[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-baleri-italia-news-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":145},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":140,"matched_pages":141,"match_count":142,"two_pages":143,"show_text":144},7587,"News 2019","baleri-italia-news-2019","\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F5c\u002Fbb6d0fe3c219b5459d62c527992617.pdf","Baleri Italia",298,"baleri-italia","39.6 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137],{"image":7,"text":15,"number":16},"As molo ommo doluptiis etur aut occus cum ipsunt.\nAs exerumquam exerupt aspiet lignihi lloreperum qui aute in el \nesto dolor as cus aut et aute que minvellis atem cuptatqui cone \ndolupta nis ea dolore si dolupta ectempo rruptur alit, consere \nhendis ex enis denemquas dolore, illatquam earum sinumque \nacerionseque ea num fugitio rporeperum es venes aut aliqui \nutectem porrumquae plique eliberiatin rae. Ovitae. Nem \nharionsequi blantiusam, nata simetur, adit aperum quas restis \nesci audia eat eveliquam, sendi dio dunto core velenis diatibus \nas sit volorup idellupta natist et ute ma dolupta tionsedistio \nbeatem. Itatiur aut videnis quassimin plaboru ptatur, nihit inis \nrescia aut ereium autem quis utem debisqui apiti tenimin \nexero volupta tiatus miliaese peliati blate simagnatur ame \nma qui illoribus autempos quide estrum faccupt assunt labor \nsum apersperum coris arunt, vel maximpe rferro moloriorpore \nvendae volorepeliti commolu piscipi endaerum ipsantium \nquaeped ene lam core sit que ipsa volorrori inciisitati rent \neumque eum quate re, te iunt faceperferi tem quaturia con \nexcest et rem a ni delendita veneceatur, exeribust quisquid et \nquis ped moluptatius re nihicit alit, volora debis ne prescia dia \ndolenit quo quo ium volendis aliquamCaera pelecti busdani \nenimenessunt aborrum, nesequam, conseca ectiund itibus.\nSed que doloris sit quia de dest pa que vellab il\nFURNITURE COLLECTION 2019\nBALERI ITALIA\nErumque consequ untotae videribus doluptam\nErumque consequy\nSede legale | Registered office\nVia Borgonuovo, 16 - 20121 Milano\nP. iva: 10138480966\nSede operativa | Headquarter\nVia G. Verdi, 42 - 24060 Telgate (BG)\nP. iva: 10138480966\nè un marchio Baleri Italia S.r.l.\nis a trademark of Baleri Italia S.r.l.\nLiving The Space\n2019\nwww.baleri-italia.it\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.2.png","BALERI ITALIA\n5\n4\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.3.png","BALERI ITALIA\n6\nGli spazi domestici contemporanei mutano riportando al centro della \ncasa le persone ed accogliendo nuove e più fluide forme dell’abitare, gli \narredi si adattano a nuovi stili di vita e trovano spazio negli stessi luoghi \nla convivialità e il privato.\nBaleri Italia raccoglie la sfida della contemporaneità presentando una \ncollezione che si arricchisce di nuovi arredi e complementi che uniscono \nricerca estetica, funzionalità e spunti ironici nel segno del rispetto del \nproprio DNA che da sempre ambisce a proporre un design significativo \ne oltre le mode.\nThe contemporary house has changed according to new ways of \nliving and habits, re-focusing around people. Furniture as well is \nadapting to modern lifestyles and the same spaces house private \nand social moments and activities.\nBaleri Italia plays a role in the present times, introducing a collection \nof furniture and accessories enriched of new products featuring \nbeauty, functionality and playful details. It aims to follow the path of \nits DNA values for a timeless, meaningful design.\nLIVING THE SPACE\n7\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.4.png","9\nMiss Match Claesson Koivisto Rune\nBALERI ITALIA\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.5.png","BALERI ITALIA\n11\n10\nClaesson Koivisto Rune | 2018\nMiss Match\nMiss Match Claesson Koivisto Rune |  Tato collection Denis Santachiara + Enrico Baleri | Match Point Omri Revesz\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.6.png","BALERI ITALIA\n13\n12\nMiss Match\nIl divano è stato pensato come unione di semplici \nblocchi che si caratterizzano per un dettaglio \nparticolare: una sottile irregolarità dovuta dalle \ndimensioni degli schienali – profondità e altezza \n– che variano di alcuni centimetri, mentre i piani \ndi seduta e schienale rimangono sempre costanti. \nI sei elementi di seduta possono essere combinati \nin molteplici configurazioni e, grazie alle differenze \ndimensionali delle singole unità accostate, il \ngioco dimensionale crea un effetto dinamico e \ncaratteristico.