[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-bocci-collection-2018":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":457},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":452,"matched_pages":453,"match_count":454,"two_pages":455,"show_text":456},1266,"Collection 2018","bocci-collection-2018","\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F8c\u002Fe85a5432d91d2e88aba1bb3bac93aa.pdf","Bocci",1883,"bocci","59.3 MB",[14,17,21,25,28,32,35,39,43,47,50,54,57,61,65,68,72,76,79,83,86,90,93,97,101,105,108,112,116,120,124,127,130,134,137,141,144,148,152,155,158,162,166,169,172,176,179,183,187,191,195,198,201,205,209,212,216,220,223,227,230,234,238,241,244,247,250,253,257,260,263,266,270,273,276,279,283,286,289,292,295,298,302,305,308,311,315,318,321,324,327,330,334,337,340,343,346,349,352,355,358,362,366,370,374,378,382,386,390,394,398,402,406,410,414,418,422,426,430,434,438,442,446,450],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.2.png","Catalogue Contents\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.3.png","Bocci \nPage 5\nOmer Arbel \nPage 8\n87 \nPage 12\n84 \nPage 16\n76 \nPage 20\n44 \nPage 24\n73 \nPage 28\n16 \nPage 32\n38\nPage 36\n57 \nPage 40\n28 \nPage 44\n28 colours \nPage 48\n21 \nPage 52\n14 \nPage 56\nVictoria & Albert \nMuseum \nPage 62\nCanada House \nPage 68\n \nBarbican Foyer \nCommission  \nPage 72\nFairmont Pacific \nRim\nPage 76\nFreunde von \nFreunden \nPage 82\nMallett Antiques \nPage 86\nBocci 79 \nPage 92\nTechnical \nSpecifications \nPage 101\nCredits \nPage 122 \nContact \nPage 123\n",3,{"image":26,"text":15,"number":27},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.4.png",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.5.png","Bocci is a design and \nmanufacturing company \nbased in Vancouver and \nBerlin. Founded in 2005 \nunder the creative  \ndirectorship of Omer Arbel, \nBocci is committed to \nfostering a lateral and \nopen-ended relationship \nbetween creative direction \nand craft.\nThe company launched \nwith one lighting design, \n‘14’, which became an  \ninstant classic and \nremains a design staple \nand bestseller. Bocci’s \ngrowing portfolio of \nsculptural lighting is \ndeveloped, engineered \nand fabricated in-house, \nthrough an infrastructure \ncalibrated to provide full \ncontrol over technique, \nquality and scale.\nIn 2015, Bocci \ntransformed a historic \nBerlin building into a \nshowroom and archive. \n‘Bocci 79’ inhabits a \n2,200 m2 \u002F 23,600 sq.ft  \nformer courthouse, \nconstructed in 1896, \nshowcasing over a decade \nof works by Omer Arbel, \nranging from pieces in \nprogress, prototypes and \nideas, to the complete \nrange of catalogue pieces \ndeveloped for Bocci.\n",5,{"image":33,"text":15,"number":34},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.6.png",6,{"image":36,"text":37,"number":38},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.7.png","Left: Bocci HQ, Vancouver, Canada \u002F \nRight: Bocci 79, Berlin, Germany\n",7,{"image":40,"text":41,"number":42},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.8.png","Based between Vancouver \nand Berlin, Omer Arbel \ncultivates a fluid position \nbetween the fields of \narchitecture, sculpture, \ninvention and design. \nFocal themes of his \nwork include ongoing \ninvestigations of intrinsic \nmechanical, physical \nand chemical qualities \nof materials, and the \nexploration of light as  \na dynamic medium. \n",8,{"image":44,"text":45,"number":46},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.9.png","Right: Omer Arbel portrait\n",9,{"image":48,"text":15,"number":49},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.10.png",10,{"image":51,"text":52,"number":53},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.11.png","Bocci Products\n",11,{"image":55,"text":15,"number":56},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.12.png",12,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.13.png","Page 13\n87\nLeft: 87.7 (7e7 Atelier, Vancouver, Canada) \u002F Right: 87 detail\nEach 87 consists of a matrix of \nhot glass that is stretched and \nfolded back onto itself numerous \ntimes as it cools. In each \niteration, air is trapped between \nthe folds and stretched along \nthe grain of the loop, creating \nnumerous micro filaments which \ngive the piece a pearlescent \noptical quality. A light source is  \nintroduced at one end of the \nloop, casting light through the \nmicro filaments and registering \na gentle gradient. \n",13,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.14.png","87 installation (Bocci 79, Berlin, Germany)\n",14,{"image":66,"text":15,"number":67},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.15.png",15,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.16.png","84\nPage 16\nLeft: 84 detail \u002F Right: 84.20 (7e7Atelier, Vancouver, Canada)\n",16,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.17.png","84 consists of a white glass \nbubble that is captured inside a \nfine copper mesh basket and then \nplunged into hot clear glass. Air \nis blown into the matrix to gently \npush the white glass through the \nmesh, creating a delicate pillowed \nform that is suspended inside  \nthe thick outer layer of clear glass. \nUndulations in the exterior shape \nare a natural consequence of the \nfabrication process and different \nin each iteration of the procedure, \noptically accentuating the gentle \nwhite pillowing below.\n",17,{"image":77,"text":15,"number":78},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.18.png",18,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.19.png","Left: 84 installation (Euroluce 2017, Milan, Italy) \u002F \nRight: 84 installation (Bocci 79, Berlin, Germany)\n",19,{"image":84,"text":15,"number":85},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.20.png",20,{"image":87,"text":88,"number":89},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.21.png","Page 21\n76\nLeft: 76s (Bocci Head Office, Vancouver, \nCanada) \u002F Right: 76 detail\n76 results from introducing a \nvacuum into a stratum composed \nof hot white and clear glass \nwith copper mesh between; the \nvacuum causes the white layer to \npull away through the embedded \nmesh, leaving numerous tendrils \nof white glass suspended within \nan interstitial space as it goes. \n",21,{"image":91,"text":15,"number":92},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.22.png",22,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.23.png","Left: 6 x 76.1m (Private Residence, Vancouver, Canada) \u002F \nRight: 76 installation (Bocci 79, Berlin, Germany)\n",23,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.24.png","Left: 44 detail \u002F Right: 44 installation \n(Private Residence, Vancouver, Canada)\n44\nPage 24\n",24,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.25.png","Each 44 results from a free  \npour of molten aluminum into \na large canister filled with \nrock-like modules of resin-\nimpregnated sand, a waste \nproduct of conventional sand \ncasting. Low voltage electricity \nis transmitted through the \ncastings, allowing a light source  \nto be suspended between  \nthem without using cables. \n",25,{"image":106,"text":15,"number":107},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.26.png",26,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.27.png","Left: 44 installation (Bocci 79, Berlin, Germany) \u002F \nRight: 44 installation (Bocci 79, Berlin, Germany)\n",27,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.28.png","73\nPage 28\n",28,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.29.png","Left: 73 detail \u002F Right: 73.11 (Bocci \nHead Office, Vancouver, Canada)\n73 results from blowing liquid \nglass into a folded and highly \nheat-resistant ceramic fabric \nvessel. The resulting shape has \nthe form and texture intuitively \nassociated with fabric, but with \nthe optics and tactility of glass. \nA flat light source is positioned \nto fill the resulting volume with \ndiffused light, encouraging a \nvolumetric reading. \n",29,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.30.png","Left: 73.7 semi rigid (7e7 Atelier, Vancouver, Canada) \u002F  \nRight: 73 semi rigid installation (Bocci 