the art technology to complement the artisanal \ncraftsmanship in ways my grandfather would never have imagined. The \ncompany has entered the global design stage, and our collection has grown \n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.4.png","4\n5\nsignificantly, offering high-end furniture from a carefully curated group of \ndesigners such as Kaare Klint, Børge Mogensen, Bodil Kjær, Nanna Ditzel \nand many more. Furthermore, the collection now also offers an exclusive \nselection of accessories, lighting, and rugs completing the Carl Hansen & Søn \nexperience.  \n \nThe pursuit of perfection, like the act of designing itself, is a journey that \ncan never truly be finished. It is the work of generations. And it is the red \nthread that connects the past, present, and future of everything we do at \nCarl Hansen & Søn. \n  \nI wish you a pleasant time browsing our collection of iconic designs.  \nKNUD ERIK HANSEN, CEO AND THIRD GENERATION OWNER\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.5.png","6\n7\nINTRODUCTION\nBRAND HISTORY\nOUTDOOR\nFURNITURE\nOUR DESIGNERS\nBRAND HISTORY\n2\n6\n8\nPRODUCT\nTABLE OF\nCONTENTS\nOVERVIEW\nCHILDREN’S\nFURNITURE\nPRODUCT\nLIGHTING\nPRODUCT\nSOFAS\nPRODUCT\nDINING TABLES\nAND DESKS\nPRODUCT\nCOFFEE TABLES\nPRODUCT\n92\n110\n124\n178\n186\n198\n14 \n44\n81\nCHAIRS\nPRODUCT\nLOUNGE CHAIRS\nAND FOOTSTOOLS\nPRODUCT\nTHE FIRST \nMASTERPIECES\nSTORY\nMATERIAL & \nILLUSTRATED GUIDE\nCOLLECTION INDEX\nSELECTED\nACCESSORIES\nPRODUCT\nWONDERS \nOF WOOD\nSTORY\nSTORAGE\nPRODUCT\nSHAPES OF \nILLUMINATION\nSTORY\nDAYBEDS, BEDS, \nAND BENCHES\nPRODUCT\n145 \n156\n168\n216 \n225\n233\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.6.png","8\n9\nALL DESIGNERS AND THEIR WORK ARE \nUNITED BY THE POWERFUL IDEA THAT \nMODERN DESIGN CAN ENHANCE THE HUMAN \nEXPERIENCE. WE INVITE YOU TO EXPLORE \nOUR COLLECTION THAT SHAPES SPACES \n– INDOOR AND OUTDOOR – WITH DANISH \nCRAFTSMANSHIP, TIMELESS ELEGANCE AND\nFUNCTIONALITY.\nOur story began in 1908 when Danish cabinetmaker Carl Hansen opened a small furniture \nworkshop on the island of Funen. Over the years, the success of our family business has \ndepended on two core principles: an uncompromising commitment to traditional craftsmanship \nand alliances with exceptional designers who continually define the concept of modern design.\nFor over 110 years, we have specialised in bringing visionary design concepts to life. Our long-\nstanding goal passed down through generations of the Hansen family remains to gather the best \nmodern furniture designs under one roof and to share these icons with the world.\nWe continue to emphasise the importance of balancing classic craftsmanship with innovative \nmodern technology, establishing new relationships with the families of designers from the 20th \ncentury and elevating the work of new talent. \nHANS J. WEGNER\nRenowned for his playful shapes, great insight into craftsmanship and \nuncompromising approach to functionality, Hans J. Wegner’s (1914-\n2007) never-ending curiosity about natural materials, deep respect for \nthe nature and inherent potential of wood fueled him throughout his \nentire career.\nBØRGE MOGENSEN\nThe democratic furniture designs of Børge Mogensen (1914-1972) \nrepresent a subtle aesthetic with emphasis on strong constructions \nand lasting materials that act as decoration. Mogensen insisted on \ndesigning furniture that placed humans at the center, and that could \nadapt to people’s changing needs throughout a lifetime.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.7.png","10\n11\nARNE JACOBSEN\nOne of Denmark’s best-known architects, Arne Jacobsen (1902-\n1971), has become synonymous with modernism throughout \nthe world. Striving for an ideal balance of organic simplicity and \nfunctionalism, his precise yet expressive aesthetic continues to \nexcite design enthusiasts to this day.  \nVILHELM LAURITZEN\nWith the aim to design playful spaces and organic shapes that could \nsurprise and please his audience at the same time, Vilhelm Lauritzen \n(1894-1984) often worked on creating an all-encompassing work of art \nin which he could express his ideas of both the interior and the exterior \nin a single, organic concept.  \nRIKKE FROST\nDanish designer Rikke Frost (b. 1973) is guided \nby her manifest “Minimal, Magical, Mindful”, \nwhich creates the red thread in all her works. \nKnown for combining various craft traditions \nand types of materials, her portfolio of \ncontemporary designs utilises the past to lead \nus into future.  \nBODIL KJÆR\nFocusing on the construction of furniture \nfrom a functional, economic, and aesthetic \nperspective - always in interplay with modern \narchitecture, Bodil Kjær (b. 1932) aims to \ncreate “architectural elements” that adapt to \nthe changing needs of people.\nKAARE KLINT\nAs a pioneer of functionalism, Kaare Klint (1888-1954) \nemphasised the study of proportions, analysing the \ndimensions of the human body with the purpose to refine the \nfunctionality of his furniture designs. Throughout his career, \nKlint kept refining his design approach based on mathematics \nand geometry rather than feelings and looks. \nEOOS\nThe designs of EOOS (est. 1995) derive from their \nPoetical Analysis® approach; a unique process that \nfocuses on myths, rituals, and intuitive expressions, as a \nresearch tool to solve complex design challenges. With \ntheir poetical starting point, EOOS strives to design \nfurniture that reacts with an open mind to the users’ \nevolving needs and wants.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.8.png","12\n13\nCH36 Chair, CH37 Chair, CH44 Lounge Chair, CH45 Rocking Chair, CH53 Footstool\nWood: oak oil. Paper cord: natural\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.9.png","CHAIRS\n \nuncompromising   \ncraftsmanship \niconic  \nhonest \n \ndesign \n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.10.png","16\n17\nA piece of \nminimalism\nThe beauty of \nnatural materials\nHans J. Wegner designed the stackable CH20 Elbow Chair in 1956. After crafting two prototypes, he set \nthe production-intensive chair design aside in his archives, where it remained for nearly half a century. \nThe Elbow Chair’s characteristic steam-bent backrest is crafted from a single piece of solid wood. The \nchair’s unique rail construction under the seat in form-pressed veneer adds optimal stability with a light \nand floating expression above the legs.\n1956\nHans J. Wegner\nCH20 ELBOW CHAIR\n1950\nHans J. Wegner\nCH23 CHAIR\nThe CH23 Chair was one of the first chairs Hans J. Wegner designed for Carl Hansen & Søn in 1950, as \none of the First Master Pieces including the CH22 Lounge Chair, the CH24 Wishbone Chair, the CH25 \nLounge Chair, and the CH26 Chair. The pieces were unique and set new standards for modern furniture \ndesign with their artistic expression and ergonomic forms. Although the CH23 chair may appear \nuncomplicated at first glance, it incorporates many fine, sophisticated details, among them the elegant \ncruciform cover caps in the backrest, a unique hand woven seat and arched rear legs that ensure \noptimal stability.\nCH20 Elbow Chair\nWood: oak oil. Upholstery: Sif 90\nCH23 Chair\nWood: oak soap. Paper cord: natural\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.11.png","18\n19\n1950\nHans J. Wegner\nCH24 WISHBONE CHAIR\nThe essence of \nmodern Danish \ndesign\nHans J. Wegner designed the first model of the CH24 Wishbone Chair exclusively for Carl Hansen & Søn \nin 1949. With a form that is uniquely its own, the iconic Wishbone Chair by Wegner holds a special place \nin the world of modern design. \nWhen developing the CH24, Wegner experimented with combining the back- and armrest into a single \npiece. To give stability to the steam-bent top and ensure comfortable support, Wegner developed the \ncharacteristic Y-shaped back that the Wishbone Chair is named after. More than 100 steps are required \nto manufacture each Wishbone Chair, most of which are carried out by hand. The hand woven seat \nalone takes a skilled craftsman about one hour to create using approximately 120 metres of paper cord, \nthe impressive durability of which makes the chair strong and long-lasting. The Wishbone Chair offers \ncomfort and stability as well as satisfying aesthetic desires for distinctive, elegant form.\nCH24 Wishbone Chair\nWood: oak soap. Paper cord: natural\nCH24 Wishbone Chair\nWood: mahogany oil. walnut oil. Paper cord: natural\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.12.png","20\n21\n1950\nHans J. Wegner\nCH26 CHAIR\n1952\nHans J. Wegner\nCH29 SAWBUCK CHAIR\nHans J. Wegner designed the CH29 Sawbuck Chair in 1952. His \ninspiration was drawn from the sawbucks and sawhorses used by \ncarpenters and woodcutters – he added upholstered comfort to \nensure a unique touch. The seat is significantly wider at the front, \nand the curved back ingeniously enhances comfort in various sitting \npositions while providing a stylish expression.\nPaying tribute \nto a traditional \ncarpenter’s tool\nThe CH26 Chair by Wegner was put into production by Carl Hansen & Søn in close collaboration with \nthe Hans J. Wegner Design Studio and in exact accordance with Wegner’s original working drawing. The \nchair is part of the First Master Pieces Wegner created for Carl Hansen & Søn. The first was the CH22 \nLounge Chair, while Wegner also created a design for translating the lounge chair’s form into a chair, \nthe CH26. Yet he never actually manufactured a mock-up of the chair, and it remained unknown to the \npublic for decades until 2016 when Carl Hansen & Søn brought the CH26 design to life.\nCH26 Chair, CH337 Dining Table\nWood: walnut oil. Paper cord: natural\nCH29P Sawbuck Chair, CH006 Dining Table, BT1041 Calot Pendant\nWood: oak oil. Upholstery: Loke 7110\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.13.png","22\n23\n1954\nHans J. Wegner\nCH30 CHAIR\n1957\nHans J. Wegner\nCH33 CHAIR\nHans J. Wegner presented the CH30 Chair in 1954, and the harmonious design embodies his ongoing \njourney to design the perfect chair. A simple and stylish chair with excellent comfort, thanks to both the \ncurved backrest and the oval seat – elements that made the chair popular when it was introduced in the \nmid-1950s. The oval backrest tilts slightly backwards to ensure ideal back support, the rear legs have an \nelegant, backwards sloping shape which ensures optimal stability, and the relatively wide form-pressed \nseat is padded with foam.\nHans J. Wegner designed the CH33 Chair for Carl Hansen & Søn in 1957. The chair’s mode of expression \nclearly reflects Wegner’s personal approach to design. It is harmonious and with finely sculptured features. \nThe chair is based on the idea of creating an attractive and sturdy chair with sensible ergonomics while \nmaintaining a finer dimension in the wood where possible. Therefore, the tapered legs are thickest where \nthey need to support load-bearing joints with the seat’s rails and become slender closest to the floor. \nThe chair appears visually light with a clear division between the bearing – the wooden frame with sloping \nlegs - and the supported elements in the form of the two plywood shell shapes.\nCH30P Chair, CH339 Dining Table, HJW38 Opala Pendant\nWood: walnut oil. Upholstery: Fiord 0422\nCH33 Chair, CH23 Chair, CH327 Dining Table\nWood: walnut and oak oil\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.14.png","24\n1962\nHans J. Wegner\nCH36 CHAIR\nCH37 CHAIR\nSimplicity inspired by \nAmerican Shaker furniture\nHans J. Wegner’s clean and straightforward CH36 and CH37 Chairs are as comfortable to sit in as \nthey are beautiful. Simple, functional, and thoughtfully made, the chair demonstrates the influence of \nAmerican Shaker furniture principles and craftsmanship had on Wegner’s aesthetic. The legs of the \nchaise taper slightly off towards the floor, creating an elegant appearance. The backrest is significantly \nmore curved at the top than the bottom to enhance back support. The overall expression is completed \nwith the frame and hand woven seat in a durable paper cord.\nCH36 Chair, CH37 Chair, CH53 Footstool, CH006 Dining Table\nWood: oak oil. Paper cord: natural\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.15.png","26\n27\n1965\nHans J. Wegner\nCH46 CHAIR\nCH47 CHAIR\n1985\nHans J. Wegner\nCH56 BAR STOOL\nCH58 BAR STOOL\nBeautiful examples of Hans J. Wegner’s Shaker influences, the CH46 and CH47 Chairs combine organic \nmaterials and shapes into statement minimalist forms. The elegant 1965 chair designs showcase \nWegner’s affinity for functional, elegant simplicity. Both chairs share a lightly reclined composition \nthat gives the overall form a dynamic expression. At the front, the CH46 Chair’s armrest has the exact \nelegant rounding as the front leg while curving slightly upwards toward the back, which is firmly fastened \nbetween the two backrest bars.\nSimple and practical, the CH56 and CH58 Bar Stools, designed by Hans J. Wegner in 1985, combine \nsolid wood, leather, and stainless steel to a beautiful effect. Decades later, it remains an ideal fit, creating \nan inviting spot with its soft, organic silhouette and comfortable leather-upholstered seat. The bar \nstools create a welcoming atmosphere with a clean look. The bar stool’s stable construction is well \nthought out regarding strength, and typical of Hans J. Wegner, it features legs that are thickest at the \njoint, with the ring narrowing towards the floor and the seat.\nCH46 Chair, CH47 Chair, CH53 Footstool, CH327 Dining Table, EK61 Opal Pendant\nWood: oak oil, oak soap. Paper cord: natural\nCH58 Bar Stool\nWood: oak oil. Upholstery: Thor 322. Footrest: stainless steel\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.16.png","28\n29\n1955\nHans J. Wegner\nCH88 CHAIR\n1970\nHans J. Wegner\nCH111 CHAIR\nAn artful fusion \nof wood and steel\nAn artful fusion of wood and steel, Hans J. Wegner’s versatile CH88 Chair, designed in 1955, epitomises \nhis characteristically playful approach to design and materials. Although known for his work in wood \nthroughout his career, Wegner often explored the potential of other materials. The CH88 Chair is a \ntestament to his skill in this realm. The steel frame supports an oval wooden seat and a steam-bent \nbackrest with elegantly upturned ends forming a natural resting place for the arms.\nThe CH111 Chair, designed by Hans J. Wegner in 1970 alongside the \nelegant CH110 Desk, is a series of significant pieces of furniture with a \nframe in flat stainless steel. One of the striking features of the CH111’s \nshape is the rear leg, which has been twisted 90 degrees to fit in and \nthereby provide optimal support to the upholstered backrest. A more \nstraightforward solution would have been to weld the armrest onto \nthe extended rear leg, but Wegner never compromised on quality or \naesthetics.\nCH88T Chair, CH327 Dining Table \nWood: oak silver grey. Frame: black powder-coated steel\nCH111 Chair, CH110 Desk, MO310 Table Lamp\nUpholstery: Sif 90. Frame: brushed stainless steel\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.17.png","30\n31\n1950\nBørge Mogensen\nBM1106 HUNTSMAN CHAIR\n2019\n2015\nEOOS\nE004 EMBRACE CHAIR\nE005 EMBRACE CHAIR WITH ARMREST\nThe BM1106 Huntsman Chair, which Børge Mogensen designed for the 1950s Copenhagen \nCabinetmakers’ Guild Exhibition, became representative of Danish furniture design and the era known \ntoday as Danish Modern due to its simple form and organic materials. The chair was originally made \nof smoked oak and saddle leather - two of Børge Mogensen’s preferred materials. Saddle leather was \na new material in Mogensen’s career and made its mark, leading to a more robust expression in his \ndesigns. The Huntsman Chair was originally designed for a specific environment - the hunting cabin - \nwith an inviting elegance due to its angled legs and slender design.\nRenowned for \nsubtlety and \nstrong structures\nThe result of Carl Hansen & Søn’s first collaboration with EOOS in 2015 was the Embrace Chair with \narmrest, later complemented by the Embrace Chair. The Embrace Chairs unite the Austrian design \ntrio’s strong sense of modern aesthetics with Carl Hansen & Søn’s century-old tradition of quality \ncraftsmanship and outstanding comfort. EOOS paired soft, modern upholstery with a solid wood frame \nto achieve a precise yet relaxed expression. The wooden structure is continuous, with the legs as an \nessential element of the overall silhouette rather than appendages to the upholstered upper section. The \nback of the frame, composed of three pieces assembled in classic finger joints, is especially striking. The \nsoft cushion embraces the wooden structure and appears to float within the frame. \nBM1106 Huntsman Chair, BM1160 Hunting Table, BM0253 Shelving System \nWood: oak oil. Upholstery: Sif 90. Brackets: stainless steel\nEOO5 Armchair, EO20 Table, MO330 Pendant\nWood: oak white oil. Upholstery: Clara 144. Edging strip: white\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.18.png","32\n33\n2021\nEOOS\nE006 EMBRACE BAR STOOL\nE007 EMBRACE BAR STOOL\n1938\nFrits Henningsen\nFH38 WINDSOR CHAIR\nA strong sense of modern aesthetics and a tradition for quality \ncraftsmanship. Optimal seating comfort meets elegant lightness on \nthe E006\u002FE007 Embrace Bar Stool, designed for Carl Hansen & Søn \nby renowned Austrian design trio EOOS. Addressing the need to sit \non a bar stool for longer periods, the flexible and dynamic design \nencourages movement without compromising comfort. Here, soft, \nrelaxed upholstery interacts with the precise, simple wooden frame, \nintegral to the chair’s expression.\nSkilfully sculpted \norganic and soft \nmaterials\nThe FH38 Windsor Chair, created by the Danish architect and cabinetmaker Frits Henningsen in 1938, \nis a distinguished example of traditional craftsmanship refined over centuries. The Windsor Chair is as \ntopical today as when its archetype came into being some 300 years ago in Buckinghamshire, England. \nHenningsen’s version of the Windsor Chair is a high-backed solid oak chair that hides many artisanal \nchallenges, as many different carpentry techniques have been used. Making the chair thus requires \nthe skills of an experienced joiner, highlighting the fact that Henningsen himself was a carpenter and a \ndesigner who explored the possibilities of the materials. \nA comforting \nclassic \nEOO6 Embrace Bar Stool, BT1001 Pendant No. 1\nWood: oak white oil. Upholstery: Crisp 403. Edging strip: black. Footrest: stainless steel\nFH38 Windsor Chair, BM1160 Hunting Table\nWood: oak oil\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.19.png","34\n35\n1927-1933\nKaare Klint\nRED CHAIR SERIES \nA classic series \ndesigned for a \nhigher purpose\nThe chairs Kaare Klint designed between 1927 and 1933 won international acclaim for their prominent \nroles at the Danish Museum of Art and Design and the Danish Pavilion at the Barcelona International \nExposition. A classic series designed for a higher purpose – to withstand the test of time in support \nof prime ministers and politicians. Klint firmly believed that long-existing archetypes could and should \ninform contemporary design. \nIn designing his Red Chair Series, he carefully studied several English chair designs, including the \nChippendale, combining elements to create a new construction with a modern expression and excellent \nsupport. The Large Red Chair, the first in the series, was designed for the new Danish Museum of Art \nand Design lecture hall in central Copenhagen and shown at the Danish Pavilion at the 1929 Barcelona \nInternational Exposition. Klint then designed the Large Red Chair with Armrests for Danish Prime \nMinister Thorvald Stauning’s office at the Christiansborg Palace.\nKK47510 The Red Chair\nWood: oak soap. Upholstery: Sif 90\nKK37581 The Red Armchair, KK87830 Propeller Stool, OW224 Rungstedlund Dining Table, BM0488L Table Bench, MO310 Table Lamp \nWood: oak soap. Upholstery: Sif 95\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.20.png","36\n37\n1914\nKaare Klint\nKK96620 FAABORG CHAIR\n1950\nEjner Larsen & Aksel Bender Madsen\nLM92 METROPOLITAN CHAIR\nKaare Klint created his iconic KK96620 Faaborg Chair in 1914 and presented the design to the public at \nthe inauguration of the Danish Faaborg Museum in 1915. The young Klint meticulously considered every \naspect of the Faaborg Chair to ensure it fulfiled its intended function. He arrived at a light and portable \nsolution that allowed museum visitors to position the chair in front of artworks they wished to study in \ngreater detail. The chair’s simple design and the unity between its structure, materials, and function set \nit apart from its predecessors while showcasing Klint’s traditional design values and modern approach.\nA seminal piece \nof Danish modern \ndesign\nThe LM92 Metropolitan Chair, designed by Ejner Larsen and Aksel Bender Madsen, was first shown at \nthe Copenhagen Cabinetmakers’ Guild Exhibition in 1949. The new iteration is a harmonious example of \nclassic design and modern thinking. Named after the 1960 Arts of Denmark exhibition at The Metropolitan \nMuseum of Art in New York, it was initially conceived as a conference chair but has since made its \nway into the homes and hearts of design enthusiasts worldwide. The wooden frame showcases our \ncommitment to craftsmanship; its back and armrests are shaped from a single piece of veneer.