\nA take on the sofa involving a combination of simple \nblocks with a distinctive, distinguishing detail: subtle \nirregularity due to variations of a few centimetres \nin the depths and heights of the backrests, \nwhile the seat surfaces are always the same. \nThe six seating units can be combined in numerous \narrangements and the different dimensions of the \nindividual pieces that come together create a \nstriking, dynamic effect.\nMiss Match Claesson Koivisto Rune | Match Point Omri Revesz\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.7.png","BALERI ITALIA\n15\n14\nDenis Santachiara | 2018\nChromosome X & Chromosome Y\nChromosome X & Chromosome Y formano una \ninedita coppia di maxi sedute imbottite nata \ndalla volontà di suggerire nuove modalità di \nconnotazione di uno spazio. Le caratteristiche \nforme \nX \ne \nY \ndi \nqueste \nsedute \ninformali \npermettono \ndi \ncreare \ndiverse \ncomposizioni \ndinamiche attraverso la loro libera associazione \nin un ambiente, diventando cromosomi in libertà \nin grado di generare un nuovo DNA dell’abitare \ncontemporaneo.\nChromosome X & Chromosome Y form an \nunprecedented pair of substantial padded seats \nstemming from the desire to put forward new \nways of making a mark on settings. The distinctive \nX and Y shapes of the informal seats provide the \nscope to create a number of dynamic compositions \nbecause they can be arranged in any way and any \nlocation, thus making them free chromosomes \nthat are capable of generating the new DNA of \ncontemporary living.\nChromosome Y  Denis Santachiara\nChromosome X & Chromosome Y | Denis Santachiara\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.8.png","17\nBALERI ITALIA\n16\nChromosome X & Chromosome Y\nChromosome X & Chromosome Y | Denis Santachiara\nChromosome X Denis Santachiara\nMatch Point Omri Revesz\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.9.png","BALERI ITALIA\n19\n18\nGeometrica ed essenziale, ma al tempo stesso \ndinamica, Match Point è una collezione di tavolini \nin legno massello in tre altezze con finiture naturali \no colorate. Tre dischi circolari – tenuti insieme in \nequilibrio a 30, 60 e 90 gradi – danno vita a un \nprodotto funzionale e dalla presenza scultorea.  \nThe geometrically shaped yet dynamic solid wood \ncoffee tables in the Match Point collection come \nin three different heights and boast coloured or \nnatural wooden finishes. Three circular discs – held \ntogether and balancing at 30, 60 and 90 degrees \n– are at the heart of the practical, sculpturesque \nproducts. \nOmri Revesz | 2018\nMatch point\nTall 90° | Medium 60° | Low 30°\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.10.png","21\nBALERI ITALIA\n20\nParisotto + Formenton | 2018\nTrays\nTrays (Poltrona | Armchair) Parisotto + Formenton |  Tato collection Denis Santachiara + Enrico Baleri | Match point  Omri Revesz\nTrays è un sistema di imbottiti per il living \ncontemporaneo ispirato a forme del design degli \nanni ’50 e concepito per offrire grande flessibilità \ndi conformazioni per spazi sia privati sia hospitality. \nLa famiglia, che include divani, poltrone, pouff \ne dormeuse, si distingue per linee asciutte ed \nessenziali, forme morbide e smussate. Elementi \ncaratterizzanti sono una struttura sospesa e \nleggera che sostiene una piastra, elemento a \nvassoio che supporta la seduta e lo schienale, e \nil leggero scarto che si crea tra questa base e le \ncuscinature di seduta, generando un’asimmetria \ncaratteristica.\nTrays is a collection of upholstered furniture \nfor contemporary living areas. It is inspired by \n1950s design shapes and conceived to offer \nhighly flexible arrangements for both private \nsettings \nand \nhospitality. \nSimple, \nclean-cut \nlines and soft, rounded shapes are some of the \ndistinguishing features of the selection, which \nincludes sofas, armchairs, pouffs and dormeuses. \nThe light, suspended structure holds up a tray \nthat supports the seat and the backrest. A \ndistinctive asymmetrical look is produced by the \nslight difference between this base and the seat \ncushions.