79, Berlin, Germany)\n",30,{"image":125,"text":15,"number":126},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.31.png",31,{"image":128,"text":15,"number":129},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.32.png",32,{"image":131,"text":132,"number":133},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.33.png","Left: 16.15 Cypress Tree (Bocci 79, Berlin, \nGermany) \u002F Right: 16 detail\nPage 33\n16\n16 is formed by sequentially \npouring three separate puddles \nof molten glass of varying  \nopacity and colour over a \nhorizontal plane. Each layer \nresponds to the indeterminate \nshape of the previous pour to \ncreate a layered whole. Two of \nthese pieces are then attached  \nto house an internal light source. \n",33,{"image":135,"text":15,"number":136},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.34.png",34,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.35.png","16 tree installation (Fairmont Pacific \nRim Hotel, Vancouver, Canada)\n",35,{"image":142,"text":15,"number":143},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.36.png",36,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.37.png","Page 37\n38\nLeft: 38 detail \u002F Right: 38.3 (DGUV, Berlin, Germany)\n38 pushes the fabrication \ntechnique originally developed \nfor 28, which involves the \ncreation of controlled implosions \nto its technical and material \nlimits. A large glass sphere is  \nblown with a multitude of \nhaphazard interior cavities, which \nintersect and collide with each \nother. Several of these satellite \ncavities are deep enough to hold \nearth and succulent or cacti \nplantings, while others house \nlighting elements.\n",37,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.38.png","Left: 38.16 (Private Residence, London, UK) \u002F  \nRight: 38 installation (Bocci 79, Berlin, Germany)\n",38,{"image":153,"text":15,"number":154},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.39.png",39,{"image":156,"text":15,"number":157},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.40.png",40,{"image":159,"text":160,"number":161},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.41.png","Page 41\n57\nLeft: 57.19 (Private Residence, Vancouver, \nCanada) \u002F Right: 57 detail\n57 results from a fabrication \nprocess whereby air voids \ntrapped in clear glass bubbles \nof different sizes are clumped \ntogether and then submerged \nin a mass of dark translucent \nglass. One of the voids contains  \na light source. The air pockets \nare invisible when the piece is \nunlit, but appear when filled  \nwith light, exposing the \nvolumetric complexity within.\n",41,{"image":163,"text":164,"number":165},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.42.png","Left: 57 installation (Bocci 79, Berlin, Germany) \u002F \nRight: 57.157 (Canada House, London, UK)\n",42,{"image":167,"text":15,"number":168},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.43.png",43,{"image":170,"text":15,"number":171},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.44.png",44,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.45.png","Left: 28 detail \u002F Right: 28 installation (Inform \nInteriors, Vancouver, Canada)\n28\nPage 45\n28 results from a blown glass \nfabrication process which \nalternates both the temperature \n(selectively hot and cold) and the \ndirection of air flow (intermittently \nin and out). The technique yields \na slightly distorted sphere with \nan interior landscape of satellite \nshapes resulting from a series  \nof controlled implosions. One of  \nthese satellites serves as a \ndiffuser with a light source. \n",45,{"image":177,"text":15,"number":178},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.46.png",46,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.47.png","Left: 28 white powder coated copper installation (Private Residence, \nVancouver, Canada) \u002F Right: 28.3 (DGUV, Berlin, Germany)\n",47,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.48.png","28 colours\nPage 48\nLeft: 28.37 (Bocci 79, Berlin, \nGermany) \u002F Right: 28 colour detail\n",48,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.49.png","A wide variety of colours are \navailable and can be viewed at \n28.bocci.ca.