\nKK96620 Faaborg Chair, BM0488L Table Bench, KK48650 Addition Sofa, KK48651 Addition Sofa, SH900 Extend Table \nWood: oak oil, walnut laquer. Upholstery: Sif 92, Thor 332\nLM92 Metropolitan Chair\nWood: oak oil. Paper cord: natural\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.21.png","38\n39\n1958\nOle Wanscher\nOW58 T-CHAIR\n1955\nPoul Kjærholm\nPK1 CHAIR\nOle Wanscher’s deep respect for materials, craftsmanship, and function \ncome to the fore on the OW58 T-Chair, relaunched in a tribute to \nhis original design — albeit adjusted in height to provide optimum \nergonomics for today’s design enthusiasts who have grown taller \nsince 1958. The chair’s distinctive expression challenges the art of the \npossible without compromising craftsmanship or comfort. The result \nof careful processing and many carpentry hours to achieve smooth \ntransitions in the joints, the chair’s most striking detail is the T-shaped \nbackrest, which merges with the tightly placed back legs, giving the \nchair a three-legged appearance.\nA design that demands \nexceptional carpentry\nThe PK1 Chair is an outstanding example of Poul Kjærholm’s unique ability to realise the full potential \nof his chosen materials. It demonstrates his search for authenticity and perfection in form, function, \nand execution. A complex design with a straightforward, minimalist expression, the PK1 is brought to \nlife through highly skilled craftsmanship with the precise weaving of the paper cord. The pairing of the \norganic paper cord with a dynamic steel frame results in exceptional comfort and visual lightness.\nAn exploration of \nlightness and form\nOW58 T-Chair, OW224 Rungstedlund Table, HK20 Bubi Lamp\nWood: walnut oil. Upholstery: Sif 93\nPK1 Chair \nPaper cord: natural. Frame: brushed stainless steel\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.22.png","40\n1956\nVilhelm Lauritzen\nVLA26 VEGA CHAIR\nCrafted for \nthe people\nThe VLA26 Vega Chair was designed in the 1950s by Vilhelm Lauritzen. Conceived for ‘Folkets Hus’, \nwhich later became the concert venue Vega, the chair profiles the same aesthetic as the venue in which \nit has been housed until its reissue in 2022. Functionalist details and filled with character, the perfectly \nproportioned chair is considered down to the last detail. The slight curve of the back gives the Vega \nChair its distinctive character, while the legs are finished with solid oak feet, creating an elegant and \ncomplete look with exceptional craftsman-like details.\nVLA26 Vega Chair, OW224 Rungstedlund Table, MO330 Pendant\nWood: oak lacquer. Upholstery: Allé 0884, Hero 0782. Frame: chrome-plated steel, black powder-coated steel\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.23.png","42\n43\n1944\nVilhelm Lauritzen\nVLA61 MONARCH CHAIR\nPoetic \nfunctionalism\nVilhelm Lauritzen was a master of detail, creating furniture and fixtures with utmost perfection. The \nVLA61 Monarch Chair is named after the majestic Monarch butterfly - a tribute to Vilhelm Lauritzen’s \nlifelong interest in butterflies. With its generous padding, double-curved armrests, and organic, \ndrop-shaped slats, the chair presents an artistic expression that is light and sumptuous at the \nsame time. Details such as brass-tipped feet and hand-polished joints bear witness to Lauritzen’s \naccomplished eye. Brought to life from original sketches, old photographs, and auction descriptions, \nthe reissued chair is a reverent tribute to Vilhelm Lauritzen’s original design while having been given \na contemporary expression through a clear approach to materials.\nVLA61 Monarch Chair, BM1160 Hunting Table\nWood: oak oil. Upholstery: Baru 0410, Baru 0330. Foot: Brass\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.24.png","LOUNGE CHAIRS AND FOOTSTOOLS\nrefined \n \ncomfort\n \n \nrelaxing \nsilhouettes\ntimeless \n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.25.png","46\n47\n1963\nHans J. Wegner\nCH07 SHELL CHAIR\nHans J. Wegner’s architectural expertise and absolute determination \ncreate the ultimate sense of proportion and balance. When Wegner \nunveiled the design in 1963, many critics loved the avant-garde look, \nbut the general public was more reluctant to accept its distinctive \nexpression. Mixed reviews in the 1960s resulted in limited production, \nbut when Carl Hansen & Søn reintroduced the CH07 Shell Chair in \n1998, it immediately won broad public admiration. \nThe design’s floating lightness is achieved through its wing-like seat \nand three arched legs. The chair’s signature seat and backrest are \ncreated from form-pressed veneer and upholstery, cradling the user in \ngenerous comfort. The chair’s legs are crafted in form-pressed veneer, \nwith the front legs made from a single piece and all three legs splitting \nat their highest point before coming back together and curving sharply \ndownwards.\nCH07 Shell Chair, CH004 Nesting Tables, HJW03 Opala Floor Lamp\nWood: oak oil. Upholstery: Hallingdal 270\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.26.png","48\n49\n1950\nHans J. Wegner\nCH22 LOUNGE CHAIR\nCH22 Lounge Chair designed in 1950 is an early design that displays Hans J. Wegner’s natural flair for \nhonest craftsmanship and passion for subtle intricacies in materials and techniques. The lounge chair \nfeatures Wegner’s characteristic armrests, an envelope-woven paper cord seat, and a distinctive back \nshell in form-pressed veneer with striking oblong cover caps. The chair’s refined joinery is evident in \nthe finger-jointed corners of the seat frame, with the front legs locking into wooden wedges in colour \ncontrasting that of the frame. Today, while parts of the production process have been modernised, the \nCH22 Lounge Chair is still manufactured as when Wegner oversaw initial production at the Hansen \nfamily facilities in 1950, with expert hand craftsmanship employed from assembly through to surface \ntreatment and seat weaving.\nSignature details \nand subtle intricacies\n1950\nHans J. Wegner\nCH25 LOUNGE CHAIR\nA testament to \nWegner’s visionary \napproach\nOne of the first masterpieces Hans J. Wegner created exclusively for Carl Hansen & Søn in 1950, the \nCH25 Lounge Chair is characterised by laid-back, welcoming elegance and considered detailing, \nshowcasing the young Wegner’s considerable talents as both designer and cabinetmaker. One of \nWegner’s recognisable hallmarks is the advanced and technically demanding weaving central to the \nlounge chair, whose seat and back feature double-woven paper cord. The design bears similarities to \nthe informal deckchairs of the era. The backwards-slanting front legs and armrests, the double-curved \nseat, the curve continuing down through the rear legs, and the angled backrest are all ingenious \nelements in their own right that come together in a dynamic result. \nCH22 Lounge Chair\nWood: walnut oil. Paper cord: natural\nCH25 Lounge Chair, CH004 Nesting Tables\nWood: oak soap. Paper cord: natural\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.27.png","50\n51\n1952\nHans J. Wegner\nCH28 LOUNGE CHAIR\nSharp and shapely lines contrast beautifully in this highly appealing chair.  Hans J. Wegner’s CH28 Lounge \nChair, designed in 1951, is as functional as it is sculptural. The chair was put into production the following \nyear and is a carefully considered design capturing many of the master’s signature elements. The \nCH28 Lounge Chair – closely related to Wegner’s famous Sawbuck Chair – is the essence of excellent \ncraftsmanship and showcases Wegner’s dedication to finding the optimal balance of function and visually \nattractive form. Noteworthy details include elegantly rounded armrests, wooden cover caps that contrast \nwith the grain of the wood, and the intriguing dynamic between the slender, sweeping seat, the curved \nbackrest, and the round legs.\n1965\nHans J. Wegner\nCH44 LOUNGE CHAIR\nThe CH44 Lounge Chair from 1965 by Hans J. Wegner is simplicity \nperfected. The chair features Wegner’s characteristic, defined joints \nbetween the front legs and armrests and grooves on the top of the \nrear legs from which to hang a back cushion. The armrests slope \nupwards towards the rear legs, becoming more slender as they rise, \nthus elegantly strengthening the vertical joint. The overall effect \nappears striking, and the result is comfortable.\nHonest design \nand refined comfort\nCH28T Lounge Chair\nWood: walnut and oak oil\nCH44 Lounge Chair \nWood: oak oil. Paper cord: natural. Cushion: Sif 90\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.28.png","52\n53\n1965\nHans J. Wegner\nCH45 ROCKING CHAIR\n1966\nHans J. Wegner\nCH53 FOOTSTOOL\nFrom the beginning of his career, Hans J. Wegner was fascinated \nby designing rocking chairs, and, as always, he took a methodical \napproach to his design, with his main focus being the function. As a \nresult, the CH45 Rocking Chair from 1965 is perfectly proportioned, \nso one can sit relaxed and rock easily but rise effortlessly from the \nchair. The reclining backrest adds a dynamic expression to the overall \ncomposition, and the kinship with the other furniture in the series is \nevident in the shaped bars, the envelope-patterned seat of paper cord \nand the uniquely curved armrests, which are elevated at the rear. These \ndesign elements are classically Wegner, as the elevation allows for a \nsolid joint.\nHans J. Wegner created the CH53 Footstool in 1965, and it clearly demonstrates his passion for both \ncraftsmanship and everyday functionality. With a solid wood frame and a hand woven paper cord seat, \nthe footstool’s construction allows for complete rest and perfect functionality.\nSimplicity \nperfected\nCH45 Rocking Chair\nWood: oak oil. Paper cord: natural. Cushion: Hallingdal 180\nCH53 Footstool \nWood: oak oil. Paper cord: natural\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.29.png","54\n55\n1952\nHans J. Wegner\nCH71 LOUNGE CHAIR\n1954\nHans J. Wegner\nCH78 MAMA BEAR CHAIR\nThe sculptural CH71 Lounge Chair designed by Hans J. Wegner was first presented at the Danish \nFurniture Design exhibition at the Copenhagen department store Magasin du Nord in 1952. Wegner had \na special sense for designing and developing furniture works that were at once contemporary – and \npossessed the potential to become timeless classics. This is reflected in the CH71 Lounge Chair, whose \ncomplex design demands exacting craftsmanship. The lounge chair is characterised by relatively small \ndimensions, a slim, comfortable, fully upholstered frame, and round, tapered legs in solid wood.\nA timeless classic \nwith a warm embrace\nWith its thickly padded body, tapered legs, sloping armrests, and elegant, double-curved backrest, \nthe laid-back and highly inviting lounge chair is one of Hans J. Wegner’s most visually distinctive chair \ndesigns. Affectionately known as the CH78 Mama Bear Chair, the lounge chair was designed in 1954. \nDefined by a series of inviting curves that offer a warm embrace, the CH78 Mama Bear Chair’s special \naesthetic character comes from balancing soft, rounded curves with dynamic geometries and fine \ndetails, such as the signature wooden details on the chair’s armrests.\nCH71 Lounge Chair, CH825 Credenza\nWood: oak oil. Upholstery: Sisu 0805\nCH78 Mama Bear Chair, CHOO8 Coffee Table\nWood: walnut oil. Upholstery: Hallingdal 100. Neck pillow: Sif 92\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.30.png","56\n57\n1970\nHans J. Wegner\nCH101 LOUNGE CHAIR\n1958\nHans J. Wegner\nCH401 LOUNGE CHAIR\nDesigned by Hans J. Wegner in 1970, the CH100 Series was designed, in its time, as a part of an \nexclusive office furniture range and represents today some of Hans J. Wegner’s finest stainless-\nsteel work of his career. The handcrafted CH101 Lounge Chair is built over an inner frame of solid \nbeechwood, and two arm elements, which are upholstered by hand according to the best quality \nstandards. For dimensional stability, the seat and back cushions have a foam core wrapped in a down \njacket to enhance comfort. The stainless-steel flat frame consists of a longitudinal rail joined to the leg \nwith skids at each end. The solid wood interior frame enables the finest upholstery methods. Stainless \nsteel is used for the visible part of the frame, and its elegant form offsets the inherently industrial feel.\nDistinctive design \nand fine craftsmanship\nThe minimalist CH401 Lounge Chair, designed by Hans J. Wegner in 1958, is still in use in the \ninviting interior of the Copenhagen Airport to this day. The simple, tubular steel design proves that \nupholstered furniture does not need to be large or bulky. Wegner covered the mechanisms by which \nthe upholstered fabric is attached to the frame with a slender, angled stainless steel element, creating a \nclean and simple expression.\nBold material \ncombinations\nCH101 Lounge Chair, CH108 Coffee Table\nUpholstery: Thor 301. Frame: stainless steel\nCH401 Lounge Chair, CH415 Coffee Table, HJW03 Opala Floor Lamp \nUpholstery: Thor 325. Frame: stainless steel\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.31.png","58\n59\n1960\n1958\nHans J. Wegner\nCH445 WING CHAIR\nCH446 FOOTSTOOL\n1960\nHans J. Wegner\nCH468 OCULUS CHAIR\nHans J. Wegner’s CH445 Chair, designed in 1960, also known as the Wing Chair is a fully upholstered \nlounge chair that rests on a stainless steel frame. The lounge chair, with its distinctive lines and pleasant \nseating comfort, is a fine example of how a high-backed chair should be, according to Wegner. Under \nthe upholstery, a solid beech frame gives the chair strength and durability. The slender, round stainless \nsteel frame has front legs that tilt slightly forward while the rear legs protrude far back so that the chair \nwill not tip over despite its reclining position. Four small steel cone-shaped elements link the upper part \nof the chair with the frame. The matching CH446 Footstool can be added for extended comfort.\nThe production history of Hans J. Wegner’s CH468 Oculus Chair is a little out of the ordinary. While \nvisiting Wegner’s design studio, Carl Hansen & Søn became very interested in some photos and a small \nclay lounge chair model. When Wegner’s technical drawings of the chair were retrieved, and Carl Hansen \n& Søn was given the opportunity to study a full-size prototype of the chair manufactured in 1960, it \nbecame possible to start production of the Oculus Chair in 2010. Oculus is the Latin word for eye and \nrefers to the eye-shaped stitching in the chair’s back upholstery. The design ensures that the shoulder \nblades can fall back comfortably into the chair, creating rest for the neck and back. The sleek-looking \nstainless steel frame with sloping legs emphasises the impressive upholstered upper chair shape. The \nCH468 Oculus Chair is available with the matching CH446 Footstool for added comfort.\nCH446 Wing Chair, CH446 Footstool, CH008 Coffee Table\nUpholstery: Zero 002. Frame: stainless steel\nCH468 Oculus Chair, CH004 Nesting Tables\nUpholstery: Clara 793. Frame: stainless steel\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.32.png","60\n61\n2017\nAnker Bak\nAB001 ROCKING NEST CHAIR\n2016\nEOOS\nE015 EMBRACE LOUNGE CHAIR\nE016 EMBRACE FOOTSTOOL\nDynamic, \nharmonious \ndesign \nThe AB001 Rocking Nest Chair results from Carl Hansen & Søn’s collaboration with the designer Anker \nBak. Meditative movement, considered design and practical construction make the Rocking Nest Chair \na sanctuary of peace and harmony. Bak conceived the design when his sister needed a comfortable \nplace to relax with her newborn baby, creating a one-of-a-kind form with unprecedented functionality. \nDynamic in its expression and clear construction, the seemingly floating Rocking Nest Chair unites \na light steel and wood frame and a seat in canvas or leather. For Bak, who is fond of nomadic living \nand fascinated by society’s ever-changing needs, the chair also needed to be flexible and meet the \nconstraints of urban spaces.\nEOOS designed the E015 Embrace Lounge Chair to provide superior comfort in 2016. The chair \nconsists of a continuously visible wooden structure with a three-piece, rounded back, and characteristic \nlegs adding to the overall frame. The seating is created with a three-dimensional cushion embracing \nthe wooden frame and the person sitting in it with soft and elegant upholstery. This modern blend \nof organic and soft materials is skilfully sculpted to surround the sitter in supreme comfort. The E015 \nEmbrace Lounge Chair is also available with the matching E016 Footstool for extra relaxation. \nAB001 Rocking Nest Chair\nWood: oak oil. Upholstery: Sif 95\nE015 Embrace Lounge Chair, E016 Embrace Footstool, E021 Embrace Lounge Table, MO320 Floor Lamp \nWood: oak oil. Upholstery: Crisp 4723. Edging strip: dark blue\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.33.png","62\n63\n1930\nFrits Henningsen\nFH419 HERITAGE CHAIR\nFH420 HERITAGE FOOTSTOOL\n1954\nFrits Henningsen\nFH429 SIGNATURE CHAIR\nFH430 SIGNATURE FOOTSTOOL\nFrits Henningsen’s FH419 Heritage Chair is a testimony to the \ndesigner’s constant pursuit of crafted perfection. Inspired by earlier \nperiods, particularly the 17th-century British styles, the fully upholstered \nchair features traditional pulled-in buttoning across its gently \ncurved backrest. This form of tufting means that no folds or sewing \nconnect the buttons to create a more understated decorative effect. \nDrawing from global inspiration, this early design embodies relaxed \nsophistication with its matching FH420 Heritage Footstool.\nEarly design with \nrelaxed sophistication\nAs the last piece of furniture Frits Henningsen designed and produced, the FH429 Signature Chair \ncrowned his life’s work and consummated his legacy as one of Denmark’s greatest furniture designers. \nHe often began the process by creating a small model. The frame was then manufactured in his \nworkshop, undergoing months of testing and adjustments before Henningsen was content with \nthe result. Throughout his career, Henningsen’s work evolved towards increasing simplicity, with the \nSignature Chair becoming his purest, most pared-down design. This final project shows his interest in \nachieving comfort and elegance through graceful, curved lines. The FH429 Signature Chair is available \nwith the matching FH430 Signature Footstool for added comfort.\nFH419 Heritage Chair, FH420 Heritage Footstool\nWood: walnut oil. Upholstery: Fiord 191, Sif 90. Buttons: Sif 95\nFH429 Signature Chair, FH430 Signature Footstool\nWood: oak oil. Upholstery: Sif 98\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.34.png","64\n65\n1963\nFabricius & Kastholm\nFK10 PLICO CHAIR\nFK11 PLICO CHAIR \n1931\nKaare Klint\nKK43960 MIX CHAIR\nDespite their light exterior, the FK10 and FK11 Plico Chairs offer supreme comfort with their soft \nupholstery. Plico means ‘to fold’ in Latin, and the adjustable backrest can be completely folded, creating \na chair that takes up as little space as possible when not in use. With visible joints, beautiful brass \nfittings and accomplished craftsmanship, the chairs highlight what other designers often seek to hide. \nAt first glance, it appears simple, but closer examination reveals a highly detailed design. The solid oak \nframe and the rear legs are gently curved, giving the chair a soft rounding at the back. The armrests are \nmade from saddle leather attached to the rear legs, the back and seat in canvas, and the cushions are \nupholstered in stitched linen canvas to provide an elegant expression.\nAn acclaimed \naccomplishment\nKaare Klint’s KK43960 Mix Chair has earned iconic status among \ncollectors since its unveiling in 1930. This lounge chair is admired for \nits elegant, flowing form and intricate construction concept. The design \nof the Mix Chair is a culmination of a sophisticated geometric exercise. \nThe easy chair features a series of convex and concave curves that \nrepeat and mirror one another to form the main frame and armrests. By \ncontrast, the solid wood legs are kept square, with just the back legs \ngently sloping back to support the chair’s slightly reclined profile. The \nMix Chair embodies Klint’s signature systematic design approach, using \ngeometry and mathematics to achieve ideal shapes, proportions, and \nbalance.\nFK10 Plico Chair, FK11 Plico Chair\nWood: oak white oil. Upholstery: Canvas. Straps: saddle leather natural\nKK43960 Mix Chair\nWood: oak oil. Upholstery: Vitoria Moss\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.35.png","66\n1933\n1966\nKaare Klint\nEsben Klint\nKK47000 SAFARI CHAIR\nKK97170 SAFARI FOOTSTOOL\nA style suggestive \nof great adventure\nKaare Klint introduced the KK47000 Safari Chair in 1933 as a collapsible, modern version of its historical \narchetype, the Indian Roorkee Chair. Klint effortlessly transformed a historical archetype into a modern, \ncollapsible chair. His design is a hallmark of sophistication, well-conceived proportions, and remarkable \nmaterial effects. The Safari Chair was first presented in 1933 at the Copenhagen Cabinet Makers’ \nGuild Exhibition.  Today, the design is celebrated as one of Klint’s most iconic, reflecting his systematic \napproach to furniture design based on the human anatomy. The KK97170 Safari Footstool was designed \nby Kaare Klint’s son, Esben, after his father’s death. Easily assembled without tools, it is crafted to match \nthe Safari Chair, offering a gentle place to rest one’s feet. \nKK47000 Safari Chair, KK97170 Safari Footstool, MO320 Floor Lamp \nWood: ash white oil. Upholstery: Canvas\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.36.png","68\n69\n1937\nKaare Klint\nKK53130 EASY CHAIR\n1930\nKaare Klint\nKK87830 PROPELLER STOOL\nSoft to the touch and pleasing to the eye, the KK53130 Easy Chair by Kaare Klint with its perfect \nconstruction and balanced proportions is easy to fall in love with. Klint submitted four distinct designs \nto the Guild’s celebratory competition under the title “Christmas 1934”: the Red Chair, a sofa bed, a \nsectional sofa, and the elegant, upholstered Easy Chair. Lauded as a very modern contribution due \nto its precise, tight lines and composition, the Easy Chair was produced for the 1937 Copenhagen \nCabinetmakers’ Guild Exhibition.