\nTrays (Divano 2 posti | Sofa 2 seats) Parisotto + Formenton | Match Point  Omri Revesz\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.11.png","23\nTrays\n22\nBALERI ITALIA\nTrays (Divano 3 posti | Sofa 3 seats) Parisotto + Formenton | Picos Claesson Koivisto Rune | Milady & Madam Radice Orlandini | First Baldessari&Baldessari\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.12.png","Erumque consequ untotae videribus doluptam\nErumque consequy\n25\n24\nBALERI ITALIA\nBaldessari e Baldessari | 2019\nFirst\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.13.png","BALERI ITALIA\n27\n26\nFirst\nMilady & Madam Radice Orlandini | First Baldessari e Baldessari\nFirst is a family of tables for daily use in living rooms, \nhome-office areas or workplaces. It is connoted \nby the continues curved line of the metal tubular \nstructure that opens up as a V on the legs. \nThe colour palettes of the matt varnished  metal \nmatches with the coloured MDF tops. First tables \nare available in a range of dimension and shapes.\nFirst è una famiglia di tavoli versatili pensata sia \nper l’ambiente pranzo sia per l’ home-office e \nl’ufficio.  La linea continua del tubolare metallico \na sezione circolare  si svolge e disegna la struttura \ncome un “filo d’Arianna”, senza soluzione di \ncontinuità, aprendosi con un V in corrispondenza \ndella gamba e generando una forma snella di \ncurve e contro-curve. \nLa  palette di colori nella finitura satinata della \nstruttura dialoga con i piani in MDF colorato in \npasta e in combinazione con le diverse forme \ne dimensioni crea una gamma variegata di \nopportunità.\nMilady & Madam Radice Orlandini | First Baldessari e Baldessari\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.14.png","BALERI ITALIA\n29\n28\nFirst\nKin Radice Orlandini | First Baldessari e Baldessari\n29\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.15.png","31\nBALERI ITALIA\n30\nStudio Irvine | 2019\nDonna\nDonna Studio Irvine | First Baldessari e Baldessari\nDonna is a friendly, easy stackable chair, born \nout of a research for a lightness able to generate \nsystem. The result is a chair that can easily fit into \nseveral different spaces and atmospheres. The \nlight structure accommodates the seat that can \nbe bare, fully upholstered or have a frontal soft \npad to offer multiple combinations of finishes, \ncolours and fabrics.\nDonna nasce dalla ricerca della leggerezza per la \ncreazione di un sistema: il risultato è una sedia agile \ne dalle innumerevoli è una sedia impilabile capace \ndi adattarsi a diversi tipi di ambienti e situazioni. La \nstruttura snella in metallo accoglie la scocca grazie \nad una sede nella parte posteriore dello schienale. \nLa seduta, realizzata in metallo, può essere scelta \nin diverse versioni: con un pad morbido sulla sola \nparte anteriore, completamente imbottita oppure \nsemplicemente mostrata nella sua essenzialità. \nTante perciò le possibili combinazioni tra colori, \nfiniture e tessuti. \n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.16.png","BALERI ITALIA\n33\n32\nPaloma Radice Orlandini | Cafè Costes Philippe Starck | Donna Outdoor Studio Irvine | Tattoo Cactus Maurizio Galante + Tal Lancman\nBALERI ITALIA\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.17.png","Erumque consequ untotae videribus doluptam\nErumque consequy\nBALERI ITALIA\nStudio Irvine | 2019\nDonna Outdoor\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.18.png","BALERI ITALIA\n37\n36\nDonna Outdoor\nDonna Outdoor Studio Irvine | Tattoo Cactus Maurizio Galante + Tal Lancman\nDonna outdoor combines the light metal structure \nwith a micro-perforated metal seat available in \nmatching or contrasting colour.\nDonna, nella sua versione outdoor, combina la \nstruttura leggera in tubolare metallico con una \nseduta in metallo microforato, tono su tono o a \ncontrasto.