\n",49,{"image":192,"text":193,"number":194},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.50.png","28 installation (Bocci 79, Berlin, Germany)\n",50,{"image":196,"text":15,"number":197},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.51.png",51,{"image":199,"text":15,"number":200},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.52.png",52,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.53.png","Page 53\n21\nLeft: 21 detail \u002F Right: 21 installation \n(Bocci 79, Berlin, Germany)\n21 results from a fabrication \nprocess in which thin porcelain \nsheets are draped over an \ninverted diffuser made of sand-\nblasted borosilicate glass with  \na light source. The thin porcelain \nskin is allowed to dress the  \nborosilicate core in whatever form \noccurs naturally in each iteration \nof the procedure.\n",53,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.54.png","Left: 21 installation (Qubique, Berlin, Germany) \u002F \nRight: 21.3 (Private Residence, London, UK)\n",54,{"image":210,"text":15,"number":211},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.55.png",55,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.56.png","14\nPage 56\nLeft: 14 detail \u002F Right: 14.14 (Private Residence, London, UK)\n",56,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.57.png","14 results from pouring glass \ninto a hemispherical mould. \nAs the glass cools, a meniscus \nshape forms on the open face  \nof the piece. Two of these pieces \nare joined to form an articulated \nsphere, with the two meniscus \nvoids in the middle yielding a \ncertain optical quality. A  \ncylindrical void passes through \nboth hemispheres and houses a \nlight source. \n",57,{"image":221,"text":15,"number":222},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.58.png",58,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.59.png","Left: 14 installation (Bocci 79, Berlin, Germany) \u002F Right: 14s \n",59,{"image":228,"text":15,"number":229},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.60.png",60,{"image":231,"text":232,"number":233},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.61.png","Bocci Projects\n",61,{"image":235,"text":236,"number":237},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.62.png","Page 62\nVictoria & Albert  \nMuseum\n2013\nThe Victoria & Albert Museum commission involved \n280 mouth-blown 28 series spheres cascading \nmore than 30 metres from the museum’s vaulted \nceiling. Copper tube suspension was introduced, \nadding volume and presence to the piece. The intent \nwas to contrast the monumental height, symmetry \nand austerity of the V&A atrium with the colour and \ncompositional awkwardness of the installation.\n",62,{"image":239,"text":15,"number":240},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.63.png",63,{"image":242,"text":15,"number":243},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.64.png",64,{"image":245,"text":15,"number":246},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.65.png",65,{"image":248,"text":15,"number":249},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.66.png",66,{"image":251,"text":15,"number":252},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.67.png",67,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.68.png","Canada House\n2015\n57.157 is a permanent light installation comprised \nof 157 individual glass pieces that reflect the \nabundant natural light in the Canada House stairway. \nThe installation is composed of stratified layers of \nreflective, one-way mirrored glass and black semi-\nrigid cable. Eye-level pieces and higher tangles of \nglass and wire create areas of intensity and relative \ncalm, encouraging a visceral experience of the light  \nin the space.