\nAn exercise in mathematical construction, the KK87830 Propeller Stool expressed Kaare Klint’s vision \nof the ideal fold, with the two intersecting, propeller-shaped legs forming a perfectly round rod when \nfolded flat. An impressive design made with ingenious multi-functionality, a highly appealing and \ncompact form. A prototype was created in 1956 for the major memorial exhibition for Klint at the Danish \nMuseum of Art and Design, and the design went into production in 1962, eight years after Klint’s death. \nThe idea of a folding stool was certainly not new; the concept existed as early as the Bronze Age. Klint, \nhowever, refined and optimised it, adding the innovative propeller element.\nA slim and \nsophisticated \nfolding stool\nKK53130 Easy Chair, TK8 Daybed\nWood: walnut oil. Upholstery: Sif 92\nKK87830 Propeller Stool\nWood: ash white oil. Upholstery: Canvas\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.37.png","71\n1997\nMorten Gøttler\nMG501 CUBA CHAIR \nDesigned in 1997, Morten Gøttler’s ingenious MG501 Cuba Chair is an excellent example of the \ndesigner’s focused approach to furniture design. With its low, open construction, the Cuba Chair \nencourages an informal sitting position and clearly reflects the democratic ideals of modernist \ndesign. The Cuba Chair features a solid oak frame, with the cotton girths around the frame forming a \ncomfortable seat and back and providing excellent support as they gently follow the body’s contours. \nIdeal as an extra or a permanent fixture, the light and flexible folding lounge chair can easily be hung on \na wall for convenient storage.\nSimple and \ningenious \nfolding chair\nMG501 Cuba Chair, E021 Embrace Lounge Table, MO320 Floor Lamp \nWood: oak oil. Paper cord and cotton webbing: natural\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.38.png","72\n73\n1951\nOle Wanscher\nOW124 BEAK CHAIR\nExpressive \nsilhouette and \ndistinctive armrests\nOle Wanscher possessed a unique ability to add sculptural dimension to his furniture, and his OW124 \nBeak Chair is no exception. An elegant example of Wanscher’s refined design and bold pushing \nof boundaries, the chair was also a testament to his masterful grasp of furniture-making. The Beak \nChair’s distinctive appearance is thanks in part to the beak-like armrests that inspired its name. This \nunique design feature demands carefully selected materials and exemplary craftsmanship, as do the \nupholstered seat and back. Reflecting Wanscher’s predilection for slender dimensions and resilient \nshapes, the design features slim, gently undulating elements that seamlessly unite in an organic flow. \nOnly the armrest cover caps remain visible: a functional and decorative detail reminiscent of a bird’s eye.\n1959\n1963\nOle Wanscher\nOW149 COLONIAL CHAIR\nOW149F COLONIAL FOOTSTOOL\nRefined and luxurious all at once with contrasting forms and materials. This stylish chair is a true \npleasure to experience. Known as a minimalist and functionalist, Ole Wanscher also had a predilection \nfor the slim and refined. Yet despite its slender dimensions, the OW149 Colonial Chair is very stable, \nits strength lying in the carefully designed bracing. The design’s sophisticated, slightly curved armrests \nrise to a point before taking a turn downward – a trademark Wanscher feature. The front and back \nlegs are made of roundwood timber, with the back legs curving gently outward for added stability and \na more refined silhouette. Wanscher later designed the matching Colonial Sofa and Colonial Coffee \nTable, creating the Colonial Series. The Colonial Chair is available with the matching OW149F Colonial \nFootstool for added comfort.\nOW124 Beak Chair, OW449 Colonial Coffee Table, MO320 Floor Lamp\nWood: walnut oil. Upholstery: New Zealand Short Curly Wool Taupe\nOW149 Colonial Chair, OW149F Colonial Footstool, OW150 Daybed, OW449 Colonial Coffee Table\nWood: oak soap. Upholstery: Hallingdal 100\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.39.png","74\n75\n1957\nOle Wanscher\nOW2000 EGYPTIAN FOLDING STOOL\nThe OW2000 Egyptian Folding Stool by Ole Wanscher exemplifies his creative vision and masterful \ntouch. The folding stool is crafted from quality, natural materials that express his passion for exploration \nand original thought. Designed in 1957, the influence of his travel outside of Denmark is clear to see in \nthis intriguing design. While in Egypt, Wanscher became fascinated with old seats of power, leading to \nthe design of the elegant, lightweight Egyptian Folding Stool with Temple of Thebes furniture in mind.  \nThe design of the stool nods gracefully to his source of inspiration yet is distinctly modern in its expression \nand construction. The seat, crafted from saddle leather, easily collapses into the chair when folded.\nRF1903F SIDEWAYS FOOTSTOOL\nThe RF1903F Sideways Footstool is characterised by its soft shape and fine details that make \nreference to the Sideways Sofa; for example, the solid wooden frame and the distinctive legs highlight \nthe elegance of the wooden features in the same way as the sofa. The footstool was developed in \nclose cooperation between Rikke Frost and the skilled craftsmen at Carl Hansen & Søn, and the seat \nupholstery, in particular, posed a challenge. The textile is cut from a single piece of material and has to \nbe stretched over the foam so that the fabric’s weave remains straight without wrinkling - a task which \nonly the most experienced upholsterers can master.\n2022\nRikke Frost\nOW2000 Eqyptian Folding Stool\nWood: oak oil. Upholstery: saddle leather cognac\nRF1903F Sideways Footstool, RF1903L Sideways Sofa, RF1904 Sideways Lounge Chair, RF1905 Sideways Coffee Table \nWood: walnut oil. Upholstery: Re-wool 218\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.40.png","76\n77\nGrounded in minimalism, \nclassic materials and \ncontemporary function\nThe RF1094 Sideways Lounge Chair exudes modern elegance, with its harmonious and contemporary \nshape. Designed by Rikke Frost, the chair exudes a sleek and harmonious femininity that demonstrates \nprinciples grounded in minimalism, classic combinations of materials and contemporary function. First \nimpressions present an organic, sculptural seat which embraces the sitter with a firm, curved back \nsupport. Closer inspection reveals a chair that reserves space for quiet contemplation whilst feeling \nopen to social interaction. Crafted from considered, high-quality materials, the Sideways Lounge Chair \ndisplays a steam-bent wooden backrest and textile upholstery. Tightly strung paper cord detailing to the \nback of the chair gives it a lightness of form making it beautiful to view from all angles. \n2023\nRikke Frost\nRF1904 SIDEWAYS LOUNGE CHAIR\nRF1904 Sideways Lounge Chair, RF1905 Sideways Coffee Table\nWood: oak oil. Upholstery: Molly 112\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.41.png","78\n79\n2013\nTadao Ando\nTA001P DREAM CHAIR\nIn 2013, the acclaimed Japanese architect Tadao Ando designed the TA001P Dream Chair for \nCarl Hansen & Søn to tribute Hans J. Wegner, seeking to capture the sculptural minimalism that \ndefined Wegner’s work. This chair’s sculptural appeal is captivating and comforting – the perfect place \nto dream away the hours. True to Wegner’s mantra, the chair is designed to be enjoyed from all angles. \nTo create the necessary characteristics of a chair from the fewest possible parts, Ando and the \nCarl Hansen & Søn cabinetmakers used three-dimensional veneer that can be curved along two \naxles during moulding. Pushing the size and curvature of the veneer sheet beyond what was thought \npossible, Ando succeeded in creating a dreamlike form both in its construction and soothing aesthetic.  \n1945\nVilhelm Lauritzen\nVLA76 FOYER CHAIR\nRecreated in close collaboration with Vilhelm Lauritzen Architects, \nthe Foyer Chair is a series of three designs Vilhelm Lauritzen custom \ncrafted for Copenhagen’s Radiohuset for national Danish broadcaster \nDanmarks Radio. Today the heritage-listed building from 1945 is one \nof the finest examples of Danish Functionalism. Simple yet well-\nconsidered, the Foyer Chair has been adapted to meet modern \nneeds for comfort and function while preserving the original design. \nCharacterised by a unique interplay between its solid oak frame, \nupholstered seat, and slanted backrest, the chair is assembled from \nthree parts and hand polished to prevent visible transitions.\nA unique interplay \nbetween wood and \nupholstery\nTAOO1P Dream Chair\nWood: walnut oil. Upholstery: Sif 98\nVLA76 Foyer Chair, VLA77 Foyer Sofa\nWood: oak oil. Upholstery: Sif 90\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.42.png","THE FIRST\nMASTERPIECES\nA celebration of Hans J. Wegner’s  \n110th anniversary\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.43.png","82\nCH\n22\nThe CH22 Lounge Chair is still manufactured using \nthe same principles of craftsmanship as when Wegner \nparticipated in manufacturing the first edition. In the \nmeantime, modernisation has improved precision so that \nthe front legs, which were originally manufactured round, \ncan now have the same profile as the back legs of the \nchair – exactly like Wegner had originally drawn them on \nhis technical drawing from 1950. \nOn the occasion of Hans J. Wegner’s 110-year anniversary in 2024, we \ncelebrate the enterprising designer by paying tribute to his legacy and \nimpressive contributions to the world of design. Wegner’s visionary design \napproach has shaped the Carl Hansen & Søn philosophy for over 65 years. \nToday, Carl Hansen & Søn continues to work closely with the Hans J. Wegner \nStudio and is the world’s largest producer of Wegner’s furniture, which is \nmanufactured in Denmark. \nIn the pages that follow, you can learn about the iconic chair series \n‘The First Masterpieces’ and how the creative partnership between Wegner \nand Carl Hansen & Søn started. \n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.44.png","84\n85\nCH\n23\nThe CH23 Chair features clean, organic contours \nand demonstrates a young Wegner’s unique \ndesign approach and insightful craftsmanship. The \nfirst pieces he created with Carl Hansen & Søn \nwere not only unique but also set new standards \nfor modern furniture design with their artistic \nexpression and ergonomic form as exemplified \nin the chair. \n“The first chairs that Wegner created for \nCarl Hansen & Søn were regarded as extremely \navantgarde at the time. There was a completely new \nand exciting mode of expression to the work, \nbut also a simplicity that appealed to many people.”\nKNUD ERIK HANSEN, 3RD GENERATION OWNER\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.45.png","86\nCH\n24\nThe iconic CH24, widely known as the Wishbone Chair, \nperfectly represents Wegner’s radically different approach \nto design. The chair merges comfort and stability with its \ndistinctive, beautiful shape and requires more than 100 \nsteps to manufacture - most carried out by hand. \n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.46.png","CH\n25\nThe introduction of the CH25 Lounge Chair \ncaused a stir due to Wegner’s choice of materials \non the backrest and seat. The woven paper cord, \na replacement for seagrass developed during \nWorld War II, had not been used in furniture \nbefore. However, Wegner was enthusiastic about \nthe look of the material and its non-stretching \nand optimal durability, and so were generations \nafter him.\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.47.png","90\n91\nCH\n26\nThe CH26 Chair is a translation of the \nCH22 Lounge Chair, which Wegner created \non a working drawing in 1949, but never \nactually manufactured a physical mock-up. \nIn 2016, it was finally put into production \nby Carl Hansen & Søn in collaboration with \nHans J. Wegner Design Studio.\n“Imagine if you could design just one good chair in \nyour lifetime – but that simply cannot be done.”   \nHANS J. WEGNER\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.48.png","DINING TABLES AND DESKS\nflexible  \nlong-lasting \n \ninviting \ndesign \n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.49.png","94\n95\n1982\nHans J. Wegner\nCH002 DINING TABLE \nCH006 DINING TABLE\nThe perfect balance \nof form and function\nThe CH002 and CH006 Table Series were designed in 1982 by Hans J. Wegner. A series of minimalist, \nversatile dining tables captures Wegner’s visionary design approach, excelling in contemporary \nspaces that require flexible, extendable solutions. The clean, intelligent design highlights Wegner’s \nattention to detail and focus on function. A table series that adapts effortlessly to any environment \nwith grace and ease. \nCH006 Dining Table, CH36 Chair, CH37 Chair, CH53 Footstool \nWood: oak oil\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.50.png","96\n97\n1970\nHans J. Wegner\nCH110 DESK\n1960\nHans J. Wegner\nCH322 DINING TABLE\nHans J. Wegner’s CH110 Desk was, in many ways, a departure from \nhis usual style of wooden furniture. Created in 1970, it was part of an \nexclusive office concept. The CH100 Series features some of Wegner’s \nmost distinctive steel-framed furniture. The desk introduced a different \nbalance to Wegner’s collection of designs with slender industrial legs \nand a wooden table top resting lightly upon them. Wegner equipped \nthe desk with long, sleek drawers finished with dovetail joints and small \nyet distinctive stainless steel handles.\nDistinctive \nsteel-framed \nfurniture\nHans J. Wegner designed the CH322 Dining Table in 1960. It has a rectangular solid wood table top \nwith a vertical edge and a stainless steel frame with removable legs. The joint between the two halves \nof the top is almost invisible as it follows the natural wood grain. Two flat steel rails stabilise the table \nconstruction. These are shaped, bent, and assembled with each pair of legs in a trestle at each table \nend using distinct screws. \nCH110 Desk, CH111 Chair MO310 Table Lamp\nWood: oak oil. Frame: stainless steel\nCH322 Dining Table, CH20 Elbow Chair, CH825 Credenza, EK61 Opal Pendant \nWood: oak oil. Frame: stainless steel\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.51.png","98\nHans J. Wegner\nCH327 DINING TABLE\n1962\nSoftened edges \nand intricate details\nHans J. Wegner’s CH327 Dining Table from 1962 is a good example of how creativity combined with \nexcellent craftsmanship can result in a different and exciting design. The dining table is solid wood with \nsoftened edges and rounded legs that become narrower towards the floor. The wood’s grain follows \nthe table top’s length, which is supported by 3 distinct rails. Underneath each of these, on each side, is \na side rail that continues along the length of the table. There is a space between the side rail and the \ntable top, thus giving the impression that the table top is floating. \nCH327 Dining Table, CH23 Chair, CH24 Wishbone Chair, CH26 Chair, CH33T Chair, CH37 Chair, CH47 Chair, CH53 Footstool, HJW02 Opala Table Lamp\nWood: oak oil\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.52.png","100\n101\nHans J. Wegner\nCH337 DINING TABLE \nCH338 DINING TABLE\nCH339 DINING TABLE\n1962\nHans J. Wegner’s CH337, CH338, and CH339 Dining Tables from 1962 are characterised by their finely \nprocessed elliptical table top and elegant, tapered legs. The harmonious shape of the solid table top is \none of the most eye-catching features, and with the wood’s cross grains, one can hardly see the joint \nbetween boards. The horizontal rails are placed at an angle to optimally support and control the wood. \nThey have been formed so that they are taller at the joints with the legs to give optimal support and \nlower where space is needed for the legs.\nCH339 Dining Table, CH24 Wishbone Chair, HJW37 The Pendant \nWood: walnut oil\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.53.png","102\n103\n1960\nHans J. Wegner\nCH388 DINING TABLE\n1952\nArne Jacobsen\nAJ52 SOCIETY TABLE\nThe small CH388 Dining Table designed by Hans J. Wegner in 1960 has a round wooden table top \nsupported by two trestles with round legs and a uniquely shaped rail. The result is a well-thought-\nout composition that still seems extremely modern today. The round table top is of solid oak with a \nvertical edge. The cylindrical, removable stainless steel legs meet the floor with visible floor protectors \nwith a slight, rounded edge on the side. The legs are attached to the table top and the two rails for \nmaximum stability.\nA fluid fusion of Bauhaus, functionalism, and industrial design, this exquisitely crafted desk is made from \ntimeless materials. The AJ52 Society Table is an enduring example of Arne Jacobsen’s functionalist \napproach to design. The pioneering architect created the piece in 1952 as part of a complete office \nfurniture set for the American Scandinavian Foundation’s New York office, commissioned by the large \nshipyard Burmeister & Wain. Jacobsen harnessed brand-new techniques and materials to create the \nslender writing desk, which features a fine-structured leather top that wraps tightly around a tubular \nmetal frame. A conical desk lamp in brushed stainless steel is a flawless addition to the design, as is the \nglass-fronted, wood-and-veneer letter compartment. Beneath the table, a six-drawer unit, suspended \nfrom fine metal tubes – a feature that adds to the desk’s air of lightness.\nA bold fusion \nof aesthetics\nCH388 Dining Table, CH88 Chair, CH53 Footstool\nWood: oak oil. Frame: stainless steel\nAJ52 Society Table, BM0865 Daybed, MO310 Table Lamp\nWood: walnut oil. Upholstery: Freja 2002. Frame: stainless steel\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.54.png","104\n105\n1961\nBørge Mogensen\nBM0698 ASSERBO TABLE\n1950\nBørge Mogensen\nBM1160 HUNTING TABLE\nInformal and functional, the BM0698 Asserbo Table was created by \nBørge Mogensen in 1961 to furnish his private holiday home. Originally \ncrafted in pine, Børge Mogensen’s informal Asserbo Table is today \nshaped from solid dark oiled eucalyptus, a beautiful hard wood with \na subtle grain and brown hue. With its high utility value and informal \nlines, the design alludes to the Shaker style. Its gently rounded shape \nis punctuated with brushed brass screws that serve as a practical and \neye-catching detail.\nBørge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild \nFurniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, \ncreating a bold and organic whole. The name refers to the “Hunting Cabin” theme of the Guild’s \nexhibition, a detail which is also reflected in the table’s robustness and wood-focused design. The \ntable is constructed for frequent use with rounded corners and edges in solid wood, which reveals \nMogensen’s passion for democratic and accessible design. The stability is ensured by using two \ndiagonal brace metal bars connecting the table top and frame with an aesthetically pleasing effect.\nClassic design \nmeets functional \nconstruction\nBM0698 Asserbo Table, BM0699 Asserbo Bench With Backrest, BM0700 Asserbo Bench Without Backrest \nWood: eucalyptus dark oil\nBM1160 Hunting Table, PK1 Chair\nWood: oak oil. Cross bars: stainless steel\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.55.png","106\n107\n2019\nEOOS\nE020 EMBRACE TABLE\n1962\nOle Wanscher\nOW224 RUNGSTEDLUND TABLE\nDesigned by Austrian trio EOOS, the E020 Embrace Table is a stylish reinterpretation of a furniture \nstaple created in the intelligent Embrace Series. Crafted from three components, the design has \na wooden base, a steel wire structure, and a round table top. The result is a distinctive, sculptural \nexpression inspired by a kite blowing in the wind; with table legs pulled to the centre to maximise \nlegroom, the piece provides optimal functionality. The table top is circular and designed to facilitate \ncommunication between people as the round shape and added legroom highlight social interaction. \nContrasted by the lightness of the frame, the wooden table top floats on the stable frame and will \nmerge seamlessly with the Embrace Chair and Embrace Chair with Armrest.\nThe sleek and refined OW224 Rungstedlund Table demonstrates Ole Wanscher’s admiration for 18th-\ncentury English furniture, as is evident in its softly curved silhouette. Designed in 1962, the Rungstedlund \nTable was originally intended for Rungstedlund, which today holds a museum. Characterised by his \norganic signature style, the table achieves a lightness in form owing to a softly curved table top \nand a subtle slope on the inside of the square legs, which are rounded on the outside. An elegant \nbookmarked veneer surface displays Wanscher’s respect for natural materials, highlighting depth and \nuniformity in the oak grain.\nGolden age \nrefinement \nE020 Embrace Table, E005 Embrace Chair with Armrest, BT1001 Pendant No. 1 \nWood: oak oil, laminate black. Frame: stainless steel\nOW224 Rungstedlund Table, VLA26 Vega Chair, MO330 Pendant No. 1 \nWood: oak oil\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.56.png","108\n109\nStrand & Hvass\nPoul Kjærholm\nSH900 EXTEND TABLE\n2007\n1955\nPK52 PROFESSOR DESK \nPK52A STUDENT DESK\nThe PK52 Professor Desk and the PK52A Student Desk, designed for \nthe Royal Danish Academy of Fine Arts, established Poul Kjærholm’s \nreputation for uniting the best of traditional craftsmanship and \nindustrial design. The Academy needed tables for lecturers and \nstudents, and Kjærholm, who had recently joined the academic staff, \ndesigned a pair of bespoke tables for the occasion. Based on his \ncabinetmaking experience, Kjærholm developed a new table structure \nshowcasing his steel and wood mastery. Metal ferrules separate the \nsteel and wood to lend these desks a dynamic, light appearance and \nhighlight his signature ability to unite traditional craftsmanship and \nindustrial design.