\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.19.png","BALERI ITALIA\nErumque consequ untotae videribus doluptam\nErumque consequy\n39\n38\nBALERI ITALIA\nRadice Orlandini | 2019\nPaloma\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.20.png","BALERI ITALIA\n41\n40\nPaloma\nPaloma Radice Orlandini | Cafè Costes Philippe Starck\nPaloma, outdoor and indoor, is an archetype chair, \nthat aims to translate in the space the gestural \nsketch of a pencil on paper drawing the idea of a \nsimple chair, just a chair, nothing more.\nSimple, yet impact-full it is generated by a curved \nmetal structure that creates the outline of the \nchair itself, highly connoting the product. \nPaloma, outdoor e indoor, trasforma in oggetto \ntridimensionale lo schizzo gestuale della matita, \nil segno grafico che fissa sul foglio l’idea di una \nsedia da un approccio minimale e libero da \nsovrascritture. \nGrazie \nall’immediato \nimpatto \nemotivo sull’immaginario, è quasi un archetipo \ndella sedia stessa. Un tubo piegato nello spazio \ndisegna i contorni della sedia, fortemente visibili \ne caratterizzanti.\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.21.png","BALERI ITALIA\n43\n42\nBALERI ITALIA\nRadice Orlandini | 2019\nMadam\nMilady\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.22.png","45\nBALERI ITALIA\n44\nMilady | Madam\nMilady & Madam Radice Orlandini | First Baldessari e Baldessari\nNata con l’obiettivo di alleggerire il più possibile \nil format del pozzetto, Madam è generata dalla \nscomposizione della massa dello schienale in tre: \nuno centrale più alto e due laterali più bassi con \nfunzione di braccioli. I tre petali ridotti al minimo \nnegli \nspessori, \nrestano \nvisibilmente \nseparati \ne indipendenti creando una scocca leggera  \ned accogliente. \nMilady rappresenta la versione ulteriormente \nalleggerita, che scopre le gambe su basamento \ncentrale e lascia i petali sospesi a corolla attorno \nal sedile.\nMadam  is the contemporary  version of a classic \narmchair conceived with the aim of the maximum \nlightness. Three thin elements are created from \nthe splitting of the shell into three parts that stay \naround the seat as a blooming flower.\nMilady is an even lighter  version with shorter petals \nand visible legs that preserves all the comfort of \nthe original one.\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.23.png","BALERI ITALIA\n47\n46\nRadice Orlandini | 2019\nTape\nCartoons Luigi Baroli | Miss Match Claesson Koivisto Rune | Tape Radice Orlandini |  Tato collection Denis Santachiara + Enrico Baleri\nLa poltrona Tape nasce dall’incontro di due \nsuperfici imbottite e soffici che si piegano \nmorbidamente nello spazio a formare seduta \ne schienale.  Nessuna struttura a vista ma solo \ndue grandi cuscini conformati sulle forme del \ncorpo e garantire il massimo comfort durante il \nrelax. Nel punto di giunzione fra i due elementi \nle imbottiture si schiacciano sotto la spinta delle \nforze dinamiche. \nUn terzo elemento posizionato sotto la seduta \ncompleta il gioco di incastri fra le diverse \nmasse e può essere usato a piacimento come \npiano d’appoggio laterale o come poggiapiedi \ntrasformando la poltrona in una chaise-longue.\nTape  is  an armchair designed by the hug of \ntwo soft pads, the seat and the backrest joining \nto create a comfortable shell shaped around \nthe human body. No visible structures, only the \nupholstered elements are shown, looking like they \nare compressed by dynamic forces when joining.\nA third element, located under the seat can be \nused as a side table or footrest to create a chaise-\nlounge.\nTape Radice Orlandini  | Picos Claesson Koivisto Rune\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.24.png","49\nBALERI ITALIA\n48\nLuigi Baroli | 1992\nCompasso d’oro 1994\nCartoons\nCartoons Luigi Baroli | Miss Match Claesson Koivisto Rune | Tape Radice Orlandini \n“Sta in piedi sulla S di sinuoso, letteralmente.” \nGiovanni Anceschi\nIl paravento autoportante in carta ondulata, \nvincitore del Compasso d’Oro nel 1994, vera \nicona \ndi \ngrande \nriconoscibilità \ndel \ndesign \ncontemporaneo, si arricchisce oggi di una nuova \nversione più bassa e di nuovi colori, anche custom \ncon stampa digitale.