\nPage 68\n",68,{"image":258,"text":15,"number":259},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.69.png",69,{"image":261,"text":15,"number":262},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.70.png",70,{"image":264,"text":15,"number":265},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.71.png",71,{"image":267,"text":268,"number":269},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.72.png","Barbican Foyer \nCommission\n2016\n44 is an immersive light installation commissioned \nfor the Lightwell in the Barbican foyer. Over 151 \nfree-poured aluminum forms were suspended from \nthe ceiling by a matrix of thin cables, evoking both \nweightlessness and mass and entering into dialogue \nwith the Barbican’s famous bush-hammered \nconcrete surfaces.\nPage 72\n",72,{"image":271,"text":15,"number":272},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.73.png",73,{"image":274,"text":15,"number":275},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.74.png",74,{"image":277,"text":15,"number":278},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.75.png",75,{"image":280,"text":281,"number":282},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.76.png","16.480 was commissioned as a public art piece. The \ninstallation consists of 480 glass pendants supported \nby a set of site-specific, tree-like minarets. These \n“trees” rise out of a landscape constructed of burnt \nwood planks and form an immersive canopy of light \nreaching up to 6m in height.\nFairmont Pacific Rim\n2015\nPage 76\n",76,{"image":284,"text":15,"number":285},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.77.png",77,{"image":287,"text":15,"number":288},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.78.png",78,{"image":290,"text":15,"number":291},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.79.png",79,{"image":293,"text":15,"number":294},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.80.png",80,{"image":296,"text":15,"number":297},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.81.png",81,{"image":299,"text":300,"number":301},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.82.png","Freunde von Freunden\n2016\n73.117 is part of a collaboration with the Freunde \nvon Freunden loft in Berlin-Kreuzberg. The \ninstallation describes patches of domestic space \nwhile subverting the need for vertical height with  \na system of semi-rigid suspension and swag hooks. \nPage 82\n",82,{"image":303,"text":15,"number":304},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.83.png",83,{"image":306,"text":15,"number":307},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.84.png",84,{"image":309,"text":15,"number":310},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.85.png",85,{"image":312,"text":313,"number":314},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.86.png","Mallett Antiques\n2014\nIn 2014 Mallett Antiques gave free curatorial  \nreign to outfit their entire showroom with large \nlight installations. The project was intended \nto create compositional tension through the \njuxtaposition of modern lighting with museum \nquality fine antique furnishings.\nPage 86\n",86,{"image":316,"text":15,"number":317},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.87.png",87,{"image":319,"text":15,"number":320},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.88.png",88,{"image":322,"text":15,"number":323},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.89.png",89,{"image":325,"text":15,"number":326},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.90.png",90,{"image":328,"text":15,"number":329},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.91.png",91,{"image":331,"text":332,"number":333},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.92.png","From 1896 to 1945 the building at Kantstrasse 79 \nserved as a courthouse. From 1945 until 2010 it \nwas used as a municipal land title archive and as \nadministration for estates in the district of Berlin \nCharlottenburg-Wilmersdorf. In 2015, the building \nbecame home to a living archive and laboratory \nfor OAO and Bocci. This six storey space provides \nample room to experiment with installations of  \nnew material and explore the limits of existing work.