\nSimple, \ngeometric \nelegance\nIn 2007, Strand & Hvass set out to design a table that would pay tribute to previous masters while \nexploring new forms and structural directions. The resulting SH900 Extend Table represents a new \nera of modern Danish design with its minimalist, visually engaging composition and integration of new \nstructural possibilities. The table features solid and clean lines and a perfect pairing of style and stability. \nPerhaps most importantly, the Extend Table simplifies table extension to an unprecedented degree, with \na cleverly hidden foldout system providing easy access to built-in extension leaves in a bold, modern \nblack finish.\nPK52 Professor Desk, PK1 Chair\nWood: oak oil. Frame: black powder-coated steel\nSH900 Extend Table, KK96620 Faaborg Chair, KK48650 Addition Sofa, KK48651 Addition Sofa, MO310 Table Lamp \nWood: oak oil\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.57.png","COFFEE TABLES\n \nunifying \ndesign\nimpeccable \n \n \nquality \nversatile \n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.58.png","112\n113\n1952\nHans J. Wegner\nCH004 NESTING TABLES\n1954\nHans J. Wegner\nCH008 COFFEE TABLE \nA modern \ntake on nesting\nHans J. Wegner’s characteristic lines come to the fore in the CH004 Nesting Tables, a functional and \nspace-saving design with an organic expression designed in 1952. The nesting tables represents \nWegner’s ability to design furniture that harmonises with its surroundings while staying relevant for \nthe future. Rounded, tapered legs, mortise joints, and subtle curves on the front and rear support \nexemplify Wegner’s distinctive style, and the scale of each table top and frame is adapted to create a \nharmonious whole.\nThe CH008 Coffee Table, designed in 1954, is a fine example of Hans J. Wegner’s preference for \nsimple, clear, and interesting solutions. The coffee table is a round table top on a wood frame with three \ndetachable, tapered legs. To support the table top, and as a link between the top and the legs, the table \nhas a solid triangular frame, the corners of which are cut off at an angle at the edge of the table top. \nThe rounding of the legs gives the coffee table an elegant, almost floating appearance.\nCH004 Nesting Tables\nWood: oak oil\nCH008 Coffee Table, CH78 Mama Bear Chair\nWood: oak oil\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.59.png","114\n115\n1954\nHans J. Wegner\nCH011 COFFEE TABLE\n1970\nHans J. Wegner\nCH106 COFFEE TABLE\nCH108 COFFEE TABLE\nThe CH011 Coffee Table was designed by Hans J. Wegner in 1954. Its \nfour tapered legs tilt slightly outwards towards the two sides of the \ntable, giving the solid top an elegant lightness, which is only further \nhighlighted by the rounding of the legs towards the floor. The table \ntop’s simple expression and natural wood surface with a horizontal \ngrain make it more adaptable for different uses.  \nA sturdy construction \nand natural surface\nHans J. Wegner’s square shaped CH106 and CH108 Coffee Tables are part of his CH100 Series from \n1970 – all with a similar base frame. The sturdy, square glass table top rests on a frame consisting of two \ntrestles in bent flat steel connected via two transverse steel rails. The rails also function as a support for \nthe top, whose polished glass makes the frame’s structure fully visible. With the frame’s soft bends and \nthe rounded corners of the glass, the design looks soft and harmonious despite its solid materials.\nCH011 Coffee Table, CH45 Rocking Chair\nWood: oak black\nCH108 Coffee Table, CH28T Lounge Chair, CH102 Sofa, CH103 Sofa\nFrame: stainless steel. Table top: glass\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.60.png","116\n117\n1990\nHans J. Wegner\nCH415 COFFEE TABLE\n1970\nHans J. Wegner\nCH417 TRAY TABLE\nHans J. Wegner designed the CH415 Coffee Table relatively late in his career. His idea was to make a \nsmall, low table with a frame that matches the CH401 Lounge Chair. The design consists of a small, round, \nsolid wood table top with a vertical edge supported by a frame with four slim stainless steel legs. The \nlegs slant slightly outwards from the table top downwards to end vertically on the floor in round glides. \nHans J. Wegner’s CH417 Tray Table combines two simple parts – a reversible round tray and a collapsible \nstainless steel base – a smart and easy-to-store solution that is simple and practical. The light tray has a \nnatural-coloured, oak veneer rim, held together by a narrow piece of walnut. In addition to encasing the \ntray, this narrow piece acts as a handle and a groove in the tray, making it easier to hold the tray when \ncarried.\nAn easy-to-store \nsolution \nCH415 Coffee Table, CH401 Lounge Chair\nWood: walnut oil. Frame: stainless steel\nCH417 Tray Table, CH445 Wing Chair\nWood: oak oil, laminate white. Frame: stainless steel\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.61.png","118\n119\n2019\nEOOS\nE021 EMBRACE LOUNGE TABLE\n1932\nKaare Klint\nKK44860 SIDE TABLE\nA table fit \nfor any interior\nExacting \ngeometry\nThe E021 Embrace Lounge Table was designed by Austrian design trio EOOS for Carl Hansen & Søn \nin 2019. The Embrace Lounge Table is available as a low coffee table and a slightly taller and slimmer \nside table. Both versions highlight the light expression of the Embrace Series, where the circular \nwooden table tops seem to float on stabilising steel structures inspired by kites blowing in the wind.\nKaare Klint never tried to invent new furniture categories but strove to \nimprove and refine existing archetypes. One such piece, the KK44860 \nSide Table, was designed in 1932 based on the need to store and \ndisplay the radio - an integral piece of popular modern technology \nused in homes at the time. A side table with a reduced expression \nof clean, straight lines without decorative elements testifies to Kaare \nKlint’s pragmatic approach to design, where the function is essential, \nand the wood serves as decoration. The side table was designed \nin 1932 and presented at the Copenhagen Cabinetmakers’ Guild \nFurniture Exhibition in 1933, together with Klint’s world-renowned Safari \nChair and Addition Sofa, which have a clear kinship with the table, seen \nin the exacting geometry and unique qualities of the materials. \nEO21 Embrace Lounge Table\nWood: oak black. Frame: stainless steel\nKK44860 Side Table, KK96620 Faaborg Chair\nWood: oak oil\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.62.png","120\n121\n1930 \nKaare Klint\nKK66870 COFFEE TABLE\n1940\nMogens Lassen\nML10097 EGYPTIAN TABLE\nFunctional \nelegance\nThe KK66870 Coffee Table was designed in 1930 by Kaare Klint – one of the founding fathers of \nDanish furniture design, who influenced generations with his mathematically based functionalism. The \ncoffee table exemplifies Kaare Klint’s refined and detailed designs. Meticulous in its proportions and \ncraftsmanship, he created a characterful table based on the need to serve as a banquet table with \nspace for bottles and drinking glasses. With its soft and tactile expression, it features angled legs with \nvertical cut-outs, which are interrupted by the shelf and continue under the table top.\nThe beauty and organic lines of this functional ML10097 Egyptian Table do justice to its complex origin \nof intricate study and foreign lands. Mogens Lassen first exhibited this round coffee table, inspired \nby folding stands found in Tutankhamun’s tomb in 1922, at the Copenhagen Cabinetmakers’ Guild \nExhibition in 1940. The elegant table easily collapses for storage with the release of a small brass sliding \nlatch beneath the table top – a flexible design that exemplifies the functionalism inherent in classic \nfurniture types.\nOrganic table design \nwith historic origins\nKK66870 Coffee Table, BM0555 Bed\nWood: oak oil\nML10097 Egyptian Table, KK48651 Addition Sofa\nWood: walnut oil\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.63.png","122\n123\n1964\nOle Wanscher\nOW449 COLONIAL COFFEE TABLE\n2023\nRikke Frost\nRF1905 SIDEWAYS COFFEE TABLE\nAs an integral part of the Colonial Series, this coffee table stands \nproud with elegant lines and an appealing aesthetic. Designed by  \nOle Wanscher when he developed a two-seater version of his \nColonial Chair – creating a harmonious focal point for the entire \nColonial Series. The OW449 Colonial Coffee Table communicates \nWanscher’s desire to lend modern style and utility to classic objects. \nThe table enhances contemporary settings with its understated, \nconsidered form, featuring a square veneer table top and framing that \nmirrors that of the OW149 Colonial Chair and OW149-2 Colonial Sofa \nin its precise detailing, raised corners and geometric aesthetic.\nAn organic approach \nto sociable design\nDesigned by Rikke Frost, the RF1905 Sideways Coffee Table is a contemporary, round design inspired \nby the organic nature of the circle. Known for her soft and organic typology and exploration of materials, \nthe table features a traditional handcrafted wooden frame with a reversible table top in walnut or oak \nwith laminate. Resting on four delicate brass brackets, its easy to customise. An alternative version in \nItalian marble introduces a different interpretation to the design that’s versatile in a variety of interior \nsettings. A small shelf underneath the table top demonstrates Frost’s approach to sociable design with \nspace to put technology to one side and be in the moment.\nOW449 Colonial Coffee Table, OW149 Colonial Chair, OW149F Colonial Footstool, OW150 Daybed\nWood: oak oil\nRF1905 Sideways Coffee Table, RF1903 Sideways Sofa\nWood: oak oil, laminate black\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.64.png","SOFAS\nclassic \n \ndesign \nelegant \n \nmeticulous \nupholstery  \n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.65.png","126\n127\n1952\nHans J. Wegner\nCH72 SOFA\n1970\nHans J. Wegner\nCH102 SOFA \nCH103 SOFA \nCH104 SOFA\nThe CH72 Sofa designed by Hans J. Wegner was presented in 1952. \nWegner had a special sense for designing and developing furniture \nworks that were at once contemporary – and possessed the potential \nto become timeless classics. The sofa is characterised by relatively \nsmall dimensions, a slim, comfortable, fully upholstered frame, and \nround, tapered legs in solid wood. The furniture features loose cushions \nand upholstered armrests finished with elegant, rounded, solid wood \nhandles – a functional and decorative detail that protects the armrests.\nDesigned by Hans J. Wegner in 1970, the CH100 Series was designed, in its time, as a part of an \nexclusive office furniture range and represents today some of Hans J. Wegner’s finest stainless steel \nwork of his career.  The sofa is built over an inner frame of solid beechwood, and two arm elements are \nupholstered by hand according to the best quality standards. For dimensional stability, the seat and \nback cushions have a foam core wrapped in a down jacket to enhance comfort. The stainless steel flat \nframe consists of a longitudinal rail joined to the leg with skids at each end. The solid wood interior \nframe enables the finest upholstery methods. Stainless steel is used for the visible part of the frame, \nand its elegant form offsets the inherently industrial feel.\nCH72 Sofa \nWood: oak oil. Upholstery: Vidar 222\nCH102 Sofa, CH103 Sofa, CH101 Lounge Chair, CH108 Coffee Table \nUpholstery: Thor 301. Frame: stainless steel\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.66.png","128\n129\nHans J. Wegner\nCH162 SOFA\nCH163 SOFA\n1965 \nStrong lines \nand visible \nconstruction\nHans J. Wegner demonstrates with the CH162 and CH163 Sofas how even a small detail can be so \nimportant that it becomes a special feature of the furniture. In this case, the special feature is the \nenlarged cover caps in the armrests which conceal the screws in the upper part of the characteristically \nshaped legs that hold the armrest upholstery to the wooden frame. The wooden cap is made more \nprominent for decorative reasons, moved slightly back from the front of the legs, and placed so that the \ngrain is moving in the transversal direction of the leg’s grains. The sofa’s solid wooden frame is firmly \nupholstered. The cushions in the seat and back are loose and soften the otherwise straight lines of the \nsofa. Using down wrapping around a foam core in a sofa enabled Wegner to add pleasant comfort to a \nmostly tight form. \nCH162 Sofa, CH004 Nesting Tables\nWood: oak oil. Upholstery: Baru 0950\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.67.png","130\n131\nE311 Embrace Sofa, E321 Embrace Sofa, E331 Embrace Sofa, MG501 Cuba Chair, OW449 Colonial Coffee Table, MO320 Floor Lamp \nWood: oak oil Upholstery: Crisp 4115\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.68.png","132\nEOOS\nE300 EMBRACE SOFA\n2021\nA modular sofa that unites a stringent geometric expression with unparalleled comfort and \ncraftsmanship. Striking the perfect balance between a rigorous wooden frame and soft upholstery, \nthe E300 Embrace Sofa brilliantly unites Austrian design studio EOOS’s strong sense of contemporary \naesthetics with Carl Hansen & Søn’s quality craftsmanship traditions. The E300 Embrace Sofa was \nseveral years in the making. The modular design minimises the materials used so that the look embodies \nthe design, and the design embodies the look – as minimalistic as it gets, without compromising comfort \nor function.\nA minimalist \nmodular sofa\nE311 Embrace Sofa, E321 Embrace Sofa, E331 Embrace Sofa\nWood: oak oil Upholstery: Crisp 4115\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.69.png","134\n135\n1936\nFrits Henningsen\nFH436 COUPÉ SOFA\n1930\nKaare Klint\nKK41180 SOFA WITH HIGH SIDES \nKK41181 SOFA WITH HIGH SIDES\nThe KK41181 Sofa was designed in 1930 by Kaare Klint and was created for the Danish Prime \nMinister Thorvald Stauning’s office at Christiansborg Palace. With its refined, functionalist form, this \nsophisticated sofa eloquently represents the Danish architect and designer’s long-standing legacy. \nWhen shown at the Copenhagen Cabinetmakers’ Guild Exhibition in 1937, the KK41181 Sofa was lauded \nby critics as ‘the best exponent of modern furniture design’ and praised for its ‘mature expression’. \nThe well-proportioned sofa is divided into sections, each supported by a set of crossbars. Originally \ndesigned to seat three people, the KK41181 Sofa has since been supplemented with a two-seater \nalternative known as the KK41180 Sofa. Almost a century later, the sofas remain standout classics from \nthe Golden Age of Danish Design.\nDesigned by Danish cabinetmaker Frits Henningsen, the FH436 Coupé Sofa is a masterpiece of early \nmodern design that remains as intriguing today as it was when it was introduced to the public. First \npresented at the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1936, the Coupé Sofa \ndemonstrates Henningsen’s artistic sensibilities and unique sense of proportion. The sofa’s shoulder-\nhigh profile, angled rear legs, and elegant armrests reveal Henningsen’s deep understanding of materials \nand the importance of quality craftsmanship.\nFH436 Coupé Sofa \nWood: oak oil. Upholstery: Canvas 244, Sif 92\nKK41181 Sofa with High Sides, KK48651 Addition Sofa, KK48651 Coffee Table, KK44860 Side Table\nWood: walnut oil. Upholstery: Sif 90\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.70.png","136\n1933\nKaare Klint\nKK48650 ADDITION SOFA \nKK48651 ADDITION SOFA\nA testament \nto simplification \nand purpose\nThe KK48650-KK48651 Addition Sofa was inspired by a French rococo sofa, as Kaare Klint designed a \nversatile, modern sectional. The first variant was created in the early 1930s for Copenhagen’s prestigious \nNew Carlsberg Foundation offices. Klint then refined the design, presenting the final Addition Sofa at \nthe 1933 Copenhagen Cabinetmakers’ Guild Exhibition. The Addition Sofa is trimmed with piping to \nensure beautiful, clean seams around the seat and back. The leather pleats create rhomboid panels \nheld in place with leather-covered buttons and open up when pressure is applied to the sofa to keep \nthe leather from overstretching. The sofa quickly earned accolades for its simple construction and \nsophisticated upholstery, including an award at the Copenhagen Saddlemakers’ and Upholsterers’ \nGuild’s 475th-anniversary competition in 1935.\nKK48650 Addition Sofa, KK48651 Addition Sofa, KK96620 Faaborg Chair \nWood: walnut oil. Upholstery: Sif 92\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.71.png","138\n139\n1964\nOle Wanscher\nOW149-2 COLONIAL SOFA\n1960\nOle Wanscher\nOW602 SOFA\nOW603 SOFA\nThe Colonial Series’ name and style reflect Ole Wanscher’s fascination \nwith 18th-century English furniture design. Based on the same core \ndesign as the OW149 Colonial Chair, the OW149-2 Colonial Sofa \ncommunicates Wanscher’s fondness for refined detailing. The sofa \nfeatures a relatively simple lattice construction, its elements supporting \none another. The slender dimensions are minimal, and the design’s \nstrength is achieved through a well-conceived structure that includes \ndouble centre legs for necessary stability. \nOle Wanscher originally designed the two-seater OW602 and three-seater OW603 Sofas in 1960 as \npart of a complete living room set. They have since become treasured classics. As with many of his \nother works, Wanscher found the inspiration for this series beyond the borders of his native Denmark, \nmerging elements of classic English and Oriental furniture to create a new expression. Comfortable \nand elegant, with a clean and dynamic design, the sofas combine linear and organic forms to great \nmodern effect. They continue to be crafted by hand over solid wood frames, carrying Wanscher’s \nlegacy of exacting craftsmanship.\nOW149-2 Colonial Sofa, OW2000 Folding Stool, MO320 Floor Lamp\nWood: oak soap. Upholstery: Albee YC04044-01\nOW602 Sofa, KK47000 Safari Chair, KK97170 Safari Footstool, OW224 Rungstedlund Table, MO320 Floor Lamp\nWood: oak oil. Upholstery: Ismay bouclé YC03534-05\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.72.png","140\n141\nRF1903 Sideways Sofa, RF1904 Sideways Lounge Chair, RF1905 Sideways Coffee Table, RF200 Petal Lamp \nWood: oak oil. Upholstery: Re-wool 358\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.73.png","142\n143\n2020\nRikke Frost\nRF1903 SIDEWAYS SOFA\n1945\nVilhelm Lauritzen\nVLA77 FOYER SOFA\nThe RF1903 Sideways Sofa from Rikke Frost combines classic materials, such as wood and paper cord, \nwith a modern asymmetric shape that serves a clear purpose. As communication is being challenged by \ntablets and other digital equipment, Rikke Frost wanted to make a sofa where people feel more inclined \nto talk to each other. The Sideways Sofa’s steam-bent backrest and organically shaped seat form two \nseats that place the parties opposite each other, thus promoting conversation. Open and inviting, the \nlow backrest is made of solid wood and woven cord for a light, elegant look, while the seat and back are \nupholstered in textile to create optimal comfort.\nVilhelm Lauritzen designed the Foyer Series for Copenhagen’s \nRadiohuset’s magnificent foyer. The VLA77 Foyer Sofa was recreated \nin close collaboration with Vilhelm Lauritzen Architects. The sofa is \ncharacterised by a unique interplay between the oak frame and the \nupholstered seat and backrest, which almost float. It requires time-\nconsuming precision and craftsmanship to upholster the sofa, which \nfeatures hand made buttons. Armrests and legs are assembled from \nthree parts and hand polished with the utmost care to avoid the \nappearance of noticeable transitions. The Foyer Sofa epitomises \ntimeless Danish design, showcasing Vilhelm Lauritzen’s signature \nsimplicity and considered use of quality materials.\nUniting function \nwith form\nF1903 Sideways Sofa, RF1904 Sideways Lounge Chair, RF1905 Sideways Coffee Table, MO320 Floor Lamp\nWood: oak oil. Upholstery: Re-wool 358\nVLA77 Foyer Sofa, VLA75 Foyer Bench, VLA76 Foyer Chair\nWood: oak oil. Upholstery: Vanir 113\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.74.png","An exploration of \nform between light \nand darkness\nSHAPES OF  \nILLUMINATION \n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.75.png","146\n147\nBy welcoming five iconic lamp designs, Carl Hansen & Søn proudly introduces \nselected lighting created by the influential designers Hans J. Wegner and \nHenning Koppel. Offering unrivalled craftmanship techniques and providing \na balanced, pleasant light, the lamps seamlessly join the extensive array of \ninnovative lighting within the Carl Hansen & Søn Lighting Collection.\nOPALA LIGHTING SERIES\nThe characteristic Opala Lighting Series by Hans J. Wegner comprises \na pendant, a floor lamp, and a table lamp. The versatile series displays a \nunified, asymmetric design language, softly illuminating any space. \n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.76.png","149\nBUBI LAMP\nHenning Koppel’s Bubi Lamp reveals Koppel’s masterful artistry with its \norganic, curvy shape. The subtly diffused light softly illuminates small-\nscale areas, whether resting directly on its metallic casing, ceiling-hung, \nor arranged in a collective formation.\nTHE PENDANT\nHans J. Wegner’s utilitarian approach is \nembedded in the design of The Pendant. \nA flexible adjustment feature ensures \nillumination of light from multiple height \nsettings for various interior functions. \n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.77.png","150\nBT LIGHTING SERIES\nThe architect duo, Claus Bonderup and Torsten Thorup, \ncreated the BT Lighting Series of geometric pendants with one \ncommon feature - a visual lightbulb peeking out from under the \nlampshades, creating an interplay between light and shadows. \n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.78.png","152\n153\nOPAL PENDANT  \nDesigned by architect and designer Esben Klint, the \nOpal Pendant gracefully balances traditional glassblowing \nand woodworking techniques. The pleated, super-elliptical \nshape of opal glass and elegant oak detailing mimics \ntraditional Chinese lanterns and radiates a pleasant,  \ndiffused light.   \nPETAL LAMP  \nWith a sculptural take on industrialism, Rikke Frost introduces this decorative lamp with \nmateriality as its center. The hidden light source in the cylindric wooden base casts a warm \nlight up towards the lamp shade dispersing a harmonious light reflection downwards when \nencountering the cool metal.\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.79.png","155\nMO LIGHTING SERIES\nWith the feeling of well-being and comfort as the guiding design principle, \nthe circular shapes of the MO Lighting Series by Mads Odgaard is inspired by \nthe sun and its hemisphere. The series consists of a wall lamp, floor lamp, table \nlamp, and a pendant lamp – each of which was designed to serve a specific \nfunction. The series is united by its minimalist, timeless aesthetic appeal while \noffering a diverse range of lighting purposes. \n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.80.png","uncompromising \nimmaculate   \n \ncraftsmanship\n \neffortless \ndesign \nDAYBEDS, BEDS, AND BENCHES\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.81.png","158\nBørge Mogensen\nBM0488 TABLE BENCH\nBM0489 TABLE BENCH\n2021\n2023\nVersatile, timeless, \nand carefully crafted\nBørge Mogensen’s BM0488 Table Bench is praised for its subtle aesthetics and detailed craftsmanship. \nPresented for the first time at the 1958 as a part of Mogensen’s ‘building furniture’-concept, enduring \nfurniture that could be added to and adapted over time in response to changing needs and living \nsituations. The table bench was originally created to complement the BM0865 Daybed, when these \ntwo pieces, are paired together, their woven table top aligns seamlessly with the soft surface of the \ndaybed cushion, making them perfect partners. In 2021, Carl Hansen & Søn relaunched the BM0488 \nTable Bench in cane wicker and in 2023 a new variant BM0489 Table Bench with a natural paper cord \nweave, woven from 335 metres of paper cord in a double weave pattern. Both Table Benches are \nreinterpretations of Børge Mogensen’s original design from 1958. \nBM0488L Table Bench, BM0489S Table Bench\nWood: oak oil. Seat: rattan, natural paper cord\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.82.png","160\n161\nBM0555 Bed, MO320 Floor Lamp\nWood: oak oil\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.83.png","162\n163\n1958\nBørge Mogensens Tegnestue\nBM0555 BED\n1961\nBørge Mogensen\nBM0699 ASSERBO BENCH WITH BACKREST\nBM0700 ASSERBO BENCH WITHOUT BACKREST\nBM0701 ASSERBO WALL-MOUNTED BACKREST\nThe Asserbo Series was created by Børge Mogensen in 1961 to furnish \nhis private holiday home. The BM0699 Asserbo Bench demonstrates \nBørge Mogensen’s approach to function and form. Putting people at \nthe fore, the perfectly proportioned seat in solid, dark oiled eucalyptus, \nis shaped and sized for ease of use, imparting a warm and welcoming \nexpression. Designed for the Asserbo Bench, the Asserbo Backrest \nproves that practicality does not come at the cost of beauty. Offering \nlumbar support while protecting walls from scuffs, it is shaped with the \nsame rounded form and visible brass screws as the rest of the series. \nA stringent \nand stylistically \nconsistent design\nThe BM0555 Bed is an elegant design based on sketches found in Børge Mogensen’s archives. The \nbed features many of Børge Mogensen’s characteristic details, including the beautifully visible mortise \njoints requiring great precision and meticulous craftsmanship. Børge Mogensen’s focus on creating \ndesigns that last for generations is also evident in the bed, which has a sturdy frame made of solid oak \nand rectangular and cylindrical cushions that complete the look with straps in saddle leather.\nBM0555 Bed, BM0488S Table Bench, MO300 Wall Lamp, BT1091 Confetti Pendants \nWood: oak oil. Cushion: Hallingdal 100\nBM0699 Asserbo Bench with Backrest\nWood: eucalyptus dark oil. Cushion: Recheck 0875, Crisp 4115\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.84.png","164\n165\n1958\nBørge Mogensen\nBM0865 DAYBED\nBørge Mogensen’s BM0865 Daybed was shown for the first time at the 1958 Carpenter’s Exhibition. \nThis restful design conceived by Børge Mogensen in response to lifestyles that were already \nbecoming hectic by the 1950s provided the perfect conditions for well-being, enabling busy people \nto put their feet up and relax as soon as they returned home. The BM0865 was originally created in \ndialogue with the BM0488 Table Bench, whose woven table top is designed to be at the same level \nas the soft surface of its cushions. The daybed forms part of Mogensen’s ‘building furniture’ concept, \nthrough which he designed enduring furniture that could be added to and adapted over time in \nresponse to changing needs and living situations.\n1963\nOle Wanscher\nOW150 DAYBED\nThe OW150 Daybed, designed by Ole Wanscher in 1963, appears to float above an angular, solid oak \nframe; however, it is supported by a delicate yet strong cotton webbing. The handsewn buttons create \na simple square pattern, highlighting the daybed’s geometric form, while an optional bolster pillow \nenhances comfort and relaxation. The daybed shows how Wanscher was intrigued and inspired by \nclassic furniture design. He studied it wherever he went, incorporating the styles and elements he felt \nbest merged functionality and aesthetics into his work. His modern classics are still revered for their \ndetail and his deep respect for materials.\nBM0865 Daybed, BM0253 Shelving System, BM0488S Table Bench\nWood: oak oil. Upholstery: Zero 0010\nOW150 Daybed, OW149 Colonial Chair, OW149F Colonial Footstool\nWood: oak oil. Upholstery: Sif 95\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.85.png","166\n167\n2009\nThomas Bo Kastholm\nTK8 DAYBED\nThe stringent TK8 Daybed designed by Thomas Bo Kastholm is one of \nthe first pieces of Danish design that travellers encounter when they \nland at Copenhagen Airport, forming part of the interior since 2009. \nThe designer behind it, Kastholm, has a penchant for minimalist design, \nstraight lines and geometric shapes. He was born into a family where \nhis father, furniture designer Jørgen Kastholm, greatly influenced his \ndesign interest. The Danish tradition of simple furniture as well as clear \nreferences to international architects including Mies van der Rohe, are \nevident in Kastholm’s design.\nDistinctive, simple, \nand confident\n1945\nVilhelm Lauritzen\nVLA75 FOYER BENCH\nRecreated in close collaboration with Vilhelm Lauritzen Architects, the VLA75 Foyer Bench is a \nseries of three designs Vilhelm Lauritzen custom crafted for Copenhagen’s Radiohuset for national \nDanish broadcaster Danmarks Radio. Today, the heritage-listed building from 1945 is one of the finest \nexamples of Danish Functionalism. Adapted in length and upgraded for comfort, the elegant bench \nin solid oak represents Danish design at its best. The simple yet sophisticated bench is fitted with an \nupholstered cushion detailed with characteristic hand made buttons.\nTK8 Daybed\nWood: oak oil. Upholstery: Canvas. Frame: brushed steel chrome\nVLA75 Foyer Bench\nWood: oak oil. Upholstery: Sif 90\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.86.png","STORAGE\nfunctional  \n \nelegant \nsimplicity \npainstaking \n \ncabinetmaking \n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.87.png","170\n171\nHans J. Wegner\nCH825 CREDENZA\n1959\n1957\nBørge Mogensen\nBM0057 SIDEBOARD\nHans J. Wegner designed the CH825 Credenza in 1959 as one of the several that became sought \nafter at auctions many years later with their calm appearance and functional interior. When the two \nroller shutter doors on the credenza are slid to one side and behind the interior backing, the interior \nof the credenza is fully accessible. If the credenza, on the other hand, is closed, the doors form a \ncalm, continuous veneer surface with a vertical grain texture. As a grip, a vertically placed piece of \nwood is attached through a thin, square steel plate to the solid vertical front edge of the door. The \ninterior of Wegner’s credenza is fitted with a combination of shelves and pull-out trays, which, as a \nstarting point, provide useful and diverse storage space. These are divided into three compartments: \nthe outer ones have two shelves each, and the middle has four pull-out trays.\nA master of functional minimalism, Børge Mogensen strived to design \nfurniture that was adaptable to everyday modern life. Designed in 1957, \nthe BM0057 Sideboard is one such example that blends a clean, \nmodern elegance with exquisite carpentry. The beauty in the FSCTM-\ncertified solid oak grain is emphasised by its simplistic design in which \nthere are few decorative flourishes. Mogensen achieves an understated \nsophistication in the striking brass double-brackets with screw slots \nthat face inwards to form a simple, symmetrical pattern. Demonstrating \nthe complexity of joinery only the most skilled cabinetmakers at Carl \nHansen & Søn can achieve, the sideboard displays Mogensen’s vision \nfor functional design with understated visual clarity. Designed with \nenough space to hold a 12-piece dining set, double-bracketed doors \nopen out to reveal two adjustable shelves and drawers featuring \nmortise joints and side panels that taper at the top for a slim-line finish. \nMasterful \nfunctional \nminimalism\nCH825 Credenza, CH24 Wishbone Chair, CH327 Dining Table, MO310 Table Lamp \nWood: oak oil\nBM0057 Sideboard, BM0489S Table Bench, BM1106 Huntsman Chair, OW224 Rungstedlund Table \nWood: oak oil. Double-brackets: brass\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.88.png","172\n173\nBM0057 Sideboard EK61 Opal Pendant\nWood: oak oil. Double-brackets: brass\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.89.png","174\n175\nBørge Mogensen\nBM0253 SHELVING SYSTEM\n1953\nIn 1953, the Danish architect Børge Mogensen designed a flexible, module-based shelving system for \nSøborg Møbelfabrik, but Mogensen’s BM0253 Shelving System was never put into production. The \nshelving system continues Mogensen’s ‘building furniture’ concept of timeless designs that adapt to \nchanging needs and spaces. The shelving system consists of wooden shelves with elegantly rounded \nedges and cabinets with sliding doors with intricately milled handles. The colour scheme for the cabinet \ndoors was carefully selected to honour the designer’s original drawings and was chosen with the help of \nBørge Mogensen’s family. \nBM0253 Shelving System, BM0865 Daybed\nWood: oak oil. Door: black. Frame: black powder-coated steel\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.90.png","176\nFabricius & Kastholm\nFK63 BOOKCASE SYSTEM\n1963\nThe FK63 Bookcase System was designed in 1963 by Preben Fabricius and Jørgen Kastholm. The piece \nresults from a shared interest in functionally minimalist designs that focus on proportion, handcrafted \ndetails, and natural materials. The bookcase system embodies the designers’ uncompromising approach \nto design, crafted in solid oak and oiled to accentuate the texture and grain of the wood. It features \nthoughtful joinery details, including full-width cabinets fitted with brass handles and open shelves with \noptional sliding trays – both customisable to accommodate growing collections.\nFK63 Bookcase System, BM0865 Daybed\nWood: oak oil. Frame: black powder-coated steel\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.91.png","CHILDREN’S FURNITURE\nplayful  \nengaging \nnatural \n \nmaterials  \n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.92.png","180\n181\nHans J. Wegner\nCH24 CHILDREN’S WISHBONE CHAIR\n2024\nIn celebration of Hans J. Wegner’s 110th birthday, the iconic CH24 Wishbone Chair has been reimagined \nfor children. A petite version of the original design, the CH24 Children’s Wishbone Chair features the \ninstantly recognisable wishbone-shaped backrest and consists of 14 hand-finished FSC-certified solid \noak components assembled in over 100 steps. The seat of the chair is woven from 75 metres of hand \nwoven FSC-certified paper cord, 33% thinner than the original to maintain a balanced scale. The smaller \nproportions of the children’s chair were achieved in collaboration with Hans J. Wegner Design Studio \nwhose redesign maintains its expression otherwise lost in a simple downscaling. \nSame iconic design, \njust smaller\nCH24 Children’s Wishbone Chair, CH411 Peter’s Table\nWood: oak oil. Paper cord: natural\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.93.png","182\n183\nCH24 Children’s Wishbone Chair, CH24 Wishbone Chair\nWood: oak oil. Paper cord: natural\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.94.png","184\n185\nHans J. Wegner\nCH410 PETER’S CHAIR\nCH411 PETER’S TABLE\n1944\n1954\nNanna Ditzel\nND54 HIGH CHAIR\nThe ND54 High Chair is an acclaimed work of modern children’s \nfurniture designed by the Danish designer couple Nanna and Jørgen \nDitzel. In 1954, the Ditzels welcomed twin daughters, Lulu and Vita, \ninto their family. That same year, the couple used their daughters as a \nreference for how to determine the proportions of the high chair, which \nwas designed as a companion to a dining room set they had recently \ndesigned. In 1955, the high chair was introduced to the public at the \nDanish Arts & Crafts Exhibition in Copenhagen. Handcrafted in solid \nbeech, the high chair has been designed to adapt to the changing \nneeds of growing children so that the chair can be used by children \nup until the age of five and is durable enough to be handed down for \nmany years of use.\nAn ideal childhood \ncompanion\nFunctionality and\nplayfulness\nCH410 Peter’s Chair and CH411 Peter’s Table were created by Hans J. Wegner during World War \nII. Finding quality products in wartime Europe was not easy, so when Wegner needed a suitable \nchristening gift for Peter, the son of his friend and fellow furniture designer Børge Mogensen, he \ntook matters into his own hands and crafted the gift himself. An accomplished cabinetmaker, Wegner \nconceived and built the simple yet ingenious chair and table that would work as both functional pieces \nand as an engaging toy. Designed as a life-size three-dimensional puzzle in untreated beech, the \nfurniture pieces are easily assembled without the use of tools – to the great excitement of children and \nadults alike. Together, they reveal the extent of Wegner’s innovative spirit and superior ability to fulfil \nchildren’s natural interests without compromising design and quality.\nCH410 Peter’s Chair, CH411 Peter’s Table\nWood: beech untreated\nND54 High Chair, ND54S Backrest, PK1 Chair, OW224 Rungstedlund Table \nWood: beech lacquer. Strap: saddle leather cognac\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.95.png","LIGHTING\nsoftly \n \nilluminating  \n \nminimalist \naesthetics \ngeometric  \n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.96.png","188\n189\nHans J. Wegner\nOPALA LIGHTING SERIES\n1973\nDesigned by Hans J. Wegner in 1973, the Opala Lighting Series has a distinctive, almost futuristic, \nexpression with its lightly tilted lampshade and straight lines. The asymmetrically cut lampshade is a \ntestament to Wegner’s focus on function, as the concept allows one size of lamp shade to fit both the \npendant and the floor lamp. The Opala Lighting Series has a focused task light while illuminating the \nsurrounding space softly through the white shade.\nSoft \nillumination\nHJW38 Opala Pendant\nShade: opal acrylic. Top: black\nHJW03 Opala Floor Lamp \nShade: opal acrylic. Top and foot: aluminium white. Rod: steel\nHJW01 Opala Table Lamp \nShade: opal acrylic. Top and foot: aluminium white. \nRod: steel\nHJW02 Opala Table Lamp \nShade: opal acrylic. Top and foot: aluminium black. \nRod: steel\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.97.png","191\nHJW37 THE PENDANT\nHans J. Wegner\n1962\nHJW37 The Pendant, designed by Hans J. Wegner in 1962, combines soft shapes with an industrial \ndesign and has been in continuous production since its launch. Characteristic to Wegner’s design idiom, \nthe lamp has an honest construction where the functional elements are transformed into decorative \ndetails. This is exemplified by the handle that is an integrated part of the design, enabling the user to \nadjust the height of the pendant without touching the shade. A true masterpiece in function and form.  \nHonest \nconstruction\nHJW37 The Pendant\nShade: aluminium white, dark green. Hanger: steel, gold\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.98.png","192\n193\nClaus Bonderup & Torsten Thorup \nBT LIGHTING SERIES\n1970\nOriginally created in the late 1960s, the BT Lighting Series was designed by Danish architects Claus \nBonderup and Torsten Thorup. Three designs, different in size and shape but united by their stylish \nsimplicity and a common feature: a half-mirror light bulb peeking out from under the lamp shades. \nRevealing the light source in all of the designs was a conscious choice for Bonderup and Thorup. As \nsuch, the sleek pendants acquire further visual appeal, while the half-mirror bulb reflects the light onto \nthe white interior of the shades, creating indirect lighting.\nDesigned to create \ninterplay between \nlight and shadow\nBT1001 Pendant No. 1\nShade: polished brass\nBT1041 Calot Pendant\nShade: powder-coated steel white\nBT1091 Confetti Pendant\nShade: powder-coated steel black\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.99.png","194\n195\nHK20 BUBI LAMP\nHenning Koppel\n1972\n1961\nEsben Klint\nEK61 OPAL PENDANT\nWith its simple, organic shape, the HK20 Bubi Lamp embodies Henning Koppel’s sculptural mode \nof expression. Inspired by his grandchild’s summer hat, the lamp was designed in 1972, elegantly \ncombining a soft, drop-like shape with steel and opal acrylic. As a trained sculptor and artist,  \nKoppel had an artistic approach to his designs and, as opposed to many of his contemporary \ncolleagues, valued form higher than function. Koppel’s organic, sweeping style is recognisable  \nin his entire body of work, from silverware and jewellery to tableware and furniture.  \nSculptural modes \nof expression\nThe classic EK61 Opal Pendant, designed in 1961 by Danish architect and cabinetmaker Esben Klint. \nCreated by the son of prominent designer Kaare Klint, the understated and elegant pendant emits \nsoft, indirect light thanks to its careful combination of classic materials. Originally imagined in pleated \nplastic, the design was too complicated to produce at the time and remained stored in the family \narchives. The new iteration features a pleated, super-elliptical shape with distinctive top and bottom \npieces, evoking traditional Chinese lanterns. The mouth blown opal glass and oak, meticulously turned \nand honed by hand, give it a classic look, ennobling the original design.\nHK20 Bubi Lamp\nShade: opal acrylic. Top: chrome, brass\nEK61 Opal Pendant\nShade: opal glass. Top and bottom: oak oil\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.100.png","196\n197\nMads Odgård\nMO LIGHTING SERIES\n2020\n2021\nRikke Frost\nRF200 PETAL LAMP\nThe MO Lighting Series is a collection of exquisitely minimalistic lamps designed to bring a sense \nof serenity and warmth - inspired by the comforting effect that light has on the human experience, \nespecially during the dark days of winter. The Danish designer Mads Odgård chose to focus on two \nsimple and familiar shapes: the hemisphere and the cylinder, forms with clear, logical connections to \nnatural light.\nThe RF200 Petal Lamp, designed by Rikke Frost in 2021, is distinguished by its ability to create mood \nlighting. The distinctive composition of wood, metal and ambient light takes its cues from trees and \narchitectural arches and columns. Atop the lamp’s wooden base rest two vaulted metal reflectors that \nilluminate upwards and disperse soft, glare-free light downwards through the shades. Allowing the \nmaterials to play a leading role in its simple, organic design, the juxtaposition of warm wood and cool \nmetal coupled with uncompromising craftsmanship ensure the Petal Lamp is both timeless and modern.\nMood-enhancing \nambiance\nRF200 Petal Lamp\nBase: oak oil. Shade: brushed aluminium\nMO330 Pendant, MO320 Floor Lamp\nShade: powder-coated steel white, black\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.101.png","OUTDOOR FURNITURE\ndurable  \nrigorous \n \ndesign \n \npatinates \nbeautifully \n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.102.png","200\n201\nAlfred Homann\nAH OUTDOOR SERIES\n2022\nThe AH Outdoor Series is a stackable outdoor collection that combines rigorous design with soft \ndetails, designed by Danish architect Alfred Homann. Simplicity, clarity, and logic were the guiding \ndesign principles for Alfred Homann during the development of the AH Outdoor Series, where all \nsuperfluous details were eliminated in favour of a simple expression and high functionality. The series \nconsists of eleven pieces of furniture, all of which can be mixed and matched to fit individual needs. \nThe AH Outdoor Series features a rigorous aesthetic paired with Homann’s sense of soft shapes – as \nevidenced in the beautifully curved armrests, backrests, and seats, where the braces elegantly grip \nthe frame. To achieve a soft and tactile surface, the joints are meticulously polished by hand by skilled \ncraftsmen at Carl Hansen & Søn. All the tables and chairs can be stacked for ease of storage when not \nin use, exemplifying Homann’s attention to detail and understanding of form and function.