\n“...on the S of sinuous, literally.”\nGiovanni Anceschi\nThe self standing room divider, awarded with \nthe Compasso d’Oro in 1994, is already a highly \nrecognizable  icon of contemporary design. \nAvailable today in  lower version and new colours, \nalso customizable with a digital print.\nCartoons (150cm & 170cm) Luigi Baroli\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.25.png","BALERI ITALIA\nClaesson Koivisto Rune | 2018\nPicos\n51\n50\nPicos è una famiglia composta da tre tavolini \nbilaterali di diverse dimensioni. Una forma fluida \ne organica accomuna i modelli, ognuno dei quali \npresenta due piani di colori diversi, entrambi \nreversibili. Ogni elemento ha quindi un totale di \nquattro differenti colori, di cui solo due visibili \ncontemporaneamente per infinite configurazioni.\nThere are three two-sided coffee tables in a choice \nof sizes in the Picos range. All of them have natural, \nflowing shapes and two tops in different colours, \nboth of which are reversible. Therefore, in total \nfour colours are available for each piece, although \nonly two can be seen at a time for several creative \ncombinations.\nClaesson Koivisto Rune | 2018\nPicos\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.26.png","53\nBALERI ITALIA\nClaesson Koivisto Rune | 2018\nRoundel\n52\nRoundel è̀  un tavolo che celebra la figura del \ncerchio a più̀  livelli, a partire dalla forma del piano, \nfino alla suddivisione dello stesso in tre diversi \ndischi realizzabili in materiali e\u002Fo colori diversi \nche suggeriscono altrettante zone di utilizzo. \nDalla forte qualità scultorea, quasi fosse realizzato \nda un vasaio, Roundel permette di dar vita a \nconfigurazioni fortemente democratiche: i tavoli \nrotondi non presuppongono nessuna gerarchia e \npermettono il migliore contatto visivo possibile tra \ntutte le persone sedute attorno.\nThe Roundel table celebrates circular shapes \nin a number of ways, including with the form of \nthe top and the three different discs into which \nit is divided, which can be made with a range \nof colours and\u002For materials in order to mark out \nseparate areas of use. With its highly sculpturesque \nqualities, Roundel is almost like a piece of pottery \nand it can be used in extremely democratic \narrangements and layouts because round tables \npresent no sense of hierarchy and they facilitate \nmaximum eye contact among all the people \nsitting around them.\nRoundel Claesson Koivisto Rune | Donna Studio Irvine\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.27.png","55\nBALERI ITALIA\n54\nRoundel\nRoundel Claesson Koivisto Rune | Donna Studio Irvine | Cartoons  Luigi Baroli\nRoundel Claesson Koivisto Rune | Marì Luigi Baroli\nRoundel Claesson Koivisto Rune | Marì Luigi Baroli\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.28.png","57\nBALERI ITALIA\n56\nRoundel\nRoundel Claesson Koivisto Rune | Trays Parisotto + Formenton\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F21\u002F4aa67a053067c1bfd4c8f2d7031582.29.png","BALERI ITALIA\n59\n58\nRadice Orlandini | 2018\nKIN\nTrae ispirazione dalla tecnica giapponese del \nKintsugi – che tende a valorizzare la rottura di \nun oggetto piuttosto che nasconderla – la seduta \nKIN, un prodotto altamente versatile, perfetto \nanche per il settore contract. Così come da \ntradizione nipponica, i designer hanno ricomposto \nin un’inedita soluzione estetica le diverse parti \ndella struttura, che trasmettono l’impressione \ndi un equilibrio apparentemente instabile. La \nstruttura portante risulta nascosta alla vista e \nl’illusorio contrasto tra le varie parti può essere \naccentuato con finiture e materiali differenti. Tra \ni plus funzionali della discontinuità formale c’è \nun ridotto ingombro dei braccioli, in grado di \noffrire il giusto appoggio senza essere voluminosi \ne permettendo di posizionare comodamente la \nsedia sotto il tavolo.\nThe KIN seat takes inspiration from the Japanese \nKintsugi technique, which tends to embrace the \nvalue of breakages rather than seeking to conceal \nthem. It is a highly versatile product that is also \nperfect for the contract market. 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