\nBocci 79\n2015\nPage 92\n",92,{"image":335,"text":15,"number":336},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.93.png",93,{"image":338,"text":15,"number":339},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.94.png",94,{"image":341,"text":15,"number":342},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.95.png",95,{"image":344,"text":15,"number":345},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.96.png",96,{"image":347,"text":15,"number":348},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.97.png",97,{"image":350,"text":15,"number":351},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.98.png",98,{"image":353,"text":15,"number":354},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.99.png",99,{"image":356,"text":15,"number":357},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.100.png",100,{"image":359,"text":360,"number":361},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.101.png","Technical Specifications\n",101,{"image":363,"text":364,"number":365},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.102.png","Page 102\nCanopy Options\nADJUSTABLE LENGTHS\nADJUSTABLE LENGTHS CLUSTER\nADJUSTABLE LENGTHS LINEAR\nFIXED LENGTHS CLUSTER\nFIXED LENGTHS COPPER\nARMATURE \nMOUNT\nMUD-IN\nSURFACE MOUNT\nØ29\nØ501\nØ333\nØ350\nØ60\nØ600\nØ707\nØ203\n.m\nmini\n.mi\nmini \ninnie\n.mo\nmini \noutie\n.1\nshallow \ncanopy\n.1\ndeep \ncanopy\n.3\nrandom \ncanopy\n.5\nrandom \ncanopy\n.3\nrandom \ncanopy\n(73 only)\n.19\ncluster canopy\n.3\ncluster \ncanopy\n(38 only)\narmature \ncanopy\n.sc \u002F .mc \u002F .3m\ncanopy\n.37\ncluster canopy\n.61\ncluster canopy\ns\nback \nplate\ns\nback plate\n(76 only)\ns\nback plate\n(73 only)\nsp\nlarge back \nplate\n.3\ncluster \ncanopy\n.7\ncluster \ncanopy\n.5\nrandom \ncanopy \n(28, 57, 73 \nonly)\n.7\nrandom \ncanopy\n.9\nlinear\n224\n53\n32\n1\n1\n1\n1\n32\n32\n53\n53\n53\n14\n53\n53\n12\n7\n32\n32\n32\n32\n32\n35\n16\n1200\nØ116\nØ152\nØ116\nØ203\nØ55\nØ70\nØ79\nØ115\nØ152\nØ152\nØ203\nØ88\nØ38\nØ203\nFIXED LENGTHS\nØ508\nØ508\nØ755\nØ755\nØ600\nØ600\n.8\nround canopy\n.11\nround canopy\n.14\nround canopy\n.20\nround canopy\n.26\nround canopy\n.36\nround canopy\n53\n53\n53\n53\n53\n53\n.3\nrandom \u002F \ncluster \ncanopy \n(28 only)\n.7\nrandom \u002F \ncluster \ncanopy \n(28 only)\n.5\nrandom \ncanopy \n(28 only)\n32\n32\n32\nØ152\nØ203\nØ203\n",102,{"image":367,"text":368,"number":369},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.103.png","Page 103\nCanopy Options\nFIXED LENGTHS\n.8\nrectangle canopy\n.11\nrectangle canopy\n.14\nrectangle canopy\n.11\nrectangle canopy\n(73 only)\n.16\nrectangle canopy\n.26\nrectangle canopy\n.28\nrectangle canopy\n.36\nrectangle canopy\n.21\nrectangle canopy\n.20\nrectangle canopy\n.20\nrectangle canopy\n(73 only)\n53\n53\n53\n53\n53\n53\n53\n53\n53\n53\n53\n284\n284\n284\n370\n370\n335\n444\n370\n284\n300\n444\n850\n850\n850\n1000\n1100\n1000\n1320\n1100\n850\n1320\n1320\nFIXED LENGTHS\n.11\nsquare canopy\n.36\nsquare canopy\n.50\nsquare canopy \n(21 only)\n.20\nsquare canopy\n.16\nsquare canopy\n.26\nsquare canopy\n.28\nsquare canopy\n53\n53\n53\n53\n53\n53\n53\n508\n600\n755\n755\n600\n755\n755\n",103,{"image":371,"text":372,"number":373},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.104.png","14\ncoaxial cable  |  surface mount options\nRandom\nfixed lengths\n14.5 random shown\n14.26 rectangle shown\n14.11 \n14.14\n14.20\n14.26\n14.36\nadjustable \nup to \n3000 \nstandard\n30500 \ncustom \nmax.\nadjustable \nup to \n3000 \nstandard\n30500 \ncustom \nmax.\nup to \n3000 \nstandard \nmax.\n30500 \ncustom \nmax.\n14s shown\n14sp shown\n14.9 linear shown\nSurface Mount\nwall or ceiling\n14s\n14sp\nLinear\nadjustable lengths\n14.9\nRandom\nadjustable lengths\n14.1m\n14.1\n14.1deep\n14.1mi\n14.1mo\n14.3\n14.5 \n14.7\nPage 104\n",104,{"image":375,"text":376,"number":377},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.105.png","16\ntree  |  armature systems\n16.11 armature \nshown\n16.25 elm tree \nshown\nTree System\n16.10 olive\n16.15 cypress\n16.20 hawthorne\n16.25 elm\n16.35 aspen\n16.40 birch\ndimensions \nvariable\ndimensions \nvariable\ndimensions variable\ndimensions variable\nArmature System\n16.8\n16.11\n16.16\n16.24\n16.36\n16.46\n16.58\n16.72\nPage 105\n",105,{"image":379,"text":380,"number":381},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.106.png","Page 106\n21\ncoaxial cable options\n21.7 random shown\n21.36 square \nshown\n21.37 cluster shown\nRandom\nadjustable lengths\n21.1m\n21.1\n21.1deep\n21.1mi\n21.1mo\n21.3\n21.5 \n21.7\nadjustable \nup to 3000 \nstandard\n30500 \ncustom max.