\nA study in \nartful simplicity\nAH501 Dining Chair, AH502 Dining Chair with Armrest, AH901 Dining Table, AH601 Lounge Chair, AH604 Lounger, AH604F Lounger Footrest\nWood: untreated teak. Cushion: Life Oat 1760\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.103.png","202\n203\nAH601 Lounge Chair, AH603 Deck Chair, AH911 Side Table, AH701 Lounge Sofa\nWood: untreated teak. Cushion: Life Oat 1760\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.104.png","204\n205\nINDOOR-OUTDOOR SERIES\nBodil Kjær\n1959\nThe bold geometric shapes of Cubism, principles of human scale and aesthetic balance were the \nkey cornerstones that inspired architect Bodil Kjær’s iconic Indoor-Outdoor Series. Conceived as a \ncollection of harmonious, contemporary architectural elements, the collection was designed to relate \nto its immediate surroundings, whether in or out of doors. With a fine expression and graphic aesthetic \nthat includes a dining table, lounge chair, and swing sofa, the collection is produced in FSC-certified \nuntreated teak, a durable wood species that can withstand various weather conditions, developing a \nbeautiful patina over time. Six decades after the initial launch of Kjær’s Indoor-Outdoor Series, Carl \nHansen & Søn has added this timeless series to its collection of design classics. Its versatile appeal \nmakes it an ideal choice for a variety of modern and contemporary exterior and interior settings.\nGuided by the principles \nof human scale and \naesthetic balance\nBK10 Dining Chair, BK15 Dining Table, BK12 Lounge Sofa\nWood: untreated teak. Cushion: Canvas 5453\n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.105.png","206\n207\nBK10 Dining Chair, BK11 Lounge Chair, BK12 Lounge Sofa, BK14 Lounger, BK15 Dining Table, BK16 Side Table \nWood: untreated teak. Cushion: Canvas 5453\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.106.png","208\n209\nBM OUTDOOR SERIES\nDeveloped from the late 1960s to early 1970s, Danish furniture designer Børge Mogensen’s BM Outdoor \nSeries was created as a lightweight, space saving solution for the balcony of the designer’s own home. \nMogensen’s clever, utilitarian pieces can be folded up and stowed away or hung onto a wall as a \ndecorative feature when not in use. Like all of Børge Mogensen’s furniture designs, the series combines \nfunctional strength with natural materials and a timeless aesthetic. Featuring a number of carefully \ncrafted details that point to Mogensen’s background as a cabinetmaker, the BM Outdoor Series features \nclear stylistic references to the American Shakers and to 19th-century English furniture design.\nFoldable furniture \nfor outdoor \ntogetherness\nBørge Mogensen\n1968–1971\nBM1069 Tray, BM5565 Deck Chair with Footrest, BM5868 Side Table, BM5768 Footstool, BM5868 Side Table, BM4570 Chair, BM1771 Table, BM1871 Bench \nWood: untreated teak. Cushion: Heritage Papyrus 18006\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.107.png","211\nEMBRACE OUTDOOR SERIES\nExploring the interplay between perfection and imperfection within contrasting materials, the Embrace \nOutdoor Series represents the design trio’s poetic approach to design, resulting in a dynamic and \nplayful collection. Using FSC-certified untreated teak as the main character of this series, the collection \ndevelops a unique patina over time. The E022 Embrace Outdoor Dining Table carries a dynamic \nexpression with an almost floating appearance. Rooted in a belief that design should adapt to changing \nneeds and desires, EOOS has created a contemporary outdoor collection that offers a versatile \ndining experience. The sculptural and highly finished chairs display an unmatched level of traditional \ncraftsmanship. The E008 Embrace Outdoor Dining Chair offers removable, weather-resistant cushions \nto highlight the beauty of teak.\nA versatile outdoor \ncollection with a \ndynamic expression\nEOOS\n2023\nE008 Embrace Outdoor Dining Chair, E022 Embrace Outdoor Dining Table\nWood: untreated teak\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.108.png","212\n213\nE008 Embrace Outdoor Dining Chair, E022 Embrace Outdoor Dining Table\nWood: untreated teak. Cushion: Life Oat 1760\n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.109.png","214\n215\nGudmundur Ludvik\nGL101 TIMBUR OUTDOOR BENCH\n2023\nMorten Gøttler\nMG501 CUBA CHAIR OUTDOOR\n1997\nWith an equally light and robust expression, the GL101 Timbur Outdoor \nBench combines Danish craftsmanship with Icelandic minimalism. This \ndebut collaboration with Icelandic designer Gudmundur Ludvik reflects \nhis deeply rooted appreciation of the Nordic landscape and the nature \nof wood. Meaning ‘timber’ in Icelandic, the contemporary Timbur \nOutdoor Bench is a simple, linear design crafted from untreated FSC-\ncertified teak. Left open to the elements, the teak develops a unique \nand vibrant patina that only enhances the beauty of this minimalist \ndesign. A versatile choice for various outdoor settings, the Timbur \nOutdoor Bench offers a space for quiet contemplation or conversation. \nA gently sloping backrest offers support, whilst generous armrests \npresent a perfect spot to rest a cup or side plate.\nA balance of \nraw simplicity \nand strength\nDesigned in 1997, Morten Gøttler’s ingenious MG501 Cuba Chair is an excellent example of the \ndesigner’s focused approach to furniture design. With its low, open construction, the Cuba Chair \nencourages an informal sitting position and clearly reflects the democratic ideals of modernist design. \nIn a few decades, the deceptively simple chair has become a new classic of Danish furniture design. \nWhile the aesthetic and functional features of the Cuba Chair for the outdoors are identical to the \noriginal, the materials have been updated for outdoor use.\nGL101 Timbur Outdoor Bench\nWood: untreated teak. Cushion: Life Oat 1760\nMG501 Cuba Chair Outdoor\nWood: untreated teak. Flat rope: Sesame 083\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.110.png","SELECTED ACCESSORIES\nunderstated \n \nelegance  \ndecorative  \n \ndetailed \njoinery \n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.111.png","219\nSELECTED ACCESSORIES \nThe Carl Hansen & Søn Accessories Collection presents interior items and mindful decorations crafted \nfrom natural materials. With a design legacy spanning over a century and a commitment to traditional \ncraftsmanship, each piece is meticulously made, mirroring the attention given to every piece of our \nfurniture. Renowned designers such as Børge Mogensen, Kaare Klint, Vilhelm Lauritzen, Sharon Fisher \n& Matteo Barenghi navigate the delicate balance between functional and decorative home objects, \nembodying an understated aesthetic. \nWe take great care in minimising waste. Consequently, smaller entities like cutting boards, plates, \nand leather goods are crafted from wood and upholstery off-cuts at our furniture factory in Gelsted, \nDenmark. By repurposing surplus raw materials, we actively contribute to the reduction of our \nenvironmental footprint.\nVLA62 RADIO HOUSE MIRROR\nVilhelm Lauritzen, 1945\nThe VLA62 Radio House Mirror was designed by Vilhelm Lauritzen in 1945. The mirror \nfeatures a clear Lauritzen identity, with organic lines and high detailing. The distinctive \nframe, beautifully framing the mirror image, is crafted from solid oak and assembled with \nthe utmost precision.\nPrecision \ncraftsmanship\nFB001 TSUGI SHELF\nSharon Fisher and Matteo Barenghi, 2021\nThe FB001 Tsugi Shelf is designed by Sharon \nFischer & Matteo Barenghi and ties the principles \nof ingenious Japanese carpentry with sophisticated \nDanish craft traditions. Behind the shelf’s simple \nexpression lies high-precision carpentry, ensuring \nthe wooden components to lock seamlessly \ntogether without visible transitions. \nFB1001 Tsugi Shelf, KK87830 Propeller Stool\nWood: oak, oil, teak oil,\nVLA62 Radio House Mirror, VLA26T Vega Chair \nWood: oak oil\n",111,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.112.png","220\nGLASS AND MIRROR FRAMES\nKaare Klint, 1948\nThe KK75751-KK75755 Frames were designed by Kaare Klint in 1948 for \nan exhibition at the Victoria and Albert Museum in London. The sleek \nwooden frames are manufactured in solid oak or teak with mirror or \nglass interior.\nKK75751-KK75755 Kaare Klint Picture Frame, KK87830 Propeller Stool\nWood: oak oil. Interior: glass or mirror\n",112,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.113.png","222\n223\nTAPAS BOARD AND WOOD TRAY\nThe multi-sized Tapas Board and Wood Trays each display \norganically crafted silhouettes and a unique wood grain \npattern. These functional accessories for the kitchen or \nhome organising are shaped from residual wood from the \nCarl Hansen & Søn furniture production in the effort to \nminimise resource waste.\nWOODEN PLATES AND BUTTERING BOARDS\nBørge Mogensen \nThe BM0703 Wooden Plates and BM0568-BM0569 Buttering Boards are designed by \nBørge Mogensen and handcrafted from surplus oak and teak from the Carl Hansen & Søn \nfactory, contributing to make optimal use of production resources. \nTapas Board\nWood: oak oil\nWood Trays, CH23 Chair, HJW01 Opala Table Lamp\nWood: oak oil\nBM0703 Wooden Plates, BM0568-BM0569 Wooden Buttering Boards\nWood: oak oil\n",113,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.114.png","WONDERS \nOF WOOD\nThe inviting beauty of\nnature’s finest material\n",114,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.115.png","227\nBEECH\n(Fagus sylvatica)\nOur hardest wood type, beech boasts impressive \nstrength and a pleasingly uniform appearance. \nMAHOGANY \n(Entandrophragma cylindricum)\nBeloved for its beauty, mahogany’s \ndark brown tone deepens with age \ninto a warm glow. \nEvery piece from Carl Hansen & Søn tells a story that starts with its materials. \nWith each of our designs, we expose the distinctive qualities and character of \nthe wood. We carefully select a type of wood that expresses the designer’s \noriginal vision, then choose treatments and finishes that accentuate its unique \nbeauty while increasing longevity. By paying close attention to the qualities \nand identity of our raw materials, we produce timeless objects that bring \nbeauty and comfort.  \n",115,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.116.png","228\n229\nASH \n(Fraxinus)\nA staple in Scandinavian design, \nash’s light-coloured wood feels \neternally contemporary. \nTEAK  \n(Tectona grandis)\nHighly resistant to weather and water damage, teak \nunites premium quality with a polished appearance.  \n",116,{"image":478,"text":479,"number":480},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.117.png","230\n231\nOAK  \n(Entandrophragma cylindricum)\nBeloved for its beauty, mahogany’s dark brown \ntone deepens with age into a warm glow. \nWALNUT\n(Junglans Nigra)\nA highly sought-after wood with \na luxurious chocolate-brown tone. \n",117,{"image":482,"text":483,"number":484},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.118.png","All measurements are in centimetres.\nMATERIAL & ILLUSTRATED GUIDE\nCOLLECTION INDEX\nThe Material & Illustrated Guide presents a complete overview of the pieces shown in \nprevious pages, including product details and measurements. To explore more about \nthe materials in the Carl Hansen & Søn Collection please visit carlhansen.com\n233\n",118,{"image":486,"text":487,"number":488},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.119.png","234\n235\nCH24 Wishbone Chair\nCH29 Sawbuck Chair\nCH26 Chair\nCH20 Elbow Chair\nCH23 Chair\nCH30 Chair\nHans J. Wegner 1956\nPage 16, 97\nHans J. Wegner 1950\nPage 17, 23 81, 84-85, 88, 99, \n188-189, 230\nHans J. Wegner 1950\nPage 18-19, 81, 86-88, 91, \n99-101, 170, 182, 190-192, \n227\nHans J. Wegner 1950\nPage 20, 81, 87-88, 90-91, \n99\nHans J. Wegner 1952\nPage 21, 99\nHans J. Wegner 1954\nPage 22\nHans J. Wegner 1957\nPage 23, 99\nCH33 Chair\nChairs\n54\n47\n46\n71,5\n73\n50,5\n50,5\n1:10\n78,6\n50,3\n44,5\n50,3\n 50,3\n1:10\n78,6\n50,3\n44,5\n50,3\n 50,3\n44,5\n78,5\n55\n51\n45\n70\n76\n53\n49\n44\n81\n53 \n49 \n81 \n44 \n49\n53 \n49 \n81 \n44 \n49\n52\n47\n46\n78\n52 cm \u002F 20,5”\n52 cm \u002F 20,5”\n47 cm \u002F 18,5”\n46 cm\n18,1”\n78 cm\n30,7”\n47 cm \n18,5”\n52 cm \u002F 20,5”\n52 cm \u002F 20,5”\n47 cm \u002F 18,5”\n46 cm\n18,1”\n78 cm\n30,7”\n47 cm \n18,5”\n59\n52\n44,5\n79\nHans J. Wegner 1962 \nPage 12, 24-25, 94-95\nHans J. Wegner 1962 \nPage 12, 24-25, 94, 98-99\nHans J. Wegner 1966\nPage 26\nHans J. Wegner 1966\nPage 26, 99\nCH37 Chair\nCH36 Chair\nCH46 Chair\nCH47 Chair\nCH88 Chair\nCH56 Bar Stool\nCH58 Bar Stool\nHans J. Wegner 1985\nPage 27\nHans J. Wegner 1985\nPage 27\nHans J. Wegner 1955\nPage 28, 92-93, 102\n52\n48\n81\n45\n48\n52\n48\n81\n45\n48\n45\n81\n52\n48\n58\n50\n45\n68\n81\n55\n51\n44\n79\n69\n55\n79\n69\n44\n51\n55\n79\n69\n44\n51\n50\n51\n44\n79\n55 \n51 \n79 \n44 \n51 \n55 \n51 \n79 \n44 \n51 \nØ35\n39\n76\n76\n46\n39\n36\n76\n46\n39\n36\nØ35\n68\n68\n46\n36\n36\n68\n46\n36\n36\n39\n57\n44,5\n45,5\n76,5\n1:10\n1:10\n76,5\n44,5\n57\n44,5\n1:10\n1:10\n76,5\n44,5\n57\n44,5\nChairs\n55\n48\n46\n74\n",119,{"image":490,"text":491,"number":492},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.120.png","236\n237\nE004 Embrace Chair\nE006 Embrace Bar Stool\nE005 Embrace Chair with Armrest\nCH111 Chair\nBM1106 Huntsman Chair\nE007 Embrace Bar Stool\nHans J. Wegner 1970\nPage 29, 96\nBørge Mogensen 1950 \nPage 30, 171\nEOOS 2019\nPage 31\nEOOS 2015\nPage 31, 106\nEOOS 2021\nPage 32\nEOOS 2021\nPage 32\nFrits Henningsen 1938\nPage 33\nFH38 Windsor Chair\nChairs\n61\n55\n45\n64\n79\n56\n61\n46,5\n82,5\n56 cm \u002F 22”\n56 cm \u002F 22”\n61 cm \u002F 24”\n46,5 cm\n18,3”\n61 cm\n24”\n82,5 cm\n32,5”\n56 cm \u002F 22”\n56 cm \u002F 22”\n61 cm \u002F 24”\n46,5 cm\n18,3”\n61 cm\n24”\n82,5 cm\n32,5”\n59\n55\n46,5\n85\n85\n67\n46\n59\n55\n52\n85\n67\n46\n59\n55\n52\n52,5\n21,5\n70,5\n97\n49 cm \u002F 19,3”\n52,5 cm \u002F 20,7”\n49 cm \u002F 19,3”\n70,5 cm\n27,8”\n21,5 cm\n8,5”\n97 cm\n38”\n52,5 cm\n20,7”\n49 cm \u002F 19,3”\n52,5 cm \u002F 20,7”\n49 cm \u002F 19,3”\n70,5 cm\n27,8”\n21,5 cm\n8,5”\n97 cm\n38”\n52,5 cm\n20,7”\n49\n67\n42,5\n68\n84\n67 cm \u002F 26,4”\n67 cm \u002F 26,4”\n62 cm \u002F 24,4”\n42,5 cm \u002F 16,7”\n68 cm \u002F 26,8”\n84 cm \u002F 32,7”\n62 cm\n24,4”\n67 cm \u002F 26,4”\n67 cm \u002F 26,4”\n62 cm \u002F 24,4”\n42,5 cm \u002F 16,7”\n68 cm \u002F 26,8”\n84 cm \u002F 32,7”\n62 cm\n24,4”\n62\n60\n67\n45\n100\n60 cm \u002F 23.7”\n67 cm \u002F 26.5”\n60 cm \u002F 23.7”\n70 cm\n27.5”\n45 cm\n17.6”\n100 cm\n39.4”\n67 cm\n26.5”\n60 cm \u002F 23.7”\n67 cm \u002F 26.5”\n60 cm \u002F 23.7”\n70 cm\n27.5”\n45 cm\n17.6”\n100 cm\n39.4”\n67 cm\n26.5”\n70\n49\n54,5\n29,5\n105\n49 cm \u002F 19,3”\n54,5 cm \u002F 21,5”\n49 cm \u002F 19,3”\n78,5 cm\n31”\n29,5 cm\n11,6”\n105 cm\n41,3”\n54,5 cm\n21,5”\n49 cm \u002F 19,3”\n54,5 cm \u002F 21,5”\n49 cm \u002F 19,3”\n78,5 cm\n31”\n29,5 cm\n11,6”\n105 cm\n41,3”\n54,5 cm\n21,5”\n78,5\nKaare Klint 1928\nPage 35\nKaare Klint 1933\nPage 35\nKaare Klint 1927\nPage 35\nKaare Klint 1930\nPage 34-35\nKK47510 Medium Red Chair\nKK39490 Small Red Chair\nKK37580 Large Red Chair\nKK37581 Large Red Armchair\nOW58 T-Chair\nKK96620 Faaborg Chair\nLM92 Metropolitan Chair\nKaare Klint 1914\nPage 36, 109, 119\nEjner Larsen &\nAksel Bender Madsen 1949 \nPage 37\nOle Wanscher 1958\nPage 38, 194-195\n48\n49\n46\n85\n48 cm \u002F 18,8”\n46 cm\n18,1”\n85 cm\n33,4”\n49 cm \u002F 19,6”\n48 cm \u002F 18,8”\n49 cm\n19,6”\n48 cm \u002F 18,8”\n46 cm\n18,1”\n85 cm\n33,4”\n49 cm \u002F 19,6”\n48 cm \u002F 18,8”\n49 cm\n19,6”\n53\n52\n46\n85\n53 cm \u002F 20,8”\n46 cm\n18,1”\n85 cm\n33,4”\n52 cm \u002F 20,4”\n53 cm \u002F 20,8”\n52 cm\n20,4”\n53 cm \u002F 20,8”\n46 cm\n18,1”\n85 cm\n33,4”\n52 cm \u002F 20,4”\n53 cm \u002F 20,8”\n52 cm\n20,4”\n58\n55\n46\n88\n46 cm\n18,1”\n88 cm\n34,6”\n55 cm\n21,6”\n58 cm \u002F 22,8”\n55 cm \u002F 21,6”\n58 cm \u002F 22,8”\n46 cm\n18,1”\n88 cm\n34,6”\n55 cm\n21,6”\n58 cm \u002F 22,8”\n55 cm \u002F 21,6”\n58 cm \u002F 22,8”\n58\n55\n46,5\n88\n70\n58 cm \u002F 22,8”\n46 cm\n18,1”\n88 cm\n34,6”\n70 cm\n27,6”\n55 cm \u002F 21,6”\n58 cm \u002F 22,8”\n55 cm\n21,6”\n58 cm \u002F 22,8”\n46 cm\n18,1”\n88 cm\n34,6”\n70 cm\n27,6”\n55 cm \u002F 21,6”\n58 cm \u002F 22,8”\n55 cm\n21,6”\n70\n55\n44\n73\n70 cm \u002F 27,5”\n70 cm \u002F 27,5”\n55 cm \u002F 21,6”\n44 cm\n17,3”\n73 cm\n28,7”\n55 cm\n21,6”\n70 cm \u002F 27,5”\n70 cm \u002F 27,5”\n55 cm \u002F 21,6”\n44 cm\n17,3”\n73 cm\n28,7”\n55 cm\n21,6”\n76\n55,5\n42\n79\n55.5 cm \u002F 21.8”\n76 cm \u002F 29.9”\n76 cm \u002F 29.9”\n79 cm \n31.1”\n42 cm \n16.5”\n68.5 cm \n26.9”\n55.5 cm \u002F 21.8”\n76 cm \u002F 29.9”\n76 cm \u002F 29.9”\n79 cm \n31.1”\n42 cm \n16.5”\n68.5 cm \n26.9”\n46\n82\n48\n50\n48 cm \u002F 18,9”\n48 cm \u002F 18,9”\n50 cm \u002F 19,7”\n50 cm\n19,7”\n82 cm \n32,3”\n46 cm \n18,1”\n48 cm \u002F 18,9”\n48 cm \u002F 18,9”\n50 cm \u002F 19,7”\n50 cm\n19,7”\n82 cm \n32,3”\n46 cm \n18,1”\nChairs\n",120,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.121.png","238\n239\nVLA61 Monarch Chair\nPK1 Chair\nVLA26 Vega Chair\nPoul Kjærholm 1955\nPage 39, 105, 108, 185\nVilhelm Lauritzen 1956\nPage 40-41, 107, 168, 219\nVilhelm Lauritzen 1944\nPage 26, 42-43, 226\nChairs\n50,5\n51,5\n47\n77\n50.5 cm \u002F 19.9”\n47 cm\n18.5”\n77 cm\n30.7”\n51.5 cm \u002F 20.3”\n50.5 cm \u002F 19.9”\n51.5 cm\n20.3”\n50.5 cm \u002F 19.9”\n47 cm\n18.5”\n77 cm\n30.7”\n51.5 cm \u002F 20.3”\n50.5 cm \u002F 19.9”\n51.5 cm\n20.3”\n56\n53,5\n45\n80,5\n56 cm \u002F 22”\n53.5 cm \u002F 21”\n80.5 cm\n31.7”\n45 cm\n17.7”\n56 cm \u002F 22”56 cm \u002F 22”\n53.5 cm \u002F 21”\n80.5 cm\n31.7”\n45 cm\n17.7”\n56 cm \u002F 22”\n69,5\n61,5\n37\n72,5\n92\n83\n35\n74\n83\n92\n83\n35\n74\n48\n83\n92\n83\n35\n74\n48\nCH22 Lounge Chair\nHans J. Wegner 1950\nPage 48, 81-83, 85, 87-89, \n91, 230\nHans J. Wegner 1950\nPage 49, 83, 85, 88\nCH25 Lounge Chair\n45\n87\n69\n61\n69 cm \u002F 27.2”\n61 cm \u002F 24”\n87 cm\n34.4”\n45 cm\n17.8”\n70 cm\n27.6”\n69 cm \u002F 27.2”69 cm \u002F 27.2”\n61 cm \u002F 24”\n87 cm\n34.4”\n45 cm\n17.8”\n70 cm\n27.6”\n69 cm \u002F 27.2”\nLounge Chairs and Footstools\nCH07 Shell Chair\nHans J. Wegner 1963\nPage 31, 46-47, 189, 231\n71\n73\n35\n73\n71\n73\n55\n35\n73\n71\n73\n55\n35\n73\nHans J. Wegner 1952 \nPage 50, 115\nHans J. Wegner 1965\nPage 13, 15\nHans J. Wegner 1965\nPage 12, 44-45, 52, 114\nHans J. Wegner 1952\nPage 54\nCH44 Lounge Chair\nCH28 Lounge Chair\nCH45 Rocking Chair\nCH71 Lounge Chair\nCH445 Wing Chair\nCH78 Mama Bear Chair\nCH401 Lounge Chair\nHans J. Wegner 1954\nPage 55, 113\nHans J. Wegner 1958\nPage 57, 116\nHans J. Wegner 1960\nPage 58, 117\n73\n67\n37\n77\n73\n77\n61\n37\n67\n67\n73\n77\n61\n37\n67\n67\n64\n66\n39\n80\n64\n66\n80\n62\n39\n66\n64\n66\n80\n62\n39\n66\n55 cm \u002F 21.6”\n61 cm \u002F 24”\n61 cm \u002F 24”\n51 cm \u002F 20”\n82 cm\n32.3”\n82 cm \u002F 32.2”\n39 cm\n15.3”\n106 cm\n41.8”\n67 cm\n26.2”\n70 cm \u002F 27.5”\n76 cm \u002F 29.9”\n45 cm \u002F 17.8”\n61\n82\n39\n106\n55 cm \u002F 21.6”\n61 cm \u002F 24”\n61 cm \u002F 24”\n51 cm \u002F 20”\n82 cm\n32.3”\n82 cm \u002F 32.2”\n39 cm\n15.3”\n106 cm\n41.8”\n67 cm\n26.2”\n70 cm \u002F 27.5”\n76 cm \u002F 29.9”\n45 cm \u002F 17.8”\n84 cm\n33,1”\n70 cm\n27,6”\n70 cm\n27,6”\n62 cm\n24,4”\n41 cm\n16,1”\nCH 71\n84 cm\n33,1”\n70 cm\n27,6”\n70 cm\n27,6”\n62 cm\n24,4”\n41 cm\n16,1”\nCH 71\n70\n70\n41\n84\n84\n80\n40\n62,5\n106\n84 cm \u002F 33,1”\n40 cm\n15,7”\n62,5 cm\n24,6”\n106 cm\n41,7”\n80 cm\n31,5”\n84 cm \u002F 33,1”\n80 cm \u002F 31,5”\n84 cm \u002F 33,1”\n40 cm\n15,7”\n62,5 cm\n24,6”\n106 cm\n41,7”\n80 cm\n31,5”\n84 cm \u002F 33,1”\n80 cm \u002F 31,5”\n90\n90\n39\n103\n90\n90\n103\n62\n39\n90\n90\n103\n62\n39\n60\n40\n76\n68\n60\n68\n75\n44\n60\n68\n75\n44\nLounge Chairs and Footstools\n",121,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.122.png","240\n241\nE015 Embrace Lounge Chair\nFH429 Signature Chair\nFH419 Heritage Chair\nCH468 Oculus Chair\nAB001 Rocking Nest Chair\nFK10 Plico Chair\nHans J. Wegner 1960\nPage 59\nAnker Bak 2017 \nPage 60\nEOOS 2016\nPage 61 \nFrits Henningsen 1930\nPage 62\nFrits Henningsen 1954\nPage 63\nFabricius & Kastholm 1963\nPage 64\nFabricius & Kastholm 1963\nPage 64\nFK11 Plico Chair\nLounge Chairs and Footstools\n62\n78\n45\n81\n62 cm \u002F 24,4”\n78 cm \u002F 30,7”\n62 cm \u002F 24,4”\n45 cm\n17,7”\n81 cm\n31,8”\n78 cm\n30,7”\n62 cm \u002F 24,4”\n78 cm \u002F 30,7”\n62 cm \u002F 24,4”\n45 cm\n17,7”\n81 cm\n31,8”\n78 cm\n30,7”\n75\n80\n40\n60\n85\n79,2 cm\n31,2”\n75,1 cm\n29,6”\n85,0 cm\n33,5”\n79,2 cm\n31,2”\n1:10\n39,9 cm\n15,7”\n62,0 cm\n24,4”\n79,2 cm\n31,2”\n75,1 cm\n29,6”\n85,0 cm\n33,5”\n79,2 cm\n31,2”\n1:10\n39,9 cm\n15,7”\n62,0 cm\n24,4”\n76\n95\n41\n102\n1:10\n1:10\n76\n94\n102\n60\n41\n95\n1:10\n1:10\n76\n94\n102\n60\n41\n95\n67\n89\n41\n102\n1:10\n1:10\n66\n89\n101\n40\n89\n1:10\n1:10\n66\n89\n101\n40\n89\n85\n74\n85 cm \u002F 33,5”\n74 cm \u002F 29,1”\n74 cm \u002F 29,1”\n37 cm\n14,6”\n74 cm\n29,1”\n20 cm\n7,9”\n85 cm \u002F 33,5”\n74 cm \u002F 29,1”\n74 cm \u002F 29,1”\n37 cm\n14,6”\n74 cm\n29,1”\n20 cm\n7,9”\n20\n74\n37\n85\n74\n20\n93,5\n85 cm \u002F 33,5”\n74 cm \u002F 29,1”\n74 cm \u002F 29,1”\n37 cm\n14,6”\n93,5 cm\n36,8”\n20 cm\n7,9”\n85 cm \u002F 33,5”\n74 cm \u002F 29,1”\n74 cm \u002F 29,1”\n37 cm\n14,6”\n93,5 cm\n36,8”\n20 cm\n7,9”\n37\n94\n94\n40\n105\n94\n94\n105\n65\n40\n94\n94\n94\n105\n65\n40\n94\nKaare Klint 1931\nPage 65\nKaare Klint 1933\nPage 66-67, 139\nKaare Klint 1937\nPage 68\nMorten Gøttler 1997\nPage 70-71, 130\nKK47000 Safari Chair\nKK43960 Mix Chair\nKK53130 Easy Chair\nMG501 Cuba Chair\nRF1904 Sideways Lounge Chair\nOW124 Beak Chair\nOW149 Colonial Chair\nOle Wanscher 1951\nPage 72, 196\nOle Wanscher 1959 \nPage 73, 122, 165\nRikke Frost 2023\nPage 75-77, 141-142\n65\n80\n44\n78\n65 cm \u002F 25,5”\n65 cm \u002F 25,5”\n44 cm\n17,3”\n78 cm\n30,7”\n66 cm\n26”\n80 cm\n31,4”\n80 cm \u002F 31,4”\n65 cm \u002F 25,5”\n65 cm \u002F 25,5”\n44 cm\n17,3”\n78 cm\n30,7”\n66 cm\n26”\n80 cm\n31,4”\n80 cm \u002F 31,4”\n57\n57\n34\n80\n69\n72\n44\n80\n61\n69 cm \u002F 27,2”\n69 cm \u002F 27,2”\n72 cm \u002F 28,3”\n44 cm\n17,3”\n61 cm\n24”\n80 cm\n31,5”\n72 cm\n28,3”\n69 cm \u002F 27,2”\n69 cm \u002F 27,2”\n72 cm \u002F 28,3”\n44 cm\n17,3”\n61 cm\n24”\n80 cm\n31,5”\n72 