\nup to 3000 \nstandard \nmax.\n30500 \ncustom max.\nup to \n3000 \nstandard \nmax.\n30500 \ncustom \nmax.\nCluster\nfixed lengths\nRandom \nfixed lengths\n21.19 \n21.37\n21.61\n21.11 \n21.14\n21.21\n21.26\n21.36\n21.50\n",106,{"image":383,"text":384,"number":385},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.107.png","Page 107\n28\ncoaxial cable  |  surface mount options\nRandom\nadjustable lengths\nRandom\nfixed lengths\n28.7 random shown\n28.11 square shown\n28.1m\n28.1\n28.1deep\n28.1mi\n28.1mo\n28.3\n28.5\n28.7\n28.11 \n28.16\n28.20\n28.28\nadjustable \nup to \n3000 \nstandard\n30500 \ncustom \nmax.\nup to3000 \nstandard \nmax.\n30500 \ncustom \nmax.\nadjustable \nup to 3000 \nstandard\n30500 \ncustom \nmax.\nLinear\nadjustable lengths\n28.9 linear\nSurface Mount\nwall or ceiling\n28s\n28sp\n28.9 linear shown\n28s shown\n28sp shown\n",107,{"image":387,"text":388,"number":389},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.108.png","Page 108\n28\ncoaxial cable options\nCluster\nadjustable lengths\nCluster\nfixed lengths\n28.3\n28.7\n28.19\n28.37\n28.61\n28.37 cluster shown\n28.3 cluster shown\nadjustable \nup to 3000 \nstandard\n30500 \ncustom max.\nup to 3000 \nstandard \nmax.\n30500 \ncustom max.\n",108,{"image":391,"text":392,"number":393},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.109.png","Page 109\n28\ncopper options\nCopper Surface Mount\nwall or ceiling\nCopper Random\nfixed lengths with optional aircraft cable\n28.11c rectangle shown\n28.28c square shown\n28sc\n28.1mc\n28.1c\n28.1c deep\n28.3c\n28.5c\n28.7c\n28.11c \n28.16c\n28.20c\n28.28c\nup to 3000 \nstandard\n9900 custom \nmax.\nup to 3000 \nstandard\n9900 custom \nmax.\n28sc shown\n",109,{"image":395,"text":396,"number":397},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.110.png","Page 110\n28\ncopper options\nCopper Cluster\nfixed lengths with optional aircraft cable\n28.7c cluster with optional \naircraft cable shown\n28.19c cluster shown\n28.3c\n28.7c\n28.19c\n28.37c\n28.61c\nup to 3000 \nstandard \nmax.\n9900 custom \nmax.\nup to 3000 \nstandard \nmax.\n9900 custom \nmax.\n",110,{"image":399,"text":400,"number":401},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.111.png","Page 111\n28\nCopper Cluster\nfixed lengths with spreader bars\n28.37c cluster \nshown\n28.19c\n28.37c\n28.61c\ncopper 3000 \nstandard \nmax.\n9900 custom \nmax.\nspreader bar 5000 max.\ncopper options\n",111,{"image":403,"text":404,"number":405},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.112.png","Page 112\n28\narmature options\nArmature System\n28.11a shown\n28.8a\n28.11a\n28.16a\n28.24a\n28.36a\n28.46a\n28.58a\n28.72a\ndimensions \nvariable\ndimensions variable\n",112,{"image":407,"text":408,"number":409},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.113.png","Page 113\n38\ncopper options\nCopper Random\nfixed lengths\n38.3m\n38.3\n38.11\n38.16\n38.28\n38.3m shown\n38.16 shown\ncopper \nup to \n9900\ncopper \nup to \n9900\n",113,{"image":411,"text":412,"number":413},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.114.png","Page 114\n57\nRandom\nfixed lengths\nCluster\nfixed lengths\n57.7 random shown\n57.19 cluster shown\n57.14\n57.26\n57.36\n57.19 \n57.37\n57.61\nCluster\nadjustable lengths\nRandom\nadjustable lengths\n57.3\n57.7\n57.1m\n57.1\n57.1deep\n57.1mi\n57.1mo\n57.3\n57.5\n57.7\nup to \n3000 \nstandard\n24600 \ncustom \nmax.\nadjustable \nup to \n3000 \nstandard\n24600 \ncustom \nmax.\nsemi-rigid options\n",114,{"image":415,"text":416,"number":417},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.115.png","Page 115\n73\nRandom\nadjustable lengths\nRandom\nfixed lengths\n73.3 random shown\n73.11 rectangle shown\n73s shown\n73sp shown\n73.1m\n73.1\n73.1deep\n73.1mi\n73.1mo\n73.3\n73.8\n73.11 \n73.20\nadjustable \nup to 3000 \nstandard\n30500 \ncustom max.\nup to 3000 \nstandard \nmax.\n30500 \ncustom max.\nSurface Mount\nwall or ceiling\n73s\n73sp\ncoaxial cable options\n",115,{"image":419,"text":420,"number":421},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.116.png","Page 116\n73\nsemi-rigid options\nSemi-rigid Random\nadjustable lengths\nSemi-rigid Cluster\nadjustable lengths\nSemi-rigid Random\nfixed lengths\nSemi-rigid Cluster\nfixed lengths\n73.7 random shown\n73.19 cluster \nshown\n73.1m\n73.1\n73.1deep\n73.1mi\n73.1mo\n73.3\n73.5\n73.7\n73.3\n73.7\nup to \n3000 \nstandard\n24600 \ncustom \nmax.\nadjustable \nup to \n3000 \nstandard\n24600 \ncustom \nmax.\n73.8\n73.11\n73.14\n73.20\n73.26\n73.36\n73.19\n73.37\n73.61\n",116,{"image":423,"text":424,"number":425},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.117.png","Page 117\n73\nTree System\n73.10 olive\n73.15 cypress\n73.20 hawthorne\n73.25 elm\n73.35 aspen\n73.40 birch\n73.20 hawthorne tree \nshown\ndimensions \nvariable\ndimensions \nvariable\ndimensions variable\ntree options\n",117,{"image":427,"text":428,"number":429},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.118.png","Page 118\n76\nRandom\nadjustable lengths\nSurface Mount\nwall or ceiling\nRandom\nfixed lengths\n76.7 random shown\n76s shown\n76sp shown\n76.26 rectangle shown\n76.1m\n76.1\n76.1deep\n76.1mi\n76.1mo\n76.3\n76.5 \n76.7\n76s\n76sp\n76.11 \n76.14\n76.20\n76.26\n76.36\nadjustable \nup to 3000 \nstandard\n30500 \ncustom max.\nup to 3000 \nstandard \nmax.\n30500 \ncustom max.\ncoaxial cable  |  surface mount options\n",118,{"image":431,"text":432,"number":433},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.119.png","Page 119\n84\nRandom\nadjustable lengths\nRandom\nfixed lengths\n84.1m\n84.1\n84.1deep\n84.1mi\n84.1mo\n84.3\n84.5\n84.7\n84.11 \n84.14\n84.20\n84.26\n84.36\nSurface Mount\nwall or ceiling\n84s\n84sp\n84.5 random shown\n84.26 square shown\nadjustable \nup to 3000 \nstandard\n30500 \ncustom max.\nup to 3000 \nstandard \nmax.\n30500 \ncustom max.\n84s shown\n84sp shown\ncoaxial cable  |  surface mount options\n",119,{"image":435,"text":436,"number":437},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.120.png","Page 120\n87\nSwagged Cluster\nadjustable lengths\nSwagged Random\nadjustable lengths\nCluster\nadjustable lengths\nRandom\nadjustable lengths\n87.3\n87.7\n87.1m\n87.1\n87.1deep\n87.1mi\n87.1mo\n87.3\n87.5 \n87.7\n87.3\n87.7\n87.1m\n87.1\n87.1deep\n87.1mi\n87.1mo\n87.3\n87.5 \n87.7\n87.3 random shown\n87.3 swagged \nrandom shown\n87.7 cluster shown\n87.7 swagged \ncluster shown\nadjustable \nup to 3000 \nstandard\n30500 \ncustom max.\nadjustable \nup to 3000 \nstandard\n30500 \ncustom max.\ncoaxial cable options\n",120,{"image":439,"text":440,"number":441},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.121.png","Page 121\n87\ncoaxial cable options\n87.11\n87.14\n87.20\n87.26\n87.36\n87.19\n87.37\n87.61\n87.11\n87.14\n87.20\n87.26\n87.36\n87.19\n87.37\n87.61\nRandom\nfixed lengths\nCluster\nfixed lengths\nSwagged Random\nfixed lengths\nSwagged Cluster\nfixed lengths\n87.11 random \nshown\n87.11 swagged \nshown\nup to 3000 \nstandard\n30500 \ncustom max.\n",121,{"image":443,"text":444,"number":445},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.122.png","Credits \nBocci ©bocci, 2018 \nAll rights reserved, including the \nright of reproduction in whole or in \nany form.\n \nPhotography\nGwenael Lewis Pages 6, 34\u002F35, 43, 54, 59, 68, \n69, 70, 76, 77, 78\u002F79, 80, 86, 87, 88\u002F89, 90\nHarry Fricker Pages 7, 32, 45, 94, 95, 96\u002F97\nFahim Kassam Pages 9, 12, 13, 14\u002F15, 16, 17, \n18, 19, 20, 22, 23, 25, 26, 29, 30, 31, 38, 39, 40, 46, 48, \n49, 50\u002F51, 55, 57, 72, 73, 74\nTobias Faisst Pages 21, 24, 28, 33, 36, 41, 44, \n52, 56, 83\nNik Barr Pages 62, 63, 64\u002F65, 66\nDaniel Muller Pages 658, 93\nHartmut Nägele Pages 37, 47\nRobert Rieger Pages 82, 84\nRich Stapleton Pages 42, 53\nWallpaper Pages 27, 92, 98\nArt Direction & Design\nCee Cee Creative, Berlin\n",122,{"image":447,"text":448,"number":449},"\u002Fmedia\u002Fimages\u002Fca\u002Fb4eb4354177ce68e92d6ccb4bcdaf5.123.png","Contact \nBocci Design & Manufacturing Inc. \n+1 604.639.5195\n495 Railway Street\nVancouver BC. 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