cm\n28,3”\n61\n79\n39\n76\n76\n39\n79\n61\n79\n76\n39\n79\n61\n79\n65\n74\n40\n79\n 65\n 73\n79\n40\n 65\n 73\n79\n40\n65\n69\n46\n85\n1:10\n1:10\n65\n68\n85\nxx\n46\n68\n1:10\n1:10\n65\n68\n85\nxx\n46\n68\nLounge Chairs and Footstools\n92\n75\n41\n74\n92 cm \u002F 36.2”\n92 cm \u002F 36.2”\n75 cm \u002F 29.3”\n41 cm\n16.1”\n74 cm\n29.1”\n92 cm \u002F 36.2”\n92 cm \u002F 36.2”\n75 cm \u002F 29.3”\n41 cm\n16.1”\n74 cm\n29.1”\n",122,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.123.png","242\n243\nCH53 Footstool\nE016 Embrace Footstool\nCH446 Footstool\nTA001P Dream Chair\nVLA76 Foyer Lounge Chair\nFH420 Heritage Footstool\nTadao Ando 2013\nPage 78\nVilhelm Lauritzen 1945\nPage 79, 143\nHans J. Wegner 1966\nPage 53, 94, 99, 102\nHans J. Wegner 1958\nPage 58\nEOOS 2016\nPage 61\nFrits Henningsen 1930\nPage 62\nFrits Henningsen 1954\nPage 63\nFH430 Signature Footstool\nLounge Chairs and Footstools\n80\n86\n36\n100\n86 cm \u002F 33,9”\n100 cm\n39,3”\n86 cm\n33,9”\n80 cm \u002F 31,5”\n80 cm \u002F 31,5”\n36 cm\n14,2”\n86 cm \u002F 33,9”\n100 cm\n39,3”\n86 cm\n33,9”\n80 cm \u002F 31,5”\n80 cm \u002F 31,5”\n36 cm\n14,2”\n64\n80,5\n39\n79\n64 cm \u002F 25.2”\n80.5 cm \u002F 31.7”\n79 cm\n31.1”\n39 cm\n15.4”\n60.5 cm\n23.8”\n64 cm \u002F 25.2”\n64 cm \u002F 25.2”\n80.5 cm \u002F 31.7”\n79 cm\n31.1”\n39 cm\n15.4”\n60.5 cm\n23.8”\n64 cm \u002F 25.2”\n50\n38\n44 \u002F 48\n39 \u002F 41\n43 \u002F 45\n39\n50\n39 \u002F 41\n43 \u002F 45\n39\n50\n62,5\n49\n37,5\n1:10\n1:10\n1:10\n1:10\n68,5\n38\n41\n38,0 cm\n15,0”\n68,5 cm\n27,0”\n40,8 cm\n16,1”\n38,0 cm\n15,0”\n1:10\n38,0 cm\n15,0”\n68,5 cm\n27,0”\n40,8 cm\n16,1”\n38,0 cm\n15,0”\n1:10\n52\n42\n37\n1:10\n1:10\n1:10\n1:10\n59\n55\n40\n40,2 cm\n15.8”\n54,9 cm\n21.6”\n58,8 cm\n23.1”\n47,5 cm\n18.7”\n42,4 cm\n16.7”\n40,2 cm\n15.8”\n54,9 cm\n21.6”\n58,8 cm\n23.1”\n47,5 cm\n18.7”\n42,4 cm\n16.7”\nKaare Klint 1930\nPage 69, 218, 220, 229\nEsben Klint 1966\nPage 57, 139\nOle Wanscher 1963\nPage 73, 122, 165\nOle Wanscher 1957\nPage 74, 122, 138\nKK97170 Safari Footstool\nKK87830 Propeller Stool \nOW149F Colonial Footstool\nOW2000 Egyptian Folding Stool\nRF1903F Sideways Footstool\nRikke Frost 2022\nPage 75\n54\n49\n45\n54 cm \u002F 21,3”\n54 cm \u002F 21,3”\n49 cm \u002F 19,3”\n45 cm\n15,9”\n49 cm\n19,3”\n54 cm \u002F 21,3”\n54 cm \u002F 21,3”\n49 cm \u002F 19,3”\n45 cm\n15,9”\n49 cm\n19,3”\n57\n57\n34\n60\n40\n46\n40\n46\n60\n40\n40\n46\n60\n40\n32,5\n55\n37,5\n1:10\n1:10\n41\n55\n30\n55\n1:10\n1:10\n41\n55\n30\n55\n41\nDining Tables and Desks\nCH002 Dining Table\nHans J. Wegner 1982 \nPage 94\nLounge Chairs and Footstools\n90\n49\n72\n90\n76\n70 cm \u002F 27.6”\n76 cm \u002F 29.8”\n76 cm \u002F 29.8”\n76 cm \u002F 29.9”\n76 cm \u002F 29.9”\n41 cm \n16.1”\n68.5 cm \n26.9”\n70\n70 cm \u002F 27.6”\n76 cm \u002F 29.8”\n76 cm \u002F 29.8”\n76 cm \u002F 29.9”\n76 cm \u002F 29.9”\n41 cm \n16.1”\n68.5 cm \n26.9”\n",123,{"image":506,"text":507,"number":508},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.124.png","244\n245\nCH322 Dining Table\nCH337 Dining Table\nCH327 Dining Table\nCH006 Dining Table\nCH110 Desk\nCH338 Dining Table\nHans J. Wegner 1982 \nPage 21, 24-25, 94-95\nHans J. Wegner 1970\nPage 29, 96\nHans J. Wegner 1960 \nPage 97\nHans J. Wegner 1962 \nPage 23, 26, 28, 98-99, 170\nHans J. Wegner 1962 \nPage 20, 100\nHans J. Wegner 1962 \nPage 100\nHans J. Wegner 1962 \nPage 22, 100-101\nCH339 Dining Table\nDining Tables and Desks\n90\n138\n49\n72\n160\n95\n72\n160\n95\n72\n60\n95\n160\n95\n72\n60\n95\n60\n95\n160\n95\n72\n60\n95\n190\n95\n71\n190 \u002F 248\n95\n72\n190 \u002F 248\n95\n72\n95\n190 \u002F 248\n95\n72\n95\n40\n95\n190 \u002F 248\n95\n72\n95\n115\n140\n60\n72\n115\n140\n115\n60\n72\n115\n140\n115\n60\n72\n115\n160\n95\n72\n60\n95\n200\n72\n115\n200\n115\n60\n72\n115\n200\n115\n60\n72\n115\n115\n60\n160\n95\n72\n60\n95\n60\n115\n160\n95\n72\n60\n95\n240\n72\n115\n240\n115\n60\n72\n115\n240\n115\n60\n72\n115\nHans J. Wegner 1960\nPage 102\nArne Jacobsen 1952\nPage 103\nBørge Mogensen 1961\nPage 104\nBørge Mogensen 1950 \nPage 30, 33, 42, 105\nAJ52 Society Table\nCH388 Dining Table\nBM0698 Asserbo Table\nBM1160 Hunting Table\nE020 Embrace Table\nEOOS 2019\nPage 31, 106\n60\n120\n160\n95\n72\n60\n95\n120\n120\n120\n60\n120\n72\n120\n120\n120\n60\n120\n72\n72\n210\n1:10\n81,5 cm\n210 cm\n72 cm\n2,8 cm\n1,1”\n32,1”\n82,7”\n28,3”\n82\n72\n1:10\n81,5 cm\n210 cm\n72 cm\n2,8 cm\n1,1”\n32,1”\n82,7”\n28,3”\nDining Tables and Desks\n79,5 \u002F 110 \u002F 139,5\n79,5 \u002F 110 \u002F 139,5\n74\n74 cm\n29,1”\n110 cm \u002F 43,3”\n110 cm \u002F 43,3”\n110 cm \u002F 43,3”\n74 cm\n29,1”\n110 cm \u002F 43,3”\n110 cm \u002F 43,3”\n110 cm \u002F 43,3”\nOW224 Rungstedlund Table\nOle Wanscher 1962\nPage 34, 38, 40-41, 107, 139, \n171, 185\nPK52 Professor Desk\nPoul Kjærholm 1955 \nPage 108\n95\n190\n122\n122 cm \u002F 48”\n190 cm \u002F 74.4”\n51 cm \u002F 20.1”\n72 cm \n28.3”\n95 cm\n37.4”\n51\n122 cm \u002F 48”\n190 cm \u002F 74.4”\n51 cm \u002F 20.1”\n72 cm \n28.3”\n95 cm\n37.4”\n72\n50\n140 \u002F 160\n70\n72\n140 cm\u002F160 cm\n55”\u002F63”\n130 cm\n51”\n72 cm\n28”\n65 cm\n25,6”\n70 cm\n27,5”\n50 cm\n19,7”\n23 cm\n9”\n1:10\n140 cm\u002F160 cm\n55”\u002F63”\n130 cm\n51”\n72 cm\n28”\n65 cm\n25,6”\n70 cm\n27,5”\n50 cm\n19,7”\n23 cm\n9”\n1:10\n140 cm\u002F160 cm\n55”\u002F63”\n130 cm\n51”\n72 cm\n28”\n65 cm\n25,6”\n70 cm\n27,5”\n50 cm\n19,7”\n23 cm\n9”\n1:10\n58\n85\n186,5\n72\n58\n98\n72\n72 cm \u002F 28.3”\n62 cm \u002F 24.6”\n105 cm\n41.3”\n105\n65\n72 cm \u002F 28.3”\n62 cm \u002F 24.6”\n105 cm\n41.3”\n72 cm \u002F 28.3”\n62 cm \u002F 24.6”\n105 cm\n41.3”\n",124,{"image":510,"text":511,"number":512},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.125.png","246\n247\nCH008 Coffee Table\nCH004 Nesting Tables\nPK52A Student Desk\nCH011 Coffee Table\nPoul Kjærholm 1955 \nPage 108\nHans J. Wegner 1952 \nPage 46, 49, 59, 112, 128\nHans J. Wegner 1954\nPage 58, 113\nHans J. Wegner 1954\nPage 114\nHans J. Wegner 1970\nPage 56, 115, 127\nCH106 Coffee Table\nDining Tables and Desks\n190\n110\n100\n100\n72\n300\n190\n72\n100\n100\n72\n300\n190\n72\n100\n72\n52\n34\n48\n52 cm \u002F 20.5”\n52 cm \u002F 20.5”\n34 cm \u002F 13.4”\n48 cm \u002F 18.9”\n52 cm \u002F 20.5”\n52 cm \u002F 20.5”\n34 cm \u002F 13.4”\n48 cm \u002F 18.9”\nØ78 \u002F 88 \u002F 100\nØ78 \u002F 88 \u002F 100\n44 \u002F 48 \u002F 53\n78 \u002F88 \u002F 100\n78 \u002F 88 \u002F 100\n44 \u002F 48 \u002F 53\n78 \u002F88 \u002F 100\n78 \u002F 88 \u002F 100\n44 \u002F 48 \u002F 53\n130\n55\n44 \u002F 48 \u002F 53\n130\n55\n44 \u002F 48\u002F 53\n55\n130\n55\n44 \u002F 48\u002F 53\n55\nHans J. Wegner 1970\nPage 56, 115, 127\nHans J. Wegner 1990\nPage 57, 116\nHans J. Wegner 1970 \nPage 117\nEOOS 2019\nPage 61, 71, 118\nCH415 Coffee Table\nCH108 Coffee Table\nCH417 Tray Table\nE021 Embrace Lounge Table\nML10097 Egyptian Table\nKK44860 Side Table\nKK66870 Coffee Table\nKaare Klint 1932\nPage 119, 135\nKaare Klint 1930\nPage 120\nMogens Lassen 1940\nPage 121\nCoffee Tables\nØ55\nØ55\n44\n1:10\n1:10\n44\n55\n55\n55\n1:10\n1:10\n44\n55\n55\n55\n33\nØ62\nØ62\n1:10\n1:10\nØ62\nØ62\n33\n1:10\n1:10\nØ62\nØ62\n33\n52\n52\n54\n52 cm \u002F 20.4”\n52 cm \u002F 20.4”\n54 cm\n21.1”\n21 cm\n8.1”\n52 cm \u002F 20.4”\n52 cm \u002F 20.4”\n52 cm \u002F 20.4”\n54 cm\n21.1”\n21 cm\n8.1”\n52 cm \u002F 20.4”\n21\n79,5\n80 cm \u002F 31.5”\n79.5 cm \u002F 31.3”\n79.5 cm \u002F 31.3”\n24 cm\n9.4”\n51.5 cm\n20.3”\n4.5 cm\n1.8”\n51,5\n24\n80 cm \u002F 31.5”\n79.5 cm \u002F 31.3”\n79.5 cm \u002F 31.3”\n24 cm\n9.4”\n51.5 cm\n20.3”\n4.5 cm\n1.8”\n79,5\n141,5\n85\n72\n85\n141,5\n85\n72\n85\n141,5\n85\n72\n70\n170\n42\n42\n170 \n70 \n70\n42\n170 \n70 \n70\n95\n95\n42\n95\n95\n42\n95\n95\n95\n42\n95\nCoffee Tables\nSH900 Extend Table\nStrand & Hvass 2007\nPage 109\nØ85 \u002F 100\nØ85 \u002F 100\n52\n48 \u002F 38\nØ48 \u002F 80\nØ48 \u002F 80\n48 cm \u002F 18,9”\n48 cm \u002F 18,9”\n48 cm \u002F 18,9”\n48 cm\n18,9”\n48 cm \u002F 18,9”\n48 cm \u002F 18,9”\n48 cm \u002F 18,9”\n48 cm\n18,9”\n",125,{"image":514,"text":515,"number":516},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.126.png","248\n249\nCH101 Lounge Chair\nCH72 Sofa\nOW449 Colonial Coffee Table\nCH102 Sofa\nOle Wanscher 1964\nPage 72-73\nHans J. Wegner 1952\nPage 126\nHans J. Wegner 1970\nPage 156\nHans J. Wegner 1970\nPage 115, 127\nCoffee Tables\nHans J. Wegner 1970\nPage 127\nHans J. Wegner 1965\nPage 128-129\nHans J. Wegner 1965\nPage 128-129\nEOOS 2021\nPage 130-133\nCH162 Sofa\nCH104 Sofa\nCH163 Sofa\nE300-E301 Embrace Sofa\nE330 \u002F E331 Embrace Sofa\nE310-E311 Embrace Sofa\nE320-E321 Embrace Sofa\nEOOS 2021\nPage 130-133\nEOOS 2021\nPage 130-133\nEOOS 2021\nPage 130-133\nSofas\n130\n41\n84\n72\nCH72\n72 cm\n28,3”\n62 cm\n24,4”\n41 cm\n16,1”\n84 cm\n33,1”\n130 cm\n51,2”\nCH72\n72 cm\n28,3”\n62 cm\n24,4”\n41 cm\n16,1”\n84 cm\n33,1”\n130 cm\n51,2”\n78\n43\n71\n61\n77\n1:10\n1:10\n43\n61\n71\n77\n77\n78\n1:10\n1:10\n43\n61\n71\n77\n77\n78\n152\n43\n71\n61\n77\n1:10\n1:10\n43\n61\n71\n77\n77\n78\n1:10\n1:10\n43\n61\n71\n77\n77\n150\n219\n43\n71\n61\n77\n1:10\n1:10\n43\n61\n71\n77\n77\n78\n1:10\n1:10\n43\n61\n71\n77\n77\n150\nHans J. Wegner 1970\nPage 127\nCH103 Sofa\n286\n43\n71\n61\n77\n1:10\n1:10\n43\n61\n71\n77\n77\n78\n1:10\n1:10\n43\n61\n71\n77\n77\n286\n137\n41\n68\n76\n80\n137\n41\n76\n68\n77\n41\n68\n76\n80\n137\n195\n41\n76\n68\n77\n195\n80\n76\n68\n41\n41\n68\n76\n80\n137\n88 \u002F 120\n70\n44\n82\n88\n88 cm \u002F 34,6”\n88 cm \u002F 34,6”\n88 cm \u002F 34,6”\n82 cm\n32,3”\n44 cm\n17,3”\n70 cm\n27,5”\n88 cm \u002F 34,6”\n88 cm \u002F 34,6”\n88 cm \u002F 34,6”\n82 cm\n32,3”\n44 cm\n17,3”\n70 cm\n27,5”\n88 \u002F 127\n44\n70\n82\n88 \u002F 127\n88 cm \u002F 34,6”\n88 cm \u002F 34,6”\n88 cm \u002F 34,6”\n82 cm\n32,3”\n44 cm\n17,3”\n70 cm\n27,5”\n88 cm \u002F 34,6”\n88 cm \u002F 34,6”\n88 cm \u002F 34,6”\n82 cm\n32,3”\n44 cm\n17,3”\n70 cm\n27,5”\n105 \u002F 138\n44\n70\n52\n82\n105 cm \u002F 41,3”\n90 cm \u002F 35,4”\n105 cm \u002F 41,3”\n82 cm\n32,3”\n44 cm\n17,3”\n70 cm\n27,5”\n52 cm\n20,5”\n115 \u002F 148\n44\n70\n82\n28\n115 cm \u002F 45,3”\n88 cm \u002F 34,6”\n115 cm \u002F 45,3”\n82 cm\n32,3”\n28 cm\n11”\n44 cm\n17,3”\n70 cm\n27,5”\n60\n60\n46\n1:10\n1:10\n46\n60\n60\n60\n1:10\n1:10\n46\n60\n60\n60\nSofas\nRF1905 Sideways Coffee Table\nRikke Frost 2023\nPage 123, 140-142\n69\n74\n40\n74 cm \u002F 29.1”\n74 cm \u002F 29.1”\n69 cm \u002F 27.2”\n40 cm\n15.8”\n27 cm\n10.7”\n74 cm \u002F 29.1”\n74 cm \u002F 29.1”\n69 cm \u002F 27.2”\n40 cm\n15.8”\n27 cm\n10.7”\n105 cm \u002F 41,3”\n90 cm \u002F 35,4”\n105 cm \u002F 41,3”\n82 cm\n32,3”\n44 cm\n17,3”\n70 cm\n27,5”\n52 cm\n20,5”\n105 \u002F 138\n115 cm \u002F 45,3”\n88 cm \u002F 34,6”\n115 cm \u002F 45,3”\n82 cm\n32,3”\n28 cm\n11”\n44 cm\n17,3”\n70 cm\n27,5”\n115 \u002F 148\n",126,{"image":518,"text":519,"number":520},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.127.png","250\n251\nKK48651 Addition Sofa\nKK48650 Addition Sofa\nFH436 Coupé Sofa\nOW149-2 Colonial Sofa\nFrits Henningsen 1936\nPage 134\nKaare Klint 1933\nPage 36, 136-137\nKaare Klint 1933\nPage 121, 135-137\nOle Wanscher 1964\nPage 122, 138\nSofas\nOle Wanscher 1960\nPage 139\nRikke Frost 2020\nPage 75, 123, 140-142\nVilhelm Lauritzen 1945\nPage 79, 143\nRF1903 Sideways Sofa\nOW603 Sofa\nVLA77 Foyer Sofa\nTK8 Daybed\nBM0865 Daybed\nOW150 Daybed\nBørge Mogensen 1958\nPage 103, 164, 174, 176\nOle Wanscher 1963\nPage 73, 122, 165\nThomas Bo Kastholm 2009\nPage 68, 166\nSofas\nOle Wanscher 1960\nPage 139\nOW602 Sofa\nKK41180 Sofa with High Sides\nKaare Klint 1930\nPage 135\n149\n42\n62\n64\n100\n149 cm \u002F 58,7”\n149 cm \u002F 58,7”\n64 cm \u002F 25,2”\n42 cm\n16,5”\n62 cm\n24,4”\n100 cm\n39,4”\n64 cm\n25,2”\n149 cm \u002F 58,7”\n149 cm \u002F 58,7”\n64 cm \u002F 25,2”\n42 cm\n16,5”\n62 cm\n24,4”\n100 cm\n39,4”\n64 cm\n25,2”\n40\n86\n134\n80\n134 cm \u002F 52,8”\n134 cm \u002F 52,8”\n80 cm \u002F 31,5”\n40 cm\n15,7”\n86 cm\n33,9”\n80 cm\n31,5”\n134 cm \u002F 52,8”\n134 cm \u002F 52,8”\n80 cm \u002F 31,5”\n40 cm\n15,7”\n86 cm\n33,9”\n80 cm\n31,5”\nKK41181 Sofa with High Sides\nKaare Klint 1930\nPage 135\n200\n40\n86\n80\n200 cm \u002F 78,7”\n200 cm \u002F 78,7”\n80 cm \u002F 31,5”\n40 cm\n15,7”\n86 cm\n33,9”\n80 cm \n31,5”\n200 cm \u002F 78,7”\n200 cm \u002F 78,7”\n80 cm \u002F 31,5”\n40 cm\n15,7”\n86 cm\n33,9”\n80 cm \n31,5”\n92\n37\n79\n70\n92 cm \u002F 36,2”\n92 cm \u002F 36,2”\n70 cm \u002F 27,6”\n70 cm\n27,6”\n37 cm\n14,6”\n79 cm\n31,1”\n92 cm \u002F 36,2”\n92 cm \u002F 36,2”\n70 cm \u002F 27,6”\n70 cm\n27,6”\n37 cm\n14,6”\n79 cm\n31,1”\n34,5\n92 cm \u002F 36,2”\n92 cm \u002F 36,2”\n61,5 cm \u002F 24,2”\n61,5 cm\n24,2”\n34,5 cm\n13,6”\n92 cm \u002F 36,2”\n92 cm \u002F 36,2”\n61,5 cm \u002F 24,2”\n61,5 cm\n24,2”\n34,5 cm\n13,6”\n92\n61,5\n124\n46\n85\n69\n154\n45\n80\n76\n214\n45\n80\n76\n197\n41\n74\n104\n197 cm \u002F 77,6”\n197 cm \u002F 77,6”\n104 cm \u002F 40,9”\n41 cm\n16,1”\n74 cm\n29,1”\nVENSTRE VENDT\n74 cm\n29,1”\n104 cm\n40,9”\n197 cm \u002F 77,6”\n197 cm \u002F 77,6”\n104 cm \u002F 40,9”\n41 cm\n16,1”\n74 cm\n29,1”\nVENSTRE VENDT\n74 cm\n29,1”\n104 cm\n40,9”\n77\n41\n78,5\n162 cm \u002F 63.8”\n77 cm \u002F 30.3”\n78.5 cm\n30.9”\n41 cm\n16.1”\n60.5cm\n23.7”\n162 cm \u002F 63.8”\n162 cm \u002F 63.8”\n77 cm \u002F 30.3”\n78.5 cm\n30.9”\n41 cm\n16.1”\n60.5cm\n23.7”\n162 cm \u002F 63.8”\n162\nDaybeds, Beds, and Benches\n70\n20\n38\n79\n140\n70 cm \u002F 27,6”\n140 cm \u002F 55,2”\n140 cm \u002F 55,2”\n10 cm \u002F 3,9”\n20 cm \u002F 7,8”\n48 cm \u002F 18,9”\n41 cm\n16,2”\n38 cm\n14,9”\n20 cm\n7,9”\n70 cm\n27,6”\n79 cm\n16,2”\n15 cm\n5,9”\n70 cm \u002F 27,6”\n140 cm \u002F 55,2”\n140 cm \u002F 55,2”\n10 cm \u002F 3,9”\n20 cm \u002F 7,8”\n48 cm \u002F 18,9”\n41 cm\n16,2”\n38 cm\n14,9”\n20 cm\n7,9”\n70 cm\n27,6”\n79 cm\n16,2”\n15 cm\n5,9”\n210 cm \u002F 82,7”\n60 cm \u002F 23,6”\n180 cm \u002F 70,9”\n210 cm\n82,7”\n20 cm\n7,87”\n10 cm\n3,93”\n46,5 cm\n18,3”\n40,5 cm\n16”\n22,5 cm\n8,86”\n87,5 cm\n34,5”\n14,5 cm \u002F 5,7”\n70 cm \u002F 27,6”\n140 cm \u002F 55,2”\n140 cm \u002F 55,2”\n10 cm \u002F 3,9”\n20 cm \u002F 7,8”\n48 cm \u002F 18,9”\n41 cm\n16,2”\n38 cm\n14,9”\n20 cm\n7,9”\n70 cm\n27,6”\n79 cm\n16,2”\n15 cm\n5,9”\n180\n46\n70\n190\n34,5\n90\n90 cm \u002F 35,4”\n190 cm \u002F 74,8”\n190 cm \u002F 74,8”\n90 cm\n35,4”\n34,5 cm\n13,5”\n90 cm \u002F 35,4”\n190 cm \u002F 74,8”\n190 cm \u002F 74,8”\n90 cm\n35,4”\n34,5 cm\n13,5”\n",127,{"image":522,"text":523,"number":524},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.128.png","252\n253\nBM0488 Table Bench\nBM0555 Bed\nBM0555 Bed\nBM0488S Table Bench\nBørge Mogensens Tegnestue 1958\nPage 120, 160-162\nBørge Mogensens Tegnestue 1958\nPage 162\nBørge Mogensens Tegnestue 2021\nPage 34, 36, 158-159\nBørge Mogensens Tegnestue 2021\nPage 158-159, 162, 164\nDaybeds, Beds, and Benches\nBørge Mogensens Tegnestue 2023\nPage 158-159\nBørge Mogensens 1961\nPage 104, 163\nBørge Mogensens 1961\nPage 104, 163\nBM0699 Asserbo Bench with backrest\nBM0489S Table Bench\nBM0700 Asserbo Bench\nVLA75 Foyer Bench\nVilhelm Lauritzen 1945\nPage 143, 167\nDaybeds, Beds, and Benches\nBørge Mogensens Tegnestue 2023\nPage 158-159, 171\nBM0489 Table Bench\nBM0555 Bed\nBørge Mogensens Tegnestue 1958\nPage 162\nBM0555 Bed\nBørge Mogensens Tegnestue 1958\nPage 162\n210\n90 cm \u002F 35,4”\n210 cm \u002F 82,7”\n60 cm \u002F 23,6”\n90 cm \u002F 35,4”\n210 cm\n82,7”\n20 cm\n7,87”\n10 cm\n3,93”\n46,5 cm\n18,3”\n40,5 cm\n16”\n22,5 cm\n8,86”\n87,5 cm\n34,5”\n14,5 cm \u002F 5,7”\n90\n22,5\n40,5\n46,6\n87,5\n90 cm \u002F 35,4”\n210 cm \u002F 82,7”\n60 cm \u002F 23,6”\n90 cm \u002F 35,4”\n210 cm\n82,7”\n20 cm\n7,87”\n10 cm\n3,93”\n46,5 cm\n18,3”\n40,5 cm\n16”\n22,5 cm\n8,86”\n87,5 cm\n34,5”\n14,5 cm \u002F 5,7”\n180\n22,5\n40,5\n46,6\n87,5\n210\n210 cm \u002F 82,7”\n60 cm \u002F 23,6”\n180 cm \u002F 70,9”\n210 cm\n82,7”\n20 cm\n7,87”\n10 cm\n3,93”\n46,5 cm\n18,3”\n40,5 cm\n16”\n22,5 cm\n8,86”\n87,5 cm\n34,5”\n14,5 cm \u002F 5,7”\n210 cm \u002F 82,7”\n60 cm \u002F 23,6”\n180 cm \u002F 70,9”\n210 cm\n82,7”\n20 cm\n7,87”\n10 cm\n3,93”\n46,5 cm\n18,3”\n40,5 cm\n16”\n22,5 cm\n8,86”\n87,5 cm\n34,5”\n14,5 cm \u002F 5,7”\n160\n210\n210 cm \u002F 82,7”\n60 cm \u002F 23,6”\n180 cm \u002F 70,9”\n210 cm\n82,7”\n20 cm\n7,87”\n10 cm\n3,93”\n46,5 cm\n18,3”\n40,5 cm\n16”\n22,5 cm\n8,86”\n87,5 cm\n34,5”\n14,5 cm \u002F 5,7”\n210 cm \u002F 82,7”\n57 cm \u002F 22,5”\n160 cm \u002F 63”\n210 cm\n82,7”\n20 cm\n7,87”\n10 cm\n3,93”\n46,5 cm\n18,3”\n40,5 cm\n16”\n22,5 cm\n8,86”\n87,5 cm\n34,5”\n14,5 cm \u002F 5,7”\n22,5\n40,5\n46,6\n87,5\n210\n160\n22,5\n40,5\n46,6\n87,5\n160 cm \u002F 63”\n48 cm \u002F 18,9”\n210 cm \u002F 82,7”\n160 cm\n63”\n20 cm\n7,87”\n10 cm\n3,93”\n46,5 cm\n18,3”\n40,5 cm\n16”\n22,5 cm\n8,86”\n87,5 cm\n34,5”\n14,5 cm \u002F 5,7”\n160 cm \u002F 63”\n48 cm \u002F 18,9”\n210 cm \u002F 82,7”\n160 cm\n63”\n20 cm\n7,87”\n10 cm\n3,93”\n46,5 cm\n18,3”\n40,5 cm\n16”\n22,5 cm\n8,86”\n87,5 cm\n34,5”\n14,5 cm \u002F 5,7”\n69\n46\n34,5\n46 cm\n18,1”\n34,5 cm\n13,6”\n69 cm \u002F 27,2”\n46 cm \u002F 18,1”\n69 cm \u002F 27,2”\n46 cm\n18,1”\n34,5 cm\n13,6”\n69 cm \u002F 27,2”\n46 cm \u002F 18,1”\n69 cm \u002F 27,2”\nBørge Mogensens 1961\nPage 163\nBM0701 Asserbo backrest\n170\n170\n8,5\n170 cm \u002F 66.9”\n170 cm \u002F 66.9”\n6 cm \u002F 2.4”\n15.5 cm \n6.1”\n8.5 cm\n3.3”\n170 cm \u002F 66.9”\n170 cm \u002F 66.9”\n6 cm \u002F 2.4”\n15.5 cm \n6.1”\n8.5 cm\n3.3”\n15,5\n238,5\n45,5\n48\n238.5 cm \u002F 93.9”\n48 cm \u002F 18.9”\n45.5 cm\n17.9”\n238.5 cm \u002F 93.9”\n238.5 cm \u002F 93.9”\n48 cm \u002F 18.9”\n45.5 cm\n17.9”\n238.5 cm \u002F 93.9”\n138\n46\n34,5\n46 cm\n18,1”\n34,5 cm\n13,6”\n69 cm \u002F 27,2”\n46 cm \u002F 18,1”\n69 cm \u002F 27,2”\n138 cm \u002F 54,3”\n46 cm \u002F 18,1”\n21 cm \u002F 8,3”\n138 cm \u002F 54,3”\n46 cm\n18,1”\n34,5 cm\n13,6”\n138\n46\n34,5\n138 cm \u002F 54.3”\n46 cm \u002F 18.1”\n21 cm \u002F 8.3”\n138 cm \u002F 54.3”\n46 cm\n18.1”\n34.5 cm\n13.6”\n138 cm \u002F 54.3”\n46 cm \u002F 18.1”\n21 cm \u002F 8.3”\n138 cm \u002F 54.3”\n46 cm\n18.1”\n34.5 cm\n13.6”\n69\n46\n34,5\n46 cm\n18.1”\n34.5 cm\n13.6”\n69 cm \u002F 27.2”\n46 cm \u002F 18.1”\n69 cm \u002F 27.2”\n46 cm\n18.1”\n34.5 cm\n13.6”\n69 cm \u002F 27.2”\n46 cm \u002F 18.1”\n69 cm \u002F 27.2”\n170\n52\n78\n170 cm \u002F 66.9”\n170 cm \u002F 66.9”\n52 cm \u002F 20.5”\n78 cm \u002F 30.7”\n46 cm \u002F 18.1”\n52 cm\n20.5”\n170 cm \u002F 66.9”\n170 cm \u002F 66.9”\n52 cm \u002F 20.5”\n78 cm \u002F 30.7”\n46 cm \u002F 18.1”\n52 cm\n20.5”\n46\n170\n50\n46\n170 cm \u002F 66.9”\n170 cm \u002F 66.9”\n50 cm \u002F 19.7”\n46 cm \n18.1”\n50 cm\n19.7”\n170 cm \u002F 66.9”\n170 cm \u002F 66.9”\n50 cm \u002F 19.7”\n46 cm \n18.1”\n50 cm\n19.7”\n",128,{"image":526,"text":527,"number":528},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.129.png","254\n255\nBM0253 Shelving System\nBM0253 Shelving System\nCH825 Credenza\nBM0253 Shelving System\nHans J. Wegner 1959\nPage 54, 97\nBørge Mogensen 1953\nPage 174-175\nBørge Mogensen 1953\nPage 174-175\nBørge Mogensen 1953\nPage 164, 168-169, 174-175\nStorage\nFabricius & Kastholm 1963\nPage 177\nFabricius & Kastholm 1963\nPage 176\nFK63 Bookcase System\nFK63 Bookcase System\nND54 High Chair\nCH410 Peter’s Chair\nCH411 Peter’s Table\nHans J. Wegner 1944\nPage 178-179, 184\nHans J. Wegner 1944\nPage 178, 184\nNanna Ditzel 1954\nPage 185\nStorage\nFabricius & Kastholm 1963\nPage 176-177\nFK63 Bookcase System\nCH825 Credenza\nHans J. Wegner 1959\nPage 170\nBM0057 Sideboard\nBørge Mogensen 1957\nPage 171-173\n50\n83,5\n50 cm \u002F 19.7”\n90 cm\n35.4”\n21 cm\n8.3”\n66 cm \u002F 25.8”\n83.5 cm \u002F 32.9”\n83.5 cm \u002F 32.9”\nHans J. Wegner 2024\nPage 180-182\nCH24 Children’s Wishbone Chair\n38\n34\n38 cm \u002F 15”\n38 cm \u002F 15”\n34 cm \u002F 13.4”\n34 cm\n13.4”\n47.5 cm \u002F 18.8”\n51 cm \u002F 20.1”\n29.5 cm \u002F 11.7”\n49\n200\n28\n81\n52,8\n52,8\n200,0\n49,0\n49,0\n80,8\n80,8\n80,8\n52,8\n52,8\n52,8\n200,0\n49,0\n49,0\n80,8\n80,8\n80,8\n52,8\n49\n28\n81\n200\n52,8\n52,8\n200,0\n49,0\n49,0\n80,8\n80,8\n80,8\n52,8\n52,8\n52,8\n200,0\n49,0\n49,0\n80,8\n80,8\n80,8\n52,8\n150\n37\n69\n20\n150 cm \u002F 59”\n150 cm \u002F 59”\n37 cm \u002F 14,5”\n69 cm\n27,2”\n45 cm\n17,7”\n20 cm\n7,9”\n37 cm\n14,5”\n79\n150\n37\n129\n20\n37 cm \u002F 14,5”\n37 cm\n14,5”\n129 cm\n50,8”\n25 cm\n8,9”\n20 cm\n7,9”\n79 cm \u002F 31,1”\n150 cm \u002F 59”\n79 cm \u002F 31,1”\n150 cm \u002F 59”\n189\n20\n79\n150\n37\n37 cm \u002F 14,5”\n189 cm\n74,4”\n20 cm\n7,9”\n25 cm\n9,8”\n35 cm\n13,8”\n45 cm\n17,7”\n37 cm\n14,5”\n79 cm \u002F 31,1”\n150 cm \u002F 59”\n79 cm \u002F 31,1”\n150 cm \u002F 59”\n150 cm \u002F 59”\n150 cm \u002F 59”\n37 cm \u002F 14,5”\n69 cm\n27,2”\n45 cm\n17,7”\n20 cm\n7,9”\n37 cm\n14,5”\n37 cm \u002F 14,5”\n37 cm\n14,5”\n129 cm\n50,8”\n25 cm\n8,9”\n20 cm\n7,9”\n79 cm \u002F 31,1”\n150 cm \u002F 59”\n79 cm \u002F 31,1”\n150 cm \u002F 59”\n37 cm \u002F 14,5”\n189 cm\n74,4”\n20 cm\n7,9”\n25 cm\n9,8”\n35 cm\n13,8”\n45 cm\n17,7”\n37 cm\n14,5”\n79 cm \u002F 31,1”\n150 cm \u002F 59”\n79 cm \u002F 31,1”\n150 cm \u002F 59”\n72,5\n112\n36\n112 cm \u002F 44,1”\n112 cm \u002F 44,1”\n36 cm \u002F 14,2”\n72,5 cm\n28,5”\n36 cm\n14,2”\n112 cm \u002F 44,1”\n112 cm \u002F 44,1”\n36 cm \u002F 14,2”\n72,5 cm\n28,5”\n36 cm\n14,2”\n72,5\n112\n36\n112 cm \u002F 44,1”\n112 cm \u002F 44,1”\n36 cm \u002F 14,2”\n72,5 cm\n28,5”\n36 cm\n14,2”\n112 cm \u002F 44,1”\n112 cm \u002F 44,1”\n36 cm \u002F 14,2”\n72,5 cm\n28,5”\n36 cm\n14,2”\n56\n112\n36\n112 cm \u002F 44,1”\n112 cm \u002F 44,1”\n36 cm \u002F 14,2”\n56 cm\n22”\n36 cm\n14,2”\n112 cm \u002F 44,1”\n112 cm \u002F 44,1”\n36 cm \u002F 14,2”\n56 cm\n22”\n36 cm\n14,2”\nChildren’s Furniture\n42\n32\n26\n47\n72\n45\n46\n72\n45\n46\n45\n72\n45\n46\n45\n51\n52\n53,5\n70,5\n52 cm\n20,5”\n51 cm \u002F 20,1”\n51 cm \u002F 20,1”\n51 cm \u002F 20,1”\n52 cm \u002F 20,5”\n53,5 cm \u002F 21,1”\n70,5 cm \u002F 27,8”\n37 cm \u002F 14,6”\n30,5 cm \u002F 12”\n43,5 cm \u002F 17,1”\n52 cm\n20,5”\n51 cm \u002F 20,1”\n51 cm \u002F 20,1”\n51 cm \u002F 20,1”\n52 cm \u002F 20,5”\n53,5 cm \u002F 21,1”\n70,5 cm \u002F 27,8”\n37 cm \u002F 14,6”\n30,5 cm \u002F 12”\n43,5 cm \u002F 17,1”\n50 cm \u002F 19.7”\n90 cm\n35.4”\n21 cm\n8.3”\n66 cm \u002F 25.8”\n83.5 cm \u002F 32.9”\n83.5 cm \u002F 32.9”\n21\n90\n38 cm \u002F 15”\n38 cm \u002F 15”\n34 cm \u002F 13.4”\n34 cm\n13.4”\n47.5 cm \u002F 18.8”\n51 cm \u002F 20.1”\n29.5 cm \u002F 11.7”\n29, 5\n47, 5\n51\n",129,{"image":530,"text":531,"number":532},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.130.png","256\n257\nHans J. Wegner 1973\nPage 146-147, 189, 223\nHans J. Wegner 1962\nPage 100, 148, 190-191\nHans J. Wegner 1973\nPage 22, 146-147, 188\nClaus Bonderup & Torsten Thorup 1970\nPage 150-151, 162, 193\nLighting\nClaus Bonderup & Torsten Thorup 1970\nPage 21, 150-151, 192\nEsben Klint 1961 \nPage 153, 194\nHenning Koppel 1972\nPage 38, 149, 195\nMads Odgård 2020\nPage 154-155, 162\nMads Odgård 2020\nPage 29, 34, 96, 103, 109, 154-155, 170\nLighting\nClaus Bonderup & Torsten Thorup 1970\nPage 32, 106, 150-151, 192\nHans J. Wegner 1973\nPage 98, 146-147, 189\nHans J. Wegner 1973\nPage 56, 57, 146-147, 189\nEsben Klint 1961\nPage 26, 57, 153, 194\nEsben Klint 1961\nPage 153, 172, 194\nHJW38  Opala Pendant\nHJW37 The Pendant\nHJW01 Opala Table Lamp\nBT1091 Confetti Pendants\nBT1001 Pendant No. 1\nHJW02 Opala Table Lamp\nHJW03 Opala Floor Lamp\n34,5\n43\nØ14,5\n13,5\nØ14,5 cm \u002F 5,7”\n13,5 cm\n2,3”\nØ46\n12\nØ46 cm \u002F 18,1”\n12 cm\n4,6”\n42,5\n59\n42,5\n136\nØ51\n39\nØ51 cm \u002F 20.1”\n39 cm\n15.3”\nØ43\n23\n23 cm\n9.1”\nØ43 cm \u002F 16.9”\nEK61 Opal Pendant\nBT1041 Calot Pendant\nMO310 Table Lamp\nHK20 Bubi Lamp\nMO300 Wall Lamp\nEK61 Opal Pendant\nØ65\n15\nØ65 cm \u002F 25,6”\n15 cm\n5,9”\nEK61 Opal Pendant\nØ16\n16\n16 cm\n6,29”\nØ16 cm \u002F 6,29”\nØ24\n24\n24 cm\n9,44”\nØ24 cm \u002F 9,44”\nØ34\n34\n34 cm\n13,4”\nØ34 cm \u002F 13,4”\nØ18\n20\n31,5\n53\n65,5\n31,5\n31,5 cm \u002F 12,4”\n53 cm\n20,9”\n11,5 cm\n4,5”\n45,5 cm\n17,9”\n20 cm\n7,9”\nØ18 cm \u002F 7,1”\nØ18 cm \u002F 7,1”\n3 cm\n1,2”\n31,5 cm \u002F 12,4”\n53 cm\n20,9”\n11,5 cm\n4,5”\n45,5 cm\n17,9”\n20 cm\n7,9”\nØ18 cm \u002F 7,1”\nØ18 cm \u002F 7,1”\n3 cm\n1,2”\nØ20\n39\n51,5\n32\n32 cm \u002F 12,6”\n10 cm \u002F 3,9”\n39 cm\n15,4”\n51,5 cm\n20,3”\nØ18 cm \u002F 7,1”\nØ20 cm \u002F 7,9”\nØ18 cm \u002F 7,1”\nØ20 cm \u002F 7,9”\n32 cm \u002F 12,6”\n10 cm \u002F 3,9”\n39 cm\n15,4”\n51,5 cm\n20,3”\nØ18 cm \u002F 7,1”\nØ20 cm \u002F 7,9”\nØ18 cm \u002F 7,1”\nØ20 cm \u002F 7,9”\nØ22\nØ22 cm \u002F 8.6”\n16.5 cm\n6.4”\n16,5\nØ14,5 cm \u002F 5,7”\n13,5 cm\n2,3”\n",130,{"image":534,"text":535,"number":536},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.131.png","258\n259\nAH501 Outdoor Dining Chair\nAH502 Outdoor Dining Chair with Armrest\nMads Odgård 2020\nPage 61, 67, 71-72, 130, 138-139, 142, \n154-155, 160, 196\nAlfred Homann 2022\nPage 200\nAlfred Homann 2022\nPage 201\nLighting\nAlfred Homann 2022\nPage 202\nAlfred Homann 2022\nPage 201\nAH604 Outdoor Lounger\nAH603 Outdoor Deck Chair\nAH911 Outdoor Side Table\nAH901 Outdoor Dining Table\nAH902 Outdoor Dining Table, square\nAlfred Homann 2022\nPage 200-201\nAlfred Homann 2022\nPage 200\nAlfred Homann 2022\nPage 202\nOutdoor Furniture\nAlfred Homann 2022\nPage 201, 203\nAH601 Outdoor Lounge Chair\nMads Odgård 2020\nPage 31, 41, 107, 154-155, 196\nRikke Frost 2021\nPage 78, 140, 152, 160-161, 197\nAlfred Homann 2022\nPage 202-203\nAH701 Outdoor Lounge Sofa\nAlfred Homann 2022\nPage 201\nAH604F Outdoor Lounger Footrest\n34\nOutdoor Furniture\n51\n54,5\n45\n81\n51 cm \u002F 20.1”\n54.5 cm \u002F 21.5”\n81 cm\n31.9”\n45 cm\n17.7”\n51 cm \u002F 20.1”\n51 cm \u002F 20.1”\n54.5 cm \u002F 21.5”\n81 cm\n31.9”\n45 cm\n17.7”\n51 cm \u002F 20.1”\n63\n63 cm \u002F 24.8”\n54.5 cm \u002F 21.5”\n81 cm\n31.9”\n45 cm\n17.7”\n63 cm \u002F 24.8”\n63 cm \u002F 24.8”\n54.5 cm \u002F 21.5”\n81 cm\n31.9”\n45 cm\n17.7”\n63 cm \u002F 24.8”\n54,5\n45\n81\n83,5\n38\n73,5\n57,5\n57.5 cm \u002F 22.6”\n73.5 cm\n28.9”\n38 cm\n15”\n83.5 cm \u002F 32.9”\n83.5 cm \u002F 32.9”\n57.5 cm \u002F 22.6”\n73.5 cm\n28.9”\n38 cm\n15”\n83.5 cm \u002F 32.9”\n83.5 cm \u002F 32.9”\n78\n30\n67\n77,5\n78 cm \u002F 30.7”\n77,5 cm \u002F 27.4”\n78 cm \u002F 30.7”\n67 cm\n26.4”\n30 cm\n11.8”\n78 cm \u002F 30.7”\n77,5 cm \u002F 27.4”\n78 cm \u002F 30.7”\n67 cm\n26.4”\n30 cm\n11.8”\n30\n88\n131 cm \u002F 51.6”\n88 cm \u002F 34.6”\n30 cm\n11.8”\n131 cm \u002F 51.6”\n131\n131 cm \u002F 51.6”\n88 cm \u002F 34.6”\n30 cm\n11.8”\n131 cm \u002F 51.6”\n77\n30\n78,5\n77 cm \u002F 30.3”\n78.5 cm \u002F 30.9”\n30 cm\n11.8”\n77 cm \u002F 30.3”\n77 cm \u002F 30.3”\n78.5 cm \u002F 30.9”\n30 cm\n11.8”\n77 cm \u002F 30.3”\n144,5\n144.5 cm \u002F 56.9”\n57.5 cm \u002F 22.6”\n73.5 cm\n28.9”\n38 cm\n15”\n144.5 cm \u002F 56.9”\n144.5 cm \u002F 56.9”\n57.5 cm \u002F 22.6”\n73.5 cm\n28.9”\n38 cm\n15”\n144.5 cm \u002F 56.9”\n57,5\n38\n73,5\n203\n100\n74\n203 cm \u002F 79.9”\n100 cm \u002F 39.4”\n74 cm\n29.1”\n203 cm \u002F 79.9”\n203 cm \u002F 79.9”\n100 cm \u002F 39.4”\n74 cm\n29.1”\n203 cm \u002F 79.9”\n98,5\n74\n98.5 cm \u002F 38.8”\n100 cm \u002F 39.4”\n74 cm\n29.1”\n98.5 cm \u002F 38.8”\n98.5 cm \u002F 38.8”\n100 cm \u002F 39.4”\n74 cm\n29.1”\n98.5 cm \u002F 38.8”\n100\n59,5\n48,5\n45\n59.5 cm \u002F 23.4”\n48.5 cm \u002F 19.1”\n45 cm\n17.7”\n59.5 cm \u002F 23.4”\n59.5 cm \u002F 23.4”\n48.5 cm \u002F 19.1”\n45 cm\n17.7”\n59.5 cm \u002F 23.4”\nMO320 Floor Lamp\nMO330 Pendant\nRF200 Petal Lamp\nØ26\n107\n119\n37,5\n37,5 cm \u002F 14,8”\n107 cm\n42,1”\n119 cm\n46,9”\nØ18 cm \u002F 7,1”\nØ26 cm \u002F 10,2”\nØ26 cm \u002F 10,2”\nØ18 cm \u002F 7,1”\n15 cm \u002F 5,9”\n37,5 cm \u002F 14,8”\n107 cm\n42,1”\n119 cm\n46,9”\nØ18 cm \u002F 7,1”\nØ26 cm \u002F 10,2”\nØ26 cm \u002F 10,2”\nØ18 cm \u002F 7,1”\n15 cm \u002F 5,9”\nØ18\n9 cm\n3,5”\n45 cm\n17,7”\nØ18 cm \u002F 7,9”\n45\n9\n20\n20\n25\n25 cm \u002F 9,84”\nØ20 cm \u002F 7,87”\n20 cm \u002F 7,87”\n20 cm\n7,87”\n25 cm \u002F 9,84”\nØ20 cm \u002F 7,87”\n20 cm \u002F 7,87”\n20 cm\n7,87”\n",131,{"image":538,"text":539,"number":540},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.132.png","260\n261\n260\nBK11 Indoor-Outdoor Lounge Chair\nBK13 Indoor-Outdoor Swing Sofa\nBK12 Indoor-Outdoor Lounge Sofa\nAH912 Outdoor Table Bench\nBK10 Indoor-Outdoor Dining Chair\nBK14 Indoor-Outdoor Lounger\n45\nAlfred Homann 2022\nPage 200\nBodil Kjær 1959\nPage 204-206\nBodil Kjær 1959\nPage 206-207\nBodil Kjær 1959\nPage 205-207\nBodil Kjær 1959\nPage 208\nBodil Kjær 1959\nPage 206-207\nBodil Kjær 1959\nPage 204, 206-207\nBK15 Indoor-Outdoor Dining Table\n261\nBodil Kjær 1959\nPage 206-207\nBodil Kjær 1959\nPage 208\nBørge Mogensen 1968-1971\nPage 208\nBørge Mogensen 1968-1971\nPage 208\nBK17 Indoor-Outdoor A-frame for Swing Sofa\nBK16 Indoor-Outdoor Side Table\nBM5568 Outdoor Deck Chair\nBM5868 Outdoor Side Table\nBM1069 Outdoor Tray\nBM5565 Outdoor Deck Chair with Footrest\nBM5768 Outdoor Footstool\nBørge Mogensen 1968-1971\nPage 208\nBørge Mogensen 1968-1971\nPage 208\nBørge Mogensen 1968-1971\nPage 208\nOutdoor Furniture\n123,5\n48,5\n123.5 cm \u002F 48.6”\n48.5 cm \u002F 19.1”\n45 cm\n17.7”\n123.5 cm \u002F 48.6”\n123.5 cm \u002F 48.6”\n48.5 cm \u002F 19.1”\n45 cm\n17.7”\n123.5 cm \u002F 48.6”\n63,5\n63\n43,5\n76\n76 cm\n29,9”\n65 cm\n25,6”\n43,5 cm\n17,1”\n5 cm\n2”\n5 cm\n2”\n77,5 cm\n30,4”\n63,5 cm\n25”\n63,5 cm\n25”\n63 cm\n24,7”\n76 cm\n29,9”\n65 cm\n25,6”\n43,5 cm\n17,1”\n5 cm\n2”\n5 cm\n2”\n77,5 cm\n30,4”\n63,5 cm\n25”\n63,5 cm\n25”\n63 cm\n24,7”\n76 cm\n29,9”\n65 cm\n25,6”\n43,5 cm\n17,1”\n5 cm\n2”\n5 cm\n2”\n77,5 cm\n30,4”\n63,5 cm\n25”\n63,5 cm\n25”\n63 cm\n24,7”\n76 cm\n29,9”\n65 cm\n25,6”\n43,5 cm\n17,1”\n5 cm\n2”\n5 cm\n2”\n77,5 cm\n30,4”\n63,5 cm\n25”\n63,5 cm\n25”\n63 cm\n24,7”\n70,5\n72,5\n40\n74,5\n76 cm\n29,9”\n65 cm\n25,6”\n45 cm\n17,7”\n5 cm\n2”\n5 cm\n2”\n76 cm\n30”\n70,5 cm\n27,8”\n70,5 cm\n27,8”\n72,5 cm\n28,5”\n70,5 cm\n27,8”\n74,5 cm\n29,3”\n65 cm\n25,6”\n40 cm\n15,7”\n74,5 cm\n29,3”\n70,5 cm\n27,8”\n70,5 cm\n27,8”\n72,5 cm\n28,5”\n70,5 cm\n27,8”\n76 cm\n29,9”\n65 cm\n25,6”\n45 cm\n17,7”\n5 cm\n2”\n5 cm\n2”\n76 cm\n30”\n70,5 cm\n27,8”\n70,5 cm\n27,8”\n72,5 cm\n28,5”\n70,5 cm\n27,8”\n74,5 cm\n29,3”\n65 cm\n25,6”\n40 cm\n15,7”\n74,5 cm\n29,3”\n70,5 cm\n27,8”\n70,5 cm\n27,8”\n72,5 cm\n28,5”\n70,5 cm\n27,8”\n132,5\n39,5\n74,5\n72,5\n72,5 cm\n28,5”\n132,5 cm\n52,2”\n76 cm\n29,9”\n66,5 cm\n26,2”\n44,5 cm\n17,5”\n5 cm\n2”\n5 cm\n2”\n72,5 cm\n28,5”\n132,5 cm\n52,2”\n74,5 cm\n29,3”\n66,5 cm\n26,2”\n39,5 cm\n15,6”\n74,5 cm\n29,3”\n132,5 cm\n52,2”\n76 cm\n30”\n132,5 cm\n52,2”\n72,5 cm\n28,5”\n132,5 cm\n52,2”\n76 cm\n29,9”\n66,5 cm\n26,2”\n44,5 cm\n17,5”\n5 cm\n2”\n5 cm\n2”\n72,5 cm\n28,5”\n132,5 cm\n52,2”\n74,5 cm\n29,3”\n66,5 cm\n26,2”\n39,5 cm\n15,6”\n74,5 cm\n29,3”\n132,5 cm\n52,2”\n76 cm\n30”\n132,5 cm\n52,2”\n151\n54\n106\n66\n179 cm \u002F 70.4”\n151 cm \u002F 59.3”\n54 cm\n21.2”\n106 cm\n41.7”\n54 cm\n21.2”\n71 cm\n28”\n193.5 cm\n76.1”\n106 cm\n41.7”\n129 cm \u002F 50.8”\n66 cm \u002F 26”\n66 cm \u002F 26”\n151 cm \u002F 59.3”\n54 cm\n21.2”\n106 cm\n41.7”\n66 cm \u002F 26”\n173.5 cm \u002F 68.3”\n135 cm\n53.1”\n205\n33,5\n70 cm \u002F 27.6”\n205 cm \u002F 80.7”\n205 cm \u002F 80.7”\n205 cm \u002F 80.7”\n205 cm \u002F 80.7”\n205 cm \u002F 80.7”\n38.5 cm\n15.2”\n70 cm \u002F 27.6”\n33.5 cm\n13.2”\n70 cm\n27.6”\n205 cm \u002F 80.7”\n70 cm\n27.6”\n70 cm \u002F 27.6”\n205 cm \u002F 80.7”\n205 cm \u002F 80.7”\n205 cm \u002F 80.7”\n205 cm \u002F 80.7”\n205 cm \u002F 80.7”\n38.5 cm\n15.2”\n70 cm \u002F 27.6”\n33.5 cm\n13.2”\n70 cm\n27.6”\n205 cm \u002F 80.7”\n70 cm\n27.6”\n70\n152,5\n152,5 cm\n60”\n152,5 cm\n60”\n76 cm\n30”\n76 cm\n30”\n74 cm\n29,1”\n152,5 cm\n60”\n152,5 cm\n60”\n76 cm\n30”\n76 cm\n30”\n74 cm\n29,1”\n76\n74\n69\n69 cm\n27,2”\n66 cm\n26”\n69 cm\n27,2”\n66 cm\n26”\n47 cm\n18,5”\n69 cm\n27,2”\n66 cm\n26”\n69 cm\n27,2”\n66 cm\n26”\n47 cm\n18,5”\n66\n47\n47\n179\n71\n193,5\n129\nOutdoor Furniture\n60,5\n93,5\n37\n54,5\n89\n60,5 cm \u002F 23,8”\n60,5 cm \u002F 23,8”\n93,5 cm \u002F 36,8”\n37 cm\n14,5”\n89 cm\n35,1”\n53,5 cm\n21”\n93,5 cm\n26,8”\n60,5 cm \u002F 23,8”\n60,5 cm \u002F 23,8”\n93,5 cm \u002F 36,8”\n37 cm\n14,5”\n89 cm\n35,1”\n53,5 cm\n21”\n93,5 cm\n26,8”\n45\n45\n45\n45 cm \u002F 17,7”\n45 cm \u002F 17,7”\n45 cm \u002F 17,7”\n45 cm\n17,7”\n45 cm\n17,7”\n45 cm \u002F 17,7”\n45 cm \u002F 17,7”\n45 cm \u002F 17,7”\n45 cm\n17,7”\n45 cm\n17,7”\n60,5\n93,5\n135\n37\n89\n54,5\n135 cm \u002F 53,1”\n60,5 cm \u002F 23,8”\n60,5 cm \u002F 23,8”\n93,5 cm \u002F 36,8”\n37 cm\n14,5”\n54,5 cm\n21,5”\n89 cm\n35,1”\n41,5 cm\n16,3”\n135 cm\n53,1”\n135 cm \u002F 53,1”\n60,5 cm \u002F 23,8”\n60,5 cm \u002F 23,8”\n93,5 cm \u002F 36,8”\n37 cm\n14,5”\n54,5 cm\n21,5”\n89 cm\n35,1”\n41,5 cm\n16,3”\n135 cm\n53,1”\n45\n51,5\n47\n45 cm \u002F 17,7”\n45 cm \u002F 17,7”\n51,5 cm \u002F 20,3”\n47 cm\n18,4”\n51,5 cm\n20,3”\n45 cm \u002F 17,7”\n45 cm \u002F 17,7”\n51,5 cm \u002F 20,3”\n47 cm\n18,4”\n51,5 cm\n20,3”\n58\n34,5\n5\n5 cm \u002F 2”\n34,5 cm\n13,6\n34,5 cm \u002F 13,6\n58 cm \u002F 22,9\n58 cm \u002F 22,9\n5 cm \u002F 2”\n34,5 cm\n13,6\n34,5 cm \u002F 13,6\n58 cm \u002F 22,9\n58 cm \u002F 22,9\n",132,{"image":542,"text":543,"number":544},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.133.png","262\n263\nBM3670 Outdoor Dining Table\nBM4570 Outdoor Dining Chair\nBM5270S Outdoor Wall Mount\nBørge Mogensen 1968-1971\nPage 208\nBørge Mogensen 1968-1971\nPage 208\nBørge Mogensen 1968-1971\nPage 208\nBM5270L Outdoor Wall Mount\nBM1771 Outdoor Table\nBørge Mogensen 1968-1971\nPage 208\nBørge Mogensen 1968-1971\nPage 208-209\nE008 Embrace Outdoor Dining Chair\nEOOS 2023\nPage 210-213\nBM1871 Outdoor Bench\nBørge Mogensen 1968-1971\nPage 208\nE022 Embrace Outdoor Dining Table\nMG501 Cuba Chair Outdoor\nBM0568 Buttering Board\nGL101 Timbur Outdoor Bench\nBM0569 Buttering Board\nBM0703 Wooden Plate\n12\n18\n18\nGudmundur Ludvik 2023\nPage 214\nMorten Gøttler 1997\nPage 215\nBørge Mogensen\nPage 222\nBørge Mogensen\nPage 222\nBørge Mogensen\nPage 40, 107, 193, 196, 214, 222\nEOOS 2023\nPage 210-213\n50\n53\n43,5\n72\n50 cm \u002F 19,7”\n53 cm \u002F 20,9”\n53 cm \u002F 20,9”\n53 cm \u002F 20,9”\n38,5 cm \u002F 15,2”\n72 cm\n28,3”\n43,5 cm\n17,2”\n50 cm \u002F 19,7”\n53 cm \u002F 20,9”\n53 cm \u002F 20,9”\n53 cm \u002F 20,9”\n38,5 cm \u002F 15,2”\n72 cm\n28,3”\n43,5 cm\n17,2”\n115\n71,5\n65\n72\n115 cm \u002F 45,3”\n115 cm \u002F 45,3”\n71,5 cm \u002F 28,1”\n72 cm\n28,3”\n65 cm\n25,6”\n71,5 cm\n28,1”\n115 cm \u002F 45,3”\n115 cm \u002F 45,3”\n71,5 cm \u002F 28,1”\n72 cm\n28,3”\n65 cm\n25,6”\n71,5 cm\n28,1”\n6\n64\n64\n10\n6 cm \u002F 2,4”\n10 cm \u002F 3,9”\n2 cm \u002F 0,9”\n64 cm \u002F 25,2”\n16 cm\n6,3”\n16 cm\n6,3”\n29 cm\n11,3”\n6 cm \u002F 2,4”\n10 cm \u002F 3,9”\n2 cm \u002F 0,9”\n64 cm \u002F 25,2”\n16 cm\n6,3”\n16 cm\n6,3”\n29 cm\n11,3”\n121,5\n121,5\n6 cm \u002F 2,4”\n10 cm \u002F 3,9”\n2 cm \u002F 0,9”\n16 cm\n6,3”\n16 cm\n6,3”\n29 cm\n11,3”\n29 cm\n11,3”\n32 cm\n12,6”\n121,5 cm \u002F 47,9”\n6 cm \u002F 2,4”\n10 cm \u002F 3,9”\n2 cm \u002F 0,9”\n16 cm\n6,3”\n16 cm\n6,3”\n29 cm\n11,3”\n29 cm\n11,3”\n32 cm\n12,6”\n121,5 cm \u002F 47,9”\n10\n6\n194,5\n69,5\n72\n69,5 cm \u002F 27,3”\n149 cm \u002F 58,8”\n194,5 cm \u002F 76,5”\n72 cm\n28,3”\n64,5 cm\n25,4”\n78 cm\n30,7”\n69,5 cm \u002F 27,3”\n149 cm \u002F 58,8”\n194,5 cm \u002F 76,5”\n72 cm\n28,3”\n64,5 cm\n25,4”\n78 cm\n30,7”\n61\n64\n43\n80\n61 cm \u002F 24”\n61 cm \u002F 24”\n57.5 cm \u002F 22.6”\n43 cm\n16.9”\n80 cm\n31.5”\n61 cm \u002F 24”\n61 cm \u002F 24”\n57.5 cm \u002F 22.6”\n43 cm\n16.9”\n80 cm\n31.5”\nOutdoor Furniture\n170\n44\n30.5 cm \u002F 12”\n132 cm \u002F 51.9”\n170 cm \u002F 66.9”\n39 cm\n15.5”\n44 cm\n17.5”\n39\n30.5 cm \u002F 12”\n132 cm \u002F 51.9”\n170 cm \u002F 66.9”\n39 cm\n15.5”\n44 cm\n17.5”\nOutdoor Furniture\nØ 80 \u002F 110 \u002F 140\nØ 53 \u002F 94,5 \u002F 115\n74\n110 cm \u002F 43.3”\n110 cm \u002F 43.3”\n110 cm \u002F 43.3”\n74 cm\n29.1”\n110 cm \u002F 43.3”\n110 cm \u002F 43.3”\n110 cm \u002F 43.3”\n74 cm\n29.1”\n173\n62\n79,5\n173 cm \u002F 68.1”\n173 cm \u002F 68.1”\n62 cm \u002F 24.4”\n45 cm\n17.7”\n79.5 cm\n31.3”\n173 cm \u002F 68.1”\n173 cm \u002F 68.1”\n62 cm \u002F 24.4”\n45 cm\n17.7”\n79.5 cm\n31.3”\n45\n61\n79\n39\n76\n61 cm \u002F 24”\n61 cm \u002F 24”\n79 cm \u002F 31,1”\n39 cm\n15,4”\n76 cm\n30”\n79 cm\n31,1”\n61 cm \u002F 24”\n61 cm \u002F 24”\n79 cm \u002F 31,1”\n39 cm\n15,4”\n76 cm\n30”\n79 cm\n31,1”\nSelected Accessories\nØ19 \u002F 23 \u002F 27 \u002F 31\n30\n",133,{"image":546,"text":547,"number":548},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.134.png","264\n265\nKK75751 Kaare Klint Frames\nFB001 Tsugi Shelf\nKK75752 Kaare Klint Frames\nSharon Fisher and  \nMatteo Barenghi 2021\nPage 218\nKaare Klint 1948\nPage 195\nKaare Klint 1948\nPage 78, 220\nKK75753 Kaare Klint Frames\nKK75754 Kaare Klint Frames\nKaare Klint 1948\nPage 160, 220\nKaare Klint 1948\nPage 78, 161, 195, 220-221\nVLA62 Radio House Mirror\nVilhelm Lauritzen 1945\nPage 219\nKK75755 Kaare Klint Frames\nKaare Klint 1948\nPage 161, 220-221\nTapas Board Small\nTapas Board Large\nTapas Board Medium\nCarl Hansen & Søn\nPage 171, 193, 223\nCarl Hansen & Søn\nPage 171, 193, 223\nCarl Hansen & Søn\nPage 171, 193, 223\n100\n20\n3\n100 cm \u002F 39.4”\n20 cm \u002F 7.9”\n100 cm \u002F 39.4”\n3 cm\n1.2”\n80\n6\n175\n80 cm \u002F 31.5”\n80 cm \u002F 31.5”\n6 cm \u002F 2.3”\n175 cm\n68.9”\nSelected Accessories\n36\n45\n68\n20\n80\n60\n40 cm \u002F 11,8”\n20 cm \u002F 7,9”\n30 cm \u002F 7,9”\n15 cm\n5,9”\n20 cm\n7,8”\n60 cm \u002F 23,6”\n40 cm\n15,7”\n80 cm \u002F 31,5”\n60 cm\n23,6”\n60\n40\n40 cm \u002F 11,8”\n20 cm \u002F 7,9”\n30 cm \u002F 7,9”\n15 cm\n5,9”\n20 cm\n7,8”\n60 cm \u002F 23,6”\n40 cm\n15,7”\n80 cm \u002F 31,5”\n60 cm\n23,6”\n40\n30\n40 cm \u002F 11,8”\n20 cm \u002F 7,9”\n30 cm \u002F 7,9”\n15 cm\n5,9”\n20 cm\n7,8”\n60 cm \u002F 23,6”\n40 cm\n15,7”\n80 cm \u002F 31,5”\n60 cm\n23,6”\n30\n20\n40 cm \u002F 11,8”\n20 cm \u002F 7,9”\n30 cm \u002F 7,9”\n15 cm\n5,9”\n20 cm\n7,8”\n60 cm \u002F 23,6”\n40 cm\n15,7”\n80 cm \u002F 31,5”\n60 cm\n23,6”\n20\n15\n40 cm \u002F 11,8”\n20 cm \u002F 7,9”\n30 cm \u002F 7,9”\n15 cm\n5,9”\n20 cm\n7,8”\n60 cm \u002F 23,6”\n40 cm\n15,7”\n80 cm \u002F 31,5”\n60 cm\n23,6”\n80 cm \u002F 31.5”\n80 cm \u002F 31.5”\n6 cm \u002F 2.3”\n175 cm\n68.9”\nWood Trays\nCarl Hansen & Søn\nPage 216-217, 223 \n18\n25\n18\n20\n20\n100 cm \u002F 39.4”\n20 cm \u002F 7.9”\n100 cm \u002F 39.4”\n3 cm\n1.2”\nSelected Accessories\n",134,{"image":550,"text":551,"number":552},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.135.png","266\n267\nTable and Seat Overview\nNumbers in parentheses denote the number of extension leaves required\nCH337 (2) - CH338 (1) CH339 (0) \nBM1160\n8 Table Settings\nCH322 (1)\nCH388 (2)\nCH327\u002F190 (1) - CH327\u002F248 (0) - SH900 (0)\n8 Table Settings\nCH337 (1) - CH338 (0)\nCH322 (0)\nCH388 (1)\nE020-Ø1395\nCH006 (2) - CH327\u002F190 (0)\n6 Table Settings\nE020-Ø1100 - CH388\nCH002 (2)\nCH006 (0)\nCH337 (0)\n4 Table Settings\nCH002 (1)\n3 Table Settings\n2 Table Settings\nE020-Ø795\nCH002 (0)\nTable and Seat Overview\nNumbers in parentheses denote the number of extension leaves required\nCH338 (2)\nCH338 (3) - CH339 (2)\nCH322 (2)\nCH327\u002F190 (2) - CH327\u002F248 (1) \nCH339 (1)\n10 Table Settings\nCH322 (3)\nCH327\u002F248 (2) - SH900 (1)\n12 Table Settings\nCH322 (4)\nCH338 (4) - CH339 (3)\n14 Table Settings\n16 Table Settings\nCH339 (4) \n",135,{"image":554,"text":555,"number":556},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.136.png","269\nCarl Hansen & Søn\nFlagship Stores and Showrooms\nAmsterdam Flagship Store \nVan Baerlestraat 10, \n1071 AW Amsterdam, The Netherlands T: \n+31 (0)20 370 8150 \nM: amsterdam@carlhansen.com\nFind the latest updates on our Flagship Stores on carlhansen.com\nAntwerp Flagship Store  \nSchuttershofstraat 43, \n2000 Antwerp, Belgien\nT: +32 (0) 472 058 300  \nM: antwerp@carlhansen.com\nBarcelona Flagship Store  \nCarrer del Roselló 222,\n08008 Barcelona, Spain\nT: +34 931 929 845\nM: barcelona@carlhansen.com\nCarlsberg Byen Flagship Store \nFlaskehalsen 2, \n1799 Copenhagen V, Denmark\nT:  +45 2146 7738\nM: carlsbergbyen@carlhansen.dk\nGelsted Flagship Store  \nHylkedamvej 77, \n5591 Gelsted, Denmark\nT: +45 2947 7580\nM: gelsted@carlhansen.dk\nHamburg Flagship Store \nABC-Straße 10,\n20354 Hamburg, Germany\nT: +49 (0) 151-251 450 05\nM: hamburg@carlhansen.com\nHelsinki Flagship Store \nErottajankatu 19, \n00130 Helsinki, Finland\nT:  +358 (0)105 082 040\nM: helsinki@carlhansen.dk\nLondon Flagship Store \n48A Pimlico Road, Belgravia, \nLondon SW1W 8LP, United Kingdom\nT: +44 (0) 20 7730 8454\nM: london@carlhansen.com\nMilan Flagship Store \nVia Mercato 3, \n20121 Milan, Italy \nT: +39 (0)2 890 118 37\nM: milan@carlhansen.com\nNew York - Soho Flagship Store\n150 Wooster St, \n10012 New York, United States \nT: +1 212 242 6736 \nM: soho-newyork@carlhansen.com\nOdense Flagship Store\nFlakhaven 1, \n5000 Odense, Denmark\nT: +45 2478 2720\nM: odense@carlhansen.dk\nOsaka Flagship Store\n1-15-22, Minami-Horie Nishi-Ku, \nOsaka City, 550-0015, Japan\nT: +81 6 6606 9026\nM: osaka@carlhansen.jp\nMunich Flagship Store\nResidenzstrasse 22, \n80333 Munich, Germany\nT: +49 (0) 89 321 976 64\nM: munich@carlhansen.com\nNew York – Midtown East Flagship Store\n45 East 57th Street,\n10022 New York, United States \nT: +1 646 559 0200\nM: midtowneast-newyork@carlhansen.com\nCarl Hansen & Søn\nFlagship Stores and Showrooms\nOslo Flagship Store\nDrammensveien 126, \n0277 Oslo, Norway\nT: +47 4682 0322 \nM: oslo@carlhansen.com\nFind the latest updates on our Flagship Stores on carlhansen.com\nParis Flagship Store \n53B Quai des Grands Augustins, \n75006 Paris, France \nT: +33 (0)7 68 77 62 77\nM: paris@carlhansen.com\nSan Francisco Flagship Store\n111 Rhode Island Street, Suite 3, \nSan Francisco, CA 94103, United States \nT: +1 415 658 7198\nM: sanfrancisco@carlhansen.com\nSingapore Flagship Store \n28 Ann Siang Rd,\n069708 Singapore, Singapore\nT: +65 8939 2381\nM: singapore@carlhansen.com\nToulouse Flagship Store \n8 Rue des Arts,\n31000 Toulouse, France\nT: +33 09 73 68 25 05\nM: toulouse@carlhansen.com\nWarsaw Flagship Store\nplac Powstańców Warszawy 9,\n00-039 Warszawa, Poland\nT: +48 534933920\nM: warsaw@carlhansen.com\nLondon Showroom\n16A Bowling Green Lane, \nLondon EC1R 0BD, United Kingdom\nT: +44 (0) 20 7632 7587\nM: showroomlondon@carlhansen.com\nNew York Showroom\n251 Park Avenue South, 13th floor, \nNew York, NY 10010, United States\nT: +1 347 354 0589\nM: showroomny@carlhansen.dk\nShanghai Showroom\nRoom 6, Building 1, Lane 622 Middle \nHuaihai Road, 200041 Shanghai, China\nT: +86 191 4549 8394\nM: asiainfo@carlhansen.dk\nOpen by appointment only.\nStockholm Flagship Store \nKarlavägen 76, \n114 59 Stockholm, Sweden \nT: +46 8 25 50 83\nM: stockholm@carlhansen.com\nTokyo Flagship Store\nAoyama Artworks 1\u002F2F, 2-5-10 Jingumae \nShibuya-ku, Tokyo, 150-0001, Japan \nT: +81 3 5413 5421\nM: tokyo@carlhansen.jp\nCopenhagen Flagship Store\nBredgade 18, 21-23, \n1260 Copenhagen K, Denmark\nT: +45 6447 2360\nM: copenhagen@carlhansen.dk\n",136,{"image":558,"text":559,"number":560},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.137.png","270\n271\n",137,{"image":562,"text":563,"number":564},"\u002Fmedia\u002Fimages\u002Fa2\u002F45f27405fa1eeb29a2a24a5bf9cdf4-28f5fd2677.138.png","FSC™-certified paper\nThis publication is FSC-certified and was printed in an environmentally friendly printing facility. The paper is \nproduced in Sweden, at one of the cleanest production facilities in the world, using half the water that other paper \nmills use. The water used during production is biologically purified and, after the last step in purification, is clean \nenough that it can be safely consumed as drinking water. Cover and interior pages are printed on Munken Lynx paper.\nCarl Hansen & Søn A\u002FS\nHylkedamvej 77\n5591 Gelsted\nDenmark\nTel +45 6612 1404\ninfo@carlhansen.com\nFollow\nInstagram.com\u002Fcarlhansenandson\nFacebook.com\u002Fcarlhansenandson\nLinkedin.com\u002Fcompany\u002Fcarl-hansen-&-son\nCopyright © 2024 Carl Hansen & Søn\nAll rights reserved. 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